#have something to refer to for people who have no idea what i'm talking about ever

[werewolfbneimitzvah]

Listen i was definitely being a little humorous up there and was also thinking of throwing in a "try picking up a published book and get an idea for how often they use just the names and pronouns even with two or more people with the same pronouns," but what the hell, i can just show you. Here's a page each from two edited and published books i had nearby with two people using the same pronouns interacting on the page. Text transcribed in the alt text.

Look that second one is a good example because there is some referring to of the doctor as "the doctor" even though there's his name there too but there's a difference! Both because of the emotional distance between the POV character and the doctor, compared to the guy he's with in the second part (who he's fucking, unlike the doctor), but also the doctor's identity as a doctor is extremely directly relevant to the scene because they are discussing how a guy they know is doing after a nasty accident. The age differences between any of these people (and there's a big one, since some of them are vampires), their physical traits, etc aren't used to refer to them because you don't need to and that would distract everyone.

And at no point in the first one are either of these women referred to by their physical traits (and there's a very easy difference since one is a redhead and one is a brunette), their age difference (one is notably younger), or even their different statuses in their team other than Phoebe bringing it up in dialogue (Grace being the captain of their soccer team). They aren't brought up both because Grace isn't acting in her capacity as the captain while they're talking about her injury and flirting, nor are their physical traits or age directly relevant to the scene beyond being attracted to each other, and there's intimacy here between them (because they fucked and will fuck again). If Phoebe wasn't as intimately close to Grace, and there was a scene where Grace was directy addressing the locker room or even just Phoebe while acting in her capacity as captain, THEN it would make sense for there to be something like, "The captain scowled at Phoebe," or whatever, like with the doctor thing.

Look I'm not saying never ever do it, you can do it sometimes, the bisexual vampire hockey one definitely did use "the other man" at one point, I saw it when I was looking for a page that was all people using the same pronouns but was also SFW/didn't have anything too weird and specific to the book (though the fact that it was used sparingly enough that it didn't stand out to me until i was actively looking says a lot I think). in fact you can do anything you want forever and you can ignore me and everyone else who makes posts about this and people will still rightfully leave you nice reviews thanking you for your work that you're sharing with us for free. Thank you, that is very nice of you! For real! And I'm not claiming these books are the height of literature, because they're definitely not. I am not reading these books because they're the height of literature. But you really really really can use names or pronouns way more than you are. I promise. It is not boring, it's good. Please. Please. please no more pop quizzes in fan fiction please please

okay thank you for your time i love you bye

Please just use characters' names and pronouns please please please you don't have to say "the mage" "the older man" "the taller" please you DON'T you don't you don't just say their name or pronoun i KNOW it feels boring and repetitive to you who's writing it but it is an entirely different thing to read vs write something. You are making the reader have to interrupt their thought process to remember which character is older or taller or has a different eye color or whatever and this knowledge is not automatic the same way the NAME is. The name fades into the background, it isn't anything. I appreciate that you're trying and you're writing and you are giving me something beautiful to read i love that i love that you are doing that I've done writing too i know how hard it is just please please understand that you are making it harder for people to read and enjoy your work when you are including what is essentially a pop quiz in your work about what traits a character has. I'm sorry but you are giving me a pop quiz. You are. I'm sorry. Please i know it's hard i know PLEASE. thank you i love you

[fragmentedblade]

Not to be a jingfu on main, but it's so cute that Jing Yuan thought of Fu Xuan with those jelly beans

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[icharchivist]

Oh yeah, since Icha is really into Dragon Age, Dragon Age Inquisition is currently up for free in the Epic game store until Thursday next week

Just download the thing, make an account and receive game for free forever

To whom it may concern

oh true!

that's indeed helpful if the free aspect helps.

Here's the link!

I hate Epic Game Store personally (the lack of game overlay like on steam pissed me off with my ff7r copy and it kept telling me i had to be online to play a solo game), but free game is always good game.

tho as a disclaimer if you get interested in DA because of me, do start with Dragon Age: Origins (take the Ultimate Edition, so you also have the Awakening DLC, the in game DLCs, as well as the others post game DLC to play after Awakening, Golem of Amgarrak and then Witch Hunt), and then Dragon Age 2 (again with the In Game DLC, Especially Legacy and Mark of The Assassin to play when the Main Quest's Storyline "The Last Straw" is first unlocked/when Act 3 starts). And then DAI.

Like of course grabbing DAI as it's free is a good thing if you make plans for later, but yeah to me personally DA is the type of games you'd want to play in order.

(DA4 is supposed to come out this year too so. well. jsyk.)

o7 good luck everyone, and thanks anon for that!

[vulpixelates]

ajeofajweOIFJAOEIJFA i am feeling a little stuck in one project so i tried to pivot back to the other one i've been working on and aaaaaaaa the struggle is consuming me

the big problem w writing about a ttrpg setting you're actively playing and assuming you'll know how things will go down and writing htat shit down is that now i just have like. 3k words that don't necessarily make any sense lmao

the set up doesn't really work anymore. the angst doesn't really work anymore bc it got resolved for the most part. i have so much i have to rewrite and rework for this to work within the New Canon that has developed 😩

[certaimromance]

𝜗𝜚 Cherry Picking.

Spencer Reid x BAU!reader

Summary: After your first night with Spencer, you wake up and see that he's left you two dollars and a thank-you note on your bedside table.

Words: 2,3k.

Warnings & Tags: fem!reader. lots of mentions and references to sex, but nothing completely explicit. the reader is quite dramatic and has little faith in men (literally me, sorry). SO MUCH chaos and lack of communication but happy ending. english isn't my first language (sorry for my mistakes, be kind please).

Note: This idea just came to me out of the blue, and I have to say that Sex and the City has had a bit of an influence. I love the chaos, the conversations between friends, and Spencer being the best man in the world (I'm picturing him kind of like in his season four version).

Saturday afternoon

“Two dollars?!”

Penelope's and JJ's simultaneous exclamations and surprised faces when you finished speaking were pretty much to be expected. They noticed a change in your expression and took a moment to compose themselves, as did the rest of the people in the room, who glanced curiously at your table from time to time. It was certainly a fascinating sight, three women having an animated conversation about their lives over milkshakes as if they were drinks, especially considering that one of them was pregnant and her belly looked like it was about to explode.

You didn't blame anyone for reacting that way, especially not your friends. You were still pretty shocked by what happened, especially by how thoughtless the man you'd developed feelings for and worked closely with over the past few years was. It was a unsettling to find a tip on your nightstand after one of the most memorable nights you'd ever had. You still remembered the excitement you felt when you went to Spencer's apartment yesterday to watch a movie as part of your fourth or fifth date. He seemed nervous when you started kissing more intensely, and the couch wasn't the best setting. The sensation of your body on his bed and his lips on your skin was incredible.

It was a good memory, extremely good if you took away the embarrassment of waking up the next day in his empty bed with money waiting for you, as if you had performed a service.

“Maybe there was a misunderstanding and the money was left on the table by mistake.” Jennifer spoke again in a reassuring tone after turning the matter over. “Spencer can be a little clumsy sometimes.”

You pressed your lips together in a thin line as you listened to her attempt to provide an explanation for his actions. But given their friendship, this was to be expected.

“And he was in a hurry to catch his plane and go to his mother.” Garcia added with a forced smile, trying to lift your spirits. “It all makes sense.”

Yes, it was understandable that he was leaving in a hurry because he had to catch a flight to spend his weekend off with his mother. That didn't worry you, but there was something else that was curious.

“How do you explain the thank-you note?” You asked, taking out the paper and the two dollars you'd pulled out to show them as proof from your purse.

“It was a thank you for hanging out with him, a sweet gesture.” JJ said, taking a sip of her milkshake and patting her belly.

It seemed more like a sour gesture to you, that you had been left with your dignity on the floor. As you left his apartment, you didn't know whether to cry or laugh because it sounded like a bad joke that the only man you thought was decent and for whom you allowed yourself to have feelings would do such a thing.

“My love life is going downhill.” You said.

Just then, the restaurant door opens and Emily appears. After greeting her and apologizing for her late arrival, she asks about the cause of your apparent distress. As a profiler, she was astute enough to know something was wrong just by looking at you.

“What's wrong, honey?” She started talking as soon as she sat down next to you and took a quick look at the table. “Those milkshakes look good, I want one.”

“Spencer thinks I'm a prostitute.” You spoke up without thinking, which surprised Emily and caused her to briefly lose her grip on the menu.

There was a long, awkward silence.

Perhaps you were too direct in saying something that you had been trying to ignore for your own mental health.

“Just a heads-up, we've got a baby in the room. No need to say that word!” Penelope was the first to speak, gently covering JJ's belly with her hands. “He can hear you.”

At that moment, Reid and his comments about pregnancy data at every stage came to mind. You felt a little uncomfortable because you knew it was a little unrealistic to focus on the positives at a time like this.

“Oh, I'm so sorry, baby.” You looked regretfully at your friends and spoke to Jennifer's belly, giving it a gentle caress. “Don't listen.”

“I need context, please.” Emily said confusedly, trying to understand what was going on and why you had said what you had said.

You let out a deep breath, preparing yourself to recount the story once more.

“Okay, Spencer and I made...milkshakes. Very good milkshakes, really good if you know what I mean.” You tried to explain slowly, watching your words and your friends' expressions. “I woke up when he was leaving, he gave me a kiss on my forehead and said to keep sleeping, that he had to catch his flight.”

“That's sweet, but weird to know.” Emily commented quizzically, looking at the menu intently again. “What's the part...you know?”

“Oh, when he thought I was-” You stop yourself as you see how JJ looks at you. “A pie maker.”

You could tell from their expressions that they were about to laugh at your attempts to keep the conversation friendly.

“I woke up hours later to find two dollars on the nightstand with a thank-you note.” You finished the story. “To him, I'm worth two fu...sugary dollars.”

Prentiss stared at you for several seconds, waiting for me to tell her it was a joke. Only when that didn't happen did she speak. “That sounds weird and awful, but I don't think he would do something like that on purpose. Especially you, he really likes you.”

“He likes me enough to give me two dollars.”

When you finished speaking, you experienced a moment of discomfort in your stomach as your own words took effect. You were surprised to find that on a deeper level, what had happened was causing you more pain than you had anticipated.

“That doesn't sound like Reid at all. I've known him for years, and he's not that kind of man.” Penelope said with a frown, trying to reassure you. “I'm sure it's a mix-up.”

You were looking for the same thing and hoping it was just a misunderstanding, but your previous bad experiences made you think otherwise. You'd met enough men to know that they could always be worse. What was different now was that you really liked this particular man. You really longed for him to be different from everyone else.

However, things weren't always as you'd hoped. You'd invested a lot of hope in making your fairy tale come true, and it was starting to take its toll.

“Have you had a chance to speak with him?” JJ inquired.

“He's with his mother, I won't bother him.” You replied with a strange simplicity that made your friends suspicious. “I'm fine, I've calmed down.” You added as you saw their worried faces.

“I love you, but sometimes you scare me.” Emily said, watching you drink from your smoothie as if it contained a painkiller. “It's not okay to pretend that everything's fine.”

“It's understandable to feel a bit discouraged about this. Things may seem challenging at the moment, but I believe things will improve when you discuss this with him.” Jennifer's hand gently touched yours, offering a comforting gesture.

“I'm sure everything will be fine. You have our support if you need it.” Penelope joined in with the motivational words and gave you a reassuring smile.

You took the last sip of your milkshake and leaned back in your seat for a moment before replying. “I'm fine, girls. I don't plan to lose my head over a man, I promised myself.”

They looked at you with some skepticism, but you didn't flinch. You were confident that if you were mentally prepared not to be defeated, or at least not to look defeated, you would be well prepared for the day of the meeting.

You weren't going to lose your mind over this.

Monday morning

You were definitely losing your mind, and no cup of tea or internet video that promised to do so had been able to relax you one bit. You had been cooped up in the office you shared with Penelope for several minutes, pacing in your chair while everyone in the conference room waited for information about a new case and your presence. The mere thought of having to face Reid again was making you feel pretty uneasy.

All weekend, you had been trying to reassure yourself that you were doing well, that you were not hurt or affected by what happened, that it was just one more disappointment to add to the long list you had written since you were a teenager, and that it was normal for someone with your luck. You were not a princess, you were not going to meet a prince, and you were old enough to know that.

But being in the same building as your prince turned toad was not as easy as you had hoped. You prayed that your presence would not be necessary and that the jet would soon take off to take them all away, especially him.

A few sudden knocks on the door startled you. You automatically thought it was your boss coming to scold you for being late, and your blood froze.

“I apologize for the delay, Hotch. I assure...” You spoke promptly as soon as the door opened and a male figure appeared.

But obviously, it wasn't him.

“Oh, sorry, I'm not Hotch. But hey, how are you?” Spencer smiled at you and walked toward you, looking a little nervous.

“Fine.” You replied dryly, getting up from your seat to grab your tablet and some folders to carry into the conference room.

In your mind, you had planned to make a scene as soon as you saw him and make it clear that you didn't cost just two dollars. But after thinking about it a lot, the fear of losing your job over it was greater. And now it was a mixture of that reasoning with your feeling of paralysis at actually having him in front of you.

“I...I missed you over the weekend.” He stopped you before you could walk away, gently holding your hand. The feeling alone made you stop and look at him angrily. “I thought about you a lot, too much, and I bought you something.” He let go of your hand to pull a small box out of his pocket.

“How dare you?” You blurt out, taking a step back.

He looked a little uncomfortable and seemed to be in pain. “I'm sorry if I overstepped. I didn't mean to impose. Did I cross a line? I'm sorry, I just thought—”

“What? That you could embarrass me even more? Didn't I already go through enough?”

That's when you took out two dollars from your purse and gave it to him.

“Could I ask why this is?” Spencer was still frowning and looked just as hurt as you.

His apparent lack of understanding of the situation made you much angrier. You had thought he was probably the smartest man you had ever met in your entire life, but suddenly, in your eyes, he was an idiot.

“I'm refunding your payment, Reid.” You replied firmly, without hiding your frustration.

The confusion on his face seemed to multiply as he tried to understand. “What are you talking about? I gave you your money back.”

You tilted your head slightly to one side.

“Saturday morning, I left on the nightstand the two dollars you lent me a week ago when we bought coffee. You know I don't like being in debt.” Spencer began to explain calmly, taking a moment to gather his thoughts and present the facts in a clear and concise manner.

Oh, you do remember lending him money at some point, or rather, inviting him for coffee that he said he'd pay you back. That day when his hair was perfect in the wind, when he smiled at you and told you some interesting facts about coffee beans.

“I mentioned it when I said goodbye, but you looked so tired that I left you a thank you note in case you forgot.” He went on to explain. “A lot of studies say that you wake up to full strength at least 20 to 30 minutes after you actually open your eyes. And you still had them closed when I said goodbye.”

“Oh.”

“Oh?”

“I...I thought you—” You fell silent as you saw the stunned look on his face. You didn't want to look crazy, so you quickly added. “I just thought wrong.”

“I'm sorry, I don't understand.” He said, a little embarrassed. “Did I do something wrong?”

“Oh, no, I just...did you bring me a gift?” You changed the subject, taking the box he had previously offered you. Inside was a necklace with a cherry blossom charm.

“Your computer wallpaper is a picture of cherry blossoms. And I saw this necklace in a store when I was walking with my mom, and I thought you might like it. But it's okay if you don't want it—” He spoke fast until you interrupted him.

“I love it, thank you.” You smiled at him and took the necklace out of the box. “Could you help me with this?”

With some trepidation and uncertainty still present, Spencer positioned himself behind you with the jewel in his hands, carefully brushed your hair aside and fastened the necklace around your neck. The sensation of his fingers brushing against your skin made you feel a slight shiver.

“Thanks.” You said as you turned around to face him. You gave him a hug, though you were a little unsure.

He returned your embrace, feeling a sense of relief that things between you were okay. “You don't have to thank me.”

“It's not about the gift. It's just a way to say thanks for being you.”

Perhaps he was your prince after all.

[taeyongdoyoung]

wolf and bunny

summary: you ask your best friend to fuck you in your sleep but your bottled up feelings come out to the surface... pairing: chan x reader genre: smut, best friends to lovers warnings: cnc/somnophilia, discussion of boundaries, eating out, touching, groping, unprotected sex, spanking, stranger+wolf/bunny roleplay, little red riding hood references, face-slapping (once), size kink, cockwarming, multiple rounds, feelings (ew), pet names, discussion of future scenario 👀 (i know i said this is the end but...we'll see) author's note: hii everyone, this is the third and final part of my wolf and bunny series, thank you so much for going on this nasty journey with me 🤍 part one & part two word count: 2k

You and Chan are having a bit of a disagreement in connection with the circumstances surrounding your next game.

“But I want to know exactly which night you’ll do it.”

“If you know, you won’t be able to fall asleep,” Chan reasons with you. “Kinda like Santa Claus. Kids stay up all night waiting for him and then he never comes.”

“Please, even if the kids were asleep, he’d still never come ‘cause the parents are putting the presents under the tree!”

“It was just a metaphor.”

“A bad one. You’re gonna have to work harder to convince me.”

“Hey, wasn’t this your idea in the first place?” Chan reminds you teasingly. “You’re the one who wants me to fuck her in her sleep.”

“Ey, don’t pretend you won’t be into it,” you shake your head.

You are both so stubborn you don’t see this ending unless one of you retreats. Then, after a brief consideration, you speak again.

“Fine. You can keep the secret of the exact night you’ll do this. On one condition.”

“Sure, bunny, let’s hear it,” Chan listens eagerly.

“If I wake up, you won’t stop. I’ll just pretend I’m still sleepy and we keep going.”

“Is that even possible? I mean, for you to not wake up?”

“It is if you drug me or something,” you shrug.

“Ugh, don’t give me such evil ideas. You never know when I might take advantage of you.”

“Oh, I’m counting on it, wolfie.”

“But are you sure the sleep thing is a great idea? I mean, you wouldn't be able to say a safeword...” Chan can't help but worry, always putting your needs first and planning every scenario in great detail to make sure you're alright. Damnit, could he get any more perfect? He's so sweet and considerate you wish you could just tell him how you feel. But what if that scares him away? What if you lose not only your wicked game buddy but your best friend in the entire world? You wouldn't be able to live with yourself.

“Yes, I'm positive, Chris,” you place your hand on top of his. “I trust you 100% and know that you'll look after me. The question is, do you trust my judgement?”

“I mean, I do trust you. It's just that last time you didn't communicate your discomfort clearly and I wouldn't want to risk messing up to the point of accidentally hurting you,” Chan verbalizes his anxieties.

“I get what you're saying but it's not like I'm open to doing this with a stranger. It's you we're talking about. You've always been great at taking care of people so I know you wouldn't go too far. But at the same time, I wouldn't mind if you went loose. If anyone can take it and accept you fully, it would be me.”

“Yeah, I know. You're right. But just in case, I want you to know beforehand that I care about you and respect you like a lot. So, even if I get carried away, I still want you to feel safe.”

“Aww, Chris, ya old softie! I always feel safe with you, it goes without saying!” you insist.

“Well, I like hearing you say it.”

You gulp nervously. His voice is so commanding and yet so reassuring that your words have never rung truer. He's more to you than a safety net and you hope he knows it. He's incredibly thoughtful and infinitely kinder than the first impression. He's a riddle in the way he keeps surprising you and yet you wanna keep learning more about him. He's hundreds of the loveliest words in the dictionary multiplied. He's more comforting than your favourite blanket. He's warmth personified and you would be an idiot to let him go.

“I'll try to say it more often, then,” you promise. “When I'm with you, I know no harm will come my way. But here's the thing...you're the only one I'd willingly let hurt me.”

“I don't want to hurt you, though.”

“You don't?” you pout, suddenly feeling guilty. Then, what have you been doing? Was he forcing himself to act out these fantasies for your sake alone? You genuinely thought he was enjoying them as much as you were.

“Sorry, that came out wrong,” Chan is quick to explain. “I like our games. I meant that I don't want to hurt you emotionally. Ever.”

“Ah, yeah, that makes sense,” you chuckle, feeling a little stupid. “Well, you don't need to worry about that. Glad we had this talk.”

“Me too,” Chan gazes at you fondly.

“So, which night are you fucking me while I'm asleep?” you attempt to find out while he has this dazed look in his eye.

“Next- Hey, nice try! I'm not telling you, you impatient devil.”

“Aw, man, I was so close,” you bemoan the uncertainty of your future.

“You wish.”

The long-awaited night finally arrives. Chan has a key to your place so entering it is too easy. He makes sure he picks a night when you’ve complained about being exhausted and sleepy all day long. And he is certain that you’re passed out in your room, not suspecting a thing. Well, a part of you is always anticipating what could happen, but still.

He’s beyond glad to find you sound asleep. You’re wearing nothing but a t-shirt and some flimsy panties. Chan admires your sleeping form for a couple of brief moments before he gets down to business.

He wonders where to start. Should he tear them up? Or maybe push them to the side? Should he grope your boobs through your shirt? Or perhaps slide his hands beneath it, stroking your nipples directly? So many opportunities. He wants to do everything, he decides.

Chan starts by moving your panties to the side and licking your tiny pussy. He touches you with his fingers, gently prodding your entrance but not exactly sticking them inside yet. Then, he sneaks his hand underneath your shirt, teasing your nipples. Fuck, you’re so soft.

He marvels at the knowledge that you’d trust him with something like that. Though the previous scenarios were hot and intense as fuck, this one hits different for him. Maybe because last time you were awake, you were still in control because you could say the safeword whenever. Maybe because you want him at your most vulnerable even in your sleep. Or maybe because he’s slowly falling for you, but he doesn’t know how to say it.

It’s okay. Chan’ll show you, instead. He pinches your nipples lightly and continues to make out with your pussy. You are so wet already it’s adorable. He wonders if you’re dreaming of him, as you shift slightly in your sleep. He wants to drag this out. But how?

He uses his nails to trace circles on your skin, which causes goosebumps to appear. Are you cold? He wants to keep you warm and full at all times. Chan can’t take it any longer and takes his cock out, sliding in so perfectly. As if you were made for him. Made to take his cock and let him do crazy things to you. His sweet little bunny…

You moan desperately and the spell is broken. You’re awake. He wanders if you’ll speak or he’ll have to make you. Both options sound quite appealing. But he wants to hear your voice more than anything.

“Shhh, go back to sleep, sweetheart,” Chan whispers gently.

“W-who are you?” you cry out.

Aw, you’re gonna pretend not to know him? That hurts. But it can be fun, he thinks.

“Just the big bad wolf,” he chuckles at the irony of it.

“Please, don't do this,” you fake not wanting it, even though you've never wanted anything so badly in your life.

“Oh, bunny, but I already am,” Chan replies, spanking your ass a couple of times in the meantime.

“G-gonna split me in h-half,” you mumble, voice muffled against your pillow.

“Yeah? G'na ruin my sweet girl?” he speaks to you so softly you want to melt right there and then.

“Feel so full 'n so s'eepy,” you slur helplessly.

“Aw, tiny, go back to sleep, then,” Chan pats your head soothingly.

“Can't. What a deep voice you have!” you play along too well.

“All the better to degrade you with, my slutty bun,” Chan laughs, while still continuing to fuck you.

“What big hands you have!” you keep saying.

“All the better to grab your tits with,” Chan chuckles and makes good on his promise by playing with your boobs.

“And slap me with!” you remind him playfully.

“As you wish, princess,” Chan growls and slaps you across the face harshly but not harsh enough to actually leave a mark.

“What big eyes you have,” you sigh wistfully.

“All the better to stare at you fall apart,” Chan responds cleverly.

“And what big cock you have!” you scream, barely resisting the urge to laugh. Are you a silly little bunny or Little Red Riding Hood? At this point, you don't care, but it feels too good regardless.

“All the better to fuck you with,” he grunts loudly, spilling inside of you.

You follow rightaway and urge him to stay like this for a while. Maybe round two is in order?

“You know what else is big?” Chan teases you.

“Oh, shut up, Bigfoot!” you reply and are no longer able to hold it in, breaking into laughter. Chan also finds the interaction hilarious and buries his head in the nook of your shoulder. You stroke his hair without realizing. Shit, he's so adorable you almost say the three words. Is it too risky? Too soon? You need a distraction. You need... “Fuck me again.”

“Already? Aren't you tired?” Chan wants to make sure.

“Fuck me till I fall asleep again,” you ask him.

“Um, okay, sure,” Chan looks a bit confused but does as you ask.

This time there is less talking and more fucking but no matter how many rounds you go, sleep doesn't come again. You both orgasm more times than you could count, but somehow, it isn't nearly enough to distract you from the inevitable. You love him. Your heart knows it, your pussy knows it, even your brain knows it but is stubborny telling you not to confess for fear of somehow ruining things.

Once Chan decides he's completely spent for the night, he pulls out of you and rips off the bandaid.

“Are you alright? Something suddenly shifted but I can't quite place it,” he tucks a piece of hair behind your ear and nudges you softly with his shoulder.

“Do you want the truth that might mess up everything or do you want me to lie to you and say I'm fine?” you ask, even though you're already on the verge to tell the truth.

“With you? Always the truth, please,” Chan clearly states his preference.

You sigh deeply and tilt to the side so you're facing him properly.

“I think...no, I know I love you.”

“I love you, too, babybun,” Chan responds fondly and kisses you on the nose.

“In a non-friendly way. And I don't mean just sexually, either. I mean, the friendly way and the sexual way haven't diminished, of course. But I also love you in a...I want to be yours, your girlfriend, your lover, your romantic partner, your everything.”

Chan is taken aback by your words. You...feel the same?

“You already are,” he confesses genuinely.

“Huh?” you blink in shock.

“I mean...you are already my everything. But, if you'd like me to officially ask you, then...will you be my girlfriend, angel?”

“You...you'll have me?” you are still in disbelief.

“I thought I already had ya,” Chan pinches your cheeks lightly.

“Damn right you do, Mr. Wolf,” you giggle and pull him into a kiss.

He smells like autumn, his embrace exudes warmth and his lips taste like home.

“You have no idea how badly I've wanted to tell you about my feelings,” Chan confesses. “When I found that story of yours in your drafts, I just couldn't resist the opportunity. I hoped that if I turned your fantasies into reality that you'd eventually fall for me.”

“Oh, Channie...I've been falling for you for longer than you realize,” you admit shyly. “How could I not? You're everything I've ever wanted.”

So, this is what it feels like to have the world in your hands. Huh. You could get used to it.

Bonus:

“No, I'm not kidnapping you!” Chan is adamant as you two sit in a nice restaurant.

“But Chriiiis,” you whine. “You said you'd do anything for my birthday.”

“Anything but that!” Chan shakes his head in amusement.

“Why not? It can be fun!”

“Fun? What if something goes wrong, what if someone sees us and thinks I'm actually kidnapping you, what if...hear me out, here, I go to prison for it?”

“Well, duh, then I'd bail you out!”

“As if you could afford it,” Chan rolls his eyes.

“Hey! But seriously, I'll just tell the cops that I asked you to kidnap me.”

“What if they don't believe you and think you have a Stockholm syndrome?”

“I'll...think of something. Come on, we're going too far with the what-ifs.”

“You gotta be prepared for any situation. You'd know that if you carried the heavy burden of being a dom,” Chan tsks at you.

“I'd know that if you let me,” you give him a wink.

“That will only happen the day I agree to fake-kidnap you.”

“So, tomorrow? It's a date!” you grin excitedly.

“Keep dreaming, darling.”

“Oh, I will.”

The End

[teaboot]

As someone who learnt english as a second language via textbook, I have to say "flying by the seat of my pants" is a hilarious idiom xD

It's the first time I've seen/heard it.

Could you share another one you like using?

Idk about idioms specifically, but there's a bunch of phrases I learned from my mom!

Lord love a duck! (Incredulous, like 'oh my god')

Lord suffer in sheep dip! (Sheep dip meaning sheep poop. Incredulous, but for annoying things- like 'are you kidding me?')

Is there a piano tied to your ass? ('Don't be lazy, do it yourself')

Someone's cruising for a bruising. (You're picking a fight.)

I don't give a rat's rip. ('I don't care'- a rat's 'rip' is it's butt crack.)

Pull up a stump! (Get yourself a chair, sit down.)

Everybody out of the pool! (Get out of the car)

I'm flying by the seat of my pants. (I have no idea what I'm doing, but I'm doing it.)

Don't go blowing smoke up my ass. (Don't over-compliment me, don't flatter me, don't stroke my ego, don't tell me positive lies)

Looks like it's gonna rain on our parade. (A storm is coming.)

Sorry to rain on your parade. (I've given you bad news- can be used sincerely or sarcastically to denote sympathy for incurring a bad mood.)

Better button that lip. (Stop talking.)

Someone's gonna stick a boot up your ass. ('Stick a boot up your ass'- fight you, beat you, kick your ass.)

Stick that lip out any further, and a pigeon'll shit on it. (Stop whining.)

Suck it up, buttercup. (Stop whining.)

Dumber than a fence post. (Very stupid.)

The back forty. (The wild or forested area behind a rural home. The 'forty' being forty acres, or farmland.)

Don't go begging for a fat lip. (Whatever you're saying or doing is going to bother people and get you in trouble.)

What on God's green earth (What the fuck)

I'm sweating like a pig in a porta-potty (like a pig in a plastic outhouse- I'm very warm, it's hot here)

He thinks the universe flew out of his ass. (He thinks he's more impressive than he is.)

Your mouth wrote a cheque your ass couldn't cash. (You promised more than you were capable of providing.)

You've got a horseshoe up your ass. (You're very, very lucky.)

Taking a dirt nap. (Dead.)

Pushing (up) daisies. (Dead.)

Give me forty acres to turn this rig around. (I need time and space to move this large, heavy, or unwieldy thing. Usually about navigating a vehicle. Taken from a song lyric.)

Jesus take the wheel. (God help me, I can't handle this, I give up.)

Gone belly-up. (Has died.)

We've got a floater. (This one is dead.)

Herding cats. (Trying to organize chaos, managing an impossibly complicated situation.)

I've got a black thumb. (I am bad at growing plants, all my plants die- reference to having a 'green thumb', or being good at growing plants.)

Stop trackin' floor cookies. (Floor cookies are bits of animal shit that fall off your work boots- 'tracking floor cookies' means wearing your boots in the house; take your shoes off at the door.)

Running around like a headless chicken. (Frantic, disorganized, stressed out by many tasks or panicked by a big situation.)

Spinning my wheels. (Waiting around for something to happen, getting nowhere, frustrated by inactivity, not making any progress towards a goal.)

He's gonna blow a gasket. (He's going to lose his temper, he's going to be angry.)

They'll tan your hide. (They'll punish you severely; usually through violence. Specifically in reference to a spanking.)

He's a few bricks short a load. (He's not clever / he doesn't think things through / he's crazy)

Not the sharpest tool in the shed. (Not the smartest person. Very dumb, clumsy, or absent-minded.)

I'm not going to bail you out. (Not going to save your sinking boat- not going to help you out of your bad situation.)

Looks like things are going south. (The situation is growing worse.)

I'll start making tracks. (I'll leave now, I'll start working, I'll get going.)

He's fucking the dog. (He's not being productive, he's doing a bad job, he's made things worse, he's screwing around.)

He's making puppies. (Less graphic version of 'fucking the dog'.)

Plant your ass. (Sit.)

Playing grab-ass. (Procrastinating- accomplishing nothing, slowing people down.)

He couldn't find his ass in the dark. (He's stupid, ineffective, underqualified, or incompetent.)

He couldn't pour water out of a boot if the instructions were on the heel. (He is unbelievably, comically dumb or ineffective. He can't do anything right.)

One foot in the ground. (Dying, or half-dead.)

I'm kicking rocks. (I'm not doing anything productive.)

I'm hauling ass. (I'm running away.)

Madder than a wet hen. (Very, very angry.)

Like I said I'm not sure that these are all idioms but they're all the phrases and sayings from my childhood that I can remember right now

EDIT: Cannot BELIEVE I forgot my mom's favourite

52. Wish in one hand, shit in the other, see which gets filled first. (Wishes don't come true by themselves)

Plus some more I forgot:

53. You make a better door than a window. (You're in the way of my view.)

54. You can take a long walk off a short pier. (Go fuck yourself.)

55. He's about as sharp as a bowling ball. (He's stupid.)

56. Scoot your poot. (Move over.)

57. Not my first rodeo. (I know what I'm doing.)

58. He's built like a brick shithouse. (He's broad and sturdy and very strong, solid.)

59. I smell bacon. (I saw a cop nearby.)

60. I don't want to hear a peep. (Stop talking.)

61. You're thinking with the wrong head. (You're making bad decisions because you're horny.)

62. I'd lose my ass/head if it wasn't tied on. (I'm very absent-minded, forgetful.)

63. That went down like a lead balloon. (That situation was bad.)

[kyotosworld]

just confess already!

pairing: steve rogers x fem!reader 

summary: the team is sick of seeing how in love Steve and you are while you both pretend you’re just friends. 

(the office au: moments when the teams talks to the camera, like in the office)

warning: language, very cute confession at the end

word count: 1.3k

—

“..andd they’re doing it again,” bucky smirks at the camera before motioning it towards you and steve who were sitting way too closely for “friends”

you were both giggling and whispering about something he was showing you on his phone, before you noticed the camera and very badly tried to act normal by clearing your throat and refocusing on your computer.

steve’s brows furrowed for a second as he watched you leave, worried that he might have done something to upset you. before also realizing that the cameras were directed toward you both. leading him to return to his work in a similar clumsy manner as you.

steve could only hope that the camera didn’t catch how long and how longingly he looked at you after you left.

meanwhile, bucky was still smirking at the camera, “ you see what i mean?”

bucky of course was referring to the ongoing belief of everyone in the office—but you and steve—that you guys were dating.

—

“they need to confess already. i'm sick of the heart eyes,” natasha says before fake gagging. “but seriously, the only people they’re fooling are themselves.”

while natasha was talking to the camera, you and steve were in the office kitchen proving her exactly right. 

“have you heard the…rumors floating around the office?” you ask nervously, while holding a cold water bottle, and standing beside steve as he looks into the fridge for a snack.

at that, he froze because yeah he had heard them but he was also too scared to talk about it with you. then in an attempt to act normal, he hit the top of his head on the ceiling of the fridge. 

“shit!” he exclaimed.

“omg, are you okay?” you wince before putting down your water bottle and checking his head. 

he has his hands on the spot he hit like that’ll help ease the pain, which of course it doesn’t. so, in an attempt to do something other than just watch him in pain, you pick up your cold water, gently move his hands from his injury, and place the bottle against it. 

“there, that should help.” you say softly while still holding the bottle against his head. you’re too focused on easing his pain to notice the way steve is looking at you.

—

“oh those two? we’re still talking about them?” tony asks, “that’s old news. instead, lets focus on me–”

— 

“aww they’re soo cute i cant wait for them to realize!” wanda says excitedly with the biggest smile on her face. she’s a sweetheart.

—

“what, when did this happen? why did no one tell me?!” thor asked with a frown, being the clueless himbo that he was ♡. 

his smile reforms as an idea forms in head, “i must congratulate them!” he exclaims while getting up.

the camera follows thor out of the room and into the main office where steve and you were actually focused on your work for once. 

“CONGRATULATIONS ON THE RELATIONSHIP DEAR MORTALS!” thor yells as he pulls you two into a tight hug. drawing the attention of the rest of the team.

“what?” you ask, gasping but laughing when thor finally lets you out of the bone crushing hug. 

“you and steve! you know i always suspected, but wasn’t a hundred percent sure. why didn’t you tell me?” he questions, getting a bit sad again.

 this time steve pipes up, “you ‘always suspected’ what?” he asks in confusion.

honestly he was getting a bit nervous. you both were, thinking somehow your crush for the other got out and that’s what thor knew.  

but the truth surprised you guys even more, “that you’re dating of course!”

at this, you and steve look at eachother wide eyed and flushed for a moment before looking back at thor. 

“where did you get that information from, thor?” you ask. 

“well apparently, everyone knew but me.” he looks down, “no one ever tells me anything.” 

you guys look around at the rest of the team with surprised looks on your faces, “really?” steve asks, perplexed.

a collection of nods and “yeah”s spread around the room.

clint speaks up, “i honestly thought you guys were engaged already.”

—

after all of that, you and steve kind of avoided each other for a bit. feeling too awkward after the news you both had heard.

but that only lasted for about an hour before you both ended up in the break room at the same time. 

you walked in, distracted, looking down and counting the coins in your hand to see if you had enough for the chips you were craving. due to this, you failed to notice that someone else was in the room with you.

“oh, hi.” steve spoke up, surprised to see you. 

you jump and look up to find steve sitting at a table across the room.

“hi,” you stop in your tracks, surprised and suddenly nervous at the sight of him.

you both stood there for a bit, staring at each other, not knowing what to say.  

“soo–”

“umm–” 

“you go first!”

“no you!” you insist.

“i was just going to ask if uh we’re okay?” steve asks nervously. 

“yeah.” you reply quickly, “why wouldn't we be?” you ask, trying really hard to act normal and like you weren't affected by today's news in the slightest.

but of course steve saw right through it, right through you as he stared at you for a moment before responding, “i'm sorry that things are weird now, and it's all my fault and i totally understand if you don't wanna be friends anymore–” 

“what?!” you interrupt immediately, “steve, of course i don't want to stop being friends.” you say sincerely looking deep into his eyes. 

“and if anything, it's both our faults for being together all the time, no wonder they thought we were together.” you finish while pulling up a chair next to him. 

steve chuckles and shakes his head at that before getting serious again, “so we're good?”

“yes. we’re good.” you smile, causing him to do the same, “plus their assumption didn’t bother me too much…” you looked down as you said the last part.

“what.” steve’s head turns towards you swiftly, he couldn't have heard you correctly, right?

“what? it's not like you’re the worst guy ever. and i guess it's not the worst thing that they saw us as a couple.” you try to answer nonchalantly but are still avoiding his eyes. 

this time, steve’s lips upturned a little, noticing your nervousness, “so you think i'm ‘not the worst guy ever’ huh?” 

you look up and notice he looks a bit amused. “oh shut up, you know what i mean.” you playfully shove his side with your shoulder. 

“no no, i really don't. please. explain it to me.” he jokingly but also somehow convincingly insisted. 

figuring that you weren’t gonna be able to leave this place if you didn’t just admit it, you very speedily say, “fine. you’re an attractive guy and you’re funny and really kind and anyone would be lucky to have you.” at the end of that you let out a breath you didn't know you were holding in. 

it’s quiet for a moment and when you finally look back at steve he’s smiling softly at you. “i feel the same.”

“you think i’m an attractive guy?” you tease.

“you know what i mean.” he whispers, still smiling.

“i think i do.” you say softly while leaning closer towards him.

but of course thor had to walk by right when steve closed the gap between you two. 

“i knew it! they are dating!!” thor yells as he runs towards the main office. 

[to-be-a-dreamer]

Okay but real talk the black heart being about Billy actually makes Agathario even more compelling sorry y'all don't have an imagination.

I mean, the implications of Rio not technically being in the coven??? From what I understand, a coven is supposed to be a sisterhood, a group of witches dedicated to each other above all else. Rio is not dedicated to these people. She is not here for them. Rio is death and death has no coven but she still came. She came because Agatha summoned her, not because the coven needed a new green witch. (This also means the coven never actually needed a green witch since I'm presuming Billy isn't one. They didn't need Rio but Agatha called her anyway)

Rio has no loyalty to the other witches, she is there for Agatha and Agatha alone and I am SO hoping they get to show that on screen in some way.

Also the black heart itself isn't a huge plot point or a character moment, but Agatha's reaction to it certainly is. She sees a black heart on a list of names that are supposed to be her coven and she immediately thinks of Rio. Billy presses her about the fourth name and she would rather eat paper than do literally anything normal. Like, we know Agatha is an incredible liar, she should have been able to easily come up with something to tell him but she was so thrown off by the idea that the name might be Rio that the only thing she could think to do was to eat the list. That is insane behavior who cares if it wasn't actually about Rio because Agatha's actions were about her. That tells you infinitely more about them than a list of names.

Also just. Logistically. It makes way more sense like why wouldn't Lilia just write Rio Vidal? I know it works for the drama of it all but I was wondering if they were going to give an in-universe reason or just leave it as a weird plot hole. But who's the one person a witch can't name? Also, Billy told Eddie nothing in his life felt normal until they met, so it makes sense that the symbol she would use to represent him, the most accurate way to refer to Billy, is the affectionate inside joke between him and the only person who makes him feel normal (I could ramble for just as long about how Billy being the black heart makes his character and his relationship with Agatha so much more compelling as well but this is for the Agathario stans and I know y'all are a little traumatized so I'll hold off for now. Also also it makes Mrs. Davis's death even more tragic because there was actually no reason for her to be there, they already had their complete coven)

[tgcg]

argument

its a big one

TG: alright this is probably a bust

TG: more i think about it how the fuck do you even make a marinara

TG: can i even alchemise cheese or do i gotta like alchemise the milk and curdle it myself

TG: how do you even curdle

====================

TG: make a goddamn

TG: curgler

TG: whatever

TG: internet archive gonna pull through

====================

CG: ALRIGHT DAVE

TG: shit

====================

CG: YOU BETTER BACK THE FUCK OFF. I DON'T KNOW WHERE IN BULGEMUNCHING VIRULENT FUCK YOU GET THE IDEA YOU HAVE ANY RIGHT TO TELL ME WHAT I SHOULD THINK ABOUT MY OWN GODDAMN PLANET. SORRY TO HAVE TO DEAL A BLOW TO YOUR IMPOSSIBLY INFLATED FUCKING EGO, BUT HAVE YOU EVER CONSIDERED THAT YOUR SIDE-EYE SLACKJAW HOPELESS DEADPAN BULLSHIT BEHAVIOUR IS ACTUALLY INCREDIBLY FUCKING CONTEMPTIBLE AND DOESN'T PUT YOU ABOVE OTHER PEOPLE? HAVE YOU CONSIDERED THAT?

CG: OR DID YOU JUST ASSUME FROM THE MOMENT YOU FOUND OUT I'M A REVOLTING FUCKING MUTANT LOWBLOOD FREAK THAT I'M SUDDENLY NOT ALLOWED TO LIKE THE IDEA OF MY LIFE MEANING SOMETHING AT SOME POINT?

TG: okay you are wildly misquoting me where the fuck did that come from

TG: also you scared the hell out of me

TG: im just trying to science some pizza here

====================

CG: OKAY THEN, DAVE! EXPLAIN TO ME AS WELL AS YOUR AMBLING ONE-NOTE SMOOTH EXCUSE FOR A 'THOUGHT'SPONGE CAN

CG: IN SOMEWHAT COHERENT TERMS, ALTHOUGH I KNOW THAT'S A TALL ORDER:

CG: HOW YOU SAYING MY ADOLESCENT DREAMS OF BECOMING A THRESHECUTIONER ARE "FUCKED UP AND IRONIC IN A NASTY ASS WAY" DOESN'T QUALIFY AS UNDERHANDEDLY KICKING ME IN THE MANDIBLE PRONGS!

CG: YOUR AUDIENCE AWAITS YOU WITH BATED BREATH! TAKE IT AWAY, M.C. BRAIN HEMORRHAGE.

====================

TG: okay i dont

TG: know how you got a hold of that phrasing because i said that shit in confidence

TG: get out of my business bro

CG: NEWSFLASH, ASSHOLE: THIS METEOR IS A PHYSICAL, LITERAL LOCATION WE'RE BOTH IN. IT'S NOT A FUCKING PRIVATE CHATROOM. THIS MIGHT BLOW YOUR PITIFUL MIND BUT PEOPLE CAN ACTUALLY HEAR OTHER PEOPLE TALK WHEN THEY HAVE TO SHARE A SPACE! BRO!

TG: ugh

====================

CG: AND IT'S VERY INTERESTING YOU ACCUSE ME OF MISQUOTING YOU, AND THEN SUDDENLY TURN AND SPOUT FROM THAT SHITTY DRONING GROANSHAFT OF YOURS THAT I'M INVADING YOUR PRIVACY WHEN I DIRECTLY QUOTE YOUR SMARMY LITTLE SHAMEGLOBES!

CG: WOW! TURNS OUT KARKAT IS ACTUALLY BEING GENUINELY FUCKING UPSET ABOUT SOMETHING — WHO KNEW, RIGHT? WHO WOULD'VE GUESSED THAT I ACTUALLY HAVE GENUINE COMPLAINTS TO LEVEL AGAINST THE PEOPLE WHO GO SPOUTING HOOFBEASTSHIT ABOUT ME BEHIND MY BACK TO THEIR ECTOSIBLINGS?

TG: no dude can you shut up a second

CG: I MOST CERTAINLY FUCKING WILL, THANKS FOR THE OFFER! I'M NEVER TELLING YOU A GODDAMN THING AGAIN, SO I HOPE YOU MANAGE TO GAIN SOME WRINKLES TO THAT VESTIGIAL FLAWLESS ORB FLOATING AROUND IN YOUR CAVERNOUS NUGBONE FROM ALL THIS. I HOPE IT WAS WORTH ALL THE EFFORT ON YOUR END.

TG: listen!!!!

====================

CG: MHM! MY AURICULAR CHAMBERS ARE WIDE OPEN!

TG: jegus

TG: okay

TG: i have no defense for my literal phrasing but how expeditiously did you shadowstep the fuck away after i said that

TG: because that is some shrek tier "princess and ugly dont go together" level misrepresentation of my sweet self

TG: like if this wasnt obviously a heated platonic argument we were having i would probably be digging what the reference even if it was a shitty trope

====================

TG: i just

TG: have been thinking about some things and none of those things have got an iota of a thing to do with you or your blood

TG: thing

TG: man

TG: i dont know why you think id be so pressed about your vein juice its like

TG: a normal ass color for a normal ass guy

TG: and obviously it was a major fucking deal from how you talk about it but it doesnt need to be anymore

====================

TG: the thing is i just dont like have the same attitude as you about fighting and stuff and thats not something i am getting into right now but i am gonna make it expressly clear

TG: that its just kind of fucked up for me to sit my ass down and listen to someone spew gold and medals and confetti colored shit going googoo all over tall and loathsome ass bloodletters he never knew

TG: and have him tell me he wants to be the best guy at combat since samurai fuckin jack

TG: and thats my capital B business believe me the emphasis is there

====================

CG: SO IS THIS ABOUT ME WANTING TO BE PART OF SOMETHING YOU DON'T AGREE WITH? BECAUSE THRESHECUTIONERS DON'T EVEN FUCKING EXIST ANYMORE. I LITERALLY COULD NOT DO THIS IF I TRIED AT THIS POINT, SO YOU CAN UNKNOT YOUR “KNIGHTY WHITIES” ABOUT IT.

TG: being anti-military is not my point but damn if it isnt a thing thats probably true anyways so good job sleuthing that out

CG: WHAT IS YOUR POINT, DAVE.

TG: bluh

TG: i just said i dont wanna talk about it man

====================

CG: OKAY,

====================

CG: OKAY.

CG: I MEAN. IT FEELS KIND OF IMPORTANT TO THE CONTEXT OF THIS WHOLE UNAMBIGUOUSLY PLATONIC ARGUMENT WE'VE BEEN HAVING

CG: WHICH I'M RELIEVED WE AGREE ON BY THE WAY

CG: BUT IF YOU DON'T WANT ME TO KNOW I'M NOT GOING TO WRING IT OUT OF YOU. IT'S FINE.

====================

CG: …IF YOU DECIDE AT SOME POINT THAT YOU WANT TO TELL ME THOUGH, MY RUMBLE VESSELS ARE STILL OPEN.

TG: i swear youre making those up on the spot at this point

CG: I'M KEEPING MY LANGUAGE'S ART ALIVE, DAVE. IT'S BASIC DECENCY TO THE PLANET THAT RAISED ME.

TG: heh

====================

TG: yknow we got these things called anatomical snuffboxes

TG: its got that right amount of vague nose wrinklage to it that i feel like youd be right at home saying that

TG: snug as a grub even

CG: WHAT PART IS THAT???

TG: its that little weird bone bit that sticks out on the back of your palm when you flex your thumb right

====================

TG: look

CG: HUH. LOOKING AT THAT IS KIND OF WIGGING ME OUT.

TG: yeah its kinda gross rose told me about it

TG: but anyways

====================

TG: are we cool

CG: I MEAN… I GUESS SO. YOU WEREN'T ACTUALLY INSULTING ME, RIGHT?

TG: hell no dude never

CG: OKAY. I COMPLETELY RESCIND THE MYRIAD OF WAYS I JUST INSULTED YOU. AND I'M SORRY.

TG: nah i know its just fluff at this point

====================

CG: I STILL DON'T APPRECIATE YOU TELLING ROSE THINGS I SAY TO YOU IN CONFIDENCE. THAT WAS BETWEEN YOU, ME, AND MY NOW NON-EXISTENT HOME PLANET ROTTING AWAY TO A CRATERED GRAY HUSK IN ANOTHER DEAD UNIVERSE.

TG: i swear that was like the only thing its just that she gets it and i cant keep my mouth from going on about the gettable stuff

TG: they call me the babbling brook the way my flows so audible

TG: i wont do it again

CG: NO,

====================

CG: I GET IT HONESTLY.

CG: I'M BASICALLY THE NUMBER ONE PROPRIETOR OF AIRED GRIEVANCES IN ALL OF PARADOX SPACE AND THEN SOME, AND I'D ALSO BECOME ITS BIGGEST HYPOCRITE IF I HELD IT AGAINST YOU.

TG: thanks

TG: but i mean

TG: at the gigantic risk of sounding uh

====================

TG: ………..

CG: ?

====================

TG: well

TG: i kinda just think youre better at being a guy to chill out and watch movies with than a guy to tangle fists with

TG: and i dont think theres anything wrong with being that

TG: i think its cool

====================

CG: …THAT'S AN ALARMINGLY BRAZEN OBSERVATION TO MAKE OF SOMEONE YOU'VE KNOWN FOR ABOUT THE SPAN OF SEVEN SEASONAL EQUINOXES, DAVE.

TG: i dont know what that means but it sure is probably

CG: AM I ALLOWED TO ASK WHAT EVEN GIVES YOU THAT IMPRESSION????

TG: i just got that inkling about you man

====================

TG: and you can do whatever you want with that info

TG: throw it in the load gaper or whatever if you want i dont really care

TG: give it a swirly and slam it in a locker call it a nerd break its glasses whatever

TG: but beyond this whole lord english thing weve got going on i am pretty content to never aggress my fellow man slash alien slash monster again if i can help it

TG: i think thats pretty fair given what thats been like so far

====================

TG: and yknow its cool to have some company when im waxing emotional over the narrative depth of click starring adam sandler which we are watching next by the way

CG: UGH, FIIIIIIIIINE. JUST TO MAKE UP FOR CALLING YOUR THINKPAN SMOOTH AND SUPERFLUOUS.

====================

TG: score

TG: we should argue all the time

CG: SNRK

[papyrus-in-practice]

IT'S WORLD MENTAL HEALTH DAY, FOLKS!!!!

So, I wanted to post something a bit different!

A common prompt I use with my clients is a positive affirmation jar which is a project in which the client decorates a jar and writes positive affirmation on slips of paper to keep in the jar. In the case that I run out of jars, I make boxes out of paper. A couple weeks ago, I had an idea while and that was to fuse this prompt and Superhero Therapy.

Superhero therapy was initially conceptualized as a form of Acceptance and Commitment Therapy that used superheroes or other characters from media to facilitate the acceptance of oneself and one’s emotions and the commitment to move forward. 

Clients engaging in superhero therapy may be prompted to reflect on their own experiences in life and identify a “superhero” they may relate to or look up to. “Superheroes” don’t have to be the cape-wearing people with superhuman abilities. They can be any characters we find in any media. What defines a “superhero” in superhero therapy is a character that you can relate to on some level and one that possesses strength, wisdom, or other traits you admire. 

Especially when diving into the topic of change, clients might be encouraged to imagine: if that “superhero” showed up at the exact moment you needed them the most, what kind of message would they tell you? This prompt takes that part and creates a physical object that can relay those messages when you need it most. 

Basically, what I did is I thought of characters that I felt I could relate to or look up to. These are my “superheroes”, characters that have strength, wisdom, or another trait that I admire. I drew these characters out and collaged them onto a box.

After the box was done, I wrote short lines that each character might say to me during times when I need encouragement the most. I made sure to label each one so I knew who was talking. I'm still adding some messages, so it's almost "done".

Since I tend to need encouragement the most when I’m at work, I put it in my office!

It was a fun project and I wanted to share it with y’all.

Quick disclaimer, this isn’t therapy nor any kind of substitute for therapy. This is more of a project I did to essentially play-test a prompt. Still, I think other folks could benefit from doing it, too. We’ve all got our own self-defeating thoughts rampaging through our brains and, sometimes, we need a reminder from our inspirations to direct us towards our values. Superhero therapy is a lot about naming and recognizing our unhelpful thoughts as thoughts. Then, we make the commitment by pursuing our values through the characters we admire

Characters from left to right:

Toriel(Toby Fox's Undertale)

Papyrus(Toby Fox's Undertale/Papyrus in Practice)

Sans(Toby Fox's Undertale)

Doc(@tehrogueva Therapist!Sans)

Baggs(@megalommi Megalosomnia)

Dream(@jokublog Dreamtale)

Nightmare(@jokublog Dreamtale)

I also wanted to shout out @wishing-stones Rabble and Rampallians since I also felt really connected with their portrayal of Baggs, Dream, and Nightmare!

Luz and Eda(The Owl House by Dana Terrace)

Andromachus(Vampire Therapist by Cyrus Nemati, @littlebatgames)

References: 

Scarlet, J., & Alves, W. (2017). Superhero therapy: Mindfulness skills to help teens and young adults deal with anxiety, depression, and trauma. New Harbinger Publications, Inc.

Washington, K. (2019, April 25). What is Superhero Therapy? Denver Health. October 10, 2024, https://www.denverhealth.org/blog/2019/04/what-is-superhero-therapy

[mewtwoandme]

I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!

Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!

This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.

Quick reality check for everyone who's made it this far before I end this train wreck of a rant:

People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult

[the-alarm-system]

A Guide: Encouraging Separation in Plurality

Hello! I'm Ardyn, and I decided to make this guide because after talking to many systems, I've come to realize that moving from a near medianhood to a full multiplicity may encourage better function for certain systems. For us any identity blurriness brings a lot of pain that has been aided by further separation and amnesiac barriers. Before you put an awful judgement on this, remember that healing is different for everyone, and breaking down barriers isn't best for everyone. This is up to the system, there is no guilt on wanting to do what is best for your system.

RADQUEERS DONT TOUCH

This guide will hold many different exercises and ideas that have been taken from tulpamancy and my own experiences.

first I'd say get situated with identity grounding and also following the "The Body is a Car" exercise within these sources

Identity Grounding

Guide to Switching

Building up Distinction

Separate Journals/Diaries

A seperate journal or diary that nobody can write in but that headmate is a good way to help a headmate build up their identity. They will be able to write down their own experiences and their own feelings, and this seperate space gives reinforces the idea that they are ultimately apart from you.

Separate Accounts with a Separate Feed

Something that pushed for the blur was having similar feeds, seeing my interest would push me to the front and cause issues for Vincent. He ended up making his own account on reddit where he is able to join subreddits that appeal to solely his interest, and it would help keep him at front instead of pull someone else.

Distinct Hobbies

encourage your headmates to pick up hobbies that are not something you may be interested in, hobbies give way to individuality as now they may seek others who share that hobby or spaces online that appeals to that hobby.

Different Clothing and Ownership

Assign different clothing and other items to headmates, let them pick out their own jacket and may they be the only ones to wear that jacket. Let them have their own perfume, let them have their own bag, let them have their own keychain for the car keys. This won't just give you that barrier, but also can be used as a form of identity grounding during a blur. When in blur, you will be able to tell whose fronting based on what clothing makes you feel more yourself.

Different Friends

This option may be more difficult, but it works very efficiently. Let your headmates have their own friend, I mean it. Giving them someone outside the system that they themselves can solely talk to is absolutely perfect in giving that split. Interacting and communication outside the body and encouraging unmasking will do wonders.

Drop Part Language

If you really want to encourage separation, you will have to drop the idea that you are all pieces of another. This is however a preference, speak to your headmates about it. Speak to them about terms they may prefer, maybe customized role names, let them be themselves. Push to yourself too that these are different people, not parts of you. But like I said, if parts language isn't an issue for you, then you might not have to change after all :P but I recommend it for this all to work.

Identity Separating Exercises

Now as you have pushed the formation of these headmates, now it's your goal to start separating them more and more through these exercises

Remember: Fake it until you make it

Being consistent in these exercises will be great, but you also have to make sure you believe that they are working. Plurality is very much a brain game, you have power over yourself and the more you believe these separations the more they will be. Some of these exercises are purely for pushing the belief, I recommend having a collection of proof on your plurality to refer to whenever you get doubtful.

I also recommend joining a tulpamancy community such as a discord or reddit, even if you don't practice tulpamancy, these people have so much trust in themselves and the process that it starts to rub off on you.

Separation Meditation

If you are able to visualize and even after doing all the above you still feel like your headmate hasn't fully left you, this exercise may be useful. In this meditation, you are to visualize the headmate in front of you. Then repeat "___ is a separate person from me" repeatedly for however long you like once a day.

Discussions

Speak to your headmates, ask questions about their lives

Here is a good source on that

The best route to take is to discuss opinions and specifically focus on what you disagree on, this will reinforce in your mind that this person is not you, this person does not agree with you, this person has their own opinion. Focus on those ideas until they really settle, and maybe also record these disagreements in your proof collection.

Affirmations

If you are a bit too busy for these things, constant affirmation throughout the day are both simple and helpful. Here is a good list

"__ is a seperate person from me"

"the system has entirely different and seperate people"

"___ is real and a seperate person"

"the system is noticeably distinct"

at first it may feel silly, but like I said, fake it until you make it. These will reinforce ideas.

Building Up Amnesiac Barriers

This may be more controversial, but for us these barriers help a ton. I would like to say that we already had blackout amnesia to begin with, but these exercises made them "worse". There are many reasons why a system may want to have higher amnesiac barriers, ours being privacy and independence, try to avoid judgement on this decision. The Switching Guide above also has an exercise that will push lost time.

"Cancel Recall"

When a memory from another headmate tries to seep into your thought process, immediately cover that memory and say to yourself "This memory isn't mine to remember". Perhaps visualize a door closing on it or a lock appearing on that memory. Mentally assign that memory to the correct headmate and move on

Affirmation

Affirmations that may help these barriers can be used situationally, just whenever you try and remember a time another headmate fronted think "No, I don't remember"

Headspace Tools

If you have a headspace, try using creation. Imagine cutting memory ties off with everyone else that can only temporarily be connected when agreed upon by both parties. Maybe also set up a headspace memory lock system.

Using Remnants left behind

When I say this I mean use something such as text messages a headmate left behind and when scrolling through them, focus and think "This wasn't me, I don't remember typing this".

Memory Redirection

Most times it's harder to push a memory away than just redirect it. When redirecting memory, for example you start to remember something another headmate did in meatspace, recite "that wasn't me, what did I do during this time" and attempt to recall your time within the headspace instead.

FAKE IT UNTIL YOU MAKE IT, REMEMBER THAT

what do you guys think? any changes we should make? we would love to hear how this guide impacted your system!

[lisafication]

For those who might happen across this, I'm an administrator for the forum 'Sufficient Velocity', a large old-school forum oriented around Creative Writing. I originally posted this on there (and any reference to 'here' will mean the forum), but I felt I might as well throw it up here, as well, even if I don't actually have any followers.

This week, I've been reading fanfiction on Archive of Our Own (AO3), a site run by the Organisation for Transformative Works (OTW), a non-profit. This isn't particularly exceptional, in and of itself — like many others on the site, I read a lot of fanfiction, both on Sufficient Velocity (SV) and elsewhere — however what was bizarre to me was encountering a new prefix on certain works, that of 'End OTW Racism'. While I'm sure a number of people were already familiar with this, I was not, so I looked into it.

What I found... wasn't great. And I don't think anyone involved realises that.

To summarise the details, the #EndOTWRacism campaign, of which you may find their manifesto here, is a campaign oriented towards seeing hateful or discriminatory works removed from AO3 — and believe me, there is a lot of it. To whit, they want the OTW to moderate them. A laudable goal, on the face of it — certainly, we do something similar on Sufficient Velocity with Rule 2 and, to be clear, nothing I say here is a critique of Rule 2 (or, indeed, Rule 6) on SV.

But it's not that simple, not when you're the size of Archive of Our Own. So, let's talk about the vagaries and little-known pitfalls of content moderation, particularly as it applies to digital fiction and at scale. Let's dig into some of the details — as far as credentials go, I have, unfortunately, been in moderation and/or administration on SV for about six years and this is something we have to grapple with regularly, so I would like to say I can speak with some degree of expertise on the subject.

So, what are the problems with moderating bad works from a site? Let's start with discovery— that is to say, how you find rule-breaching works in the first place. There are more-or-less two different ways to approach manual content moderation of open submissions on a digital platform: review-based and report-based (you could also call them curation-based and flag-based), with various combinations of the two. Automated content moderation isn't something I'm going to cover here — I feel I can safely assume I'm preaching to the choir when I say it's a bad idea, and if I'm not, I'll just note that the least absurd outcome we had when simulating AI moderation (mostly for the sake of an academic exercise) on SV was banning all the staff.

In a review-based system, you check someone's work and approve it to the site upon verifying that it doesn't breach your content rules. Generally pretty simple, we used to do something like it on request. Unfortunately, if you do that, it can void your safe harbour protections in the US per Myeress vs. Buzzfeed Inc. This case, if you weren't aware, is why we stopped offering content review on SV. Suffice to say, it's not really a realistic option for anyone large enough for the courts to notice, and extremely clunky and unpleasant for the users, to boot.

Report-based systems, on the other hand, are something we use today — users find works they think are in breach and alert the moderation team to their presence with a report. On SV, this works pretty well — a user or users flag a work as potentially troublesome, moderation investigate it and either action it or reject the report. Unfortunately, AO3 is not SV. I'll get into the details of that dreadful beast known as scaling later, but thankfully we do have a much better comparison point — fanfiction.net (FFN).

FFN has had two great purges over the years, with a... mixed amount of content moderation applied in between: one in 2002 when the NC-17 rating was removed, and one in 2012. Both, ostensibly, were targeted at adult content. In practice, many fics that wouldn't raise an eye on Spacebattles today or Sufficient Velocity prior to 2018 were also removed; a number of reports suggest that something as simple as having a swearword in your title or summary was enough to get you hit, even if you were a 'T' rated work. Most disturbingly of all, there are a number of — impossible to substantiate — accounts of groups such as the infamous Critics United 'mass reporting' works to trigger a strike to get them removed. I would suggest reading further on places like Fanlore if you are unfamiliar and want to know more.

Despite its flaws however, report-based moderation is more-or-less the only option, and this segues neatly into the next piece of the puzzle that is content moderation, that is to say, the rubric. How do you decide what is, and what isn't against the rules of your site?

Anyone who's complained to the staff about how vague the rules are on SV may have had this explained to them, but as that is likely not many of you, I'll summarise: the more precise and clear-cut your chosen rubric is, the more it will inevitably need to resemble a legal document — and the less readable it is to the layman. We'll return to SV for an example here: many newer users will not be aware of this, but SV used to have a much more 'line by line, clearly delineated' set of rules and... people kind of hated it! An infraction would reference 'Community Compact III.15.5' rather than Rule 3, because it was more or less written in the same manner as the Terms of Service (sans the legal terms of art). While it was a more legible rubric from a certain perspective, from the perspective of communicating expectations to the users it was inferior to our current set of rules  — even less of them read it,  and we don't have great uptake right now.

And it still wasn't really an improvement over our current set-up when it comes to 'moderation consistency'. Even without getting into the nuts and bolts of "how do you define a racist work in a way that does not, at any point, say words to the effect of 'I know it when I see it'" — which is itself very, very difficult don't get me wrong I'm not dismissing this — you are stuck with finding an appropriate footing between a spectrum of 'the US penal code' and 'don't be a dick' as your rubric. Going for the penal code side doesn't help nearly as much as you might expect with moderation consistency, either — no matter what, you will never have a 100% correct call rate. You have the impossible task of writing a rubric that is easy for users to comprehend, extremely clear for moderation and capable of cleanly defining what is and what isn't racist without relying on moderator judgement, something which you cannot trust when operating at scale.

Speaking of scale, it's time to move on to the third prong — and the last covered in this ramble, which is more of a brief overview than anything truly in-depth — which is resources. Moderation is not a magic wand, you can't conjure it out of nowhere: you need to spend an enormous amount of time, effort and money on building, training and equipping a moderation staff, even a volunteer one, and it is far, far from an instant process. Our most recent tranche of moderators spent several months in training and it will likely be some months more before they're fully comfortable in the role — and that's with a relatively robust bureaucracy and a number of highly experienced mentors supporting them, something that is not going to be available to a new moderation branch with little to no experience. Beyond that, there's the matter of sheer numbers.

Combining both moderation and arbitration — because for volunteer staff, pure moderation is in actuality less efficient in my eyes, for a variety of reasons beyond the scope of this post, but we'll treat it as if they're both just 'moderators' — SV presently has 34 dedicated moderation volunteers. SV hosts ~785 million words of creative writing.

AO3 hosts ~32 billion.

These are some very rough and simplified figures, but if you completely ignore all the usual problems of scaling manpower in a business (or pseudo-business), such as (but not limited to) geometrically increasing bureaucratic complexity and administrative burden, along with all the particular issues of volunteer moderation... AO3 would still need well over one thousand volunteer moderators to be able to match SV's moderator-to-creative-wordcount ratio.

Paid moderation, of course, you can get away with less — my estimate is that you could fully moderate SV with, at best, ~8 full-time moderators, still ignoring administrative burden above the level of team leader. This leaves AO3 only needing a much more modest ~350 moderators. At the US minimum wage of ~$15k p.a. — which is, in my eyes, deeply unethical to pay moderators as full-time moderation is an intensely gruelling role with extremely high rates of PTSD and other stress-related conditions — that is approximately ~$5.25m p.a. costs on moderator wages. Their average annual budget is a bit over $500k.

So, that's obviously not on the table, and we return to volunteer staffing. Which... let's examine that scenario and the questions it leaves us with, as our conclusion.

Let's say, through some miracle, AO3 succeeds in finding those hundreds and hundreds and hundreds of volunteer moderators. We'll even say none of them are malicious actors or sufficiently incompetent as to be indistinguishable, and that they manage to replicate something on the level of or superior to our moderation tooling near-instantly at no cost. We still have several questions to be answered:

How are you maintaining consistency? Have you managed to define racism to the point that moderator judgment no longer enters the equation? And to be clear, you cannot allow moderator judgment to be a significant decision maker at this scale, or you will end with absurd results.

How are you handling staff mental health? Some reading on the matter, to save me a lengthy and unrelated explanation of some of the steps involved in ensuring mental health for commercial-scale content moderators.

How are you handling your failures? No moderation in the world has ever succeeded in a 100% accuracy rate, what are you doing about that?

Using report-based discovery, how are you preventing 'report brigading', such as the theories surrounding Critics United mentioned above? It is a natural human response to take into account the amount and severity of feedback. While SV moderators are well trained on the matter, the rare times something is receiving enough reports to potentially be classified as a 'brigade' on that scale will nearly always be escalated to administration, something completely infeasible at (you're learning to hate this word, I'm sure) scale.

How are you communicating expectations to your user base? If you're relying on a flag-based system, your users' understanding of the rules is a critical facet of your moderation system — how have you managed to make them legible to a layman while still managing to somehow 'truly' define racism?

How are you managing over one thousand moderators? Like even beyond all the concerns with consistency, how are you keeping track of that many moving parts as a volunteer organisation without dozens or even hundreds of professional managers? I've ignored the scaling administrative burden up until now, but it has to be addressed in reality.

What are you doing to sweep through your archives? SV is more-or-less on-top of 'old' works as far as rule-breaking goes, with the occasional forgotten tidbit popping up every 18 months or so — and that's what we're extrapolating from. These thousand-plus moderators are mostly going to be addressing current or near-current content, are you going to spin up that many again to comb through the 32 billion words already posted?

I could go on for a fair bit here, but this has already stretched out to over two thousand words.

I think the people behind this movement have their hearts in the right place and the sentiment is laudable, but in practice it is simply 'won't someone think of the children' in a funny hat. It cannot be done.

Even if you could somehow meet the bare minimum thresholds, you are simply not going to manage a ruleset of sufficient clarity so as to prevent a much-worse repeat of the 2012 FF.net massacre, you are not going to be able to manage a moderation staff of that size and you are not going to be able to ensure a coherent understanding among all your users (we haven't managed that after nearly ten years and a much smaller and more engaged userbase). There's a serious number of other issues I haven't covered here as well, as this really is just an attempt at giving some insight into the sheer number of moving parts behind content moderation:  the movement wants off-site content to be policed which isn't so much its own barrel of fish as it is its own barrel of Cthulhu; AO3 is far from English-only and would in actuality need moderators for almost every language it supports — and most damning of all,  if Section 230 is wiped out by the Supreme Court  it is not unlikely that engaging in content moderation at all could simply see AO3 shut down.

As sucky as it seems, the current status quo really is the best situation possible. Sorry about that.