#he can be a hamham

[mayhemmaybe]

if mephisto can transform into a dog then can amaimon transform into anything

"He's slightly more manageable like this."

[deepseamagmell]

omegaverse 4ggravate

[spiritisawake]

Pizza gets pregnant idfk

Monster had no idea what was going on in their heads when they thought of this idea. I mean- Obviously not this but- Surely this wasn't it, Right?

They had just been out shopping with the girls, Getting groceries and what not, When suddenly Zemsy of all people decided to try a pregnancy test, Hamham following suit. Monster didn't really mind or care about the whole thing. But Pizza for some reason seemed rather interested in the whole thing.

He had been throwing up alot and morning sickness was another thing that had recently plagued the triangle heads life. It had gotten so bad that it caused the birth of a new running joke in their little friend group. The joke being that D.Pizza is pregnant.

He himself participated and even added new bits and pieces to it every now and then, Telling the can that he's going to be a father and how he must be prepared to take responsibility.

Monster didn't mind, his boyfriend was having fun and it's not like he was opposed to the idea of having children either. He just hoped that all the sickness Pizza was experiencing wasn't anything harmful and would hopefully go away with the medication the doctor prescribed.

But what he didn't expect was for the jokes to end up no longer being just jokes.

He was waiting outside the bathroom just chatting with the girls when he heard a crash from inside. Concerned, He went in to check on Pizza.

"Babe? Everything alright in there?"

.

.

.

He didn't hear a response.

So, He called again.

"Dear are you in there? I heard a crash so I came to check.."

.

.

.

No response again. So he went up to the stall he saw D.Pizza going into. And just before taking the final step, his foot touched something.

It was a pregnancy test that seemed to have slid out from under the gap in the stalls door. Monster leaned down to take a closer look, assuming that it was most likely Pizzas. But something caught him off guard.

The pregnancy test was showing two lines.

.

.

.

The test was positive...

He was thrown out of his shocked state when he heard the door to the stall opening, Revealing Pizza with tears streaming down his face. Without even thinking the can took his boyfriend into his arms, kissing him passionately.

The people around them were giving them weird looks but in that moment, The world around them didn't exist. It was just the two of them and what was hopefully a new life formed from their passion and feelings.

They finally let go of eachothers lips to catch their breaths, Inhaling and exhaling heavily.

"We're gonna be parents..." Said Pizza, still seemingly unable to belive the reality that was revealed to them mere seconds ago.

Monster smiled warmly at his boyfriend.

"Yeah. Yeah, we are."

"Are you boys done in there? We've been waiting for quite a few minutes now!" They heard the hamburger yell from outside the bathroom.

They gave eachother a knowing look "Do we tell them?" Asked Monster.

"Nah, I've got a feeling they already knew" D.Pizza grinned, as they went outside, Now with one more person to accompany them.

[agileo-101]

What kind of pets would the Blarerock crew have? I'm pretty curious!

Since they live at the Pizza Plez, they won't be allowed to have pets (except the mochi's) but if they do....

Freddy - a golden retriever or a German shepherd, a dog that can be on same active energy as he is. He'll name it Ricky (and gives the dog red bandana)

Nightlight - a cat (stray, mix breed of ragdoll), nightlight would want low energy pet that they can cuddle with (and partake napping with the kids at the daycare). They named the cat Sleepy Baby

Chica- she would have a good fish, nothing too high maintenance because she has to deal with other's shenanigans. Looking at pretty fish tank will probably relax her. There's totally 4 inside the tank and she named all of them "Fishy"......

Roxy - she probably will get a cockatoo,they are high maintenance but she enjoys taking care of it. Helps with her loneliness. Roxy named her bird Pinky

Monty- pet turtle. It works well with Monty's mild temperament. He named the turtle Mister Franklin.

Foxy- contrast to popular belief, this pirate does not have a parrot. If he has the space, he would get a horse. A beautiful, black Fusaichi Pegasus stallion and named it Outlaw

DJ MM- DJ would have a chinchilla, he picked it up because it was abandoned by a birthday boy who wanted a Playstation instead of fluffy pet. DJ named it Disco Ball.

Dawnlight - he probably get a cat just to one up Nightlight. He'll get luxury breed or what not. Probably a orange Persian. Yup definitely Persian. Despite it's pedigree, the cat will have a trash gremlin personality. Dawn would be mortified because his cat is a trash baby but gradually grow to love his stinky baby. He named it Duchess

Helpy- he doesn't have a pet because he rather spend money on other things. The closest thing to a pet for him is a single mini cacti plant.

Mini- he got two hamster, built them very nice natural enclosure for them. Named the pair Hamham and Burgerman

[thequeenofthenightgentlyweeps]

The LSE Band ( La Squadra Edition )

It's La Squadra Di Esecuzione, Passione's musical rival!

Oh, you must have thought I have forgotten about them. Nope! Let's find out what's going on with Passione's rival band, La Squadra Di Esecuzione, or more famously known as LSE!

***

Risotto Nero

~ The Lead Guitarist and the main man of LSE. He also does the secondary vocals next to Prosciutto, like the bass to HamHam's Tenor. Tall, dark - eyed, fans and band members alike are intimidated by his presence. And the moment he steps on the stage with his signature bloody electric guitar, fans know they're in for the greatest performance there is. Out of all the LSE members, he has the most fans, rivalling that of Giorno's from Passione.

( For reference, Risotto's voice is like this: )

~ He may be intimidating on the outside, but deep inside, he's actually a bit soft. You could say he's the softest compared to all the LSE members. Of course, he just doesn't show it in public. Even his band mates don't know about this. A superstar must maintain an image, you know?

~ There was a rumor that he has killed many people, and that he has a Satanic cult where one must do awful crimes as an initiation to be allowed in. But, that's just it. Rumors. The only confirmed rumor about him, though, is when he went to the beach one day and saved someone from drowning.

Prosciutto

~ Or lovingly known as HamHam by his fans. Prosciutto is the Vocalist of LSE and is the pioneer of a very modern music genre called Metal Grunge. The reason? His golden voice has the ability to take you to the times of old, then snatch you right back into the present with his surprisingly grungy quality screams. He can make you feel both old and young at the same time, so to speak.

( For reference, Prosciutto's voice sounds like this: )

~ He has a huge, I mean H U G E rivalry going on with Passione's vocalist Leone Abbacchio. Some say the rivalry's roots go all the way back during their University days ( where they're both classically trained ). Some say it's because of some unknown girl they both met during their childhood. Some even say they're destined to be rivals. One thing is for certain - they're not making up anytime soon, and probably never will.

~ Has a young trainee named Pesci, who he allegedly bullies a lot. He denied all the rumors, saying that he only ever wanted his trainee to grow just like him. Despite that, he is second to Risotto to having the most fans.

Illusio

~ Always the groomsman but never the groom, the man who always come in second place. But, in this case, he is the third when it comes to the number of fans. Illusio is the Rhythm Guitarist of the band, and he composed most of their songs.

~ Always thinking that his genius is wasted on LSE, he tried, on many occassions, to break away from the band, only to go back to it like a scared animal. His huge ego has prevented him from landing a solo career, and most producers find his high and mighty attitude really irritating. He has also tried many times to convince Trish Una to do a collab with LSE, and she has yet to agree.

~ It is confirmed that he loves himself. Too much, in fact, that other band members sometimes refuse to follow his "artistic ideas". Nah, they're just plain orders. Only Risotto has the right to give them.

Melone

~ Melone is originally from the EDM scene before he got the role of Keyboardist and all - around effects guy in LSE. Even then, he has a multitude of followers. All his social media accounts have a vast number of fans, and he's extremely popular among the younger generation.

~ A modest, calm, and a bit down to earth kind of guy, Melone is, in fact, very, very promiscuous, oh yes. He has broken lots hearts, played with so many feelings. Heck, band members even confirmed to seeing a different woman coming out of his room each day, most of them from his devoted groupies. Emphasis on the word - groupies.

~ This unsavory behavior of his was rumored to have rooted from his very first heartbreak. However, it wasn't confirmed. Despite that, he is actually a very reliable and talented member, one Risotto could surely count on.

Ghiaccio

~ Ghiaccio, the youngest member of LSE, is the very energetic Drummer, a much wilder counterpart of Passione's Narancia. Unlike the orange kid, though, this dude hates mess. He's very nit - picky, and he even has germaphobia.

~ That nit - picky part being said, one must be wary of both their words and actions around Ghiaccio, or else they'd surely get an earful from him. He always yells at Pesci and Formaggio for making a mess of their modest rehearsal room, but he ends up the one cleaning up the mess, after all.

~ Unlike Narancia, though, who has learned to play the drums in his basement all by himself, Ghiaccio is trained. By a very strict tutor nonetheless. It was said that the tutor was so strict, Ghiaccio had ended up beating him with his drum sticks, then the drums, breaking the instrument ( and the tutor's bones ) and causing a lot of trouble. Because of that, the members are very careful not to annoy or irritate him too much.

Formaggio

~ If Illusio feels he's not being recognized and noticed enough, imagine how Formaggio, the Bassist, feels. Unlike Bruno, who has so many fans despite playing a non flashy kind of instrument, this poor guy was left at the back, supporting his band.

~ Some even say that his abilities are nothing compared to the others from LSE, but don't get fooled. He's just as skilled as Risotto, and just as reliable as Melone. In fact, he's the one who manages the band in the absence of both Risotto and Prosciutto, much to Illusio's dismay. Risotto trusts him that much, and he does a very good job. He never failed and never let them down.

~ He almost had a bass and drums collab with Narancia, as the two had a fair and friendly relationship despite their bands' rivalry. Leone and Prosciutto found out about this, and prevented the two from having their humble collab. However, their little fanbase knew that this supposed collab of theirs would break boundaries, and even outshine their own bands.

Pesci

~ Pesci is Prosciutto's young trainee, and back up vocalist of LSE. Yes, he's a bit of a pushover. Yes, HamHam has scolded, even screamed at him more than once. But, it's all for the sake of his growth. Pesci knew his limits and his weaknesses, that's why he needs HamHam's wisdom so much for his own guidance. He's a fair fellow, though, and he will do his very best with a little nudge and some sugar coated words of encouragement.

~ Once, HamHam's compliments for him all went to Pesci's head, resulting into him becoming over confident. And because of it, he almost ruined LSE's Milan tour by overpowering HamHam's vocals, when he's supposed to be his second voice. Let's just say it wasn't Prosciutto's most favorite night.

~ He trains with Melone in secret to further improve his musical skills. He was even taught the "ways of the man", or so Melone says. Needless to say, poor Pesci has learned more than what he asked and bargained for, scarring him for life.

Sorbet And Gelato

~ Now, it is implied that LSE, with the help of Prosciutto, is the pioneer of the Vintage Grunge genre. That said, they needed the help of Sorbet, who plays the clarinet, and Gelato, who plays the saxophone, for that much desired "vintage and jazzy" sound. These two were very good musicians, bringing along their smooth music at just the right moment, supporting HamHam with his jazzy tones and making way for Risotto's ear - piercing and yet hypnotic guitar solos.

~ However, these two are often MIA during rehearsals. Often, not always. Some say they're both sickly, Ghiaccio says they're just playing hooky ( because they've done it before ), but one thing is for certain - that they won't miss a chance to shine in front of the audience.

~ They're always seen during concerts wearing matching clothes, matching jewelry, matching hair highlights, and even matching nail colors. And even when they're away from the limelight, they're always seen together. It's just the cutest, sweetest thing actually.

***

[hamiltrash-thoughts]

Random vent here

Guys you don't u n d e r s t a n d what I'm craving for.

I don't know what you think about this, but I am really craving for some John Laurens/Lafayette/Hercules Mulligan content

Like, THEM AS A TRIO before they met Hamilton.

I think they hadn't known each other for long before that, but honestly, I look at those three together and can only think "Look how good friends they are!!! They probably exploded some place together before, and could possibly sink a ship if they wanted to."

Yep, purely and utterly c h a o s.

They most likely met because of the revolution, and bonded over their will of kicking some redcoats' asses.

I like to believe Lafayette was the one to introduce Laurens and Mulligan to each other, and honestly, I think even himself regrets this a little sometimes.

Most of their time together, they'll just hang around, cursing the British and talking about their plans to the future when the US becomes an independent nation. Other times, they'll just get drunk and talk a lot of shit and laugh like there's no tomorrow. At this point, people are just used to how loud they are.

Laurens probably proclaimed himself as the leader of their trio, and sometimes the other two will look at him like "John you are not our leader pls stop" but mostly they leave him be. Ah, and since I got cursed with the Workshop version of the musical, I just now got the headcanon that Laurens is the type of person that will say "shit" at every chance he gets.

Lafayette, you could say, is probably the most sensible one out of the three. I mean, yes, he loves to get into confusion with his friends, and will probably laugh at them if they or someone else do something really stupid. But if he knows when things will get serious, he's just like "hahaha non." He also curses a lot in French when he's irritated. Laurens and Mulligan get the poker face when this happens.

If you thought that Laurens and Hamilton were obnoxious, oh look who we have here, HERCULES MULLIGAN!!! The man likes some fight and confusion, since he's just tired of his life as a tailor's apprentice. He's that one friend who'll make fun of you if you give him the slightest chance, but if someone else even DARES to mess with you, he'll be like "YOU WANNA FIGHT, MAN?! YOU MESS WITH MY BROS, YOU MESS WITH ME!!!!". He basically calls himself the "bodyguard" of the gang. Oh, and since he's the oldest of the three, he also will say he has some authority over them. Laurens most of the time will fight him against it. Lafayette will either stand to the side watching them kill each other and make fun of them, or will join the fight (most of this stuff happens when they're way too drunk).

You can imagine at this point that, by the time Hamilton joins them, things will just get MESSIER. It's difficult to say if they corrupted the poor young man, or if it was him that made them even worse. And poor Burr a lot of times has to deal with these four together and he just wants to disappear.

• Alexander once bet with Lafayette who knew more curses in French. Again, Lafayette. A French native speaker. And Hamilton dared him anyway. Believe it or not, they got in this discussion for hours, and in the end, they decided it ended in a draw. But just because Hamilton was way too stubborn.

• In "Right Hand Man — Workshop ver.", Hamilton clearly says himself to be the "leader of the gang", and all the others answered "Yes, indeed". It was just seconds after that Laurens noticed it and turned to Mulligan and Lafayette saying "Why when he's the one declaring himself as leader, we just agree with it????" and they're like "We dunno, we just want to shoot some redcoats".

• I bet Lafayette and Herc noticed the sexual tension between Laurens and Hamilton even before they two.

• Mulligan must look intimidating, but really, he gives the best and strongest hugs. Once Hamilton got out of breath in a hug with him. Because, compared to Herc, Alex is t i n y.

• Oh, yeah, the three of them won't spare HamHam from the height jokes. Once, Laurens jokingly said he looked cute when angry, because he had a "baby face". Alexander proceeded to lecture, not only him, but Lafayette and Mulligan too, for the next three hours, saying that: 1 — Laurens was barely some centimeters taller than him; 2 — "Get some beard before you talk about 'baby face', bitch"; 3 — He points out that, it doesn't matter his height compared to them, it didn't stop him from fitting his shoe into their asses.

• When drunk, these four get very clingy. And when I say very, it's because it's VERY. It won't be uncommon to see them either hugging each other, singing a drinking song together, patting each other in the back, giving funny nicknames to each other, and stuff like this.

So... yes. Very chaotic group of friends.

I fucking love them.

[writerofblocks]

*cracks knuckles* 3, 17, 46, 87, and 99?

A wide range :O

https://open.spotify.com/track/4f5S98TZS9oR0uQqd4Qyjd?si=TgHTK01fTjivMRVrNQvnSA

This worked out really well as a working song. Energetic, but in a mellow way.

https://open.spotify.com/track/6QgjcU0zLnzq5OrUoSZ3OK?si=z54Aee7HTWS4LeKMd_WnyA

Troyget SR3 vibes. Also just Vibes in general.

https://open.spotify.com/track/6ql9hvxVmLHJoxEh9Rwvkm?si=I5QLOQiLQ_ib-zC5_voleA

Can you tell what game I’ve been jamming to all year?

https://open.spotify.com/track/70wYA8oYHoMzhRRkARoMhU?si=IAWPI8fWSUuXadJqKu3leA

HE DOESNT LOOK A THING LIKE JESUS-

https://open.spotify.com/track/6MYJv37Mpj5njLLbxKWNun?si=vlwrfUbdSLme7PxwyEm4gA

I saw this on a video of an animation series called Blue Hamham where they played this on a flip phone, and it was really cute.

[gamebunny-advance]

A Story About Love (Ver. 3)

Note: This is when I started to get really serious about this being a video script, so it includes a basic introduction. I only really get to DJSS, but it’s the most complete version of my explanation of his “arc.”

No Straight Roads is a 2020 Indie Rhythm Based Beat-Em Up Game by Malaysia based company Metronomik Games that was released on PC and PS4, and forced on Nintendo Switch and XBoxONE. It's also one of my favorite games from recent years, so I want to talk about it.

More specifically I want to talk about the *themes* in this game because boy does this game have some themes. Now I do want to preface this with that I'm not speaking from any point of authority, or knowledge. I took one creative writing course in college and have forgotten most of it. I can't really tell you about the gameplay decisions, or why the music helps tell the story, or any of the technical stuff. I'm just speaking from the heart, which is fitting because I think most of the game's themes revolve around the concept of "love".

I do realize that "love" is such a broad and nebulous concept that it's almost all encompassing. I could say anything is about "love" and probably make a convincing case for it, but just because it's a broad topic doesn't mean that it isn't worth discussing. Some of the greatest and most influential games of our generation are explicitly about love. Undertale, Moon Remix RPG Adventure, Hamtaro Hamham Heartbreak. All classic masterpieces that are about love, so I don't see why this game can't also be about love.

On the surface, the themes of this game revolve around fighting against an unjust system by taking out the people in power, but this is just the vehicle for the gameplay. The story itself is about our protagonists, Bunkbed Junction, dismantling the toxic loves of the NSR Elites. Every boss encounter pretty much acts as its own mini-arc focusing on this while the entire game is building up to B2J dismantling their own toxic love, but one step at a time. Because each boss is kind of it's own story, we'll just tackle them in order and then get into how they tie to the overall plot.

So the first on the chopping block is everyone's favorite hairy legged beefcake: DJ Subatomic Supernova, and yes I will be calling him by his full name every time I refer to him without pronouns because it's what DJ Subatomic Supernova would have wanted. DJ Subatomic Supernova's toxic love takes the form of extreme narcissism: he believes he's the smartest and wisest person in the room, and he wants you, your mother, your dog, and your neighbors to all know it. Despite being a leader to the people, he explicitly does not have anyone's better interest in mind and as a result is neglectful not only of individual people but of the entire district that he's supposed to be taking care of.

In spite of his superiority complex, it is implied that this comes from a sense of existential dread. He realizes how temporary everything in this world really is, so he wants to persist against the inevitability of a fading and changing world by leaving his mark. Whether it be through teachings, through music, to giant statues of himself, he wants to be remembered. And it's hard not to blame someone for that realizing the pointlessness of life can be scary, and we all deal with that realization in our own ways, but DJ Subatomic Supernova's way of coping with it is detrimental to everyone around him.

Across his boss battle, DJSS progressively starts losing his composure and growing bigger, but his words are always focused on the "relevance" of either himself or B2J. He disregards NSR's longevity while proclaiming  that his own is "highly unlikely", and is constantly putting B2J down. This finally culminates in him becoming a black hole after his ego finally collapses on itself. Despite believing that B2J are irrelevant and therefore lesser than him, they are still beating him

Ya see, DJSS is kind of an interesting boss to start with for this discussion because he's one of 2 antagonists whose conflicts are solved by just completely obliterating them. Self-importance isn't something that can be fixed from the outside, so DJSS had to be "humbled" for him to come to this realization. And even then, by the end of the game, it's not really clear if this actually changed him. Narcissism this deeply rooted is certainly going to take some time to fix. I'd be more worried if he came back as just totally selfless, but I do appreciate that the game acknowledges that just flinging a man into space won't necessarily bring on immediate self-improvement, but maybe a little self reflection will put him on the right path.

---- Next is SAYU, or rather the four otaku kids that contribute to her existence.

Sayu herself is explicitly an avatar of love

[bittybattybunny]

I bet Hat and Bow ask Snatcher if they can pet hamham Eclipse and he refuses to share. He's seen what kind of havoc those two can cause, he's not risking Eclipse's safety in their grubby hands!

oh 100%!!!!

he’s so afraid he’ll drop her or the minions will get her or a bush cat!!!

much less the brats!!! no she is to stay in his eye sight!!! only he can enjoy her cuteness!!!

he get’s very protective to say the least and the girls are just so mad cuz its like come onnnn it’s eclispe we wanna pet

meanwhile eclipse is just confusion

[space--cadet-glow]

Translation: German manga of “The Minish Cap”, Part 4: “Ezelo and Vaati”

This chapter hurts my soul. The beginning of next chapter does, too-- but, this one really hurts. Even more-so in German than in English, believe it or not. Hopefully my translation gets the heartbreak across.

My translation key: DT: „direct translation" (translated word for word) EQ: “English equivalent” (as in, as close to an English-sounding sentence as it’s gonna get) DT/EQ: „"direct translation/English equivalent" (for when the DT is so similar to an EQ that it’s practically English already) OE: “official English (translation as given in the English version of “The Minish Cap”)“ (NOTE:) “anything I need to point out” (exactly what it says on the tin) BG: „backwards German” for the Minish language in forwards form BOE: “the forwards version of the Minish language in the OE version” BOET: “the TRANSLATION of the forwards version of the Minish language in the OE version”

My translation work under the cut.

4. KAPITEL: „EZELO UND VAATI" 4TH CHAPTER: "EZELO AND VAATI" CHAPTER 4: "EZLO AND VAATI"

Link: „Ezelo, ist die Katze noch da?" DT/EQ: „"Ezelo, is the cat still there?" OE: "Hey, Ezlo. It's quiet all of a sudden."

Ezelo: „Es ist jetzt ruhig... guck einfach raus." DT: „It is now quiet... look just out." EQ: "It's quiet now... Just look out." OE: "Take a look for the cat... CAREFULLY!"

Candy: „..." DT/EQ: „"..." OE: "..."

Toneffekte: „SSSST..." DT/EQ: „"SSSST..." OE: "TIP-TOE"

Ezelo: „Link!!" DT/EQ: „"Link!!" OE: "Link!"

Link: „?!" DT/EQ: „"?!" OE: "What the--?!"

Toneffekte: „WAFF!" DT/EQ: „WHOMP!" OE: "CLOMP"

Toneffekte: „Blick" DT/EQ: „"Blink" OE: "PEEEK"

Candy: „Ich habe einen Minish gefangen!!" DT: „I (x) a Minish captured!!" EQ: "I captured a Minish!!" OE: "I caught a Picori!"

Link: „Oh nein!" DT/EQ: „"Oh no!" OE: "Ungh! Uh-oh!"

Candy: „Mama! Guck mal!" DT/EQ: „"Mama! Look (softener)!" OE: "Lookee, Ma!"

Link: „HNNNRH Wah!!" DT/EQ: „"HNNNRH Wah!!" OE: "URRRRGH UGH!"

Toneffekte: „Quetsch" DT/EQ: „"Squish" OE: "Pinch"

Candy: „Bleib hier! Ich bau dir jetzt ein Haus. ♥" DT: „Stay here! I build (for) you now a house. ♥" EQ: "Stay here! I'll build a house for you now. ♥" OE: "Don't run away! I'll make a really nice house for you!"

Link: „Mach keine Witze!" DT: „Make no jokes!" EQ: "You're joking!" OE: "This is serious!" (NOTE: Idiomatic.)

Lolo: „Was schreist du so rum, Candy?" DT: „What screams you so (entensifier), Candy?" EQ: "What are you screaming about, Candy?" OE: "Who are you talking to, Candy?" (NOTE: Lolo is Emma... And Candy retained her name... In the English version. She was named „Andrea" in the German game...)

Link: „Ich will kein Spielzeug sein. Tut mir leid, aber das wird pieken!" DT: „I want no plaything be. Sorry, but this will poke/prick!" EQ: "I don't want to be a plaything. Sorry, but this will poke/prick!" OE: "Sorry, this is gonna hurt... ...But I can't play house right now!"

Toneffekte: „SCHT" DT/EQ: „"SCHT" OE: "JAB"

Candy: „AAAAAAU!!" DT/EQ: „"OOOOOOW!!" OE: "YOOOWWWCH!"

Toneffekte: „BATSCH!" DT/EQ: „"BASH!" OE: "FLING"

Candy: „WUÄÄÄH! Der Minish hat mich gebissen!!" DT: „WAAAAAH! The Minish (x) me bit!!" EQ: "WAAAAH! The Minish bit me!!" OE: "WAAAH A Picori bit me!"

Link: „Autsch..." DT/EQ: „"Ouch..." OE: "Ow!"

Ezelo: „Nichts wie weg hier, Link!" DT: „Not how away here, Link!" EQ: "Get out of here, Link!" OE: "Quick! Get outta here while we can!" (NOTE: Idiomatic.)

Lolo: „Warum weinst du? Hat dich ein Insekt gestochen?" DT: „Why cry you? (x) you an insect stung?" EQ: "Why are you crying? Did an insect sting you?" OE: "What's this fuss about? It was probably just a bug."

Candy: „Das war ein Minish! Ganz bestimmt, Mama!" DT/EQ: „"That was a Minish! Most certainly, Mama!" OE: "Nuh-uh! It was a Picori! I caught it!" (NOTE: ...I HEARD IT, I SAW IT. I WON'T SAY NOTHIN' TO NO-ONE, NEVER IN MY LIFE.)

Toneffekte: „Krappel krappel" DT/EQ: „"Rustle rustle" OE: "Rustle rustle"

Link: „Oh Mann..." DT/EQ: „"Oh man..." OE: "Whew!"

Toneffekte: „SCHOCK!" DT/EQ: „"SHOCK!" OE: "HUH?!"

Link: „Bin ich im Hühnerstall?" DT: „Am I in (the) chicken-coop?" EQ: "Am I in a chicken-coop?" OE: "Great! We're in a chicken coop."

Toneffekte: „Piep piep piep" DT/EQ: „"Peep peep peep" OE: "CHEEP CHEEP CHEEP"

Küken 1: „Was ist daas?" DT/EQ: „"What is thaat?" OE: "What's this?"

Küken 2: „Ein Inseekt?" DT/EQ: „"An inseect?" OE: "What's this? A bug?"

Küken 3: „Was? Insekt?" DT/EQ: „"What? Insect?" OE: "Wha-- A bug?"

Küken 4: „Insekt. ♥ Toll. Hab Hunger, hamham." DT: „Insect. ♥ Terrific. Have hunger, yumyum." EQ: "Insect. ♥ Terrific. Hungry, yumyum." OE: "I LOVE bugs! And I'm HUNGRY!" (NOTE: Since the chick doesn't say „Ich" in the German version, I also left it off in my translation.)

Ezelo: „Au! Aauaa!!" DT/EQ: „"Ow! Oowww!!" OE: "Ow! Owy! Owy! Ouch!"

Toneffekte: „Piep piep piep" DT/EQ: „"Peep peep peep" OE: "CHEEP CHEEP CHEEP"

Toneffekte: „Pieks pieks" DT/EQ: „Prick prick" OE: "PECK PECK"

Link: „Die Küken fressen mich!!" DT: „The chicks eat me!!" EQ: "The chicks are eating me!!" OE: "We're gonna be chicken feed!"

Toneffekte: „Quietsch" DT/EQ: „"Squeak" OE: "KREAK"

Anju: „So meine Küken. Essen ist fertig." DT/EQ: „"So my chicks. Dinner is finished." OE: "Here, cucco chicks! It's dinner-time!" (NOTE: Anju/Ange kept her name.)

Küken 2: „Ah, es gibt Hamham. ♥" DT: „Ah, is there Yumyum. ♥" EQ: "Ah, there's Yumyum. ♥" OE: "It's the girl who feeds us!" (NOTE: There is „es gibt". Again.)

Küken 1: „Hamham. ♥" DT/EQ: „"Yumyum. ♥" OE: "Hi, lady!" (NOTE: It's absolutely adorable how the chicks call Anju "Yumyum".)

Toneffekte: „Torkel" DT/EQ: „"Press" OE: "Wobble wobble"

Link: „Das war knapp!" DT/EQ: „"That was close!" OE: "Saved by the dinner bell."

Ezelo: „Wir könnten jetzt durch die Tür raus!" DT: „We can now through the door out!" EQ: "We can now go out through the door!" OE: "Link! Quick! Head out through the door!"

Küken 3: „Piep" DT/EQ: „"Peep" OE: "CHEEP"

Ezelo: „Hm?" DT/EQ: „"Hm?" OE: "Link?"

Link: „Och... ja..." DT/EQ: „"Oh... yes..." OE: "What're you doing?" (NOTE: The English version once again gave one of Link's speech bubbles to Ezlo.)

Toneffekte: „Schleich" DT/EQ: „"Sneak" OE: "PEEK"

Link: „Ein hübscher Ausblick... Nicht wahr...?" DT: „A lovely view... Not true...?" EQ: "A lovely view... Is it not...?" OE: "Juuust curious..." (NOTE: Slightly idiomatic.)

[OE Version then has one extra line, from the nameless storyteller. OE: "What kind of hero does that?!"]

Link: „Häh?" DT/EQ: „"Eh?" OE: "Huh?"

Erzähler: „Aus Links Perspektive" DT/EQ: „"From Link's perspective" OE: "Link's point of view"

Toneffekte: „WATSCH" DT/EQ: „"WHOMP" OE: "STOMP"

Toneffekte: „Badamm! Piep Kiiii" DT/EQ: „"Badumm! Peep keeee" OE: "Clank cluck cluck"

Ezelo: „Fast hätte sie dich zertrampelt, du IDIOT!!" DT: „Almost (x) she you trampled, you IDIOT!!" EQ: "She almost trampled you, you IDIOT!!" OE: "We almost got squashed! YOU IDIOT!"

Link: „Tut mir leid..." DT/EQ: „"Sorry..." OE: "S-Sorry...!"

[OE Version then has sound-effects not present in the German version. OE: "Wheeze gasp whew" (NOTE: Funnily enough, this was present in the original Japanese version as "Hii ha fuu".)]

Link: „Jetzt ein Hund...? Geh aus dem Weg." DT: „Now a dog...? Go out the way." EQ: "Now a dog...? Get outta the way." OE: "Now what?! A DOG?! Pardon us, pooch."

Wauwau: „Wuff, wohin willst du?" DT: „Woof, where (to) want you?" EQ: "Woof, where do you want to go?" OE: "Woof! Where are you going?" (NOTE: Wauwau is Growler.)

Ezelo: „Ah, er ist freundlich..." DT/EQ: „"Ah, it is friendly..." OE: "He seems friendly enough."

Link: „In die Bibliothek!!" DT/EQ: „"To the Library!!" OE: "We're heading to the Library."

Wauwau: „Ich weiß, wo sie ist. ♪" DT/EQ: „"I know, where it is. ♪" OE: "Hey! I know where THAT is! Woof!"

Link: „Bring mich dahin! Und los!" DT: „Bring me there (to)! And go!" EQ: "Bring me there! And let's go!" OE: "We'll then, can you show us the way? Let's go!"

Ezelo: „Das ist das Gebäude nebenan." DT/EQ: „"That is the building next-door." OE: "But it's just next door...!"

Wauwau: „Wuff, da sind wir. ♪" DT: „Woof, there are were." EQ: "Woof, we are there. ♪" OE: "Here we are! Woof!"

Link: „Danke, Tschüss!!" DT/EQ: „"Thanks, bye!!" OE: "Good boy! Thanks!"

Link: „Puh! Endlich sind wir da..." DT: „Phew! Finally are we there..." EQ: "Phew! Finally, we're there..." OE: "Here at last!"

Link: „Wo mag der Älteste Lexts sein?" DT: „Where might the Elder Lexts be?" EQ: "Where might Elder Lexts be?" OE: "I wonder where Elder Librari is?" (NOTE: The „der" here is to emphasise him like "the Elder we both know about".)

Ezelo: „Für kleine Leute wie uns... ...ist das ein Bücherdschungel." DT: „For small people how us... ...is this a books-jungle." EQ: "For small people like us... ...this is a jungle of books." OE: "At our size, this place is really... ...a MOUNTAIN of books."

Link: „Uff, uff. Warum liegt das hier?" DT: „Ugh, ugh. Why lays this here?" EQ: "Ugh, ugh. Why is this laying here?" OE: "Umph! Ungh! Why is this book up here?"

Studius: „Hey! Stör mich nicht beim Lesen." DT: „Hey! Bother me not while reading." EQ: "Hey! Don't bother my reading." OE: "Hey. You're blocking my paragraph." (NOTE: Judging by how Librari alludes to a "Jotari" in-game that he was really worried about, but we never see him/her, I'm gonna go out on a limb and assume that this particular Minish in-manga is the missing Jotari/Studius.)

Erzähler: „Ein Stadt-Minish aus der Bibliothek." DT/EQ: „"A City-Minish of the Library." OE: "A Town Picori who lives in the library." (NOTE: The City-Minish/Town Minish retained that name.)

Link: „Ups! Verzeihung!" DT/EQ: „"Whoops! Pardon me!" OE: "Oh! Sorry! My bad!" (NOTE: „Verzeihung" can also just mean "Forgiveness" or "Sorry".)

Studius: „Du kommst gerade rechtzeitig. Hilf mir beim Blättern." DT: „You come just right-time. Help (for) me with page-turn." EQ: "You came at just the right time. Help me with the page-turning." OE: "That's okay. You're just in time to help me turn the page."

Link: „Klar!" DT: „Clear!" EQ: "Sure!" OE: "Sure thing!" (NOTE: „Klar" is sort of like "Roger that".)

Toneffekte: „Hoppla!" DT/EQ: „"Alley-oop!" OE: "PUUUUSH"

Studius: „Puh. Diese Seiten sind so schwer... Aber was tut man nicht alles, um weiterzulesen..." DT: „Phew. These pages are so difficult... But what does one not anything, in order again-to-read..." EQ: "Phew. These pages are so difficult... All the things one has to do in order to continue reading..." OE: "The pages in old books are really damp and heavy! But I can't stop. I need to know what comes next!" (NOTE: Idiomatic.)

Studius: „Du willst zum Ältesten Lexts? Komm mit. Am Buchrücken sind Leitern angelegt." DT: „You want to (the) Elder Lexts? Come with. On (the) book-spines (x) ladders applied." EQ: "You want to go to Elder Lexts? Come along. Ladders are applied on the book-spines." OE: "Elder Librari? Sure! I can take you to him. Just follow me. Careful as we climb down the book spines!"

Studius: „Hier geht es weiter." DT: „Here goes it again." EQ: "It continues here." OE: "Now jump over this way!"

Studius: „Bitte-schön!" DT/EQ: „"You're welcome!"/"There you go!" OE: "Here!" (NOTE: It means both and both work here.)

Studius: „Besuch für dich, Ältester!" DT/EQ: „"Visitor for you, Elder!" OE: "Elder! A Hyrulean visitor!" (NOTE: Now, THIS is what made me think this is supposed to be Jotari. Note how usually the Minish will refer to their Masters respectfully-- both Vaati and Chilta call Ezlo and Melari „Sie", respectively. ...But, Jotari? Jotari calls Librari „du"... The INFORMAL "you", implying that they're somewhat close.)

Lexts: „Du bist also Link. Ich bin Lexts, Ginstas Zwillingsbruder." DT: „You are so Link. I am Lexts, Ginsta's twin-brother." EQ: "So, you are Link. I am Lexts, Ginsta's twin brother." OE: "Ah, so YOU'RE Link! I'm Librari, Gentari's twin brother." (NOTE: ...It feels so weird typing ��Lexts" instead of "Lexta"... At least he stayed "Librari" in the English version..)

Link: „Ah, Sie wohnen im Buch?! Wahnsinn!" DT/EQ: „"Ah, you live in (the) book?! Madness!" OE: "Wow! You live inside a book! Cool!"

Link: „Sie schreiben ein Buch in einem Buch?" DT: „You write a book in a book?" EQ: "You're writing a book inside a book?" OE: "Are you writing a book... Inside a book?"

Lexts: „Ha ha! Ja, über Aventeuer aus meiner Jugendzeit. Ich schreibe gerade was über den Tempel des Tropfens." DT: „Ha ha! Yes, about adventures from my youth. I write just how about the Temple of (the) Droplets." EQ: "Ha ha! Yes, about adventures from my youth. I was just writing about the Temple of the Droplets." OE: "I'm chronicling the adventures of my youth. Just now... I'm writng about the Temple of Droplets."

Link: „Tempel des Tropfens?! Finde ich dort das Tropfen-Element?!" DT: „Temple of (the) Droplets?! Find I there the Droplet-Element?!" EQ: "The Temple of the Droplets?! Will I find the Droplet-Element there?!" OE: "The Temple of Droplets?! Is that where you find the Water Element?"

Lexts: „Ja, genau. Mit einer Lampe in der Hand betrat ich unerschrocken den Tempel... Und..." DT: „Yes, exactly. With a lamp in the hand enter I fearlessly the Temple... And..." EQ: "Yes, exactly. With a lamp in hand, I fearlessly entered the Temple... And..." OE: "Oh my, yes... The Element! I went there with no regard for the dangers! So brash!" (NOTE: Fearlessly, the idiot faced the crowd... Smiling...)

Lexts: „Wie es weiterging, steht hier in meiner Abenteuergeschichte. Lies das in Ruhe durch. Irgendwann wird daraus ein Buch." DT: „How it went-on, stands here in my adventure-story. Read this in peace through. Someday be from-that a book." EQ: "How it went on, lays here in my adventure-story. Read through this in peace. Someday, a book will come from that." OE: "The tale is described in Volume 2 of my book... Or is it Volume 3? You should read them all!"

[OE Version then has another sound-effect missing from the German version. OE: "WHUMP" (NOTE: And this was, indeed, also present in the Japanese one, too, as "Dousari", meaning "Thud".)]

Link: „Für so was hab ich keine Zeit! Beschreiben Sie mir den Weg!" DT: „For so what have I no time! Describe you (to) me the way!" EQ: "I don't have time for that! Describe the way to me!" OE: "I don't have TIME to read all that! Just tell us how to get there!"

Lexts: „Du sagst, »so was«? Ein Kind in Eile übersieht wohl, was wichtig ist." DT: „You say »so what«? A child in hurry overlooks completely, what important is." EQ: "»No time«, you say? A child in a hurry will completely overlook what is important." OE: "SIIIGH Youngsters! So busy running around that you miss what you're really looking for!"

Lexts: „Oh, der Spruch gefällt mir. Mein Abenteuer erreicht jetzt den Höhepunkt." DT: „Oh, that saying appeals (to) me. My adventure reaches now the high-point/climax." EQ: "Oh, I like that saying. My adventure is now reaching the high-point/climax." OE: "Hmm... I think I can use that! I'm just getting to the good part."

[Siiiigh... Another missing sound-effect on German's part. OE: "Scritch scritch" (NOTE: Japanese version had "Garigari" or "rasp rasp".)

Link: „Hören Sie mir überhaupt zu?" DT: „Listen you (to) me at all to?" EQ: "Are you listening to me at all?" OE: "Are you even listening to me?" (NOTE: Idioms. Meep.)

Lexts: „Der Kampf gegen meinen Erzfeind!!" DT/EQ: „"The fight against my archenemy!!" OE: "The battle against my archenemy!"

Lexts: „Ja, endlich was es so weit! Mit hochgestrecktem Hahnenkamm stellte er sich vor mich! Seine Krallen und sein tödlicher Schnabel waren auf mich gerichtet!" DT: „Yes, finally was it so far! With high-stretched cockscomb stood he himself before me! His claws and his deadly beak were to me directed!" EQ: "Yes, finally, the time had come! With a high-stretched cockscomb, he stood before me! His claws and deadly beak were directed at me!" OE: "The fateful confrontation had arrived! He came at me with his crest raised... Claws and beak as sharp as blades!" (NOTE: That first sentence could also be, "Yes, finally, it happened!".)

Link: „Gegen einen Hahn...?!" DT/EQ: „"Against a rooster...?!" OE: "Does he mean a cucco?"

Lexts: „Ich hielt meinen Speer hoch! Seine Krallen funkelten!!" DT/EQ: „"I held my spear high! His claws sparkled!!" OE: "I readied my needle! His claws fashed!"

Lexts aus der Vergangenheit: „Yaaah!!" DT/EQ: „"Yaaah!!" OE: "GAAAH!" (NOTE: That is, "Lexts in the past".)

Lexts: „Damals habe ich diese Feder gewonnen." DT: „Back-then (x) I this feather won." EQ: "I won this feather back then." OE: "I claimed this feather as my prize!"

Toneffekte: „Hö Hö" DT/EQ: „Ho ho" OE: "Fwuf fwuf"

Link: „Also gewonnen! Das ist ja klasse! Ich dagegen wurde gerade fast von Küken gefressen!" DT: „So won! That is indeed classy! I however was just almost by chicks eaten!" EQ: "So, you won! That's classy, indeed! I, however, almost just got eaten by chicks!" OE: "Wow! Great story! You really were something! We almost got eaten by a chicken before!" (NOTE: ...Uh, English? You okay there? ...To literally quote you from a page ago, "Does he mean a cucco?" ...BE CONSISTENT, DARN IT.)

Ezelo: „Lexts ist ein abenteuerlustiger Minish, der als Einziger den Tropfen-Tempel betreten hat." DT: „Lexts is an adventurous Minish, the as sole the Droplet-Temple entered (x)." EQ: "Lexsts is an adventurous Minish; the sole one to have entered the Droplet-Temple." OE: "Sir Librari is well-known as the ONLY Picori ever to enter the Temple of Droplets." (NOTE: But props to the English version for attempting to translate the fact that, in the Japanese version, Ezlo called Librari "Bukuta-dono", which is an old-fashioned way to respectfully address someone. "-Dono" is somewhere between "-san" and "-sama", on the "respect" meter. It means something like "Noble". So, "Sir" is pretty darn close.)

Lexts: „Hm?! Sie kennen mich. Wer sind Sie...?" DT/EQ: „"Hm?! You know me. Who are you...?" OE: "Oh! You've heard of me! And who are YOU?"

Ezelo: „Öhm... Ich habe nur viele Infos..." DT: „Uhm... I have only much information..." EQ: "Uhm... I just have a lot of information..." OE: "O-Oh, y'know... I'm just a knowledgeable cap."

Link: „Sein Name ist Ezelo." DT/EQ: „"His name is Ezelo." OE: "His name is Ezlo."

Lexts: „Ezelo?" DT/EQ: „"Ezelo?" OE: "Ezlo?!"

Lexts: „Den Namen kenne ich irgendwoher... Ihre Stimme kommt mir auch bekannt vor..." DT: „The name know I somewhere-of... Your voice seems/comes (to) me also familiar..." EQ: "I know the name from somewhere... Your voice seems familiar to me, too..." OE: "I've heard that name somewhere... I think I recognize your voice too!" (NOTE: „vorkommen".)

Toneffekte: „SCHRECK" DT/EQ: „"SCARE" OE: "JOLT"

Ezelo: „Wir müssen jetzt los! Entschuldigen Sie uns!!" DT: „We must now go! Excuse you us!!" EQ: "We must go now! Please excuse us!!" OE: "Really? How strange. Love to talk more, but..."

Lexts: „Nimm die Karte mit!" DT: „Take the Map with!" EQ: "Take this Map along!" OE: "Take this map!"

Ezelo: „Hurtig, Link!!" DT/EQ: „"Quickly, Link!!" OE: "...We have to go! C'mon, Link!"

Link: „Warum so plötzlich?!" DT/EQ: „"Why so sudden(ly)?!" OE: "What's gotten into you?"

Ezelo: „Klappe! Wir können nicht tagelang dableiben! Los, wir machen uns auf den Weg!" DT: „Can it/Shut up! We can not days-long there-stay! Go, we make us to the way!" EQ: "Can it/Shut up! We can't stay there for days! Go, let's get back on track!" OE: "Nothing! If we let him, that guy would've talked all night! We've still got daylight to travel in!" (NOTE: Since „Klappe" is a "lid"... And as an order means to "shut up", "Can it!" conveys both meanings! Also, the second sentence is one huge idiom.)

Link: „Er verheimlicht irgendwas..." DT: „He keeps-secret something..." EQ: "He's keeping something secret..." OE: "Ezlo's hiding SOMETHING! I wonder WHAT?"

Erzähler: „Mit Hilfe von Lexts Karte... ...geht das Abenteuer von Link und Ezelo auf der Suche nach den fehlenden zwei Elementen weiter." DT: „With help of Lexts's Map... ...goes the adventure of Link and Ezelo on the search by the missing two Elements again." EQ: "The the help of Lexts's Map... ...the adventure of Link and Ezlo continues on with the search of the two missing Elements." OE: "With the help of Elder Librari's Map... ...Link and Ezlo continue their search for the two remaining Elements."

Erzähler: „Geheime Welt von Tabanta" DT/EQ: „"Covertly World of Tabanta" OE: "Castor Wilds" (NOTE: Both names stayed.)

Toneffekte: „Wutsch matsch" DT/EQ: „Whoosh mash" OE: "Glup shlup"

Erzähler: „Tor des Windes" DT/EQ: „"Gate of (the) Wind" OE: "Fortress of Winds" (NOTE: Both names stayed. Again.)

Toneffekte: „Wuuuuh wuuuuh Grooooh" DT/EQ: „"Wooooh woooh grooooh" OE: "Hwooo hwooo hwooo"

???: „MAULWURFHANDSCHUHE" DT/EQ: „"MOLE-GLOVES" OE: "MOLE MITTS" (NOTE: I didn't know whether to count this as a narration or a sound-effect, hence the question marks. Also, the names stayed the same.)

Toneffekte: „Schaufel schaufel schaufel" DT: „Shovel shovel shovel" OE: "Slash chunk shunk"

Link: „Wir graben munter weiter... ♪ Hopp, hopp. ♪" DT: „We dig merrily further... ♪ Alley, alley-oop. ♪" EQ: "We dig further, merrily... ♪ Alley, alley-oop. ♪" OE: "Let's dig! Dig quick! Dig deep! ♪ Diggity-dig! ♪"

Toneffekte: „BOPP" DT/EQ: „"POP" OE: "PLORP"

Link: „Huch? Ezelo, da!!" DT/EQ: „"Huh? Ezelo, there!!" OE: "Whoops! Ezlo, look!"

Ezelo: „Ja, das ist der Tempel des Tropfens!" DT/EQ: „"Yes, that is the Temple of (the) Droplets!" OE: "Hey, that's the Temple of Droplets!"

Link: „Ein Tempel im Untergrund! Auf zum dritten Element!" DT: „A Temple in the underground! On to (the) third Element!" EQ: "An underground Temple! Onto the third Element!" OE: "Wow! Imagine that Temple buried here so long! Water Element, here I come!"

Toneffekte: „GACK" DT/EQ: „"GACK" OE: "TRIP"

Link: „Waaah!! Autsch!!" DT/EQ: „"Waaah!! Ouch!!" OE: "AAAAH! OW! OW! OW!"

Toneffekte: „GONG! KULLER KULLER" DT/EQ: „"GONG! ROLL ROLL" OE: "WHONK BAM BONK" (NOTE: BACK, ELBOW, SHOULDER.)

Link: „Aauuua..." DT/EQ: „"Oowwww..." OE: "Grooooan"

Ezelo: „Du musst müde sein, Link. Wie wäre es mit einer Pause?" DT: „You must tired be, Link. How be it with a break?" EQ: "You must be tired, Link. How about a break?" OE: "You must be tired after such a long TRIP. Maybe you should save some of it till next FALL."

Link: „Nein! Ich will Zelda so schnell es geht von ihrem Fluch befreien! Da kann ich keine Pause machen!" DT: „No! I want Zelda so quickly it goes of  her curse free! There can I no break do!" EQ: "No! I want to go and quickly free Zelda of her curse! I can't take a break here!" OE: "Very funny! Now quit fooling around-- we've got work to do! We have to save Princess Zelda!"

Ezelo: „Du bist ja voller Elan... Wenn ER bloß so viel Mumm hätte..." DT: „You are indeed full (of) vigour... If HE only so much guts/spunk had..." EQ: "You are full of vigour, indeed... If only HE had so much guts/spunk..." OE: "You really are a determined lad! If only HE had that much grit..."

Link: „Wer ist denn »er«?" DT: „Who is then »he«?" EQ: "Who is »he«, then?" OE: " "He"? "He" who?"

Ezelo: „Oh! Da sind aber viele Minish! Was mag das bedeuten, Link?!" DT: „Oh! There are but many Minish! What might that mean, Link?!" EQ: "Oh! There are so many Minish! What might that mean, Link?!" OE: "Oh! Look! Lots of Picori! I wonder what they're doing?"

Link: „Schön abgelenkt..." DT: „Beautifully distracted..." EQ: "Greatly distracted..." OE: "Why're you changing the subject?"

Link: „Ich weiß gar nichts über Ezelo..." DT/EQ: „"I know absolutely nothing about Ezelo..." OE: "There's something strange going on with Ezlo."

Link: „Ich dachte, er wäre nur eine komische Mütze... ...aber was ist er in Wirklichkeit?" DT/EQ: „"I thought, he was only a comical Cap... ...but what is he in reality?" OE: "I think he's MORE than just a strange cap... ...But he NEVER wants to talk about himself."

Link: „He! Wo geht ihr alle hin?" DT: „Hey! Where go you all to?" EQ: "Hey! Where are you all going to?" OE: "Hey! Where are you guys going?"

Wald-Minish 14: „Zum Konzert. Zum Konzert." DT/EQ: „"To (the) concert. To (the) concert." OE: "To a concert... ...A wonderful concert!"

Stadt-Minish 1: „Im Tempel... ...wird die große Fee der Eintagsfliegen singen." DT: „In (the) Temple... ...will the Great Fairy (of) the Mayflies sing." EQ: "The the Temple... The Great Fairy of the Mayflies will sing." OE: "The Great Mayfly Fairy... ...is singing in the Temple of Droplets." (NOTE: ...BUT THE GERMAN GREAT FAIRY OF MAYFLIES IS CALLED THE „HÖHE SCHIMMER-FEE" IN-GAME!)

Link: „So hübsch... Was für eine schöne Stimme... Sie ist Zelda... ...ein wenig ähnlich." DT: „So pretty... What for a beautiful voice... She is Zelda... a little smiliar..." EQ: "So pretty... What a beautiful voice... She is a little similar... to Zelda..." OE: "She's beautiful! And such a pure voice! She looks a little... ...like Princess Zelda..."

Ezelo: „Link, weißt du das? Die große Fee geht fort, wenn sie... ...zum Ende gesungen hat." DT: „Link, know you that? The Great Fairy goes away, if/when she... ...to the end sang (x)." EQ: "Link, did you know that? The Great Fairy goes away when... ...she has sung to the end." OE: "Did you know that... ...when the Great Mayfly Fairy stops singing... ...her life ends?"

Link: „Was?! Wieso?! Dabei ist sie doch so schön..." DT: „What?! How-so?! Therewith is she still so beautiful..." EQ: "What?! Why so?! She's still so beautiful..." OE: "Huh?! But she's so young and strong!"

Ezelo: „Sie hat eine kurze Lebensdauer. Die Fee kam vor sieben Tagen zur Welt... Sie singt sieben Tage und sieben Nächte..." DT: „She has a short lifespan. The Fairy came of seven days to (the) world... She sings seven days and seven nights..." EQ: "She has a short lifespan. The Fairy came into the world seven days ago... She sings for seven days and seven nights..." OE: "A mayfly's life is short. That Fairy only hatched seven days ago. She's been singing for seven days and nights..."

Ezelo: „...und zeigt uns den Glanz des erfüllten Lebens, ehe sie fortgeht." DT: „...and shows us the shine (of) the fulfilled life, before she away-goes." EQ: "...and shows us the shine of fulfilled life, before she goes away." OE: "...sharing her bright, brief, beautiful life... But soon she'll perish."

Link: „Bitte, sing weiter! Nicht aufhören! Bitte, große Fee!" DT: „Please, sing again! Not stop! Please, Great Fairy!" EQ: "Please sing again! Don't stop! Please, Great Fairy!" OE: "DON'T stop! Please! Keep on singing! Great Fairy, you HAVE to, or..."

Große Fee der Eintagsfliegen: „Danke, das du hier bist. Mein Lied ist zu Ende." DT: „Thanks, that you here are. My song is at end." EQ: "Thanks for being here. My song is at the end." OE: "Thank you for listening, but... ...My song is through."

Link: „Sie... wissen, was auf Sie zukommt. Wieso können sie dennoch lächeln?" DT: „You... know, what of you becomes. Why-so can you anyway smile?" EQ: "You... know what becomes of you. Why can you smile anyway?" OE: "A-And you kn-know your fate? How can you smile? It's so unfair!" (NOTE: I'm pretty sure that's supposed to be „können Sie" in that second sentence, since Link is still talking to the Great Fairy.)

Große Fee der Eintagsfliegen: „Du hast mein Lied gehört. Du hast es akzeptiert. Allein das macht mich schon glücklich." DT: „You (x) my song heard. You (x) it accepted. Alone that makes me already happy." EQ: "You heard my song. You accepted it. That alone makes me happy already." OE: "I got to SHARE my song with... ...someone who CARES. For that, I am truly happy."

Große Fee der Eintagsfliegen: „Ich wünsche dir, dass du bald dein Glück findest..." DT: „I wish (for) you, that you soon your happiness find..." EQ: "I wish that you soon find your happiness..." OE: "I pray that you find your happiness as well."

Link: „Das Tropfen-Element!!" DT/EQ: „"The Droplet-Element!!" OE: "The Water Element!"

Große Fee der Eintagsfliegen: „Das Tropfen-Element stillt den Durst und besitzt die Kraft der Heilung. Es wird dir eine große Hilfe bei deinem Abenteuer sein, kleiner Held." DT: „The Droplet-Element quenches the thirst and bestows the power of (the) healing. It will (for) you a big/great help with your adventures be, small hero." EQ: "The Droplet-Element quenches thirst and bestows the power of healing. It will be a big/great help for you on your adventures, small hero." OE: "The Water Element quenches thirst and brings healing. It will aid you in your journeys, small Hero." (NOTE: ...IT SUITS YOU, LITTLE HERO.)

Link: „Oh ja! Ich bin jetzt topfit..." DT: „Oh yes! I am now top-fit..." EQ: "Oh, yeah! I'm now fighting-fresh..." OE: "I-It's true! My weariness is gone, and I feel refreshed!" (NOTE: Idiomatic.)

Toneffekte: „KRACK WAMM" DT/EQ: „"KRACK WHAM" OE: "FLASH BOOM"

Minish: „IIEEK" DT/EQ: „"EEEEK" OE: "YAAIIII"

Link: „Vaati?!" DT/EQ: „"Vaati?!" OE: "VAATI?!"

Link: „Will er das Element rauben?!" DT: „Wants he the Element steal?!" EQ: "Does he want to steal the Element?!" OE: "Is he here for the Element?"

Vaati: „Verzeih die Störung. Ich... ...spüre sehr viel Macht an diesem Ort..." DT: „Pardon the disturbance. I... ...feel/sense very much power at this location..." EQ: "Pardon the disturbance. I... ...feel/sense a lot of power at this location..." OE: "Sorry to interrupt such a tender moment... ...But I sense a convergence of great energy here!"

Toneffekte: „TAPP" DT/EQ: „"TAP" OE: "TEP"

Vaati: „Große Fee! Wo ist das Force?!" DT/EQ: „"Great Fairy! Where is the Force?!" OE: "Great Mayfly Fairy... ...Where is the Light Force?"

Große Fee der Eintagsfliegen: „Hier wirst du es nicht finden." DT: „Here will you it not find." EQ: "You will not find it here." OE: "There is NO Light Force here."

Vaati: „Verschweig mir besser nichts... Du weißt viel mehr über das Force als die Minish!" DT: „Withold (to) me better not... You know much more about the Force than the Minish!" EQ: "Better not withold anything from me... You know much more about the Force than the Minish!" OE: "There's no use hiding it. It MUST be you! These Picori know NOTHING of Light Force."

Große Fee der Eintagsfliegen: „Hier findest du nur den Glanz des Lebens." DT: „Here find you only the shine of (the) life." EQ: "You'll only find the shine of life here." OE: "All you sense here is a celebration of life!"

Vaati: „Ich frage dich nur noch ein Mal..." DT: „I ask you only still one time..." EQ: "I'll ask you only one more time..." OE: "This is your last chance, Fairy..."

Toneffekte: „TAPP" DT/EQ: „TAP" OE: "TEP"

Vaati: „Wo ist das Force?!" DT/EQ: „"Where is the Force?!" OE: "WHERE is the Light Force?"

Link: „He, Vaati! Ich habe nach dir gesucht!" DT: „Hey, Vaati! I (x) for (to) you saught!" EQ: "Hey, Vaati! I've been seeking you!" OE: "Hey, Vaati, you creep! I've been hoping to run into you!"

Ezelo: „Link, nicht!" DT/EQ: „"Link, no!" OE: "N-No, Link!"

Link: „Befeie Zelda von deinem Fluch!" DT/EQ: „"Free Zelda from your curse!" OE: "Undo that curse you placed on Princess Zelda!"

Vaati: „Hm?" DT/EQ: „"Hm?" OE: "Eh?"

Vaati: „Oh, ja... Na, so eine Überraschung." DT: „Oh, yes... Well, so a surprise." EQ: "Oh, yes... Well, what a surprise." OE: "Well, well... I never thought I'd see YOU here..."

Vaati: „Mein Meister Ezelo!!" DT/EQ: „"My Master Ezelo!!" OE: "...Master Ezlo!"

Link: „Was?!" DT/EQ: „"What?!" OE: "Huh?!"

Ezelo: „Du hast dich nicht verändert, Vaati." DT: „You (x) yourself not changed, Vaati." EQ: "You haven't changed, Vaati." OE: "You haven't changed, Vaati."

Vaati: „Und Sie sind noch immer in dieser jämmerlichen Gestalt! Hi hi hi hi. Sie sollten die Stärke meines Fluches schätzen." DT: „And you are still always in that pathethic shape/form! He he he he. You should the strength my curse appreciate." EQ: "And you're still in that pathetic shape/form, as always! He he he he. You should appreciate the strength of my curse." OE: "And you're looking just as SHABBY as ever too. How are you enjoying the curse I placed on you? Pretty good, eh?" (NOTE: *spits coffee out at German version*)

Ezelo: „Wie armselig, Vaati... Ich schuf diese Mütze nicht für deine bösartigen Machenschaften!!" DT: „How pitiful, Vaati... I create that Cap not for your evil/malicious scheming!!" EQ: "How pitiful, Vaati... I didn't create that Cap for your evil/malicious scheming!!" OE: "It's pathetic! I didn't make that Cap to power your evil schemes!"

Link: „Ezelo ist Vaatis... ...Meister?!" DT/EQ: „"Ezelo is Vaati's... ...Master?!" OE: "Ezlo was Vaati's... ...Teacher?!" (NOTE: As for how English Link deducts "teacher" out of "master"... Vaati used "Oshishou" for Ezlo in the Japanese version. It means BOTH "master" AND "teacher".)

Vaati: „Die Mütze erfüllt die Wünsche des Trägers! Wundervoll! Dank der Mütze bin ich jetzt einzigartig auf der Welt! Ich bin der Hexenmeister!!" DT: „The Cap fulfills the wishes (of) the wearer! Wonderful! Thanks (to) the Cap am I now matchless/unique in the world! I am the sorcerer!!" EQ: "The Cap fulfills the wishes of the wearer! Wonderful! Thanks to the Cap, I am now matchless/unique in the world! I am a sorcerer!!" OE: "Perhaps not. But thanks to this cap, whose great POWER is to grant the wishes... of WHOEVER wears it, I have become this world's... ...one and ONLY Mage!" (NOTE: English, you're not even trying to hide the "demon" thing again...)

Vaati: „Mir fehlt nur noch die Macht des Force!!" DT: „(For) me missing only still the power (of) the Force!!" EQ: "All that is missing for me is power of the Force!!" OE: "All that's left is to get my hands on the power of the Light Force!"

Link: „Macht des Force?" DT/EQ: „"Power (of) the Force?" OE: "The power of the Light Force?"

Ezelo: „Auch mit dem Force wird dein Wunsch nicht in Erfüllung gehen!" DT: „Also/even with the Force will your wish not in fulfillment go!" EQ: "Even with the Force, your wish will not be fulfilled!" OE: "Even WITH the Light Force, you won't necessarily GET your wish!"

Vaati: „Hah! Sie sind ein schlechter Verlierer. Der Fluch ist so stark... Keine Kraft wird Sie von ihm befreien." DT: „Hah! You are a bad/sore loser. The curse is so strong... No power will you from it free." EQ: "Hah! You are a sore loser. The curse is so strong... No power will free you from it." OE: "Ha! Don't be a sore loser, Master. The curse I placed on you is STRONG. You'll NEVER gather enough power to break it!"

Ezelo: „Mich vom Fluch zu befreien, ist auch nicht mein Wunsch! Aber wir werden dich stoppen!!" DT: „Me of (the) curse to free, is also not my wish! But we will you stop!!" EQ: "Freeing me from the curse is not even my wish! But we will stop you!!" OE: "Fool! I DON'T CARE about returning to normal!! But I WON'T let you go unchecked!" (NOTE: NOOO, GERMAN EZLO!!! THIS IS ALMOST AS BAD AS THE "LIVE WITH THE CURSE" LINE THE GERMAN GAME HAD!!!)

Ezelo: „Wir werden deine niederträchtigen Pläne vereiteln!! Los jetzt, Link!!" DT: „We will your wicked plans thwart!! Go now, Link!!" EQ: "We will thwart your wicked plans!! Let's go now, Link!!" OE: "I'll see to it that your petty little plans are thwarted! Let's go, Link!"

Link: „Was?!" DT/EQ: „"What?!" OE: "Huh?!"

Ezelo: „Beeil dich! Schnell weg hier!!" DT: „Hurry yourself! Quick(ly) away here!!" EQ: "Hurry up! Quickly, away from here!!" OE: "Stop dawdling, fool! Get us out of here!"

Link: „?! Warum?!" DT/EQ: „"?! Why?!" OE: "?! W-Why?!"

Ezelo: „Du kannst erst gegen ihn antreten, wenn du das Heilige Schwert mit den vier Elementen hast." DT: „You can not-until against him on-take, if you the Holy Sword with the Four Elements have." EQ: "You can't take him on until you have the Holy Sword with the Four Elements." OE: "You CAN'T beat Vaati until you get all Four Elements AND fix the sacred Sword!"

Ezelo: „Jetzt hättest du absolut keine Chance! Du musst jetzt die Schande ertragen und fliehen!!" DT: „Now have you absolutely no chance! You must now the shame bear/endure and flee!!" EQ: "Now, you have absolutely no chance! You must now bear/endure the shame and flee!!" OE: "At this point, you're no match for him! So take the better part of valor and RUN AWAY!"

Link: „Das... Das kann ich nicht!! Ich werde ihn jetzt und hier besiegen!!" DT: „That... That can I not!! I will him now and here defeat!" EQ: "I... I can't do that!! I'll defeat him here-and-now!" OE: "I... I CAN'T do that!! I'm going to take him out right here and now!"

Toneffekte: „TSCHING" DT/EQ: „"SHING" OE: "SHING"

Ezelo: „IDIOT!!" DT/EQ: „"IDIOT!!" OE: "You idiot!"

Vaati: „Niederträchtig, sagen Sie?! Immer hielten Sie mich zum Narren..." DT: „Wicked, say you?! Always hold you me to (the) fool..." EQ: "Wicked, you say?! You always played me for a fool..." OE: " "Petty little plans," you say? You always did underestimate me!" (NOTE: Idiomatic... And oh my gosh, this chapter... I feel my heart breaking... EVEN WORSE, that second line could also be translated as "You always did consider me a fool...")

Vaati: „Aber nun werde ich meine Überlegenheit zeigen!" DT: „But now will I my superiority show!" EQ: "But now, I will show my superiority!" OE: "Let me prove AGAIN how much BETTER I am than you!"

Toneffekte: „PUZZ..." DT/EQ: „"BUZZ..." OE: "ZWORP"

Link: „Die große Fee der Eintagsfliegen!! Wie kannst du nur?!" DT: „The Great Fairy (of) the Mayflies!! How can you only?!" EQ: "The Great Fairy of the Mayflies!! How could you?!" OE: "Great Mayfly Fairy! What've you done?!"

Vaati: „Warum nicht?" DT/EQ: „"Why not?" OE: "Do you disapprove?"

Vaati: „Sie wäre doch sonst gestorben. Aber in dieser Gestalt kann sie für immer und ewig leben. Sie sollte mir dafür danken!" DT: „She would still otherwise dead. But in this shape/form can she for always and eternity live. She should (to) me therefore thank!" EQ: "She would be dead otherwise. But in this shape/form, she can live forever and always. Therefore, she should thank me!" OE: "If I'd let her be, she'd have died. Now now, in this form, she can live FOREVER! You should thank me for saving her life!" (NOTE: ...I see that German Vaati has taken lessons in trickery from the Other Mother from "Coraline"...)

Toneffekte: „WRAMM KRACK KRACK" DT/EQ: „"WHAM CRACK CRACK" OE: "WHAM CRUMBLE CRACK"

Ezelo: „Vorsicht! Sie ist verwirrt und tobt herum!" DT: „Caution! She is confused and rages around/about!" EQ: "Watch out! She's confused and is raging around/about!" OE: "She's confused and panicking! Look out!"

Vaati: „Leider hab ich keine Zeit mit euch zu spielen..." DT: „Unfortunately have I no time with you all to play..." EQ: "Unfortunately, I don't have time to play with you all..." OE: "Sorry, but I don't have time to play with you two."

Toneffekte: „KRACK KRACK KRACK" DT/EQ: „"CRACK CRACK CRACK" OE: "CRASH CRUMBLE SMASH"

Vaati: „Doch das Force wird mir gehören. Entschuldigt mich..." DT: „Yet the Force will (to) me belong. Excuse me..." EQ: "The Force will belong to me yet. Excuse me..." OE: "I'm late for my appointment to find the Light Force. I trust you'll excuse me..."

Link: „Warte, Vaati!!" DT/EQ: „"Wait, Vaati!!" OE: "Vaati! Wait!"

Toneffekte: „DO DO DOOH" DT/EQ: „"DO DO DOOH" OE: "RUMMMBLE"

Link: „Verdammter Vaati!! Die große Fee tut mir so leid..." DT: „Damn Vaati!! The Great Fairy does (for) me so sorry..." EQ: "Damn Vaati!! I feel so sorry for the Great Fairy..." OE: "That rat! I'll NEVER forgive him! How could he do that to the Great Mayfly Fairy?!" (NOTE: *drops coffee cup in surprise at German Link's brashness*)

Toneffekte: „Hüpf" DT/EQ: „"Hop" OE: "SPROING"

Ezelo: „..." DT/EQ: „"..." OE: "..."

Ezelo: „Link... Es ist wohl an der Zeit, dir alles zu erzählen..." DT: „Link... It is probably at the time, (to) you everything to tell..." EQ: "Link... It's probably time to tell you everything..." OE: "Well, Link, I guess now I have no choice but to tell you EVERYTHING."

Ezelo: „Vaati und ich... Wir sind beide vom Volk der Minish." DT: „Vaati and I... We are both from (the) nation/people (of) the Minish." EQ: "Vaati and I... We are both from the Nation of the Minish."/"Vaati and I... We are both Minish people." OE: "Vaati and I were Picori." (NOTE: Not THIS confusion again! Here, just take both translations.)

Link: „Was?!" DT/EQ: „"What?!" OE: "Huh?!"

Link: „Du und Minish?! Quatsch..." DT: „You and Minish?! Nonsense..." EQ: "You and the Minish?! Nonsense..." OE: "You were a Picori?! N-No way!" (NOTE: I'm not sure if the German version was trying to emphasise Link's doubt in Ezlo being a Minish, or if they just messed up and meant it to be, „Du und Vaati?! Quatsch..." or something like that.)

???: „Das alles fing mit einer Mütze an..." DT: „The all began with a Cap (x)..." EQ: "It all began with a Cap..." OE: "It all began with a Cap... A very special cap..." (NOTE: Not sure if this is supposed to be Ezlo or the storyteller... So... Also, „anfangen".)

[namtanlovesfilm]

okay first of all I care very much about your hamster now and I'm gonna need every detail. can we have a picture? what's her name? tell us everything!

vskkwvdkfphwbb oh my god I never thought this would be a thing! okay well let's go I guess:

her name is Hamtaro like the popular japanese cartoon I used to watch when I was little, even though she is a female lol.

I got her in january from my grandma as a christmas gift because I've always wanted a dog and I had never considered any other animals until I saw one (1) youtube video that made me want to have a hamster

so yeah she's been with me almost seven months now and we are super close, she has many nicknames: HamHam, mon amour (my love in french), Hamhoum (for a more lebanese sound), Hamhummus (still very much lebanese), habibté (darling in lebanese)

(this is me facetiming her while I was away for a weekend)

I mostly call her 'he' though because Hamtaro the cartoon is a male and also because hamster is a masculine noun in french, which sometimes confuses people like my grandma who always correct me when I call her 'he' ijspjvdkpsb

to finish this very detailed post I thought I'd share why I love Hamtaro so much:

she is not a very affectionate animal but she always seem to enjoy my caresses and kisses (although apparently hamster usually hate it), she always peaks up when she hears my voice from her cage or when she hears that I'm coming near it.

she loves to smell things (that's hamsters' fave occupation ever) so I always try to make her smell everything in the house, especially flowers when my parents buy some.

also she is very hyper active so when I get her out of her cage I'm always running after her trying to make sure she doesn't fall off our couch lmao, but she's such a cutie she always waits for my hand to fall into!

oh and finally she loves going from my shoulder to my back, even though I can't see her I always manage to not let her fall and idk that proves the link of trust between us :)

xxx

[writing-makes-me-antsy]

Guys my hamster likes the pancakes

Also I’m feeling a lot better 💕💕 I had a belt that was putting a bit of pressure on where I’ve been getting bad pain so I loosened that some and I managed to make myself dinner 💕💕 I’m about to take my night meds too after watching Pippin (my hamham) for another minute. He’s just hypnotizing and makes me so happy. I want to be the best owner I can!!

Listening to hozier while making the pancakes for my hamster? An experience. I could still feel the tear trails on my face, but I felt a lot more calm and at peace, and it helped that my pain faded a ton. I am just filled with love for this little dude. I’ve always dreamed of someday dancing around the kitchen with the person I love to hozier, but for now this totally works too. Making a special gift for a little buddy who can’t do anything for me other than just live is like, really pleasant. Listening to hozier during that? Ethereal.

I replaced Pippin’s water and he came over to investigate again, and then I gave him his freshly made snack 💕💕 I was planning to clean his cage tonight but he’s much too energetic for me to do that. He follows my hand whenever I have to put something inside! So as soon as I wake up, and I have an alarm set for early, I’m going to gently spot clean and replace his food and stuff. I want to get in the habit of doing that in the morning to help me get out of bed on tougher days, and also so he isn’t stressed out while he’s awake. I’m gonna do my best to be quiet so he doesn’t wake up from it! So it’ll be like a little Christmas for him every evening. I wish I could wake up to my room clean and fresh food every morning lol he’s doing his job and helping me though. This is the best I’ve felt at night in a little while. I started to spiral early tonight but as soon as I did he woke up and I ended up focusing on him instead. I ended up a bit sad later on anyway, but progress!

I don’t think I’ll ever be 100% happy all the time, and that’s okay! I have a lot of stuff going on tbh. I have five currently diagnosed mental illnesses I think I do a decent job of managing, and now I’m working on getting some sort of likely chronic physical issue figured out. My life is a little odd compared to some, but I work really hard to live the best I can 💕💕

[cosmichoneyedblossoms]

Watch Me

Pairing: Wonho X Reader

Genre: Angst and Smut

Word Count: 1,863

A/N: I got an ask awhile ago for an enemy type smut that reader has a crush on Hyungwon and Wonho gets jealous. I added a little something in there that wasn’t asked for, but I hope you like it Anon!

[6:15 PM] Lil’ HamHam: Y/N

[6:17 PM] You: Yes, Ki?

[6:20 PM] Lil’ HamHam: What would you say to a get away to a spa for a few days with me and the guys for our holiday?

[6:25 PM] You: All of the guys? Like, including Hyungwon?

[6:27 PM] Lil’ HamHam: Yes, all of the guys.

[6:30 PM] You: Count me in, when do we leave?

[6:45 PM] Lil’ HamHam: Tomorrow morning at eight a.m. So be at the dorm by 7:30.

[6:48 PM] You: Nothing like a last minute decision there Ki.

“You really invited her, Kihyun?” A deep sigh flowed from Wonho’s chest as he tossed his bag into the back of the van.

“Oh? You got a problem with me being here, Wonho?” I hissed, crossing my arms.

“It’s whatever.” His toffee eyes rolled, his body pushing past me to get into the van.

“Really, you two? This is a vacation, can you guys not get along for five minutes?” Jooheon whined from the door of the other van, Minhyuk joining in with him.

“Yeah, what do you guys have against each other for you to be this hostile at eight in the morning.”

“He always starts it, it’s not me. I have no problem with him until he opens his mouth and spouts something stupid.” The window of the van opened for Wonho to hang his head out.

“Says the girl who is too thick skulled to admit she likes Hyungwon.” He slammed the window shut and another sigh came from behind me. I turned to see Hyungwon staring at the back of Wonho’s head, my heart fell into my stomach as he turned his hypnotizing gaze onto me.

Did he just hear that….?

“Don’t listen to him. We love that you’re coming with us.” His sweet words made my heart skip a beat, his hand came up to ruffle my hair, a smile pulling at the corners of his lips, “Why don’t you sit with me in the van, I’ll protect you from Wonho.” A fire crawled up into my cheeks, my eyes trying to look everywhere but at him.

“Are you sure? I can always sit with Kihyun.”

“Kihyun can sit with grumpy ass, I rather sit with a pretty girl than with Wonho anyway.” His hand wrapped around my shoulder and guided me into the van, letting me take the window seat in front of Wonho, his body soon plopping down next to mine. Kihyun’s black hair peeked into the van and he passed glances between me and Hyungwon.

“Sitting with Hyungwon again, Y/N?” He asked getting into the vehicle, sliding the door and taking the seat next to Wonho.

“I told her to.” Hyungwon breathed as he slid down into the seat, resting his head against my shoulder, my body freezing under his touch, “She makes a great pillow.” I glanced back into the seat to see Kihyun smiling and mouthing ‘just tell him.’

“What goes better with chicken than alcohol?” Kihyun sighed leaning into the couch, a slight blush gracing his cheeks.

“We stopped eating over an hour ago, Ki…I think you may be a little tipsy.” Hyungwon teased as the guys passed slurred conversations, my eyes followed his hand bringing the bottle up to his mouth to take a swig from it, his thick luscious lips wrapping around the mouth of the bottle, his Adam’s apple bobbing with every gulp of the bitter liquid.

“Y/N.” Wonho’s voice caught my attention.

“What?” I flicked my gaze onto Wonho, who sat across from me on the floor, the silver of his hair resting above his dark eyes. His thick pink lips cradled his index finger, it tugging at his plumpness as he pulled it from his mouth, obsidian swirled irises holding my stare. Something in his eyes made my heart pound, like the way Hyungwon’s does, but then again, completely different; cold chills ran through my body causing the hairs on my arms to stand on end. I tried to pull my eyes away from him, but he had me hypnotized, trapped in the weight and drowning in the ink of his eyes.

“Hey, Wonho!” Minhyuk’s drunken coo made him break contact with me, the burn in my lungs making me gasp for air, the eyes of the guys falling to me.

“Y/N? Are you okay?” Changkyun rubbed my back and I nodded, trying to fake a yawn.

“Yeah, just tired… I think I’m going to turn in for the night.” I stood from my place on the floor, catching Hyungwon’s gaze.

“Would you like me to walk you to your—”

“I got it.” Wonho cut off Hyungwon, his body lifting up from the floor as well.

“I can make it—”

“I’m taking you whether you like it or not, Y/N.” He hissed, his hand urging me to the door. I rolled my eyes, pulling the door open and stepping out into the hall, making my way to my room; I could feel the weight of his eyes on me, watching my hips sway in front of him. I pulled my room card from my pocket and slipped it into the lock, it beeping to tell me it was unlocked, I opened the door a bit before turning to Wonho.

“Thanks for escorting me to my room, you can go back—” His hand pushed the door open, his body attempting to make contact with mine. I walked backwards trying to create space between us, Wonho’s body pressing me further inside the room until the back of my legs hit the bed, making me fall onto it, “What the hell, Wonho?” I growled, his stature towering over me, his eyes boring into me making my breath hitch as his fingers fell to my thigh. My hand reacted immediately smacking his touch from my being, his hand catching my wrist, “You’re such an asshole! What do you think you’re—”

“I don’t like the way you stare at Hyungwon.” Wonho confessed, my heart starting to thrash around in my chest.

“That’s what this—”

“Especially when I’m around…” He went on, “I know you can feel me watch you.”

“N-No I can not.” I rebuked, his hand pinning my wrist down onto the bed.

“Are you sure about that? You flirt with Hyungwon more when I’m around, you change your body language when it’s just us. You act like you hate me, but that’s not the truth, is it?” His heat spread over my skin as his free hand trailed up my bare arm.

“I…”

“Am I wrong?” He questioned, his hand quickly finding the curve of my neck, tracing it down to my exposed collarbones.

“Wonho… I…” My voice got caught in my throat, his eyes coming to rest on my lips, his tongue coming out to moisten his own.

“Answer me, am I wrong?” I bit my lip, tearing my gaze from his, his hand turning my cheek for ours to connect. I nodded slightly, noticing his Adam’s apple bobbing as he swallowed, “I don’t want anyone else to see you this vulnerable. Only show me, Y/N.” I raised up off the mattress to come close to him, our lips hovering over one another, our breaths mixing, intoxicating me. I whispered his name, letting our lips brush over each other.

“Touch me—” His lips crashed into mine, tongue beckoning me to give into him. Long fingers tangled themselves into my hair, pulling my head back, his lips peppering hard kisses over my neck, teeth marking his newly found territory. His hands untangled themselves to reach down, hiking my skirt up, their heat igniting my skin as they slipped past the thin fabric of my panties. A deep growl came from his chest, his fingers eliciting quiet moans from me, the wet sounds of my needy core making me blush.

“You’re so wet, how long have you been thinking about being touched? Were you thinking that Hyungwon would be taking care of you tonight?” His fingers curled up into me, pressing into my throbbing nerves, my thighs clamping around his hand, “Did I find your sweet spot?” Wonho teased, pulling his fingers from my heat to lick my juices from his extremities.

“You talk too much…” I whispered, getting up from the bed to kiss him gently then pushing him onto the bed, his tight jeans not hiding his erection. I tugged the button of his jeans undone, yanking down the zipper, and pulling out his thickness, it throbbing in my grasp. His breathing hitched as he watched drool drip from my lips to land onto the tip of his member, my thumb swiping over his slit making his hips shudder under my touch.

“Don’t tease. Give me what I want.” He groaned.

“What is it that you want?” I asked, slipping off my panties, and climbing onto the bed, my legs straddling him, his length twitching as my heat rubbed over him, coating him in my essence.

“You know what I want.” His hands lifted my hips to slide his length into me, a loud gasp of pleasure radiating from my chest, “C’mon, ride me, baby.” His hands laid a hard smack to my ass as I lifted my hips to sink back down on to him, his length filling me entirely. The bed creaked with every movement I made, every thrust of his hips into me sent fire through my veins, the sounds of our breathing and skin meeting filling the room.

“This feels so good…” I breathed, Wonho chuckling.

“Imagine Hyungwon watching you bounce on my cock, getting yourself so turned on and wet.” I reached back, placing my hands on his thighs, rolling my hips into his as he ran his hands up my thighs, his fingers gripping the fabric of my skirt in his hands, “Does the thought of him watching you lose yourself on me, drive you nuts? You’re clamping down on me so hard now.” He scoffed, thrusting his hips up into me.

“Stop… talking about… him…” I pleaded, my lungs starting to burn as my high started to climb into my stomach.

“His hand is gripping his dick so hard, his hips are trembling under his hand, trying to imagine what it would be like to be inside this wet little hole.” I gasped, his length hitting my sweet spot, “Let him listen to you cum for me. Let him hear you scream in pleasure.” He snapped his hips up into me roughly, a scream of pleasure ripping through me.

“Wonho, I’m—”

“Hyungwon wants to cum, too, Y/N. Cum with him.” He groaned, burying his member into me, releasing his vitality inside me as I reached my high. I breathed heavily as Wonho sat up, pressing his lips against mine, “You’re so naughty.”

“Me, naughty? No.” I giggled getting off of Wonho, my feet meeting the floor and my eyes meeting espresso eyes and blond hair, cum coating his hand and thighs.

“I told you that he was watching.” Wonho laughed a bit, his hands pulling me back to him, “Want to let him join us?”

[ask-souda-and-tanaka-blog]

//i’m so glad your back uwu// Gonta help this poor boy find their way home!! let gonta meet the wittle hamhams!

//Hehe thanks! Im glad to be back! (Casually ignores that uwu for the sake of my sanity-)//

"Ah you need help? You are lost? Gonta would be happy to help you get home!"

[Gundham wasn't so sure he should let someone he didn't know follow him home. Plus they didn't really need help- Wait.. He couldn't just tell this guy he was taking a wolf home- Then again, he was the ultimate breeder, so it wouldn't be too weird..- But-]

"Calm down, dove... You shouldn't stress yourself out over this."

[Gundham jumped a little from the sudden voice he heard through Kazuichi's howl. He looked at him, letting himself calm down.]

"Of course.."

[Gonta's smile grew wider. Could this man be like him? Had he been raised by wolves as well? Of course! That could be the only reason a wolf would be following him! He could comminicate with wolves as well!]

"Oh! Can you speak with animals as well?! So can Gonta!"

[dionysus-is-my-dude]

My little, blue Beta, Poseidon, is the longest-lasting fish I’ve ever had.

This little dude is almost a year old! He dirties his tank like nobody’s business, but he lasts. The REAL Poseidon has obviously blessed the little guy. Oh, and my golden pothos that I dedicated to Apollo is still thriving. Got some brown leaves that I need to trim, but he’s doing alright. Even my four succulents are still living large, as big as they are now. And my aloe vera plants are still getting bigger, too. My poor HamHam may have passed and I lost some other plants, but I’m glad everyone else is still alive.

I saw my doctor the other day. Yep, I’m prediabetic, and it turns out that most of my problems are tied to my fibromyalgia, which I honestly ignored for the past few years. My doctor, unfortunately, says there’s nothing she can really give me to help with that. She told me that my best path to take is to really work on exercising and eating right. I’m working on incorporating more protein, healthy fats, and stuff like that. I’m gonna cut down hard on calories and carbs. Not going on a keto diet, nooooo. But, y’know, cutting down. I’m also gonna try to go out and exercise more. I do a lot of walking and lifting and stuff at my job, but my doctor says to also spend twenty-thirty minutes walking 5 days a week. I really need to lose more weight and get on a good diet. It’s awfully hard, given how expensive healthy food is and how tired I usually am -which results in me not wanting to exercise. BUT, I do like listening to my iPod while I’m walking, and the gym I go to is relatively empty whenever I’m there. Or at least there’s always an empty treadmill.

I hope those of you like me who are stuck in this bad weather are keeping warm and keeping safe on the roads!

[local-friendlycryptid]

THE L O R E

That show just brought back my dying fnaf theorist phase back to life, the story is told between the lines of each episode and I'm loving it

Also the giant red mop man, can't forget the giant red mop man

-hamham

Then I can definitely see the appeal! Have any good theories or heard of any? Also he has quite a unique character design I think that's cool!!