#have this as replacement from me

[pkpumpkinn]

Went on a road trip. Had too much time on a 7 hour drive.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[blkkizzat]

April Fools with Toji but it’s him thinking your face creams looks like jizz so he figures why not actually replace it with his cum.

You don’t mind when he gives you facials so you shouldn’t mind this.

It’s all fun and games for him until your get back April Fools joke is a fake positive pregnancy test... the kicker is that you confess you're not sure if the child belongs to him or Gojo.

Toji doesn't wait for you to tell him 'April Fools' before he is already out the door and out for blood attempting to hunt down Gojo— who ends up just playing along and making it worse.

Goddamn it I've been so busy I forgot to post this and its LITERALLY been in my drafts since early November '23. No I wasn't smart enough to put it on a timer LMFAO whatever, I'm posting it now.

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[mbohjeezart]

[ WIP ]

Bring a goat to a courthouse...

[bunnieswithknives]

Okay but does Peri KNOW that Dev has a robotic leg when he shows up? Something about the fact that Peri's wand is a cane and the fact that Dev could have kept his leg and just had a cane for the rest of his life instead tickles my brain.

I mean he doesn't know immediately, he wasn't like briefed or anything, but he basically lives in Dev's house so he definitely finds out. Peri doesn't comment on or react to it all though really, there's no reason for him to think anything of it, plenty of people have missing limbs, a lot of people are born without them, it doesn't necessarily mean anything sinister happened. He had no reason to pry or ask and I think Peri's lack of reaction to it helped Dev feel a bit more comfortable in his skin. (Not by much but.. a little bit.)

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[little-pondhead]

The Curse Of Hope

_

Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.

The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.

“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”

That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.

Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.

“Are you…alright?” Danny stuttered. A stupid question.

The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.

“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”

Danny held his breath. It felt like he was the one with the exposed core, not the spirit.

The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”

Shit, he needed Frostbite. And maybe Clockwork. Now.

-Or-

Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.

Luckily, Danny can provide that help.

But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.

[royalarchivist]

Cellbit: Yeah, [Bobby is] our son.

Roier: What?

Cellbit: He's our son, no? Or not? Am I not?

Roier: I mean… he's already dead. [...] By the time we got married, he was no longer around. So in theory, in theory-

Cellbit: But in my heart, he is my son.

Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-

Cellbit: He could have been my son, he could have been.

Roier: But actually, he is my son and Jaiden’s.

Cellbit: Yes yes, definitely, of course.

Roier: [Smacks him] Exactly. Well, you're the step-father, you know?

[ Full Transcript ↓ ]

Cellbit: Hey Tina, have you met Bobby? I don't think you did, right?

Tina: I met him a little bit earlier, he's so cute!

Roier: Aww

Tina: I told him I like StarBobby.

Cellbit: Yeah, it's our son.

Roier: What? But-

Cellbit: He's our son, no? Or not? Am I not?

Roier: I mean... he's already dead.

Cellbit: That's true, that's true.

Roier: By the time we got married, he was no longer around.

Cellbit: That's true, true.

Roier: So in theory, in theory-

Cellbit: But in my heart, he is my son.

Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-

Bagi: Am I the auntie?

Cellbit: He could have been my son, he could have been.

Roier: But actually, he is my son and Jaiden’s.

Cellbit: Yes yes, definitely, of course.

Roier: [Smacks him] Exactly. Well, you're the step-father, you know?

Bagi: So I don't think I'm your auntie, sorry. Unless you want to!

Cellbit: Yes, fake dad, fake dad. Fake father.

Roier: But it's ok. It's ok.

Cellbit: It's ok, it's ok.

Roier: It's this dumbass' fault he died anyways.

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[raionmimi]

Blizzard can't just say Lifeweaver used to watch Symmetra practice dancing for hours on end without giving them matching skins and synced emotes

Do you think she's taught him the steps to several duets that he'd do on his own anytime he missed her more than anything over the years because it felt like she was still with him

[thestarswhim]

So this tweet made a real good point and got me thinking about this scene:

As mentioned in their tweet, "you don't 'beg for mercy' for a job," and here he sounds so scared and desperate, like he's had to do this A LOT before with the directors and it's so... sad.

(more under the cut)

Before he finds out the truth about Eden, he believed they saved him from his former life and gave him new opportunities to continue his dreams, but do you think having to needlessly beg to keep your position as literally being the face of Eden out of fear you'll be replaced and thrown right back out to your old life is a so called dream come true?

Eden even made a trailer for a movie about his life to fame, showing how everyone was rejecting him as a person, which they definitely made it more simplified like I KNOW he was getting way worse treatment than what was shown.

My main point is that despite believing in Eden's motives (before knowing the truth), he still wasn't truly happy deep down. He was STILL getting rejected and slandered by society, and he knew that deep down, so it's not surprising how the possibility of him losing his job made him have a whole breakdown and do the things he did to try and cope.

He quite literally has no one to lean to and hasn't had anyone since showing up to Eden besides the directors (because he probably believed they were treating him fairly and with respect), but... yeah.

He wanted to make a difference, to give hope to hybrids, and he thought he was doing just that. Despite the way the directors and everyone thought of him, despite how alone he felt, he still thought he was achieving his dreams and sharing that onto others

and yet... he was being used this entire time. None of it was true, all the hard work and the things he went through was for nothing.

Everything that Eden has done, and he was the face of it all... it's just devastating.

[otaku553]

I have an agenda.

Long hair teenage sabo.

[bixels]

Bit of a weird question, but what is your overall least favorite thing about MLP? 

Sparity.

[westywallowing]

spider,,,cat? jumping cat???

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)