#happy ending ??? maybe

[lamoureg]

just saw a twt user saying they wished we saw more of jayce's reactions to viktor using the hexcore and shimmer etc...... Oh just you wait! i'm cooking!

[incandescentlycursed]

Update: said Snowbaird How to Lose a Guy in 10 days AU exists and if anyone would be so kind as to drop a kudos or a comment (I much prefer the latter but both are beautiful) please do so <3, I need motivation for the following chapters

<a href="https://archiveofourown.org/works/52041544"><strong>you bewitch me, every damn second that you’re with me.</strong></a> (6915 words) by <a href="https://archiveofourown.org/users/shirbertsholmesburys"><strong>shirbertsholmesburys</strong></a><br />Chapters: 4/?<br />Fandom: <a href="https://archiveofourown.org/tags/The%20Ballad%20of%20Songbirds%20and%20Snakes%20-%20Suzanne%20Collins">The Ballad of Songbirds and Snakes - Suzanne Collins</a>, <a href="https://archiveofourown.org/tags/Hunger%20Games%20Series%20-%20All%20Media%20Types">Hunger Games Series - All Media Types</a><br />Rating: Mature<br />Warnings: No Archive Warnings Apply<br />Relationships: Lucy Gray Baird/Coriolanus Snow, Clemensia Dovecote/Lysistrata Vickers, Marcus/Sejanus Plinth, Arachne Crane/Felix Ravinstill, Crassus Snow/Coriolanus Snow’s Mother<br />Characters: Lucy Gray Baird, Coriolanus Snow, Coral (Hunger Games), Lucretius "Lucky" Flickerman, Sejanus Plinth, Volumnia Gaul, Sejanus Plinth's Mother, Strabo Plinth, Maude Ivory Baird, Tigris (Hunger Games), Coriolanus Snow's Grandma'am, Clemensia Dovecote, Arachne Crane, Festus Creed, Livia Cardew, Jessup Diggs, Lysistrata Vickers, Felix Ravinstill, Marcus (Hunger Games), The Covey (Hunger Games)<br />Additional Tags: Academic Rivals to Lovers, Enemies to Lovers, Mutual Pining, Pining, Alternate Universe - College/University, New York, Alternate Universe - How To Lose A Guy In 10 Days Fusion, laufey songs, Competition, Jealousy, They really love talking about movies. So many movies, literally laufey songs, non-toxic snow/lucy gray, Well maybe a little bit, Romantic Comedy, Alternate Universe - Romantic Comedy, bet trope, they are horny ass mfs, Eventual Smut, happy ending?? Be nice to me and maybe, Coriolanus Snow loves Lucy Gray, Snow is a big old softie, Covey band - Freeform, Bars and Pubs, no beta all mistakes are mine, consent!! is!! sexy!!, semi toxic but like, can you really blame them, they’ve been fighting each other for three years over grades<br />Summary: <p>Aspiring political journalist Coriolanus Snow and Grammy-nominated Lucy Gray Baird have been at odds with one another for the past three years at New York University. Ever since he laid eyes upon her rainbow leggings and red Converse, he’s been trying to take her down; whether it’s by one percentage point in a class or a particularly good point during a debate, he’s kept every win close to his chest. No doubt, she’s been doing the same — her maddening flirtatiousness, the sugary sweet conversations with subtle digs thrown in, all leading up to a triumphant, wicked grin as she shows him the most recent test results. Suddenly, they find themselves embroiled in bets neither of them can resist. If Coryo can fall in love and bring the girl to the Banquet, the biggest event of the year for all poli-sci majors, then he’ll score the summer internship with Senator Gaul that he’s been waiting for his entire life. And if Lucy Gray can find a guy to date and then break up with in the span of ten days, she can finish writing her long-awaited sophomore album and be on her way to a Grammy win — all is fair in love and war.</p><p>Or: Snow and Lucy Gray as academic rivals to lovers, as told by Laufey and How to Lose a Guy in 10 Days.</p>

[monstermonger]

Now the ash dances with the snow....

Lil winter dragon stickers ♡

[chloesimaginationthings]

My FNAF theory is Monty was a mediocre melody

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[hinamie]

long way home

[corruflood]

Won't stop thinking about Ghost Izuku AU where he dies in the middle of the school year but there's no body so everyone thinks he was kidnapped by the league of villains but really even they are are confused as shit where the kid is.

[reichurine]

"but you won't be there, damn gambler."

👊after 'rota fortunae'

[choccy-milky]

herbology class 🌹🌿 (from chap 2 of my fic!)

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[selfspinninglies]

for the like two people who were wondering yetd is no longer messy in my head there is a whole storyline and several arcs (we're currently in the first one which I like to call the "Oh shit oh fuck oh shit" arc) and I am going to explode .

[hai-nae]

if you want love, you're gonna have to go through the pain,

if you want love, you're gonna have to learn how to change,

if you want trust, you're gonna have to give some away.

[andromeddog]

a well deserved rest

my secret santa gift for @onlyyouexisthere ✨ i hope you enjoy this drawing of winters having a little break, which we could all use

[divineandmajesticinone]

THE HEART KILLERS (2024) I EP. 3 "I want you. Nothing more than that."

[pencil-n-pen]

SPILL YOUR GUTS

˚₊‧꒰ა . ——— ˗ˏˋ ✮ ˎˊ˗ ——— ˖ ໒꒱ ‧₊˚

practice boyfriend! eddie x fem! reader

summary: eddie’s your practice boyfriend. you’re positive he’s upset at you and you’re waiting for him to get mad. however, he has a different response in mind.

cw: references/allusions to past child abuse but extremely vague, references/allusions to bad relationships (also pretty vague), reader acts on a learned response and assumes the worst about Eddie, anxiety

tags/tropes: angst, hurt/comfort (my brand!) sappy sappy romantic idiots, they kiss and figure their mess out at the end

a/n: this came to me in a vision

summary makes this sound smutty but i promise it’s not. this accidentally became disgustingly romantic. read at your own risk :)

࣪˖ ࣪ ⊹ ࣪ ˖

You’re positive Eddie’s mad at you.

Okay. Maybe positive is a strong word. But still.

You’ve only been fake/pretend/practice dating Eddie for about two weeks now. He’s the one who approached you with the offer— when you were in the Upside Down together, you’d made an off-hand comment about how you might die without ever having a real boyfriend- not one that mattered, anyway. It’s always kind of been a sore spot for you for a good portion of your life. Growing up, you didn’t really have the best relationship with your dad (Robin likes to call that “The understatement of the year, and we almost died.”) and out of the incredibly small handful of guys you’ve gone out with, none stuck around longer than a month and all ended in such equally, specifically, and uniquely horrific ways, you finally came to the conclusion you had to be fucking something up. What are the chances of all them ended so completely horribly?

After you all had decidedly not died in the Upside Down, Eddie approached you with an offer: pretend date him. You’re popular and well known enough that it’ll help get people off his back about the whole Chrissy/murders thing —even though he’s been absolved of all charges, the people of Hawkins hold grudges— and in exchange, you get a trial run of a relationship that won’t end unless you both agree too— you get to figure out what you’re doing wrong.

You feel bad about it, because even though you spend so much time together, you feel like a nervous wreck. All. The. Time.

You’re constantly waiting for the other shoe to drop— waiting for him to tell you that you’re too weird, that you’re not considerate enough, that you’re selfish, or that you talk too much.

But he never says any of it. All he ever tells you is the good things. He tells you how sympathetic you are, how kind you are, how good you are at remembering little details that matter. He tells you that you’re a good kisser.

(Yeah. Your first kiss, even after those failed relationships, ended up being with Eddie ‘The Freak’ Munson. You’re not quite sure you’ll ever forget how you felt when his lips —just a little cracked, but not rough— met yours; when his hair tickled your face and you could faintly smell the cigarette smoke that stubbornly clings to all of his clothes, no matter how many times he washes them. You didn’t tell him he was your first. That’s something you decided you couldn’t bear to share.

You kind of have a feeling he knows anyway, though.)

It all sets you on edge. You’re under no reassurance that you’re perfect. You’re currently questioning if you’re tolerable, from a romantic standpoint.

You know how you are. You’re clinging and you drink up reassurance like a dying man in the desert. You linger in his casual touches like it’s the first and last time you’ll ever feel them. You know you’re a lot. You know. You know that guys in a relationship don’t want ‘a lot’, they want a pretty thing to hang off their arm and laugh at what they say.

But you just… can’t.

You tried, and you tried, and you tried. But you always ended up being too much, or it didn’t work out for some other reason. You want more. You want to feel safe, and happy, and cherished and loved and all those things that only happen in the movies.

The ironic part of all of this is that when you first started setting out terms for your arrangement, Eddie had told you flat out: “This will only work if you are completely and one-hundred percent yourself. You gotta lay it all on me, angel.”

And so you had, and now you regret it because he’s upset about something.

You’d come over to his trailer at his request to ‘hang out’ while he went over DND stuff for his next campaign. Eddie does this a lot— he calls them ‘Neutral Dates’ where you’re not really doing anything in particular- most of the time, you’re both doing seperate things, but still just being in each other’s presence.

It’s nice. The majority of your friend circle consists of everyone involved with the Upside Down and that entire mess. You two are no Steve and Robin (you’re convinced those two have the kind of bond no one can replicate or break. Like the kind of bond stray cats get and then they have to be adopted together) but it’s still nice. To just be with someone.

Even if you feel like you’re walking on eggshells.

It’s not always eggshells. Sometimes, for a a few moments, you forget. You forget it’s all pretend. You forget he’s just a friend helping a friend fulfill a goal. That’s all.

You’ve almost forgotten just now, too— you’re too concerned about what you might’ve done.

He’s not acting angry, per-se, but he’s definitely upset. You tend to pick up on this kind of thing: small changes in someone’s personality or body language. Most of the time it’s not a conscious habit.

Most of the time.

Right now, he’s run his hands through his hair about a million times. It’s become a frizzy mess behind him, and when you’d made an offhand joke about it —an attempt to lighten the mood— all he’d done was scowl. Not at you, really, but the message was there. You’d snapped your jaw shut so fast you’re pretty sure he heard your teeth click.

After that he’d frustratedly made tea for the both of you, which consisted of opening the cupboards faster than he usually did, closing them slightly louder than he usually does, and drumming his fingers impatiently on the stove-top while he waited for the kettle to boil.

All of this you observed from the corner of your eye while ‘reading’ on the couch.

And if all of that wasn’t bad enough, when you’d finally mustered up the courage to speak again, a little joke about a part in the book you were reading, all he’d said was a flat:

“That’s great, babe.”

You’re starting to get antsy. Nervous. Maybe you should go? Unless he gets upset at you leaving. That would be bad. But he’s clearly upset with you being here, so maybe you should go.

While you’re debating the pros and cons of leaving, you try to remain as still and silent as possible. No need to upset him anymore by moving too much or being too loud.

You flip a page in the book you’re no longer reading (he might notice you’re not paying attention to it anymore) and decide to test the waters again.

“The author just spelled restaurant wrong. That’s the third spelling mistake I’ve caught in this book.”

“Hmm.”

Okay. So that was worse. Talking to him is out of the question, then. It must be something you did, to warrant this kind of reaction.

You wrack your brain, trying to think of anything you could’ve done in recent hours to make him upset, but you can’t think of anything.

You glance slightly to the right— not far enough that he’ll see you looking at him, but far enough to get a better look at him in your peripheral. He’s glaring down at his campaign notebook. Shit, he looks so angry.

Unbidden, tears begin to well in your eyes and you try to shift, trying to angle yourself away from him enough that he can’t see the tears in your eyes.

But your hand shifts, knocking into his leg.

Fuck. “Sorry!”

You yank you arm back as if burned, jolting back on the couch so you’re in no danger of touching him. “I’m sorry!”

He sits up, immediately snapping to attention at the desperation coloring your voice. “Woah woah, hey. Hey, what’s going on? Are you okay?”

You take a steadying breath. “Did I do something wrong?”

He blinks blankly at you. Oh shit, you’re supposed to know that you’ve done something wrong.

“I mean,” You hurry to correct, “I know I— Can you tell me what I did wrong so I can fix it?”

Understanding floods his features and you brace yourself, ready for the reprimand.

“Can I touch you?”

Now it’s your turn to stare with confusion. You nod once, briefly thinking about how weird it is to ask for permission first.

He sits up on the couch, facing you with his legs crossed, the couch springs squeaking loudly at his movement. You resist the urge to wince. He reaches out with a slow hand, taking the hand that’s still clenched, held away from him and up near your chest.

He stares down at your hand, holding it with his left hand and tracing delicate shapes on it with his right. His ringed fingers drag lines around your knuckles and veins, lingering occasionally over the odd, old scar.

“How long did you think I was upset with you?”

Your heart is racing, muscles tensed and ready to bolt. “Um. A few hours? Maybe?”

You’re hyper-aware of the grip he has on your hand, and how quickly and easy it could become crushing.

It doesn’t.

“Bug,” He says slowly after a moment. At first he used to use pet names as a joke— it was something you’d laugh at, between the two of you, since the relationship wasn’t real.

But recently, he’s been saying them with a different inflection in his tone. A little less teasing, a lot more fond.

“Have you spent the past few hours afraid that I was mad at you?”

He sounds… sad. Which is confusing. It doesn’t— he was. He was.

“But you were,” You say, suddenly unsure about anything and everything. “You were upset.”

“I was upset because I couldn’t work this part of the campaign out, and i’m dramatic. I was never mad at you, honey. I was never mad at you.”

You frown, gears turning in your head. “When I made that joke about your hair, you glared at me. And then when I tried to talk to you, you were upset. You didn’t want to talk.”

“I was jokingly glaring at you, I’m so sorry you thought I was serious. I wasn’t, I promise. I didn’t mean to be dismissive, I was really focusing on writing.”

You’re both silent for a moment. A beat too long. You want to squirm in the unwelcome space the silence has created.

“What did you think I was going to do?”

That is a loaded question.

“I don’t know,” You pick at a loose thread on the couch cushion. “I don’t— I don’t know. That’s the problem. You don’t yell at me, or get angry, or tell me when i’ve made you upset. I don’t know what you’ll do.”

He makes a wounded noise in his throat.

“I know you get angry,” You bulldoze on, “I’ve seen it. You’re so… loud, in everything you do. I know you get angry. But you never get that same kind of loud angry at me and I don’t know what to do because that means that I upset you and you don’t tell me about it and then I don’t know how to fix it. I have to fix it, Eddie.”

His eyes, deep and brown, search your face. He reaches up a hand, painfully slow, to cup your face. Your eyelids flutter shut, and you tip your head to the side, leaning into the job.

“I’m gonna tell you something, Bug. Are you listening?” He waits for you to hum in confirmation before continuing. “You’re not responsible for my moods. Or anyone else’s for that matter. That’s not your job. You don’t have to fix it.”

He reaches his second hand up to cup the other side of your face. “You know why I don’t get angry at you? Not all loud and dramatic like that? Because I’ve seen how you react when people do. And I never, ever want to be the reason you get that look in your eye. I never want to make you afraid. I never want you to believe, with proof and confidence, that I’ve grown sick of you.”

You open your eyes, eyes darting across the planes of his face. Searching for even the smallest hint, the smallest giveaway that he might be lying.

You can’t find any. In its place, you find eyes, shining with pure determination. You find lips parted ever so slightly, a sad-sort of smile being etched into being. You find two hands on your face, thumbs delicately sweeping across the skin of your under-eye, of your cheekbone. Smoothing away the steady tears that had begun falling, wiping away the hot trails they leave on your face.

And you realize all at once that love isn’t like the movies. It isn’t picture-perfect kisses. It isn’t ball gowns and dresses and kisses in the rain. It isn’t like the love you thought you were supposed to have: empty and hollow; a life of hanging off of arms and praying your next slip-up didn’t cost you your relationship.

It was this.

It was just being. Just being and knowing the other person is there for just that— for you. It was not raising your voice. It was carrying extra hair-ties. It was making two cups of coffee. It was steeping tea for an extra couple of minutes, just the way he liked it. It was playing your favorite music in the car, and looking over at each other during the bridge, belting the lyrics with the same, toothy-smile. So full and so happy you just keep screaming the lyrics, because you’re filled with so much you don’t know where to put it all.

Your tears begin to fall in earnest now. Your heart is thudding in your chest, but for a different reason now. You’re struck with the need to convey all of this to him— to tell him you understand, you know, you feel the same.

“These hair ties,” You shove your wrist up to his eye-line. “They’re for you. Because you always forget your own. And— and I steep the tea for a few extra minutes, because you like your tea strong, and you didn’t just find that tape in your van, I bought it ‘cause I know you lost the old one in the Upside Down, ‘cause it felt out of your pocket.”

You’re babbling, nearly choking on your tears and your words, rushing them all out of your mouth in an aching wish to be understood, in this very moment.

“I know,” He says, voice a little hysteric and eyes a little too bright. His lip wobbles. He presses your face tighter in his hands. “I know. I know. I see you. I see you.”

You stay like that for a little while. At some point, your hands find his wrists, and then you’re just two fools, smiling like idiots with tears streaming down your faces, staring into each others eyes.

Eventually, Eddie clears his throat. “The next time you think I’m upset at you, you tell me, okay? You can ask. You can ask me and I pinky promise I won’t get mad.”

You giggle wetly. “Pinky swear?”

“Pinky swear,” He says, taking his left hand away from your face to hold up his pinky. You intertwine yours and his together, the both of you laughing at the ridiculousness of it all.

He gets quiet for a moment; removes his hands from your face and instead clasps, your hands together, resting in your lap.

“You know why I never tell you when you’re being a bad practice girlfriend?” He says, his voice low and soft.

“How come?”

He smiles, full and good. “Because you’re not. You’re so sweet and kind and loving. And if you’d let me, I’d really like to kiss you right now.”

You furrow your brows. “The real kind? The I-love-you kind?”

Your face flushes over the words ‘I love you.’

“I’ve always kissed you for real,” He says, words laden with fondness. “Ever since the day we met and you slapped the shit out of me for being stupid. I’ve been hopelessly obsessed ever since. I’ve just been waiting for you to notice.”

You suck in a breath. “So all of this— the, the dates and the hanging out and the kissing— that’s all been real?”

“Every last bit.”

“Then in that case,” You say, squeezing his hands. “I would very much like you to kiss me.”

He leans in, slotting your lips together and everything just clicks. Like this is where you’re meant to be. Maybe it’s puppy love. Maybe it’s not.

All you know is that Eddie Munson is kissing you for real, and he always has been. You couldn’t ask for anything better.

˗ˏˋ ★ ˎˊ˗