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makeste · 4 years

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BnHA Chapter 301: All My Todorokis

Previously on BnHA: We learned that when a bunch of superpowered villains are suddenly set loose with nobody around to stop them, things get fucked pretty quickly. Old Man Samurai and a bunch of other useless people decided to make “I pretend I do not see it” their new mantra, and resigned. Endeavor had a moment of despair on account of being crushed by the guilt of having ruined the lives of himself, his family, and basically everyone else in the entire world. For various reasons the heretical notion of “person who has done bad things feels sorry for doing them” sent fandom spiraling into a meltdown, so that was fun. The chapter ended with the entire Todoroki clan descending upon Enji’s hospital room to have a dramatic chat about Touya and All That General Fuckery.

Today on BnHA: Horikoshi is all “here’s the story of how Baby Touya slowly went insane trying to win his father’s love.” It’s a tale full of subverted expectations and heartbreaking inevitability, and also like twenty panels of the cutest fucking kids who ever existed on planet earth, who are so fucking cute that I can’t stop thinking about their cuteness even with all of the horrifying family tragedy unfolding around them. It is absolutely ridiculous how cute they are. Touya is out here pushing his tiny body past its limits because he inherited the same obsession as his dad and neither of them can put it aside even though it’s destroying them, and yet all I can think about is Baby Shouto’s (。･o･｡) face. Anyways what a chapter.

so I have to confess that even though I managed to avoid being caught off-guard by the early leaks, the number of people reblogging my Endeavor posts from earlier this week and using the tag “bnha 301” kind of gave me an inkling that this chapter will include more Tododrama lol. that said, I don’t know anything else about it, so we’re still good spoiler-wise

AHHHHH FLAHSBAKC AHHHH. omg I know I typoed the shit out of that, but I’m just going to leave it lol I think it’s fitting

holy shit holy fuck. so this is Rei and Enji’s first meeting, then??

yepppp, oh shit

so wait, I know this is not even the slightest bit important, but are they meeting at Enji’s home or Rei’s? because I always figured that Enji was the one with the super-Japanese aesthetic, but maybe that was Rei’s side of the family all along

(ETA: from what I found during my very brief google search, omiai meetings are often held at fancy hotels or restaurants, so maybe that’s what this is.)

there’s such a period drama feel to this setting. like it’s so outrageously formal fff how can anyone stand this kind of atmosphere though seriously

OH THANK GOD

I mean they’re still stiff af but at least they’re not rigidly sitting in seiza and staring at each other unblinkingly anymore lol. Enji’s actually got his hands in his pockets now. why is this somehow almost cute

oh damn it’s the flowers

Rei seems so subdued and it’s so hard to get any idea of what she’s actually thinking. I want to see her side of this dammit

but anyway, so at least from Enji’s perspective it seems like even though the marriage was arranged and he picked her because of her quirk, he still loved his wife and wanted to do right by her. the fact that he was watching her and noticed that she liked the flowers, and remembered that detail for all these years -- there’s a reason why Horikoshi’s showing us this. we know what’s going to happen later on; we know how much fear and violence and breaking of trust is coming up ahead, and while it may seem like this scene is serving to soften Enji’s character further -- which to be fair it is -- it also helps drive home the full impact of his abuse. that it’s so terrible not only because of the trauma of the abuse itself, but also because of the way it retroactively destroys all of the good things as well. this could have potentially been such a sweet scene, but it’s inescapably tainted by the knowledge of what’s to come, at least for me. and that’s just brutal

anyways, shit. is the whole chapter going to be like this?? feel free to toss in something I can actually make a joke about sometime, Horikoshi

oop, back to the present

omfg lol

“are you all right” “NO I’M NOT ALL RIGHT WHAT THE FUCK.” “oh, right, because of all the stuff that’s happened with me abusing you and you having a mental breakdown and being hospitalized for ten years and then our son coming back to life and killing thirty people, right, right. I almost forgot.” whoops

omfg you guys I’m loving this new and improved steely-eyed Rei. I’m loving her a lot

and what do you mean “part one” fkjds how long is this going to be. TOO MUCH DRAMA FOR ONE CHAPTER TO HANDLE

oh, hello

yeah I’ll say you did. didn’t seem to bother you much at the time, though

HMMMMMMMMMMMM

Dabi Is A Noumu intensifies even further. anyways though would you fucking look at this boy lounging on this moth-eaten couch doing his best DRAW ME LIKE YOUR FRENCH GIRLS impression wtf

Dabi what if you actually had killed him??? what would you feel?? satisfaction?? regret?? anything at all?? tell me your secrets goddammit

who are you talking to buddy

Fuyumi-chan, Natsu-kun (is it common for brothers to address each other as -kun?? can’t recall seeing that in many other anime, but hey), and “dot dot dot,,,,,, SHOUTO” lol thank you so much for this bountiful heaping of Tododrama Horikoshi we are blessed

AH, WHAT DID I SAY THE OTHER DAY

ULTIMATE MELODRAMATIC THEATER CHILD. “I’M JUST GOING TO LIE ON THIS COUCH SHIRTLESS AND ALONE AND MAKE SPEECHES TO MY FAMILY MEMBERS WHO AREN’T THERE AND SAY THINGS LIKE ‘WATCH ME IN THE PITS OF HELL’ WITH A STRAIGHT FACE BECAUSE NO ONE’S THERE TO JUDGE ME.” WELL JOKE’S ON YOU MISTER CHATTERBOX BECAUSE I AM IN FACT JUDGING THE SHIT OUT OF YOU LOL

(ETA: and on a more serious note, it’s interesting to see that “look at me”/”watch me” theme being used again though, because we see that same sentiment uttered repeatedly by the younger Touya in the flashback. well kid, you definitely got your wish at last. don’t know what else to say.)

OKAY HORIKOSHI HAS DECIDED THAT’S ENOUGH FUN, TIME FOR MORE FLASHBACKS

oh my sweet precious lord

just as cute as we left him. giving us a child this cute when we all know full well what’s going to happen to him is just unspeakably cruel though

HOMG

I’m fucking speechless. you broke me, congratulations. what am I even supposed to do with this

I can’t get over this. moving forward my life will be split into two distinct parts, B.P. (Before the Pout) and A.P. (After the Pout)

and meanwhile there’s ALL THIS BACKGROUND ANGST BUILDING UP, AND I CAN’T EVEN FOCUS ON IT. Touya’s arm and cheek are covered in bandages (I’m guessing this is shortly after that “ouch!” panel we got some chapters back), and Enji is deliberately avoiding training with him because he doesn’t want him to hurt himself further. I can’t fucking get over the irony that all this time everyone thought Touya had died because Enji pushed him too far in his training, and it turns out that it’s the opposite -- the tragedy ultimately happened because he didn’t want to push him. but I’m jumping ahead of myself though I guess

by the way,

remember this?? just wanted to remind you that it exists just in case you forgot

so now someone is talking and basically saying that Touya is the exact opposite of what Enji was hoping for when he decided to start playing with quirk genetics

-- okay hold up

...lol no, never mind. for a second I thought “holy shit he looks kind of familiar WHAT IF IT’S UJIKO OMG” before I remembered that Enji would have recognized him during the hospital capture mission if that was the case. so NEVER MIND, PROCEED

IMAGINE THAT, ENJI DOESN’T QUITE SEEM SATISFIED WITH THIS SUGGESTION OF QUITTING NOW

(ETA: how the fuck did this man go around saving 62 towns in a single day what even is All Might.)

[clicks tongue several times] trouble a’brewin’

MEANWHILE BABY TOUYA HAS UNFORTUNATELY INHERITED HIS DAD’S STUBBORN STREAK

KLDIHWOEIJFL:KSDJ

!!!!!!!!!!!

oh my god. oh my god. what is this chapter. WHAT IS IT

so now Touya is all “YOU JUST DON’T UNDERSTAND MY MANLY DESIRE TO BURN MYSELF ALIVE” well you got her there champ

THEY’RE TOO CUTE. OH MY GOD. HIS FURIOUS LITTLE TEARS. HER CHUBBY LIL FACE. HIS STUBBY LIL FISTS. SOMEONE HELP ME

also are they just home alone lol or what. “hey Touya, you’re what, like six now?? do us a favor and look after your baby sister for a couple hours for us would you? make sure not to set yourself on fire or anything.” WHAT COULD POSSIBLY GO WRONG!!

now it’s nighttime and Enji and Rei are arguing, presumably about his decision not to train Touya anymore

whew. okay. so, a couple of things here

1. first of all I think this conclusively shows that Enji really was trying to do the best he could for Touya. he stopped training him as soon as he realized it was hurting him, but Touya was still determined so he tried to make it work anyway, and even visited doctors to try and figure out if there was anything they could do. then, once they were absolutely sure that it wasn’t going to work, he tried multiple times to explain to Touya why they had to stop. he didn’t just abandon him out of the blue, which is really important to note. “no matter how much I tried telling him...”

so yeah, that debunks another common fandom accusation. so by the time he finally makes this decision, which we all know is going to turn out horribly, it’s basically because he’s already tried everything else he could think of. which, by the way, still doesn’t mean he handled this right. but at the very least he was taking Touya’s feelings into account and he was trying, and he didn’t just abruptly toss his son aside (at least not yet)

2. buuuut, then there’s this panel right below all that

which is the other side of it. if he’d just quit like the doctor person advised him to, that would have been the end of it. Touya would still have been upset, but he would have eventually gotten over it and the family would have moved on and possibly even been happy. but what happens next happens because Enji can’t let go. he still has this maddening urge to surpass All Might, and so he and Rei keep having more children, and then Shouto is born, and Enji finally has a kid he can start projecting all of his hysterical ambitions onto once again, and everything starts spiraling out of control soon after

though p.s. none of that is Shouto’s fault though!! he’s one of the few good things to come out of this whole mess and I’m very happy that he exists. the tragedy is that his dad fucking lost his mind over his quirk and fucked everything up. but that’s on him, not Touya or Shouto

anyways, SLKFJLSHGLKJL

I CAN’T FUCKING TAKE THIS YOU GUYS??? LOOK AT THAT LIL BUTTON OF A NOSE??? I’M LOSING IT HERE???

AND TOUYA JUST SEEMS DEVASTATED OMG

because children aren’t stupid, after all. he understands that his dad is still looking to surpass All Might. and so he feels like a failure, and feels like his dad is trying to replace him because he wasn’t good enough. and even now, isn’t that what the adult Touya is trying to prove?? that he was good enough after all?? “I’ll show you what happens when you give up on me, dad”?? “I’ll show you what I can do”?? fuck my life fuck everything

AND YOU CAN SEE THE TOLL THAT IT’S ALL TAKING ON REI GETTING WORSE AND WORSE AS WELL OH GOD

really nice touch here with the panel outlines becoming all shimmery from the heat of Endeavor’s flames (and/or becoming more unstable as the family gets closer and closer to their breaking point). but man, Horikoshi I can’t handle this, please show us more cute kids or something I can’t

GKELKWFJLDKSHFLKL

WITTLE BABE. BEEB. BUBS. SMOL. lkj; oh ouch a piece of my heart just detached and latched onto him huh look at that

TODOROKI “I’M SO SMALL AND I HAVE NO IDEA WHAT’S GOING ON AND I DIDN’T ASK TO BE HERE” SHOUTO AHHHHH

crazy how they all just seem to know right off the bat lol. kid doesn’t even have object permanence yet, let alone a quirk. but do they care?? IT’S THE HAIR, RIGHT. WE’RE ALL THINKING IT, I’M JUST GONNA COME OUT AND SAY IT. they knew the minute they looked at him lol

AND MEANWHILE TOUYA IS OFF HAVING UNSUPERVISED TRAINING/CRYING SESSIONS IN THE MOUNTAINS OR WHATEVER, AND, UH OH

are those blue flames yet?? they seem pretty close

(ETA: this is one of the few cases where the manga being in black and white is infuriating lol.)

OH MY GOD AND STILL

so it’s not like he was so disinterested that he didn’t notice what was happening, and he was still trying to stop it and get through to him. trying to reassure him that it wasn’t the end of the world and there were other things he could do with his life, but this one particular thing just wasn’t going to happen

fucking hell. it’s agonizing seeing how close they actually were to fixing it. if he’d only said the right words, or if he’d realized at this point how destructive his obsession could be to his kids, and backed off from putting that same pressure on Shouto. we came so close to possibly having a happy ending

AND ALSO THIS HAS NOTHING TO DO WITH ANYTHING BUT PLEASE LOOK AT HOW TOUYA IS LIKE THREE AND A HALF FEET TALL AND HIS DAD IS LIKE NINE AND A HALF FEET. Touya barely comes past his knees flkjlkg. the Todoroki household must have been so filled with like plastic stepstools to reach the bathroom sink and all the little baby toothbrushes, and baby gates to keep the kiddos out of the important grown-up rooms and stuff. and also days-old half-empty cups of water and stale crackers and hot wheels and my little ponies strewn everywhere

“BUT EVERYONE AT SCHOOL SAYS THEY’RE GONNA BE HEROES” a wild Deku parallel appears?? how bout that

I know this is like a pivotal moment in the Todo Tragedy and all, but fucking look at this lil dumpling

“sup bro, it’s me, the manifestation of your fears of inadequacy and lack of fatherly affections. a GAAA. ba-baAA-baa [gurgling baby sounds]”

OHHHHH IT’S THE SOUND OF MY HEART BREAKING OH NO

HE WANTS TO BE LIKE YOU ENJI. good lord somebody please just get this family some therapy

“DAD YOU IGNITED IT IN ME” flkjslkj nope, nope. not ready for this pain here

baby Shouto, would you like to weigh in on this affair? “DA!! ba-ga-daaa, [pacifier chewing noises]” oh my, you don’t say. so insightful for one so young

OH MY GODDDDDD

IT’S SO DRAMATIC BUT ALL I CAN THINK ABOUT ARE THE SHOUNEN WOOSH LINES SURROUNDING FOUR-MONTH-OLD SHOUTO LOL HE WAS LIKE THIS FROM BIRTH OH MY GOD I AM DYING HELP

SHOUTO YOU’RE RUINING THIS ENTIRE CHAPTER!?!?!

“yo, the fuck kind of family was I fucking born into” oh, son. if you only knew. IF YOU ONLY KNEW!!

(ETA: lmao I got so distracted by the ridiculous cuteness that I glossed over the fact that Baby Touya seems to possibly be aiming at him?? it’s hard to tell because he’s also super out of it from heatstroke and may just be losing control in his attempt to show off his upgrade.)

ANYWAY THAT’S THE END EXCEPT WHAT’S THIS LAST LINE OMG

ffffff. and we’re in for ANOTHER chapter of this next week?? MORE drama?? MORE BABIES?? MORE OF EIGHT-YEAR-OLD TOUYA’S SLOW DESCENT INTO MADNESS. MY HEART CAN’T TAKE IT, BUT ALSO YES PLEASE SIGN ME UP

#bnha 301 #dabi #todoroki touya #endeavor #todoroki enji #todoroki rei #todoroki shouto #todoroki fuyumi #todoroki natsuo #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

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let-them-read-fics · 3 years

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Yours Truly (Pt. 1)

Requested By: Some of you!

Pairing: Jisoo x Fem!Reader

AU: College

Word Count: ~ Part 1 -> 9,786 // Part 2 -> 7,433

Warnings / Misc. -- Pining, Angst, Fluff

Disclaimer: This writing is a work of fiction, and no disrespect is meant for those mentioned herein.

A/N: Hey everyone! I finally have a few days off, so we're back to our (semi) regularly scheduled programming with this fic! I really hope you enjoy it; lmk what you think :)

PS ~ Once again, I had to split it into two parts to appease the Tumblr Overlords.

♡ Happy Reading ♡

Part 2 -- Click Here

🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

1.) A Day In Class

Where does true beauty come from?

Is it strictly based in someone's DNA, rooted entirely in the attractiveness of their features? Or is deeper than that; does it extend from their soul? The very essence of stardust and personality that makes them them? Is it in how they interact with others? How they carry themselves?

You, being the wannabe philosopher that you are, love hearing people's answers to those questions. Every response is unique in its own way, altered depending on the person asked, and you find that to be one of humanity's most wonderful qualities. Like snowflakes, we're all different; as such is our definition of beauty. It lies in the eye of the beholder, subjective in its nature, and you find that comforting. Just think: if 99% of the world's population found you unattractive, 78,000,000 would beg to differ.

Though, for one person, you're sure those rules don't apply. She's objectively beautiful, and no one even attempts to pretend otherwise.

Who, you may ask? Kim Jisoo, of course -- head of your school's student council, resident girl next door, and keeper of your heart. She's poised in every way, and refined to the point that you question if you're even deserving of knowing her. Humor and kindness radiate from her no matter where she goes, so it's really no surprise that so many people love her.

A tap on your shoulder pulls you from your thoughts, and you turn to look at your best friend. "Yo, Y/N. What did you get for number 32?" Jeong asks from his seat in the row directly behind you, trying to be as inconspicuous as possible. Your history professor likely wouldn't take kindly to being interrupted during his lecture, so you choose to show him your answer instead of responding out loud.

Jeong thanks you and continues to work on the activity you finished nearly 15 minutes ago, leaving you to half-heartedly listen to your professor. You're a good student, but even you have a limit to how much monotonous speaking you can handle in one sitting. As his words drone on, you roll your neck -- intending for the action to relieve some of the tension in your aching muscles; you're in for a surprise, however, when you lock eyes with none other than Jisoo herself. She offers a warm smile and wave, and the innocent actions send swarms of butterflies to take flight in your stomach. After sitting there for a moment, dumbstruck by her beauty, you snap to and return the gesture, making her giggle quietly.

Huh. So that's what angels sound like, then.

She turns back to her work after a minute, flipping the page every so often as she follows along with the lesson. You take note of how her eyes dart across the materials laid out on her desk, how her fingers mindlessly flirt with the edge of her sleeve in contemplation when she gets to a question that stumps her.

Never have you ever found yourself in such inner turmoil before. The sight before you begs to be seen -- to be admired -- but class continues on. As much as you try to fight it, your resolve eventually crumbles; foreign concepts now falling on fully deaf ears, you allow yourself to be entranced.

2.) Out In The Square

A Few Hours Later

Throngs of people stretch out before you, everyone making their way to various parts of campus as the blazingly hot sun beats down on them. Some run like their lives depend on it -- likely having overslept or missed campus transit -- while others take their time, catching up with friends and gossiping all the while. The soft pfft of sprinklers set up across the sections of lawn around you can be heard, going off every so often, and occasionally they're followed by the shouts of some unfortunate people getting soaked.

"You're so lucky, Y/N," Jeong groans from behind you. A grimace sits on his face as he flips through the pages of his Trigonometry book, looking for the reference graphs again. "No more classes for the rest of the week and you don't have any more assignments to finish? Remind me again how to become a teacher's pet, please." You roll your eyes with an amused smile, leaning back on your elbows to talk to him.

"I'm not a teacher's pet, Jeong. I just do my work on time instead of partying every night." He picks up a leftover piece of bread from the picnic basket that sits to his right and tosses it at you in retaliation to your little remark.

"I don't care what you say, those parties are always epic. One of these days I'll convince you to come along."

You shake your head, knowing there's no way you'd willingly attend one of them. From his stories, all those "epic" nights consist of is ridiculously drunken beer pong, sweaty people doing jello shots, and regrets.

"Not in a million years, loser." You say adamantly, not letting him trick himself into believing he's capable of swaying you.

With one last muttered phrase of, "we'll see about that," he returns to his studies, and you turn your attention elsewhere.

Scattered light filters in through the leaves of the tree you're sitting under, wrapping you in a blanket of warmth as your eyes scan across the crowd again. The sight brings to mind an idea that always fascinates you: everyone you meet is busy creating their own stories, writing and rewriting new possibilities and endings for themselves with each new choice they make. You can hear snippets of their conversations -- see instances of some having their best days while others are living through their worst -- and it really puts things into perspective. Although we may appear as side characters in those books of life that others are writing for themselves, we have no idea what they're going through at any given moment. So, you believe, that makes it all the more important to leave a positive impact on them; whether it be a kind smile, holding the door, or even a simple compliment, you're determined to have your legacy be one rooted in kindness.

Speaking of kindness in human form…

There she is, you think to yourself, feeling that all too familiar pitter patter of your heart pick up. Jisoo exits Building C, where her latest lecture just ended, and rushes down the stairs with her books in her arms. She's studying to become an actress, as far as you know, and you can't help but smile at the thought; she'll make an amazing star someday.

You watch as she meets up with 3 other girls, whom you immediately recognize as Lisa, Rosé, and Jennie, and they eagerly bounce their way over to the refreshment truck that one of your school's clubs had been so considerate to hire. It's the perfect day for a cold treat, after all.

Jisoo's dark hair flows in the gentle breeze that rolls in, looking like silk as it rides the currents. She's gorgeous in every way, and you can't help but be smitten; besides, it's not like you're not alone in your pining. She practically has the entire student body wrapped around her finger.

"Y/N, don't forget to blink. You're staring pretty hard," Yuqi says, raising up onto her elbow beside Jeong. He laughs with her, but his eyes remain glued to the notebook paper he's scribbling his work onto.

Your eyes dart away following her statement, and you know you've been caught. "I thought you were asleep," you bite back, attempting to hide the blush of embarrassment that's quickly flooding to your cheeks.

"I was, but I guess my intuition as your best friend woke me up. It's my mission in life to tease you."

"So I've gathered," you sarcastically smile at each other, making stupid faces like always.

"You love me," she flips her hair over her shoulder, appearing self-assured with the smirk that tugs at her lips.

"Do I though? I don't know sometimes..." she socks you in the arm, making you chuckle.

"All jokes, babe. Don't pout," you pinch her cheek until she grins, and then she begins telling you all about the dream she just had.

----

Jisoo leads her gang over to one of the nearby tables, making sure to choose her seat strategically. A special someone caught her attention earlier, as they have from the moment she first laid eyes on them months ago, and she hasn't been able to fight the urge to admire them. She watches as they laugh along with something their friend said, tilting their head back as the cheerful noise rings out. She finds herself smiling along, imagining what it would be like to make them laugh like that; it's a uniquely wonderful sound, and she can't help but adore it.

They lean across the blanket they're sitting on and dig through a picnic basket, retrieving what seems to be a sandwich packaged up in plastic wrap. One of their friends exaggeratedly thanks them, tackling them to the ground in a messy hug with a shout of gratitude that even Jisoo can hear from across the square.

"Earth to Jisoo!" Jennie says, raising her voice slightly as she snaps her fingers in front of the unnie. The former jolts back to attention with a little jump, clearing her throat to gather her thoughts.

"You know, you could always go talk to him. I've heard he's sweet." She tells the other girl, noticing the look of longing that's befallen her features.

"Yeah, Joy has Art with him on Thursdays. I think his name's Jeong or something like that." Lisa butts in before taking another lick of her ice cream.

Despite being so smart, the girls are really oblivious sometimes; Jisoo wasn't looking at him at all. She was looking at you.

She doesn't know if now is the right time to tell them that, though. She hasn't officially come out to them, but she isn't afraid that they won't accept her -- she just wants that moment to be special, and sweating in the middle of the campus square doesn't seem like the golden opportunity that she's been hoping for.

"Just eat your treats, knuckleheads." She concludes, taking a spoonful of the shaved ice she opted for instead of ice cream. The truck had multiple types of treats, with all kinds of different toppings and flavorings lining the walls.

"Okay…" Rosé trails off before adding, "but don't say we didn't try to help when you start wishing you had said something later." Jisoo uses her spoon to lower the one that Rosie had raised accusingly at her, reassuring the girl that she'd be fine.

She knows it's a lie, though; as the 4 of them later toss their trash in the bins and make their way to the student council room, Jisoo sneaks a last wistful glance at you, wishing she would've had the courage to start a conversation.

3.) One Step Closer

Friday, 1:34 PM -- A Few Days Later

"Hey, Minji. How many do we have today?" You wave at what kids have already been dropped off, your presence making their little faces light up with joy.

Your coworker responds from across the room, tossing a couple stray toys into their labeled baskets to keep the space tidy. "10 or so, I think. The last ones should be arriving soon." You nod and take off your coat, setting your things in one of the small cubbies against the wall just beyond the entrance.

"Y/N!" A small voice shouts from behind the counter, hidden from view. You smile deeply when you realize who it is, and you quickly dart around the corner to say hello. His chubby hands cover his mouth, but they do little in hiding his adorable grin. "Seungbum! How's my little munchkin?!" He squeals and runs into your arms, giggling loudly when you pick him up and spin him around. His dark hair sways from side to side with the movement, the slight waves sticking out in random places. A few seconds later, he wraps his arms around your neck and pulls back to look at you, settling into your secure hold.

"Can we play when Jia gets here? I promised her I'd show her the new trick I learned, but I wanna show you, too."

You smile at the sweet sentiment. "Of course, buddy. As long as you eat well at snack time, we can play however much you want." You raise an eyebrow at him, showing your authority, before saying, "I saw you put your veggies in your pocket last time and skip to dessert, so it'd better not happen again." He lowers his head after realizing he had been caught, and a hint of redness flushes his cheeks in embarrassment.

"Okay Y/N-yah."

You tickle him to make sure he knows you aren't mad at him, and soon he's laughing again. "Now, go wash your hands and get settled at the table, please."

"Yes ma'am." His tiny sneakers squeak against the floor as he races off towards one of the lowered sinks that borders the kitchen wall, and you shake your head with a smile.

Not even a second later, you feel a soft tug at your pant leg, and you turn around to find the source.

A head of brilliantly auburn hair is the first thing you see, and its shade compliments the child's outfit perfectly. "Hi sweetheart. Are you new?" You squat down to the young girl's level, noting how she shyly toys with her fingers as they rest in front of her. She nods, the movement so subtle that you almost don't notice it.

"My name's Y/N, and that awesome lady over there," you lean closer to her and point towards your coworker, "...is Minji. You can stay with us today, or you can play with the others, okay?" She nods again, her mannerisms letting you know just how shy she really is. Gently taking one of her hands, you hold it and look at her with a reassuring smile, asking, "Will you tell me your name?"

"I'm Aera." She meekly says, only maintaining eye contact for a second or two.

"That's a beautiful name," you compliment, seeing progress as she lightly smiles at your words. "And I love your bow," you add, touching the delicate material that rests near her ear, nestled into her straight locks. It has cherry blossoms and butterflies on it, all vibrant and neatly colored.

"Thank you, I picked it out myself." She perks up a bit now, raising her head to look at you with a proud smile. "Wow, really?" You put on an impressed expression, wanting to boost her confidence even more. "You'll have to help me choose one the next time I go shopping, then. You're great at it." The praise makes her chuckle, and her eyes squint into soft crescents in the process.

After stealing a glance at the table where everyone else has already gathered, you realize that they're waiting on you to start. "Alright, Aera, it's time to grab a bite to eat. Do you want to sit with me, or are you ready to be with the others?" You tilt your head to the side, asking the question softly so she doesn't feel overwhelmed. Having had this job for a while, you've gotten the hang of adjusting your behavior to put them at ease.

"With you," she says, growing a little timid again at the idea of mingling with them yet. "That's perfectly fine." You reassure her, smiling one more time before standing and leading her to the room. Her hand remains clutched in yours, wiggling around slightly from the height difference as she looks around.

"Who's ready for some snacks?" Minji asks the group, laughing when they all raise their hands and get excited. Their high pitched voices carry around the room as they discuss what foods they want to trade with each other, and soon everyone is happily munching away. You rub Aera's back sweetly as she eats some cucumber sticks, swinging her feet through the air beneath the short chair you retrieved from the table for her. She looks up into your eyes with a smile, melting your heart with the cuteness of her full cheeks. You squish them before turning away, feeling your 6th sense kick in as you scan your eyes across the rest of the group.

"Seungbum…" you warn, catching the way he's mischievously eyeing the carrots laid out before him on the table. He pokes at one of them and sighs, eventually giving in as he takes a hesitant bite of it. With some more convincing, he finishes the rest of the pack and gets started on his dessert.

----

Honestly, you feel sorry for the birds outside.

They must have had hundreds of mini heart attacks upon hearing the somehow earth-shattering roar of the 10 young kids, all blasting out the side door towards the playground. Some of them automatically race towards the swings or slides, while others approach the basket of toys and sports equipment. Aera, however, hangs back, her entire hand wrapped around just a few of your fingers. "What do you wanna do?" She shrugs, looking around at the different activities that the others are already starting.

"I can push you on the swings, or we could race. There're some monkey bars and a merry-go-round, too, that nobody's using right now." You suggest, hoping to catch her interest with one of them. Her attention snaps up to you at that last option, and she dramatically drops her jaw. "Did you say merry-go-round?" You nod with an amused grin, laughing when she lets out a cute noise of joy. After pointing her in the direction of it, she dashes off ahead of you and makes her way to it, only stopping to make sure you're still coming with her once she gets there.

"Hold on tight, little one." You advise, cheering when she giggles in anticipation. Her chuckles fill the airwaves as you spin the bar around, making sure not to pull too hard and make her too dizzy. You were once a kid, too, though, so you make it a point to add some serious speed every now and then to keep her entertained and happy. You remember playing on these all day when you were her age.

---

"Auntie!" Aera shrieks, excitedly thundering towards the fence that borders the playground. You finish cheering Seungbum on after watching his trick, grinning as he tries to flirt with Jia; she looks impressed. You turn around at Aera's commotion, feeling your eyes practically pop out of your head at who you see standing on the other side.

"How was your day, my love?" Jisoo asks sweetly, leaning over the metal divider to run a hand through her niece's hair lovingly. She still hasn't noticed your presence, and for that you don't know if you're relieved or saddened. Watching her interact with the young girl is quite adorable, though, and you're distracted from your personal gay panic for the time being.

"I've had so much fun. And Y/N-yah said she likes my hair clip! I told you this one was prettier than the one with just trees on it!" Aera says smugly, happy to have her decision pay off and prove her aunt wrong. Jisoo tenses up, not expecting to hear your name right now. Seeing that this is her first time picking Aera up, she had no idea you work at the daycare; though she'd be lying to say that it comes as a surprise -- you're a very warm person, so it's no wonder that you're good with kids.

As per Aera's request, you walk across the playground and join her in front of Jisoo. Now it's your turn to be shy; you sneak a glance at the student council president and immediately feel your cheeks heat up, so you busy yourself by patting Aera on the head. She hugs your leg and settles against your side, causing Jisoo to raise her eyebrows. "I'm impressed, Y/N. She usually doesn't open up to new people very easily."

"Ah, I'm surprised that such a cool girl like her wanted to hang out with me." You tease, tickling her side lightly when she hides behind the material of your shirt. "Do you want to come in and see what she drew today? She's definitely skilled." You suggest, trying not to sound too hopeful as you muster up the courage to look at Jisoo again. She's already smiling at you, a soft sort of adoration shining in her eyes as they rake over your features. She accepts your offer, and you walk over to the gate to let her in. Aera demands that you carry her, so you scoop her up into your arms as you make your way back into the daycare center. Her head sits on your shoulder, and you can feel her playfully making faces at Jisoo the entire way; her tiny frame jolts with each loud giggle she lets out, and the sound makes you smile.

---

"Yeah, she was my sidekick for the day." You respond to Jisoo, continuing your conversation as you watch Aera remove her drawing from the cork board that she taped it to earlier. Displaying the kids' artwork is something that you advocated for when you first began working here, and you're so glad you did; they always get excited to share their works.

"She's a lucky girl, then." She says, doing her best to ignore the feeling of your eyes on her. Focusing on anything other than you is already hard enough for her, but she knows there'd be no hope left if she gives in now.

"Y/N helped me draw this. She doodled Dalgom in the corner," Aera cheerily says, breaking the slight tension in the air as she approaches the table. Most of the other kids have already been picked up, and Minji's watching the handful that haven't.

"It's not very good," you cringe, scratching the back of your neck. You've seen him a few times since the beginning of the year, whether it be on walks across campus with Jisoo, or perched on her desk during "bring your pet to class" day.

"It's adorable; Dalgomie will be honored when I show it to him." Jisoo says with a nod, shutting down your insecurities within a second. You fail to contain the laugh that slips past your lips, disbelief present in your voice as you ask, "You're going to show him?" She looks at you like you have 3 heads. "It would be a disgrace not to."

With a breathy chuckle, you say, "You're so strange. I like it, though."

Jisoo smiles at that, and the three of you discuss all of the fun things you did that day. Jisoo tells you about the classes she had to sit through, and even how she stepped in gum and had to borrow a pair of Rosé's shoes.

---

All good things must come to an end, though, and after about half an hour of talking, it was time to say goodbye.

You lead them out the door and down the sidewalk as per Aera's request, yet again (that child is basically a mini dictator at this point, but she's cute so she gets a free pass). As she rustles around her bag in search of her keys, Jisoo accidentally knocks her earbud case out, sending it tumbling to the ground. "Oh! Here, I'll grab it for you." You kindly offer, stepping past her to retrieve it from the grass. She takes it from you with a word of gratitude uttered in that angelic voice of hers, and you begin your goodbyes upon hearing Minji call your name.

"I'll see you around, Jisoo. And Aera, I expect to see you next week." You wiggle a finger at the little girl, donning a shocked expression when she pretends to bite it. "Can't you tell we're related?" Jisoo asks with a smile, ruffling her niece's hair. "The resemblance is uncanny," you laugh, watching as both of them join in with you.

"Y/N, come on!" Minji whines, sounding like a toddler herself. You initially go to brush off her request in order to spend a few more seconds with the two of them, but when she stands in the doorway, entering your line of sight, you see why she's so desperate for your help -- two of the children still waiting on their parents are climbing on her, about to knock her over at any second. Her face is beet red from the effort she's exerting, and her hair is mussed wildly.

"Oh shhh---" you start, catching yourself when Jisoo widens her eyes at you and goes to cover Aera's ears, "--shiitake mushrooms!" You finish with a nervous smile, gaining a stunned laugh from your crush. "Bye girls; gotta go. I'm on my way, Minji!" You call out like a superhero, running to her aid as fast as your legs will carry you.

Jisoo watches you wrangle one of the squirmy kids off of her and initiate a tickle fight to distract him and give Minji time to deal with the other one. She smiles like a dork at your actions, realizing she would be content with watching you all day. You're a natural with them, and seeing you in action is something she wishes she had the chance to do more often. With that, she turns around and picks Aera up; the youngster nuzzles into her embrace, lazily slumping onto her after having such a tiring day. As Jisoo goes to take a step forward, she notices something on the ground: a piece of paper. It's been folded neatly many times, and it reminds her of the notes she would always pass to her friends back in elementary school. Her curiosity gets the better of her, and she can't resist the urge to pick it up.

"To The Girl Who'll Never Know I Love Her"

Her eyes scan across the words and she unfolds the note, making sure to keep a steady grip on Aera with her other arm. An almost unnoticeable signature is scribbled in the bottom corner, and she nearly scares Aera by squealing in pleasant surprise.

It's your name, curled into the letters that are so uniquely yours; the paper must've fallen out of your pocket when you bent down to get her case earlier.

After buckling her niece into her car seat and climbing into the driver's seat, Jisoo unfolds the note again and begins reading. She's like a giddy kid all over again, and part of her feels bad for giving into temptation. She reasons with herself by promising to give it back to you the next time she sees you, and that manages to rid her conscience of some of the guilt she feels. For now, though, she's eager to see what it contains.

The first thing to catch her eye is a poem written neatly underneath a doodle of a rabbit, likely serving as some sort of label. Everyone on campus knows of her nickname and resemblance to rabbits, and she can't help but hope that your drawing wasn't simply a coincidence.

Poison, is what you are

A bittersweet mix, intoxicatingly beautiful

For one glance from you

Steals every breath I had so foolishly believed was mine to take

For one smile from you

Sends me reeling, falling all over again

She nearly swoons at the words, rereading them multiple times over and imagining you saying them to her. She wonders how the syllables would fall from your lips, which ones you'd stress to alter the meaning into whatever you imagined when you wrote them. Whether or not they're written for her, she may never know; all she's aware of right now is how they make her feel, and how that feeling is one that she never wants to stop experiencing.

4.) Practice Makes Perfect

2 Weeks, 3 Exams, and 1 Mental Breakdown Later

"Coming!" You call out, using all of your strength to push your rolling chair away from your desk and across the room towards the door.

"Y/N L/N, at your service," you say, doing a little bow in your seat. Upon looking up to see who's in front of you, your eyes lock with the same girl who's been living in your mind rent free ever since you met her.

"Jisoo!" You announce a little louder than intended, scrambling up into a standing position before kicking the chair backwards. You wince when it collides with something behind you, filling the room with noise as a few of your knick knacks clatter to the floor. Jisoo has to fight to contain the smile on her lips, pursing them as she looks towards the ground so as to not embarrass you.

It's too late though -- you've already made a fool of yourself, and right in front of your crush, no less.

"What can I do for you?" You ask, finally relaxing your face from its previously scrunched up position.

"Are you busy right now? I have a favor to ask and you might be the only person who can help me out." Her eyebrows raise inquisitively at you, quirking up in that special way they always do when she's focusing in class.

She could ask you to do just about anything, and you'd be agreeing without hesitation; no questions asked.

"N-no, just doing a little studying is all. How can I help?" You'd normally curse yourself for sounding so shy, but she looks especially gorgeous tonight and you can't even blame yourself for it. The fluorescent bulbs of the dorm's hallway fail to even put a dent in the glow she's radiating, and that's no small feat -- those horrible little things are usually capable of making anyone look bad, and yet, once again, Jisoo manages to break the mold.

"Mrs. Choi assigned a rehearsal for me tonight, and I need a peer to score how well I do. I trust you to do it." She says, having no idea how much her words are affecting you.

Review portions of the semester are crucial to every major's success, but arguably none so much as those studying to be actors. The peer and admin reviews that they receive account for a large chunk of their grade, so you can imagine how nerve-racking it would be to put that kind of power in someone else's hands. You're touched that she trusts you with it.

"I'd love to help, Jisoo. Just curious, though: why don't you have one of the girls help? They probably know more about it than me, after all." Everyone knows how close JenChuLiChaeng are, so her decision to choose you is genuinely intriguing.

Shit. For some reason, Jisoo hadn't anticipated that you'd ask that question. The thought had never crossed her mind earlier, when she was preoccupied with convincing herself to come in the first place, so she has to think something up on the fly.

"They're all busy with work. Couldn't afford to lose any precious cramming time, you know?" She says, a hint of nervousness behind the small laugh she lets out. It's uncharacteristic for her, considering she's usually so confident all the time, but you think it's adorable.

"Ryujin's the same way," you tease, turning your head to look at your roommate. She's across the room on her bed, reading through her book as she holds her middle finger up to let you know she heard your comment. "What a sweetie," you coo, blowing a kiss at her that makes her roll her eyes and smile despite herself. She pretends to be hardcore, but after spending the past few months with her you've discovered that she's actually the human embodiment of a cinnamon roll.

"Well," you say, turning back to Jisoo, "when do you have to start?"

She pulls her sleeve back to glance at her watch before returning her gaze to you. "Gotta be back at the dorm in 10 minutes."

Your eyebrows shoot up in surprise, the inner honor student in you already panicking. "10 minutes?! It's all the way across campus, Jisoo!"

She laughs at you now, bringing a hand up to cover her mouth. "I'm kidding; we still have a couple hours. You should've seen your face, though. Priceless."

"That's no way to treat someone who practically has your grade resting in their hands." You say smugly, a little smirk playing on your lips when her jaw drops dramatically.

"You wouldn't dare," she narrows her eyes, referencing the notion that you might give her bad marks because of that little prank.

"Maybe, or maybe not. Perhaps I'll be merciful if you take me to get something to eat first."

"Food as a peace offering? Alright, I can do that."

You smile, doing a dorky little cheer at that. "Okay, I'll be right out; just give me a second to make myself look presentable."

Jisoo accepts your words with a curt nod, but she wants to tell you that you already look more than presentable. When you first opened the door earlier and she saw you in your study glasses, she couldn't help but smile like a fool; you're adorable, especially to her, and she wishes you could see that.

A couple minutes later you exit your dorm and find her leaned up against the hallway wall, her hands fidgeting in front of her. Is she nervous?

"So, where would you like to go?" You ask, pulling the thin material of your jacket over your shoulders. It's lightweight -- seeing as how the weather doesn't call for a large one -- and it feels soft against your skin.

As the two of you fall into step with each other, she responds, "It's up to you, princess. Since I'm at your mercy and all." Her smirk is visible in your peripheral.

The nickname causes your heart to flutter in your chest, thudding around even harder than it had before. "U-uh, how about the noodle place?" You suggest, trying not to cringe at the stutter in your voice. You've heard that she likes chicken and ramen, and that shop is known as the best restaurant on campus for it.

"110%. You know me so well," she says dreamily, batting her eyelashes at you with a silly smile.

"Called it," you retort, brushing your shoulder off nonchalantly. "Now come on, I'm hungry and ready to spend all of your money." Her hand slips into yours when you reach down for it, almost instinctively, feeling like it was meant to be there all along, and you tug her down the hallway towards the elevator.

----

"I know! If Mr. Johnson assigns another project like that then I'll politely be jumping out a window."

Jisoo laughs at how animated you are, even having to stop chewing her mouthful of food momentarily to make sure she doesn't choke. She really loves hanging out with you; you make everything fun, and all of the stress she feels on a daily basis seems to vanish into thin air.

"I did pretty bad on that last one," Jisoo adds, grimacing as she remembers her score.

"You literally got a 93 out of 100, shut up." You shake your head with an amused smile, reaching across the table to snatch a piece of gimbap from her plate.

"Hey--" she goes to yell at you, but her phone vibrates against the table, successfully stopping her.

"Hello?" She answers, silently starting a chopstick war with you when you reach for another piece. When the person on the other end begins talking, she stops playing in order to concentrate on what they're saying.

"Did she cancel?" She asks, furrowing her brow as her lips form into a natural pout. She sighs, rubbing her temple gently as the conversation continues. "Okay, I'm out with a friend right now, but you can go ahead and head that way. We'll meet you there. Alright, love you, too. Bye."

You raise an eyebrow, wordlessly requesting info about what new plan you're being involved in. "That was my brother; the babysitter cancelled on them last minute, so we have to watch Aera for a few hours." Jisoo loves her niece dearly, but she can't deny that she wanted to spend the evening alone with you. She's afraid the little girl will steal all of your attention away, as childish as that may seem.

"You're such a good person," you compliment, only to frown when she brushes off your words. "I mean it, Jisoo. You always take care of everybody around you; it's admirable. Now take the compliment or I'll team up with Aera later and tease you."

She rolls her eyes with a smile, saying, "You're gonna do that regardless."

"That's not the point," you pout, stomping your foot on the ground lightly.

"Fine; tis I, Jisoo, the greatest person in all of existence. Happy now?"

"Ecstatic." You beam at her, returning back to your cheery self. "I'll go grab some boxes for us, okay?" She nods, and you scurry off on your mission.

----

Back At Jisoo's Dorm

Images flash across the large, flatscreen TV mounted to the wall across from you, displaying scenes of whatever cartoon the network decided to air right now. Aera isn't being picky; she's content with sitting in your lap, mindlessly fidgeting with the necklace that loosely dangles from your neck as she remains entranced by the screen. Your arms are around her to make her feel secure, and her small frame racks against you with every sweet giggle she lets out anytime a new joke is told by one of her favorite characters.

Jisoo observes from the kitchen, leaning back against the countertop to settle in while she waits for Aera's favorite snack to heat up. She watches as you point to various things on the TV, having her name the ones she knows and teaching her others that she doesn't.

She loves seeing you like this. You're beaming in that special way that sets her heart on fire, and the flames are only fanned when you turn to look at her. Somehow, the sight reminds her of the first time she met you:

It was orientation week -- the beginning of the school year -- and you were taking a tour around campus with some of your friends. You were lucky to have them; you'd only kept in contact with a handful of people from high school, knowing full well that most of those relationships were only rooted in superficiality, never meant to last. But this motley crew was different; they saw you for you, and all of you genuinely enjoyed each other's company. It didn't have the same air of awkward tension as the fake friendships had -- this was real and honest, and you thanked your lucky stars for them on the daily.

All of you had managed to get into your dream schools, and the reality was bittersweet; you'd all be moving away from each other and beginning your own lives, having less and less time for each other in the process. You were beyond proud of them, and yourself, for that matter, but it still hurt to think that they wouldn't be just a few blocks away anymore. That you couldn't just swing by their house to go on a late night drive through the city like you used to. As exciting as your new experiences were bound to be, part of you was terrified; your life up until now had been fairly safe, creating a little security blanket to protect you from all that life had in store, but now you were on your own and the idea was a bit daunting. The memories you made together comforted you, though, and kept the sadness at bay.

"Dude, this place is sick. How did you manage to make it in again?"

"Because she's smart, dumbass. We should be asking you that question."

"Ouch, (Friend's Name), that hurt."

"Do you still have those chips from earlier? I'm starving over here."

"Yeah, here, they're in my bag."

Pockets of separate conversations can be heard from behind you, all of your friends chatting away while you walk ahead of them, map and schedule in hand. The campus is fairly large, and with so many buildings and classrooms it's easy to get confused. You continue walking, running a finger along the map to trace the path you intend to take towards the Help Center.

In your preoccupied state, you don't even realize that you're headed straight for a trash can that sits on the sidewalk, mere seconds away from colliding with it.

A passerby notices just in the nick of time, reaching an arm out in front of you to prevent the accident with a noise of warning. You tense up, not expecting the sudden interruption, and look up into the eyes of your savior. Her dark orbs peer back at you, an innocent gleam in them when she sees your lips slowly tug into a smile.

She mirrors your actions, neither of you saying anything yet. You couldn't utter a word even if you wanted to; her beauty leaves you speechless.

"That was close," she says quietly, only to you. Your friends have almost caught up with you now, still busy with their own conversations, though they'll tease you once they see a gorgeous stranger's arm wrapped around you.

"Thank you," you breathe out, clearing your throat as you take a step away from her.

"Ooh, who's this, Y/N?" One of your friends coos, garnering a chorus of childish "oohs" and kissy noises from the others. Why are they so obnoxious?

You apologetically glance at the girl one more time before turning around to respond to them, but she speaks up before you can.

"Kim Jisoo." She introduces, facing them with a wide smile. It's easy to see that she's done this before; her tone is pleasant and light, not even a hint of hesitancy in it. She's used to being the center of attention; you can tell by the way she carries herself and commands the space.

"I see you guys are taking a tour, right?" She looks between all of you, though her eyes linger on you for a second too long to be brushed off as 'just friendly'.

You nod, saying, "I can't find my last class. It's a Gen Ed one; World History, room 435. The map says it's in Complex D, but the room was vacant when we went by."

She listens intently, paying attention to your every word. "They must've handed out the old maps by accident, then. Mr. Johnson had to move rooms to accommodate larger class sizes. When do you have him?"

You unfold your schedule again, gazing down at the slightly crumpled sheet until your eyes find their target. "Tuesdays and Thursdays, 1PM."

Upon registering what you said, Jisoo does her best to contain the grin that threatens to spread across her face. "Ah, same as me! I can take you to the room, if you'd like. That way you can find it next week." She offers, pleased by the fact that she'll be seeing you more often. Your cute mannerisms have already thrown her for a loop, and she wants to get to know you better.

"That would be great." You let out a relieved laugh, releasing the worry you felt; tours are meant to end within 20 minutes or so, and before Jisoo came you were afraid you'd never find your last class. She's saving the day again, it seems.

"Great, follow me," she smiles warmly, placing a gentle hand on the small of your back to turn you in the right direction. When you give your friends one last glance over your shoulder, you find them giving you thumbs up with smirks on their faces. One of them puckers their lips at you, and you stick your tongue out in return.

You're not sure what they'll end up doing while you finish your tour, though it'll likely involve either skating or eating fast food. They have each other to keep themselves entertained, so you're not worried about them in the slightest. You make a mental note to text them when you're done to meet up again.

Jisoo smiles like an idiot when she realizes what's happening behind her, failing miserably to hide it when you spin back around and give your full attention to her.

"What?" You ask, leaning in closer to her to nudge her shoulder when she looks away, blushing.

"Nothing," she shakes her head, only to be prompted by you again. "You're just cute, is all."

You have to use all your power to hold back the squeal you want to let out at hearing that. Kim Jisoo, as you now know her to be, thinks you're cute? You must be dreaming.

"That's funny, I don't remember turning into a mirror."

"Yah, babo!" She chuckles, not expecting that as she smacks the back of your head with no real force. The two of you share a laugh and continue talking while you make your way to the room.

Beeping sounds from the microwave bring Jisoo back down to Earth, causing the pleasant memory to fade more and more with every incessant signal that cuts through the air. She grabs a couple heat guards and approaches the machine, carefully opening the steaming package and pouring its contents into a big, shareable bowl. Though it may be Aera's favorite food, she'd be damned to not make enough for the two of you as well. After all, keeping her entertained will take plenty of energy.

"Did this princess order one heaping bowl of popcorn or am I at the wrong castle?" Jisoo plays, padding into the room with a bright smile on her face as she looks over at her niece. The smell of her snack snaps Aera back to reality, making her eyes light up with pure joy as she leaps off of your lap and runs to Jisoo. She wraps her arms around her legs, thanking her in that sweet little voice of hers as she gazes up at her aunt with stars in her eyes.

"Thank you, thank you, thank you!" She chants, wiggling her body around in excitement. She lets go when Jisoo goes to walk to the couch, following close behind her like an eager puppy.

She approaches you again, making grabby hands for you to lift her onto your lap even though she's more than capable of getting up there by herself. Nevertheless, you pull her up with a humored grin, watching as she puts her hands in her lap and patiently waits for the two of you to get a bite first. Her ability to follow manners is commendable, though the slight twitch of her lip when she gets a whiff of the food is pretty adorable.

"Dig in," you say around your mouthful of food, locking eyes with Jisoo when Aera jumps at the opportunity to follow your instructions. You never have to tell her twice when it comes to food.

"Yep, definitely related."

Jisoo laughs at your comment, reaching over top of Aera to flick you in the forehead. She shrugs at your pained exclamation, uttering a nonchalant "Sorry, not sorry," as the two of you crack up together.

----

"Y/N, how the hell did you manage to do that?" Jisoo whispers, not bothering to censor herself when she sees Aera fast asleep in your arms. It's not like she could hear her anyway.

"She was already kinda tired when she got here; I just made sure to get that last little bit of energy out with the games. Have you forgotten that I know a thing or two about kids?" You tease, turning to her with a smile when you finish walking up the short staircase.

"You don't understand: usually it takes us hours to settle her down. She's just a totally different person around you."

"Must be my awesomeness."

"Hmm, must be," Jisoo hums, quietly opening her bedroom door for you and watching as you carefully lay Aera down. You tuck her under the blankets with care, making sure to brush the hair out of her face and adjust her pillow a bit. Jisoo leans against the doorframe, adding the scene before her to her list of reasons for loving you. Seeing you in such a domestic situation gives her baby fever, and she has to push the persistent feeling away.

"Ready?" You whisper with one last look over your shoulder, giving Jisoo your undivided attention once you confirm that Aera's alright.

"Let's do it," she says, pulling the door to but not latching it. The two of you will be in the living room, just down the hall, and you want to be able to hear her in case she needs something. So responsible.

You take in the dorm as Jisoo leads you towards your destination, amazed at how much bigger it is than yours and Ryujin's. This one has separate rooms equipped with their own personal bathrooms, a decent kitchen, and, of course, a living area. Clearly, having ties to the school and being president of the student council come with some major perks. Your socked feet pad against the hardwood floor, and you close what little distance is left between Jisoo and yourself to press your body against her back, wrapping your arms around her. She lets out a little noise of surprise, but doesn't protest; she tucks one of her hands into your clasped ones and uses the other to rub your forearm.

A few moments later you plop down onto the couch and get comfortable on the cushions. Jisoo digs around in her bag that leans against the tv stand, searching for the script of her upcoming production. Her shirt rides up slightly, giving you a perfect view of her beautifully sculpted stomach, and her skin looks ethereal as it glows in the soft lamplight of the room. Embarrassed for admiring her in such a way, you avert your gaze, failing to notice how she subtly bites her lip as she approaches you; she planned that little show, and it worked.

"Okay, so here's the scoring sheet," she hands you a semi-formal looking paper, along with a pencil and clipboard to use as a stabilizer. "I'll be reading from the first few pages on my own, but I was wondering if you'd fill in for the male lead for some of the other parts? It's a lot easier to get into character if I have someone's energy to feed off of."

You smile at how cute she sounded with her little rambled request, and nod. "Of course, Jisoo. I doubt I'll be any good, though." She releases a sigh at that, happy to have you agree; her plan is coming along nicely, but there's always room for things to go wrong.

"I'm sure you're better than you think."

"Stop sucking up, Chu. Flattery won't make me raise your grade," you warn, pointing the pencil at her sternly. Your tone sends a shiver down her spine, though it goes unnoticed by you.

"Let's just get started." She concludes, doing her best to keep from getting too flustered under your already watchful eye.

----

Her show is well underway, caught somewhere towards the end of act two, and you're enthralled by the performance she's giving. The paper that once rested in your lap is marked up with comments of praise and proud annotations to accompany your high scoring, though now it lays forgotten about on the coffee table, serving no purpose any longer. You finished all of the required sections necessary for your peer review, and now you're just enjoying the journey that Jisoo is continuing to take you on.

You look back up into her eyes after reading off the lines of the character you're filling in for, looking completely unskilled next to the pure talent that she's exuding. She stands from the couch, looking down at you with an exasperated expression as she remains in character.

"You don't get it!" She raises her voice slightly, though not loud enough to wake Aera. Even while in the intense mindset she has to be in for her character, she keeps one foot in the reality of this world, making sure to behave appropriately.

"Enlighten me, then." You stand and retort, shifting a bit closer to her after reciting your line.

"Only when I'm with you do I feel true happiness. Your kind eyes bring me comfort like no other; I'm safe in your arms. For you, my love," she pauses, her eyes brimming with tears from the emotional words she's spent so much time rehearsing. "...there isn't a thing in this world that I wouldn't do." Your breath is held tightly in your throat, and your hands subconsciously grip onto the material of your jeans.

Only now do you realize how close the two of you have migrated to one another; she's merely a breath away, so close you can feel the warmth radiating from her. You swallow thickly, feeling your nerves come alive with every second that passes in heated silence, neither of you knowing what to do now. You've lost the desire to read your next line, and she doesn't seem too upset by that fact. Her eyes slowly scan over your features, and the lovesick look in them makes you question if she's still in character or slipping out of it.

After her gaze darts down to your lips and she licks her own without even realizing it, you seriously begin hoping for the latter of the two options.

She searches your face for any sign of refusal as she leans in closer, now bringing her arms up to wrap around your waist and lightly ball the material of your shirt up into her fists. Your hands rest on her shoulders, and you glide your fingertips over her jawline. A singular nod is the last form of consent that you give her before she pulls you closer.

Her lips ghost over yours, receiving some of the vanilla balm you applied earlier; her breath hitches when you tug at the collar of her university sweater, teasingly taking her bottom lip between your teeth. She wants to savor this moment, so she fights against her urge to dive right in and get lost in you.

Within seconds, she's kicking herself for that decision.

"Auntie? Y/N?" Aera calls sleepily from just around the corner, making the two of you spring away from each other. When she appears less than a second later, you realize how close you had been to getting caught. Jisoo refuses to meet your gaze when you look towards her, and that simple action disheartens you a bit.

"Hey, sweetheart. Bad dream?" You ask, using your inference skills after noticing the way that she's clutching her stuffed bunny close to her chest. Her lip trembles as she nods, and the sight breaks your heart. Quickly, you pick her up again, assuring her that she's safe and that you'd slay any monster that dared to hurt her, even in her dreams. A small smile tugs at her lips, and she brings a fist up to rub her eye. "How about this: I'll do a quadruple check of the room for you, and stay with you until you fall asleep. Sound good?"

She utters a tired, "Yes, Y/N-yah", before laying her head on your shoulder and waving a goodbye towards Jisoo as you take her back to the room.

Four sweeps of the room and one fight with a ghost later, you tuck her in again and lay a sweet kiss to her forehead. "Love you," she mumbles lazily, making your heart melt. Kids say that phrase quickly, without even realizing the weight that it has, but you're always glad to accept whatever they imagine it to be. Whether she loves you for playing with her, tucking her in, or defending her honor against imaginary monsters, you don't really care all that much -- she loves you in the ways that she knows how, and that's all that matters.

"I love you, too, Aera. Sleep well." You tuck a piece of hair behind her ear and settle against the wall, prepared to come through on your promise.

----

"Hey," you start, albeit a bit awkwardly.

"Hey," Jisoo returns, pushing her leftovers from the restaurant around her plate half-heartedly. You approach the marble countertop that she sits behind, silently begging for her to look up at you.

"Should we talk about earlier?" You quietly ask, picking at imaginary imperfections on the surface of the countertop.

"What about it?"

"We practically kissed--"

"It was in the script to do so, Y/N." She says, finally looking up at you. She sounds a bit hostile now, like she's getting defensive for some unknown reason.

"Oh," the simple utterance is all you can manage, seeing as how your brain is running a mile a minute. You want to ask if it meant anything else to her -- if she would've taken it farther, had Aera not walked in -- but you don't. Her tone serves as enough of an answer, and you're not sure you could stand to hear her verbalize your fears anyway.

"Well I guess I should go, then." You retract your hand and put it in your pocket, realizing how stupid you were for thinking she could like you back. She doesn't; she was just in need of a helping hand tonight, and you offered that. You shouldn't have tried to turn it into anything that it wasn't.

Hearing the disappointment in your voice makes her want to confess right then and there, but something still holds her back -- some force is yelling at her to keep her feelings hidden for fear of rejection. "I can drive you."

You shake your head. "Nah, it's okay. I'll have Ryujin come get me. You can't leave Aera here and I wouldn't want to have to wake her up just for you to drive me across campus." Jisoo agrees, realizing that she didn't even think about that at first.

"Goodnight, Jisoo." You say, heading off towards the front door. She returns the gesture, reminding you to be safe as she locks it behind you and watches you dial up your roommate's number. Before long, she pulls into one of the parking spaces in front of the dorm, and the two of you drive away.

Click Here For Part 2

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thepotentialof2007 · 3 years

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Documentary director Matt Kay

Excerpts from two recent interviews with the director attached to the newly announced Lewis Hamilton documentary

Why do you think diversity in film both on and off screen is important?

“There’s loads of reasons and I could spend a whole hour just on that, but if I was to give a short answer, it would be that I feel that you’re never quite sure what is possible until you can see what is possible, so it’s extremely important to have role models that look like you in potentially inspirational spaces. I also think it's really important to provide opportunities for the next generation and for kids to have a shot and then be able to make something of themselves. You need to see something inspiring for you to then be able to be inspiring yourself.

“I also think that whatever diversity looks like – it could be through disability, through race, through age, through sex – I feel like you need those different types of voices to contribute and it’s not just about giving people a helping hand, it’s about what they’re also giving you and the value in that diversity, and so I would try and encourage other people to see the power in diversity and if you are from a diverse background, whatever you want to take that to mean, it's good to see our own self-worth through what we have to offer.”

How do you find the subjects for your films and what are the qualities you look for which you think make for great stories?

“Making a documentary takes a huge amount of time and is a big commitment both from their side of things and from yours, so you want to do it with people that you get on with and that you’re interested in and believe in. It also needs to be something that I will really want to see as well if I think of it as a finished thing. I prefer to be surrounded by people I would like to be spending time with, not people that I’m infuriated with the whole time, so I prefer to do films with inspiring people who I think are doing amazing things and that are going to cool places and doing cool things that I would like to tag along with.”

“ - so there’s the film itself but then also, from a socially minded place, trying to make an impact there as well. When I finish a film, I try to see it in two ways: how can we get it in front of the most people but then also, how can we try and effect change by showing it to people who may have more power to do something?”

[↑ 1] [2 ↓]

“I’ve been making docs for about nine years [as of 2020] and have worked with broadcasters, platforms and brands throughout that time. Documentary filmmaking has taken me to favelas, an illegal detention centre in the desert and even a floating village! I’ve been lucky enough to have met many amazing people along the way and filmed in lots of countries.”

Regarding his Netflix short Little Miss Sumo

“I was inspired by the unique situation of female sumo wrestlers. They dedicate their lives to the sport training three hours a day, six days a week only to have to give it up when they graduate because women are banned from professional sumo. I was inspired by their passion for the sport despite being restricted. There are unfortunately many glass ceilings present in the world for women but I haven’t encountered many as overt as in the world of sumo where it is written into the rules that they are forbidden from competing.

I contacted a few sumo clubs and Ritsumeikan was the oldest in Japan and receptive to me filming so I decided to film there. Hiyori was the youngest sumo wrestler at the club, she came from a village in the mountains and had just started university in the big city so I thought this was a particularly formative period for her. She also studied Gender Studies which I thought was really interesting and may influence her perspective on the female ban.”

#matt kay #lewis hamilton #f1 #director #documentary #little miss sumo #to watch

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imasimpforshanks · 3 years

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hiii, how are you? may i ask angst alphabet for Ace? thank you ❤️

Angst Alphabet - Portgas D. Ace

a/n: hi hi!! here you go! OMG angst is still really hard LOL I don’t want to think about their rough life 😔😔😔😔😔 ANYWHOOOOO thank you for requesting and I hope you enjoy<3

warnings: on the letter S there is mention of self harm

A-Accident (would they blame themselves if you died in an accident?)

Ace would definitely blame himself. He’s always thought he was a no-good demon child, son of a criminal that didn’t deserve to be alive (despite finding people that truly cared and loved him). You dying in an accident and him not being able to do anything about it would just reinforce what he already thinks of himself.

Regardless of your cause of death he is likely to attribute it to your association with himself, and because of that he will think it is entirely his fault, even if he wasn’t present at the time of your death.

B-Break up (How would they break up with you?)

His lessons with Makino really helped him develop manners and just a general sense of acceptable behaviour. So, Ace would just be clear and up front, no mixed messages, no miscommunication. He would take you some place quiet and away from others, and then he would be as honest and vulnerable as possible – it’s the least you deserve. The break-up would be very civil, you would definitely end on good terms (doesn’t make it any less sad though).

C-Crying (how would they make you cry?)

Sometimes Ace can take his teasing a little too far. Usually you can handle it, but there are just some days where his words cut deeper than ever intended (even if they have no malice behind them). It’s not his fault you’re having a bad day, or not realizing you are having a bad day. It’s just one of those things that happens sometimes. As soon as you start to cry though, he apologizes and reassures you so much, to make sure you known he doesn’t mean it and he’s only playing around.

D-Death (how would they react to your death?)

It would start out with a lot of confusion, like “what t-that must be some kind of a sick joke. H-how… w-what… they wouldn’t just die like that.” After it really sinks in that you have in fact died, Ace will just get angry. I don’t see him as much of a crier (spoiler alert – we only see him truly allow himself to cry on two occasions 1) when luffy got crazy hurt as a child and 2) when ace was on deaths door), so I believe he would react with anger.

Regardless of your cause of death (natural causes, accident, died in battle etc.) Ace would be unbelievably angry with himself, the world and you. He would be angry at himself for being unable to save you, someone he cares about and loves deeply. He would be angry at the world and whatever higher being there may be for choosing now to be your time. There are so many horrible, horrible people in the world, yet you had to die? It makes no sense. Lastly, he would be angry at you. Not a genuine anger but more so a “how could you just leave me like this? We were meant to be together forever.”

E-Emotion (what is one emotion they would try to hide the most and how would they do it?)

I think Ace tends to try his sadness. He tries to put on a brave face, not wanting anyone to see him cry as he doesn’t want to be viewed as weak or be even more of a burden on others.

F-Fight (how often do you fight? What do you fight about? Do you fight often? Etc.)

Fights with Ace, although they don’t happen often, can quickly get out of hand. He’s stubborn and his inability to accept that he’s not always right can cause a minor disagreement to escalate into an all-out fight. On a few occasions you have argued about him never turning his back on an opponent.

Your fights tend to be followed by cooldown time. Things can get quite heated (no pun intended) so you need some alone time and space to breathe. After that though, you comeback together and apologize.

G-Guilt (what is the biggest thing they feel guilty about?)

For his entire life, Ace has lived with the guilt of simply existing. He doesn’t think himself worthy of being alive. Can you blame him? It’s all anyone ever told him growing up. Despite eventually finding people who loved him for him, those feelings of inadequacy and worthlessness still remain and continue to plague his mind.

H-Heartbreak (what would cause them pain in the relationship? How would they deal during a break-up?)

During a break-up Ace is quiet. He doesn’t want to be around anyone or anything. He wants to be left completely alone so he can sort out his thoughts and feelings. He’d be quite devasted because he’s had so few people in his life love him on as deep a level as you did.

I-Injured (how would they react if you are badly injured?)

Ace would absolutely lose it if you were injured. He’d be concerned, upset, and angry all at once. First things first, he needs to know if you are going to be ok. Once that’s been established, he’ll be upset at himself for allowing this to happen. This will be replaced by the pure anger he feels at whoever, or whatever, caused this.

J-Jealousy (what do they do if they are jealous?)

When he gets jealous he turns into such a man child. He’s pouting and moping around while mumbling to himself. He develops quite a petty attitude. If you were to ask him “want to go get something to eat?” he’d respond with “why don’t you just go and ask ____ for some food.” But, as soon as you begin commenting on how jealous he’s acting he’s going to deny it to the end of his days.

K-Kill (would they kill for revenge?)

Ace literally hunted down Blackbeard so he could get revenge on him for killing Thatch. It’s not certain whether or not Ace had the intention of killing Blackbeard, however, he definitely had both the spirit and anger to go through with killing him. So, it is possible that Ace would kill for revenge. However, for the most part, he would prefer to just beat them senseless.

L-Loss (what is their greatest loss?)

Either Sabo or his mother’s death, would be considered Ace’s greatest loss. His mother died when he was a new-born, so he doesn’t particularly remember, or know, anything about her other than the fact that she was a kind wonderful woman. However, the loss of Sabo is something he remembers vividly. Losing Sabo had a major impact on Ace. It was an unfortunate wake up call as to how awful the world truly is.

M-Mistake (what is the worst mistake they ever made with you?)

One night, after a particularly bad day filled with a horrible series of events, Ace was letting off some steam (quite literally I suppose). Messing with his devil fruit power, throwing some flames around. He hadn’t noticed your presence and so his flames nearly burnt you. He was horrified, and he only felt worse after he noticed the pure terror in your eyes.

N-Nightmares (how often do they have them? What are they about? How do they deal with it?

Ace has nightmares frequently, they vary, but they all have the same underlying theme, that is, the people in his life don’t actually care about him and only view him the same way everyone else views the son of the pirate kind – a worthless devil with no right to life. He wakes up from his dreams in a sweat and finds himself in desperate need of fresh air (ya know to try and clear his mind). He ends up just sitting out on the deck of the Moby Dick looking up at the sky trying to tell himself it was all a dream. But his insecurity and self-doubt begin to resurface and soon he can’t discern imagination from reality. However, the moment someone else on the crew even speaks to Ace with something as simple as a “morning dude” he’s brought back down to earth and thinks to himself “no that’s right…. They love me… I wouldn’t be here right now if they didn’t.”

It’s a vicious cycle, but in the end, he manages to remember (even if it’s just for a little bit) that he is cherished.

O-Outrage (how and why would they get mad at you?)

When you continuously tell him there’s no need to stay and fight every single opponent. It’s okay to turn and runaway – in fact it’s safer to do that. When you say that he feels as though you don’t understand him. He’s not some careless, impulsive child who’s just looking for a fight (okay maybe he is a little bit). So he doesn’t really get super angry, it’s more so that he is frustrated and a little upset that you don’t try to see it from his perspective.

P-Past (what has happened in your relationship that changed the way you saw each other?)

It’s the same as the worst mistake he’s ever made with you – nearly burning you with his devil fruit. It made you realize that Ace can actually be quite dangerous (although you know he would NEVER hurt you intentionally). It made Ace realize that he needs to be more careful, the look of pure terror in your eyes has stayed with him ever since that incident, serving as a reminder.

Q-Quality (what is their most dangerous/toxic quality?)

His tendency to not back down from a fight is simultaneously his most endearing and toxic trait. He constantly places himself in dangerous situations with minimal concern for his own safety.

R-Rejection (how would they react to you rejecting their confession (or the other way around))

Having his confession rejected by you was definitely a blow to his self-esteem, but he respected and accepted your feelings. Instead of moping around about it he decides to laugh it off, trying to make light of a slightly disappointing situation.

S-Scars (battle or self-inflicted)

Ace does not have any scars, battle related or self-inflicted.

TW self-harm: I do think ace got worryingly close to self-harming, but Sabo and Luffy made him rethink it all.

T-Trust (have they ever broken your trust?)

The one and only time Ace broke your trust was after Blackbeards betrayal. You made him promise to take you with him when he left to hunt down Blackbeard because you didn’t want him to go alone. He promised but he had no intention of keeping that promise.

U-Urge (how badly do they want to see you after you guys separated?)

For a while Ace manages to get by by keeping himself preoccupied. But as soon as he lets up for even a minute, he realizes how much he misses you and is beyond tempted to just sail on back to wherever you are and tackle you to the ground plastering your face in lil kisses. When he’s not distracted, he really does miss you a lot. He hyper-fixates on what you could be doing at this very moment, whether or not you miss him too etc.

V-Vicious (what do they do when they lash out on you?)

When ace gets mad, he tends to get very loud. He raises his voice quite a lot and it becomes very, very frightening. He would never physically hurt you, but the anger and frustration in his voice is more than another to scare the shit out of you.

W-Weak (what makes them feel weak how do they try to avoid it?)

Constantly being reminded or associated with the Pirate King. Maybe it doesn’t make him feel weak, but it makes him feel horrible inside and stirs up a lot of feelings and remarks people would make when he was younger. Unfortunately, once word gets out there isn’t much Ace can do to stop this from happening, however, before this, Ace avoided this by not telling ANYONE. He only told Luffy and Sabo, with a very small handful of others knowing (i.e Garp).

X-X-ray (what do they hate and show it most obviously?)

He hates turning his back on a fight or turning his back on people that talk shit about those he cares about. This is seen during the Marineford arc. He doesn’t let Akainus words about Whitebeard slide. He doesn’t runaway. He has no tolerance for that shit.

Y-Yearn (what is one thing that they want but can’t have?)

Ok this may be dark as hell but, Ace just wants to not feel like a burden to the world. He wants to be viewed as something different/separate from his father, but he can’t change history.

Z-Zero (what do they do/say in your dying moments?)

He doesn’t let you go. He’ll hold on to you until he is forcefully separated from your body. He just starts to spout a lot of nonsense – things don’t make sense at all, but he can’t help it right now. He can’t think properly when you’re about to leave him. He just wants you to stay.

#one piece #one piece x reader #one piece headcanons #one piece imagines #portgas d ace #angst alphabet #one piece alphabet #portgas d ace x reader #fire fist ace

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ailuronymy · 3 years

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i wasn't sure which blog to send this ask to, but i have a question ab my fanfiction. im trying to write my main character's father, who is in a different colony. it's sort of a leafcrow-type situation, where he had a forbidden relationship with the main character's mother and then took another mate in his own colony to appear loyal. however, the father character is much more manipulative and could be read as abusive. (1/?)

(2/2) my main problem is that i'm trying to write this father figure much more realistically and morally-gray instead of being a one-dimensional villain. at the same time i don't want it to seem as if i'm writing this abusive person (cat? idk) as a misunderstood bad boy archetype. i'm trying to go off of personal experience to write him but that's made it very hard to stay objective. any advice?

Hello there! I’d like to start out by asking you a couple of questions first.

1. Why do you think fiction writing has to be “objective”? 2. What is the worst that happens if you do--on purpose or by mistake--write this character as a “misunderstood bad boy archetype”? 3. Who are you afraid of?

I’m asking you these questions because this ask you’ve sent me radiates a lot of fear, and I think you will benefit from identifying and understanding where your anxiety around this is actually coming from. I can have a good guess, though.

It seems to me that you are living in a kind of dread that if you have a villain too human, there will be consequences and I imagine that’s because there’s a vocal subsect of people who don’t have better things to do with their time than wailing that the downfall of society is nigh, because [mumble mumble] people reading and/or writing fiction, [something something] fiction impacts reality. It was a tired and severely flawed argument when the Victorians and Puritans did it, and it still is now, but it’s said with so much conviction by these people that I’m not surprised it sticks around.

The thing is, there will always be bad faith actors and stupid people who will misrepresent or misinterpret your writing. The world is full of different people, and some of those people just... aren’t clever and aren’t kind and don’t think things through before they start talking at top volume. There is no amount of perfect you can be, as a writer, that will inoculate you from potential criticism (including really dumb, blatantly wrong criticism). The only way to avoid ever risking that is simply never to make art--and that’s no way to live, and I don’t recommend it.

I think this is what’s weighing on your mind. Between the lines, I can see you saying that you want to write this character based on your own experiences, which are emotionally charged and biased (because you are human), as someone complex and even likeable in moments, who has reasons for why he acts they way he does (and some of them might even be good reasons). You want to write him as a puzzle that isn’t easily solved by cutting him out of your character’s life or by the power of love suddenly curing him of all the terrible things he’s capable of.

When we talk about “problematic” (properly, not in silly internet gotcha lingo), this is what it means: it presents a problem that isn’t easily resolved; it presents a nuanced and tangled problem, one that often has good elements as well as bad, and which is inextricable to the greater situation and causes run-on impacts if moved, or changed, or removed. Problematic as a word lets us talk about these kinds of ideas, typically in neutral ways--because a problem isn’t necessarily bad, it’s just difficult to navigate. The world is made of problems.

Anyway, what I’m trying to say is there’s no trick I can offer you when it comes to writing this character. You will have to learn by doing, as is unfortunately the case with almost all writing in my experience. However, if it brings you any peace of mind, I’ve written many characters who I would describe as nuanced people, and some of them are also villains in other characters’ lives.

For example, I’ve written a whole story from Brokenstar’s perspective, in which he sees himself and his actions as entirely justified, and would do it all again. I’ve written about Blackfoot, who is a murderer and has no real inner turmoil about that. I’ve written about Palebird (Palefeather, in my story) who is a neglectful mother working through her own troubles, and for whom there’s no explicit closure with her son. I’ve also written about Mudclaw, who is infamous for the part he plays in the Windclan civil war, and who is convinced he is justified in what he does.

Are these characters bad people? Or good characters? I don’t get to decide that and I don’t feel the need to label them any particular way anyway, but I always strive to write them first and foremost as people. I want them to feel real and grounded in their own logic and reasoning. The rest of the interpretation I see as kind of not my business. Readers will read what I write in a myriad of different ways, because they are all different people. So far this approach has served me well, so I can recommend focusing on writing the story you want to tell and make your characters feel real. Good luck with your writing!

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ritsushinbro · 3 years

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My Critique of Rebuild of Evangelion's Characterization: I originally wrote this post on the Evageeks forum and decided to post it here. It discusses the relationship between Misato, WILLE and the pilots and whether it is realistic and in-character. Warning this post contains spoilers and is very long. Also has references to self-harm and suicide.

With each revelation that comes out regarding the measures WILLE take against Shinji and their own pilots, it becomes more and more unrealistic for me to the point where it's almost comical. Let's go through some of them here:

They wear the explosive DSS chokers 24/7 which will kill the pilots should they risk awakening an Eva.

They are kept in a single room rigged with explosives.

In Shinji's case, he is (intended to be) put in 24/7 solitary confinement with explosives fitted as well.

Shinji is escorted around the wunder whilst restrained on a stretcher. (NOTE: The only time he isn't, is when Sakura takes him to Ritsuko).

It is confirmed in another thread that Misato gave clear permission to the crew for them to shoot Shinji on sight if they suspect he is attempting to get into an Eva.

Now let me attempt to deconstruct these measures one-by-one:

It is understandable that Asuka and Mari wear DSS chokers because after all they are pilots and there is a risk of awakening. However in Shinji's case, he is forbidden from piloting and so there is no risk of awakening (remember Ritsuko did not think NERV would come after him, so they had no reason to think he would escape). So why place the DSS choker on him? Well we have already established it is simply because they have a resentment against him; there is no special, pragmatic reason. Is this realistic? Well I would say no for reasons I will explain later but I can certainly understand why others may say it is.

I don't think I will understand why they would keep their two main "soldiers" if you will, in an explosively rigged room. I believe others have stated that from a tactical point, it's an extremely dumb move on WILLE's part. After all, if Asuka and Mari didn't have plot armor, what's to stop Gendo from tricking WILLE into killing their own pilots with these explosives? How would WILLE stop Gendo then? Will they use Shinji? No, for reasons I will state later. And another thing, we know that their rooms were already fitted with explosives so why on Earth would they add extra after the events of Q (when they stopped 4th impact). What do they hope to achieve with more bombs? Make the pilots more "deader" than they already are? In my opinion, this doesn't even come across as paranoid but just plain childish. Is this measure realistic from a story standpoint? No not in my eyes.

We know they intended to put Shinji in a solitary cell as this is what they do in Shin. If it was solitary confinement on it's own, then I believe it would be a realistic measure that would happen in real life. However I believe the writers did not factor in the effects of solitary confinement (especially one that is rigged to explode) on fully grown men; never mind a 14 year old who's just come out of a 14 year coma. Many people think solitary confinement is a walk in the park so I made another post a while ago highlighting why that's not the case:

"I remember when before Shin came out people here theorized that if Shinji stayed on the Wunder, they would eventually softened to him and let him help in ways that wouldn't have involved piloting. However with these revelations it looks like they intended to keep him in an isolated room far from everyone else that is (presumably) rigged with explosives as well as keeping the choker on his neck. Not even allowed to freely leave his cell without WILLE's permission (it is unlikely they would let him out judging from these measures).

Even though Asuka and Mari were treated like this as well, at least they had each other and were able to leave as they had responsibilities in piloting. But Shinji was forbidden from piloting and was to be kept by himself except maybe being checked up on by Sakura now and again. So judging from these leaks (we will have to wait to properly see the full context) WILLE intended to lock Shinji in solitary confinement.

I have copied and pasted some of the effects of Solitary Confinement from Wikipedia below:

“Psychiatric: Research indicates that the psychological effects of solitary confinement may encompass "anxiety, depression, anger, cognitive disturbances, perceptual distortions, obsessive thoughts, paranoia, and psychosis." The lack of human contact, and the sensory deprivation that often go with solitary confinement, can have a severe negative impact on a prisoner's mental state that may lead to certain mental illnesses such as depression, permanent or semi-permanent changes to brain physiology, an existential crisis, and death.

Self-harm: According to a March 2014 article in American Journal of Public Health, "Inmates in jails and prisons attempt to harm themselves in many ways, resulting in outcomes ranging from trivial to fatal." Self harm was seven times higher among the inmates where seven percent of the jail population was confined in isolation. Fifty-three percent of all acts of self harm took place in jail. "Self-harm" included, but was not limited to, cutting, banging heads, self-amputations of fingers or testicles. These inmates were in bare cells, and were prone to jumping off their beds head first into the floor or even biting through their veins in their wrists. A main issue within the prison system and solitary confinement is the high number of inmates who turn to self-harm. Many of the inmates look to self-harm as a way to "avoid the rigors of solitary confinement."

Physical: Solitary confinement has been reported to cause hypertension, headaches and migraines, profuse sweating, dizziness, and heart palpitations. Many inmates also experience extreme weight loss due to digestion complications and abdominal pain. Many of these symptoms are due to the intense anxiety and sensory deprivation. Inmates can also experience neck and back pain and muscle stiffness due to long periods of little to no physical activity. These symptoms often worsen with repeated visits to solitary confinement.

Social: The effects of isolation unfortunately do not stop once the inmate has been released. After release from segregated housing, psychological effects have the ability to sabotage a prisoner's potential to successfully return to the community and adjust back to ‘normal’ life. The inmates are often startled easily, and avoid crowds and public places. They seek out confined small spaces because the public areas overwhelm their sensory stimulation.”

And this is just for solitary confinement. There are so many other things going on with and happening (or could happen) to Shinji such as the things below:

Shinji being only 14 years old.

Shinji being abandoned and neglected by his father.

Shinji being coerced/emotionally blackmailed to pilot Unit 1.

Shinji seeing girls he cared for "die".

Shinji being in a coma for 14 years.

Shinji being told he has a bomb on his neck.

Being told it is because he is being punished.

Being told he cannot pilot the eva anymore (he is effectively "useless" now).

Have his former co-pilot and friend try and punch him after he thought she was dead.

[Potentially] being told he started NTI and devastated the world.

[Potentially] being told that the girl he tried to save is "gone" and that she was a clone of his mother.

Being imprisoned in a cell (presumably) surrounded by explosives and not being able to freely leave.

Be completely isolated from everyone except when being checked up by a girl who's father he got killed. (NOTE: Mari might want to see him so Shinji at least has her, maybe).

Have his mother figure (the woman who made him pilot the eva the most) threaten to detonate the choker around his neck and blow his head off when he tries to leave.

With the above list, is it any wonder his head is so messed up? I understand the purpose of these films is all about growing up and taking responsibility but expecting Shinji to willingly allow himself to be subjected to the treatment WILLE had in store for him is pure, unadulterated masochism. Much of what was is written here can safely be considered cruel, inhumane and arguably, torture.

There is a massive difference between taking responsibility for one's mistakes and just letting the whole world torture you because you did something bad. My main fear and problem with Q and Thrice is that their main theme, which is accepting responsibility, is equated with accepting unreasonably cruel treatment. And I just think that is an EXTREMELY unhealthy message to send to people especially if they are depressed or live in abusive relationships."

When you take all these into account, does it place into perspective how messed up Shinji would have been had he stayed on the wunder? This is assuming that they thought they would never have a need for him, but as we find out in Shin, they needed Shinji in the end to defeat Gendo. If Shinji never left with Mark 09 and Misato successfully kept him "protective" custody, then one of three things would have happened when WILLE actually needed him to save everyone:

A: He would not have been in the mental state to pilot Unit 1 and Gendo would have completely wrecked him due to shit synch ratios.

B: He would have told Misato and co. to fuck off and die. We've seen this nihilism before from Shinji (after the 5th angel). His incarceration alongside the humiliation and guilt from wearing the choker will have ratcheted up by a million.

C: He wouldn't have piloted because he would have killed himself. There's only so much a 14 year old can take and when subjected to a fate that causes even hardened criminals to resort to self-harm, genital mutilation and suicide, then what chance does Shinji have?

Now back to my original point, do I think this measure is realistic? I would like to say yes if it was the solitary on it's own, however when combined with the other things, then I think the chances of Shinji commiting suicide is extremely high to the point where it's not believable for him to continue as an anime protagonist. You have to make sure the protagonist goes through difficulty in order to experience growth and change, however if you make it too harsh (to the point of committing suicide) then it seems less believable that they live to continue the story. On a separate note, many people think that Shinji was immature for leaving with Mark 09 the first chance he got and that this is proof that he is, in Asuka's words, a "brat". But let's be realistic, if this story is about Shinji's growth and maturation, then how exactly would WILLE's treatment of him be conducive to that? The truth is WILLE's sheer hostility towards him would have completely stunted any emotional growth and maturation in Shinji and it would have destroyed the point of the film. Also no-one can argue that WILLE would have eventually "come round" or "softened-up" towards Shinji because even after 14 years they still don't trust their own pilots. So yeah, Shinji most likely would have been stuck in solitary with a bomb around his neck until he either killed himself or the war ended (but even this doesn't guarantee his freedom).

Regarding the stretcher business. I don't understand why you have to restrain Shinji on a stretcher when the kid has already surrendered himself and has come voluntarily. Maybe WILLE are just full of bondage fetishists; it would certainly explain the chokers as well.

If the DSS chokers and the explosive rooms weren't enough, Misato actually gave orders to the crew to shoot Shinji if they thought he was trying to pilot again. At this point, I just think this is just overkill. I mean the kid has a bomb on his neck that prevents him from awakening an Eva, you intended to keep him locked up even though he can't really leave the wunder except with outside help and now you intend to shoot him if you think he'll get into an Eva. The problem with this, is that piloting an Eva requires all the bridge-bunnies to sortie the damn thing. Shinji cannot enter Unit 1 by himself, especially since the thing is being used as an engine so why do they assume that Shinji is capable of being Sam Fisher and sneaking into Unit 1? We see that Sakura and Midori are actually willing to shoot Shinji in 3.0+1.0 and do so when he merely suggests that he pilot Unit 1. But seriously what harm would Shinji have done in Unit 1 considering the fact that Gendo was already going to start another impact anyway? Why actively try and kill (or injure in Sakura's case) the only guy that can save your ass? One cannot argue that they were just being "desperate or panicking" because in Midori's case, she actually takes the time to confirm her orders from Misato. This shows that at least, she was still of lucid mind. This particular altercation just beggars belief in my mind and the fact that Misato actually gave those orders on top of all the other measures is absolutely extraordinary. So as you can imagine, I do not think this was realistically executed.

However, I can already hear some detractors say: "So what? Misato hesitated to detonate the DSS choker and also took a bullet for Shinji. She redeemed herself from putting the DSS choker on him and the kill-order for if they thought he would try and get into an Eva."

And to those people I say….not really. There is an idiom attributed to Benjamin Franklin and it goes like this: "An ounce of prevention is worth a pound of cure." How does this apply to Misato and Shinji's relationship? Well Misato wouldn't have had to hesitate to pull the trigger if she didn't put it on him in the first place. Misato wouldn't have had to take a bullet for Shinji, if she didn't give permission for the crew to shoot him in the first place. Let's take this following dialogue for example:

916-929:

Kitakami: "It's a good thing we got Major Shikinami back. But why'd we have to take that disease along with her?"

Aoba: "Just leave it alone. Better than Nerv still being able to use him."

Tama: "If he tries to get into an Evangelion, all hands have permission to shoot on sight. There's nothing to worry about this time."

Kitakami: "Come on, that's all for show. The last time he broke out of here, the Captain couldn't put him down. I've got zero trust about this time either."

Nagara: "He was a kid. I can understand why she'd hesitate."

Kitakami: "That 'kid' caused Near Third Impact and murdered my entire family!"

Hyuga: "Near Third was a consequence of what he did, not his goal. The Captain's doing her best to atone for that too."

Takao: "That's right. She's who Kaji entrusted with Wille, and it's our job to trust the captain."

We learn a few things from this dialogue. Firstly, the older WILLE members are much more understanding to Shinji and Misato's situation: Aoba and Hyuga understand that it's better to keep an eye on Shinji and that he never meant to start NTI, Takao is one who always trusts Misato's judgement and Sumire understands that Misato would have found it difficult to kill a child, especially one that Misato was close with.

Secondly, it appears that the younger WILLE members (Midori, Sakura and Tama) are the ones that are fearful/hateful towards Shinji (NOTE: Tama is a strange case, he strikes me as the sort of kid that just follows what everyone else is feeling. He might not feel anything towards Shinji beyond what you'd expect).

Finally it appears that most of WILLE crew members are actually reasonable people and are not the extremely desperate and paranoid individuals some people on the forum believe. Remember this is AFTER Shinji started the 4th impact in Q. The fact that some of the WILLE crew members speak of Shinji in this way, show they are capable of understanding. Most actually trust Misato and respect her judgement except for Midori, who questions Misato's capabilities in following through on her threats.

Which brings me to my next point. Misato has had no hesitation in pulling rank in the past. In 2.0, she even has an altercation with Ritsuko, her best friend, right before they fight the 8th angel. Misato is a woman that will tell even her best friend to STFU, when it comes to doing what she wants. Having said that, (timeskip shenanigans aside) there's no reason why she couldn't have done the same with the younger WILLE crew members. She could have nipped all of it in the bud by telling Sakura, Midori and the rest of them that Shinji was groomed to cause NTI and it was not his fault.

Instead, despite being the captain that everyone loves and fears, she kowtowed to the crew's paranoia and had the pilots fitted with explosive chokers, put in explosively rigged solitary confinement and gave the order to kill Shinji if they feared the worst. This is the sort of thing that drives fully grown men to suicide, never mind 14 year olds that have just come out of a coma. Imagine if Shinji did commit suicide in his cell. Who would Misato and WILLE have turned to in order to defeat Gendo in the end? What if Gendo tricked WILLE into killing their own pilots with the explosives? They would be properly screwed then. If Misato actually cared, as we are led to believe from her hesitation to kill Shinji, then she would have told the rest of the WILLE crew to fuck off, instead of alienating and putting Shinji and the pilots in that much risk. Are we really expected to believe that Misato placed such extreme countermeasures on Shinji just to appease Midori and Sakura? Not likely. This is why I believe that Misato would not have put the DSS choker on Shinji in the first place, and her doing so in Q was extremely unrealistic and out of character, even with anything that happened during the timeskip.

Some of you will say: "Who cares about realism? It's a show about aliens and growing up." While this is true, Anno has proven that he is able to pull the themes off much better when you look at the NGE series. Disregarding the self-contained narrative, it is obvious that the purpose of Q was to bring Shinji to the same point he was at after episode 24 of the series. If we look at how NGE/EOE handled Shinji's depression, we see that it is quite realistic:

The neglect and coercion by the adults in his life, almost dying to angels multiple times, the sexual tension with Asuka, almost killing Touji, finding out Rei is a clone of his mother, Misato putting the moves on him and having to kill Kaworu all culminate towards Shinji's mental state during EOE. Shinji is passively suicidal but it's due to the *situation* and his own introverted tendencies instead of people actively trying to hurt and isolate him. He finds the will to live again due to his mothers words despite knowing just how difficult living might be. If you remove all the Evas and the Angels from the story, the themes that are touched upon (isolation, neglect, misunderstanding) still apply and the audience can still resonate with them.

The rebuilds however go about it completely differently. They bring Shinji to that same suicidal state by having all the characters/plot actively harm Shinji's mental health by:

Putting him in a coma for 14 years so he is completely clueless. Imagine how groggy you are when you wake up in the morning and then multiply that by a million.

Have Misato psychologically castrate Shinji by telling him he won't do anything with a look of disdain on her face.

Have Ritsuko make Shinji feel dread by telling him he has a bomb on his neck and it's because he is being "punished".

Not tell him why he is being punished when he asks Misato.

Have Asuka try to punch Shinji after he thought she was dead.

Tell Shinji the girl he saved is "gone”.

Have his "mother figure" threaten to blow his head off for wanting to leave with the girl you just told him is gone.

Have Asuka and Mari attack Shinji in Lilith's chamber even though Shinji was seemingly willing to listen to them had Asuka not kept attacking. (Watch that scene again and you'll see when Asuka learns what Shinji is trying to do, she stops attacking but instead of explaining that he's being manipulated, she just calls him a brat instead).

Even Mari was willing to potentially kill or cripple Shinji with the Anti-AT rounds. (We don't know what the AA rounds are truly capable of because the only time they are used on screen, they don't work. The round cartridges state that they are armor and AT field piercing and have explicit restrictions on their use. The fact that Mari requires Asuka's explicit authorization to use them imply that they are most likely lethal and would have killed/crippled Shinji had he been in a normal Eva).

Have Shinji's friend's head explode with the device Shinji's "mother figure" actually meant for him. Imagine seeing someone's head explode and then remember that your "mother figure" actually meant that to be for you. That would certainly mess anyone up.

Have Asuka then kick and manhandle him when he is catatonic.

Have Asuka force feed him to the point where he pukes whilst he is still grieving the death of his friend.

Have Shinji only be escorted whilst tied to a stretcher despite him coming voluntarily.

Have Misato place Shinji in 24/7 solitary confinement in a cell rigged with explosives.

Have Misato tell the WILLE crew to shoot Shinji on sight if they think he's getting into an EVA.

Have people tell Shinji that he's being a brat the entire time for reacting badly to all this.

By having Misato, Asuka, WILLE reject and "punish" Shinji so harshly so it kicks off his isolation and desperation, it makes Shinji's "recovery" seem less believable. Anno himself didn't even know how to make Shinji recover psychologically in 3.0+1.0 and he actually had to ask the voice actors on how to make that happen. The story made the WILLE crew go full scorched-earth and in doing so made Shinji's "growth" and his reconciliation with Misato seem impossible.

I have already stated that I believe Q represents "Condemnation" and Shin represents "Compassion" and I think both films pull that off brilliantly. But that doesn't mean I think the characters acted in a realistic manner. I do not believe that Misato would have placed such harsh sanctions on Shinji in the first place for the reasons I have stated above. And if she did, I do not believe that Shinji would have easily forgiven Misato (even IF she took a bullet for him) as we see he does in the film. I do not believe that WILLE were merely "scared and desperate" because as the dialogue above shows, they are surprisingly understanding (but still disapproving) of Shinji's situation despite him literally starting another impact. I do not believe that Misato would have bent over to Sakura and Midori's resentment and taken measures against Shinji, just to ease their minds.

In summary, my main problem with the post-timeskip rebuilds is that I feel they gaslight the audience in thinking that Shinji was just being a "brat" the entire time by having Asuka and Mari say: "You have grown a little/You smell like an adult now." However, the truth is Shinji's been through so much mental suffering perpetrated by the people he cares about, that it's a miracle he's not killed himself. It would certainly break most of us on this forum. The movies seek to show Shinji "finally" taking responsibility when the truth is, the plot went so above and beyond putting him down in such an extreme manner in the first place.

#evangelion #nge #nte #rebuild of evangelion #evangelion 3.0 you can (not) redo #evangelion 3.33 #evangelion 3.0+1.0 #misato katsuragi #shinji ikari #asuka langley shikinami #mari makinami illustrious #ritsuko akagi #3+1 spoilers #spoilers

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wings-of-a-storm · 3 years

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Same anon with another general thought here, but I don't think enough people are talking about how crushed Benji must be to know that not only is he not allowed in Victor's home because of Isabelle, but that also Isabelle was right off the bat so accepting of and friendly towards Rahim. Not even Victor seemed to give it much thought, and I get that he was happy that his mom was "doing better", but he really should have considered Benji's feelings on the matter more and noticed how hurt he was.

Hello again! Another wonderful general thought to ponder. A very complicated one though, as it turns out, as this particular situation is full of nuance and mental health minefields…

When you’re that overwhelmed by external stress (and it intermingles with your mental health), you can’t think or behave on a level you would normally have the energy and clear-thinking to be able to do. And Victor’s situation with his mother is impacting on both boys. Both are distracted by their own stress and trying to stay above water in their own ways, which makes some of their reactions very self-focused.

Victor’s stress is pretty evident because we have his point of view and are living in that pain with him.

Benji’s is more subtle but the clues are there to piece together.

For me, it is pretty clear that Benji has had to compromise a lot of himself in their relationship so far due to the more dire nature of the stressful situation Victor is currently going through. Normally, that level of compromise could possibly be maintained in the short-term for someone who is at a healthy-enough headspace in their own life, but I don’t think Benji is there yet. Not just because he is a recovering addict, but because of the root cause of that addiction -- his own journey of coming to peace with his identity.

Events happened in Benji’s life -- like his violent car crash -- that reshaped him into someone who survives internalised hatred about himself through mule-headed determination and idealism. Like, Benji is very idealistic about living an authentic life and expecting others to be better in society. And most of the time it is well-meaning, if not misguided, idealism, such as telling Victor he shouldn’t compromise with the basketball change room because he should only ever hang around people who accept him for who he is.

And so much of that attitude has probably come from the trauma of that car crash -- it would have affected his tolerance level in life. He realised he almost died before ever getting to freely be who he is and the horror of that realisation completely shifted his priorities in life. He isn’t going to let anyone or anything get in the way of him living as his authentic self.

Derek’s influence would have only re-enforced that perspective, as Derek is also someone who is very much in the mindset of ‘I’m going to be exactly who I am and screw heteronormative bs.’

For over a year, Benji was able to live his own freedom and solidify his identity. It was really important to him to be able to do so. But then along came Victor who isn’t at that stage yet and that created a big imbalance in their relationship, through no one’s fault.

When Benji and Victor first got together, we saw Benji intuitive enough to display that concern -- that it might be tough to date Victor since he is so new to accepting his sexuality and hadn’t even said the words out loud yet, whereas Benji would have to relive being stuck in the closet. But even worse this time, because he had already had his car accident epiphany and would feel extra suffocation. But Benji decided Victor was worth all of that and he’d be there with him every step of the way through his coming out process.

For several months, Benji had to compromise who he was, relive a shame that literally took a drunken car accident to break through (more or less), and watch the person he really cares for feel rejected by his mama over and over again. Living that sort of cycle, even within a perfect summer bubble, takes its toll over time. It slowly erodes your patience and strength, exacerbates old wounds, makes you feel helpless… And for someone with such incredibly strong ideals as Benji, it is even tougher to sit on the sidelines and be unable to change anything. Benji has no control over that situation at all, when normally a sense of control helps manage anxiety (especially for a recovering alcoholic).

But Benji is dedicated to Victor and willing to (temporarily) compromise a lot of the steps he made to get to where he is today so that he can be Victor’s support. Where S2 starts, we see Benji still trying to stay strong in himself and be as patient and supportive as he can be for Victor. Cracks are there though because he has his own baggage that he’s constantly having to push aside.

Victor absolutely deserves that support and his situation takes precedence, but it would be a little unfair of us not to acknowledge the toll it does take on a partner. Both parties’ mental health matters.

And then, through all that compromise and unspoken toll on Benji’s end, Benji gets to hear how another gay teen is treated almost flawlessly by his boyfriend’s mother. It really is a lot of salt in the wound -- this other teen got to just show up at the Salazar house and be treated courteously, whereas Benji put so much effort into giving Isabel space and time and tried so darn hard to bond with her, only to be rejected at every attempt.

It would start to feel like the problem is with him; that’s he’s not good enough as a person (and feeling good enough as a person is clearly an insecurity Benji is still fighting through because we saw how much it meant to Benji in 1x05 when Victor told him he thought that who he was as a person was pretty darn good).

Rationally Benji might be able to acknowledge that it will always be easier for a mother to accept a gay friend than a gay boyfriend, but with the baggage of internalised hatred Benji already had growing up, rationality is so easily subsumed by negative thought patterns. So his control slipped and he couldn’t hide his hurt and bitterness when Victor told him about Rahim’s success. I really can’t blame Benji for having that initial reaction…

On Victor’s end, he is going through a lot himself. So so much. And when you’re in that amount of stress, it can be hard to look up out of that maelstrom and notice someone else’s stress. There’s just so little reserve left of your own to offer someone else when you’re depleted and trying to keep your own head above water. So for Victor, surviving that stress and pain meant focusing solely on his own situation. That, I also absolutely get.

It’s just really unfortunate that they’re both so exhausted that neither could spare extra energy to give the kind of support each other needed in that phone call. Victor needed to hear acknowledgement of how well his mother was doing, which Benji didn’t give at all. And Benji needed acknowledgement from Victor that it hurts that Rahim gets a free pass while Benji has to walk through fire for the same thing (except so far it has just been a lot of fire and no headway).

And to make things even worse, when Benji pushed through that hurt to apologise for his negative reaction, Victor had no intention of returning the sentiment for his own lack of support. He somehow didn’t see why Benji would be upset even after Benji pointed out the double standards with Rahim’s treatment. So we have uneven needs being met… Which is why Benji stumbled again so soon in the same encounter and couldn’t contain his bitterness once more. If Victor had recognised he also needed to apologise, Benji would have felt more seen and acknowledged and regained some positive energy to give back to Victor. But alas….bad cycles.

So yeah wow, I guess in summary to your ask, both boys played a part in each other’s hurt, both boys could have handled themselves better, and yes, I think in an ideal world Victor should have been able to take a moment to look up and really see where Benji’s own mental health is at. Because it was obvious that Benji was struggling with something -- if Victor was able to take a break from his own pain and have the reprieve of a clearer head, he would see the correlation between an increase of passive aggression from Benji and him suffering from something he isn’t voicing out loud to Victor. But both boys’ mental health isn’t that great at the moment and they are only human so monumental stuff ups are going to happen on both sides… :(

#LV ask #Love Victor #LV S2 analysis #Venji

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troquantary · 3 years

Text

Didyme, Part 2: Something, Something, Plato's Allegory of the Cave

Continuing from here, and we’re doing sub-parts for this bit. I’m genuinely surprised I had this much to say. (And fun fact, I almost lost the entire goddamn post, but fortunately I was copy-pasting into Word just in case. Not today, Satan.)

2.1. What Canon Tells Us

Didyme’s murder by Aro (and with Caius’ apparent assistance, either during or afterwards), is only mentioned on the page in Life and Death, the 10th Anniversary gender-swapped version of Twilight. Edythe/Edward mentions it briefly when discussing the painting of the leaders Carine/Carlisle brought back from Volterra, but it’s just background information with little narrative weight. I bring it up just to highlight Caius’ involvement and knowledge -- I’ll get back to that.

Now, here’s the “canon” backstory we have to work with. Per the illustrated guide, Didyme was Aro’s younger sister, and he turned her at some point after meeting Marcus, Caius, and Athenadora. Interestingly, the Guide doesn’t say anything about Aro returning to Didyme out of brotherly love; apparently he just wanted to see if she would have a powerful gift like his, only to be underwhelmed (”disappointed,” according to his Guide entry) by her actual ability -- she made people happy just by being around them. Then she and Marcus fell in love, sharing “the strongest romantic bond of any of the Volturi” (from Marcus’ Guide entry), and this prompted a suddenly very single Aro to seek out his own mate, Sulpicia. The Guide says Didyme “distracted” Marcus from Aro’s goals, and that the pair eventually made plans to split off on their own, leading Aro to murder Didyme so he could hold onto Marcus and his valuable gift. Although nothing written so far suggests that Aro even liked his sister, the Guide does state that Aro “truly loved her” and that his grief upon killing Didyme was genuine.

Apparently Caius’ role in all is was something Meyer thought up later, because none of the leaders’ Guide entries mention him being in on it. (You can’t see me, but I’m staring pointedly at Part One.)

2.2. Fuck Canon, Actually

(This just seemed like the funniest place for a cut. Continued below~)

I’ll be honest with you, person who’s persistent/unfortunate enough to still be here: very little about this murder scenario makes sense to me. I’m going to start with the “disappointing” nature of Didyme’s gift and that it was supposedly much less useful to Aro than Marcus’, because that’s just...stupid, frankly, and there’s no way Aro would have missed the inherent utility of Didyme’s gift. I don’t even have to read into anything to get this idea -- the Guide itself shows us how useful it is! It says right there in Marcus’ entry that Aro went off to turn Didyme, and returned with his sister, “along with the first members of the guard -- vampires who were drawn to Didyme’s aura of happiness.” That is a direct quote.

Just -- I practically shrieked when I read that. You’re telling me that Didyme’s gift was the stated reason their coven got its first subordinates, and I’m supposed to believe that Aro thought that was disappointing? Fuck off! Fuck off!! Even if Didyme’s happiness aura isn’t as powerful as Corin’s opium haze, well, Aro doesn’t have Corin yet, does he? He has every reason in the world to want to keep Didyme around, drawing other vampires to his cause -- even if most of those vampires aren’t gifted or skilled enough to join the guard, it’s still good PR.

At this early stage in the Volturi’s rise to power, it isn’t a good time to lose Didyme -- or any of his inner coven, really. Yet Aro apparently considered her disposable enough that he killed her. I can’t square this with what we know about Aro: that he’s still coherent despite holding god-knows how many people’s lives in his head; that he’s very intelligent; that he’s cunning, charming, and persuasive. Aro, once he learned they were thinking about leaving, would have tried to talk to Didyme and Marcus and done everything in his power to convince them to stay just a bit longer, until the Volturi’s position was more secure. And maybe he did; the timeline of all this is hazy, but nothing in the Guide suggests that Aro jumped straight to duplicity and murder. Clearly, though, whatever negotiations or arguments he presented failed. So what does their desire to leave the Volturi at this critical stage say about Didyme, or Marcus for that matter?

2.3. What It Says About Didyme and Marcus (Mostly Headcanon)

Brace yourself, because we’re into full headcanon territory now. To follow me, please refer to @therealvinelle ‘s meta about the larger mission of the Volturi and why they’re necessary, because I’m starting from the perspective that the Volturi are ultimately a force working in vampires’ and humans’ favor. While Meyer and the Guide would have you believe that Aro’s just power-hungry, actually looking at the impact of the Volturi and the benefits of enforcing secrecy shows that his broader vision isn’t just world domination, but establishing a world in which vampires and humans can both thrive and endure. There’s no way the rest of the inner coven was unaware of this goal; we know Aro talks a lot, so he’s certainly talked his coven’s ears off about this.

Now, we know very little about Marcus and what he was like before he was all dead inside. Based on what would be a logical balance of personalities, with Aro as lead decision-maker and Caius as ruthless enforcer, it seems likely that Marcus was originally the voice of reason and/or mercy. I also think Marcus would have had a strong sense of duty. The Guide says that Aro was the first friend Marcus had as a vampire, and I believe that Marcus cared about him very much and was committed to the Volturi. I think he would have been genuinely conflicted about leaving, especially considering the stabler, safer world the Volturi have been striving to build, and which they haven’t yet secured. Again, it’s a very bad time for any of the leadership to split off -- but in the end, Marcus and Didyme are going to do it anyway.

What for, though? Why leave? @theoriginalcarnivorousmuffin has an interesting take on that question here: that Didyme saw that she and Marcus would be locked into the Volturi life and a thankless existence for eternity and tried to opt out while she still could. I like it a lot, it’s a great post and that scenario makes sense, but the tone of it feels...too forgiving. Maybe that’s because I’m evil. But the way I see it, given the magnitude of the Volturi’s mission, and its (at best) very tenuous grip on power at the time Marcus and Didyme plan to leave (they haven’t even defeated the Romanians yet), jeopardizing the entire operation so that they can pursue their romance unburdened strikes me as...well, fundamentally selfish on some level, so much that I find myself side-eyeing Didyme and Marcus for it. Although to be clear, it’s not the desire to live their own lives apart from the Volturi that I find selfish, just the timing of their departure.

Honestly, I’d like not to vilify another female character if I don’t have to. Given everything I’ve just said, I see Didyme in much the same way as I see Bella: not a bad person, but someone with definite selfish tendencies. At best, she’s likely short-sighted or naive if she doesn’t see how leaving the Volturi at this stage is fucking them over in a big way. However, I hesitate to read into the happiness aura as a straightforward indication of Didyme’s fundamental goodness; I think she probably was kind, charming, and delightful to be around, hence the nature of her gift -- but that capacity for selfishness is still there. (I’m certain Meyer wants us to take her gift as proof of Didyme’s goodness, to reinforce how evil Aro is for killing her...but I think I’ve made my disdain for what Meyer wants me to think pretty clear.)

2.4. MURDER MOST FOUL

I am not saying it was justifiable or okay for Aro to murder his sister. I’m really not. It’s actually better, from a character standpoint, that it isn’t okay -- that Aro has to carry this with him for the rest of his life while Marcus sits in the throne next to him, reduced to a husk, so that in effect Aro has lost them both after all. It’s got that Greek tragedy element @theoriginalcarnivorousmuffin mentioned in her post. (Even better from that standpoint, the Guide implies that Aro found Chelsea relatively soon after killing Didyme, which compounds the tragedy.) I mean, it’s terrible, and it hurts me because I love Aro, but it’s compelling stuff.

What I am saying is, I can see how their insistence on leaving might have deeply hurt and offended him. And that brings me to my issue with the calculated murder scenario the Guide gives us -- I still think Didyme’s gift is too valuable for Aro to throw away by killing her in cold...venom (or whatever), even as the price for keeping Marcus in the fold. Plus, there’s the fact that Aro does love Didyme, and I imagine her gift makes it very difficult for people to think of harming her...when they’re calm, anyway.

Yeah, the only way I can really see the murder happening is if Aro killed Didyme in the heat of an argument about her leaving, possibly even by accident -- except you can’t accidentally kill a vampire, can you? It’s a very deliberate process wherein you have to dismember them and burn every piece, which also means it probably takes long enough that any irrational, overwhelming rage would wear off before you were done. But now that you’ve started....

I mean, at that point it would certainly be awkward to put your half-rubble sister back together, and Aro would be in a whole other load of shit even if he did. It’s possible, given what we’re told, that Aro could have lashed out and yanked Didyme’s head off before snapping out of it, only to realize that his sole option now is to finish the job. If he doesn’t kill Didyme now, she and Marcus won’t just leave, they’ll be sworn enemies of Aro from then on. And thanks to Didyme’s gift being the draw for a lot of the guard, and the inherently bad look of a leader who would brutally attack his own sister, a chunk of the guard would probably leave with them, destroying Aro’s plans. No, the only way to salvage it is to follow through.

Then Aro has to call in Caius for help with the cover-up, because it wasn’t actually planned and it’s just pure luck that no one walked in on the murder as it was happening.

And maybe Aro learns a hard lesson about learning to let people walk away, leaving the possibility open that they could be drawn in again. Because if Aro had just waited, he would have found Chelsea, and with her gift he could have had Marcus and Didyme back again.

Assuming everything didn’t fall apart as soon as they left, of course. But that’s a whole other what-if scenario.

#and those are my thoughts on didyme #...mostly #but i need a break now #twilight #twilight renaissance #twilight meta #i stared too long and the twilight abyss gazed back #didyme volturi #aro volturi #marcus volturi #sources cited:#therealvinelle #theoriginalcarnivorousmuffin #i'm going to go lie down

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