#have I mentioned how much I love religious trauma in characters

[purple-plum-petals]

Help my family. War is devastating. There is nothing left for life. No schools, no universities, no home, and no dreams. All dreams have been destroyed.

https://www.gofundme.com/f/dydb36-gaza -palestine

⊱ The Scars That Remain ⊰ || Boothill and Aventurine Angst Headcanons

╭─━━━━━━━━━━━━─╮        Character(s): Boothill and Aventurine (Separate, Honkai: Star Rail)        Warning(s): Spoilers for Boothill’s and Aventurine’s Backstories, Discussions of Survivor’s Guilt, Mentions of Suicide/Attempted Suicide/Suicidal Ideation, Implied Alcoholism, Religious Trauma, Overall Theme and Discussion of Death/Genocide.        Genre: Headcanons, Angst.        Word Count: ~1000 words        Author’s Note: I know that Boothill and Aventurine are fairly popular characters within the fandom, and one of the reasons why they’re so beloved is because of their backstories. Both of these characters are victims of war – victims of genocide and a massacre at the hands of the IPC on their respective home planets of Aeragan-Epharshel and Sigonia.

There is a genocide happening to Palestinians at this very moment, and thousands of people and families are being displaced and murdered simply because of the land in which they live. Please, if you are financially able, help this family. If you’re not able to contribute to their evacuation, spreading the word about this family may reach those who are able to donate. The family’s gofundme can be accessed here: https://www.gofundme.com/f/dydb36-gaza -palestine ╰─━━━━━━━━━━━━─╯

⋆﹥━━━━━━━━━━━━━━━﹤⋆

🌾: Sometimes Boothill wonders what his family would think of him now, wondering if his fathers and siblings would even recognize him after what he had become. He was no longer made of flesh and blood – he was no longer human. He tries not to dwell on the thought for too long. After all, there was no point in thinking about hypotheticals. He would never know what his loved ones would have thought because, if they were still here, he wouldn’t have taken the path that he did.

🌾: When Boothill hears the sound of children laughing and playing, or when he walks past small dresses decorated with beads and ribbons and lace, he can’t help but wonder if he would have been a good father if he had just been given a chance. He thinks about that little girl he had found and taken in as his fathers had with him on lonely nights. Nights when he absentmindedly strums the strings of a recently stolen guitar, remembering the one he had carved for her, the one she would slap with her small palm and giggle at the noise it made. Would she have grown up to play the guitar, or would she have picked up a different instrument? Those were more questions he would never get an answer to, and the memory of that high-pitched babbling laughter haunted him.

🌾: Boothill frequently wonders if his fathers knew how much he loved and appreciated them, the two men who had taken him in and raised him as if he were their own. He thinks about the times he could have done more for them, or his mind thinks about all the words he could have told them so they knew without a doubt how much they meant to him and how much he cared for them. Even though Boothill wasn’t the one who gave the order, sometimes he feels as though their blood is on his hands.

🌾: He suffers from immense guilt at the fact he was the only one from the farm who survived the bombing, wishing that he was either fast enough to have made it there in time to save them, or fast enough that he could have died there with them in his arms. He wishes he could have had the time to make graves for those he lost but, in the fiery blaze left in the attack’s wake, there wasn’t much he was able to do.

🌾: Once he enacts his revenge on Oswaldo Schneider, Boothill will most likely choose to end his own life, going back to his home planet and the farm that had been reduced to nothing but ash. He had already been dead for a long time, and he had a desire to reunite with the people he loved the most in the afterlife. So, he’d settle down on the ground that was once covered in tall, soft grass, and he’d think about the sound the babbling brook used to make as his systems finally shut down. For the first time in what seemed like an eternity, the rage in his heart subsidized as peace finally washed over him.  

🎲: It came easy to Aventurine, the ability to put his life on the line without any instance of hesitation. That was something he had done for a long time now, using his own life as another gambling chip on the table. It probably wasn’t normal for one to continuously try and end their own life in the dreamscape just to see if it would stay permanent, either, hoping that deep down they wouldn’t wake up in their room on Penacony. Here he was, though, sitting up in the dream pool as he tried to catch his breath after the latest little “test” to see if a true death truly didn’t exist in Penacony’s dreamscape.

🎲: Aventurine remembers vividly what it was like, floating in the cold water as his clothes stuck uncomfortably to his skin while he held his breath, trying not to move. He remembers the warmth of his sister’s hand in his, the water around them dyed a dark red as the scent of iron and rot filled the air. He couldn’t move because of the fear of being found, the fear of those hunting them like wild animals realizing they were indeed alive and not dead like the other bodies that floated around them in an eerie silence. He remembers the shrill cackles of the men who killed his mother that day, a sound that would never leave him.

🎲: He frequently suffers from nightmares, whether it be each and every event that has stained his hands in red, the death of his mother, or his older sister’s final goodbye to him on that rainy day. One dream Aventurine has quite frequently, however, is the “game” that lasted for two days – a game that resulted in him being the final victor while the bodies of the thirty-four others just like him lay lifeless around where he stood. He dreams of their screams, their hands reaching towards him as they shriek “Why? Why you?” He cannot answer them, though, for he doesn’t know why himself.

🎲: Sometimes, Aventurine’s neck burns and itches despite it being years since the mark was blistered into his flesh or since the cold, iron chains squeezed tightly around his throat. On nights when the feeling won’t go away, he drinks until the burning comes from the inside instead, an almost painful sting in his stomach and chest that makes him forget the way he can still recall how hot iron felt searing his skin.

🎲: Aventurine has mixed feelings regarding the “blessing” he was given by Gaiathra Triclops. He wonders why he was given this blessing, and what was the reason for being the only one of his people to survive – what was his purpose. Why was he made to suffer at the hands of a god that was supposed to love him? Why did she not save his family, his people, who all worshiped her until their dying breath? Aventurine feels immense guilt at the mere thought his faith no longer lies within the god of their clan and wonders what his family would think if he didn’t believe in the god who gave him his blessing of “luck.”

[serendipity0930]

sam winchester almost always recites the trinitarian formula in latin send tweet

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[highseas-swede]

Aziraphale and Trauma

[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]

This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.

See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!

Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.

There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.

But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.

Abuse victims are often manipulative.

I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.

Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.

What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.

A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.

https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."

In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).

So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.

We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.

His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.

The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.

This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.

Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.

The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.

A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.

There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.

Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.

That brings us back to this apology scene.

There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.

Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.

Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.

These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.

I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.

[sins0fthefather]

Wrath.

Jeff the Killer HCs:

General HCs:

Full Name: Jeffrey Alexander Woods (Only responds to Jeff though. Best case scenario if you call him his full name is he’ll ignore you, worst case scenario is him flipping his shit on you)

Age: 22-25 (Based on where in the story a character study/fic takes place)

Birthday: September 22 (Older than Liu by 2 years)

Wasian— Father is Chinese, mother is a born n’ raised Texan

Biromantic, Demisexual

Has autism, C-PTSD, BPD (contributor to his auditory hallucinations), NPD, ASPD, and BDD

Right Handed

6’1 (185~ cm)

Covered in burn scars, most noticeably on his chest, forearms, and back

He uses white facepaint, it makes his face’s silhouette look “cleaner” in his eyes

His cuts have healed up for the most part, although he’ll have moments where he relapses and cuts at them again. The ends will also sometimes tear if he does something like laugh too hard.

Very touchy with other people, but he despises being touched first. He prefers to initiate physical contact- both because of the control aspect of it and because of his general distrust of others.

His sense of humor waxes and wanes from extreme condescension to the most morbid sentences you’ve ever heard. Half of the time it doesn’t even sound like a joke.

Reckless driver, cursed with terrible road rage

Smokes cigarettes, his brand of choice is Marlboro

Drinks vodka straight as if it were water

I feel like his favorite band would be Tool or Slipknot. His music taste is just metal and dad rock.

Was brought up in a Catholic school for most of his life, although he obviously doesn’t keep up with the practice anymore. This is a big catalyst for why he develops a god complex however since he “has authority over life and death”— something unique only to gods from what he was taught.

Very observant of the people around him. He memorizes speech patterns, demeanors, even the way people walk. He’s gotten to the point where he can read people and their intentions well before they’re explicitly stated, making it much easier for him to spot a lie. However this also makes it much easier for him to tell when he’s truly pushing somebody’s buttons, and there’s nothing he loves more than pushing people past their limit.

Always stealing glances of himself in any mirror he walks past

He’s an opportunistic killer. Limiting himself to patterns clashes with the creativity and the thrill of the moment to him. However, there are specific elements of a kill he will often repeat if the mood strikes him. An example of this would be often including strangulation (albeit usually not the direct cause of death) to reflect his acquired need for control in all moments of his life. Sometimes he will also pose bodies in a “prayer” position to call back that god complex I mentioned.

He doesn’t always kill people immediately. If someone catches his eye, usually because he finds them beautiful in some aspect, he’ll take it a step further. He has no problem with being patient when the situation arises for it- stalking the person, learning their habits and schedules, the whole shebang. He’ll then slowly start to ruin said person’s life, isolating them through the slaughter of those closest to them and destroying any sense of peace and security they once had. He’s the sound that goes -bump- in the night. He’ll toy with his food until he eventually grows bored, disposing them like all the rest. After all, how dare someone else try to be beautiful in his presence- a punishment of the highest order is necessary.

His anger can be very… explosive. He doesn’t stick around very long for enough people besides victims to see it, but it can be as unpredictable as his own kills. It’s worse when he’s silent in his anger however, since with the former you at least have enough of a warning to brace yourself.

Backstory-Centric HCs:

(TW: csa, murder, mutilation, religious trauma, general stuff)

Takes place in college. Jeff is 22 at the start while Liu is 20.

Instead of being a one-off instance, Jeff and Liu have been subjected to bullying/borderline harassment since middle school. This builds up Jeff’s gradual distrust of others and leads to him shutting himself off from his peers.

Most of said bullying revolved around their mixed race situation. It only got worse as Jeff shut himself off and Liu became a people pleaser.

The two didn’t even have peace at home, since their parents were sexually abusive and excused it through their religion. It was “all apart of god’s love” as they said. This + the bullying leads Liu to develop DID and kickstarts Jeff’s resentment towards their parents. It also led Jeff to develop a twisted belief on what love and beauty is since god apparently “favored” the beauty of his parent’s form of “love.”

On one particular instance of bullying/harassment, a small group of people he grew up with planned on jumping and mugging Jeff behind a bar. Things escalated when Jeff retaliated in self defense, beating his aggressors with a nearby pipe found laying against a dumpster. He didn’t leave unscathed however, since one of the attackers dropped a lighter into the flammable materials (alcohol, trash, etc) that had been scattered in the fight, planning on making everyone go down in that moment. Jeff managed to survive (albeit with severe burns along his body) after being found by an employee who went to go check out the noise/smell of smoke, but the others succumbed to their wounds.

While in a heavy state of shock and psychosis (paired with being drugged up out the wazoo at the hospital) his usual unchecked auditory hallucinations worsened, leading his mind to trick him into believing this situation was a sign from god- that he was supposed to survive while his tormentors burned. Paired with his already twisted concepts of love and beauty, he began to believe that his burns were part of god’s plan to make him more beautiful- because he was favored.

This only gets worse when he’s released from the hospital’s custody due to a neglect in checking his mental state. After being sent home with his family and therefore being thrown back into the abusive environment he hoped to escape when going to college he ends up experiencing a psychotic break, mutilating himself in the process.

When his parents catch him, they attack him. In their eyes he had disgraced them, no longer upholding the “beauty” of heaven that they enforced. He ends up killing them in self defense, but furthers it by mutilating their bodies in an act of defiance induced by his break. He believes he’s outdone god in this moment, deluding himself into thinking he’s on the same level (or even better) than god.

While overcome by his psychotic break, he ends up severely wounding Liu after he wakes up to check out the noise. It becomes a conspiracy on if Liu survived or not since his body was never found by authorities.

The reason why Jeff continues on his spree after these instances is the feel of control he gets. After being forced into submission by those around him for so long, he finally feels a stable sense of power over those he deems as less than him.

He ends up wandering throughout the states after this, hopping from town to town. He never stays in one place for long, although sometimes he’ll revisit his home town to give the urban legend fanatics something to fear again.

[andreas-river]

NIKTO HEADCANONS (but realistic)

TW: sexual themes, acute dissociative disorder mentioned, this man has definitely been through a lot.

A/N: I don't think I need to say this, but these headcanons are strictly from my perspective. Like many other people here, I enjoy writing for this character, and I have a lot of projects for the future. Anyway, y'all enjoy!

→ He loves cup noodles. He gives the vibes of eating them because they are quick to make and saves him a lot of time. But he’s skilled in the kitchen. Dmitry once founded him cooking in the kitchen’s base in the middle of the night. A glance from him was enough for Dmitry to turn around and walk away with another secret to hide.

→ He’s friendly only in private and only with his team, and obviously Sputnik. He feels comfortable around them, and he laughs only with them. He doesn’t hang out though. He doesn’t like public spaces at all.

→ Diagnosed with Acute dissociative disorder which may include symptoms of other dissociative disorders including dissociative identity disorder (source). This means that he experienced episodes where he dissociated, but since it’s acute, he had short but severe episodes (no, he’s not out of his mind). In my opinion, he doesn’t take any meds, or he would be discharged from the service. But he probably has periodic sessions with a therapist.

→ Possessing a hyena pet helped him find some balance in his life. For him, it’s like having a common dog, it doesn’t make any difference for him. He always finds it amusing when he uses him to scare Rodion, making him scream like a teenager. That’s how he discovered that Rodion doesn’t like anything that resembles a dog, even if Sputnik is a hyena. And he obviously uses this knowledge to his advantage.

→ He is neither hyposexual nor hypersexual (no, he’s not a pervert either). He actually has a normal relationship with sex and all the things that comes with. He doesn’t like sex without feelings. But if it needs it, he definitely jerks off at night.

→ He prioritize trust above everything, if he’s interested in someone. It will probably take him months to trust someone. Definitely a lot of trust issues, he’s really careful when he meet someone new.

→ Definitely not a religious person. He went through so much in his life that he’s more of a ‘realist’ person. He doesn’t think that there is a god, at all.

→ With the right person, he can be very protective: he has the ‘scary dog privilege’, and no one would definitely mess around with a masked big guy all dressed in black (most of the times).

→ He’s a reserved person and he appreciate the silence, especially if someone respect his own silence. Conversations with him can lead to a whole bunch of different topics at a deep level, and he loves when someone actually understand what he’s saying. He has a lot of knowledge and he used to read a lot of books, especially when he was a teen, and even more growing up and when he was recovering from his trauma. He still reads, and when he isn’t going to be deployed in a short time, he reads a lot during the night.

→ His trauma led him to a lot of insomnia, and a lot of nightmares when he actually manage to fall asleep. So, he usually goes for a walk, or he goes training, trying to take his mind off things.

→ Panic attacks are an occurrence, but he learned to acknowledge the symptoms even before it happens. He usually walks back to his room, finding the silence the thing that calms him the most. When he can’t go back to his room, the rest of the team usually has his back, and always managing to work something out. Every time they find a different solution, and that’s what helps him.

→ No one knows his past (and maybe it's better this way). Only Kamarov knows that he had to endure some bad shit back when he was a teenager. I can imagine living his years with her babushka before enlisting in the military. He doesn’t care about his parents since he lived in a toxic environment. Definitely doesn’t talk about it at all.

[kevinsdsy]

THE TROJANS SOCIAL MEDIA AU HEADCANONS pt. 1

laila dermott

laila dermott is muslim!! i've had this headcanon since i read the king's men for the first time in 2019 hehe and now is my time to push it.

nabil & laila are besties. they're both muslim and both in same-sex relationships which leads to them having an understanding of each other like no one else on the team could have with them.

ntm laila fr was his standing pillar when he was figuring out his sexuality

nabil mahmoud

nabil is gay!! which is something he really had to deal with and accept due to him being muslim too (bc what am i without the religious trauma due to sexuality lore)

nabil and tony are dating each other in the socmed au!! even without the au i would like to believe and headcanon there's something happening there :))

i've written a bit more about them in another headcanon post tho.

antonio "tony" jones

tony is what like a year or two older than the rest? he's an assistant and i'm not sure how old they're supposed to be in the book tbh so i would like to think it's possible or he's an intern (i love him being an intern either way tho so i'm very much leaning into that one)

jeremy knox

JEREMY KNOX USED TO PLAY FOOTBALL (soccer), but due to him playing so aggressively and due to him always being guilty of too many fouls he switched to exy :))

cody winter

cody doesn't know what sleep is and they don't care to find out. they're living on like 2 to 4 hours a sleep a night and surprisingly enough it works for them too.

cody is also SUPER competitive which is why they have managed to be part of the captain gc. their competiteviness has led to them pushing the backliners as much as cody can and the backliners actually listen to them too.

shawn anderson

oh shawn. shawn shawn shawn.

you were supposed to be no one. a random guy on the team.

you exist to me now. i feel like i could make a whole post about just him atp.

shawn was supposed to be comedic relief for the posts i felt were too out of character for the rest of the team LMAOO, but now he actually has a personality (to me)

shawn works a part time shop at a café. even though he's surrounded by coffee at all times and drinks so much of it he's the sleepiest guy to ever exist.

like that man gets about 8 hours a sleep every day and still takes nap, but still ends up with bags under his eyes.

he's always tired for some reason and everyone is so used to it atp. like he will ALWAYS sleep on the bus/airplane, no matter how long the drive/flight is.

but when he's finally awake he's so hyper. he says the silliest things. repeats the same phrases over and over again and has about zero filter.

most of the time the zero filter has to do with the fact he speaks before he thinks. it even catches himself off guard sometimes.

i feel like this is too long and we haven't even gotten into jean and shawn dynamic so i'm just gonna cut it off here and they’ll get another part i think

derrick allen

bro we don't even know who derrick is, but apparently he's someone to me now too.

this man has crazy attachment issues, but is also the biggest simp for shawn too.

he likes going around kissing shawn and making out with shawn, but whenever shawn mentions something serious derrick acts like it's just a joke. which i guess is easy to do, because shawn is always treating everything as a joke anyways. except he's really not trying to when it comes to derrick.

jean falls victim to shawn ranting and crying about derrick. so jean respectfully ignores derrick til he gets his shit together.

and i just realised i have SO MUCH to say about derrick and shawn too so let me cut myself off.

derek thompson

same as shawn and derrick. derek is supposed to be a no one, but here i am and suddenly derek is being perceived by me too

SOOO derek was supposed to be like the third party with derrick and shawn. it was supposed to be the three of them flirting and making out and being little shits but then y'all were asking about derrick & shawn and i decided yk what let's do it. then later the short oneshot was written by oomf and derek got mentioned as the one shawn is in love with and i was like oh... i fucked up the dynamic. but in another universe it would've been the three of them ig

ANYWAYYSS derek takes medication. i haven't really decided on what kind of medications, but while thinking about him i always imagined either depression or adhd or both idk

and i have so many more headcanons for the au, but this is too long so i´ll post part 2 another time :))

[yuck-pfaugh]

Note: I'm writing this only because I haven't seen anyone else touch on these specific points. I'm not Māori, so my understanding may be mistaken; if so I would be very grateful for correction and elaboration from tangata whenua. (And I've only read Nona once so far, and we all know that's a scratch upon the surface of it.)

Tazmuir has received fandom flack for saying in interviews that Gideon and Harrow are both Māori without mentioning it in the text — which understandably reminds sf/f readers of a certain other author's tendency to dispose of the difficult bits outside the actual work. I think it is clear by now that the reason it wasn't dealt with explicitly earlier on is that Tazmuir sticks religiously (ahem) to the flawed and limited knowledge of her point-of-view characters, and in the Nine Houses they have no concept of pre-Resurrection races and ethnicities, because Jod has not allowed them knowledge of any world but his. (Besides, explaining Gideon's lineage in a Doylist aside would have been rather tricky without revealing, before their proper time in the narrative, juicy details about Jod himself.)

My prediction is that we will find out Anastasia was also Māori. Maybe, probably, from the same iwi as Jod and/or G1deon.

Which makes Harrow, her last descendent, Māori as well.

No matter how many generations separate them. No matter how much other blood.

"Mixed Māori" or "[percentage] Māori" is kind of a pākehā concept. The more important question is, do you whakapapa? Do you know who you are? Do you know where you come from? All it takes is one verified ancestor and you're in the club, no matter how long it's been or what brand of egg carton your skin looks like on the book cover. I think Harrow is descended not just from a line of Tomb-keepers but a line of kaitiaki, guardians of the land, who through Anastasia's private pact with Alecto are sworn to protect her — Papatūānuku, the earth mother born from salt water — and who have been holding on for ten thousand years to right Jod's wrongs. We know salt water is sacred to the line of the Ninth House; we know that Alecto was called "the saltwater creature"; we know that it's Nona's natural element, which calms and renews her; all this links Alecto/Earth specifically with Māori creation myths, more than any others. And we know that preserving the ancient bloodline of the Ninth, Anastasia's bloodline, in Harrow's own improbable and desperately yearned-for person (that Alecto can recognise at a taste), was the goal Pelleamena and Priamhark pursued at the cost of the Ninth House's entire future.

Yes, this series is portraying an indigenous man as the destroyer of Earth. We know that Earth chose him as her saviour and he betrayed her, imprisoned her, set himself up as master of an empire that was her antithesis, then imprisoned her again — arguably worse sins for someone who was born into that special relationship with the land, whom the Earth loved and trusted so much and still loves even now because love past understanding is her gift.

But here's the answer to that. Here's his opposite number. Harrow, who fell in love at first sight with the Earth, who found in that love her reason and her drive to continue living and to hold to her goals through intolerable trauma, who has a unique combination of bloodline and genius and Jod-and-Alecto-derived power (through her Lyctorhood with Kiriona Gaia, wherever that ends up going) with which to fulfill this sacred pact entered into by her tipuna Anastasia.

Harrow being Māori is not a trendy convenient afterthought. It's an integral point.

Harrow knows who she is. She knows where she comes from. She knows where she's going: Hell itself, to get to the bottom of all this shit. So I think we will be hearing more along these lines.

[my-castles-crumbling]

I have a problem Cas… I think im in love. 

Okay so, there’s this girl. We’ve been best friends like 5 years. I mean i’ve always- okay I don’t know how to explain this. 

I’m basically a fan-fiction come to fucking life. 

So i’m Demisexual, and last year I decided to come out to my family. I don’t know if other Demi ppl have preferences of gender, but I don’t. Honestly labels confuse me. I’m not sure if technically i’m Biromantic and Demisexual but hey, the point is- and what I explained to my family- that i’d be open to dating anyone. 

Basically i was telling them I wasn’t straight. (Obviously Demisexual is also about sexual activities and people and stuff but I wasn’t gonna try and explain to my parents that I don’t really get attracted to random ppl- cause they don’t get it- and I didn’t want to accidentally start talking abt sex). 

So anyway, they were not happy. Have you watched Brooklyn Nine-Nine? There’s this clip where the character Rosa comes out as Bi and her parents are like “That’s okay, since you can still date a man and marry a man and be normal” and they were like that for me (i’m a girl in case that wasn’t obvious- so they wanted me to date a man).

And I didn’t really care to be honest. I had an equal level of straight friends to queer friends, I felt suitably in both worlds. I truly love my family. They’ve always been good to me. But they did imply if I did end up with a girl, they wouldn’t want to meet/know her.

Not to mention the religious trauma. I spent a shit ton of time listening to ppl tell me that same-sex marriage and relationships are a “sin”. Hell- there was this one rlly lovely women at church when I was like 9, but she got kicked out when they congregation found out she was a lesbian. (Okay- not kicked out but like bullied into leaving).

So it was fine for me to accept that I could potentially date a women since i’ve never felt immediate attraction to anyone, it never felt totally real. 

BUT NOW I HAVE A PROBLEM. So my best friend (who is also a girl) of 5 years. She’s amazing. She’s literally the funniest person i’ve ever met, she’s so generous and has helped me so much, and she’s just adorable. She’s like fucking sunshine. And ngl, I don’t often like people who are so cheery all the time because it feels fake and I like people around me to be honest. 

But she just, she has this way of finding the beauty in the stupidest things and it’s so cute. We got splashed by a car the other day, drenched both our outfits, and instead of being mad, she got all excited and had us do a photoshoot in our crazy soaked clothes, and then got all excited that we could cuddle under a duvet and watch a movie with snacks once we got home cause apparently that’s the only acceptable thing people can do after being covered in water (which is exactly what we did).

And she’s not unreasonably happy, you know? Like when people try to cheer people up at bad times and make everyone more sad, she’s not like that. Whenever i’m upset, or mad, she’ll doodle these cute little flowers on coloured paper and write things she loves about the world on the back of them, and once i’m done ranting abt how annoying the world is, she’ll give it to me and smile. She has the best smile.

I have this jar, I write the date on them and put the paper in the jar. 

We’ve been best friends five years, she started doing that like four years ago and i’ve had the jar pretty much from the start. 

It’s always been easy to be around her. We sort of knew each other for like a year, and then I blinked, and we were best friends. I read all the books she gives me even though the plot is super cheesy cause she loves talking about them, I learnt how to bake all her favourite snacks her mum made, cause she’s pretty far from home and honestly a tragic baker. And she cooks dinner (don’t ask how she can’t bake to save her life but is the most incredible cook, it’s unbelievably ridiculous) for us a lot, she learnt to make my fav food. 

We technically live together, we’re at the final year of uni (maybe not tho depending on our next courses, I dunno) so we’ve been living together this year, but before that, I basically spent most of my time around her place anyway.

So yeah, we���re friends. But I realised a few months ago that i’m pretty, definitely, in love with her. I think i’ve felt like this for about a year and it just hadn’t quite clicked yet. 

(I had this awful day and came back to our place to see her genuinely painting our wall a different colour of white. She paints as a hobby and accidentally splatter a ton of blue paint on the wall and freaked out and tried buying white paint to cover it when it wouldn’t wash of and she was sat on the floor with white paint all over her and the wall still blue. 

She told me the story and I burst out laughing. I explained you often need white primer first, to cover the blue, and then to buy the correct shade of white, since ours was sort of chill white and she’d bought bright white. 

It’s the type of thing that would’ve annoyed me so much at the end of such a tough day, but because it was her, I just found it adorable. That’s when it clicked, I love her. She noticed I was tired immediately and felt bad cause she realised i’d had a bad day. I said this cheered me up, cause it did. Then we made dinner together and spent the night reading on the sofa with music on. 

We went to the shop the next day to get the correct stuff and luckily our wall is back to looking almost exactly the same). 

So yeah, I love her. Plus like, being demi, I don’t usually find ppl attractive… I mean i’ve always known she’s aesthetically pleasing, she has good fashion sense and stuff, but like, I tend to view all people as the same sort of level of attractive. BUT NOW ITS LIKE- SHES FUCKING BEAUTIFUL. It’s kind of annoyingly actually. How is everyone not spending all day gazing at her eyes. They’re fucking caramel, like a book character. She says they’re brown but she’s wrong. In dull lighting they seem brown but they’re like dark orange (amber i guess) with little hues of green, but in the sun they’re really bright and caramel and warm. 

She’s a lesbian btw. So theoretically I’ve got a shot. Also, i’ve always been good at reading people and I know she’s had like a small crush on me at least twice in our friendship. You can tell sometimes. 

But recently, it’s been a wreck. I’m so distracted cause i’m in love with her I can’t think, and my friends keep telling me she loves me back but I can’t keep my head on straight long enough to try and tell. 

But. If I do get my head out of my ass and tell her and she does end up wanting to date me, what the fuck am I supposed to do then. Cause if it does work out, i’m pretty sure it’ll last. 

My parents never totally liked her (they probably saw this coming- but I think in the homophobic, all queer ppl date each other, way and not the, they’re meant to be together, way) and if ended up having to tell them i’m actually dating a women, they’d be pissed. 

I always thought i’d end up with man, since it’s easier. No religious guilt about that. But I can put aside my own brains stupidity for her. But I can’t change my parents. But aside from this, they’re literally amazing. But I also know them and I truly don’t think they’ll change.

All my friends having been saying me and her should’ve been dating this entire time. I don’t know, I like to think now would be kinda perfect. I always knew she was gonna be in my life forever, I guess I just got so used to imagining myself with a man I forgot she was an option? That I could be with her romantically forever. You know, assuming she wants to date me.

(We’ll see about that. I’m really not sure. But i’m totally shit at keeping my own secrets so i’m planning to tell her soon if not just for the sake of my own sanity. All my friends say she’ll reciprocate, if she doesn’t, then I guess i’ll go from there, she’s not the type to be weird or bothered that we live together despite it. And if she does… then I have to decide what to do next. My other best friend is literally always right when it comes to our friends dating lives, and she has faith we’ll end up together, so we’ll see I guess) 

But if she does. If she does I’ll have to get into it with my family. I don’t want to lie to them. And I know I shouldn’t judge, but I honestly don’t think they’ll change their minds. I think they’ll say I can come visit whenever, but not bringing my partner. And I won’t want that. And we’ll all argue.  

I never liked knowing my parents didn’t accept this side of me, but I guess I never considered it would be an actual problem i’d have to deal with someday. 

I spend a lot of my time trying to figure myself out. I haven’t had the easiest path in life. But with her, it’s so easy. It’s easier to understand what I like, it’s easier to talk about things, and I fully trust her not to be weird. Or leave. Or get mad for nothing. I don’t have to walk on eggshells around her. I trust her. We don’t argue much. We have, what she calls, three different type of arguments. 

One, “bad mood argues”. She finds it so hilarious that it rhymes. You have to say it with the syllables. Bad-Mood Ar-Gues. We have these cookies in the freezer that we make every month. If one of us is having a bad day, we cook a few cookies to eat and I bought this dumb fridge magnet of a cookie to put on the fridge to signify it’s a cookie worthy bad day. 

Another one is “justifiable anger”. That doesn’t happen much. When we first met, she had this tendency to not tell me when I did something that upset her, and it’d spiral, and i’d be mad she wasn’t talking about why she was mad. So we have a rule to always talk about problems, even the little things. For example, her yelling into the phone to her family for hours while i’m trying to study- she has planned days now, so I can go to the library or she can go out if necessary, or keep the convo below 45 min, her mums like half deaf so she does have to shout, but it’s also VERY loud. Basically we comprise. And make sure no anger builds up.

The third type of argument is, what our friends call, “married idiots”. As in, she shouldn’t use the siri talk thingy while driving cause it never understands what she’s trying to say and so I get jumbled texts that mean nothing and then she thinks she’s told me something she hasn’t told me. She’s nearly understanding that one 🤦‍♀️ And you know, the classic colour of something argument (it’s purple- she’s wrong).  

Anyway. I forgot my point. Oh yeah, everything’s easier with her. I feel comfortable. If i’m being totally honest… i’m pretty sure if I ask her out, she’ll say yes. Like 80% sure. Im just scared to fuck this up, and cause family problems. Cause yeah, she’s worth the drama, but also, it’s her that’ll be being insulted right? She very likely won’t be allowed in my house. I don’t want this to ruin what we already have. 

So yeah. That. I could really do with some advice ❤️

Hi <3

If you do not ask this girl out, I will physically pass away.

Like...I'm not usually so pushy with asks, but you're describing a relationship, hon. This is a relationship. I'm not sure if you follow me because of the Marauders, but you two are literally Wolfstar, And I'm shipping the two of you so hard right now.

If, for some insane reason, she turns you down, it's because she doesn't realize she's in love with you, too.

As far as your family...again, I'm going to be more blunt that usual. You're going to have to face their lack of acceptance for you at some point. It's absolutely shit that they don't accept you, but like...don't let that stop you from being with this girl. Because even if you put off their feelings now, you'll have to deal with it someday, and then you might miss out on an amazing girl.

Please update me. I need updates. I am so invested. I am DYING for updates.

God, I'm rereading all the things you wrote and I'm kicking and giggling. You two are ridiculously adorable. Please kiss her already (with consent).

I'm naming you purple anon. Please write back.

[obsolescent]

Leon S. Kennedy Headcanons

Author’s Note: As you know, I write Leon in a certain way. Here’s headcanons that I have for him...I think about him a bit too much, I fear. My desire for Leon to be a country boy is the product of living in the south and also some projecting, lol. Some of these delve pretty deep and some of these are niche. If you want to share any headcanons that you have, please do. I love creating lore for characters that we know little about! Thank you to @roseglazedlens for reading over most of these for me! I’ll also be doing a NSFW version as well, the alphabet prompt.

Content warnings: Mature rating, no gendered language used for reader, nothing sexual but general discussion of Leon and his life so that involves alcohol, depression, suicidal thoughts, trauma.

NSFW Alphabet

Leon is more or less introverted from how he behaves in the games and movies, I was thinking probably INFJ-T for his personality type.

He’s bisexual. He likes whoever he can be comfortable and feel safe around, though with his hinted attractions, he prefers dark haired people.

There’s been speculation that Raccoon City is based around Springfield, Missouri, based on a few factors, so I tried to think of where he could be from. I was choosing based on my desire to have him connected to the south in some way while also not being too far from Springfield. We don’t know how far he traveled or how long it took him to get there during the events of RE2, unfortunately.

I thought of specifically around where Kentucky, Illinois, Missouri, and Tennessee meet. It would also be a convenient area for his family’s mentioned crime involvement.

Also why he doesn’t have much of an accent due to being near four different states. He is of Italian descent which is one of the canon things we know. KY, MO, and TN have a higher percentage of Italian Americans in the south from what I’ve researched. 

If I had to choose a specific city, it would be Paducah, Kentucky. Definitely more of a small town kind of guy. It’s also around 5 hours from Springfield.

I don’t believe he went into the foster care system, though it’s not stated. But I like to think the police officer who saved him adopted him.

Also I feel like he’s autistic in some way, generally based on how he acts and carries himself in the games. (He’s just like me fr)

His favorite brand of cars is Jeep.

He’s definitely the type of Jeep owner to wave at every Jeep he passes by while driving.

We know he likes Ducati too, he drives a XDiavel in Vendetta and DI.

He can do minor repairs, on both cars and motorcycles. A bit of a mechanic in his spare time when he’s home from missions, helping some of the others when they have car troubles.

His love language is definitely acts of service.

Even platonically, if he overhears a friend having a bad day, he’ll stop and ask if they need help with their work, or get them their favorite snack.

Romantically, he’ll bring you flowers, drive by your pharmacy to check if you have anything that needs to be picked up, tidies up the house, cooks for you, prepares you lunch for work, gives you massages if you’ve had a tough day.

He’s not the best at cooking, but learns quickly, so if you give him tips on how to improve, he’ll apply them to the next time he makes something.

Pretty sure blue is his favorite color, we see him wearing it a lot.

There’s speculation on what he smells like, I think even some perfumes made for him? But personally, I don’t think he would wear typical masculine scents, something more alone the lines of citrus/clean/fresh. One I think he would wear is Nautica Blue by Nautica. It smells so good.

He has some religious background. With how Leon behaves/carries himself, it leads me to believe his family were a part of the Church of Christ, which would correlate with the location I chose.

Leon, to this day, follows the church’s principles: “In essentials, unity; in opinions, liberty; in all things, love.” It’s something he repeats often in his head.

He sings, having taken it up at church. After the incident with his family, he continued, as it reminded him of attending, and of his mother, how she would sing him to sleep. He likes to pop into random churches during times of service.

Not straying too far in, just near the exit to join in with singing and reminisce on his own memories.

With singing, he's a baritone.

His favorite song is We Shall Be Free by Garth Brooks.

He’s all over with his music taste, from alternative to country, divorced dad rock, pop, to gospel hymns. If it has a catchy tune, he’ll like it, not too picky with music.

To get into the sad bits, we know he liked to drink to cope, a functional alcoholic.

He would have trouble sleeping through the night, drinking helped.

Sees a therapist and isn’t the most truthful during meetings. Afraid to open up about everything that’s happened to him.

In RE6, you can see a document where Leon confesses he’s thought about suicide, as far back as RE2, so he’s struggled with depression.

Doesn’t do well with large crowds or gatherings. Stays on the outskirts of any event unless he has to go deeper into the throng for the sake of a mission.

Firm believer of his corny one liners:

*Gets bill* “What’s the damage?”

“You’re barking up the wrong tree.”

*Starts raining* “We needed this.”

Also looks out the window/stands on the porch when there’s a storm coming.

He keeps a memory box. It holds items he’s kept from each of his missions. It’s small things, like a key, a piece of paper, photos, a keychain. He looks in it every once in a while, so he doesn’t forget about what he’s done, who he’s helped, and those who didn’t make it.

Not the best with technology, basic knowledge of what he needs to do and how to get to things, but doesn’t use it much outside of work.

He has to ask you for help sometimes, thankful you’re more knowledgeable on the topic.

Will always tell you goodbye when he leaves for missions, no matter what method he has to use.

Face-to-face, video chat, or even going to your work. He just wants to see you one more time before departing, in case it could be the last time. Though it’s unsaid between you two, it’s in the air, tinging it with sadness and trepidation.

When he comes back, though, he immediately notifies you and wants to see you as soon as possible. He holds you a little tighter than he usually does for the first few days after returning from a mission.

[astarionposting]

tell us more about ren she’s so pretty i need lore

Hello anon!! I am so flattered u want to know more about her! Ren is an alternate universe version of my usual Tav. I’m much better at storytelling visually, so I’ll explain some of my visual choices I’ve made for her character, which contains a bit of the lore I have created thus far. (also thank u for the excuse to just create a character dump post for her lol - i spent way too much time on this)

content warnings: mentions of dissection, scarring one's own face, unhealthy obsessions, stalking, religious trauma... just general fucked up Bhaalist things. + spoilers for BG3

EYES

A keypoint in her design are her eyes; Ren has the same eyes as The Dark Urge's Fiend butler, Sceleritas Fel, reflecting her origin as a creation of Bhaal Himself. Similar to other creations like her and Sceleritas, she was made with the purpose of serving and assisting Bhaal's Chosen.

SCARS

The right side of her face is deliberate scarring of her own doing during her priestess "training". Her body scars, however, are the result of the experimentation performed on her in her early training days. These experiments are often done with the purpose of making unnatural "improvements".

HANDS

I really love how Scarlet Witch's fingertips will stain black as a result of her use of the Darkhold's chaos magic spells, so I took that inspiration and headcannon that Ren's hands/arms do something similar from her "training" as a priestess of Bhaal and her use of necromancy/shadow magic and rituals.

For her general aesthetic, I was mainly inspired by the concept art for Bhaal for BG3 and this art of a priestess of Bhaal. She often wears a large dusty cloak over her usual gown. Placed on the top of her cloak, she will also sometimes wear a crown of thorns, mimicking the "spiky" style of common Bhaalist attire. During their time in the temple, before the events of BG3, she often adorned her face with a broken piece of a human skull. Since her coat is quite heavy, she walks a little hunched over… kind of like a creepy gremlin. Additionally, she will wear a small Bhaalist charm at the collar of her cloak.

Underneath, she wears her typical black gown; the top half resembles Orin’s carapace and blends into her skirt, with leg slits for better mobility, of course! When she isn’t wearing her cloak, her hair is loosely tied back and styled into a collection of braids, accessorized with Bhaalist jewelry.

*Keep in mind I am not a lore expert in terms of D&D deities or Bhaalist lore in general. I took some stuff from the forgotten realms wiki but also just made some stuff up lol, so this NOT D&D or BG3 lore accurate.

Also, again, warnings for unhealthy relationships/obsessions, as well as brief mentions of torture but not in detail.

THEY ARE BHAALISTS THEY HAVE ISSUES!!!!

Similarly to Sceleritas Fel, Ren has a lot of "care" for The Dark Urge. She favours him over Orin, and often clashed heads with her... but of course I have to have some doomed yuri content too!!!!!! so maybe they kissed once or twice >:) (but waaay before the events of BG3) Her "training" as a priestess of Bhaal consisted of torture, religious indoctrination, and extreme mental corruption/manipulation, especially by Orin. As implied before, she faced experiments in order to "improve" her usefulness to Bhaal and His Chosen. As a result, she is not the most stable person you'll meet. She is mainly chaotic evil aligned, however, her final loyalties will always lie with The Dark Urge, and she is accepting of his resistance/redemption path, as well as his acceptance/murder hobo path. She is essentially a certified Real One (also doesn't rlly vibe with Bhaal after he kills her evil Dragon boyfriend yk). The tadpole in someway also helped "release" her mind of Bhaal's influence, and while she is still an obsessive and violent girlie, she can be persuaded to not be a total murder hobo and sometimes even decides on her own to go against Bhaal's wishes (she still cool with murder though). As I previously mentioned, Ren was created by Bhaal to assist His Chosen in his duties and leading the temple, as most priestesses/priests of Bhaal do. She is more of a companion and advisor to The Dark Urge, rather than a servant like Sceleritas Fel. She is deeply (obsessed) "in-love" with The Dark Urge, and supports him over Orin. A while before the whole tadpoles, absolute, blah blah blah stuff, her and Orin had a brief history, but it was moreso Orin's jealousy of what Durge had. Her in-game class is a Bhaalist class mod! It is very fun so far, and she just levelled up to level 3 and can now has the ability Verminous Metamorphosis, so she can turn into a… RAAAAT!! 🐀 sorry, Astarion :( However, I see her as a combo of this and a death cleric of Bhaal. In terms of how her story is going in the BG3 campaign, i still haven't fully fleshed anything out yet! I would assume she would have a large impact on Durge's memory loss. Maybe she will have her own gaps in memory, but knows they have a reason to go to Baldur's Gate. As for other durge events, I believe she would be proud of The Dark Urge for such a "beautiful display of gore!" after Alfira night lol. I'm still undecided if I want to do redemption or murder hobo durge... I don't want to kill Isobel so I'm probably going to headcannon that Bhaal tasks The Dark Urge with killing her, as a way to test if he is "losing his way", or if he cares more about the life of a "mere servant of Bhaal" than his own "birthright" as Bhaal's Chosen.

For now I am just going with the flow of the game and doing some fun photo and gif series of Ren and Durge's adventure in my Durgetav playthrough!

Face preset | hair | scar | eyes | makeup + bloody lips | body tattoo & autopsy scar Orin top, arms + legs | dress + accessories | cloak | hood + crown/mask | lingerie

♡ PLAYLIST

dividers made by me with canva; graphics by @/brand314195326 and @/dhtgip. screenshots by me ♡

[catholic-character-tournament]

Round 3 - Catholic Character Tournament

firestar art by @kudossi

Propaganda below ⬇️

Firestar

NOTE: I have to note that Firestar is kitty Anglican NOT kitty Catholic

Kitty jesus, he believes in starclan which is the kitty version of heaven/god and yea. All the warrior cats characters except those outside the clans or those that are atheist believe in the kitty heaven and would irl be bri-ish and christian as hell so. The authors are all older british christian women and so the way starclan is written is like undoubtedly that.

The main religion in the series is extremely catholic coded. Most clan cats believe in Starclan and the Dark Forest(or heaven and hell). There is a set of rule they must uphold and follow, where following them leads to heaven and breaking them leads to hell. Their religious leaders are sworn to celibacy, and the punishments that "code breakers"(or cats who break the rules) face are extremely similar to situations people with religious trauma have gone through.

OP notes: apparently converted to avoid getting his balls cut?? Idk. The discord yet wild for firestar so I had to include him because it's hilarious hehehe

OP new notes: I have learned so much about warrior cats. Do yourself a favor and go down this tag and see the Firestar discourse.

Harrowhark

I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through

imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.

she meets god. she’s not inspired

she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary

They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.

She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.

The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic

Anti-propaganda (spoilers)

I love the Locked Tomb series but Harrowhark has daddy issues with God, had a childhood crush on God's cryogenic partner, and is in love with God's daughter, not to mention that she's essentially a bone-bender. The religion on her home planet exists in a way that is technically against the will of the canon in-universe God, even. All of this to say, Harrowhark is heretical at minimum if not an outright witch. Terrible Catholic. Burn her.

[emberfrostlovesloki]

Life Can Be Terrible, but at Least You're In It [Hotch x Reader]

Prompt: This is a mix of two of @imagining-in-the-margins Meet Cute writing challenge dialogue prompts. I’ve mixed the two prompts: “Do you believe in Fate” and “This was way too cliched” to write this fic. 

Category: Angst/Comfort/Smut

Word Count: 9.2K

Content Warnings: Canon typical violence, U.S. police, hatred/violence against a religious group, light drinking, mention of self-harm (cutting - healed scars and one instance of open scars in the past), brief mention of childhood abuse, sex (oral -- fem and masc receiving, p in v). 

A/N: Oh boy, I have lots to say. To start, this is another @imagining-in-the-margins inspired fic for her Meet Cute writing challenge. Moving on from that: first off, this is an 18+ story, minors DNI. I love engagement, but if you’re a minor this is not for you. Thank you for respecting this boundary. Second, this turned into a bit of trauma dumping for me. I’ve been having some thoughts about my past choices and decided to write them out with Hotch as a character (you know he’s a great listener.) Third, this is my first time posting smut, if it’s not great, please forgive me. I hope to get better at it as I keep writing for Aaron. Last, this turned out wayyyyy longer than I anticipated. As I’ve stated before, I find it hard to characterize Hotch if I’m not writing a ton which is evidenced here. 

Please, please, please read the content warnings. If reading about scars and past self-harm might trigger you, please pass this one by. If you are thinking about engaging in self-harm, please reach out to a loved one or someone you trust. You deserve support. If all else fails, here is a support number you can call to get some help: Self Harm Crisis Line. 

On a more positive note, If you enjoy this fic, likes, reblogs, and comments are appreciated. I hope you all have a great night. 

List with all stories 

y/n = your name 

_y/b/f_ = your best friend 

_y/f/a_ = your favorite author 

_y/f/f_ = your favorite flower 

_f/c_ = your favorite color

Aaron was nervous about tonight. It was the first time that y/n was coming over to his place before a date. Normally he would offer to meet her at her apartment and they they would go out from there, or just hang out around the warm space doing something relaxing like cooking dinner or watching one of their favorite movies or TV shows. But last Thursday she had shown an interest in seeing his place and honestly, he didn’t have a valid excuse for why she shouldn’t come over. He kept his space neat and clean, he just thought that it didn’t have that much personality, but it would have to do and he knew she wouldn’t judge him if his taste was metrosexual. y/n had given her care and affection to him, not his apartment. 

He hadn’t meant to have feelings for his newest agent. In fact, he made it a point to not fall in love with any of his agents or the women at the bureau as the idea of mixing work and pleasure felt all too unsure. If something went bad, or the relationship faltered, the fallout to the team would be immense, and he didn’t want to risk his own career for the sake of his team. However, when y/n had hastily been added on after a case that required a domestic terrorist and cult specialist, y/n had joined the team for what Aaron had assumed would be just the one case. He was hesitant to add someone new, but Strauss had him cornered on the issue and he agreed because he didn’t have a choice. He was weary of y/n -- not willing to trust someone he hadn’t vetted or already knew. However, y/n had sat back and didn’t assume a commanding role at all during the case. She paid attention to the facts and then looked at them from her lens of expertise. When she needed help she had asked JJ or Emily, and one time when it had only been him and y/n at the precinct, he had asked, “How are you feeling?” y/n had looked up and faced the intensity of his gaze and said, “I’m a bit lost, to be honest. I didn’t know it was going to be like this, but I think I’ve found some things that match the preliminary profile that would confirm the unsub was the leader of a religious cult with white Nationalist ideologies.” Hotch nodded. He might have been weary of y/n but at least she was honest and hadn’t done anything foolish or detrimental to the team yet. He pulled his eyes away from her gaze and moved closer to her saying, “Show me what you have?” He could see her physically relax as if she was expecting a reprimand instead of him wanting to listen to her, and he wondered if this was the natural response he got from most people who didn’t know him. At this, his internal monologue answered, “How can people get to know you, Aaron? You don’t open up.” Hotch pushed the thought aside and nodded that he was ready to hear what she had. 

y/n observations had been instrumental in finding the unsubs and his compound's location. y/n just didn’t know how to slip her information in with the current profile. When the case was finished, Aaron sincerely extended a hand and said, “Thank you for your help, y/n, your insight was needed in solving this case. I may call on you again if another case like this comes to our team.” y/n had taken his hand and given in a firm shake, slightly awed by what she assumed was praise coming from someone as important and well-known as Agent Hotchner. She had replied, “It would be my honor, Sir.” With that he let the woman leave the tarmac. Once y/n was inside the bullpen, she checked to make sure Agent Hotchner wasn’t nearby, and she approached Emily, who was packing to go home. Emily looked at her and smiled, asking, “What’s up y/n?” y/n faltered for a second before saying, “Is Agent Hotchner always that, intense?” Emily smiled softly and replied, “Yeah, pretty much.” The brunette added, possibly because she was working through her own feelings for the team's enigmatic leader, “But he’s a good man and a good leader. In the end, he puts this team above everything else.” y/n blushed, realizing this was more than just a simple observation about Agent Hotchner. At this point, Aaron returned to the bullpen after calling Hailey to let her know that he was back and would be home that evening. He nodded at Emily and when she nodded back, y/n couldn't help but turn and see who Emily was looking at. Once she realized it was Agent Hotchner she snapped back to looking the other way; something Aaron hadn’t missed. 

Aaron had called y/n for two more cases over the next three and a half months. y/n was a quick learner and during the next case, she was more prepared and tried to participate with the team more, willing to offer a comment that she thought would be useful. She still stood in the background most of the time, but it was clear she had improved from the first time she was on the team. When y/n and Derek were standing by the coffee pot at the local precinct, Morgan said, “y/n, I notice you’re a lot more on top of things this time. You’re doing a good job, that’s not always easy on a team like this.” y/n smiled and replied, “Well I did sort of research the team after the first case. You know not like stalking you or anything, I just read over a few of the previous major cases and stuff.” Derek nodded his approval and said, “Well it looks like the work is paying off.” While y/n thanked Derek, Aaron was standing a few feet away in the hallway and had heard the entire conversation. It wasn’t uncommon for people who spent a brief time on the team to do this. He got emails all the time from those who had had their brief stint on a case asking for a transfer. He also got emails from agents that had never set foot in the bullpen and to those he sent an automatically generated reply and then he would delete the email. Those who had worked for the team before might come back for a case, but rarely did he find them improved. Aaron realized that this felt callous maybe, but it was his job to have a cohesive team. A team that worked together in the worst possible circumstances and he wasn’t going to throw that away just because someone wanted to work with him or the team. However, Derek was right and he took a moment to look over at y/n wondering if just once, he was going to be proven wrong. 

The third case Aaron called y/n into was a bad one. A group of domestic terrorists were kidnapping, torturing, and killing men from Middle Eastern countries, particularly those that were influential in the Islamic religion. The police were stumped, but y/n immediately said, “This is probably extremism based off of post-9/11 sentiments. The two-year anniversary is coming up and this could easily be someone affected on the ground or someone that got sent back from Iraq during Desert Storm.” The New York Police had a lot of opposition to the idea, but Aaron was aware that they would be very biased in their opinions on the matter as it was so close to home. He assuaged their fears, but later he pulled y/n and Spencer aside and told both of them to keep running with y/n’s initial theory. As it turned out the call was coming from inside the house, or rather the police station as the unsub was one of the officers on staff at the station. He had spiraled quickly as the team got closer and closer to finding him. As a last desperate act, the officer, Monroe, had found another victim and pulled them to the station, threatening to bomb a religious building in the city and shoot the innocent victim if the BAU didn’t find someone else to blame for his crimes in an hour. y/n had been in the lady's room as this unfolded in the main lobby, but she heard the gunfire and quickly and quietly moved closer. She overheard the last of the unsubs plan. As Spencer tried to talk the man down, y/n had slipped her sidearm out of its holster and removed the safety. She looked into the mirror that showed the main room to pinpoint the location of Officer Monroe. For a moment before she made the final move into the open space, she looked to the side and caught Hotch’s eye. He gave her a minuscule nod, telling her to go ahead. Aaron jumped and pulled Spencer to the ground and the millisecond they were both in the clear before the unsub could figure out what was happening, y/n shot the man’s right hand which was holding his sanctioned firearm, and then y/n shot his shoulder, fully incapacitating officer Monroe. When this was done, Derek rushed forward and pulled the unsub away from the victim. Emily and JJ moved toward the victim and after she had re-engaged the safety and put her gun away, y/n helped Hotch and Spencer to their feet. 

Aaron looked over y/n for signs of shock or distress given that she had just been in a highly dangerous position and that she had just shot a man twice. He didn’t see any of those signs in her as she let go of Spencer's hand and moved toward JJ and Emily to provide some help with the victim who was now in hysterics. Instead, Aaron saw a steely calm resolve in y/n’s demeanor, indicating that this was hardly the first time she had been put under this kind of pressure. As Hotch moved toward the cuffed unsub he noticed the clean shot to the hand and shoulder, not meant to kill but incapacitate the unsub. Officer Monroe was screaming a stream of obscenities and racial epitaphs at anyone in earshot but mostly directed at the victim and y/n. Aaron and Derek roughly grabbed the man’s arms and moved him to another room. As they walked, Aaron turned to the man and said, “Shut up, or I’ll wait to call the paramedics until it’s too late to save your hand. 

A few hours later after the unsub had been transferred to the hospital in custody he overheard some of the officers speaking negatively of the team, and particularly of y/n who had been the one to originally spot the ‘bad apple’ among their ranks. Aaron was overly familiar with the police and justice system and he knew that the police unions and members were a big boys club where they would do almost anything to protect their paychecks, reputation, and each other. Bitterly he thought, 'Well if you’re so concerned, maybe stop perpetrating injustice.’ As Aaron entered the room with the officers he realized that y/n was in the same room speaking with JJ. The officers had been speaking just loudly enough for y/n to overhear their comments. Something in Aaron twitched uncomfortably. Maybe it was the fact that y/n wasn’t even a real member of the team and was being villainized, or the fact that there was nothing he could do to stop the officers from their conversation. When he passed by the men he frowned at them, and for a moment they grew silent as he passed. As he approached the two women, they made space for him to stand, and he turned his gaze to y/n saying, “Good shooting today. Especially given the fact that you only had that mirror to guess your angles and distance. A lot of innocent people would be dead if it hadn’t been for you.” As much as Agent Hotchner’s complement burned her insides in a pleasant way, she replied in a controlled manner, saying, “I was just doing my job, Sir.” Aaron nodded slightly and he intentionally caught her gaze and when he was sure he had it, he looked over to the men who had been making vitriolic statements toward her. y/n followed his eyes and when he was looking at her again she just gave a small shrug of the shoulders, as if saying, ‘Yeah, I heard, but what can you do?” This response tugged a small smile from him, and he cleared his throat and turned to JJ to ask her a question about the media response. Although y/n and even Aaron might not realize it, y/n had passed most of his internal tests for the Agents he allowed on his team. 

When y/n received an email from Hotch asking her to meet him at his office two days from now, she worried that something had happened. That she had made some kind of error. y/n arrived at the Bureau at the designated time and knocked on the door that was slightly ajar. Hotch called her in and said, “Take a seat, Agent y/n.” y/n did as asked and felt an uncomfortable churning in her stomach. After a moment of silence, y/n couldn’t take the anticipation anymore, making the first rash move she had while being around the BAU team and Agent Hotchner in general. She asked, “Have I done something wrong Agent Hotchner?” Again there was a lingering silence that felt like it lasted ages before Aaron replied, “If I sent you a transfer request to the BAU to join my team, would you accept?” The words took a moment to register, and y/n’s eyes went wide. It took all her strength from not letting her jaw drop at the very suggestion. Needing another moment to let the words process, she gave the throw-away comment, “Sir?” Aaron knew she had heard him and if there was one thing about him, it was that he didn’t repeat himself if he knew the other party had heard him. Even for someone as new as y/n. There was yet another silence and finally, y/n had the brain function to say, “Well if that transfer request were to happen, then I would have to have the sad and uncomfortable conversation with my own unit chief and let them know that I would be accepting a new position in the Bureau.” Hotch caught onto y/n’s hypothetical language but could see in her eyes that she would accept his offer. He cleared his throat and pulled an unnecessary piece of paper in front of him for some reason, moving his eyes to the random form in front of him. He looked back up and there was that kind of shocked look that people got around him sometimes. It was odd for him to see this one y/n’s face, but he couldn’t blame her. Offers like his came once in a lifetime. Less than that really. He gave her one last look before stating, “You’ll receive an email from me on Monday.” 

The transition from the terrorism unit to the BAU was good for the team as a whole. Having a new set of eyes on the cases and a new dynamic shook up the team in a way that reinvigorated their brains. y/n wasn’t perfect. She made mistakes and she owned up to them. Hotch reprimanded her like he would any old or new member of the team. With time she became an integral part of the unit. And in that time Hotch couldn’t help but be drawn to her. It wasn’t like a magnet or love at first sight; he was far too cynical to believe in things like that, but Hotch had paid attention to her in a way that he hadn’t with the other team members. Maybe it was because he hadn’t needed to train and mentor a new member of the team since Emily had joined and he had told himself, ‘There isn’t a valid reason for you to not pay closer attention to y/n.’ As it would turn out, this would be a recurrent theme with him and his thoughts toward y/n. 

The first time Aaron knew he was in trouble in regard to y/n was after she had been with the team for a few months. She had started to do this ritual where after each case when each member of the team had gotten home, she would text them all individually simply asking, “Are you doing okay?” Or some variation of that simple, yet loaded question. The first time Aaron had received that message he was confused for a second, but simply responded, “I’m fine.” To which y/n had simply replied, “Good.” The second time it had happened Aaron realized that she was being very intentional with this message, both in its simplicity and when she was sending it. Often after a case, even up until the team had arrived back at the emotions and adrenaline ran high, either because of the excitement or sheer rush of feelings that could overwhelm someone when dealing with such difficult circumstances. But getting a message like that after a few hours, after getting to a safe space and the real underlying emotions had a chance to set in allowed the team members to give an honest response - not one based off of heightened states. Similarly, the simply worded message allowed for a range of responses from a two-word sentence to full-fledged conversations if wanted or needed. After two more cases, Aaron indulged in the possibility of opening up. 

Hailey had recently left him and y/n was the only one who seemed, even if not directly relating to his recent separation, to provide a space for him to open up. He replied, “I’m home safe. I have some conflicting feelings about the outcome of this case. I don’t feel the closure that I sometimes do when we finish with a case.” Aaron sent the message and wondered if this sounded desperate? If his own personal experience was on clear display, and if it was, how _y/n_ was going to respond. He didn’t have to wait long as his phone pinged and he read y/n’s reply “It’s good to know your home. Would you like to talk about the case? It was a rough one, even by the team's standards.” Aaron slumped down onto his couch letting out a long breath. If y/n had read deeper into his personal life, she hadn’t highlighted it and was still providing space for him to continue talking either about what this was really about, or the case itself. Aaron realized that he needed to take a deeper look at himself if a case and Hailey leaving was having such a profound impact on him. He realized that y/n’s checking in was very likely a way that she coped with the horrors she saw on the job, and he didn’t want to burden her with his personal problems along with the darkness that their work included. He typed out, “No. Not really,” and sent that message out to the ether. Aaron closed his eyes as he waited for a response. It came in a few minutes, and he looked at his phone. The message from y/n read, “Okay. Take care of yourself, please.” Hotch’s heart gave a tiny tug that she would say something so candid and caring toward him. He typed out, “Thank you, y/n,” and his thumb ghosted over the send button before he changed his mind and deleted the message and typed out instead, “See you on Monday, y/n.” Aaron realized that if he sent the other message the hint of feelings that he was just becoming aware of might bubble up bigger than the tiny drip they were at now might emerge. Hotch stood and undid his tie and the buttons on his shirt. A last ping of his phone made him look at it one last time with tired, blurry eyes. The response read, “See you Monday, Hotch.” Aaron clicked his phone off as he pulled off his shirt to go and take a hot shower. Again there was that nagging tug at his heart because in her letting him go for the night, she was also trying to give him what he wanted, space. 

But texting wasn’t the reason that he was now straightening the pillows on his couch and, God knows why, moving into his bedroom and smoothing the sheet and comforter on his bed. He didn’t expect them to end up there at the end of the night, in fact, he expected that y/n would go back to her place and he would stay here, missing her. Anyway, he did it just in case. As he reflected back to the moment that had really made him start having serious feelings for y/n was when she called him and used his first name for the first time. It had been a bad case. A case involving kids being killed and manipulated by the unsub. After not taking the deal with Foyett, Aaron’s brain constantly swirled with thoughts of his son, and any case involving kids made him tense up and made him question his choices. Anytime he had interacted with the children who had been affected and traumatized by the unsub he saw Jack’s face there. He was overwhelmed with emotions, anger, fear, and sadness. It was all too much for him. When the team arrived home after the case and he had made his way to his apartment he fell into bed exhausted. He had forgotten that y/n would text and he was even more surprised when he was woken by his phone ringing. He clicked answer and pulled it to his ear. With a gentle voice, y/n had said, “Hotch, Aaron. Are you going to be okay?” Hotch’s sleep-addled brain took a moment to register his first name on y/n’s lips, but the feeling it provoked was still surprising. Not that he was unaware of his growing feelings for her, just that he had been suppressing them; holding them tight to his chest in his innermost being. He realized after a moment that he hadn’t responded to y/n’s question and finally, he said groggily, “Sorry, I was just taking a nap.” There was a pause and then y/n replied, “No, I’m sorry. I can let you go.” Without even thinking Hotch with a note of desperation said, “No, please. I, I’d like to talk. 

Hotch couldn’t see it, but on the other end of the line, y/n moved to her couch and sat down, doing her best to be present with Aaron through the phone. She could tell that this was different. He was being real with her. This wasn’t, Agent Hotchner, leader of the most important team in the FBI, this was just Aaron. She took a moment to think of what to say. She knew what this was all about and decided to share honest thoughts and said, “Hotch, you’re a good father.” 

Hotch blinked surprisingly at y/n’s choice of words, and the honesty in them. Incredulously he replied, “On who’s authority?” There was a sigh on the other end of the line and he wanted to hear what _y/n_ was going to say. Her response was, “I mean, I’m not a parent. Maybe it’s not my place to comment on parenting, but I see how you interact with Jack. When you’re with him you give him everything that’s in you. You don’t even notice that you’re doing it Hotch. And yeah, nobody’s perfect, not even you, but when you’re with him -- it’s all I can see. You’re doing the best with what you have, financially and emotionally and that’s all anyone can ask for. People like to say that you can give a hundred and ten, a hundred and twenty percent to people and relationships, but I just don’t think that’s possible with people. And in our line of work, it’s hard to give seventy percent to anything other than the job. But, Jack, Jack always gets a hundred percent from you.” y/n realized that she was being highly personal with her words, to her boss. She stopped what might have been a rambling mess of words and bit the inside of her lip. Maybe she would get a real reprimand from Hotch for this. He had corrected her before in his stern authoritative manner, but he had never really been mad at her. She also tried hard not to think about the fact that she wanted to give him a hundred percent too. She knew she couldn’t have that. She could never have that. 

In the lingering silence between y/n’s comments, Aaron closed his eyes and tried to see it from her point of view. Was she really looking at him that closely so that she could catch all of these things? He knew she was speaking honestly, she really spoke from a place of untruth, and she did that only when she had to on cases. He wondered if people ever threw her honesty in her face. As someone so closed off, it was hard for him to believe her in a way. With a hint of hesitation, he asked, “Do you really think so?” A second later, y/n said, “Of course. Of course I do, Aaron.” He relaxed further in the bed as she used his first name again. It sounded so lovely coming from her. They spent another half hour talking, more about the case than his parenting, and when Aaron hung up, he felt decidedly lighter than he had when he had originally come here. 

The next Monday, when Aaron found a quiet moment in the office where the rest of the team wasn’t paying attention, he moved to y/n’s desk and she looked up at him with a smile. Aaron clenched his hand before releasing the final tension he felt in what he was about to do. He raised his hand and placed it on her shoulder. That familiar warmth they both felt when they came into close contact seeped through both of them. All Aaron said was, “Thank you, y/n.” With that, he removed his hands and walked up to his office. He knew that his actions weren't profoundly romantic or anything. He hadn’t swooped down and kissed y/n and pulled her body close to his, but in his actions, he had opened the floodgates for what might come. 

It happened slowly, like most things in his life. Both because y/n and Aaron needed to be cautious for work's sake, but also because neither of them could really believe it was actually happening after so long. The first almost date had been when she got two tickets to see her favorite author do a reading with her best friend. Unfortunately _y/b/f_ had to cancel two days before. y/n was really bummed about it and Aaron could tell. He had approached her and said, “Would you like me to come with you? I don’t really know anything about _y/f/a_, but I can tell that it’s important to you.” Her eyes glistened at the idea and she said, “You’d do that?” Aaron let out a laugh and said, “Of course if you want me to.” y/n had beamed at him and for a moment he felt stunned at how beautiful she looked when she was this happy. He wished he could see her like this more. The reading was great, y/n had cried and he wrapped an arm around her shoulder, letting her feel her emotions. They had gotten coffee after and as he walked y/n back to her apartment, she stopped at her door and turned. y/n went out on a limb and stepped closer to him. She was close enough to feel the heat emanate from his body. With a last moment of deliberation, she closed the gap and wrapped her arms around him, tucking her head into his chest. Aaron tensed for a moment before he let his body naturally respond. He gently wrapped his arms around his form and held her close to him. 

Oh God, it felt so good to have her that near to him, to be able to actually hold her. Surprisingly it had been Derek who had encouraged him to make the leap of making y/n a more permanent fixture in his life. The team had all been at Rossi’s for dinner and y/n and Emily were at the wine bar pouring themselves another glass of red. Aaron was unknowingly looking at y/n longingly and Derek sat down next to him with a shot in his hand. The younger man said, “Are you ever going to tell her how you feel?” Aaron was pulled from his thoughts and looked over to Derek saying, “Sorry, what was that?” Derek chuckled and said, “Hotch, you deserve to be happy after everything you’ve been through.” At this Aaron made a face, but Morgan kept talking saying, “If you’re afraid that she’s not going to reciprocate your feelings, I see the way she looks at you. She likes you too.” Aaron let out a sigh and Derek put a hand on his shoulder saying, “Just think about it. A lot of people would be happy to have y/n, but she’d be happy to have you.” That evening as y/n dropped him off they had kissed for the first time outside in the parking lot. 

The light knock on his door pulled him from his memories, and he stood and neatened his trousers and shirt as he opened the door for y/n. He opened the door and let y/n in. She smiled at him handed him a wrapped bouquet of hyacinth and baby breath and said, “For you, Aaron.” He smiled and leaned down giving her a kiss. He had brought her _y/f/f_ when she had first invited him to her apartment and she was returning the gesture. As he found a vase to put the flowers in, he offered her a chilled glass of water, and y/n moved around the space observing his neutral-toned apartment. After he set the flowers on the table, he came up beside her and slipped his hand around her waist. He was looking at his wall full of pictures. They were mostly of Jack, but there were a few of him and Hailey and a few he had taken on an old camera that was still around the apartment somewhere. She turned to look at him and said, “Jack’s grown up so much since some of these were taken.” Aaron hummed in her ear and said, “It’s crazy to think about. He’s going to school and making friends. When I talk to him on the phone I can hear him becoming his own person.” y/n turned back to the photos and found one where Hailey was particularly radiant, and she commented, “She looks so…” There was a pause as beautiful seemed to fall flat as a superlative. y/n finished the sentence with, “luminant here.” Hotch’s eyes moved from her to the picture and back to her. He deeply appreciated that y/n included Jack and even Hailey in her consideration of him and his life and happiness. Her comment made him look over y/n in her _f/c_ turtle neck and back corduroy skirt and said, “You look lovely tonight, y/n.” The flush on her face always made him feel a certain way, and as she turned to look over the space again she said, “I like it, Aaron. It’s calming and I think almost anyone could feel safe here.” Hotch hadn’t particularly decorated the space with that in mind, but again he didn’t have the eye for fashion or design that y/n had. He simply said, “I’m glad you like it, and that you feel safe here.” He took a breath and then asked, “You ready to head out, or do you want to sit for a bit?” y/n took his hand and replied, “Let’s head out, our reservations are in a half hour, and just because it’s Friday night and there might be traffic.” Hotch nodded and he moved to the counter and grabbed his coat and car keys. They headed out to the wine tasting at a jazz club that they both liked. 

The date went well and as they arrived back at Aaron’s place he got out of the car and opened the door for y/n. They were both slightly buzzed, but not inebriated or without their wits. As y/n got out of the car he asked, “Would you like to come back inside for a bit or do you want to get back to your place?” y/n smiled and said, “I’d like to be with you for a while longer?” They left the crisp autumn air behind as they reentered Aaron’s apartment. He grabbed them both a glass of water and they sat on his couch y/n turned her head to him and he leaned down kissing him. His lips were so soft and warm on her mouth. The taste of him was a craving, a desire she couldn’t easily let go unless they were like this. Aaron could feel her love and longing in the way she moved her mouth over his. He wanted more, needed more of that feeling that he had been missing for the last few months. He slipped his tongue out of his mouth and over her bottom lip. y/n sighed, surprised by this new action from him, but opened up to his request. Aaron moved into the space, moving his tongue over hers and the contours of her mouth. As he explored this new space, y/n let out a small moan into his mouth. She moved her right hand to his thigh and gave it a gentle squeeze letting him know that she was enjoying this moment. Her hand on his leg, so close to his groin made his cock twitch and he felt embarrassed for a second because something as small as her hand on him had elicited a response. y/n felt Aaron’s body tense under her hand and could imagine what had happened with this body. When they broke apart for air, y/n shifted from his side and moved so her legs were straddling his on the couch. She didn’t put any weight on him, wanting to make sure he was comfortable with this. Hotch’s eyes widened at the change of position and he sucked in a deep breath, his body already flushing. y/n placed her hands on the couch just above his shoulders. Her eyes glistened in the soft light of his lamps and she asked, “Is it too fast for you Aaron?” Hotch made a small sound, it was so quiet that it was almost unnoticeable in the space. He nodded his head no and replied, voice low, “No. It’s not. As long as you're comfortable with what we’re doing. We can take it at your pace. I want you, y/n.” At hearing his words and seeing the hunger in his eyes, she lowered her body until it was pressing close to him. 

Her skirt was short and fitted and as her knees spread to sit on him it shifted up to her waist. Aaron was a bit too preoccupied to notice this yet as kissing him again; first on the mouth and then his earlobe sucking and lightly nipping the soft flesh. He let out a groan that was louder than he was expecting. His body was really reacting to her touch. What had been a twitch in his pants was now throbbing against the waistband of his pants. y/n felt his erection growing under her. While she moved to his jawline and began half-open-mouth kisses and licking the area, she shifted her weight again and moved her hand to the buckle of his dark brown belt. She fumbled with the metal as she continued her work on his face. She similarly undid the button and pulled down the zipper of his pants. Once his member was freer, y/n pressed against him providing him with some much-needed friction. Again made that low noise that made her core tingle and burn at the same time. At this, Aaron couldn’t take it anymore, he needed to be touching her. Aaron shifted strongly but carefully picked y/n under the thighs and he moved so that they switched spots. Now that he was the one above her, he moved to pull at the edge of her shirt. y/n raised her arms for him and the fabric came easily over her head. He leaned down and kissed her hungrily. His hands found traction on her waist and the warm feeling of them resting there made y/n make a small sound into his mouth. Aaron moved his mouth away from hers and placed a hand over her _f/c_ lacy bra. Her breasts and nipples were visible to him through the semi-sheer fabric and lace and he marveled down at her form laid bare to him. He gently massaged the right breast in his hand and he felt her nipple harden under his touch. For the first time that night y/n whispered his name in a way that made Aaron feel more alive than he had in a long time. With his other hand, he took y/n’s left hand and slowly started kissing up the side of her arm. He looked over the litany of healed scars crisscrossing the warm skin under his mouth. 

He had noticed them the first day he had met her. Although they weren’t pronounced as they were old and healed, he still saw them. How couldn’t he see them running up her arm and under her three-quarter sleeves? He was a profiler after all. He never said anything about them. He’d never heard the team talk about them either. It would be rude to of course, and really it had been none of his business at the time. But not that he could see them so clearly running up her arm he had to wonder. He sucked on the hollow spot of her elbow joint, and y/n bucked slightly, moving her hand down to this clothed groin. He let out a gasp as her hand began moving over his hard penis. Her hand traced the line of his arousal and he had to hold back from bucking under her touch. He kept moving as her hand worked over him. As he moved up her arm to her shoulder and collarbone, he moved his other hand to her left breast, massaging the tissue with his deft hand. With his other hand, he pushed down the strap of her bra and again started kissing her chest. Once more he kissed over her chest and noticed that the scars weren’t only endemic to her left arm. They were scattered haphazardly over her shoulder and collarbone. These marks had healed darker than the ones on her arm. He realized that if he paid close attention to his mouth, which he was, he could feel the difference between the smooth skin and that which had been opened many years ago. They were both making soft, needy noises and their movements grew more urgent. Aaron was now moving himself along her hand and y/n tipped her head back and said, “Aaron, please. I need more. I need you.” Hotch nodded and again, he stopped his frantic body and hooked his arms under her legs, now picking her up and moving into the bedroom. She clung to him, arms wrapped around his neck. He set her gently on the bed and almost immediately pulled at her skirt. She rested the heels of her feet on the mattress and lifted her hips, so he could get rid of the fabric now bunched around her waist. Once the skirt was discarded, Aaron pushed her back onto the mattress. He also pulled off his shirt and discarded his pants in two fluid motions. y/n looked at the bulge in his briefs and smiled to herself. She knew he must be impressive, but being so close to seeing it in full confirmed her assumptions. Hotch leaned down and began sucking at the soft, flushed skin of her thigh. 

The fact that Hotch’s mouth was breathing hot and loud against her leg and that he was moving steadily toward her center, made her arch her back in pleasure and the feelings of warmth continued to move through her. As Aaron’s mouth got closer to her black underwear, he was faced with the presence of scars once more. There were less of them here on her thigh, close to her center, but these seemed deeper, more deliberate. He wanted to kiss these, to continue the path of pleasure he was on, but it felt wrong. For him to be doing this without acknowledging something, to check in with her before he continued. y/n could feel his hesitation. She saw how he had paused each time he noticed a new area affected by her prior self. Her voice cut through his fog as she said, “I’m not embarrassed by them anymore you know. I used to be, but not now.” Hotch lifted his body and chest upright looking deeply into her eyes. He knew this was important to her, but also to him. For him to understand if she wanted to talk about it. He shifted and placed a hand on her thigh, just below her panty line, indicating that he wasn’t finished yet, just taking a break. All he could think of saying was, “I’m sorry.” y/n scoffed at this, not at him but, more at the idea. She placed a hand on his cheek and said, “You know no one ever talks to me about them. Not even when they were red and bleeding did anyone say anything. I thought certainly my parents, or teachers, or friends would say something, but they didn’t because they didn’t know how.” y/n looked away and removed her hand from his face saying, “Sorry. I’m kind of being a buzzkill, aren’t I?” Aaron’s eyes deepened, and he took both her hands in his and said, “No, no it’s not to me. Please, you can talk to me if you want.” 

She looked back to his face and it was clear to her that his desire for her wasn’t ebbing with this conversation. He was still Aaron, the Aaron she had spent months with, but this was different and she knew it. y/n let out a breath and said, “I got so good at hiding them that when I stood naked in front of a mirror I would flinch at my own reflection.” Hotch nodded slightly and asked, “Did they hurt you a great deal?” y/n took her bottom lip in her mouth for a moment before replying, “Not really. At least not until the next day. I was just looking for a release you know? Something to distract me from what was happening.” Aaron’s hand on her thigh gently started tracing over the scarred tissue with his thumb and he said, “Well I’m still sorry that you felt you needed to do that. Even if it was to protect you emotionally.” y/n gave him a small smile. She looked up at him with her large eyes, sincere in their clarity as she said, “You don’t have to apologize, Aaron. I’ve forgiven the younger version of me that made the choice to hurt herself. She was scared and angry and didn’t understand what was happening to her.” Aaron could ask about what exactly had been going on in her younger years. But he didn’t. He wanted her to be in control of this conversation, and a moment later, she said, “Plus, there are better ways to find release than when I was in high school.” 

Aaron flushed and felt his erection which had gone semi-soft twtich again. He reached out for her and said, “Are you sure? We can stop for tonight if you like.” y/n shook her head no and replied, “No, I want to keep going. I want to go all the way with you, Aaron.” Aaron nodded and pulled her close again, embracing her mouth with his. His right hand slipped behind y/n’s back and he deftly undid the clasp of her bra. He pulled far enough away to pull the intimate article off, and he said, “Just let me know if you need me to stop, alright. At any point, we can take a break.” y/n hummed her agreement and threaded her hands through his short hair. Aaron moved his face lower and he breathed warmly over her right breast. The warm sensation over her sensitive skin caused her nipples to grow taught again. Aaron leaned in and took the tissue in his mouth. He swirled the nipple with his tongue and y/n let out a sound so desperate and beautiful that he grew rock hard again in an instant. He kneaded the other breast with his hand and his left hand slipped under the waistband of her panties. She was desperately wet as he moved his pointer and middle fingers over her folds and heat. After a moment of this, Aaron pulled his face from her chest, wanting to get more of those sounds from her mouth. He got her out of the last piece of her clothing and he looked over her bare sex for a moment before diving in with his mouth. The taste of her on his lips was intoxicating, more intoxicating than the wine they had imbibed earlier that night. He moved over her wetness with an urgency. Again, y/n spoke his name with a need he didn’t know he needed to hear. She arched her back against his strong and accurate tongue. Hotch pressed her stomach back flush with the mattress and he reveled as her body twitched beneath his hand. As his tongue began entering her most intimate area, she moaned. She could feel herself coming close and wasn’t ready for the feeling to stop. She called his name and he stopped immediately, checking in with her. He looked up at her and his face and nose were wet with her excitement. “What is it, y/n. Do you want to stop?” He said it rather breathlessly as he had been very intent in his work. y/n replied, “Far from it, but I want to taste you too. I want you in my mouth.” 

Aaron stilled for a moment and said, “You're sure?” y/n smiled mischievously and said, “More than anything.” He felt a growl in his throat and he finally took off his briefs, freeing his cock. y/n looked him over for the first time, apparently impressed with him. He was slightly happy about this reaction, but the feeling of being pushed back and y/n taking his tip into her mouth instantly stilled that inner voice. ‘Oh fuck,’ he thought as she swirled her tongue over him in one direction for a bit, and then the other, and finally across the top. This sensation alone was enough to bring some pre-come to the tip. Aaron watched as she sucked it off quickly and then moved back onto him with her mouth. The very sight of her working over him nearly sent Aaron over the edge. His size was impressive and y/n wondered if she would be able to take all of him in her mouth. She worked fervently over him, taking more and more of his length each time she moved her head up and down him. She ran her hands over his balls as she did this, and she could feel him throbbing in her throat. Meanwhile, Aaron’s body was twitching with bliss and anticipation, and he said her name like a prayer as she finally got to the base. She continued to work on him as she sucked and licked his cock. She ran her tongue all the way up the vein running on the underside of him and again, this nearly ended him. This time it was his turn to ask her to stop, which she did. He knew that if he came now in her mouth he might not be able to do it again as intensely as the first time. Could he come again? With her, absolutely, but this was their first time and he wanted to give her his best. Breathlessly he said, “I need to be in you if you’re open to it. Please.” He realized that he was begging, but he couldn’t stop the urgency in his voice. 

y/n agreed, at this point their bodies were aching for release and she wanted him in her as badly as he wanted to be in her. She asked, “Can I be on top please?” With some vulnerability, she added, “It’s been a while since I’ve been intimate with anyone.” Hotch nodded, knowing the position would give her more control in regard to the depth and pacing. He said, “Of course. Whatever you want love.” He sat up a bit, leaning back on his palms. As _y/n_ got ready to straddle him again, he asked, “Are you on the pill, or should I get a condom?” He hadn’t made assumptions about her sexual life until recently, and asking something like this felt inappropriate unless in this very situation. y/n smiled and said, “I’m on the pill. We’re good." With this, she got back on her knees with Aaron underneath her. She used her hand to gently guide him into her entrance. She worked slowly at first. Even with just his tip inside her, Aaron had to stop himself from lifting his hips to get further inside of her. However, he kept still and let, y/n slowly take more and more of him inside her. He encouraged her saying, “That’s it y/n, your doing well. You feel so good around me.” She smiled at him and after a few moments, she was mostly seated over him. She was incredibly tight, and he was impressed that she had taken his member in as deeply as she had. There was only a tiny bit of his cock exposed. He felt her walls throb and tighten against him and he had to bite his mouth shut to stifle what he assumed was a scream of pleasure. She leaned down and took his mouth in hers, It was her turn to explore his mouth and he allowed her in easily. She was greedy with her tongue, and her breath was hot in his throat. After she pulled away for breath she assessed her comfort. Any pain that had been there when she was enveloping him had passed and she said needily, “You can move in me, Aaron. Please.” 

Aaron moaned again as he followed her command. He shifted his hips up and the feeling of his cock sliding inside her was pure bliss. It was all he had imagined and more. He started slowly, but both of them had waited and built up for the other and it was time to get their reward for their patience. Aaron built up his speed and the stream of half-contained noise that y/n made only had him quickening his pace more. As his thrusts became more urgent he felt a slight sheen of sweat covering them both. He was close, so close and he raced toward the finish. In a final desire to have him closer and deeper in her, y/n placed her full weight on his hips and leaned back, supporting herself on shaking, shuddering arms. The final shift in position allowed him that last bit of room to fully enter her and she moaned out, “Faster Aaron. Please, I’m going to come.” At her words, Aaron placed his hands on her hips, guiding their shared movement. He thrusted even faster and only a few seconds later, y/n came undone. Her body shaked and clenched around him and that was all he needed to find his release. His seed shot out of him hot and fast and he kept thrusting a few times more chasing the high, heady organism she was giving him. They both made ungodly noises as they let go and y/n quite literally collapsed on top of him. He held onto her closely as their shaky breaths intermixed. As Aaron regained his breath, the words came unbidden and he said, “I love you y/n. Oh god, I’ve loved you for so long. I’m sorry it took me this long to say something.” y/n was still shaking with her orgasm, but she managed to strangle out, “I love you too, Aaron. A hundred percent.” Aaron registered her words from a few months ago and he realized that she had been longing for him for that long and that he was a fool for not noticing before. 

Aaron was tired, but y/n was completely spent and he was still in her softening from his heightened state. With gentle strength, he grabbed her hips and lifted her off of his body. She made a small protestation at the loss of contact. However, he didn’t have any plans of letting her go soon. He pulled her to his chest and she settled contentedly next to him, her damp skin sticking to his. He was beginning to connect her comments about her scars to his own father's abuse. However, he didn’t have the head space for that rabbit hole right now. But he did say softly, “Do you think it’s fate that we met, y/n?” She chuckled into his chest and replied, “That’s too cliched coming from you Aaron.” He hummed and said, “Maybe, but am I wrong?” The question hung in the air for a minute before y/n said, “Maybe not. All I know is that life can be terrible. God knows we see the worst of it, but at least you're in mine.” At this, y/n settled closer to him; listening to his heartbeat consistently thumping in his chest. Aaron held her a bit closer. He would get up eventually to get her some towels to clean her up, but for now, having her in his arms was all he ever wanted. 

Text Break Banners by @cafekitsune

[hereticcryptid]

you should tell me all your thoughts and feelings about that bsd official art i would love to hear it

AHHHHH THANK YOU VERY MUCH

This art. This art. LOOK AT IT! It's such a perfect depiction of Fyodor's and Nikolai's relationship and their characters!

Firstly, look at Nikolai! He's smiling, and he has his hand in Fyodor's mouth, which implies a certain level of proximity. But it also seems (and I'm kinda pissed that no one ever mentioned this talking about the art) that he's tearing through Fyodor's cheek, which is a very good representation of his twisted affection towards Fyodor, and his desire to kill him to be free of emotion, because it showcases both the affection and the way he wants Fyodor gone. Also, the illusion of freedom he has, because that's what it is! An illusion.

Still about the tear through cheek, Fyodor seems entirely unphased! It's like he knows what he's doing, and he's humoring Nikolai, which shows that 1. he has no ill feelings towards Nikolai (also showcased in that one manga panel where Nikolai fearlessly holds Fyodor's hands and nothing happens) and 2. that everything he does is a calculated risk. Despite their positions, Fyodor is in control.

The unphased also fits in nicely with Fyodor's christ/savior complex— in the manga, the eyes represent the person's moral perception of themselves, hence why Dazai's eyes are typically black and Nikolai's are foggy. If you look at most of Fyodor's manga appearances, his eyes are usually white, which would mean he perceives himself as 100% morally in the right. Fyodor considers himself a messenger of god (missionary if you will), and so views his actions as necessary and morally correct!

Now many people say Fyodor has a god complex but what he has is a christ complex, and you know, "died for our sins"! Being unphased at Nikolai tearing through his cheek would represent his perception of himself as a messenger of god and willingness to endure pain to reach his ends, which he sees as the will of god! I'm not gonna start drawing paralels between Fyodor and Jesus because I'm not christian and not well versed in the bible, but I can still be totally insane about Fyodor's whole deal with religion!

And then, you have the grapes, the jewlery and the skull, typically a pagan symbol! Can be a reference to Dionysus and abundance, and Nikolai's obsession with freedom that in my opinion really draws into religious trauma. Dionysus is the god of several things but what is relevant to this is wine, party, insanity, theater, and the intoxication that merges the human and the divine. It draws to Nikolai's role as a 1. jester, 2. how he is presented to us as insane at first but then reveals that he very much is not, and 3. as a tool.

Dionysus is the protector of outcasts, and a symbol of everything that is chaotic and unpredictable, (godly), and that goes hand in hand with Nikolai too, and with his desire for freedom and his inability to reach it truly, because he is trapped in a world of gods (Fyodor) and emotion (also Fyodor), and that is why he wants Fyodor gone despite liking him so much! His position in the art also kind of highlights his role as a tool, because despite being above Fyodor and having an active rather than passive role in the imagery, [gestures at everything I said above], he's still not in control, despite having the ilusion of being so!

Yeah, anyway, I'm totally normal and not at all insane about them

[fireflysummers]

Final Thoughts on GO S2

I'm probably gonna pull back on discussing S2, at least publicly, after this. I did actually like a lot of the season, but it's triggering some of my religious trauma and also the fandom is already stressing me out. So here, let's have some final thoughts.

First and foremost: I am not a Gaiman simp. I've read a decent amount of his work: comics, short stories, essays, and novels. Aside from Good Omens, I've liked Coraline and The Graveyard Book the best by far, whereas American Gods just. Did Not Connect with me, even though it's should have, given the stuff I tend to enjoy.

However. Regardless of whether I like a given work (or even like how he adapted it, a la parts of The Sandman TV series), he is a veteran writer who has proven that he does, actually, know how to write a story with consistent characters.

Beyond that, I do actually believe that he's trying to do right by Pratchett, and loves and respects the story and characters they created together. He's generally shown up as an ally to a variety of social causes, and directly and respectfully responds to fans on Tumblr. While no saint, I feel that there is cause to give the benefit of the doubt that things will resolve satisfyingly in S3, and that there is Intention about some of the things in S2.

This, of course, does not absolve it of being "bad," but even here I think we need to articulate better the different types of "bad" that people are reacting to. There seems to roughly be three camps here: 1) People who thought it was "bad" because of how it ended, with the breakup and a lot of unresolved plot threads; 2) People who thought it was "bad" because it struggled on a technical level with its set, lighting, directorial choices, editing, etc; 3) People who thought it was "bad" because they felt the characterization was significantly off and that the internal logic of the series had been violated.

With regards to Point One, the only solution is to Wait and See. Judgement should be reserved until the story is properly finished--easier said than done, especially considering the current media landscape, and the number of series or franchises that fail to live up to their promises.

Point Two isn't something I understand well enough to contribute meaningfully, except that I suspect the pandemic affected this aspect the most and am willing to give it a bit more mercy. That aside, I for the most part I don't find it bad so much as not as good as S1. Except for the parts with epilepsy warnings, surely there could've been a better way to do that.

Point Three... that's the stumbling block for me, and I find it interesting that most of the folks who struggle with this point in particular are long time fans of the book.

I trust that instinct.

There are two different directions to go from here. The first is the assumption that these problems are a result of ego, carelessness, or lack of skill from the showrunners/writers/director. It's cynical but not unjustified. The second is the belief that the breaks in lore or characterization were intentional, building towards a much grander conspiracy. Of course, even in this case I don't think it forgives the lack of signposting that would indicate that this is a choice rather than an accident. It just makes it feel clumsy and poorly constructed, a major risk on a show that hasn't had its third season confirmed.*

However, regardless, it still feels salvageable. I've enjoyed reading a lot of meta on all this, and I've pulled some things from others (particularly That Theory by @ariaste), but I don't really want to put forth a single, defined theory myself. Instead, here's some questions I've got, why those questions are important (to me, at least). Actual theorizing comes after, and anybody who snidely mentions Sherlock in the comments or tags is going to get auto-blocked. Like seriously, I'm aware that some stuff is a stretch, but it's fun??? To theorize????? And I'm here for me and my peace of mind rather than trying to argue a point.

*I have some suspicions here, particularly with Gaiman stating that the decision from Amazon would come much faster than The Sandman's second season (which was four months). I don't know enough though to say if that's actually significant.

Questions

Who the fuck is telling this story?

This is the most important piece, in my opinion. There's this assumption when reading books (or research papers, newspapers, etc...) that the narrator who is writing the words is a non-presence, Neutral and objective. That's not the case, and an important part of literature critique is figuring out who the narrator is, and what their goals are. Oftentimes, the narrator and the author are the same person, but with Pratchett's work, particularly on Good Omens and Discworld, the Narrator was its own unique character.

This is why people struggle adapting Discworld to live action--that medium requires a Reason for having a Narrator, and especially in the age of method acting that's often considered immersion-breaking. Good Omens worked so well because they not only kept the Narrator, but they made Her God.

This added some really interesting new dimensions, such as the scene where Crowley speaks to God about his fall and the destruction of humanity. He doesn't receive an answer, but we're watching from God's perspective, so we as the audience know that She's listening.

Another advantage of making God the Narrator is that it justifies all the goofy little asides we get into the lives of minor characters (i.e. Leslie the Mailman), without losing focus. It helps the world feel like it’s full of people, rather than characters and plot contrivances, and the theme that individual people and their choices are important. The Narrator is such a central character of Good Omens that without it, the story struggles to stay focused.

It also highlights a key difference in the writing styles of the two authors. Pratchett’s work tends to introduce four or five totally unique plot threads that feel completely disjointed until the last act (if not even later), when it turns into a Chekhov’s Firing Squad. Plot twists around secret identities and backstabbing and schemes are relatively rare, as the omniscient Narrator doesn’t lie about the intentions of people or their actions.

Gaiman’s writing is typically not like that, to my knowledge. He buries characters in misdirection and hints, and you never know the true identity or motives until all the chips are down. It’s a perfectly valid way to approach storytelling, but it makes it jarring to see it in S2. The lack of a Narrator is a huge reason why S2 doesn’t feel like Good Omens to some folks.

My gut feeling is that the decision to shift from the original Narrator was highly intentional. It helps to obscure the thoughts and intentions of people, and it also muddles the insights that we’re supposed to take away. (I would have loved hearing God monologue about what’s going on in Jim’s head. I think it’d do a lot to make him seem less.... obnoxiously stupid.)

More than that, it brings up a reasonable potential plot point of: Where did God go? Why isn’t She present in the story? Even in her early appearance in the Job flashback, she doesn’t sound like the narrator for last season. After the first part of her speech (which Gabriel later quotes), her tone turns casual and condescending, which might line up with her being a bit of an asshole, it doesn’t line up with the whole “dealer of a mysterious card game who is always smiling”).

Also, I don’t think it’s safe to assume that nobody is telling the story either. Just because they’re not making their presence known doesn’t mean they aren’t there, and in a story like Good Omens, that’s concerning.

Wait, where's Satan?

Another person I saw while scrolling the tags pointed out that Satan is nowhere to be seen this season. He's really only mentioned in reference to a bet God made in Job, but then Crowley is the one on the ground causing mischief. There's no Hail Satan among demons (like Hastur and Ligur did at the start of S1).

That's might be because the writers didn't want us to think it was important (a la Hastur), but that feels off. Given that Satan speaks directly through the radio to Crowley in S1, complimenting him on his work, it's safe to say that he was at least aware of and involved in the goings-on in Hell. The fact that he wasn't even an worry for Beelzebub in abandoning their post? Feels weird.

(Also if you know where that post is, I'll happy credit + link)

What is Maggie?

Look, I love cute lesbians in love as much as the next queer, but I don't like Maggie. I don’t think she’s a person. Contextually, she’s a plot device, but I agree with That Essay that she might be an actual Plot Device.

Her characterization is simple and relatively shallow—a bit of an airhead, ray of sunshine that’s supposed to remind you of Aziraphale. When she describes her past to Nina, it’s almost robotic (also, her story implies it was Mr. Fell who first rented to her ancestor, not Mr. Fell’s great-grandfather like Nina implied). Her emotions are over-dramatic and seem to be turned on and off at random (scenes with her crying to Aziraphale about her woes had my “manipulator” senses going off for some reason).

When asked about a song, she not only IDs the song, its singer, and its year, but how and on what it was distributed. (Honestly thought this would’ve been something interesting, because she’s been pretty ditzy so far, it’d be interesting if she had like... an insane memory for music history.) And then she’s the one that sets Aziraphale on his little investigation by giving him the transformed records, while also planting the seed about her love troubles with Nina. Later, her advice to Crowley is... not awful, but feels insincere and a bit too forward, given her own self-proclaimed lack of relationship experience.

I don’t know what she is (a demon, hastur with amnesia in disguise, a literal plot device inserted by the current storyteller, etc...), but there’s something not right with her.

(Also the joke of “who listens to records anymore, it’s so old fashioned” just doesn’t land, lots of people buy records, and I’m saying this as somebody who has worked at a record store before.)

What's going on with Aziraphale?

There’s something Off about Aziraphale, and it’s not his choices at the end of the season. That makes total sense if you read him as somebody with severe religious trauma getting dragged back into the abusive system because other people need him and he’s been promised the ability to change things.

But I do think something is happening to his memory. Nearly all the flashbacks are from Aziraphale’s point of view and retelling, which means that they’re less reliable than God’s version of events in the previous season. Many of them don’t make logistical sense (post-church scene in 1941), depict Crowley as meaner or more sinister than we know he is, or frame events... weirdly. The scene with him trying food for the first time feels Really Bad, especially when the series has previously established that he’s a) prim and proper and b) his interest in food is one of the beautiful things that connect him to humanity, not some kind of gluttonous sin. Also he turns down alcohol.

Their meet-cute at the  start of the universe also doesn’t line up with their reactions to each other in Eden, or the fact that knowing each other Before has never come up or been hinted at anywhere ever. I don’t know what’s causing this to happen, only that Aziraphale repeatedly looks pensive when coming out of flashbacks, and Crowley is never there afterwards to corroborate said memories.

His actions also seem pretty inconsistent with what we know of him—i.e. I refuse to believe he would ever mistreat his books, even if they’re just old encyclopedias. Also, he feels a bit too...forceful in trying to get Nina and Maggie to fall in love? I mean, he didn’t exert that much direct influence on even Warlock, when he was actively hoping that the boy would turn out angelic rather than neutral.

I don’t think this removes his agency in that last decision, so much as explains how he was in such a vulnerable place at all. He still needs to apologize and fix things, because he messed up, and even if he hadn’t he still seriously hurt Crowley.

What's going on with Crowley?

There’s something Off about Crowley. The most obvious thing, of course, is his memories. At multiple points in the present day, characters state that they remember him or have met him before, only to be met with confusion. This is especially concerning given that he has a nigh photographic memory for faces (something mentioned in the book when he immediately IDs Mary Loquacious, 11 years after a 30 second conversation).

Overall, he seems to be better known by other supernatural entities this season, in ways that often tie him back to his angelic identity (i.e. saying they fought together in the war, Aziraphale stating he knew the angel he used to be, etc...). This doesn’t feel right, because S1 we see that Hell is largely apathetic towards his schemes, and definitely does not defer to him at any point in any capacity.

Then there’s the issue of his power level. It’s always been speculated that Crowley was a powerful angel prior to falling, when he mentions in S1 his involvement with star making, his seemingly unique ability to freeze time, and creating a pocket universe for Adam before the confrontation with Satan. He also has a tendency of breathing life into inanimate objects, like his plants or car. He also has the regular demonic skillset: miracles that can adjust physical appearance; the ability to change inanimate objects (like paintball guns into real guns); the ability to manifest clothing and similar items; and summon hellfire to his fingertips. This, plus the way he monologues to God with a degree of familiarity rather than reverence seems to indicate that he was Somebody Powerful and Important Before.

But in S2, his skills are significantly expanded upon. The miracle he and Aziraphale summon sets off alarms in heaven and hell, and it’s powerful enough to mask Gabriel from the Archangels. He summons a miniature sun to rain fire on Job, which is way bigger and flashier than anything we’ve seen him summon in S1. (If he needs fire, he alters the course of a dropping bomb, without creating one himself.)

Yet he’s able to cloak his presence so well he goes wholly unnoticed in heaven, or in front of heavenly agents on earth (i.e. the Job flashback). Muriel can’t clock him as a demon, or even as another supernatural being, despite their auras usually being pretty significant, such Aziraphale immediately sensing the archangels when they arrive.  He’s able to interfere with files that Muriel claimed required clearance (although I feel like that might just be a snark about Obeying Without Thinking? I would really need a Narrator to know.)

I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.

I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.

I don’t have any real issues with his characterization in the present day parts of S2, but there’s something weird happening with Crowley.

Where's all the people?

I really like a lot of the new characters, but how were there only like, 2.5 new humans named in the present day? Flashbacks don’t count bc the humans are all dead and can’t affect the story.

As much as I like Nina, she and Maggie don’t drive the story beyond being an occasional and awkwardly inserted plot contrivance? Both are actively robbed of their agency at several points, forced into situations that they could not have avoided or escaped. I’m not really sure what growth they’re expected to experience other than deciding not to date each other after everything. I literally can’t tell you anything about Nina other than that she remembers her regular’s orders, runs a coffee shop, and has a textbook abusive partner we never see. The only meaningful interactions they have are between those two, or in conversation with Aziraphale and Crowley.

Compare that to S1, where Anathema gets hit by Aziraphale and Crowley, but her primary relationships are with Newt, Adam, and Agnes Nutter (I think that counts as a relationship). We know that she’s got a wealthy family back in Puerto Rico, and that she was literally raised to save the world, and that she isn’t happy under all that pressure. Newt on the other hand is connected to not just Anathema, but Shadwell and Madame Tracy. He never even directly interacts with Aziraphale and Crowley. We know about his hobbies, his struggle to hold down a job, and his almost supernatural ability to destroy any electronics he touches. I don’t necessarily like how their relationship came together, but they were both very, very well fleshed out characters with unique backstories and goals. They weren’t just... waiting around to give Aziraphale and Crowley a new questline.

And while there’s no requirement to include a large cast of human characters that are exerting influence over the story, the lack of it is another aspect that makes this season feel not like Good Omens.

Also, it's just. Really weird to me that the events of S1 aren't really referenced at all? Like, Adam isn't mentioned, nor is Warlock. I don't expect them to keep track of the humans they met on the airfield for 20 minutes, but none of it is ever specifically referenced as far as I can tell, beyond Crowley threatening Gabriel. Like, I get that it's been a few years, but the pair caused a big enough disturbance that you'd expect some kind of ripples in their supernatural communities.

Promised by the Narrative (Obvious Chekhov's guns that I will be legitimately upset over if they do not go off)

A sincere apology from Aziraphale to Crowley that doesn't come with the expectation that Crowley will come back to him, but because he deserves an apology, even if the choices Aziraphale made were done with good intentions. Aziraphale does not expect forgiveness, and is shocked when Crowley grants it without hesitation.

A clear declaration of love from Aziraphale, which can't be rationalized away by either of them.

An "I'm Sorry" dance between Aziraphale and Crowley, but with greater sincerity and gravity. The most important piece is that they end up dancing together, which signifies a mutual apology and dedication to come together.

Since kissing is on the table, I expect an actual joyful, mutual kiss between these two assholes.

A shared cottage in South Downs.

Predictions/Theories (just some fun thoughts I've had)

When Adam declared that Satan was not his father, he didn't make himself not the antichrist, but accidentally crowned his human dad the King of Hell. Nobody knows this, because Adam doesn't have a good measure for "normal" supernatural situations, and Mr. Young because he's so "normal" that he explains away all the magical bullshit that's started going down.

When Adam declared that Satan was not his father, he erased Satan altogether. However, this left a vacuum in both power and reality. The defection of both Gabriel and Beelzebub only widens that crack. In an attempt to Fix things, reality is warping the story. Crowley has become leagues more powerful between S1 and S2, as the narrative is trying to force him into the role of his previous boss. Aziraphale is unknowingly being pulled into a similar version on the Other Side, perhaps to replace Gabriel or perhaps to replace God herself, who has been fairly absent in all this. The alterations to their memories or past have come about to keep the narrative running smoothly.

When the Metatron asks Nina whether anybody has ever asked for death, he was actually referring to Death, the sole remaining rider of the apocalypse.

If Maggie is indeed a Plot Device, it would be a fascinating exploration of Free Will to see her become aware of this (cue existential crisis), and then fall in love with Nina on her own terms, rather than because she was written that way.

Hastur will be back. Somehow.

The reason why S2 focuses so much on the supernatural characters is because S3 will be about how the events in S1 have changed the political landscape of heaven and hell. Angels are questioning their roles, demons are yearning for something more. It's scaring upper administration, and then the two most reliable folks in employment run away to alpha centauri. Recruiting Aziraphale and getting him back in line prevents him from becoming a martyr, control the range of his influence. The series reasserts its theme of choice and agency by highlighting that Aziraphale and Crowley aren't that special, they've just had the chance to live and grow, and that the others have free will too, if they want it.

The reason why they wanted to separate Aziraphale and Crowley, is not to get Aziraphale on his own, but to get Crowley on his own. He literally stopped time and made a pocket universe in front of Satan last season. He's powerful and dangerous and somebody wants to see that reigned in.

Wishlist (stuff I desperately want to see)

Crowley getting an audience with God and an opportunity to ask his questions, only to refuse to do so because he's found his own Answers and he no longer needs hers

Aziraphale and Crowley growing more into their book incarnations. Aziraphale becomes confident in his sense of morality, which he developed the hard way through millennia on earth besides humanity. He slowly learns what it means to be loved, unconditionally, but also is better at asserting and maintaining his boundaries. Crowley, still anxious and unwinding, works through his fear of abandonment, providing him opportunities to be kind and gentle and nurturing--all traits that he's aggressively hid since being a demon.

Hand holding. I know that Gaiman was referring to Ineffable Bureaucracy, but I still feel like we'd benefit from meaningful hand holding, especially since that got cut from the adaptation of the book.

Shifted focus away from the supernatural shenanigans, and back onto the humans that actually drive the story.

Cameos from S1 characters (if not a more substantial appearance).

The Four Other Riders of the Apocalypse.

Cursed Thoughts (why I shouldn't be allowed a social platform)

Ineffable Bureaucracy turns up in season 3 because Beelzebub got Gabriel pregnant somehow.

[marvel-starwarsfangirl]

Crosshair ramblings

Spoilers for "Juggernaut" so...

Crosshair is not ok; we've known that since... forever. He's had like no breaks at all. He's suffered in every season and the train doesn't stop now. I just want to wrap him up in a comfort blanket and take away his worries.

When I think about his character, loyalty and identity always come to mind. Season 3 highlights just how much Crosshair has changed. He's really opened up as a person. I think after everything that's happened, he's been forced to evaluate what truly matters in his life. And what matters to him is his family.

"Because, Tantiss isn't a place I ever wanted to go back to."

This line really stuck out to me (and the fact that even mentioning Tantiss triggers his tremors). Whatever happened to Crosshair was truly horrific. What I can honestly see happening is that when the boys infiltrate Tantiss, they accidentally wander into the room where the conditioning went down and then they learn the truth. That or Cross tells them next week.

But anyways, my point is that even though Crosshair is deeply struggling, he's going to be brave in order to save Omega and go back to Tantiss. And I think that really speaks to how far he's come as a character and a person. There isn't anything he wouldn't do for his family, especially Omega. I find it really beautiful and tragic tbh. Crosshair shouldn't have to relive his trauma. He shouldn't have to suffer anymore after all endured. But he will for that little girl whom he loves so dearly. She's worth it.

It just makes me love Crosshair so much more. He is selfless. He is caring. Maybe it's the religious side of me speaking, but Crosshair's admission with the knowledge of what he will do just hit deep for me. It reminds me that life is hard. And sometimes, we have to be brave and face difficult things, especially for others we love.

He also better survive. After everything he's been through, he deserves peace and comfort with his family.