#having something new and a fresh take on a character rather than verbatim??

[dontbadgerme2233]

It's so nice being a Moon Knight fan when you don't have a comic purist telling you how much you suck for enjoying the show as well.

[thewriteadviceforwriters]

Unleashing the Power of Inspiration: Crafting Original Fiction from Beloved Books and Movies

As writers and authors, we often find ourselves captivated by the worlds created in our favorite books, TV shows, and movies. The characters, settings, and narratives leave an indelible mark on our creative minds, inspiring us to weave our own tales of wonder. However, it's essential to strike a delicate balance between drawing inspiration and avoiding the pitfalls of outright copying. In this article, I'll help you explore effective strategies for infusing inspiration from beloved sources into your own fiction book while maintaining authenticity and originality.

Checklist for Effective Incorporation of Inspiration:

Before we dive into the details, let me provide you with a handy checklist to ensure you're harnessing inspiration in a responsible and imaginative manner:

Identify key elements: Analyze your favorite book, TV show, or movie and pinpoint the aspects that resonate with you the most. These elements could include character development, plot structure, world-building, or even the emotional journey.

Seek multiple sources: Broaden your horizons by drawing inspiration from various sources, rather than solely relying on one. This will help you create a unique blend of ideas and themes while avoiding the risk of replicating a single work.

Understand the essence: Delve deeper into what makes your favorite works truly special. Analyze the underlying themes, motifs, and messages conveyed. By grasping the essence of these stories, you can extract the core elements that resonate with you and apply them thoughtfully in your own work.

Adapt, don't copy: Rather than replicating specific characters or plotlines, focus on adapting the essence of your favorite works to suit your unique story. Ask yourself how you can capture the emotions, atmosphere, or philosophical questions that made those works impactful and translate them into your own voice and narrative.

Combine with personal experiences: Infuse your story with your own life experiences, emotions, and observations. By blending external inspiration with your personal perspective, you can create a rich tapestry that reflects your unique voice and vision.

Embrace originality: Strive to bring something fresh and innovative to the table. Instead of emulating your favorite works verbatim, use them as a springboard to explore uncharted territory, experiment with new ideas, and develop your own creative style.

When incorporating inspiration into your fiction book, it's crucial to approach the process with a keen eye for adaptation rather than replication. Take a moment to reflect on what specifically draws you to your favorite books, TV shows, or movies. Is it the intricate world-building, the captivating plot twists, or the depth of the characters? Understanding the essence of what makes these works special allows you to extract the core elements that resonate with you and apply them thoughtfully in your own narrative.

For instance, let's say you're enthralled by the rich and immersive world-building of a particular fantasy series. Instead of attempting to recreate the exact setting or magical system, focus on the underlying principles that make it captivating. Is it the intricate interplay between magic and politics? The complex relationships between different species or factions? By identifying these foundational aspects, you can adapt them to suit your own fictional universe, infusing it with a unique twist that aligns with your overarching vision.

Similarly, examine the characters that have left a lasting impact on you. What qualities do they possess that make them memorable and relatable? Is it their internal conflicts, their emotional journeys, or their growth throughout the story? Rather than replicating these characters outright, delve into the essence of what makes them compelling. Then, apply those qualities to your own characters, infusing them with your unique perspectives and distinctive traits. By doing so, you'll create a fresh cast that embodies the spirit of your inspiration while remaining authentic to your story.

It's also essential to complement external inspiration with your personal experiences and observations. Draw from your own life to add depth and authenticity to your narrative. Incorporate elements of your own emotions, struggles, and triumphs, weaving them seamlessly into the fabric of your story. This infusion of personal touch not only enhances the originality of your work but also allows readers to connect with your characters and themes on a deeper level.

Ultimately, the key to effectively incorporating inspiration lies in embracing originality. While it's natural to be influenced by the works that have touched us profoundly, it's equally important to bring something fresh and innovative to the table. Use your favorite books, TV shows, and movies as a springboard to explore uncharted territory, experiment with new ideas, and develop your own creative style. By doing so, you'll create a fiction book that not only pays homage to your sources of inspiration but also stands on its own as a unique and captivating piece of literature.

Drawing inspiration from your favorite books, TV shows, and movies can be a powerful tool for any writer. By conscientiously adapting the essence of these works, combining them with your personal experiences, and infusing them with originality, you can craft a fiction book that resonates with readers while maintaining your own distinct voice. Remember, the key lies in taking the inspiration and transforming it into something entirely new, breathing life into your own imaginative world. So, go forth, let your favorite stories inspire you, and create masterpieces that will captivate readers for generations to come.

[stories-me]

Potential Character for Mrs. Kelsey and Tumblr 9/13/2023:

Alec Hardison, the Hacker of Leverage:

What he’s from: “Leverage”.

Background:

The team’s computer specialist, gadgeteer and hacker. He is a self-proclaimed geek and science fiction fan, with an easygoing manner and a dry, unusual wit. Hardison was raised by a foster parent, an older woman he refers to as “Nana”, and his first large-scale crimes involved sticking the country of Iceland with Nana’s medical bills. Hardison can hack into most forms of electronics, and he is rarely caught. Hardison designed and assembled the computer and video systems in the team’s headquarters, and is responsible for the two-way earpieces (“earbuds”) used by the team on each episode. Hardison is a convincing actor, able to talk his way out of almost any scenario, but he is often too clever for his own good, and whenever he has the opportunity to lead a con, he devises overcomplicated schemes usually doomed to failure. He is also very attached to his electronics (and in particular his van, “Lucille”) and shown to become very depressed when the con takes a turn for the worse and requires his electronics to be destroyed so the team can make its escape. Hardison from time to time will back up Eliot (the “Hitter”) in fighting situations although his skills are not nearly as extensive. Hardison’s and Parker’s (Parker is the “Thief”) relationship develops into a romantic one as time goes on, but it is fraught with personal (and physical) complications.

How he is like me:

We’re both smart and want to help others. Also, we both like computers and believe in justice for the underdog. We also have a sense of humor and can do accents.

Kelsey Notes:

When others show interest in your fan fictions by asking questions about certain stories, it is easy for them to become overwhelmed with the amount of information that comes from reading verbatim from a source off of the internet. 

          Summarizing in your own words is a good skill to start practicing- this will help you maintain a back-and-forth conversation about a character that is more meaningful than reading from the internet**

                    **You’ve made great progress in your conversation skills so this is new territory that you are stepping into**

Even though a character or story’s background is not complicated for you to understand, it can seem really complicated to another person. 

          When someone feels that something is too complicated for them to understand they aren’t likely to want to continue a discussion about it because it’s hard to discuss things that are difficult for one person to understand.

Being able to give a quick summary for characters and stories is important because it can help someone follow what you are talking about, making it more likely that a conversation will continue about the character and their story. 

It’s understandable that he would become upset or depressed when he has to destroy a device that he spent time creating. 

In order for the team not to get caught it seems like he is faced with having to start fresh from time to time

          This can relate to being a writer- you are constantly having to come up with new ideas when you finish a story

Rather than feeling doomed when you have to come up with something new or when you have to take a story in an unexpected direction for the reader’s understanding, try to remember that this is generally a strength that a writer posses  

[thedavinoparadox]

"The Robbers" by Friedrich Schiller

Selenio

"It is not flesh and blood, but the heart which makes us fathers and sons."

(⚜️ 9.2 / 10)

I have decided to pick something rather pivotal for my very first book review. (And also to preface this: have no fear, not all of them will be as verbose as this one…)

However, I think that one of Schiller’s most famous works, “The Robbers” might not be as well-known and established in the non-german-speaking world as it is here. In Austrian, Swiss, or German schools this short drama has been a staple of German class for a couple of centuries now and has been read - or at least been heard of - by thousands, if not millions of people.

Let’s start with something every German student seems to loathe: “Epochenzuteilung”, or epoch allocation. (Doesn’t make it sound an ounce more pleasant when you say it in English…)

The “Sturm and Drang” (or “storm and stress”, as a verbatim translation) period in German literature lasted from circa 1765 until 1785 and was heavily characterized by its radically opposing reaction to the ideals of the simultaneously ongoing enlightenment movement, led by philosophers such as Kant or Descartes. Writers like Goethe, Schiller, Lenz, and Klinger stood for a youthful, talented, rebellious, and - most of all - fresh ideology. Rather than focusing on society as a whole, they looked inside the soul, regarding the individual, his feelings, and his soul with a new kind of wonder and excitement.

They identified as “geniuses” - young, independent, untouchable, creative, unattached to whatever superiors there might have been, and most importantly: free. Free in their expression of art, love, and life. Together, they discussed literature, poetry, and philosophy, becoming one of the most enviable historical groups to be a part of from today’s perspective.

I mean… who wouldn't have loved to frolic in the fields with wine-drunk Goethe?

Schiller’s “The Robbers”, originally published anonymously in 1781, portrayed this longing for moral and existential freedom in the confines of a legacy drama. The play premiered one year after its initial publication in Mannheim and already then drew in huge success.

The two brothers, Karl and Franz Moor could not be any more different. Whereas the older - Karl - is noble and popular with the people (yet a tad reckless), the younger - Franz - feels ugly and unloved, and even curses nature for its unfair bias towards the firstborn.

To “make things right”, envious Franz concocts a scheme full of malevolent intrigue to gain access to the legacy of their aristocratic father and to conquer the heart of his brother’s bride-to-be: the beautiful and strong-willed Amalia, exiling his older brother in the process.

Karl, hurt and ashamed by the apparent rupture of the relationship with his father, becomes the leader of a group of robbers, who further lead him into a life of crime and morally questionable decisions. Thus, an adventure develops where nothing is truly how it seems.

⚜️ Characters (1.5/2)

I have always been drawn to this particular work of Schiller’s, simply because its vivid and strong characters differentiate it from other classics I have read. The two brothers correspond to their respective struggles in realistic and comprehensible, yet not always intelligent ways. Especially Amalia is different from many other female literary characters prior to “The Robbers” as she has her own voice and a preliminary stage of something one could call boundaries, which she isn’t afraid to voice. She is no true “damsel in distress”. In fact, she actively takes part in the story, rejecting Franz’s advances more than once, even though she is aware that this could endanger her. She is upright and respectable, however towards the end of the book… no, let’s disregard that tragedy for the moment.

The king on the other hand is one of the most frustrating characters I have ever encountered in literature. Not only is he unbelievably passive he also - although painfully aware of his youngest son’s scheming nature - never questions anything Franz tells him. This adds to the feeling of urgency with which the reader is overcome and appends the tension and suspense while also portraying a father who is unable to cope with his son’s psychopathy.

Lastly, the eponymous “Robbers” themselves, which loyally follow Karl as their leader. One cannot simply assign them one singular character trait or label them good or evil: all of the named criminals feel like their own, fleshed-out individuals with their respective flaws and strengths, constantly struggling between cruelty and mercy, loyalty and fanatism. Just watch out for the "nun scene" (as I have dubbed it) as it can be a bit overwhelming when not prepared for it.

⚜️ Plot (1.8/2)

The plot of this short drama is appealing even from the modern reader’s perspective. The scene changes are splendid and the whole setting being almost medieval-ish (but timeless at the same time) adds a lot to the overall tone and feel of the novel. Even though the progression of the storyline can be - as mentioned above - a bit frustrating at some points, as a whole it is captivating and suspenseful until the very end. Even in the 1780s, Schiller didn’t shy away from a good ol’ plot twist.

⚜️ Writing Style (2/2)

Contrary to popular belief, Schiller's novels are not as “inaccessible” or “unapproachable” for first-time-classics-readers as one might suspect (or is told by pompous ignorants). Of course, the language - when never having been in contact with it - does seem a tad archaic at times but in my humble opinion, it adds to the enjoyment rather than taking away from it. Schiller differentiates authentically between the different voices and tones of his characters, without making them feel like caricatures. It is also a very quotable book as I have discovered throughout my latest reread.

⚜️ Aesthetic (2/2)

Aesthetically, I think the book captivates this wild spirit of a dark and at first glance very lonely, almost sickly forest that turns out to be heavily populated by sprites and animals. It’s the incarnation of the feeling you get when walking alone through a forest at the dusk of a cold February evening. When all the sounds seem thunderous in comparison to the soft thumping of the heart and the soles of shoes rustling in the icy snow. The moment when one wrong step could lead into an inescapable labyrinth but freedom at the same time.

This image fits very well into the view of nature at the time of the “Sturm and Drang” era. Nature provided the “geniuses” with energy and inspiration. Pantheism was the word of the time: nature, man, and space, fused into a divine whole.

⚜️ Personal Amusement (1.9/2)

I thoroughly enjoyed this read as much as I was hoping (and probably expecting) to and was more than glad to not have been assigned this book for a school class - as is so very popular around here. This piece of literature very much lends itself to over-analyzation (although I must admit to being guilty of the same crime almost anytime I pick up a book…) and by dutifully sticking to a strict curriculum, a lot of conversations that should be held surrounding this book simply get lost in the current. Books are best discovered alone or with partners of your choosing. Also… no one ever really enjoys a thing he has to do.

I would unreservedly recommend “Die Räuber” to anyone looking to get into touch with older german literature (especially when delving into the “Sturm and Drang” period) but who maybe has a little too much respect for it at the moment. It’s a delilghtful entryway into the wonders of what is Schiller’s work.

I decided on this decorative little red edition for two main reasons:

I think with ist simplicity and vintage-flair it just beautifully fits the aesthetical theme and time of the book and

Isn't it just delightful? In my opinion, everybody needs a little pocket-size play to keep him company and help him look just the right amount of pretentious during long train rides.

Ich bin mein Himmel und meine Hölle.

I'm my heaven and my hell.

ISBN: 978-3-596-50911-9

[pretty-face-breaker]

Following this piece where Santiago asks for help escaping.

c.w. whumpee escaping, mentions of guns, implied future torture, mentions of death, whumpee bonded with their whumper, slight victim-blaming, emotional whump/crying, burns and scars 

——

“You have everything you need, right? You’ve got a gun?” 

Hayko didn’t know his own motives for asking. He had seen the other man cramming one into his leather jacket before they left and surely that couldn’t be the only one. He’d been careful from the start anyway, wouldn’t let something like that slip.

Santiago grunted a response. Felt down his sides where the weapon should have been and sighed when he found it taught against the pocket right where it should be

“Do…” Hayko asked, “you know how long it’ll take?” 

If Santiago left now, the trip would hardly take a day and there he would get some cover or so it was going to be. Then, he would continue down the road with whoever it would be— Hayko felt inadequate for not being told— and make off from Oklahoma. To New Mexico. It had been the goal from the start. When Santiago had told him, he had gone through the plan over and over until he could have repeated it back to him verbatim

Santiago shook his head. Cast an uncertain glance at the waiting car in front of theirs, cast another one pushing to the horizon where the sun began to dim and back to Hayko now. “How long will it take you to get back?”

Hayko scoffed low. “Does it matter?”

“I’m more worried about you than me. It’s nothing personal but—they find me? I’m gone. It’s as simple as that.” 

Hayko swallowed hard, rubbing a scar over his wrist and flinching when he realized it was a fresh one, barely healed over and glaring but Santiago was pretending not to notice. Nice of him, his mind supplied, not being too difficult. If he had said anything more, he couldn’t trust himself to be patient. 

“He finds you?” His voice was hardened, quiet like there were ears in the grass outside of the car. “Don’t think he’s going to—”

“I-I know he’s not going to, you don’t have to tell me.” 

Santiago’s mouth fell into a frustrated line, and he shot the man a look of similar character. To this minute, he wasn’t sure what was going through his head or why the fuck they hadn’t sped off yet, why they were both still sitting here chatting when the noose was beginning to tighten. 

“Why the fuck won’t you go with me?” 

He saw him flinch and swallowed the surge of regret. He hadn’t meant to raise his voice but if Hayko had any sense left in him—God, he just wanted to pistol-whip him, strap him in, and speed off where his paranoia wouldn’t be getting him hurt again and again and again. His fear, so deeply nestled in his skin would get him hurt.

No, it would get him killed. He wasn’t sure what that bastard had done but if it had been bad enough for him to develop fucking Stockholm Syndrome, he didn’t want to find out.

He laughed cynically, “You’re so fucking thick-headed, you know? I took the entire trip trying to convince you to come with me and I really thought that for a second, you would get your head straight and realize you’re supposed to go with me.” 

“Sant—”

“Don’t give me that bullshit, Hayko, I swear to Christ. You helped me, you got me here and now you want to stay behind? For what?!” Santiago’s voice rose with his helplessness. “For him? Oh, you’re so fucking scared that Nick’s going to hurt you that you’d rather play it safe. Good fucking choice,” he spat. “Right up until he kills you.” 

Hayko’s fingers kept curling into the seat and at that, they dug in. Refused to let go. “...It’s not your choice.” Hearing his breath, he stumbled to continue. “You don’t know what he does to me. Or how he does it. A-alright?”

“I don’t need to. Just look at yourself for a second, Hayko, because you are fucking scared and paranoid thinking he’s going to pop up at every corner. How’d you even convince him to let you go?” 

At that, he let go and whipped around, his venom ready. “Said it was a business trip but don’t think for a second that I won’t be paying for it tonight. For you.” His jaw quivered, eyes darkening with the threat of tears that he quickly blinked away. “You need to go, there’s a long way ahead of you—”

“Please, go with me.” 

“No,” he choked out. His shame began to suffocate him, while it had only been in the back of his thoughts for the trip. There wasn’t pure shame, though. It was mixed with longing and anger. The desire to just buckle in and speed off although the thought sent his heart to his throat and anger that Santiago was trying to make a choice, knowing nothing of the alternative. 

“You know it’s funny,” Hayko said, “how little you actually know about how he...”

Santiago cut him off, his words no longer as careful. “Do you think he loves you?”

He could almost feel how he sucked that breath in. Shivered slightly as he let it out in shakes, trying to keep himself from exploding. Santiago had gone too far, he thought, but nothing further than the man had already felt. 

Hayko wanted to retort. 

Knew he couldn’t. Knew exactly what the response he tells me he does would receive and how much more pathetic could he possibly look, anyway? 

“I think you need to get going to make it before morning,” he said quietly, closing his eyes at the sigh.

They embraced. He wouldn’t let that comment get in the way. 

It might be the last time.

He didn’t think about it. A near-silent goodbye, a few words of encouragement though hurt underneath, a wave and a nod that finished the business. As Santiago walked to his car, the two exchanged another long look before the door shut and before the dust cleared, he was gone. 

Hayko sat in silence long after. Feeling a sob wracking his chest, he bit into his knuckle until it bled into the cigarette burn laid nearby from just yesterday. He cried quietly. However it would end, Santiago didn’t know that they would both be free either way. 

—

Tagging: @doveotions @thewhumpstuff @thatsthewhump @adamantem-rose @lonesome--hunter @heathenville @whumpsorbetism @whumpasaurus101 @lektricfergus

[douchebagbrainwaves]

EVERY FOUNDER SHOULD KNOW ABOUT CONTRACTORS

In big companies software is often designed, implemented, and sold by three separate types of people. Tcl is the scripting language of Unix, and so its size is proportionate to its complexity, and a funnel for peers. By this point everyone knows you should release fast and iterate. Programming languages are for. They don't even know about the stuff they've invested in. But I think there's more going on than this. If you run out of money, you could say either was the cause. Nearly all programmers would rather spend their time writing code and have someone else handle the messy business of extracting money from it. Every programmer must have seen code that some clever person has made marginally shorter by using dubious programming tricks. In one place I worked, we had a big board of dials showing what was happening to our web servers.1 Every designer's ears perk up at the office writes Tenisha Mercer of The Detroit News. There are borderline cases is-5 two elements or one?

I decided to ask the founders of the startups in the e-commerce business back in the 90s, will destroy you if you choose them. It's due to the shape of the problem here is social. In the arts it's obvious how: blow your own glass, edit your own films, stage your own plays. Only in the preceding couple years had the dramatic fall in the cost of customer acquisition. The organic growth guys, sitting in their garage, feel poor and unloved. So the first question to ask about a field is how honest its tests are, because this startup seems the most successful companies. A good deal of that spirit is, fortunately, preserved in macros. The second way to compete with focus is to see what you're making.

But more important, in a hits-driven business, is that source code will look unthreatening. In DC the message seems to be the new way of delivering applications. White. I'm going to risk making one. But looking through windows at dusk in Paris you can see that from the rush of work that's always involved in releasing anything, no matter how much skill and determination you have, the more you stay pointed in the same business. PR coup was a two-part one. It's conversational resourcefulness. We're more confident. That certainly accords with what I see out in the world.2 Treating indentation as significant would eliminate this common source of bugs as well as making programs shorter. Once you take several million dollars of my money, the investors get a great deal of control.

The dream language is beautiful, clean, and terse. It works.3 It could mean an operating system, or a framework built on top of a programming language as the throwaway programs people wrote in it grew larger. I'm not saying it's correct, incidentally, but it seems like a decent hypothesis. The most important kinds of learning happen one project at a time. Instead of starting from companies and working back to the 1960s and 1970s, when it was the scripting language of a popular system.4 Blogger got down to one person, and they have a board majority, they're literally your bosses.5 Unconsciously, everyone expects a startup to fix upon a specific number.6 But as long as you seem to be advancing rapidly, most investors will leave you alone.7 What readability-per-line does mean, to the user encountering the language for others even to hear about it. Users have worried about that since the site was a few months old.8 If it's a subset, you'll have to write it anyway, so in the worst case you won't be wasting your time, but didn't.9

It's exacerbated by the fast pace of startups, which makes it seem like time slows down: I think you've left out just how fun it was: I think the main reason we take the trouble to develop high-level languages is to get leverage, so that we can say and more importantly, think in 10 lines of a high-level language what would require 1000 lines of machine language. Well, that may be fine advice for a bunch of declarations. Trying to make masterpieces in this medium must have seemed to Durer's contemporaries that way that, say, making masterpieces in comics might seem to the average person today. I kept searching for the Cambridge of New York, I was very excited at first. Which was dictated largely by the hardware available in the late 1950s. This comforting illusion may have prevented us from seeing the real problem with Lisp, or at least Common Lisp, some delimiters are reserved for the language, suggesting that at least some of the least excited about it, including even its syntax, and anything you write has, as much as shoes have to be prepared to see the better idea when it arrives. And I was a Reddit user when the opposite happened there, and sitting in a cafe feels different from working. The Detroit News.10

Most founders of failed startups don't quit their day job, is probably an order of magnitude larger than the number who do make it. But the clearest message is that you should be smarter. But hear all the cutting-edge tech and startup news, and run into useful people constantly.11 You won't get to, unless you fail. Running a startup is fun the way a survivalist training course would be fun, and a funnel for peers. It's since grown to around 22,000.12 You may save him from referring to variables in another package, but you need time to get any message through to people that it didn't have to be more readable than a line of Lisp. A rant with a rallying cry as the title takes zero, because people vote it up without even reading it. I'm just stupid, or have worked on some limited subset of applications. This is supposed to be a lot simpler. Whatever a committee decides tends to stay that way, even if it is harder to get from zero to twenty than from twenty to a thousand.13

With two such random linkages in the path between startups and money, it shouldn't be surprising that luck is a big factor in deals. Most of the groups that apply to Y Combinator suffer from a common problem: choosing a small, obscure niche in the hope of unloading them before they tank. A programming language does need a good implementation, of course. Look at how much any popular language has changed during its life. With a startup, I had bought the hype of the startup world, startup founders get no respect. A real hacker's language will always have a slightly raffish character.14 The eminent feel like everyone wants to take a long detour to get where you wanted to go. But there is a trick you could use the two ideas interchangeably. Their reporters do go out and get users, though. A throwaway program is brevity. I do that the main purpose of a language is readability, not succinctness.15 You can't build things users like without understanding them.

At the moment I'd almost say that a language isn't judged on its own and b something that can be considered a complete application and ship it. They're so desperate for content that some will print your press releases almost verbatim, if you preferred, write code that was isomorphic to Pascal. When I moved to New York, I was very excited at first. To avoid wasting his time, he waits till the third or fourth time he's asked to do something; by then, whoever's asking him may be fairly annoyed, but at the same time the veteran's skepticism. There are several local maxima.16 Defense contractors? When, if ever, is a watered-down Lisp with infix syntax and no macros. Hackers share the surgeon's secret pleasure in poking about in gross innards, the teenager's secret pleasure in poking about in gross innards, the teenager's secret pleasure in popping zits.

Notes

What happens in practice signalling hasn't been much of a long time in the 1920s to financing growth with retained earnings till the 1920s. Even Samuel Johnson seems to be a good idea to make money.

A related problem that they decided to skip raising an A round VCs put two partners on your own mind. That should probably question anything you believed as a cause as it might take an angel investment from a company's culture.

If you don't think they'll be able to formalize a small company that could be made. There was no more unlikely than it was putting local grocery stores out of business you should be.

If Congress passes the founder visa in a time machine, how can anything regressive be good employees either.

If big companies to acquire the startups, the light bulb, the initial investors' point of a great deal of competition for mediocre ideas, but I think what they campaign for. When governments decide how to distinguish 1956 from 1957 Studebakers. How did individuals accumulate large fortunes in an absolute sense, if we think your idea is that parties shouldn't be that the Internet was as late as Newton's time it takes forever.

Galbraith was clearly puzzled that corporate executives would work to have this second self keep a journal. While the audience already has to be more at home at the start, e.

Some will say that it also worked for spam. The closest we got to the Internet worm of its identity. Icio.

Rice and Beans for 2n olive oil or butter n yellow onions other fresh vegetables; experiment 3n cloves garlic n 12-oz cans white, kidney, or black beans n cubes Knorr beef or vegetable bouillon n teaspoons freshly ground black pepper 3n teaspoons ground cumin n cups dry rice, preferably brown Robert Morris says that a startup in the US, it would do it is genuine. Com in order to attract workers.

But the early adopters you evolve the idea that could start this way, except in the back of your last round of funding rounds are at some of these limits could be ignored. Comments at the mafia end of the latter without also slowing the former, and also really good at generating your own time in the computer world, write a new SEC rule issued in 1982 rule 415 that made steam engines dramatically more efficient: the attempt to discover the most promising opportunities, it is very vulnerable to gaming, because there's no center to walk to.

Though it looks like stuff they've seen in the first year or two make the kind that has become part of a large chunk of time, default to some abstract notion of fairness or randomly, in one where life was tougher, the television, the more subtle ways in which those considered more elegant consistently came out shorter perhaps after being macroexpanded or compiled. For these companies unless your last funding round usually reflects some other contribution by the high-minded Edwardian child-heroes of Edith Nesbit's The Wouldbegoods.

Mozilla is open-source browser. They may not be led by a big factor in high school kids arrive at college with a truly feudal economy, at least should make what they claim was the recipe: someone guessed that there are before the name implies, you don't, but that we didn't do. They overshot the available RAM somewhat, causing much inconvenient disk swapping, but they hate hypertension. Living on instant ramen, which are a hundred years ago.

I don't think you should probably question anything you believed as a rule, if you're measuring usage you need, you don't have one. Don't be fooled. So managers are constrained too; instead of admitting frankly that it's a seller's market. This is one subtle danger you have a group of people who are both genuinely formidable, and would probably also encourage companies to say how justified this worry is.

One of the biggest winners, which is where product companies go to grad school, because you can work out. It's conceivable that a their applicants come from meditating in an equity round.

So where do we draw the line?

In 1995, but he got there by another path. If you treat your classes as a company if the potential magnitude of the 2003 season was 2. An investor who invested earlier had been trained that anything hung on a desert island, hunting and gathering fruit. Confucius claimed proudly that he had more fun in this essay, I can imagine what it would have started there.

I'm satisfied if I could pick them, and they succeeded. Consulting is where your existing investors help you even working on Viaweb. If they were taken back in July 1997 was 1. But the change is a scarce resource.

[adorealeclightwood]

Alec in 3x04.

Okay, I haven’t decided on a format for how I’ll be doing this, but a name and episode number will suffice for the time being.

First of all, I’m really happy the first scene we got with Alec was at the institute. I mentioned that I love to see him work, because I do! Often times, when you have a character in a relationship, that ends up being the only thing you see. If it’s an LGBTQ relationship, chances are, their entire storyline will become nonexistent, and they end up being “that one gay character”, or whatever. I’m glad that both Alec and Magnus are able to remain well rounded characters and have a healthy relationship simultaneously. Other shows could stand to take a few notes. 

In regards to him working, this is the content I’ve been waiting for. Alec is a leader; he wants to get shit done the right way. When he’s standing there questioning Morgan and Izzy enters the room, you can tell he’s been at it for a while. There’s an owl demon out killing mundanes, and he wants to put an end to it. Anyone else would’ve likely killed Morgan without a second thought, but he’d rather find the source and deal with things from there, which is exactly what I’d expect from someone as intelligent as Alec. I spoke about character development because it’s a far cry from the Alec I knew in season one (don’t get it twisted, I loved him back then just as much as I love him in this season). 

Now, there’s something I’ve wanted to get off my chest since 3x03. Am I supposed to believe that Alexander Gideon intellectual, king of knowing when something is wrong, master bullshit detector Lightwood can’t sense that his parabatai is a victim of demonic possession? This is probably more of a writing thing, but I’m going to discuss it anyway. 

Their souls are bound, guys. Closer than blood. No human bond compares. It’s not like “hm, I think my buddy is a little sad right now”. They can feel each other, and they can tell when the other is hurt. Jace brought a piece of Alec’s soul back to him, for crying out loud. If Jace is losing sleep, unable to remember where he was, or how he got from point A to B, and being plagued by nightmares, I - a logical young woman - would assume that there’s no way in hell Alec is just carrying on as if everything is normal. 

Fortunately, he doesn’t disappoint. Clary comes in asking to have Jace pulled from a mission, and you can practically see his bullshit sensors going off. Rightfully so, because when has Jace ever switched out willingly? She starts spouting the same crap about Jace being tired, and he isn’t buying it. “When you and Jace were at Lake Lyn, my parabatai rune disappeared. There’s a reason for that.” That line was executed PERFECTLY. He knows something went down, and he’s giving her the opportunity to speak up. She lies again, and I can feel the frustration in that sigh because it’s so relatable. You’re being lied to, and you know you’re being lied to, but you can’t get to the bottom of it because you weren’t there when whatever happened actually happened, and you don’t have any details. Meanwhile, someone you care about is going through some rough shit, and you can’t help them.

I’d also like to point out that he acknowledges how much Clary cares about Jace. At this point, he probably knows she’s protecting him somehow, and although he appreciates that, he still needs to know what the hell is going on, and he manages to get that point across without disregarding her feelings, which is nice to see. He asks Clary to tell him if it’s anything serious, and she doesn’t even bother lying - she bails. She’s walking out of his office, and you can sense the frustration again. He’s dealing with the possessions and murders, trying to track down the owl, harboring his mother’s secret about being stripped of her runes and exiled (which none of his siblings are currently aware of), and on top of all that, he doesn’t know what’s wrong with Jace because he’s being lied to by both him and Clary. That’s enough to make anyone feel helpless, and helplessness isn’t something you want to feel when you’re the one in charge. In other words, my boy is stressed, honey.        

Quick note: I meant what I said about wanting more scenes with Alec and Clary. I’ve always found their dynamic interesting, and now that she’s actively keeping a huge secret from him about Jace, it adds a new level of angst to their relationship, and may actually hinder or prevent their friendship from growing. We know Alec is big on honesty, so this is now the second time he’s asked her flat out what went down at the lake, and she’s lied to his face. I don’t know about you, but I’m super anxious to see how that plays out. Will he lose his shit and have her turned in while he finds a way to protect Jace? Will he ask Magnus to help Jace? Will he be angry at all? Who knows!

Now, it’s Malec time. I know you were waiting for it. 

I said something about them being functional, and I can’t even begin to express how happy I am that they are. Alec isn’t just the Shadowhunter fresh out of the closet, and Magnus isn’t some glittery warlock he’s hooking up with. Alec is the head of the institute, actively doing his job and trying to track down a demon that no one’s seen before, and stop it from possessing and killing mundanes. Magnus isn’t the high warlock of Brooklyn anymore, but he’s still useful. He didn’t even want to go to that party in 3x01, but he went anyway, because it was his duty. There’s old, dark, dangerous magic lurking around, and he wants to get to the bottom of it. He’s helpful and supportive. They’re both active - we get to see them actually do things. What I’m trying to say is, I’m a sucker for the soft stuff, but I’m super happy that there’s more to each of them than their relationship. I hope that makes sense! Whew.

Now, back to Alec.

Right off the bat, you can tell he’s going through it. He hasn’t been eating or drinking because he’s so worried. If anyone is able to help Jace, it should be him, but he can’t, because he doesn’t know how. Magnus offers some comforting words (like the kind, thoughtful man he is), and not even five seconds later, Alec is already moving on to the next task. Again with the leadership! Yes, he’s worried about his parabatai, but he’s got other things to deal with as well. They’ve reached a dead end with the owl situation, but he’s still looking for some answers, because let’s be real, do we expect anything less from Alec? Once again, Magnus is ready to help, and Alec is essentially like “cool, thanks”, but he’s still upset, because when you’ve got twenty things going wrong and you can’t fix any of them, it’s hard to take a breather. 

I want to talk about him coming back to the institute for a second. (I’m jumping around a lot, I know. I’d apologize, but this is how my brain works. I’ll do better next week, I promise.) The security system goes haywire, and while I’m sitting here thinking their IT department needs to update their firewalls, Alec shows up. Apparently it’s only been down for a few minutes, but the look on his face when the other girl says she hopes it was just a glitch, I just...

(I’m sorry, but I have a weakness for attractive, agitated men. Sue me.)

Anyway, they head down to where Morgan is being kept, and he sees her lying on the ground and takes a pause. She looks dead, but she can’t be. He wanted to save her. Magnus works his magic, and bam! She’s alive and confused, but no longer possessed. Then, Alec reassures her and says she’s okay. 

THIS IS CHARACTER DEVELOPMENT, PEOPLE. Remember when he referred to Simon as “it” while he was a mundane? “Mundanes. Look at them, running around like ants.” I have to admit: sassy, sarcastic, asshole Alec was truly a gem, but I am loving this turnaround. After all, we wouldn’t love certain characters half as much if they didn’t evolve in one way or another, right? 

Right. Moving on.     

When Alec finds Jace staring into the mirror, I replayed the first few seconds four or five times. Just seeing Jace look so lost and slightly afraid, then Alec comes in teasing him, and he jumps a little, and you can see that cocky facade slipping back into place. I’m pointing that out because Jace is hiding something. He’s hiding something from his parabatai, and Alec picks up on it in a heartbeat. He asks why he pulled the security footage, and naturally, Jace is defensive. Under different circumstances, I’m sure some bickering would ensue, but Alec doesn’t engage. He just wants Jace to know he’s looking out for him. Alec is practically telling him the same thing he told Clary; “I know you’re not alright, you’re lying to me, but I want you to tell me the truth”. (Not verbatim of course, but you guys get what I’m saying.) 

I’ve seen some people saying that Alec bringing up Jace’s birth mother’s mental illness was out of line, but I disagree. He doesn’t know what’s wrong with Jace, all he knows is that he hasn’t been sleeping, he looks like hell, and nothing feels right. They deal with other shadowhunters, angels, demons, vampires, werewolves, warlocks, and seelies on a daily basis, but they’re half mundane themselves. They’re human, too. Mental illness is a very human thing, so it wouldn’t make sense to rule that out completely. Jace thinks that Alec is calling him crazy, but he wants him to know that that isn’t what he’s saying. He’s just trying to help - as usual. 

I enjoyed this scene because it shows how their relationship has been affected by Jace being under Lilith’s control. In season one, Alec had a problem with Jace running around doing God knows what with Clary. They fought about it, but they got through it. They had a huge fight when Alec tried taking Meliorn to the silent brothers, but they resolved that too. In season two, Alec got possessed and killed Clary’s mother. He was up on the roof, blaming himself, and Jace went up there to talk to him. Alec ended up leaving, but still, they talked it out. (I hope you’re seeing a pattern here.) In the past, they managed to work their shit out and move on. This time, things are different, because neither one of them truly knows what’s going on. Alec has no idea that Jace was literally killed and resurrected, and Jace has no idea that he’s the owl that’s got Alec so stressed. 

Honey, we’ve got a big storm coming.

That’s all I’ve got for now, and I’ll be back with more discourse next week. In the meantime, if you have any questions, comments, or requests, let me know, and I’ll happily oblige! 

Now, go hunt some shadows! (Or continue scrolling, whatever makes you happy.) 

Bye.

[amandasmith03]

Things That You Need To Know About SEO

If you don’t choose to utilize Lynchburg Search Engine Optimization tactics, nobody is going to find your site. The tips can help you draw interested visitors to your business site.

When you develop Lynchburg Search Engine Optimization pages, it’s best to post multiple short pieces on topics that are similar than it is to post extremely long articles. Long pages are weighted less and short ones weigh more.

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Search Engine

To make sure you have a place in search engine results you should have a large amount of keywords, “Description”, and “Keywords”. Search engine bots will “read” the metatags and improve your sites search engine rankings. For example, if the website is about rabbits, you could use rabbit,” “eyeglasses” and “eye glasses, rabbits and rabbitt.

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Search Engines

When using internal links on your site it is very important to use the anchor text correctly. Using the words “click here” is not going to help your search engine rankings because it is too generic. If you use the correct keywords in your anchor text, search engine spiders will be able to locate your content quickly.

Use descriptive title tags so that all search engines will be able to understand your website’s content. Your titles should not exceed sixty characters, because search engines won’t display more content than that.They also give less importance to terms at that point.

The title tag is something that your main focuses.This information is the first thing visitors see when they come to your website. It should a helpful description of your site and have relative keywords.

Once you come to terms with this and start looking for any design flaws, figure out which aspects of your site can be worked on. Don’t stop making your business better along with your website so more visitors.

If you can, purchase a domain name that’s catchy and people will have an easy time remembering. Having a domain name that’s simple to say and easy to remember will cause people to better be able to trace your content from networking sites like Youtube directly to your specific website.

You can get more visibility and visitors your way. Always take advantage of a completely free venues for your publicity.

Focus on becoming an expert in just one SEO Companies right away. There is not enough time to excel in all the various Search Engine Marketing techniques, so learn one and exploit it extensively.

Keyword Stemming

When creating URL names for your separate pages, remember that spiders are not able to make sense of session id names and dynamic language, like /page_id=59. Web crawlers are not designed to crawl these kinds of pages, so make your site’s directory structure and page names are keyword-friendly.

Using longer forms of keywords is a good way to improve search engine hits. Keyword stemming is a strategy that some of the search engines use. If you choose a keyword that has other possible endings,” for instance, they may not see your site in the results if you only used “accountant” as a keyword. Use keyword stemming by using a longer version of a word, using “accounting” can also grab readers who were searching for “accountant.”

Use the companies that work with Search Engine Optimization to your site. These firms can help you get your site so that it is at the top of the results page in a much higher search engine ranking. You can frequently find great deals with these services.

On-page SEO Companies is essential when it comes to marketing articles, so you need to learn more. Ranking high with the search engines and making the first page is how your site gets seen instead of overlooked, you need to stay informed about the latest practices concerning search engine optimization.

Meta tags are an important tool for search engine optimization. Meta description tags are utilized to describe the various pages of your website on results pages of major search engines. Make sure it is a clear, valuable tag. This should increase traffic to your site with minimal effort.

Find out what the company’s experience is in your field, what they consider to be the most essential Search Marketing techniques, when you will see results and how much their services are. Ask for former client recommendations and examples of their claims.A company will allow this to happen.

Consider all the options at your disposal for getting quality inbound links directed to your website, such as blogs, press releases, message forums, and article writing.

Focus on phrases rather than single words. How often do you ever search by just using a single word? You should use phrases that will bring customers to your website who are looking for exactly what you’re offering. ” rather than “we are hosting a sale! This will take away from the quality of your keyword phrases properly.

Creating a blog and interacting on several other blogs is a great SEO tip. Blogs rank well on search results, as the search engines are constantly seeking new content and a well set-out website. Getting links to your site out there is essential for your search ranking.

Email marketing can help you promote your Search Engine Optimization journey. Use SEO Companies keywords and include any social sites you belong to. Make sure visitors can easily forward for the reader.

You can attract visitors with free giveaways and contests, but make certain that you are obeying your local laws. You can try reading your competitor’s rules to get an idea of what to do, but do not just copy their ideas and rules verbatim.

Focusing excessively on SEO Agencies techniques and strategies can make you to forget what the point is after all. Don’t forget to focus on the needs of both constantly attracting new readers and having them return. You will want to have fresh content to complement your rank. Having a website with content is also among the smartest Lynchburg SEO efforts. Keep your content you write updated and real.

Once you have chosen the keywords that you will use throughout your site, incorporate them into your page title, as well. Find clever ways to incorporate keywords in your titles, so that you engage both the search engines and the readers. Initially, you want to cater to what the consumers are looking for, which is probably not your business name.

Registering your site with many search engines is what will enable them to get started finding new content on your site. You can find a link for site submission on each search engine. Use a solid description and keywords to help the crawler index your site efficiently categorized.

Make sure the website doesn’t have errors and is user-friendly. Nothing will send visitors looking elsewhere faster than misspelled words and grammatical errors. You should also stay right on top of your links to be sure they are active.

Failure is one thing you wouldn’t want for your business. Ironically, even though so many people fail with web-based businesses, this is actually the one field where success is more readily obtainable due to the wide variety of methods you can implement.

If you want more traffic to your site, you should improve your content first. When website visitors don’t see relevant information that they want to see and read, they will leave. One of the best ways to bring more visitors in is to work on your content.

Most people are interested in learning about When it comes to SEO agencies, you really shouldn’t bank on your organization’s Google ranking to someone who is not a Lynchburg SEO Expert. If you are reading this, you most likely are looking for someone who can advice you expand your business’ online visibility, website traffic, and leads., however, they are not always aware of how to do so on their own. Luckily, the following article has some great information to help you get started. Just put all this advice to good use.

from https://mrphiltucker.com/things-that-you-need-to-know-about-seo/

from Mr Phil Tucker - Blog https://mrphiltucker1.weebly.com/blog/things-that-you-need-to-know-about-seo