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wandascosmic · 1 day ago

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why can't you see? (8)

wanda maximoff x fem!reader

part eight of 'you belong with me' series

summary: basically a wanda series inspired by jim and pam from the office

word count: 3418

tags: best friends to lovers, actual idiots to lovers, they're so cute my little babies, 3/4 of this is just reader being a little shit but she's so real like she's me when im doing work, wanda's so here for it though they're so on the same wavelength it's adorable

taglist: @reginassweetheart @rroyale-109 @marvel-posts

part 1 part 2 part 3 part 4 part 5 part 6 part 7

Tony suddenly feels the sensation of his jacket being pulled over his head. “Oh!” he grunts, as his eyesight his overshadowed by darkness.

“What has two thumbs and likes to bone your mom?” Hayward asks in a gross joking tone, pulling the jacket back down.

Tony turns around slowly, his eyes widening in surprise and happiness once he sees who’s surprised him. “Tyler!” Tony says excitedly before hugging the man.

“What’s up Tony, how’s it going?” Hayward says cockily. Hayward smirks as he turns to you at your desk. “What’s up, L/N, still queer?” he asks.

You give him a tight-lipped smile before going back to work, and Wanda watches you with an amused grin. Your absolute lack of ability to hide when you’re annoyed always made her laugh.

“Man, we have loads of catching up to do,” Tony tells Hayward as he starts to lead him towards his office while the two begin to engage in chatter.

You roll your eyes aggressively.

God, you hated Tyler Hayward with a burning passion.

Standing up from your desk, you grab your jacket ready to head out for lunch. But of course, you need to stop by your favourite receptionist’s desk for the fifth time today. Or maybe sixth.

“What has two thumbs and hates Tyler Hayward?” you ask her as you walk over.

Wanda smiles knowingly. “Me,” you mouth to her, pointing your index finger at yourself.

“Well,” Wanda says. “I’m always here if you need saving.”

“Please,” you respond, giving her a knowing look. “Hey, do you want anything from the sandwich shop down the street?”

“Oh! Yeah, could you get me that ham and cheese one you got me last time?”

You smile. “Sure,” you say, before heading out the door.

***

“I’m really excited to meet your mom,” you tell Wanda as you take a bite of your turkey sub.

“You are?” Wanda asks, unwrapping the sandwich you got her.

“Mhm,” you nod. “I’ve got many questions to ask her.”

“Oh yeah? Like what?” Wanda asks curiously with a tilt of her head.

You grin before assuming a quizzical expression. “Like this.” You shift in your seat slightly to get more into character. “As a child, did Wanda show any traits that would hint towards her future career as a receptionist?”

Wanda laughs. “I’m not sure she’ll know how to answer that question.”

***

The door opens quietly, and you smile as you see Iryna Maximoff start to slowly make her way towards her daughter. Wanda doesn’t notice, continuing to type on her computer.

Suddenly, Wanda feels a tap on her shoulder.

And turning her head, Wanda’s eyes light up once she sees who’s in front of her. Wanda’s told you how much she loves her mother, many, many times.

Iryna smiles at her daughter. “Hi,” she says, before Wanda jumps out of her chair to hug her tight.

“Mama!” Wanda exclaims, squeezing tighter.

You smile at the heartwarming exchange.

Deciding to go introduce yourself, you stand up from your chair, ready to go meet the woman who brought the most wonderful human being you’v ever known into this world.

You faintly hear Wanda begin to tell her mother all the things she’s missed the past few weeks, but your nerves have caught up to you slightly and you desperately want to make a good impression. You brush the dust off your pants slightly, and start to walk over.

Should you say hi?

How are you?

Nice to meet you, I’m Y/N?

Hi Ms. Maximoff, I’ve been in love with your daughter ever since she started working here so could you please like me?

Nope. Definitely not.

You groan, deciding to just get it over with.

Taking a deep breath, you stand at Wanda’s desk with a smile, drumming your fingers on the wood as you prepare for the two Maximoffs to turn around.

But of course, the universe had other plans.

You turn your head to the sound of the door creaking open, and your heart drops as you see Vision enter. With fucking flowers. And gel in his hair. And the most obnoxious country club outfit you’ve ever seen. It made your work clothes seem like a potato sack in comparison, and you realize that you can’t meet Wanda’s mother looking like this compared to her fiance. Plus, Vision already hated you and had his suspicions.

Regaining your composure, you eliminate any suspicion he may have had of you standing at Wanda’s desk by taking a candy from the communal dish at the front and immediately turn around to walk back to your own stupid desk.

Sitting back down, you frown slightly, but ultimately decide that you should probably get back to the papers that were giving you a headache of boredom.

All you wanted was to say hi.

After a couple seconds, you overhear Iryna greet Vision.

“Oh, there he is,” she says happily. Hey handsome, how are you?” You turn to see her greet him with a hug.

“I’m pretty good. How are you?” Vision responds, very obviously sucking up as you’ve seen his true personality on a daily basis. “You look great, Iryna.”

“Thank you very much,” Iryna responds with a smile. “So, are we ready for dinner?”

“Oh,” You hear Wanda express, a bit forlorn. “Well, you know, actually I kind of need to stall a bit, since Tony’s gonna have a small meeting at the end of the day,” she says guiltily. “But, it’s okay since I’m very used to killing time.” Wanda chuckles a bit.

“Oh, no worries,” Iryna tells her. “We’ll just wait a bit.”

“For sure,” Vision agrees. “I’ll go wait in the parking lot.” Turning to Iryna, he asks, “and, uh, what kind of tunes do you want for the ride? Country? Oldies?”

“Oh, anything is fine,” Iryna replies kindly.

“All right, well, see you soon!” Vision says before leaving the office.

And the second the door closes, you finally hear something that makes you smile.

“So which one is Y/N?” Iryna asks her daughter cheekily.

“Mama!” Wanda replies with a blush.

***

It’s the next day, and you’ve never been as bored as you feel now.

Actually, you’ve been on a boredom streak lately.

But today is the absolute worst of all.

After Vision had left, you had finally gotten the opportunity to properly greet Iryna before she left to join Vision in the parking lot, and Wanda had really seemed to enjoy the entire exchange.

But now, it’s the next day, and you want to absolutely murder the papers in front of you. Depsite your hatred for Tyler Hayward, him showing up yesterday made your day somewhat different from the rest.

Groaning loudly, you plop your forehead onto your desk and dread the day before you.

Wanda, of course, is entertained by your shenanigans and snickers as she watches you.

It was official.

You had died of boredom.

(An occurence that happens once every sixth months. Seven if Tony’s being extra insane.)

And your guys’ deal was that it was Wanda’s job to revive you.

***

“You see Sam’s coffee mug?” Wanda asks as you stand in front of her at her desk.

“Mhm,” you say, turning to look at the mug along with her.

Wanda leans slightly closer. “Sometimes when he’s not here, I try to throw stuff in it,” she whispers to you.

“No way,” you laugh.

Wanda nods at you with a sly grin, handing you a yellow piece of paper for you to crumple up into a ball.

“We should play paper basketball one day with his mug,” you tell her as you crumple the paper absentmindedly.

“No way,” Wanda shakes her head. “I’ve seen you play basketball.”

“What if I get you chicken paprikash and your favorite candies?”

“Deal.” Wanda says instantly. “Now throw, I can’t wait for Sam to drink it accidentally.”

‘Wow, I can’t believe I’ve never seen this side of you Maximoff. You might be a bigger prankster than I am.”

“You’re teasing me. I can tell,” Wanda narrows her eyes at you. “Throw the paper!”

You laugh before throwing it as instructed. “Damn it,” you say when it misses.

“I’m the only one who can keep up with your pranks, L/N. Plus, it’s fun doing them with you,” Wanda answers as she rummages through her drawers for something else for you to throw, unknowing of the fact that she just made your heart skip a beat. “Here, try paper clips.”

You take a silver clip from the small box Wanda has just placed on the ledge of her desk, about to throw, before her voice stops you.

“Oh wait,” she reaches to her side and grabs another paper, reading it over slightly. “This message, for Sam.”

“Smart, Maximoff,” you say, causing Wanda to smile at you.

Crumpling the paper, you throw it as best you can, but end up missing once more as it lands in Sam’s chair instead.

“You know, I might actually beat you whenever we play that coffee mug basketball game.”

***

“Hey, Steve,” you say, walking up to the man with a few sheets of paper in your hand. “Um, these new expense reports, do we really have to go back to last quarter?”

“Yeah, It’s a terrible system, I know,” Steve sympathises with you.

Suddenly, a board buried underneath the contents of Steve��s desk catches your eye. “Hey, what does 2005 season mean?” you ask.

“Uh, that’s–”

“No way,” you say as you pull the board out entirely. “Is this a scoreboard?” You ask, noticing the assortment of numbers written into various white boxes.

“Yes, it is,” Steve acknowledges.

“That’s so cool,” you say. “What’s it for?”

Steve sighs. “Sometimes, when Tony’s out, Bucky and I play this paper football game he got me started on.”

“Or when we’re bored,” Bucky adds from his desk next to Steve.

Inspecting the board a bit further, you see the hundreds of scores written on it. “Wait, this goes back two years! Oh my god,” you exclaim excitedly.

“We’re bored a lot,” Bucky says, already folding a piece of paper into a small triangle.

Steve turns to you. “Wanna try?”

You nod with a grin.

*** “Oh!” you exclaim as you flick the paper triangle to Bucky’s desk, making another shot. “Yes!” You high-five Steve who stands next to you.

“Fun, right?” he says.

“For sure, I really love the uh, paper triangle flicking and hitting things game.” You imitate the motion with your fingers.” It’s awesome.”

“We call it Hateball,” Bucky tells you with a whisper.

“Why?” you ask curiously.

“Because of how much Nat hates it,” Steve says, nodding over to Nat who’s deep in her work on her computer.

You look over at Nat, and you notice the hint of a smile on her face.

“I don’t hate it,” she mouthes at you through the screen separating the desks once Bucky and Steve look away.

You smile before turning back to Bucky and Steve. “Hey, do you guys have any other games?”

Bucky inches forward towards you slightly. “Ask Bruce to teach you Shield ball, trust me.”

***

“So, that’s what this sound is all day,” you exclaim with a smile as the ball hits the ceiling before passing between you and Bruce.

“Fun, isn’t it?” Bruce replies back.

“It’s awesome!”

*** After exhausting the two new games you had discovered today as much as possible, you decided it was best to let your co-workers get back to work.

Unfortunately, you had only blown off your work for about two hours, and needed to find a way to blow off the other five hours of the day.

So, you created your own games.

Something you liked to call ‘the Office Olympics.’ and you were surprisingly proud of what you could come up with.

Wanda, like the incredible, wonderful, and kind person she was, had agreed to help you in creating your new project, and had ended up making beautiful medals out of paperclips and old yogurt lids. They looked surprisingly professional, which I guess shuoldn’t surprise you since it was Wanda.

You, and the majority of the office staff stand in the kitchen, with Wanda putting up a poster that says, ‘Games of the 1st Shield Industry Olympiad.’

Humming the Olympic Anthem, you hold a candle in your hand which you had found stashed away in your desk, a lighter in the other. “This scented candle,” you start with a smile. “Which I found at the bottom of my desk drawer,” you turn on the lighter and light the candle. “Represents the eternal….” you shake your head. “Burning of competition, or something.”

“It smells like cookies,” Bruce says.

“Yes, it does,” you look at him seriously. “Yes, it does, my friend.”

“Okay, so, we’ll be competing for gold, silver, and bronze yogurt lids,” you say, holding up the medals by their paper clip chain. “Made specially by Wanda.”

Wanda grins at you.

“Let the games begin!” You lead the office staff out the kitchen with your candle above your head, all of you humming the Olympic anthem together.

***

“Alright, so, here, what you have is the national sport of Icelandic paper companies,” you explain as you point to the paper boxes that have yellow rubber bands holding the lid and the vessel together at the top and bottom of their horizontal sides. “And, I’m blanking on the name, could you help me out, Wanda?” you turn to the brunette who stands next to you.

“Y/N, they refer to it, as,” Wanda pauses. “Flonkerton.”

You hum.

“In English, ‘Box of Paper Snowshoe Racing’.”

“Fair enough,” you say. “But, I like Flonkerton.”

Wanda smiles.

“So,” you continue. “Who will be challenging Bruce in Flonkerton?”

“I’ll do it,” Jennifer says.

“Yes, Jennifer! Cousins taking on cousins,” you exclaim.

Both Jennifer and Bruce walk over to the boxes, Wanda helping Bruce with his footing while you help Jennifer.

“So, if you could put your foot right through here,” you lift up the yellow band for her to slip her foot through. “Right through the flonk.”

Once both Bruce and Jennifer were ready, the rest of the staff helped you put up the finish line at the end of the room, which was made of transparent tape.

“Alright, are you guys ready?” you ask, receiving a nod from both parties.

“Ready, set, go!”

And the office erupts in cheers as Bruce and Jennifer try to make it to the other side of the room with the boxes on their feet.

“Whoo! Go, go, go!” you exclaim, clapping your hands together.

“Dig deep!” Steve yells. “Dig deep!”

Soon, the two near the finish line, and you prepare to catch one of them in case they fall.

“Oh, they’re neck and neck!” Bucky exclaims.

“Come on!” Nat says.

“Oh!” the staff exclaims all at once, as the two finally reach the finish line, Jennifer winning by the slightest edge.

“Jennifer by a nose!” you announce. “Gold medal, in Flurnenton.”

“Flonkerton,” Wanda corrects.

“Thank you, delegate from Iceland,” you say teasingly.

***

“Nat, are you sure you don’t want to join in on any games?” Wanda asks Nat as she stands next to her by the water dispenser.

“I’m good with watching, thanks,” Nat chuckles, taking the last sip of her water.

“Come on, don’t you have any games you enjoy?”

“Well, there is one,” Nat says, throwing her cup out.

“No way, what is it?” Wanda asks excitedly.

“I call it Wanda-pong.”

Wanda stares confused. “What?” she asks with a small laugh.

“Mhm,” Nat nods. “I count how many times Y/N gets up from her desk and goes to reception to talk to you.”

Wanda pulls her head back in slight shock. “We’re friends.”

“If you say so,” Nat says with a wink before heading off.

***

“Peter! Gold medal,” you announce as the intern had correctly guessed who would be next to come up in the elevator. “Let’s move to our next destination, everyone.”

“Oh, Y/N!” Wanda runs up to you and joins you at your side with a large box in her arms.

“What’s up, Maximoff?” you ask with a laugh.

“I made something for our closing ceremonies,” she says with a huge grin.

“What?” you say with a smile, and Wanda opens up the box to show you. “Oh, my god,” you exclaim. “This is incredible!”

Wanda smiles as she looks up at you.

“When’d you have time to make it?”

“Automatic voicemail,” Wanda responds cheekily.

“”All right, Maximoff, all right,” you say, lifting up your hand and giving her a well-deserved high five.

***

It was the absolute worst time for Tony to walk in with Sam.

You were in the middle of the coffee race, seeing who could get a full mug of coffee from the coffee machine to Steve’s desk in the least amount of time.

However, the two walked in halfway through the race, catching you all in your tracks.

Now, you were back at your desk, filling out the stupid expense reports that had caused your death of boredom earlier this morning. But, in five minutes time you had gotten them done, and you had also closed two sales before the day was over.

Truthfully, it was about as productive as any other day. If not, more so.

“All done,” you tell Steve as you hand him the reports.

“Great,” Steve responds before you walk off.

You contemplate sitting down at your desk, and doing whatever you could find to do to entertain yourself, however, staring at the medal hung over your desk lamp, you think you have a better idea.

“Hey,” you say to Wanda as you greet her at her desk.

“I have 59 voicemails,” she responds with the phone to her shoulder.

“Great,” you respond. “Actually, can you ignore those and do something for me instead?”

Wanda stares at you for a moment before her face breaks out into a grin. “Sure.” She places the phone back into its holder.

“Pefect,” you respond back. “So, today, 5 o’clock, closing ceremonies,” you tell her with a small smile.

“Wait, really?” You nod. “Notify the athletes.”

“Will do,” Wanda says as she gets up from her seat.

***

Knocking on Tony’s door, you slowly enter his office, seeing him hunched over.

“Tony?”

“Y/N! Y/N, what’s going on?” he responds.

“Nothing, I just wanted to congratulate you on your condo.”

Tony furrows his brows. “How did you find out about that?”

Of course, the answer was Sam. And he had notified you all to be wary of Tony since the purchase was less than savory.

“Sam,” you nod your head in the direction of his desk.

“Of course,” Tony mutters. “But, thanks anyways.”

“No problem. Hey, would you mind coming out here for a sec? I’ve got something for you.”

“Really?” Tony asks, standing up from his chair.

Slowly leading him out, you smile at the arranged closing ceremony Wanda had put together, a wonderful stage of first, second, and third place, along with a few surprises she had only told you about.

“What’s this?” Tony asks.

“These are the closing ceremonies,” you tell him. “Step up.” You lead him to the top stage, and pull out one of Wanda’s medals from your pocket. “Congratulations to Tony, because he closed on his condo. So, gold medal.” You place the item around his neck.

“I’m not sure what to say,” Tony says. “But, thank you all, for this, I’m very grateful.”

You smile.

“And for, Sam Wilson,” you continue as Bruce leads Sam to the second highest stage. “The silver medal.” You place the award around his neck.

“And finally, for Jennifer Walters, the bronze medal.” You lead Jennifer to the final stage, as she had won most of the games of the Office Olympics.

You nod at Wanda, and she pushes the play button on the speaker, the Star-Spangled banner beginning to play.

All of you placing your hands on your heart, you begin to grin.

“Why are you playing the National Anthem?” Tony whispers to you.

“Um, because your condo’s in America.” you respond.

“Fair enough,” Tony says.

“Ready?” Wanda asks you, and you nod.

Wanda starts to pull the string linked to the pieces of paper she had folded earlier, giving you a grin.

“What is that?” Tony asks.

“Those are the doves,” you answer.

Wanda glances at you with a small smile, and you give her one in return.

She did, in fact revive you from your boredom.

#wanda maximoff x reader #wanda x reader #wanda maximoff #wanda maximoff angst #wanda maximoff fanfiction #wandamaximoff #wanda maximoff fluff #marvel mcu #mcu #wanda x you #wanda x y/n #wanda marvel

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smiletimeisrunningout · 1 day ago

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Ben's words and expression reminded Emma of the way he spoke of his youth, of his lack of experience with women, how he believed himself to be not quite the looker as a boy. He clearly didn't enjoy being easily embarrassed now, especially when it came to bedding people, and she knew as a man he'd hardly find people encouraging that side of him. It was so silly, to think of how they were encouraged to act like they had no weaknesses, and she may have felt the same about the matter, had she not been raised by a man like her father.

"Make no mistake, I would not want you to be any different," she decided to say then, bringing a hand to his cheek and cupping it gently, "Even the parts of you I can't read because I'm all sorts of confused by my own feelings. If you'll ever choose to come home with me, you'll be welcomed to spend your days reading to kids and looking for new poems and books. You'll never have to be calm and collected unless you wish to be."

Although there was something funny about thinking of Ben living the life of retirement and lazy days that she had planned for her hypothetical future old husband, and instead of that happening because she only needed a husband to have her throne it would be because she had a husband she liked.

"Or you could do whatever you want, I'm making it sound like I'm going to... hold you hostage like some sort of beauty in the tower." God, she had almost said 'marry you'. So much for going as slow as possible. "I just meant to say that I don't want you to change one bit for me, I like you the way you are. Besides the part where you grow double the patience you have now, so you can withstand my moods."

"Oh, come on, it can't be that bad, I would love for you to show me and prove me wrong."

"The side of my bed has a few canvas, you have my permission to check because they are landscapes and, unlike faces, they actually look decent," she offered, adjusting her position on the bed; it hurt, again, and Emma wondered how long it would take before she'd be able to just kiss him as much as she'd like. He was so interested, and so damn kissable. "The next time I'm not dying and we can go out, we'll find a place where I can sing, then. I doubt the rest of your army would be keen. They have more important things to deal with... you don't, anymore, because you have chosen to court me and you must act accordingly," she teased, giving his cheek a light tap.

"I'll finally convince you that books aren't so bad -- or at the very least, listening along to a good story?"

"See, the compromise is right there: you read a book you like, you tell me about it. Much better if you want me to pay attention from beginning to end. Plus, it won't harm me like reading. The headaches just aren't worth it, when I can be told the story." She was surprised whenever she met people who were so dedicated to books; her father loved reading, but he didn't have enough time to do so, so she figured he didn't have to battle with the inevitable headaches as much, but August and Ben? Masochists.

I'm not so sure I can reciprocate, but that's because I only tend to fall into bed with those I...w-well, I prefer meaning to my dalliances-" "Oh, sweetie," she whispered, smiling in reassurance. "-And clearly, I hadn't found that before you, since you were...y-you were my... My first."

"No, I know that, and that's lovely, really. I would never expect you to drop your values for me," she assured him, "There is nothing wrong with you waiting, you know that. In fact, you should be proud: you did it the way you wanted, when you wanted, and not because you felt you had to. That takes guts. I may not share the... uh... philosophy behind it, but I will defend it until the end of days." Though it was still odd to her that he hadn't been taken aback by her history. "I don't... I think I don't really kiss much, if there is no feeling behind it? Even if, in my case, generally the feeling was friendship, I suppose to me it's kissing that required some meaning. It feels so intimate. Like holding hands."

She took his hand, not just to make a point but to feel just how natural it was. She may lay with a stranger, but she certainly would not hold hands with him.

"In fact, I've been told I'm rather hotheaded, and despite my father's valiant efforts, I'm not the best with sharing, either. Not that I intend to."

Her gasp was far too intrigued, "You are jealous?" she asked in delight, "Oh, that sounds fun. We have to revisit that once I have healed enough... Naturally, you know you don't need to worry about me looking at other men, I find the thought of cheating repulsive." That and when she had met Selah Strong in passing and had properly ogled him, she had almost died on the spot after Caleb had explained he was married to their friend Anna. Her horror at having looked at the man for too long had even entertained James, who had apparently expected her 'not to care' on account of her being 'so carefree', which he had not meant as an insult, but had horrified her even more. No, taken men were off-limits, and so was she as a taken woman. "But if you wish to deck someone because they cross a line with me or something of the sort, please make sure I'm there."

"Perhaps my fear made you appear more... calm and collected about the whole ordeal than you actually were," she suggested, which wasn't an unfair assumption. "I do hope I'll get to see that... gollumpus you speak of. He seems just my type."

Benjamin grinned, his eyes shining self-consciously. "Trust me: no one has ever called me calm and collected, and least especially when it comes to protecting those I love. But if my gollumpus side is the one you're yearning for, I just might have some competition on my hands."

All the naked things?

Yet again, Benjamin felt a damnable spread of heat searing across his face as he laughed, darting his eyes in between her face and the ground. He wasn't sure why after all this time he was still shy at such talk -- especially since she'd never exactly been withholding when it came to her candidness -- but with a shake of his head, he softly reassured, "No, I...w-well, according to Caleb, I'm very much like an open book. If I like someone, or dislike them, it's plain as day... But apparently not to those who truly matter."

Emma was quick to dismiss any artistic pursuits. Despite her typical self-deprecation (something that he, himself, tended to mirror in his own behavior), Benjamin found himself laughing at the idea. "Oh, come on, it can't be that bad," he said. "I would love for you to show me and prove me wrong."

When she brought up singing, he perked up. "I've heard you were fond of it," he allowed, "but I've never actually been privy to a concert. I was always out and about, or busying myself with papers, and...other tasks."

It occurred to him then that Emma wasn't wholly privy to the ring. Perhaps he should tell her someday, he thought, if she wished to be given the ultimate sign of his trust and admiration.

Seemingly oblivious to his inner conflict, Emma continued, "Considering that, it's odd that I miss painting. But I... like the idea of doing that while you read... doing that sort of thing together, as in sharing a room. Or tent, in this case."

"I like that too," Benjamin softly reassured. "And maybe one day, one day, I'll finally convince you that books aren't so bad -- or at the very least, listening along to a good story?"

Emma appeared rather embarrassed, but before he could ask what he'd done, she was quick to turn around and embarrass him. "I assure you," she coyly said, "had you been inclined, I would have taken you to bed long before knowing you as a person. Just because of your looks. Multiple women being interested in you is not out of the realm of possibilities."

"I...thank you?" Benjamin stammered, his brows scrunching with a self-conscious chuckle. "I'm not so sure I can reciprocate, but that's because I only tend to fall into bed with those I...w-well, I prefer meaning to my dalliances. And clearly, I hadn't found that before you, since you were...y-you were my..." Awkwardly, he waved a hand before shyly concluding, "My first."

Emma rattled off all the ways other women could be jealous -- the idea seemed absurd to him, if he was being honest -- yet she was quick to denounce such thoughts. "That sounds horrible," she decided. "I hope my status will scare them away. You are lucky no one has tried to woo me here so you don't need to witness it, but I'll have to prepare so I can have a proper ladylike reaction, it's not as if I can fight them, they are ladies."

Benjamin scoffed. "You are lucky for that, too," he challenged. "I confess, I've never had to keep menfolk away from a woman, but I do know I'm not much for jealousy. In fact, I've been told I'm rather hotheaded, and despite my father's valiant efforts, I'm not the best with sharing, either. Not that I intend to." He flashed a lopsided smile. "I'll share your time here and there, but anything else risks that gollumpus we talked about coming into play."

#I have come back. 4 days late with a reply for YOU #I'm laughing at the thought of Ben using the jealously excuse to hit Bradford who is not even hitting on Emma tho #like YES we want that pettiness #Emma would be so into it too. Emma is here to encourage all the pettiness and 'acting your age' behavior #(also a reminder that she's near-sighted and doesn't know because she thinks everybody gets headaches from reading blurry books lol)#a calming calamity #honorhearted

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sandplague · 1 day ago

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pathologic 3 save & sound 2024 presentation

this is a quick attempt at a transcript of the presentation. I think I got most of it but there are some words I was unable to hear, I can't say I have a lot of practice doing this and that's on me so if any of you guys can help me I'll edit it asap

Ressa Schwarzwald: I'm Ressa from Gameowdio. Our team has been working on Pathologic 3 with Vasily Kashnikov and his apprentice Nikolai. This video will feature some of the audio stuff we've made together.

Our goal regarding audio direction was to give the real experience of being in the epicenter of an epidemic. Fully realistic, no bullshit. So we are obviously shooting this video in The Town. We realized pretty early that the game was quite different from the original Pathologic 2 because of the time travel mechanics. So for the prototype we built a time travel machine [the date November 1924 shows on screen], which appeared to be quite useful to record some source sounds, and [date changes to November 3024] make this video in just half a second using existing technology.

Let's start with the music.

Vasily Kashnikov: Hi, I'm Vasily Kashnikov, audio director of Pathologic 3 project. I'll tell you how our music is structured. We were already thinking about how the Bachelor's game would sound when we were working on Patholgic 2 and writing music for Haruspex. In Pathologic 2, the music had more ethnic and real motives (motifs?) and instruments. Since the city and its customs are familiar with Haruspex since he was a child, he is involved in the traditional way of life. In the case of Pathologic 3, this is the view of an outsider who evaluates everything from the point of view of rationality and science. Therefore, we are trying to make the Pathologic 3 soundtrack colder and more detached from the steppes and ethnicity in character. There is more synthesis, guitars at the same time, the Bachelor communicates with those in power so the soundtrack contains a large share of minimalist so-called furniture music that could sound in the beginning of the last century. Piano etudes and references to composers of that time: Satie, Debussy, etc. The soundtrack is a rather eclectic mix of dreampop, downtempo, and (?) minimalism.

In the city when the Bachelor is alone with himself, we emphasize the cold mind of the rhythm section: less emotional harmony, and sometimes electronic timbres. In the rooms where we need to separate the main character from those he interacts with, we use more expressive harmonies and more classical instruments: piano and guitar passages.

When we designed the interactive music system, we assumed that time is finite, and the music had to change depending on the amount of time the Bachelor had left. However, we later abandoned this system and now the music changes depending on the state of the Bachelor himself, who can fall into apathy or psychosis. To emphasize these states, we apply filters and effects to different layers of our tracks and get a slower, muffled sound in the case of apathy, and wired (?) nervous, glitchy in the case of psychosis. In the infected quarters, there are interactive systems that... [screen begins to distort] oh my god, Nataliya! Please stop this!

Nataliya Radina: Whoops, hehe, sorry. But yeah, basically the other system we created reflects everything you hear in the game. Such as... If we use our gun when dealing with the local thugs, the longer we aim the weapon at the people, the less sounds of the outside world we hear and the louder becomes the heartbeat. To add to the intensity, sharper tone was used along with a high pitch tinnitus sound. If the psychosis level goes to the maximum, it starts to damage Bachelor's health, which is accompanied by flashes on the screen, as well as low heartbeat and short breathing sounds.

Vasily Kashnikov: In the infected and rebel's quarters, there are also interactive systems that change the character of the music by adding or disabling instrument layers depending on the state of the world or the Bachelor's equipment to fight the plague. As a result, we have 12 tracks for each day spent in the city. they can freely switch between each other and several dozen themes for locations and characters, and all the music is subject to change depending on the state of the Bachelor.

Nataliya Radina: Since the game has a weather changing system, we also wanted to reflect that in our audio feedback as well. The game has global wetness parameter that shows how intense the rain is. The more it rains, the more squishy and muddy are the steps of the outside surfaces. Moreover, if you come closer to the window, you can hear the rain pondering on the glass. Even in the middle of the plague, we always have room for cozy moments, right? My favorite part of that system is involving cows. [cow moo]. So, when it's raining, you can actually hear very very soft sound of raindrops dropping on those bovine butts. And I personally think it's beautiful.

Artur Ramanouski: Hi, my name is Artur, and I was also involved in creating some sound assets for the game.

Probably the hardest thing to record were the footsteps. I had everything planned out: bought the equipment, got every type of surface, but...there was one small thing I overlooked: I live in a city with over 12 million people. Noise everywhere. The solution was simple and ingenious: I recorded everything on a Sunday, because in Buenos Ares, Sunday is the one day when no one does anything.

Nataliya Radina: One of the most important places in the game is the cathedral. There we have a system of ladders that control the speed and direction of time. Direction wise, we can have it flow normally, or reversed. [entire presentation is rewound very quickly so it's back to Ressa]

Ressa Schwarzwald: She is super professional.

Nataliya Radina: As for the speed, we can make it stand still, go twice as fast, or half normal speed. We created an audio system that has to (?) understand what is actually happening around (inaudible). When we reverse time, spatial effects are added to the surrounding sounds. Ambience, steps, and the mechanism itself. When time stands still, we increase the low frequencies in the ambience, and all the other sounds are muted to zero. Now lastly, when the time goes twice as fast, or half the original speed, the pitch of the surrounding sound changes accordingly.

The coolest part of this system is that it's been actually implemented into the game engine using only one parameter.

Ressa Schwarzwald: Thank you for watching. See you here, later!

#pathologic #pathologic 3 #save & sound 2024 #info #daniil dankovsky #vasily kashnikov #audio #soundtrack

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blindmagdalena · 1 day ago

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just because antony starr posts so much about his dogs ... how would homelander feel if vought gave him a dog to raise? you know, to bump up his numbers or something so he couldn't get out of it haha

i'm firmly of the opinion that Homelander doesn't like animals, and animals generally don't like him. he's the kind of guy who poses with horses and gets bit. cats hiss at him. dogs tuck their tails and give him whale-eye.

the thing is he was never raised with animals. he doesn't speak their language any better than he speaks our social language. they stink, they shed, they're lesser. pets are just another thing in this world that he was denied, and instead of letting that be one of many heartaches, he chooses disdain. he can't be hurt by it if he never lets himself want it in the first place.

it's precisely because of this that i really enjoy the idea of a dog being foisted onto him. especially one that inexplicably does like him. an excitable young golden retriever that was born and raised under fluorescent lights, destined for doom in a lab, but some genetic or behavioral incompatibility with the project caused it to be rejected.

he'd be extremely put out. there's something infuriating about the way it wags its tail whenever he so much as looks at it. he wants nothing to do with it, and yet it still follows him absolutely everywhere he goes. it barks and whines when he shuts it out of rooms he's in. it drives him crazy that the thing just won't take the hint.

"You're pathetic, you know that?" he says, practically seething. not even he's completely sure why.

he fucking hates the way it begs. those big dumb eyes not understanding his rejection. how it reflexively performs little tricks over and over and over for any scrap of approval, no matter how many times he tells it to go away. hell, it even starts to get excited about that because at least he's paying attention to it, and god, that's all it wants.

"Would you shut up!"

it's just too much. the whining, the hair, the constant demand. it overstimulates him.

deep down, what he hates is how much of himself he sees when he looks at it. the desperate pleading part of him that barks and sits and fetches when told to. the part of him that always obeys. that always wants to obey.

"What is it gonna take for you to get it? I don't want you!"

Nobody wants you. You're not like them.

he never hurts it. never lashes out physically. he's been told what to do with it and for better or worse, he's going to do it. albeit the most bare minimum.

but then he comes home one day and there's no scratch of paws skittering over wood floors. there's no wagging tail, no excited yelps. his gut churns and for a second he thinks the thing must be dead. instead he finds the pup curled up in its bed by the window, staring vacantly out at the skyline.

maybe there's something worse than seeing what you hate about yourself in something else. maybe it's becoming just like the people who made you the way you are.

after weeks of rejecting the thing, he has the audacity to be hurt that it's given up on him.

who gave it that right? why is this stupid little animal allowed to give up when after years and years and years, Homelander is still Vought's show pony?

"Hey!" he snaps, all anger and hurt and rejection.

the dogs ears pin. it looks at him. and there's just... nothing there. no hope, no expectation. who knew a dog could look depressed? he finally got his point across.

and he hates everything about it.

so he kneels down next to the dog bed, jaw tight. he stares for a long while before he just... gives the dog a pat. he's bad at it, his touch stilted and awkward through the glove, but he sits and he pets the damn dog.

eventually, that little tail thumps lightly against the bed, and he feels something tight in his chest loosen slightly.

"Good boy," he says quietly, a little surprised by how easily the words come to him.

he's always thought of praise and affection as something difficult. something hard won. his life doesn't make sense if it isn't.

the dejection doesn't go away instantly. it's a slow thing, like a wilted flower coming back after too many days without water.

but one day he comes home to the skitter of paws and a flurry of fur, and for the first time, it makes him smile.

#ask and you shall receive #homelander headcanons #homelander #idk how to tag this it's just stream of consciousness rambling my feelings about homelander and animals #this is probably a lot heavier of an answer than u expected it to be i'm sorry lmao #my writing #kindaaaa

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lemoniiiiiii · 19 hours ago

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need a colin zabel fic where you are his annoying co worker yapping about your day while sitting on his desk (and on his files) swinging your feet and accidentally brushing your foot against his inner thigh and it makes things very much awkward and definitely brings up many feelings to the surface🩷

one on one

(colin zabel x reader) in where bothering your favorite co-worker results in something more than you expected... content: fluff, colin being a tired cutie a/n: this request was sooooo cute, thank you for sending it in! i love writing this man he's the sweetest ever.

"hey, you’re back!" you say, standing from your desk as colin walks past. without a second thought, you fall into step beside him, weaving through the bustling precinct as the noise of ringing phones and low chatter surrounds you.

"hey, y/l/n," he murmurs, glancing at you briefly before his eyes go back to the case file in his hand.

"a bunch of us are heading to the bar tonight," you say, nudging him lightly. "you in?"

he sighs, his shoulders slumping just a little. "uh… i don’t think i can—"

"colin, c'mon." you raise an eyebrow, keeping your tone light but insistent.

"i’m alright, really."

"seriously," you say, quickening your pace to get ahead of him, backing into his office until you feel the hard edge of his desk and hop up onto it. "that case can wait. you need a break, or you’re gonna burn out and be no use to anyone."

he stops short, eyes narrowing a bit, and lifts an eyebrow. "you’re sitting on my files."

"i… realize that now," you say with a small, sheepish smile. "but this works in my favor. i haven’t seen you all day. can we just talk for a minute?"

knowing you won’t take no for an answer, colin sighs, placing the file in his hand beside you, signaling that you have his attention. you launch into your day—going over the calls you took, the quirky regulars, and the case you were working on. but after a while, you notice colin’s mind has drifted; he’s listening, but his focus is… somewhere else, his arms crossed, brow furrowed.

"earth to zabel—hello?" you nudge his leg playfully, and just then he snaps out of it, seeming to have had some realization. he reaches for his files, but you shift to block his path, mirroring his movements.

"colin."

he stops, and without thinking, you place a hand on his chest to balance yourself on the desk's edge. the warmth and firmness catch you off guard, and when his gaze drops to your hand, then meets yours, heat rises to your cheeks. he’s waiting for you to say something, but all you can think about is… well, him.

"someone’s been working out…" you mumble, barely realizing the words have slipped out.

colin blinks, his own face turning red. "um, what?"

oh god, did you really just say that out loud?

"nothing—sorry." you stammer, quickly removing your hand.

he chuckles, rubbing the back of his neck. "well, i'm glad someone noticed. didn’t think it was showing yet."

"that makes it sound like you're pregnant"

"i- you know what i mean"

"anyways… uh—are you coming tonight?" you ask, watching as colin moves around to the other side of his desk, meticulously organizing a pile of files. he seems almost too focused on straightening the edges and aligning them, as if using the task to avoid your question.

finally, he looks up, giving you apologetic smile. "rain check?"

you groan in exaggerated disappointment, crossing your arms. "seriously?"

"hey—tell you what." he points at you with a small grin, as if making an official deal. "i'll take you to that, er, new place downtown you’ve been wantin' to try."

you blink, surprised. that restaurant was fancier than you’d expected him to suggest. "that’s… expensive," and intimate, you think, though you keep that part to yourself.

colin shrugs, nonchalant. "it's no problem," he says, then quickly adds, "i mean, of course, only if you're comfortable. we can just hit the bar or whatever if that's more your style."

you can't quite figure out how to respond to that, so you fall back on your usual banter. “you sure you want more one-on-one time with me?”

his expression shifts in an instant, eyes widening as he realizes how his offer sounds—like he just asked you out on a real, actual dinner date. he flushes a little, rubbing the back of his neck once again. "is that… is that a problem?" he asks, the tone of his voice dropping slightly.

you tilt your head, feeling mischevious now that the tables have turned. "not really," you say with a grin. "for me, at least. you, on the other hand… well, you’re about to lose that whole ‘working out’ physique pretty fast.”

he laughs a little. "i think i’ll survive."

tags (ask to be added or removed anytime!): @fear-is-truth @juliamaximoff @jazz-berry @violetsghosts @quickreider @tiffysdeath @honeymoon8 @wcnderlnds @lacucarachapisser @xrag-dollx @oceanblvd111 @andiloveher @vi0l3tgard3ns

#someone sees you and him at the restaurant (cause yk small town) and the next day the whole precinct is whispering about it #you try and say you're just friends but c'mon who's believing THAT #colin zabel #mare of easttown #colin zabel x reader #evan peters #evan peters smut #evan peters fandom #evan peters x reader #evan peters fanfic

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gottalovetumbler · 10 hours ago

Text

Wrong car Pt.2

Will prob rewrite but wanted to get this out so here you all go!

Info: Fem!Reader, cussing, cliff hanger (there will be a part 3)

——— 🚗 🏠 ———

Simon's left leg starts cramping when the headlights finally appear. Close enough for them to keep the car in sight but far enough that you don't question it. A particularly rough corner shifts Simon over, almost making him hit his head on the window. He's tempted to stretch his cramped leg but freezes when you glance toward the trunk.

There's no way you know he's back here right? Your music is loud enough to mute his shuffling and he's stayed crouched out of the mirror's view. So what the hell?

“I swear it feels like something weighing a thousand pounds is back there.” You mumble to yourself. Ghost was a tough man but those words brought a cold chill down his spine.

It's been five minutes since Gaz last texted, and the military truck is still not visible. He begins devising a plan. If the team can't trail you both before you get to wherever you are going, he's got to have a few options.

The first one is to just jump the gun and grab you. He won't even give you the chance to find him. He'll hold you and explain everything while covering your mouth so you can't scream. You might have roommates and he doesn't want to alert them of course. He'll tell you how he's a high military personnel and accidentally got into the wrong car. Mighteven ask you if you know the bastard he's hunting.

The second plan is the preferred one. For him to stay hidden and let you head into your house none the wiser. Wait for the team to show up and then just leave without so much as a trace. Judging by how deep into the country you're driving there's a good chance you won't lock the car so the alarm won't sound as he climbs out.

He glances around the car for the hundredth time, looking at the stupid plushes and blankets you have decorating the car. A flash catches his eye, when he turns he spots the truck headlights. The team has finally caught up, must have done at least double the limit to catch you both.

The car rumbles as it transfers from asphalt to gravel. Slightly fishtailing as it flies down the road. The team stays on your tail as you continue down the road. The glances you shoot at the rearview mirror tell Ghost that you've noticed the truck and will soon question it if they don't back off.

—----------------------------

(000)000-0000

-*Fall back a bit, she's starting to get nervous*

-Copy

—----------------------------

Only when you take a turn and the truck continues straight, not following, do your shoulders relax as you sink back into the seat. One more turn off the small dirt roads brings the car down a long driveway. Finally coming to a stop in front of a small farmhouse. After shifting into park, you sit there for a second before grabbing your bags and climbing out.

Holding his breath as you round the car, he watches you walk away, and just like he thought, you didn't lock the doors. He waits as you enter the house and the lights one by one shut off. Only then does he send the guys the all-clear to come and grab him.

The truck slowly pulls up the driveway without headlights on. Soap pops open the trunk and Ghost quite literally falls out, hitting the ground hard.

‘Ye a'richt LT? She sae bonny she knocked ye aff yer feet huh?’

‘Shut it, Johnny.’ Simon grumbles as he brushes himself off before adjusting his vest.

‘Lucky she didn’ notice you. Woulda been a headache en a half trying to clean up tha’ mess.’ Price says, slamming his hand on Simon's shoulder. Before turning back to the truck and climbing in the back, giving Simon the front seat to stretch out.

Gaz gives a nod of greeting as Simon climbs in. The other three begin discussing how they’re gonna catch the still loose target as Kyle shifts into drive. He lets off the break as the car begins to roll and sends one last glance towards the house. The rough stop of the car pulls the other three from their discussion with Soap shooting a ‘Whit th' fuck Gaz!’

When he doesn't reply to them they follow his line of sight.

‘Shit.’

Standing there in the window wide-eyed, in shorts and a tee-shirt, watching them is you. You stand there frozen, having witnessed everything, locking eyes with each of the men before taking a step back and darting away from their view.

‘Dammit.’ Price mutters as he unbuckles quickly before running towards the front door and shoves his way in, his soldiers following him.

——— 🚗 🏠 ———

#tf 141 x reader #tf 141 x fem!reader #141 x reader #task force 141 #poly 141 #cod x reader #tf 141 #cod price #john price x reader #ghost x reader #ghost cod #kyle gaz x reader #gaz x reader #john soap mctavish x reader #soap cod

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onim5 · 17 hours ago

Text

Invicible Pain

Portgas D. Ace x reader

Warnings: Emotional pain. Swear word.

I believe this is fluff and a little angst.

Gender is never mentioned.

------------------------------------------

"If Gold Roger had a kid, we kill him."

"It be a demon child, we would have the marines execute him, immediately."

"Ha! The Marines made sure no such brat existed."

"The last thing we need is another monster."

"Such a brat doesn't deserve to live."

Boink!

"Aw, frick. What was that for?!" Ace asks, frustrated, looking at you and the book you hit him with.

Boink!

"Hey, stop that!" Ace demands. Holding up his hands so he be ready to defend himself.

"No, not until you stop being stupid." You growl, trying to hit him again with the book.

"The hell did I do now?" Ace whines. He hadn't stolen your food. . . . . yet, and when he does, you don't get this mad. Did he perhaps forget something important?

Boink!

"Oh, come on! At least tell me." Ace hiss.

"You know what you're doing!" You yelled. . . . . Ace looked at you in shock. This was the first time you were actually mad at him, and you yelled. . . . Ace felt how he tensed up. He must have messed up badly, but with what?!

"Y/n, I am really sorry for what I did, and I promise to never do it again."

Boink!

Ace's stomach felt like a heavy bag filled with stones. Whatever he did, he deserves this. He deserves death. . . .

"Now you're doing it again!" You yell, hugging him instead.

"Stop, . . . . Just stop with the self-hatred." You plea, hugging him tight. Ace felt blank. . . . . He didn't move. He couldn't.

"Ace? . . ." You call out as your eyes tried to make contact with his. All you found, though, was an empty space. His gaze was somewhere else internally. He looked hollow, but you knew he was full. Full of emotions others had given and created to him. Emotions he himself had stabilized brick by brick.

Ace eyes finally reached yours, his arms hesitatantly started hugging you back. But he didn't say anything. It was the first time someone had said it out to him. That someone had pointed it out. . . . . He wants to deny it, but he can't.

"How did you know?" Ace whispers, his voice barely adiuoable. You could feel his nails dig into you in a desperate way. He was longing for support but never showed or told anyone he needed it.

"I, I can tell. You get that dark gaze on your expression. Ace, I can feel your invisible pain. It's in your aura." You answer, hugging him more gently, more lovingly.

"I'm see-through? Like glass?" He stutters, a feeling of pathetic and failure dawning on him.

"No, you're not. Your really fucking hard to see through. You're solid with hundreds of walls. But, there's small cracks . . . . And, and I know that there's a door. Please, Ace, let me in."

And that's what he did. In his room, on his bed, he laid a little spoon in your lap. Your fingers caressing his hair with so much care and love? Listening to his story. You never gave him a reaction, just patiently sat and patted him. And so, he accidentally told you everything. About who he was and what he have become.

"I'm a monster." He murrmur, his voice broken and bitter. You didn't say anything, but your hands went to his cheeks and rubbed them gently. Ace can't stop the overwhelming feelings inside. He couldn't stop the quiet tears of pain that covered your loving hands. He couldn't stop . . . . . Finally, he tried to break out of your touch, but both you and a huge part of him stopped it.

"Why, why are you doing this? Why aren't you judging me? I'm a crying man. It's pathetic." He scoffs, once more trying to break out of your touch and love.

"Because your words have been mostly lies. Either your own or someone else's. You're a man, but also a human. you're allowed to cry. It is simply natural." You state, trapping his body in a hug.

"What do you mean?" He asks, his large hand grabbing yours.

"People's feelings have created lies, lies that have reached your ears. Their fear for Roger, a man most actually never met. Has created lies and opinions about you. And you have slowly started agreeing and building up these lies within you. It's time for you to start taking down that huge wall. I don't care if it has to be done brick by brick. Do you know why?" Ace shakes his head, his eyes looking at you.

"Because I love you."

-------------------------------

This was inspired by @captainportgasdace. Thank you. - onim5

Masterlist

#one piece #portgas d. ace #one piece x reader #fire fist ace #portgas d ace #portgas d ace x reader #portgas #portgas d ace x y/n #onepiece #one piece ace #one piece portgas d ace #onim5

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emmg · 2 days ago

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Hello love Can I ask for Raphael x reader where Raph actually shows love, buuut in his own twisted way? One of my fam members had autism and he never ever said those three words, but showed it in acts of service and paying attention to what you say/do aaand i was thinking about Raphael who tries to show how much he loves her(or them) but well he's not very good at this. Tav reading book- he will read it too, because he cares...just to tell her how much it sucks. She's bleeding after a fight? Throws her into his healing pool and tell her how stupid she is for the whole time he's with her and how she wastes his time, but won't leave her alone, because what if this dumb mortal drowns herself? A guy said something to her and she felt like sh*t or he touched her to make her uncomfortable? He would give her a very fancy box with big bow and smiles innocently at her ; 'Come on little mouse..open it' just for her to see somebodys hand or head 'oh..this? its this creep from yesterday' Tav wears something cheap? oh boy he would tell her everythink he thinks about this rag. She thinks he wants her to wear only expensive things, because how she looks=his reputation but the truth is he thinks she deserves only the most lavish things in her life and he wont allow her to live below HIS standards And his fav way of showing love is giving her mortal who hurt her in any way already beaten so they wont demage his precious possesion, but conscious enough so she can enjoy torturing them (for sure he does it for his own amusement more than hers)

What a fun prompt! Although, to be fair, I can't exactly make it totally healthy because Raphael isn't an emotionally healthy person to be in a relationship with so this is still a little bit dark, though definitely not awful haha.

ETA: ah crap I missed the part about x reader. So sorry about that. In my defence, I truly cannot write from second person point of view. I’m very, very sorry anon. I’ve tried before and it feels awkward to me and everything comes out… bad.

--------------------------------------------------------------

Sometimes she feels hollowed out, as if something essential has been scooped clean from within her. She’s not sure why she stays—or even if she’s staying at all. Maybe he’s holding her here, maybe she has no choice, maybe she lost that freedom long ago. Because you don’t walk away when Raphael is speaking; you don’t walk away when he’s watching you. And his eyes are always on her, always, always, always following.

That gaze—it leaves her feeling half trapped, half sanctified, as though caught in some dreadful, holy spell. He doesn’t look at others this way, she knows that, but that knowledge only tightens the hold, winds the snare around her. It’s nothing, she tells herself—this attention, his careful watch—yet it feels like everything, a binding without words, a noose drawing tighter, a claw sinking deeper. Time twists strangely when he’s near, spiraling into something she can’t name, and she can’t help but wonder: will his interest wane, fade away to nothing? Or will it sharpen, tighten, until it consumes her, leaving her breathless, until there’s no space left at all?

If it does—if he closes around her entirely, if his grip becomes her world, pressing in until there’s no air, no light, only him—what will she be then?

And she’s not even sure if he cares. He holds her there, yes, but it feels like watching a game; his own personal mousetrap, an exquisite little experiment to see how far she'll reach for the cheese. She wonders if he’s simply taking what he can, drawing her deeper until he tires of her, only to discard her when he does, laughing at her fascination with him. She can almost see it—him spitting in her face, turning her out with a sneer, then pulling her back in just as quickly. He'd fuck her, taunt her, pull her close only to watch her shatter, then laugh, invite her back with a gift, something golden, expensive, dripping with indulgent mockery.

But then there are the other things he does, things that somehow feel worse—things that make the walls seem as though they’re closing in, or maybe as if he’s drawing her into some embrace she can’t escape from. She’s not sure which would be more terrifying.

Sometimes, when they’re in Avernus together, she finds the portals dead, the way back to her world—a world of soft light and mortal trivialities, the Gate and its grime—suddenly blocked, cut off. And it's always the same dance. She demands an answer, asks why she can’t pass through, why she’s stuck here in this burning place with him, unable to flee back to the familiar. And he only waves her off, barely looking up, irritation flickering in his gaze. He says he hasn’t the time to bother with “simple magic,” that she can wait.

But he knows, he knows damn it, that she can barely summon a spark, let alone force open a gateway on her own. He knows she’s trapped, helpless as a moth in a bottle, wings beating frantically against glass she can’t see. And he watches her, almost bored, as she paces, her panic ripening, sinking roots in her chest. Because he knows she won’t leave, can’t leave, and he’ll let her struggle just long enough to make her feel it—the helplessness, the claustrophobia, the bitter thrill of his control, closing around her, almost gentle, almost loving.

And then, only then, he flicks his fingers, and the portals blaze open, bright and mocking, as if they’d never gone dead at all.

She's interrupting him, Raphael says, a nuisance he has no time for. Important matters, contracts to seal, souls to collect—real work to do, and here she is, lingering in his shadow, hovering as if she belongs, asking him to breathe life into a stupid portal. He snaps at her to leave, to stop her pestering, to get out of his sight. And so she does, shrinking back, biting her lip, retreating into her quiet corner.

But then, later—always, somehow, later—he comes to her, waking her from half-sleep as he climbs over her, pressing down with a heat that seems to burn straight through her skin. He murmurs his need, his lust, his rough, clumsy want, lips grazing her ear with words that are half-whispered, half-demanded. And she lets him, wraps her arms around his back, holds him, breathes through the rush of his hands, the awkward rhythm of his taking.

She feels the weight of him, the feverish heat, and she sighs into it, into him, because in the Hells, everything is unbearably hot. His skin burns against hers, more furnace than flesh, and though she knows he’s hasty, heedless, that she’s just an outlet, a brief relief, she takes it. She lets herself be consumed by it, that pressing heat because here, with him, it’s as close to comfort as she’ll ever get.

But sometimes there are moments that make her think he might care, moments she savors, drinks in slowly, wondering if they're real or merely the product of his boredom. She can never quite tell, but she doesn’t mind; she lingers on these glimmers of gentleness, holds them in her memory far longer than she should.

Like when she’s soaking in his absurdly large bath, reclining in the steaming water with her arms folded along the edge, her head resting on cool stone, hair spilling loose behind her. She’s doing nothing at all, simply breathing in the warmth, letting the steam curl around her. And then he appears, slipping into the room, extending those long legs of his, rolling up his sleeves as he settles by her side. He doesn’t join her in the water; instead, he simply sits, a book resting in his hands, the very one she finished days ago.

She watches, amused, as he leafs through it, the prominent wrinkle between his brows deepening with each page he turns. His expression is one of studied distaste, the kind that would be comical on anyone else. But on him, it’s strangely captivating.

“Unhinged drivel,” Raphael mutters finally, his tone ripe with disdain.

“Hm,” she echoes, half-lidded, watching him through the steam.

“Why do you read this?” he questions. “I have half a mind to burn it. The sheer embarrassment of sharing the same air with it—I hardly want it in my library.”

She smiles, faintly, eyes closing as she stretches a little deeper into the warmth. “I’m done with it,” she replies, lazily. “Do what you wish.”

He taps two fingers against the spine. “The Duke is an absolute cretin, I must say.”

“Oh?” she murmurs, her voice barely a breath above the water’s surface.

“Utterly insipid,” he continues. "Such posturing, such shallow arrogance. I wouldn’t offer him a contract if he were the last soul on the proverbial platter.”

She laughs then, quietly, letting the sound ripple through the steam. She knows Raphael is just indulging in his own particular brand of superiority, delighting in the verbal dissection, and maybe he doesn’t care for her company at all. But still, he stays, perched beside her, weaving disdainful monologues that settle like warm coals in her chest. And for a moment—just a moment—she lets herself pretend that he’s here for her.

He continues, eyes fixed on the offending book as if it’s a particularly irksome insect. “The Duke’s speech in chapter five...” he says. “So very witless, wouldn't you say? Who professes undying love with such clumsy metaphors? And in the garden, no less, like a character in a tragic farce. ‘You are my sun and moon,’” he scoffs, his voice rising to a mock-romantic lilt. “‘My stars, my breath, my—’”

He pauses, catching her wide-eyed, incredulous look. A faint smirk pulls at the corner of his mouth, and there’s a glimmer of something—mischief?—in his gaze. “Oh, little mouse, don’t look at me like that. Surely you didn’t think I’d stoop to reading this… for enjoyment?”

She raises an eyebrow, half-laughing, half incredulous. “You read it?”

“Of course I read it,” he replies, with all the haughtiness of a scholar who’s just suffered through a poorly constructed essay. “I couldn’t very well leave such intellectual refuse lying about in my library without inspecting it first.”

“Just inspecting it? Raphael, you just quoted chapter five.”

He waves his hand dismissively. “A tragic misfortune. I assure you, it was purely incidental. I only skimmed enough to confirm my suspicions about its total lack of merit.”

“Right,” she says, rolling her eyes, watching as he flips another page with painstaking precision. “Is that why you’re carrying it around?”

He raises an eyebrow, looking at her over the book with that familiar, aristocratic arch of his brow. “Little mouse,” he drawls, his tone both affectionate and condescending, “you really must learn what jests are. I can’t go about explaining them every time, you know.”

The novel is set aside.

His hand slips below the water, and she knows, he’s done talking, at least about her books. His fingers graze her skin, tracing erratic patterns. She feels his hand leave her only to hear the soft rustle of fabric, and then he’s there, sliding into the water, slipping behind her.

His arms wrap around her even as he pushes her against the cool stone of the bath’s edge. She feels his impatience in the way his hands move—roaming, relentless, almost rough, his fingers pressing into her skin, biting, digging between the ribs, as if he can’t bear to be gentle.

One hand cups her shoulder, anchoring her as his other hand travels down her side. It moves in a slow sweep, now a caress, almost reverent, then shifting, tracing a path with no pattern, simply moving, as if he’s learning her contours anew. His grip tightens, loosens, a rhythm that speaks of need and very little restraint.

He dips his head, face buried in her hair, and she feels the weight of his breath, the moist heat of it on the exhale. There’s a hunger in his closeness, an intensity that borders on obsession. He’s quiet now, all the long-winded, self-important monologues silenced, his usual need to fill the space with words abandoned.

She feels him pressing against her back, the hard, insistent weight of him, the subtle rock of his hips, and she sighs, her body folding further against the edge of the bath, yielding to him. The warmth in her chest spills out, dissipating into something intangible, and once again, she wonders: Was this all just a performance for her, or something he needs for himself? Was that little, half-sweet conversation meant to soften her, make her more pliant? Or, against all logic, did he truly want to speak to her, to share in that strange, fleeting intimacy?

She wonders if he cares, even a little, if those sarcastic, needlessly elaborate jests of his are meant to coax a smile from her, to make her laugh. Or is it all calculated, a ploy to keep her engaged, to ensure that when he fucks her, she meets him with something more than passive resignation? She feels his fingers tighten on her waist, his breath hitch, and for a moment, just a moment, she allows herself to believe there’s something deeper beneath his touch, something that holds her in place as much as his arms do.

There are other moments too, moments that sink into her like a sickness, twisting her stomach, filling her with a dread so deep it almost makes her want to flee, to scrub herself clean, to be rid of him. And yet, those same moments leave her feeling strangely exhilarated, a little unhinged, as though some part of her is thrilled by the horror of it all.

Take the merchant, for instance. A two-penny swindler, trying to pass off cheap fabric as something exquisite. She spots his scam instantly—anyone with half a brain would—but he’s audacious, leaning in, voice low and greasy as he sells his lie. She calls him out, unimpressed, and he snaps, calling her a cunt. She flips him off without a second thought and moves on, thinking nothing more of it. She’s heard worse, so much worse, and just because she looks the part of a noblewoman at Raphael’s insistence doesn’t mean she’s forgotten the dirt and sweat of her own past. She knows the cheap tricks—how cloth is dyed in back alleys, stained with whatever can be found, how insect paste and a dash of alchemical solution turn cotton into “silk” for gullible morons. She’s done it all herself, seen the worst of it, and this pathetic attempt to cheat her hardly scratches the surface.

She forgets the encounter entirely—until the next day. Raphael barely glances up from his writing, absorbed in the ink-stained pages of yet another infernal contract, when he pushes a small, ornate box across the table toward her. He doesn’t say anything, doesn’t even acknowledge it beyond a faint, almost bored gesture. She blinks, glancing from the box to him, and then back, curious but wary, wondering if this is another one of his games.

She takes it, hesitates, then lifts the lid.

Inside, nestled against dark velvet, is a finger. Blue, bloated, stiff with the grip of death. Her stomach turns, nausea creeping up her throat as she stares at it, bile rising as the realization settles—this isn’t just some random, expensive trinket. It’s a message, as clear and cold as the dead flesh before her.

“Oh,” she whispers, voice strangled, unable to look away from the pale digit lying in the box, rigor mortis locking it in a ghastly curl. Her hands are trembling, fingers itching to drop the box, to shove it away, to wipe away the memory of this grotesque gift.

She looks up at him, horrified, and finds his gaze resting on her, idle, yet somehow amused.

She stares some more, her mind spinning as she tries to process what she’s holding, what this grotesque little gift is meant to convey. A part of her wants to retch, to bolt from the room, while another, unhinged part of her feels an inexplicable pull, an urge to draw closer to him, to be entangled in whatever madness constantly hangs off his sleeve.

But she doesn’t do any of those things. Instead, she lets out a half-laugh, shaky and weak. “That’s… not what usually comes in jewelry boxes.”

Raphael arches a brow. “I’ve given you plenty of jewelry, little mouse. Rings, bracelets, earrings—a whole collection of baubles you hardly deign to wear. Lavaliers, circlets, gems so fine even the simpering nobles of Waterdeep would weep for them. And yet, here you sit, determined to remain a rube.” He tsks, rolling his eyes with theatrical annoyance. “Mayhaps, I thought, just mayhaps, you might appreciate something different to suit that plebeian palate of yours.”

“Whose is it?” she asks, though she already knows. She feels the answer in the pit of her stomach, in the memory of yesterday’s insults and her dismissive walk away.

He only shrugs, dipping his quill in ink. “I’m told he was a merchant.” He pauses, as if to savor the uncertainty flickering across her face. “Or was it a dockhand? Perhaps a barkeep. Truly, who can keep track of such insignificant lives?”

She watches, spellbound in a way she can’t quite understand, as he sprinkles pounce over the wet ink, the tiny white particles catching the dim light. He lifts the paper, blowing the pounce off with a sharp exhale that sends the fine dust scattering into the air, drifting toward her. She coughs, swatting it away, a moment of reflexive frustration breaking through her discomfort.

“So many names,” Raphael murmurs, almost to himself. “So many lives, so many inconsequential little people. It’s hard to keep them all straight, isn’t it?”

She stares at him, a blend of revulsion and fascination churning within her. His words hang in the air, so careless, so detached, as if snuffing out a life meant nothing more to him than discarding an old, forgotten knickknack. And yet, he looks at her now, watching, as if expecting her reaction, waiting to see if she’ll recoil or lean closer.

She leans closer, letting the moment pull her in, and he gives a satisfied little hum, returning to his writing with an air of contentment, as if the world is exactly as it should be. She watches the steady flow of his hand, the way his quill glides across the page in elegant, looping strokes, his cursive rising and falling. Her mind, however, catches on another thought, one that wraps around her and refuses to let go.

He cares, she thinks, or at least he acts as though he does. This is how he responds to insults aimed at her, as if her offense is his to avenge. But another thought lingers, darker and heavier. He knows—that’s what unsettles her. If he knows, that means he saw, or had someone watch on his behalf, and that means she’s never truly alone, even when he isn’t there. She wonders how far that gaze extends, if he’s tracking her every step, every word, if he’s marked her movements like pinpoints on a map, an invisible tether she’s unknowingly bound herself to.

Her hand drifts to her throat, almost absently, fingers brushing the skin there as if she might feel some hidden collar, a leash she’s been wearing all along without realizing it. But of course, there’s nothing—just bare skin and the faint, lingering warmth of her own touch. Still, the thought unsettles her, sends a flutter of anxiety mixed with something else, something uncomfortably close to… warmth. A warmth that spreads through her chest, that holds her in place despite the quiet urge in her feet to stand, to move, to walk as far as she can.

But she doesn’t. Instead, she stays there, leaning close, just watching him as he writes, utterly absorbed in whatever Infernal text he’s crafting. And as she watches, that warmth in her chest grows, mingling with her apprehension, a mix of dread and fascination that knots itself around her, binding her there as securely as any leash he might conjure.

Another day, another reckoning.

She’s a mess of bruises, skin mottled and darkened so thoroughly she resembles a patchwork quilt rather than a woman. There had been a brawl, Astarion may or may not have thrown punches he couldn’t back, and they both may or may not have drunk too much. Korrilla may or may not have been at the Caress at the same time, her wicked laughter mingling with the chaos, and now her nose is a crimson fountain, dripping ceaselessly. Even the potion Korrilla forced down her throat did nothing to blunt the ache, the slight sneer on Korrilla’s face as she half-carried her back to the House of Hope making it clear she didn’t particularly want to be back tonight.

When she stumbles in, Haarlep just laughs, calling her a “bloody, battered fool” and waving her off in disgust when she starts peeling off her clothes. With a muttered “Ew,” he disappears as she limps toward the restoration pool, her one salvation tonight. She knows it’s usually reserved for soothing injuries from far more… pleasurable encounters, but she hardly cares as she sinks into it, wincing as the water starts working its magic, stitching up minor cuts and scrapes as she closes her eyes and lets her head fall back.

She drifts, the water lapping around her, letting the throbbing recede—until a sharp yank at her scalp rips her back to the present, her head wrenched above the water. She chokes, sputtering out bloody droplets as her eyes snap open, and she finds herself staring at Raphael’s livid face, exasperation etched in every line. His hand is tangled in her hair, and her scalp stings from his tight grip. He glances down at his dripping sleeves, soaked from pulling her up, and curses.

“What a stupid way to die,” he hisses. “Drowning in my boudoir because you’re too idiotic to stay awake.” His fingers tighten in her hair, and there’s no mercy in his eyes. “Take a deep breath now.”

She barely has a second to react before he shoves her head under the water, his hand pressing down with unrelenting force. Her body jerks, and she inhales raggedly before he drags her up again, just long enough for her to gasp for air and catch his sharp, appraising look before he shoves her down once more, holding her under like a misbehaving dog in need of punishment. Water floods her nose, stinging as she chokes, her hands scrabbling for purchase against the pool’s edge.

Up again, another cursory glance, and then he plunges her under once more, his grip firm, a rhythm of punishment and cleansing, as though he’s scrubbing the night’s sins from her with each forced dunk. She claws at his wrist, nails scraping against his skin, and he finally releases her, leaving her gasping and hacking as she collapses against the pool’s edge, water pouring from her lungs in a desperate, wheezing cough.

She realizes then, as she shudders and coughs, that the blood is gone; her nose, once a mess of numb throbbing, now feels raw but whole. She clutches the pool’s edge, head bowed, catching her breath as the water stills around her. Raphael just stands there, dripping, sleeves ruined, as he observes her.

“Well,” he mutters, flicking water from his fingers with a faint sneer, “at least you’re less of a mess now.”

He hauls her from the water, pulling her sodden form from the boudoir and away from the rumpled heap of her clothes. His eyes drift over them—the plain tunic, the uninspired trousers, the scuffed leather boots—with a look of disdain so pointed it almost makes her wince.

“An offense to beauty itself,” he murmurs, almost to himself, though the words slap her just the same. “These… things.” His lip curls. “They will burn. They’re an affront to my eyes, and my patience is wearing thin.”

His gaze slides back to her face, catching on her bruised nose, and he tilts her head with the care one might give a very expensive artifact. His fingers are unhurried, methodical, as he surveys her battered skin. “I don’t keep unsightly things, you know,” he says. “I like my things beautiful. It’s why I collect them—why I keep them close.”

Then, as if struck by a sudden thought, his tone shifts to something almost conversational, a careless elegance in his words that sets her nerves alight. “Tell me, little mouse,” he begins, fingers tapping idly on his thigh, “shall I lock the door?”

She feels a shiver run through her, her voice faltering. “Which… one?”

He tilts his head in mock contemplation. “Why not all of them?”

“Raphael…” she starts, but she isn’t even sure what she wants to say, or if there’s anything to be said at all.

Unhurriedly, he begins to strip off his clothes, each gesture carried out with an almost ritualistic elegance. He slips out of his doublet, casting it aside with a look of mild annoyance. “Your doing,” he sighs, smoothing an imaginary crease before discarding it. “This fabric—fine enough to silence even the heavens—ruined by your negligence. It cost more than you could dream, more than most would spend in a lifetime.”

She watches, stuck somewhere between disbelief and fascination, unsure if he’s preparing to fuck her or simply indulging in the strange meticulousness of his undressing. Each cufflink is unfastened with almost absurd care, each tie released with the same flawless precision she knows so well. The clothes fold neatly under his hands, smoothed and arranged as if they were sacred relics, and though part of her wants to laugh at the absurdity, she knows better than to test his patience now.

Raphael pauses, shirt open just enough to reveal the line of his throat, his collarbone stark against tan skin. His eyes pin hers and his voice takes on a melodic, almost regretful tone. “Perhaps if I lock you in,” he murmurs, “you might refrain from throwing yourself into every pit of squalor in the Gate, seeking out any hand willing to smash that face of yours.”

“No one seeks that, Raphael,” she says, her voice sounding distant. “It just… happens.”

He snaps his fingers with a sharp, final click. “Yes, yes,” he echoes, almost as if humoring a child. “And doors just… lock themselves.”

#my asks #shortstories #raphael bg3 #raphael x tav #raphael baldur's gate 3 #raphael the cambion #he sucks and she can't make him better #but he cares in his own way #tho it's not a healthy way lol

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crimsoncandy04 · 3 days ago

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Ugh mere words can't describe just how fucking cute and hot I find kabukimono to be tbh.

Like just picture being his first.

You lay beneath him as he awkwardly tries to play with your titties. He isn't sure what to do entirely but knows he needs to touch you. So you carefully guide him through it as you tell him to try pinching your nipples softly and tugging on them a little. But not too hard.

You'd watch his eyes widen a little as he silently marvels at the way they harden underneath his touch. He'd probably try to squeeze your boobs a little after that too and you'd suggest he try using his mouth and suck on them a bit.

He'd try it and oh my god how cute he would look while breastfeeding from you as you cradle his head and softly play with his hair❤️

You'd feel his cock harden against your thigh as he asks in a shy yet raspy tone if he's doing it right and the way his eyes would light up whenever you praise him in any way.

You'd ask him if he's enjoying this and of course he'd nod or something not knowing exactly how to respond and from there you'd show him how to prepare you using his fingers and tongue as he tastes pussy for the first time in his existence.

He'd be curious about it and would be so eager once he heard you moaning and telling him how good he was doing. Happily suckling your clit and shoving his tongue in your depths as he buries his head between your thighs and you tangle your hands in his hair. Holding onto him as he surprises you and begins to get a little more confident in his movements once he's got a pattern down and finds your sensitive places.

And gods he'd be so precious while getting his own cock sucked for the first time too.

He wouldn't be expecting it either. But as he quickly realizes he loves the way it feels when you stroke him and how good it feels to have someone lick his delicate head and suck his length, he'd be a delicious and cute moaning mess as he'd be unsocialized by societal standards for men during sex and would give you the most beautiful sounds you've ever heard from a man.

After that it wouldn't take much convincing (if any) to make him want to penetrate you.

He'd probably struggle to get it in right at first.

But that's what makes him special and precious to you 🥰

You'd take hold of his hands and bring them to your hips. Holding his hands and encouraging him as he slides his cock into you finally and begins to awkwardly thrust at first.

You slowly help him learn how to move his hips while he tells you how good it feels to be inside you like this. How amazing sex feels in general.

And after he has his first orgasm and finishes inside you (or on your tummy) giving him a deep kiss would probably make him fall in love with you.

He'd feel so close to you, so loved and adored.

He's low-key my favorite version of Wanderer/Kunikuzushi because omfg kabukimono is just a sweetheart and a gorgeous young man who would do anything to make someone he loves happy.

#genshin impact #genshin impact smut #genshin kabukimono #kabukimono #kabukimono x reader #kabukimono x y/n #wanderer #scaramouche #smut

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rey-jake-therapist · 3 days ago

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Haladriel : power play

I keep reading that Sauron didn't stop manipulate Galadriel for all season 1, that she's a poor victim, that she was abused by the big bad guy, yada yada.... It's false. Lol sorry but for most of season 1, it was Galadriel who pulled all the strings and Sauron, though reluctant at the beginning because he wanted to stay in Numenor and take the path of repentance, was happy to play along. "She wants me to be a king ? Alright, I'll be her king. Let it be my GIFT to her." The Lord of gifts is back, baby !

This dynamic changed during the finals though. I find Haladriel fascinating because there's always one who tops and the other who sorry, one who leads and the other who follows. In season 1, it was clearly Galadriel who was the leader in their dynamic. Can't escape the sexual metaphor I'm afraid 🤣, she was basically the dom. She gave orders, antagonized everyone starting with him, manipulated both him and Miriel, lied, gained time...

And he just happily followed, basically, mostly amused by this little young Elf (yeah she was baby if you think of it, Sauron's ancient lol) who bossed everyone around and thought she knew everything. I don't think he expected her to use his own tricks on him, and he was pretty much upset first because she was tempting him into a path he didn't want to go back to (oh the irony of Sauron being tempted into doing something bad...), but I think he was also impressed. He had just told her a couple of hours before how to use people's greatest fears to control them, and here she was.... Just doing it. On him !! The temptation to give her a good spank while whispering congratulation words for being such a good listener must have been.... Very strong.

The dynamic started to change the day Galadriel suspected Halbrand was not who she thought he was. One thing I always wondered is : did Sauron hope that Celebrimbor would repeat these words, "power over flesh", in front of Galadriel, because he wanted to prepare her for the revelation he intended to make when the rings would be ready ?

Anyway, to me the dynamic changed at this very moment :

I wrote a meta dedicated to "Sauron, Galadriel and touching" here. At the risk of sounding like a pretentious person who loves to hear her own voice, I'll do something I never do, quote myself :

Now, back to Sauron. While during all season 1 he was never touchy with Galadriel, in episode 8, he suddenly is. Not only that but he's also very flirtatious, like... more than usual. Galadriel seems surprised with this unsolicited touching, and iffy, because she doesn't trust him anymore. She has just asked one of her fellow Elves to look in the catacombs of Eregion for everything they had about the Southlands and their royal lineage; after she heard Celebrimbor talk about "power over flesh" and seen Sauron enthusiastically offer his aid to the smith, she starts suspecting that Halbrand may be not who he claims to be. Coincidence ? I think not. Even if she remained discreet, Sauron probably felt that something was off. He's very observant, and he knows her mind. If she changed of attitude with him, if she seemed even a little bit wary of him, there's no doubt he noticed it. He certainly planned to tell her the truth about him very soon, at that point, but he also wants the rings to be forged so he could show her what they'd do with them. So this, imho, is Sauron buying time. He knows she's attracted to him, he may even know she's in love with him... I think he's trying to breach her defenses, here.

Like I said in my linked post, so far Sauron never touched Galadriel umprompted. It is a first. And he was flirtatious before, but the way he leans in to whisper in her ear... That's something else. It's Sauron turning the tables and taking control of their dynamic. After this scene, up until the fight, we only see Galadriel in a retreat position, literally sidelined while Sauron found himself a new playmate (Celebrimbor), and she can do nothing but observe what is happening; she can't reveal her doubts as long as she doesn't get the confirmation she asked for. Of course, she hates it.

Then the finals. Galadriel confronts Sauron, who not only doesn't deny anything, but makes fun of her previous claim that she's much older than he is, by revealing he's himself older than the world. Notice how their behavior has changed, compared to how they were during the previous episodes : he's the one being sure of himself and controlling the situation, while she's confused and has lost all her composure, as all her certainties fall into crumbles.

Then she tries to stab him, but he effortlessly parries her attack.

Then she loses consciousness as he takes literal control of her mind. Starting from here, and up until the one, he's the dom dominating the situation ! He masquerades as her brother to manipulate her feelings, then brings her back to the raft, appeals to her temptation for power, offers her the moon and more. Then when she refuses, he makes himself indispensable by reminding her that without him, her people are doomed, presses where it hurts ("they cast you out"), and appeals to her pride ("what will they do when you tell them that you were my ally ?").

NOW that's some manipulation. Only then, did we get a glimpse of the tactics he would use on Celebrimbor in season 2.

As for their dynamics in season 2 finals, do I really need to spell it out ?

Galadriel tries to reverse the dynamics when she kicks Sauron in the face and tells him "the door shut", but ultimate fails. Oh, wait, does she ?

Galadriel almost gives in to Sauron in this finals. I know it's a popular interpretation that she was totally faking it when she took off Nenya and handed it to him, but it simply doesn't make sense with the music and the atmosphere of this scene. And if the "new bond" theory is true, it makes it even more impossible because there's no way she could pretend anything while being newly bound to Sauron. She looks captivated and ready to give in because she is, imho. This is her "last temptation". And Sauron believes that as well, because he saw it in her mind. He believes he won her over, because he almost did, indeed.

He looks so happy, I could almost feel sorry for him... What Sauron wanted Galadriel to understand, was that he wanted to heal Middle-Earth, to let him do that by giving him Nenya. He looks so happy here because he believes he has achieved that, at last.

I think Galadriel is also convinced that he wants to heal Middle-Earth, but she can never approve his methods, so... She lets herself fall off the cliff to escape him and by doing so, reverses the dynamics and takes power again, even at the risk of losing her life in the process. Sacrificing yourself not to let your toxic ex win you over is the ultimate power move if you ask me.

I know there's a new popular theory that wants Nenya to be the one who made Galadriel snap out of it, but sorry, I strongly disagree with this idea. One, because it takes off Galadriel's agency : she was saved by Elrond, saved by Arondir, and now Nenya ? I can't deny it's a personal bias as I want Galadriel to save herself in this one, and I won't go and claim it as a fact.. but sorry, it's a no for me. I've been told about the "Nenya sound" playing during this scene. Well, precisely, this sound tells me exactly the opposite of this theory, because it is heard when Galadriel is handing Nenya to Sauron, and stops exactly when she snaps out of it to say "Heal yourself".

It seems to me that Nenya wanted to go to Sauron, and not the other way around. Sauron said, "the rings are mine". I thought for a while that he meant only the Nine, but no, he considers that all the rings, including the Elven ones, are his. He thinks of himself as "their master". But he also knows that Nenya picked Galadriel as her bearer (or was it him ?), so she's also Galadriel's ring. That's why he wants her to give Nenya to him, as a sign of submission to him. The way I see it, when he asked Galadriel to give him Nenya, he expected Nenya to push her in this direction, and I think that's what Nenya indeed did, hence the sound.

Except that Galadriel resisted. It left Sauron confused. Then he thought about the Dwarves rings, whose owners also refused to be controlled by him even though he had more input in the creation of their rings than he had in the Elven ones'. So he will forge the One Ring, that will allow him, he believes, to take such a tight control on his rings that their bearers will no longer be able to resist him. The Elves will realize that pretty fast and will reluctanctly take off their rings, for all the time that Sauron will wear the One Ring.

"But the Elves were not so lightly to be caught. As soon as Sauron set the One Ring upon his finger they were aware of him; and they knew him, and perceived that he would be master of them, and of all that they wrought. Then in anger and fear they took off their rings." [The Silmarillion].

Interesting fact : the One Ring never seeme to affect the Dwarves. Their rings made them more greedy than they already were, but forging the One Ring didn't allow Sauron to control them. It has been suggested that it could be because they weren't aware of its power/didn't understand it :

The Dwarves used their Seven Rings to establish their treasure hoards, but Sauron was unable to force the Dwarven bearers to submit. It is believed that the dwarves' natural hardiness, and the fact that it was only the more powerful dwarf lords who possessed them, made them resistant to Sauron's control, yet allowed them to accumulate treasure. The final ring to leave the possession of the dwarves occurred when Thráin II was captured. Source

If a Tolkien expert is in the room and can provide some context, it'd be very nice...

Funny how Galadriel's "I resisted" sounds delusional in retrospect. She really believes she did, doesn't she ? She believes that, because when Sauron offered her to be his queen (a fact which for *cough* some reasons *cough* she chose to hide from Elrond, Gil-Galad and of course, Adar himself...), she said 'no'.

The thing is, she indeed vocally resisted to the temptation of joining him, but everything she did afterwards showed Galadriel actually doing exactly what he wanted her to do.

I mean, who wanted rings ? Sauron. She knew that Sauron worked for Celebrimbor for weeks, knew he was the one who came up with the idea of a "power over flesh", knew it was his idea to tap into the unseen world, knew he had put his evil hands literally everywhere in the forge, including the mithril and her own dagger... And yet, she.... wait, she did exactly what Sauron disguised as Finrod told her to !

Sauron wanted these rings to be made, and she complied. To paraphrase Elrond, she gave him what he wanted and thanked him for that, I mean look at how happy she was to have a ring :

And if you're not convinced, there's the forewarning vision of Celebrimbor that Galadriel had in early S2, with Sauron calling her name and Celebrimbor asking her "are these not the seeds you planted ?", before being suffocated to death by roots looking like snakes :

youtube

There are no subtitles for what Celebrimbor said in black speech so here's the translation :

"Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die"

This vision showed almost exactly what would happen: the rings that Sauron would forge, and Celebrimbor's death. Even the way he dies in the vision is identical to his actual death. Galadriel believes it's a warning sent by Nenya and that she has to go to Eregion to save Celebrimbor, but wasn't it another trick of Sauron, who as Elrond suggested, probably wanted her in Eregion ?

I was divided on this point until the finals really, where Sauron turned into Celebrimbor and repeated the exact same sentence she had heard in the vision: "Aren't they the seeds you planted ?".

How could Sauron know about that, if he wasn't the one who sent her the vision ? For the record, it wasn't a mind palace case like in season 1, where he invaded Galadriel's mind and used her memories of her brother. Halbrand's words, her own words, they all came from his memories. So in all logic, so did vision Celebrimbor's.

Sauron also wanted Galadriel not to reveal his identity : check.

Instead of telling Celebrimbor and Elrond the truth about Halbrand, she just inexplicably chose to keep her mouth shut, and left Eregion without informing Celebrimbor that the nice human he had worked with for weeks was actually Sauron, the Great Deceiver. She rather took the risk of letting Sauron come back in Eregion (I mean, telling Celebrimbor not to work with Halbrand again wasn't enough of a warning, be serious Gal !), than admit she had let a demon in his walls ; because of her pride, exactly as Sauron wanted. This bastard looked so smug about it when he realized she had done exactly what he expected her to :

If she had told Celebrimbor the truth, he would have never been allowed to even pass the door. This tolerance told him everything he needed to know.

But apart from that... She "resisted".

I'm very curious to see what will be the dynamics for season 3. Who will lead the dance this time ? My bet is on Galadriel.

#trop meta #saurondriel meta #haladriel meta #haladriel #saurondriel #sauron x galadriel #galadriel x sauron #halband #galadriel #sauron #galadriel x halbrand #halbrand x galadriel #trop

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zepskies · 2 days ago

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@lamentationsofalonelypotato

It is time!! loll Love the preparation, and of course we share that childhood love. I'm so excited to dive into your thoughts on Part 1! 😘💓💓

Oh goodness the enemies to lovers is bubbling under the surface and I am already naming Dean and Mila's children.

Omggg plss. 😭😭 It is classic enemies to lovers, isn't it? Somehow that just occurred to me. 🤣 Girl now look what you did -- you have me looking up names for their future children. 🤣🤣 What was your top contender? lmao

This chapter really is one of the best scenes in Spirit, not to mention one of my favorite songs in that movie. "Get Off My Back" is legendary.

Omfgg yes, we've talked about this, but "Get Off My Back" is the best song of the movie and that whole sequence is my absolute favorite part, which is why I had to include it in this chapter.

I love her already. I mean I loved her from the moment that I found out she broke that jerk's nose, but a strong defiant woman. Yes ma'am here for Mila 1000000%.

I'm so glad to hear that, because Mila does not, in fact, play. 😅 She's a scrapper for sure. 💪🏽

He's already feeling!😏 And I really loved that he fought the smile when she spat in the Colonel's face. Because Dean is already smitten with this woman.

Hahaa yep, it takes Dean a lot to just stand there while a woman's being abused in front of him. It doesn't matter to him that she's an Indian. (And whether he wants to admit it or not, he's noticed her. 😏)

I really love this part, when Dean can sympathize with Mila and her people and why they continue to fight. It also really brings together the "realism" in this story. Especially with the "He doesn't always understand their way of doing things..." A lot of people fear what they don't understand and for Dean to have a more "open" outlook even being surrounded by people who don't is refreshing. And now Mila gets to show her all the wonderful things about her and her tribe! He's different and I love him.

That's exactly what I was going for. Dean is occupying that middle ground of doing what he has to because he's a soldier following orders, but he doesn't relish the work when it comes to fighting the Indians. Logically, he understands their side and can put himself in their shoes, and so he sympathizes. (Mila might just show him even more of her world.)

I also really liked the background you gave him. His father being in the army and that being the reason why Dean joined, and I can just imagine young Dean and young Sam riding horses and breaking them out on their family farm.

Oh thank you! I felt like that would be an appropriate parallel to the show. And I could imagine that aspect too with him and Sam being playfully competitive while they found things to do on the farm! lol

Okay also the fact that Mila calls Dean "Green Eyes" had me literally screaming lol. I was like, "girl I see you and I respect you for noticing how beautiful that man's eyes are."

LOL girl YES. Them fanfiction greens. 💚💚💚

I hope Roman falls off a watchtower and into a giant pile of poop (the size of the ones in Jurassic Park) and then dies. I mean he doesn't... because Dean destroys that man. BUT I hope that they shoveled his body away with the same shovel they use for all the horse poop. It's what the people want lol 😂

lmfaooo If ONLY. It's definitely what the people want. 😂

The descriptions of his hands made me hyperventilate. 😳 I am telling you the trope of a big strong man who has done terrible things with his hands and then is nothing, but gentle with his significant other WIPES ME OUT. Oh stars, I can't take it 😭

I see we have the same problem. 🤣 Because that man's hands (figuratively) do things to me loll. That trope will forever be one of my favorite tropes. I guess that's why I always go for the rogue/hard outer shell guy who softens himself only for his SO. 😭💞

It's true love and now I'm scared of what's gonna happen to them.

YOU TURNED BABY INTO A HORSE?! MASTERFUL! GENIUS! Oh my word I was not expecting that, but it made me so happy you have no idea lol.

I absolutely did! Thank you, my lovely!! 🖤🥰 Baby's reveal was one of my favorite parts of writing this chapter. I was picturing a bit of Black Beauty lol.

Again, so happy Roman is gone. Man is a whole problem and Dean is a problem solver lmao 😂

Dean is the freakin' Solution, let's be honest lmao. Roman is gone, but he might still be a problem, in that Dean may have some consequences to face for his choice...

Oh this chapter was absolutely wonderful and it was everything that I expected and SO SO MUCH MORE friend!❤️ Western Dean is quickly infiltrating my subconscious and someone is gonna have to raise Freud from the dead to work this one out for sure. I mean Freud's already gonna have to talk to me about Spirit, but that horse had an energy, it was voiced by Matt Damon, I was young and impressionable, and I can't be held responsible lmao lol😅 (catching myself in 4k)

Wow, thank you so very much, friend!! 🥰💜 I'm very happy this met and exceeded your expectations. But omg relating to you so hard right now because Matt Damon was perfection voicing Spirit!! I was watching Behind the Scenes stuff just the other day with clips of his performance in the recording studio and him talking about what he enjoyed/thought was special about the movie. 🥰

(And yeah, I know I go overboard with these gifs but I had a fun time here lol)

The Honorable Choice - Part 1

Pairing: Dean Winchester x OFC

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: I got inspired after a recent rewatch of Spirit: The Stallion of the Cimarron (literally a perfect movie), as well as having Yellowstone in the back of my brain. I thought this idea might be a good fit for this @jacklesversebingo prompt.

Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

Jacklesverse Bingo24 Prompt: Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 4.6K

Tags/Warnings: 18+ only to be safe. Racism/racial slurs, attempted sexual assault (not successful), protective Dean, angst, some violence and some action.

🐎 Series Masterlist || Bingo Masterlist

Part 1: Pride & Prejudice

June 1872

Dean hears some of his men shouting, along with the telltale cracking of bone that would make a less seasoned soldier wince. He spares a look to Benny, his Lieutenant, and sets down his glass of whiskey.

Dean’s path takes him brusquely out of his office and toward the stables. He grabs his gun and his hat on the way there, setting the latter on his head.

Is it too much to ask for one night where he can drink in peace?

Dean comes to find a young woman being detained by two of his men, Kline and Novak. Roman sports a bloody nose and his eye is already beginning to swell. The woman fights against their hold.

Even under the pale moonlight, Dean notes the way she’s dressed: a deer skin dress cinched at the waist, over thin pants and shoes. He surveys her tan skin, her black hair that blends into the night, twisted into a long braid, and the anger in her dark eyes.

“What have we got here?” Dean says. He stows his gun in its holster as he approaches her, resting his hands at his belt.

“I caught her breaking into the stables, Captain,” Roman says. He prods with a hiss at his busted nose while trying to stem the bleeding. That’s going to be a bad break.

She remains tight lipped, stubborn.

“Probably doesn’t even understand English. Savage bitch,” he says. Dean shoots him an impassive look to cover up his annoyance.

“Put a cork in it, Roman,” he orders. Then, he focuses back on her. “You’re a Lakota, aren’t you?”

Aside from their main mission here in the Dakota Territory, the Colonel has been fixed on fighting back against the Lakota Indians, especially after they sabotaged the supply line last month.

The proud tilt of the woman’s chin is her only answer to Dean’s question. Her gaze drags down his form with disdain, like he’s the savage. His mouth twitches mirthlessly.

“The Lakota rear up their own horses pretty damn well. Why would you want to steal one of ours?” he asks.

She glances away from him, first at her feet, then over at the camp’s latest “guest.” Dean, Benny, and a few of his men wrangled up a horse a few days ago. He’s a beautiful Kiger mustang with a nasty mean streak. He barely got through a trim this afternoon, and almost took a chunk out of Rufus when he tried to brand the horse.

The Colonel ordered them to tie the horse up to a post just outside the corral—no food or water for three days. He’d turned to Dean with a firm set to his face and issued a single order.

“Break him.”

Now, Dean catches the furtive look the Lakota woman gives the horse, who flicks his tail. The animal stares right at her, as if into her eyes.

“Oh, don’t tell me you here for him,” Dean says with a chuckle. “That thing’s a little too much for you, sweetheart.”

That earns her attention, steely and unimpressed.

“He is too much for you,” she says. Her voice is smooth, and would even be pleasant, if not for the circumstances. “He is one of ours. You will never break him.”

Dean's eyes widen a fraction. He glances back at the mustang.

So that's why she's here, he thinks. She's trying to mount a rescue. Dean feels a twinge deep inside, but he can't allow himself to care about that. They've collected a strong horse that will be a good support for their objectives here, once he's broken.

“Ah, well see,” Dean says, tipping his Stetson up to meet her gaze. “That’s kind of our specialty.”

“Sir, should we take her to the stockade?” Novak asks. He seems reluctant to do so to a woman, even an Indian, but he’s always been good at following orders.

Dean opens his mouth to reply, but another voice cuts him off. Colonel Asmodeus Sanderson steps out and takes a look at their captive.

“Not the stockade,” he says, with that Southern drawl that betrays his Kentucky roots. “Not yet.”

He approaches her with a slow, calculated gait. His hands gather behind his back. Dean gives her credit for looking Sanderson in the eye. She seems rightly wary, but not afraid.

“We won’t hurt you. I give you my word,” the Colonel says, “if you’ll lead us to your people’s camp.”

He takes a hold of her chin, turning her face this way and that, like he’s examining a dirty animal, and all that he’ll have to do to make it clean. She spits in his face.

Dean bites the inside of his lip against a smile. She’s got as much fight in her as the mustang. However, he has to school his face back into stoicism when Sanderson rears back in anger.

The harsh smack rings out in the clearing, along with the woman’s cry. Dean doesn’t allow himself to outwardly react, but inside, his spine tightens as he fights his instincts.

Only Kline and Novak’s hold on her arms keeps her upright. She pants for breath, but again, she meets the Colonel with a face that doesn’t give away anything, despite the reddening mark on her cheek.

“The post,” he barks. “Three days. No food or water.”

Dean is kept busy by his duties. He makes sure the camp is running in order, accepting shipments of supplies and ammunition, among other things. Cas Novak is in charge of the stables, caring for the horses and putting them through their training. Jack Kline is young and strong and a good assistant, along with others in his unit.

Right now, Dean and Benny are going over the plans with Colonel Sanderson for continuing construction on the railroad, from here to the Black Hills. It’s a path that cuts straight through Sioux territory—the bands of Dakota and Lakota Indians that occupy the land.

“The natives are fightin’ us tooth and nail,” Sanderson says. “But maybe our guest will be able to help us…negotiate.”

Dean remains quiet, ignoring yet another uneasy twinge in his gut. He didn’t join the army to fight the Indians. He doesn’t always understand their way of doing things, but he understands why they fight—to protect their land, and to protect their own. It’s the same reason Dean fights, when he has to.

He joined the army because…well, it felt like the right thing to do at the time. His father had been a Cavalry Major, and he’d died an honorable death, now about a decade past.

Has it really been ten years? Christ.

Dean wipes his brow. Even with the windows open, the office is humid and smells like ass. He glances outside, where both the mustang and the woman are tied to their posts under a sweltering sun at high noon.

Not for the first time, Dean wonders what his dad would think of him now.

After the meeting, Dean and Benny fall into step together to inspect the camp. The summer sun shines hot on their blue uniforms, and occasionally they raise their hats to mop the sweat from their brows.

Things are running as usual, but many of the men’s eyes occasionally turn to the posts. Dean’s attention wanders there too without him realizing, catching on the woman’s dark hair. It shines even blacker in the sunlight, like a raven’s wing. He knows the shade because his dad used to have a feather kept in his journal, like a bookmark.

“You okay, brother?” Benny asks. Dean realizes what he’s doing, and his attention returns to the task at hand. Get it together.

Always forward, never backward.

“Just fine,” Dean replies. Benny gives him a knowing look.

“A bit unsavory, ain’t it?” he says. “Keeping her chained up without even a lick of water.”

“The Indians are getting smarter, bolder. They’re ambushing our men, going after our supply lines, and now, stealing our horses,” Dean says. “This is strategy.”

Benny shrugs slightly, making a sound of agreement. Dean hesitates, his gloved fingers flexing against his sides.

“If she was a man, you guys wouldn’t give a shit about putting a bullet through her head,” Dean says.

Benny’s gaze shifts downward. He doesn’t reply, but he concedes the point all the same.

They continue their route, and Dean keeps the rest of the conversation on the work at hand.

Mila has gone far longer without drink, but the sun is particularly unforgiving today. She’s prayed and prayed for even one cloud to glide overhead and shield her for a while. It’s not much better for her companion. He paces in place, occasionally tugging his head against the rope that binds him to his post.

She makes a clicking sound at the horse, getting his attention. She calls him by his name, and his ears flicker in her direction. He offers her a short whinny in response.

“I see you, Mato. I am with you,” she says in her native tongue. She hopes the sound of her voice will soothe him. He looks tired and hungry, but his eyes flick hard and untrusting on any man who comes near him. His spirit isn’t broken.

“Hey! Shut the hell up over there,” Roman shouts at her from where he and Cas are taking a short lunch break. Cas gives him a certain look, crossed mostly with annoyance.

Mila resists the urge to roll her eyes. Instead, she closes them and tilts her face back to the sun. In a way, it feels cleansing. Maybe it can wash away the stench of the White Men’s hands on her body, manhandling her, checking her for weapons.

She spends the rest of the day watching the camp. One of their leaders, the Green Eyed One, called this a fort. It does look fortified, with tall walls made of thick wood constructed to form a cage—whether to keep others out, or to keep the men and horses in.

She identifies the Colonel as their chief, of a kind. Green Eyes is second in command, followed by the Bearded One with a strange voice. Even the scruffy Blue Eyed One has some authority, mostly over the Child Faced One. There are too many others to rank them all, but she knows the Loud Mouthed One is arrogant, even after she broke his nose. The way he carries himself, he clearly thinks he has more power than he actually has.

In her mind, Mila conjures up different plans of escape. All of them fall short in some way. The men didn’t find all of her weapons; a small knife is hidden deep in her boot. She could saw at her binds within an hour, but even with Mato to carry her out and away, the problem is escaping this camp without alerting the men. Without getting shot.

She has three days to think.

That night, the moon refuses to give her clarity. Her stomach is too empty, her throat too dry, her tongue thick in her mouth. Her attention shifts in and out of consciousness, until the sound of boots crunching in the dirt trills unease down her spine. More alert, she sits up straighter.

The Loud Mouthed One. The one they call Roman comes to taunt her, offering her water, then drinking for himself instead. He comes closer to examine her. He has a small bind over his broken nose.

“You know, you’re a pretty one,” he says, taking another cold sip as his gaze drags over her form. “For a wild thing.”

His face nears hers, clean shaven, though his thin smile reminds her of a rattlesnake. Dread and repulsion churn at odds in her stomach as she realizes what he's really here for. It doesn't matter if he truly wants her, or just wants to pay her back for his face. Either way, he means to take her here in the dirt.

She looks away, not wanting to let him see her fear, or the dread tightening her stomach, rising into her throat. He winds long fingers into her hair. At first the hold is gentle, deceptive. Then it's tight against her scalp. She hisses in pain when he tugs her head back and forces her to look at him. Her breathing quickens as she tries to pull away.

He draws in close to try and claim her in a kiss, but she head-butts him, hard.

He cries out and stumbles back, his flask falling to the ground.

He angrily grabs her and hauls her up to her feet. He pushes her hard against the post and unbuckles his belt, just to stuff it in her mouth. With his free hand, he begins to undo his pants.

She refuses to cry out, even though she spits out his belt and fights him, trying to kick out his knees.

Suddenly, the man’s body is ripped away from her. Mila loses her footing and falls to the dusty ground, sliding against the wooden beam she’s tied to. The wind is knocked out of her, but when she raises her head, she watches with wide eyes as the Green Eyed One beats the other man into the dirt. It doesn’t take much, just a few well-placed fists.

Roman lies there catching his breath, and he spits a wad of phlegm and blood. His left eye will match his nose, that’s for sure.

Green Eyes looks angry and disgusted. He huffs and puffs while staring down at his subordinate. He pushes back his short brown hair and points an ungloved hand at Roman.

“Get back to the goddamn barracks. You’re gonna be mucking out stalls until shit’s coming out of your ears,” he growls.

Roman doesn’t argue, though it’s obvious that he wants to. He just picks himself up, makes a show of straightening up his open uniform jacket while catching his breath. He walks past Green Eyes with a resentful, angry look. Green Eyes watches him until he disappears inside.

Then, he turns to her. His gaze softens somewhat, but it’s still unreadable. He crouches down in front of her, resting his arms on his thighs. Mila’s gaze briefly falls to his hands. They’re calloused, the hands of a laboring man. He carries himself like a warrior.

“Sorry about that,” he says.

It’s not what she expected. Mila eyes him warily when he moves closer. She presses her back against the post until it hurts her spine. He raises up his hands placatingly.

“I’m not gonna hurt you,” he says.

“That is what your Colonel said,” she says. Her voice cracks with dryness. “I didn’t believe him either.”

His lips flicker at a rueful smile. It wrinkles crow’s feet around his eyes, breaking his stony face.

“Fair enough.”

He reaches for his belt and retrieves a flask, similar to the one his subordinate carried. He extends it out to her.

“It’s water, unless you prefer whiskey. I know I do,” he says.

She raises a brow at him, but hearing the sloshing inside the flask, her thirst takes over her wariness, and even her pride. She tentatively leans forward. He brings it closer so she can press her lips to the opening. Despite his Colonel’s orders, he lets her drink as much water as she’s able. When she’s done, he pockets the flask and sighs, running a hand through his hair.

“What’s your name?” he asks.

That, she will not give him. Names are sacred to her people, and this man, while seeming to have a shred of honor, isn’t worthy.

“Don’t wanna even tell me your name?” he says. He nods slightly. “Okay, well, I’m Dean. Captain Winchester, to this band of delinquents.”

He gestures around the camp with a dismissive hand. Mila only watches him. She’s never seen a White act like this, breaking his leader’s rules, being…kind.

What a strange man.

But if he had any real convictions, he would untie her and let her go, along with Mato. She won’t hold her breath.

Dean’s brows raise up toward his hairline, and his full lips form a pout. Realizing he’s not going to get anything more from her, he lets out a tired huff and straightens up.

“Well, goodnight,” he says.

He finally leaves her alone, but she can’t help but follow the swaggering path of his bowed legs and heavy boots. They carry him away and back indoors.

A strange man.

By the morning of the third day, Dean is ready to do what he does best. Or at least, one thing he does best.

He’s no stranger to horses. He grew up on a farm in Lawrence, Kansas, where he and his brother would help take care of the animals. Dean was older, so he helped his father till the land and train the horses. Sometimes he and Sam would sneak off and race their favorite ones, until their mom called them back for dinner.

In fact, part of what earned Dean his rank in the U.S. Cavalry was how well he could command a horse. His own is resting in the stables.

Today, he’s getting in the ring with the mustang.

…Well, not right away. He lets a few of his guys go first to tire him out. Even after three days of no food or water, the horse is living up to his bad attitude. He bucks each of them off after just a few seconds in the corral. Dean can tell it’s becoming a kind of game for the horse. His dun-colored coat shines in the sun, his brown socked legs kicking up dust and manure as he brays angrily at whoever tries to mount him.

Dean notices the Lakota woman watching with an amused smile on her face while she sits with her hands tied to her post. She’s enjoying the show, like she knew this would happen. It seems to give her energy every time another man is thrown off the horse and limps out of the ring.

Dean shakes his head. Pitiful.

He puts two gloved fingers to his mouth and whistles the entire clearing to attention. He saves Kline the chance to bruise his spine and pats him on the shoulder. Dean steps into the corral and positions himself into the stirrups, wrapping the reins around his hand. The horse is breathing hard, but he’s not done. He’s still got fight in him. Dean sees it in his brown eyes.

“All right, mustang. You’re big and bad. I get it,” Dean says lowly. “But I don’t scare easy. Gimme your best damn shot.”

Cas and Benny give him wary looks from where they stand outside the gate.

“Hold onto your hat, Cap,” Benny mutters.

Dean adjusts his hat and rests his gun on the post for safe keeping. He wants to feel as natural as possible, like it’s just him and this horse, out back in his family farm. He holds on tight to the reins. He’s fully prepared for how the mustang takes off at a galloping clip around the ring. He twists and bucks, but Dean claps his thighs tight and holds on for the ride.

The horse gets smarter.

He runs for the water trough just outside the ring. He slams Dean against the side of it once, twice—and manages to throw him off, with Dean landing right in the water trough.

He bursts out from the dirty water, sopping wet and spluttering in anger. He looks over at the horse trotting around, whinnying and tossing his head like he’s laughing. Dean can’t help it. His anger fades, and he smiles.

This guy’s got some brass balls, I’ll give him that.

The Lakota woman laughs. Dean hears it and his head swivels toward her. She bites her lip, but she knows she’s been caught. Despite his injured pride, Dean’s lips curve with a smirk. Just gonna laugh at me, huh?

“I see things are going well,” comes a familiar drawl.

Dean’s face falls as he looks up and finds Colonel Sanderson. Dean pulls himself out of the trough and tries to squeeze some water out of his uniform. He clears his throat.

“Well, uh, it’s going, sir. Just gonna take a little more time than I thought,” Dean says. He quickly reclaims his hat from the ring, giving the mustang a smart berth. After he climbs back out, he goes over to the post where he left his pistol.

“Hold him steady,” Sanderson barks out the order, but not at Dean. The other men wrangle the horse back into the pen, where Sanderson climbs up and mounts the horse himself.

To his credit, he stays on longer than even Dean thought he would. The mustang gallops and circles. He tries slamming Sanderson on the sides of the corral, tries bucking him and bucking him, but the man clings on, even when his hat falls into the dirt.

The horse is exhausted. He eventually stops in the middle of the ring, panting for breath, his legs shaking slightly. Dean straightens at attention.

So does the Lakota woman, he notices. She looks worried, her brows furrowing.

Sanderson swipes a hand over his graying hair and moustache to collect himself. He raises his head with an arrogant smile.

“You see, gentlemen. Any horse can be broken,” he says. He kicks the horse with his spur. “Move along, mustang.”

To everyone’s amazement, the horse obeys him. He moves forward at a slow clip. All the men applaud, even Dean, belatedly.

“There are those in Washington who believe the West will never be settled,” Sanderson continues. “The Northern Pacific Railroad will never breach Nebraska.”

His gaze draws over to the woman. Her eyes are filled with tears as she watches the Colonel makes his rounds.

“A hostile Lakota,” he says in derision, “will never submit to providence.”

She stares back at him with steel in her watery eyes.

Dean doesn’t realize his jaw is clenched tight until he feels the strain in his jaw. He forces himself to relax, with his hand on his dampened belt.

“And it’s that kind of small thinking that would say this horse would never be broken,” Sanderson says. “Discipline, time, and patience. That’s all you need to level a wild thing.”

Just then, the horse stops abruptly.

“Mustang?” Sanderson asks in warning.

Dean tenses. He knows what’s about to happen.

“Sir!” he calls out.

But it’s too late.

The stallion revs and charges, bucking even wilder than before. He swings his head and rears back high on his hind legs with a powerful bray. Sanderson yells in fear and strain, but he stays on the creature’s back.

The horse’s angry eyes take on a darker shade of conviction. When all four of his hooves hit the ground, he finally bucks hard enough to get the Colonel off his back, though he still clings to the reins near the animal’s head. He comes face to face with the horse’s crazed eyes. His own are wide and full of terror.

Hot breath heats Sanderson’s face. Then the horse swings his head and tosses the man out of the ring. In the process, the horse falls on his side and shatters a section of the wooden beams that fenced him in.

While he shakes his head and gets his hooves under him, Dean and Benny help the Colonel up to his feet. His uniform is a wreck, and now, with a bruised body and likely a couple of broken ribs, the man is fuming.

Kline and Roman wrangle the horse’s reins and keep him more or less in place. The Colonel shoves Dean and Benny off of him. He reaches for his gun at his belt and aims it at the mustang. Dean goes rigid in shock, but he knows he can’t interfere. If he does, it could warrant some major discipline.

The Colonel pulls the hammer back on the revolver, but before he can pull the trigger, the sound of cutting rope and a feminine yell breaks the silence in the clearing. The Lakota woman pulls the Colonel’s arms down, and the gun goes off into the ground. Her elbow comes up quick to strike the man between the eyes. He careens back into Benny, who catches him.

Meanwhile, the woman swings up onto the mustang. She grabs a stronghold by the neck and barks something in her native language. It spurs the horse onward, and he breaks through the crowd of men at a gallop.

Dean watches with widening eyes and furrowing brows. “Shit!”

He runs to the stables where he finds Baby waiting for him. Her black coat ripples as she stamps impatiently.

“Come on, sweetheart,” he beckons. He leads the mare out of the stable, and after grabbing a coil of rope from the supply bench, he mounts her smoothly. With a subtle kick of his heel, she picks up speed to follow the mustang and his rider.

They’re already approaching the gate where the men are quickly trying to close it. There’s still a window of opportunity for escape, but not only is Dean on their heels, Roman also stands on a pile of crates filled with iron parts that are due to be shipped out in the morning for continued construction on the railroad. Roman holds a rifle. He trains his weapon on the woman, taking deadly aim.

Dean’s jaw clenches and his brows furrow. He knows then, in the breadth of a few seconds, that he has to make a choice. If he does nothing, both she and the horse are as good as dead.

Sam used to call him reckless, stubborn as the horses he spent long hours taming.

Right about now, his brother is probably right.

Dean reaches for his gun, aims, and shoots within the span of those seconds. Roman goes down before he even knows what hits him. His chest plumes with blood after he slides down the crates and flops heavy to the ground. His eyes stare unseeing at the crisp blue sky.

The mustang tears through the narrow opening in the gate, and Dean isn’t far behind. The woman is an excellent rider, far better than he expected her to be. She clings to the horse’s neck and mane, and she doesn’t even use the stirrups. She clings on when the horse leaps over rocks, and when she notices Dean tailing her, she urges the horse at an even faster gallop.

Dean’s face furrows with determination. Baby is built for speed too.

He gives her a little kick with his heel. “Come on, Baby. Go!”

He’s able to keep up with the mustang just a few yards behind, even when they reach rougher terrain, going further up and into a canyon. He follows them through every curve and dip, guiding his horse just as much as she's guiding him.

Dean takes his rope in hand and turns it above his head, but his attempt to lasso the mustang's neck fails; the woman saws straight through the rope with her knife.

"Damn it!" Dean mutters.

He's forced to let go of his frayed rope when he and Baby nearly careen off the edge of a cliff. His heart settles high in his throat as he grits his teeth, but he pulls back on the reins hard and leans in the opposite direction. Baby's able to bank left, saving them from a long way down to certain death.

They continue up the narrow path the mustang has trod ahead. It carves around and through the mountain.

Dean mentally grasps for a plan, aside from just keeping up. Without even a bit of rope, he doesn’t know how he’s going to slow the woman down without hurting her or the horse. He doesn’t want to have to use his gun.

Eventually, the canyon breaks into a patch of desert, and then, grassy plains and tall forest trees. The mustang begins to tire and slow to a stop. His rider murmurs soothing things to him, stroking his neck. She turns back to look at Dean over her shoulder in dismay. She knows she’s caught.

“All right, sweetheart. That’s enough,” Dean says.

He sidles up next to her and intends to grab the mustang’s reins.

That’s when her swift kick comes, dead in his forehead.

AN: And here we go! 😅 Feels right that November is Native American Indian Heritage Month. 🫶🏽 For that reason especially I've done my best to do the Lakota people justice, even in this little series and complete work of fiction.

There's a lot packed in this first chapter, and yep, I did borrow a bit of scene from one of the best scenes in Spirit as an homage. From here on out, we're literally going off road...

Next Time:

Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and his hat off his head, not to mention the pain that rattles down his back.

“Son of a bitch,” he wheezes, while trying to get back up.

The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.

Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.

Dean has a problem.

Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock…

COMING 11/10! (New chapters every Sunday.)

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