#haunted farms

[myhauntedsalem]

Jesse James Haunted Farm

It is said that the James farm in Kearney, Missouri where the notorious outlaw Jesse James grew up is haunted. Jesse James’ parents moved from Kentucky to Kearney in 1842.

His father was a Baptist minister who wanted his boys to be well educated. However, in a trip to the California gold fields he died leaving his sons without a father, Jesse was just 3 years old.

His mother, Zerelda lived on this farm for the rest of her life, through three marriages and eight children.

During the Civil War in 1863 the James’ farm was brutally attacked by Union soldiers. Shortly afterward Jesse age 16 and his older brother Frank became Confederate guerilla soldiers, riding with William Quantrill and Bloody Bill Anderson.

Quantrill’s Raiders as they later became known operated out of Missouri. They ambushed Union patrols and supply convoys. They seized the mail and occasionally struck towns on the Kansas-Missouri border. Their main focus though was against the local pro-Union civilians, which they tried to drive out of the territory.

After the Civil War the James brothers, Jesse and Frank now officially outlaws started to attack trains, banks and stagecoaches that were controlled by the Northern side which bought brutal control to the Missouri legislation.

From 1860 to 1882, the James gang was the most feared band of outlaws in America. Responsible for 20 bank and train robberies they murdered countless individuals that stood in their way. They stole an estimated $200,000. Despite their ruthlessness they became folk heroes to some. They literally became legends in their own time.

The local citizens of Kearney kept quiet when they were home on the farm during this period of time. Clay county where the farm is located was in a part of Missouri called Little Dixie, the entire state was 75% southern sympathizers. Both Jesse and Frank were devoted husbands and fathers who spent a lot of time with their families. They were not modern Robin Hoods though, for they kept the money they stole.

In 1869 the gang robbed a bank in Gallatin, Missouri. Jesse shot the banker through the heart feeling he was responsible for the callous murder of Bloody Bill Anderson. The James gang lost some public favor after this. Local newspapers started to call for the capture of this blood thirty gang.

Frustrated at how the locals protected them, Governor Crittenden had the railroad place an enormous price on the James brother’s heads. Pinkerton detectives hired by several bankers raided the James farm in 1875 thinking the older brothers were there. They threw a bomb in the window killing Jesse and Frank’s younger half-brother, Archie as their mother watched. She lost part of her right arm and hand during this struggle.

In one bank robbery several members of the gang were killed. After this the Youngers, a part of their gang were sent to prison for 25 years.

In 1882 the brothers planned one last robbery with Charley and Bob Ford. They did not know these brothers intended to betray them for the large price on their heads.

On the morning they were to commit this robbery Jesse ate breakfast with the Ford’s, placed his gun on one of the farmhouse beds and stopped to straighten a picture that hung on the wall. Bob Ford shot Jesse in the back of the head. He died instantly and was buried in the side yard of the James’ farmhouse. His remains were later moved to the family plot at Mount Olivet Cemetery in Kearney.

The locals did not appreciate what the Ford brothers had done. Bob Ford who was pardoned by Governor Crittenden was driven out of Missouri known as the coward who had shot Jesse. He traveled around in a Wild West show ironically about the James gang. He was shot and killed in Creede, Colorado in 1892. His older brother Charley stayed in Missouri but was shunned. He committed suicide ten years after his brother was murdered.

Frank James gave himself up after Jesse was killed. He was tried several times but there never was enough evidence to convict him. He lived peacefully for the rest of his life at the farm. In later years he charged tourists money to give them a tour of the place.

The James farm and house have been considered haunted for over 100 years. Located off James Road in Kearney, Missouri the farm is a museum today. Employees at this farm still report odd occurrences. After the museum closes for the night many have spotted lights going on and off in the farmhouse. Others report that doors have slammed shut in front of them without cause.

Several witnesses have reported hearing horse hooves stomping outside on foggy nights. When investigated nothing has been found. Others have reported hearing whispered conversations inside the house when no one is there. Some have even heard the bomb going off or cries and gunshots as if a Civil War battle is happening outside. Many staff at the museum today will not go into the house alone. They state that they feel an unnatural intense presence in the home that scares them.

[threeheadedtrinity]

Even after death we shall not part

[trebuchet151]

"I had to know if I imagined things. And then I found your arrest records, you were just a kid…but the picture matched."

"Who...whose records did you find?"

Wanted to fill out a more detailed stat template and got carried away. The discord had a fun mugshot drawing prompt and it inspired me

[fliegenengel]

What remains of an angel when the John Deere runs over it?

[thebekashow]

Peter breaking the 4th wall.

he's not a yandere btw- he's just being spooky >:D

[fitsofgloom]

It's A Halloween Haunt Where Shadows Unite! Horror Hosts Moona Lisa of San Diego's "Science Fiction Theatre" and Sinister Seymour of L.A.'s "Fright Night" appearing together at Knott's Berry Farm's Halloween Haunt, Buena Park, CA, October of 1974.

[vii-is-free]

Sebastian Sallow: Would you still love me if I were a potato?

MC: Fear not, my love, for I have a Nintendo Switch

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[callmeonmyrazr]

selena gomez & david henrie at knott’s scary farm on october 24, 2009 👻🖤

[bizarrebirds]

Hello, I am Ahmed. The war destroyed my life. Can you help me?

In the Name of Humanity please Share, repost, and donate if you are able to donate.

Thank you for listening to me🙏 🙏 🙏

My tumblr link:👇

https://www.tumblr.com/ahmadwaleed555/764613869090013184/hello-gys

#167 on the vetted fundraising list created by @/el-shab-hussein and @/nabulsi

.

[myhauntedsalem]

Mary Ellen Spook Farm

In January of 1922, farmer Alexander MacDonald, his wife Janet, and their adopted daughter Mary Ellen fled their home in Caledonia Mills, Nova Scotia after a rash of poltergeist activity, including more than 30 unexplained fires. Though several researchers, journalists, detectives, and paranormal investigators would eventually examine the farm and house, the so-called “fire spook” was never fully explained.

The poltergeist activity that had plagued the household for almost an entire year included moving the cattle around when no one was in the barn, mixing ashes into the stored milk, and even braiding the tails of horses. Most notable, however, were the fires which earned the haunting its name.

The fires would spring up spontaneously all over the house and grounds, often far from the hearth or any other source of a spark. Everything from wallpaper to wet towels were said to burst into flame: it got so bad that the family organized a kind of “neighborhood watch” to guard against arsonists, though none were ever found. Eventually, the family fled the property for good.

Once the family moved out of the house, journalists and would-be paranormal investigators moved in. Even Sir Arthur Conan Doyle was invited to explore the phenomena. Some of the most notable accounts include those of Harold Whidden, a reporter from the Halifax Herald, and police detective Peachey Carroll, who spent two nights in the house. During this time they both experienced several odd events, including the feeling of being slapped on the arm and face by phantom hands. Whidden was so troubled by his experiences that he never published them in his lifetime, though they have since been released by his family.

Another prominent investigator who visited the home for several days was Dr. Walker Franklin Prince, who concluded that the poltergeist activity emanated from the family’s then-15-year-old adopted daughter, Mary Ellen–this in spite of the fact that Dr. Prince, himself, experienced no unusual phenomena during his stay. Members of the family were even brought back to the house during his investigation in an attempt to “trigger” the ghost. Dr. Prince did, however, report unexplained rapping noises in his office back in New York for several weeks after he had completed his investigation into the Caledonia Mills “Spook Farm.”

Unfortunately for Mary Ellen, Dr. Prince’s suggestion that she was the cause, albeit unknowingly, of the fires and other poltergeist activity stuck with her throughout her life. People began calling her Mary Ellen Spook, and, according to some accounts, she was even confined to an asylum for many years. Regardless of the cause, after she and her family moved away from the farm in Caledonia Mills, the phenomena ceased.

However, that wasn’t the end of the story of the Caledonia Mills Spook Farm. Over the years, several other explanations have been put forth as new detectives attempt to solve the mystery. Edward J. O’Brien, a lecturer who stopped off at the nearby St. Francis Xavier University, posited that the fires might have been caused by radio waves passing through Caledonia Mills between the radio towers at Wellfleet, Massachusetts, and Glace Bay, Nova Scotia, though to modern science that theory sounds perhaps even more preposterous than “fire spooks.”

Arsonist or no, the Caledonia Mills legend persists. Even today, long after the farm and house have disappeared, people say that if you take home any item from the property, your house will burn down. According to one couple, who call themselves P.O.N.I. (Pair of Normal Investigators), “This has been tested by regular every day people and the buildings always catch fire.”

[butterflysonnets]

the fact that i am sitting here twitching and foaming at the mouth all because i need haunted chocolatier to come out so i can marry the astrophysicist grunge boy jett and make chocolate with a bunch of ghosts after slaughtering a bunch of things inside a painting in my giant mansion is very telling about my mental health

[coolthingsguyslike]

[blabbermouthhh]

[mildmayfoxe]

somebody at work brought in a big bag of dot’s pretzels (southwest seasoned) to put in the shared snacks cabinet which sucks ass because now i’m obsessed with them and they’re like one billion dollars a bag and i know if i bought myself some i would polish off the whole thing in two sittings MAX. this is why you can’t have nice things because then you know what you’re missing

[asterdeer]

tear the pitch apart

not really please be nice-ish but i'm submitting a pitch to a literary festival pitch war and i need to be the most specialest goodest writer so the pitch war runners will say nice things about me in front of 50 people and maybe decide to agent me. haha what

A farm boy follows a thief on an interplanetary petty crime spree in search of a mythical deep-space monster. The Monster At the Bottom Of the Universe is a sweeping space opera about the myths we tell to keep ourselves alive — and what happens when those myths come true.

it has to be 280 characters or less (i'm presuming including spaces a la twitter) and this feels so shallow and uninteresting to me but i don't have ROOM for more and i'm trying to follow their pitch construction formula. would you read this book, is the second line too cheesy, is it too vague (I CAN'T HELP IT), should i temporarily change the 41-character book name so i have a little bit more room to pitch the damn book rather than its title, do i need to start from scratch