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daycourtofficial · 2 months ago

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Cursing my name, wishing I stayed

Pairing: Eris x Rhysand’s sister!reader | WC: 14.7k | warnings: depictions of violence, gore, blood, bodily harm

Summary: your relationship with Rhysand had been icy at best, but your attempts to reconcile are quick to be shot down. A rash decision leads you to endangering your life - can Eris find you in time? Can he save your infant son?

Author’s note: happy Gingerfucker Week to all who celebrate!! My first post has to be the most anticipated gingerfucker fic ever - otherwise I’m sure yall would kill me lmao

“Eris, we’ll be fine. Feyre wouldn’t let anything happen to us. But if it would make you feel better, you may winnow us there.”

The babe in your arms slept softly, the smallest crop of red hair peeking out from his swaddled head. Atlas was so tiny, yet had grown so much in his one month of living. The last babe you remember spending prolonged time with was your younger sister, and even though a baby’s basic needs were the same, caring for a wingless babe felt different, almost unnatural.

Being a young female in Illyria meant spending many hours and nights helping the other females with their young. Atlas was likely the first babe without wings you had ever seen. It still surprised you to rub your hand across his empty back or that you didn’t have to stretch his wings multiple times a day.

Only a quick winnow trip separated you from your nephew, leading your impatience to grow with each moment Eris spent rifling through trunks. You were dying to see the toddler, having missed several months of his life due to your brother’s refusal to see you. Things were still rough between the two of you (not from your lack of trying), but they seemed to be improving. It felt right to spend a few days there - to let your family see Atlas, hold him, spend some time with the three of you. It might be foolish, but a tiny babe is enough to have at least some of the pressure off of your mate.

Your words did little to slow him as he flitted about the room, a cloud of anxiety following him as he searched for something you weren’t entirely sure existed. He moved about the room, opening trunks and moving their contents around before closing the lid in a huff. If you weren’t getting annoyed at the delay, you would be amused by his antics.

“Er, if it’ll really make you this upset, I can wait until tomorrow when you’re able to stay with us.” The possibility that Eris was purposely stalling wasn’t lost on you. He was less than thrilled about this visit, however he was unlikely to ever stop his mate from getting what she wanted.

“No, no, you were adamant about arriving tonight so you could see Nesta on her birthday and- aha!”

From one of the seemingly thousands of chests around your room, all full of gifts from every High Lord, advisor, and courtier the two of you had ever come into contact it seemed, Eris procured a tiny yellow blanket, one end of it full of stuffing to give the illusion of the head of a duck. He raised it quite proudly as if it were a trophy, gallivanting over to the two of you as if he were a prized mare.

“What is that?”

“It’s Atlas’ favorite blanket.”

You squinted your eyes at him, clutching the babe tighter to your chest. The blanket looked brand new, unmarred by the constant stream of dribble Atlas left everywhere he went. Eris ignored you in favor of situating the blanket into the crook of your elbow, situated next to his son. “He’s three months old, he doesn’t have a favorite blanket.”

“Surely pregnancy has not completely rotted your brain. This is his favorite blanket.” He ignored the glare you sent his way, furthering your annoyance. You gripped Atlas tight in one arm, using your free hand to smack Eris’s bicep. An incredulous look overcame his pale face as he turned back to you. “You’ll wake the babe - set him down before trying to get physical with me.”

“I’ll get real nice and physical when I throttle you.” Your threat was not received as you had intended. Instead of coiling in fear and cowardice, your mate moved about, putting everything back into all of the various chests. “Then you’d be late for dinner and breaking Madja’s rules, and I never took you for a tardy rulebreaker.”

“I can throttle you without breaking Madja’s rules.”

“My love do not pretend if you were to kill me you wouldn’t be riding my cock as you did it.” You gasped, moving to press Atlas further into your chest and covering his other ear with your hand. You hissed his name, sending a barbed spike down the bond in frustration. Eris’s hands met his hips, amusement quickly turning into exasperation. “He’s asleep.”

“He can hear you!”

“He is in a deep sleep from spending nearly an hour on your tit. He’s going to be out for the next hour or two.” Eris felt your frustration through the bond, placing his hands on your shoulders, causing you to look up at him. “Come now, I’ll escort you both to Night, see that you are safely in Feyre and Rhysand’s care, then I’ll come back here until tomorrow.”

Eris moved past you, grabbing the bags you had packed before putting them across his shoulders. He reached an arm out, taking Atlas from your hands and securing him to his chest. You reached out, already missing the warmth of your babe, a hand pressed to his back to feel his slow breathing. Eris moved his free hand up to your face, fingers soft caressed your cheek.

The world changed around the three of you, Atlas shifting slightly beneath your hand as the orange curtains you recently had hung up on the brown paneled walls were exchanged for the light blues of the foyer of the River House. Atlas didn’t stir, but the sudden change in the world made you slightly dizzy. It had been months since you had last winnowed, a fact more pronounced by the stagger in your stance.

Eris had been writing to Rhysand, requesting special permission for him to winnow directly into their home. In true Rhysand fashion, he turned it into a much bigger spectacle than it was by placing special limitations on it, telling him he’d change the wards when everyone departed at the end of the week. His letter contained an additional note at the end, stating, “I will, however, allow Atlas in through the wards permanently in case he were to be a savant and learn to winnow and his first action be to leave you.” You had sent Rhys a responding scathing letter using words Eris was not entirely certain were real.

Feyre and Rhysand were waiting in the foyer, Feyre quickly standing off of Rhys’s lap to embrace you. Feyre always treated you differently than the others did, perhaps because she knew how awful it could feel to be as no more than an extension of Rhysand. Or perhaps because she knew what it was like to go to the ends of the earth for your mate.

You melted in her embrace, her lilac and pear scent a bit flowery but welcome. Her hug was gentle, careful not to squeeze too hard, something the High Lady had to work at perfecting after being turned high fae. It had taken years for her to master her grip strength. That time was not missed, however, the crushed door handles were always a source of amusement.

“Eris,” Feyre smiled, reaching her hands out after untangling herself, shifting to look at the High Lord, “hand over the baby and no one gets hurt.”

You giggled, pushing Eris toward her outstretched arms. She cooed at the bundle as it was put into her arms, her fingers moving the blanket so she could see his face. She made little faces, the Cursebreaker nowhere in sight as the babe reached out for her, gently grabbing her loose hair.

“He looks just like you, Eris.”

“How unfortunate.” Rhys ignored the pointed look he received from Feyre, picking lint from his jacket as he strolled forward. You stayed silent as he wrapped his arms around your body, and you couldn’t help but melt a little in his embrace. He was an asshole, gods was he an asshole, but he was still your brother and you loved him so dearly. You could feel the tension slough off of Rhys’s shoulders in your embrace, hoping this weekend could be a step forward for all of you.

Eris leaned down, kissing Atlas on the forehead before softly rubbing his head. He gurgled in response, causing Feyre to chuckle.

“I just want to eat his little cheeks! Nyx doesn’t have his chubby cheeks anymore, it’s a real shame.” Her hand gently smoothed over Atlas’s cheeks as she spoke, her heart breaking over realizing just how much her little boy had grown.

“He’s not on the menu tonight, Feyre.”

“I know, but I just want to eat him! He’s truly adorable.” Feyre continued making faces, certain she could get a tiny giggle from them. She puffed her cheeks and moved her lips a bit, deflating at the indifference Atlas showed her.

“I trust that your wards are secure enough for the two of them.” Eris cut into the discussion, having noticed the sun moving through the windows. Stacks of papers sat on his desk waiting for his eyes to peruse them in preparation for the next day’s council.

Rhys rolled his eyes, nearly scoffing at the male’s tone. “If they weren’t sufficient, would I allow my mate and son to live in them?”

“Rhysand, I am not in the business of trying to make sense of every decision you make.” Rhys opened his mouth to respond, but Feyre’s voice cut through the growing tension, extinguishing the sparks the two High Lords were sending each other. “That’s enough, thank you Eris for winnowing them here. We’ll be seeing you tomorrow?”

His amber gaze was glued to the tiny bundle before dropping the bags he was holding. The Autumn High Lord did not want to leave his son. He was still so small and so vulnerable. He remembered all of his brothers at such a size and it never ceased to amaze him how much newborns truly depend upon their parents. He looked back up to his mate, one last confirmation needed. A slight nod was all it took before he cupped her jaw, swiftly kissing her forehead.

“I will see you all tomorrow, then.”

Feyre had left quickly after Eris’s departure, returning Atlas to your arms before checking on Nyx. Truthfully your sister in law looked exhausted, and you were sure she was taking any opportunity that Nyx slept to take a nap of her own. She had written to you just last week that Nyx was in a sleep regression and she and Rhys were not having a great time. You had offered to reschedule your visit, but Feyre insisted you come and outright demanded to see the babe. She had said Nyx had lost his baby smell ages ago and she was convinced smelling it on Atlas could get her through this sleep regression.

You sat in Rhys’s study, Atlas sleeping on your chest after having just fed and changed him. Before running off, Feyre had given you one of Nyx’s old onesies, the pale babe in your arms looked so out of place in the black fabric. It felt so strange to be back in Rhys’s study - it must have been at least two years since you had last been in this room. It looked exactly the same - the massive portrait of Feyre looming over the two of you. So much had changed the past few years, and yet nothing had. Rhys looked exactly the same sitting across from you. If you placed Atlas down, it would be as if you had never left.

“Watch out for Cassian.”

Rhys’s words confused you. You waited for further explanation, looking up to find Rhys’s gaze on Atlas. Deciding he likely won’t tell you, you asked, “why?”

Rhys leaned back in his chair, the leather groaning from the shift in weight. “He followed Feyre around for months, asking to try some of her milk.” He laughed at your grimace but continued. “Someone told him the health benefits of breastmilk and he’s more than determined to get his grubby hands on some.”

“Eris will be thrilled to hear that.”

You could hear his retort clear as a bell in your mind. “A bastard so desperate for a mother’s love he’d suck random teets to get it.” You decided it was best kept to yourself.

You ignored Rhys’s scowl at the mention of your mate. “Do you think he’s trying to convince Nesta to have a babe so he can take the milk for himself?”

“I’m absolutely sure of it. Nesta kicked him out of the house for a few days because he wouldn’t stop trying to make everything into a deal to impregnate her.” Rhys was smiling at the memory of a downtrodden Cassian slipping into the River House one night, Feyre passing him as he grumbled about her sister. You laughed softly at Cassian’s antics.

It felt strange to be back here - in the Night Court, in the River House. As if you hadn’t left, your family continued on. Their lives continued with or without you. Your heart felt a slight twinge at the realization. You would choose Eris again and again, but you did miss the everyday antics of your family.

“Have I told you that Eris’s hounds detest Lucien? He visited a week prior and two of them worked together, one in front and one in back, to table top him into some mud- what is that face for?” Rhysand tried to recover the earlier smile, his mouth slowly forming into a grimace. It was impossible not to notice - he looked as if he smelled something terrible.

“Nothing. Just remembering something I have to do.” A lie. Your blood was heating beneath your skin. It annoyed you to no end whenever Rhys lied to you, something you hadn’t been able to shake since childhood. It made you irrationally upset, hormones raging through you.

“No, it’s because I was talking to you about Autumn, wasn’t it? Can’t you at least pretend to care about my life?”

“I do care.” He leaned back in his chair, trying to give off an air of nonchalance, but his eyes remained sharp.

You stood slowly, ensuring your feet were steady as you rose with Atlas. “I won’t sit here and listen to you lie to me, Rhys. I thought we were past this, I thought things were different now.”

“They are different.” His curt responses caused your nostrils to flare, your jaw tightening with every word.

“Because I made them different?”

“Your words, not mine.” You groaned, feeling like a little girl before him. He looked like he were dealing with a petulant child, his gaze only adding more fuel to your anger.

“You are so..” you trailed off, not knowing where to start. Pigheaded, brainless, annoying, condescending.

Rhys’s mouth turned into a snarl. “Think any harder, why don’t you?”

“Oh, you’re such an asshole!” You cradled Atlas’s head closer to your chest, placing a hand over his ears. “You’re such a dick, Rhysand. You can’t stand that I have a life away from you and this court.”

“I tolerate it.”

Your jaw dropped as his words tried to take shape in your mind. “You tolerate it? What the fuck does that mean? I’m trying to open up to you about my life, Rhys. About my home. I’m trying to fix things.”

“Fix the things you broke? Why don’t you just go back to your new home, then, if Night is so inferior you have to cross courts for cock.”

You stilled, slowly turning towards your brother, head cocked. The tension had reached its boiling point but you weren’t shying away from it. “Is that all you think of me then? Someone who gave up her title, her name for love. That I did it all for a quick fuck?”

“Don’t act as if you gave it all up for him.”

“You forced me to!”

“I have never forced you to do anything you didn’t want to.” He rose to his feet, his hands slapping on his desk accenting his words. The air went cold at his words, the insinuation lingering.

“That’s rich, Rhysand. You spout off about choices, but really it’s always ‘option A: what Rhys wants’ or ‘option B: perilous death and despair’.��

“Maybe it’s because if I don’t guide you, you make stupid decisions.” His eyes flickered to Atlas, and your blood boiled beneath your skin. You took a step forward, jaw clenched as you snapped at him.

“Are you insinuating that Atlas was a stupid decision?”

“I’d never insinuate what I can convey with words.”

Tears stung in your eyes, one landing on the tiny head in your arms. The room was too stifling, too suffocating. You had to go anywhere but here.

“Well, if insinuations are out the window, listen to me loud and clear: fuck. you. Fuck you, Rhys. Sorry I don’t fall into line with the path you planned out for me. Sorry for making my own choices. Sorry that the Mother made plans for me and didn’t ask for your input. And I am terribly sorry for Feyre because you are an asshole!”

You couldn’t take it anymore. You winnowed into the void. If you heard Rhysand’s voice for one second longer, you’d say something horrible. Irredeemable. Anger simmered at his words, claws desperate to come out and stoop to his level. He never understood your choices, never tried. No matter how many times he had promised to listen, Rhys had never tried to fix the walls he had put up between the two of you.

The world shifted as you thought about your home in Autumn, the brilliant leaves of the forests, the warm spices of the kitchen, your mate’s touch. A blur of colors passed and your throat tightened as shame washed over you. Eris was right - you shouldn’t have come. You needed more time. Rhys needed more time. You clutched Atlas tighter, taking comfort that you had him, at least.

Mind hazy, you moved through the courts, the world flashing with sunshine, the rush of an ocean, and the patter of rain until your magic unraveled, and the two of you fell from the air onto your back into a wooded area. At the impact, Atlas sniffed and then whined as he rubbed his face against your shoulder.

You took in your surroundings, opening your eyes to the bright afternoon sun peeking through the trees. Your eyes darted the area, looking for any signs of life as you laid still. Atlas moved in your arms as you maneuvered the two of you, trying to sit up to lean against a tree for better sight. Once you were certain no one else was around, you pulled Atlas away from you, unwrapping him from his swaddle to assess him for any injuries. His wailing was piercing through the woods, a sure cry to any creatures that were here.

You shushed him as you checked him, content that his worst injury was being woken from a nap. His cries were lacerations on your heart, each tiny inhale causing so much distress. It nearly cracked you in half, deep breaths a half hearted attempt at self-soothing.

The land was unfamiliar, nothing about it gave you any information about where you could be. The two of you were surrounded by trees, none any species which were familiar. The green leaves blocked out most of the sun, occasional streaks of light passing through. This didn’t feel like any of the solar courts - did you winnow past the mountain? If you had, you would have landed in Winter, or if you veered off course in Summer. Maybe you overshot and ended up in Spring?

The two of you moved about the area, your feet crunching on dry leaves as you went. You hadn’t made it very far before stumbling over a large root, some how hidden beneath your skirts. You barely caught yourself, the jerking motion causing another round of screams to come from Atlas. His little face was so red from crying. You looked back to the spot you had landed, hoping to sit back against that tree once more, but the land behind you wasn’t what it had been. In its place was a swampy scape, several inches of water that would have made your trek impossible. You clutched Atlas tighter to your chest, tucking his head beneath your neck.

You swiveled your head around, breathing labored as you realized you were somewhere you haven’t been in centuries. Where the land was nonsensical and ever changing, where horror stories began and ended. The land above the mountain where atrocities occurred in the caverns and tunnels beneath it.

The two of you were somewhere in The Middle. A land no court wanted for themselves, the tireless mazes too much for any fae to justify living in.

A land no one wanted to be lost in.

Pumpkin wandered into Eris’ room, the small pup clearly lost without Atlas to follow around. Eris ignored the whimpering from the hound, the beast having grown incredibly close to his son in a short span of time. It was sweet the way the hound trailed behind him when he was carrying Atlas, shushing and singing him to sleep. Eris was especially happy to see Pumpkin and Clover standing on high alert whenever Atlas was being fed. It soothed some part of him to know even in moments he had to step away from, his family was well guarded, even if just from his brothers.

Eris reviewed his notes, annoyance simmering beneath his skin at the distance between him and his family. He’d never deny you anything, but if you had had any doubts about spending a night without him, he wouldn’t complain about your presence in Autumn for one more night.

Pumpkin whined once more, Eris’s pen dropping at the sound. His chest felt hot with anger, something he’s unsurprised by. Any visit with Rhys often left the two of you fighting, your anger flaring through his veins as you fought. Your own feelings were compounding his own, utter annoyance at the meeting that kept him away from his mate.

Eris felt a sharp tug in his chest, nearly pulling him from his seat. Everything inside of him was pinging, his chest felt heavy with fear and uncertainty. What was happening over there? He waited a moment, trying to parse out each emotion. The anger in his chest subsided, every instinct inside of him urging him to go. He abandoned his notes, watching the brown hues of his study swirl and churn into black and blues.

Feyre looked about the office, confusion crossing her blue gray eyes as she didn’t find who she was looking for. “Rhys, where’s your sister?” Feyre’s voice echoed across the room as Rhysand took another sip from his glass of whiskey, slumped in his chair.

“Autumn.”

Feyre looked around, as if he were lying, covering up her hiding somewhere in the room to surprise her. “What do you mean she’s in Autumn? She was supposed to stay here for a week so we could spend time with her and Atlas.” Rhys shrugged, his eyes unable to meet Feyre’s, “she left.”

Feyre’s eyes were skeptical, certain that her mate was leaving pieces out. Things had been tense, but surely it didn’t take her mate three hours to scare off his sister?

“Did Eris take her back? Change his mind about his mate being here?”

Rhys gritted his teeth at his brother in law’s name, sinking into his chair slightly, “no.”

Feyre ticked her jaw, determination flooding her to understand her mate’s standoffishness. “Was she upset by our accommodations?”

“No.”

“Did Cassian annoy her into leaving?”

“No.” It came out as a growl, causing Feyre’s eyebrows to raise. “Just cut to the chase, Feyre. Ask what you really want to know.”

“What did you do?”

He sucked in a breath, as if the question were shocking. “Words were exchanged.”

That was all Rhys was able to get out before the doors to the room burst open, the wood hitting the walls as all of the heat was sucked out of the room, everything going cold as the High Lord of the Autumn Court stormed in, his rage palpable. Cassian trailed behind him, trying and failing to hold him back, unable to stop his path.

The redhead looked around the room before he stalked over to Rhys, grabbing the collar of his tunic before his hand connected directly with his eye, spitting out, “where is my mate?”

Rhys wrapped his hands around Eris’ wrists, trying to get him to stop. Cassian’s hands wrapped around Eris’ biceps before quickly pulling them away, his hands smoldering.

“Stay back, pigeon, if I find out you had a hand in this I’ll burn more than just your hands.”

Eris was a blazing storm inside of the house - his flames were erupting over the surface, turning the room red with heat. Dark tendrils of shadow coated the flames, attempting to extinguish them. The flames burned a bright blue in response, whirling around the tendrils, burning them up.

“Did my sister come to her senses and leave you? Ran off with one of your more capable brothers?” Rhysand’s smirk dropped as Eris hauled him from the chair, pressing his back to the wall. Eris’ long fingers dug into the lapel of Rhys’ dark coat, the fabric singing as the redhead pressed him into the wall.

“Watch your tongue, Rhysand. It would be a remarkable mount on my wall.”

The two males snarled at each other, Rhys moving his leg out to get Eris off balance. He faltered just enough for Rhys to get momentum, swinging his fist into Eris’s face.

Feyre and Cassian were scrambling as the two continued their brawl, both High Lords successfully bruising the other.

“Where is she, Rhys? Have you locked her away in a tower, thinking I wouldn’t notice?”

Rhys pushed Eris off of him, hands moving to straighten his jacket to find his lapels singed off.

“Perhaps you need to hone your abilities at hide and seek before Atlas is older.” Rhysand’s nonchalance caused Eris’s anger to burn brighter, certain the day was going to end with the Night Court in ashes.

“Why can’t I find my fucking mate but I can feel her desperation and fear in my chest?” Eris’s words clanged through the room, everyone stopping to take in his words. Feyre moved closer to him, her voice soft. “What do you mean, Eris?”

“I mean,” he snarled in Rhys’s direction, “something's very wrong. She has never felt like this in my chest before. Not even during labor. She’s panicking, I have never- never felt this from her before.”

Feyre turned to Rhys, her eyes wild with concern. Eris was quick to interject, his voice echoing through the room. “No, don’t do this. Don’t be communicating where I can’t hear it. This is about my mate, I deserve to hear it.”

“You don’t deserve-” Feyre’s arm on Rhys’s bicep stops him. “Rhys, where is she? Where’s Atlas?”

The High Lord of the Night Court’s chest was heaving with each breath, certain a rib or two was broken. “They went back to Autumn.”

“They haven’t arrived in Autumn.”

Rhys went pale, concern taking over his features. “They must be. They winnowed away ages ago - did she go straight to bed?”

The words fueled his rage once more, his voice on the edge of despair. “She is nowhere in Autumn.”

Trudging through the forest, you weren’t certain which way you were headed. You tried to feel for that bond with Eris in your chest, trying to pull it taut to receive some direction but whatever cord it created merely tugged you in over a dozen directions, the strength of each pull ebbing and flowing with your breath. You felt Eris’ concern grow as you stood, looking in all directions.

The trees were too tall for you to see the sun - it would give you some indication of which direction to head. Autumn laid in the southeast of The Middle, but navigating through its woods would still be impossible even with the sun’s guidance.

You cursed your hothead, annoyed you couldn’t just run out of Rhys’s study and go hide in your room until Eris came back. Surely you could have tried to mend things with Rhys, not just going on the defensive?

You spun in a circle, nearly tripping over more roots before deciding to just pick a direction and go. Atlas remained calm in your arms, what little power you have going to soothe him. Your breaths were slow and deliberate, trying to keep yourself calm. It was working enough to soothe Atlas and to keep a level head, and that was all that mattered.

You would need a source of water soon. It felt like you were moving on a downward slope, keeping your eyes peeled for any creeks or streams nearby. Sweat collected at the nape of your neck, sticking to the hair that covered it. It was oppressively muggy, the air feeling heavy with humidity.

Time was hard to track in the Middle, every moment stretching endlessly as you continued to walk a path that seemed to never change. Each tree looked the same as the last, no distinguishing characteristics to help you track any sort of progress.

Perhaps you were stuck in an endless loop, circling the same bit of land over and over until you collapsed from exhaustion.

“Running from something?”

A high pitched voice caused you to stop mid stride. A sinister tilt to the question that caused you to secure Atlas to your chest before your feet went flying without turning to look at the source.

Eris paced across their floor, a thin layer of fire coating his skin and clothes, a small trail of flames followed his path on the floor.

“I would prefer if you didn’t leave scorch marks on my floor.” Rhysand’s voice was buzzing in Eris’s ears, much like the annoying pests of Summer.

“And I would prefer my mate to have a better family, preferably one who doesn’t allow her to leave unattended so soon after giving birth.”

Eris was itching to unleash his anger, desperate for some fight to break out to let out a fraction of the rage that had nestled in his gut.

“My sister’s been strong-willed since she was born, anything she gets her mind on she does.” Rhys strode closer to Eris, looking down at the new High Lord. It hadn’t even been two full years since the magic had chosen him. The newfound power that thrummed within him was an adjustment, but he had quickly taken the reins of it. Now he felt like nothing more than a vessel for the well of magic inside him, set to erupt any moment.

“And yet, she’s not foolish enough to believe she could winnow across Prythian unless she felt she had no other option.”

“What are you insinuating, Eris?”

“I’m not insinuating anything, Rhysand. I’m speaking directly. I apologize if my language is too complex for your pigeon brain to understand.” Something in Eris snapped before he pushed Rhysand up against the wall, his head thumping against the wall as flames licked around Rhys’s skin, not burning, but restricting. “My mate felt so unsafe she took our babe and her chances of going anywhere but here.”

Every other word was enunciated with Eris shoving him into the wall, “and now you better pray to the Mother we find them both unharmed or your mate will rule this court alone.”

Rhys snarled at the threat, a rebuttal dying on his tongue as someone pulled Eris off of him, shoving him into a chair. Eris’ snarl died as he met the eyes of the eldest Archeron, the only person in this court he truly tolerated.

“Killing Rhysand can wait. Unfortunately, he may be helpful in finding her.” Nesta’s voice was a pleasant surprise for Rhys, probably for the first and last time. He took in a deep breath, the flames gone from his neck, before he straightened his jacket, moving toward the maps Azriel and Cassian had been looking over. The two Illyrians had been having a discussion of their own while Eris and Rhys fought, both too caught up in plotting to pay mind to the High Lords. Cassian’s thick fingers trailed a path from Velaris to where they knew the Forest House was located.

“Eris would know the second she stepped foot in Autumn, Rhys would know if she were in Night.”

Azriel stood rigid, his wings tucked in tight behind him. A formidable strategist determining the right course of action. “She could be anywhere in Day, Dawn, or Winter.”

“Or in The Middle.” Just the name gave Nesta chills, the phantom feel of the Kelpie around her. She swallowed harshly, the action feeling more restricting than it should.

“Lucien’s in Day, I could fill him and Helion in there while Azriel goes to talk to Thesan. Mor can go to Winter. Rhys, Cassian, Nesta, and Eris can look around the Middle. Elain, you stay here, take care of Nyx. If she comes back, let the twins know and they’ll contact us.” Feyre looked around, wanting to see how everyone felt about the plan. Everyone was on edge, this relief team more likely to implode on itself than succeed.

This was a tragedy and everyone had a finger they wanted to use to pinpoint the source.

Trees were a blur, hitting the ground in swift footfalls, every breath not big enough. There was no cleared path to take, the brush and bramble catching on ankles. Blood dropped from the nicks and cuts of thorns, but the urgency to run never stopped.

Atlas continued crying, soft wails coming from him as you pulled him closer to your chest, trying to quiet his pain.

There was no way to know where you were going, paths changing as you moved down them, but you continued forward, deciding it was your best option. You knew whoever found you was still following you, their breathing so loud it felt like they were right behind you.

Sudden sharp, shooting pain caused you to fall, your ankle caught on something as you fell forward. Quick thinking had you turn on your side, taking the brunt of the fall, except some thorny vines sliced through the swaddle, cutting Atlas’s arm.

Brows cinched together, the pain from your foot almost unbearable. Eyes were pinched closed, not wanting to see what had caught your foot. Whatever it was was still there - and was crushing your leg too. It took everything not to wail out in pain, matching Atlas’s cries. You breathed in through your nose, lifting up your skirt enough to see the metal bear trap that had clamped shut around your left leg, blood rushing out in spurts.

The sight caused bile to catch in your throat, quickly moving your head to the side to expel it.

Trying to sit up and assess the situation was no longer an option when the hunter appeared, her strong hands wrapping around the trap and tugging your body toward her. A scream ripped from your throat as blood gushed out of the wound, hot pain causing your vision to darken with each tug of the chain. Atlas was wailing, the protective arms of his mother insecure for the first time. His grip loosened on the duck blanket he carried, the yellow fabric turning brown with mud.

The Inner Circle and Eris were divided into teams, each taking on their own travels. Once everything was agreed upon, Eris was the first to winnow away, grabbing Nesta by the arm to take with him. She struggled in his grip as the world blurred around them, the smell of the unforgiving forest burning Nesta’s nose. Eris held tight against her as the familiar smell of burnt umber filled his nose, the two reappearing in his study.

Nesta searched the room, never having set foot in the Autumn Court, much less the Forest House Eris resided in. She looked at the papers scattered across Eris’s desk, eyes quickly scanning for anything of interest. A quick, high whistle startled her, bristling in his grip before a large hound came barreling through the door. A second, longer whistle came before the beautiful, sleek hound stopped before Eris.

He wrapped his hand around the hound’s collar before winnowing the three of them once more. Nesta’s head spun as the ground slipped from beneath her feet once more, the back to back winnowing causing her to stagger once they landed in a forested outcrop.

Eris quickly let go of her, his ears and nose twitching for anything he could pick out. Satisfied the area was secure enough, he gave the command to Clover, telling her to fan out. He was certain she knew Atlas and his mate by name, but nonetheless he provided a discarded shirt to her. She took large inhales, memorizing the scent before she ran off, her nose to the ground. She weaved between trees, dodging above ground roots with practiced ease.

Eris didn’t wait before taking off in a brisk pace after Clover, boots stomping through the muddied ground, his boot prints replacing paw prints in the soil. Nesta tried to keep up, her form trailing behind Eris as they moved through the landscape.

The Middle was unlike anywhere else in Prythian. It was what Nesta expected faelands to be when she was a mortal girl. Roots snarled over barely forged paths, an attempt to trip up any travelers. The landscape was hazy, almost dreamlike. There was an idea of what you were looking at, but the longer you looked, the more confusing it became. Hairs stood on end, a perpetual feeling of being watched followed travelers as they moved across paths.

Paths were nonsensical - rivers flowed up the mountain, ending wherever they wished rather than venturing out to the sea. Nesta’s limited experience here before was enough to know she did not care for the creatures that lurked here.

Nesta’s eyes were sharp, looking in every direction, desperate to pinpoint and remove the feeling of being watched. Eris trudged ahead, uncaring of Nesta’s plight behind him. He made no attempt at stealth - whatever they would find out here, Eris wanted the beast to know he was on the move. A bark up ahead quickened Eris’s pace, a catch in his throat at what his furry companion may have found.

The barking continued until Eris reached a break in the trees, finding Clover sat on her haunches. Tears sprang at his eyes at Clover’s discovery, crouching down to investigate further. He knew what it was, even covered in dirt and mud. He had handled the thing just hours prior.

Nesta caught up to the pair, pressing her hand to a tree, trying to catch her breath. Eris was hunched over something while Clover whined softly next to him, sitting perfectly still. His arm reached out, pulling something from the mud. He motioned Nesta over, pulling her water skein from her before pouring some out onto the muddied thing. The clear water ran brown, the dirt clinging to the object before running off it. Eris’s fingers rubbed at the spherical shape to reveal yellow fabric. He poured more water, draining the entire skein, to find a tiny yellow blanket with the face of a duck sewn onto it.

Darkness swam at the edge of your vision, everything feeling so bright as you were dragged through the dirt. Your fingers pressed hard into Atlas’s blanket, a firm grip desperate to keep him as close as possible. His cries were causing pain to swell in your breasts, your body not knowing the difference between his hunger and his concern.

Your body ached, the pain ricocheting through every crevice. You grit your teeth, not wanting to give the female any satisfaction.

There were rumors of fae who roamed The Middle. They were an interesting subspecies of fae - their movements were said to be jerky and strange, their bodies having adapted to the constant change of their homelands.

There was no known record of how many there were or anything about them. They were urban legend during Amarantha’s reign, thought to lurk the woods to drag anyone who fled her captivity back to the Evil Queen herself.

Rumor turned into a nightmare as she grabbed you by the bear trap, your cry of pain echoing through the trees, certain the blades were going to cut through the bone. A gutteral scream left you as she pulled you up by the ankle, shoving you into what seemed to be the back of the wagon. Somehow you still managed a tight grip on Atlas, his wails blocking out all sound. The wretched creature pushed the two of you up, your ankle catching on something too dark to see as she pushed you further in. It smelled awful, the stench of urine and vomit coating your nostrils.

Her rough, barklike hand let go, the pain subsiding enough to look around. You felt woozy from the blood loss, certain you were going mad when you heard barking somewhere in the distance. There wasn’t much in the back of the wagon - a wooden floor covered in various dark, unidentifiable stains.

Your thoughts whirled with self-deprecation, this whole situation being preventable if you had just stopped and waited.

Patience was a virtue you certainly had not acquired.

It was getting harder to stay awake, the pain overbearing. Sweat made your clothes cling to you, nearly chafing from the dryness. The last thing you thought of before drifting off was that the barking sounded like home. It sounded like warm pumpkin bread and cold nights spent by the fire.

The wet blanket squished between his fingers, water evaporating off the surface as he boiled with anger. The air around him seemed to silence, waiting to know what the High Lord would do next.

“Clover, find.” His command was razor sharp, the smokehound racing off, her muzzle to the ground. Eris ended many of his days with Clover, the hound loose, the need to hunt satiated as she found whatever it was she had been looking for. The thrill of not knowing what the two would find.

It was the worst hunt of his life. The uncertainty of how it would end. Most hunts saw him thirst for blood, content at culling the populations of the prey animals around Autumn.

This hunt was nothing like that.

He waited for his trusted companion to return, not wanting his own scent to interfere. Clover was the most clever dog he had bred, but he wouldn’t leave anything up to chance now.

“Nesta!” The voice shouting for the Valkyrie wasn’t too far away, his deep, loud voice not causing Eris to look away from where Clover had descended to.

Nesta wasn’t surprised Cassian had found the pair - her mate had spent the entirety of her time in the Middle tugging and pulling at the cord connecting them. She could feel his concern through it, the concern deepening each time a sound spooked her. But Nesta kept him at an arm’s length. She knew that cold rage that still lingered inside her at Feyre’s near death.

She knew exactly how Eris felt both now and about Rhysand in general. They both were members of the ‘resignedly having Rhysand as a brother in law’ club.

Nesta responded by pulling the bond, tugging Cassian in their direction. She could hear branches breaking and curses shouted before the two Illyrians made their way through the trees. They were both covered in dirt and sweat, the dried mud nearly up to their necks. Nesta couldn’t help the small smirk that formed at seeing Rhysand’s appearance so unpolished.

“Nes-” she quickly cut Cassian off, holding a finger up to him before turning back to Eris. He stood still, lingering on the path his hound had taken away from them. Rhysand observed him too, and Nesta was certain some barb laid on his tongue. Before he could, she brought the two up to speed about the blanket in a hushed tone. As she was finishing, a high pitched bark echoed through the wood. Eris took off in a sprint, the three quickly chasing off after him. They ran several miles, barely keeping up with Eris’s pursuit.

Eris met Clover’s barking, the hound circling a wagon, keeping the owner from getting into the front. The hair on the hound’s spine was raised, her teeth bared as she snarled and snapped at the fae. The horses attached to the wagon were startled by the hound, causing their own commotion. The pauses after their whinnying should have been silent, the space between brays a reprieve. Instead it was filled with the sound of a wailing baby.

Clover’s teeth clacked at the stocky female, sinking into the fabric of her pants and letting go before she was swatted. The hound had repeated this over and over again, not having received a command to go in for the kill. This hadn’t kept the hound from drawing blood as she nipped, her own territorial act over his master’s family. Blood was dripping from the female’s leg, thick, green liquid falling in puddles on the ground.

The other three fae weren’t far behind Eris, quickly approaching the scene not a moment after him. Cassian moved toward the wagon while the others approached the female Clover was on the verge of mauling.

Rhysand flicked his wrist, the reins restraining the horses disappearing, the pair running off. Their hoofbeats got quieter as the fae were surrounded on all sides. She looked between the four sets of eyes, certain the dog was her best bet. The most unlikely of allies banded together as a pack offering no escape.

Cassian climbed into the wagon, his weight shaking the cart. The bounty hunter flicked her forked tongue out, her hand reaching for something on her belt. A shadow lashed out, wrapping around her forearm, causing her to let go of her belt. She shrieked in pain as the shadow twisted her arm behind her back.

The clearing was dark, the only sound came from the bounty hunter’s mouth, cries of pain swallowed them as arm cracked and bent in every direction. The wind caught beneath the bounty hunter’s legs, forcing her to her knees.

“Cassian?” It was perhaps the only time Eris had referred to the general by name. His tone was stern, a voice he had used for centuries as a general himself. But something desperate creeped at the edge of his voice, a reality he didn’t want to consider.

The one where he was too late. That this was the wrong wagon. That his mate was somewhere else and this was a waste of time.

Cassian’s silence forced Eris to move, his feet jumping off the ground without him telling them to. He lunged forward, catching the fae offguard as he landed on her.

Eris laid on top of the bounty hunter, her long sharp nails scratching at him. One of her arms was still behind her, but she was determined. He didn’t register the fabric she ripped through, uncaring at the scratches on his arms.

“Cassian, are they alive?” His question was accented with the sharp thud her head made as it hit the ground. She was snarling up at him, her lifeless eyes dark as she peered up at the High Lord.

“Have enough coin for the pair?”

Eris’ fangs grew longer, the High Lord’s second form desperate to come out. His fingers quickly changed to talons, the nails biting through the fae’s skin, causing her to cry out. She began thrashing once more, Eris’ weight pinning her down. He was snarling, practically spitting as he couldn’t contain the rage boiling inside of him. He heard shuffling behind him, Nesta or Rhysand moving to help Cassian.

“They’re breathing!” He wasn’t sure who yelled it, the sounds blurring together. It sounded like Cassian, but all his mind could make out was they were alive. Alive, alive, alive. It was enough to tide him over for now.

“Take them to the Forest House, my healers are on standby.” He didn’t know if they responded, if they even looked his way, if they tried to argue. That thrumming need inside of him to protect his mate felt satiated enough knowing Nesta or Cassian was with her, that they were en route to Autumn. He wanted to be there, wanted to hold the loves of his life as they went back home. He was desperate to know how they were, to listen to the beating of their hearts.

His gaze narrowed back on the creature beneath him, her brown skin turning red beneath him. His heart was miles away, but it would eat him alive to see a fae with such audacity not receive their comeuppance.

“And what was the price on her head? How much was she worth to you?” His tone was ice, his question not a rhetorical one. He wanted to know how much this lowlife wanted for the two most precious things in his life. His wonderful mate, his equal in every way. Atlas, his darling boy. To consider them nothing more than traded goods made his stomach churn.

The bounty hunter couldn’t answer, her throat drying and desperate for water with every breath. The air was unbearable hot, but she managed to whisper out, “five thousand gold marks.” Once the words escaped her lips, the hard metal of coins pelted her face. She winced from the pain. Eris ignored the resounding crack in the air, metal meeting bone.

“Here, take it all.”

He poured more coins onto her, winnowing them from somewhere. He could barely think straight, every fiber of his being thrumming with revenge and anger.

A life for a life, an eye for an eye.

But really, what is the life of a trafficker?

Every breath was difficult, her lungs ached with heat. Fire caught around the pair, the flames staying low to the ground. Eris still sat atop her, unmoved by the flames circling their bodies, slowly making their way closer to the tree like fae.

“Take them back.” Eris’s command was directed to the group behind him, if they were still even there. He had no idea - his world had become so small. It was just him and this fae now. “Take them back to Autumn. Now.”

Her tongue dissolved to ash in her mouth, unable to speak. The High Lord grabbed more coins, shoving them into her mouth. The gold coins began losing form in her mouth, a river of melted gold pouring down her throat. It burned as it moved through her body, all of her organs alight with heat and fire.

Eris watched as her eyes dried out, as she tried to scream but was unable to. He watched as she thrashed beneath him, begging for mercy as if he were a kind and just god. Eris didn’t believe in the old gods, but if he did, he knew they would approve. He watched for several moments before her body slowly began turning to ash, carried away in the wind.

He didn’t linger long after the remnants of her floated away, not even looking back before winnowing back to Autumn, rematerializing to find the Forest House in chaos. Servants moved quickly through the halls, hurried footsteps as they carried linens and rags toward the team of healers he could hear yelling down the hallway.

“Call off your guards.” The first words to greet him were from his brother in law. It was a voice he could never get used to, the smoothness grating.

Eris’s mate and Rhysand looked strikingly similar - same violet eyes, same feline-like face. But Rhysand didn’t look right in the Forest House. He didn’t carry with him the warmth that made his mate look so at home here, as if the entire court had been made in preparation for her.

Rhysand seemed so out of place in his sister’s home. The once close siblings’ stark differences could not be ignored.

Eris waved his hand noncommittally, the guards lowering their swords from Cassian’s and Rhysand’s necks.

“They let me bring her in before threatening me, at least.” Cassian’s joke doesn’t land, the silence bouncing through the hall before Eris moved forward, his path straight to his bedchambers. It was a guess - the correct one - as to where they’d put you to look over you. He stormed into the room, a fierce blaze on the wind as he moved inside. You had been placed on the bed, the healers circling you tending to every inch of you.

The bond shook with anger, that golden string practically vibrating with urgency at the mangled mess that had been your ankle.

Nesta was standing off to the side, holding Atlas as he cried.

“I didn’t want to leave her alone. I haven’t taken my eyes off her this whole time.”

It felt like the cord around his heart had divided into two - one path to the bed, his bloodied mate, the other to Nesta and the tiny bundle that laid in her arms.

He knew which you’d prefer for him to go to. You had an army of healers around you as you laid unconscious, but all Atlas had was Nesta.

“Give him to me.” The tone of the High Lord. Nesta slipped the small babe into Eris’s arms, “they looked him over. He has a scratch on his arm, but otherwise fine.”

The worst feeling his son had experienced up until now had been the harshness of birth. The sensory overload of the world - how loud and bright it was after being evicted from his dark and cozy home. He had not known physical pain, had never been exposed to it. Every fae held him with such tenderness, it was impossible for Eris to rectify that his son, barely a month old, knew the atrocities of fae.

“Someone will check my son every half hour, ensuring he is in good health.” None of the healers answered, but Eris had known them long enough to know they heard him. He took a breath, holding the bundle tight to his chest. Atlas’s cries slowed, softening as he felt the familiar comforts of home.

Amidst all the chaos of the room, it seemed almost like they were alone. Eris’s ears twitched, listening intently to his son’s breathing.

A commotion was heard through the door, but Eris ignored it, opting to let himself feel the comfort of his son.

Shouting could now be heard, breaking the stillness he had artificially created.

Eris wretched open the door, searching for the source of the yelling, only to find Cassian and Rhysand fighting with the guards at the door.

His jaw tightened, his mate’s family a permanent fixture beneath his skin.

“What are you doing?” Everyone stilled at his words, the hall clearing of commotion.

“Never mind. I do not care. You have done enough. Her family,” Eris nodded towards Nesta and Cassian, “are allowed to stay. You,” he pokes a finger into Rhys’s chest, the tip singeing his shirt, making the black shirt slowly turn ashen, “are not welcome here until she says so.”

The two males continued staring each other down. Eris didn’t blink as he addressed the crowd, “if any of your thoughts align with your High Lord’s words from earlier, I suggest you leave now before I have to disgrace myself with the sight of you once more. Otherwise we have accommodations you may stay in.”

The redhead went back inside to his mate, shutting the door on Rhysand. Eris slumped back in the chair he had pulled up next to the bed, uncertain what to do with himself. Small flames erupted from the hand not holding Atlas as he flexed his fingers, trying and failing to burn off some of his anger. It was all consuming - the death of the fae responsible doing little to quench the adrenaline pumping through him.

Eris couldn’t stop the biting words coming from him, couldn’t stop the waves of anger coming off of him as the healers worked around him. Your hand stayed still in his, his grip firm as he let loose words he didn’t truly mean.

“Why are you out here?”

“I want to be in there, but that Night Court healer kicked me out.” The anger had lessened the longer Eris had sat in the hallway, his mind clear of the chaos anger brings to the forefront.

Lucien raised an eyebrow, “you take commands from old bitties now?”

“I do when they tell me to come back when I won’t set the curtains on fire.” Lucien looked down at his eldest brother. A fixture in his life, someone so tall in his memories, now looking so inconceivably small as he sat on the floor. He was the High Lord of the Autumn Court, but at this moment he was nothing more than a concerned mate. “And now I feel no better than a kicked hound.”

“You’ve never been one to let being kicked keep you down.”

“I wasn’t the one who got kicked.” Eris’s words were cracked as they came out, finally verbalizing the guilt that had been gnawing at him for hours by this point. It wasn’t very freeing, but it felt surprisingly good to share the feeling with Lucien.

“I wasn’t there-” Lucien was quick to cut him off. The love of your life in danger indirectly because of you was one few understood. “And if you were, this would never have happened.”

Eris stayed quiet, a sight so unfamiliar to Lucien. He looked to the door, surprised at Eris’s lack of desire to have the last word.

“Where is Atlas?”

“The Archerons are watching over him. Your mate arrived just before I was removed from my own bedchambers.” Lucien was certain it wouldn’t take much to procur that story from Elain. His smile was hard to contain imagining the healers tossing him out.

“Do you trust them?”

“They are three rooms down in a windowless, winnowless room.”

“So you trust the viper?” The fact Eris allowed them to take Atlas away from him was proof enough for Eris’s feelings about the pair. He didn’t want to mention how he wasn’t even trusted alone with Atlas yet.

“I suppose I do.”

A pregnant pause settled between the two, their gazes coming together to look at the door. They sat in silence for a while, neither looking from the door, their minds stuck on the possibilities that laid behind it. Eris tugged at the bond in his chest, desperate to feel his mate on the other side of it. He kept his face neutral at the silence that followed.

“It will likely be a while before she wakes.” A hard truth even harder to verbalize.

“I did not come here for her.”

Lucien’s voice came out strained and soft, so unlike his usual confidence. It betrayed his worries - his concern for not only his friend and new sister, but for the brother next to him. Eris was cruel, playing the part Beron had wanted for so long it was difficult for him to untangle every memory for the truth behind it.

Lucien knew Jesminda wasn’t his mate, but the grief that nearly consumed him whole was real. He hated Eris for playing the part of dutiful son, but he had played the part of rebellious son. Were the roles they played assigned or did they have some choice in them? The rebellious son returned home to the legacy the prodigal son had dismantled.

“I mean, I did come for her. I want her to be alright.” Lucien leaned against the wall before sliding down it, sitting next to Eris, facing the door his brother’s mate lay behind.

His unsaid words hung in the air and, shocking both of them, Eris reached out a hand, desperate for some familiar touch. Lucien took it with little hesitation, squeezing softly. Gods, he couldn’t remember the last time he just sat in his brother’s company like this or the last time he had touched Eris.

Despite the circumstances, it felt easy.

The two sat in silence for a while, the air heavy and stifling with uncertainty.

“Lucien, I..”

Eris trailed off, not sure if the language existed to convey how much fear lingered in his chest. He felt your pain bouncing inside of him like a dull ache, but he couldn’t feel you any longer. He couldn’t take a moment to linger in the part of his chest that was normally bursting with everything you. He didn’t hear any music, the silence almost deafening. Lucien squeezed his hand again, “I know.”

“No you don’t.”

Lucien shrugged, his long hair swishing with the movement. “I don’t know.” He brushed some of his hair off his shoulder, “but I know you look like shit.”

Eris didn’t need to look down at himself to know that his brother was right - he hadn’t bathed since they all went off looking for you, certain there was debris and blood all over his clothes and hair. The sweat soaked shirt clung to his chest, his skin itchy from the contact. The larger of the two made a big show of sniffing the air, crinkling his nose in disgust. “Smell like it, too. But that’s nothing new.”

Eris growled, unable to ignore his brother’s taunts. “At least I am not a smartass.”

“Ah,” Lucien tutted, a smug look on his face, “now we both know that is a lie. Autumn’s High Lord, starting your new tenure off on mistruths. What a look.”

Lucien’s feline smirk lessened a bit as he looked at his brother with something bordering on fondness. “I will take up the hallway guard if you go bathe. Really, you want your mate to smell you like this? If she doesn’t leave after that, I will be certain you’ve poisoned her mind somehow.”

“I am certain that would be the worst of my crimes.”

“I would believe so, forcing the mother of my babe to believe she was in love with you.”

Eris hissed in response, his knees popping as he stood up. Lucien ignored his brother, his barbs continuing.

“To think the mother of my child could be in love with an old, decrepit thing like you. Witchcraft, I say.”

“You’re not going to be speaking for long if you keep this up.”

“He does look rather like me, don’t you think?” Lucien grinned, something big and wolfish. The look only a little brother could have at getting beneath his brother’s skin.

“And why is your son so pale?”

Lucien shrugged, unbothered by Eris’s irritation. “Ran out of pigment. Who am I to question the Mother?”

“Ran out of my pigment my ass,” Eris muttered, finally moving down the hall to some bathing chambers.

“Do all High Lords speak with such vulgarity or just you?”

Eris responded by slamming the door, blocking out Lucien’s laughter. He didn’t linger long in the bath, the extra two hundred feet of distance felt like too much space between him and his family. He didn’t want to admit it, but Lucien was right - having the grime removed from his skin made him feel more capable of handling things. Fresh clothes made him feel more like himself.

His brother was still in the hallway when he returned, his head shaking slightly when he saw Eris walking in his direction. The healer must still be tending to you. He stopped at the door next to yours, turning the knob before walking in. The two older Archerons were in the room, his brother’s mate carrying Atlas in her arms. Eris’s son appeared to be in good health - so far each check proved the same, and despite the physician's groaning, he continued them. Elain seemed happy to carry Atlas around, her soft voice explaining to him the recent travels she and Lucien had gone on.

“Tulips of every color covered the fields. I’m sure one day Lucien and I can take you to see them.” Her vivid descriptions of the continent wasted on the babe’s ears. Nesta’s gray eyes looked toward the door, watching as Eris entered.

“Elain, the High Lord’s going to have you killed for speaking of kidnapping his son.” He couldn’t help the slight tilt to his mouth, some deep part of him appreciating Nesta’s attempt at normalcy.

“Nonsense, Nesta. If I had Elain killed, Lucien would mope about the house for the rest of his life.” His hands reached out, gently taking Atlas from Elain’s hold. “You keep him entertained for me. I owe you a great debt for it.”

The middle Archeron never knew how to respond to Eris, having only truly interacted with him a handful of times up to this point. She swallowed, thinking of all the stories Lucien had told her about his eldest brother and how language was his preferred method of battle.

“Perhaps you could entertain him with the dog toys?”

Eris tilted his head, his thumb stroking down his son’s back as he bit back a laugh. He knew any Cauldron fated mate of Lucien’s and sister to Nesta was surely somebody of interest to him, but Elain had yet to show anything Eris found to be interesting - until now.

“Did you just make a joke?”

“Yes.”

Eris nodded, wondering if he had underestimated his brother’s mate. The weight of the day had exhausted him, his bones begging for respite. Now that Atlas was in his arms once more, the tiny bundle so warm, his mind drifted to his bed where his mate currently laid. Your fate was still questionable - the healers were certain a full recovery was the most likely outcome, but when had the most likely outcome ever happened with Eris? Had he forged a life for himself only for it to be ripped away from him - the mother wanting him to know what happiness could be so he could feel its absence?

The air held a hint of awkwardness as they all stared at each other, Eris doing nothing to improve the warmth of the room. The two sisters filed out quickly, their voices directed toward Lucien as they left. The click of the door behind them was a beautiful symphony to Eris’s ears. To be alone with his son at last. It had only been twelve hours, but it was more like weeks had passed since he had seen Atlas’s small face, kissing his forehead goodbye. Nothing had felt off - no sense of anxiety overcame him, no fear for his family. Just annoyance and sadness at being away from them.

Eris gently cradled Atlas’s head as he made his way up the mattress, propping himself up against the headboard, back cushioned by pillows. His son had been restless in his arms when he took him from Elain, his little arms and legs trying to disturb the perfectly swaddled blanket around him.

The room had no windows and technically connected to his private chambers. When he was a boy, he had a full time nursemaid stay in here. Once he outgrew her, the space became his own private sanctuary. Many nights were spent hidden in this room, no concept of the passage of time as he poured over books, back curved in desperation to stay awake so he could finish it.

The shelves still lined the walls, but he had some of the furniture removed should his mate eventually want her own chambers.

His muscles ached less the longer he stayed still, and he softly piled up pillows on each side of him. Atlas was stirring in his arms, tiny coos that were endearingly pathetic. He broached a long finger close to Atlas, tiny hands wrapping around it as he settled back down. If he could, he’d strip his shirt to allow his son to rest on his skin, but thought better of it. The jostling would wake him for good, and he’d be doubly upset to know he was on someone’s chest who wasn’t his mother.

The sound of deep breaths was all that could be heard in the room as Eris used his magic to put out the lit candles littering every surface. The darkness of the shadows made his eyes heavier, but he fought to stay awake, not wanting to let his guard down.

“My beautiful son.” Hushed words filled the room, the warmth of his voice almost visible in the darkness. Atlas didn’t acknowledge the words, content in his slumber and being with his father. His body felt warm in Eris’s arms, Vanserra babies always running hot.

“I will always find you.” Outside the moon rose high in the air, the cold bringing a slight frost to Autumn. The midnight hour was one Eris made most of his best kept promises, all relating to the mate from the Night Court he found centuries ago. A tradition he unknowingly passed on to doing with his son. He was so pale, cheeks flaming pink.

Atlas didn’t know his father was High Lord or general of Autumn’s armies for centuries. He had yet to experience the parts of himself that Eris wanted to keep hidden. Eris’s eyes closed slowly, lulled by his son’s breathing, content to know that for now, his son only knew him as a father.

Eris startled awake, something prodding at his arm. A groan escaped his lips, his brother’s scent filling his nose enough to rouse him from slumber. He must have slept off the adrenaline, his heart rate a more regular rhythm.

“She’s asking for you.”

“Why didn’t you wake me?” Eris scolded before he shot up, nearly jumping off the bed.

Lucien rolled his eyes, Eris’s annoyance growing further at the action. “You had been awake for days, Eris. You needed the rest. Don’t they say to sleep when the baby sleeps?”

Eris ignored his brother as he remembered his last moments before he fell asleep.

“Where’s Atlas?”

“Cassian has him.” Eris shot his brother a glare.

“That’s not funny.” Lucien’s hand went up in defense. “Atlas is asleep on Cassian, and Elain and Feyre are with him if he wants any help.”

“When did you move him?”

Lucien shrugged. “An hour ago, maybe? You didn’t want to let go of him.”

Lucien’s words were nonchalant, an air of not knowing to them. Why would Eris ever let his son out of his arms again? He had already been exposed to the horrors that lay outside his father’s arms - he wouldn’t let it happen again. He left Lucien in the room, the hallway much quieter now. So much had happened in the past few days, and yet the halls of the Forest House were unchanged.

Eris stood outside the door, taking a deep breath and squaring his shoulders. Heat danced at his fingertips, a small attempt at having any control over the situation.

Big, violet eyes looked back at him as he opened the door, something settling in his soul. His mate had a plethora of pillows behind her, each one working to prop her up to be sitting. Long black hair flowed around her, lacking its usual shine. The dark hair highlighted just how pale she looked, but life was slowly returning to her face. A blanket covered her lower half - for the best, perhaps. The tight lid he was holding on his rage was sure to give if he were to see her injuries.

“Hi, Er.” Your voice cracked with trepidation.

“How is the pain?” You looked down at your bandaged ankle, not moving it to check if the pain was still there. The wound only stopped pulsing with pain recently. Though you had been mostly unconscious, flashes of light and intense pain lingered in your memory.

He continued standing in front of the closed door, keeping his back to it. His eyes were focused on your face, watching every slight movement.

“It’s not so bad with the tonics Madja provided. She said the trap got to the bone of my ankle, so I should limit putting weight on it for a week.”

Eris nodded, the healer telling him much of the same. He had been trying to work through solutions to keeping his stubborn wife bedbound, not quite above shackling her to prevent further injury. A bassinette already sat next to their bed - maybe he could have it moved to his side so he could pick Atlas up and bring him to her.

Eris nodded, staying uncharacteristically quiet. His feelings were dulled in your chest, muffled by a blanket of privacy neither of you used before.

“Say it.”

“I don’t know what you’re talking about.” He continued staying by the door, his tone growing slightly sharper. He was being petty and spiteful and you were having none of it.

“Tell me how you feel. You have never hidden your anger from me.”

“That is because I have never felt such anger at you.” The room was cloaked with Eris’ words, not quite stifling the roar of the fire. “I cannot lose you. Either of you.”

His words were soft, nearly a whisper, but the crackle of the fireplace gave hint to how deep the anger ran.

“I know.”

He kept speaking, not acknowledging your words.“You are far too precious to me. Please, don’t ever risk yourself to escape Rhysand.” His words surprised you, a new wave of guilt overcoming you. Your actions had been done out of anger, winnowing when you knew well enough you shouldn’t.

Everything could have ended so differently. And for what? To get back at your brother?

“Look at me.”

Eris had moved closer to the bed, as if his confession were a bridge that led him to you. His fingers moved slowly, gripping your chin. “There were a hundred better options, including asking the other bats to fly you home. Do not be so foolish with your life. With Atlas.”

Home. How that word had changed over the centuries. It was the cabin in Illyria, your mother and brother and sister inside, occasionally housing Cassian and Azriel. It was being four years old and scraping your knee and Rhys doing everything to dry your tears and make you laugh. It was flying with Cassian, determined to finally beat him in a race, chastisement over how knotted and wind whipped your hair had become.

And then it was Eris. Late night rendezvous turning into a permanent fixture. It was eating meals at the large, expansive table with two chairs right next to each other. Hounds lazing about the house, one practically laid out in every room in the massive dog beds you had insisted on. Warm colors making everything so vibrant.

And now it was Atlas. Two chairs soon becoming three. Two toothbrushes that would become three. A bassinet beside the bed. Teaching him everything he needed to know, his own neck unable to support the weight of his head.

Tears clouded your eyes at wholly dependent upon you he was and how you wholly failed him today.

“I was a fool. I- I could have gotten Atlas killed or taken. I am- I will never allow my anger to cloud my judgment when it comes to Atlas.”

“Or you.” It felt like a gentle caress through your chest, so many unspoken words in those two.

“Or myself.”

The words felt like a truce, like you had both arrived to some understanding. To further prove it, you gently patted the bed next to you, eager to feel more of your mate’s warmth. He climbed on the bed, sliding in next to you.

It was his preferred side to sleep - the left side, facing the door. It allowed him to come and go more easily without waking you, to keep himself between what laid in the world outside the confines of your marital bed.

Anger bubbled back up in your gut, remembering the bounty hunter’s wretched face, the immense delight she had found in your agony.

“Is she?”

“Dead? Yes.”

The confirmation did little to ease the panic inside. She had been so close to hurting Atlas, so close to selling him away. It was an anger you were certain you would carry until you died.

“My only regret is I didn’t do it myself.”

“Rest assured, my mate. I took care of it.”

You leaned into his side, your head resting in the crook of his neck. He laid above the blankets, his feet crossed at the ankle. He looked so prim and proper, it delighted you a bit.

“And Atlas?” His arm wrapped around you, his hand stroking your cheek lazily.

“He is safe with Lucien as we speak.”

“I don’t think anything’s safe with Lucien.”

His grip on your head was soft but firm, keeping you close to him. His thumb started moving on its own, his body so content to be next to yours once more.

“I thought-“

“I know.” And you had known. His panic was all you had felt before being rescued. It would have been easy to drown in it if it weren’t for the instinct to protect Atlas.

“But we are okay.”

But for how long?

“There’s a note on the side table.”

Eris had to change the subject, unwilling and unwanting to face his emotions head on. Your eyes moved to find Rhysand’s delicate penmanship on the fold of the paper, the letters of your name in grand, swooping movements of the pen.

“Can I see it?”

You could feasibly reach it, but your arms felt so heavy. Your body was still so tired, movement a burden to worn out muscles. He reached over you, careful not to lay his weight on you, keeping the paper folded as he handed it to you.

“You’re not going to peek at it?”

“It is your correspondence.”

You rubbed the paper through your fingers, not certain if you were ready to know its contents. You wanted to read this alone, not have Eris coloring your feelings.

“Can you bring Atlas in here? Madja said I can hold him.”

Eris nodded, slowly untangling himself before leaving. The click of the door prompted you to open the note, some small part of you wanting this to be between siblings. Hope had bloomed at the sight of the note - a ceasefire, maybe. Or maybe it would contain the tenderness Rhysand had so adamantly kept locked away the past few years.

Eris had been adamant his relationship with Lucien was his to navigate. He wanted Lucien to feel Eris deserved his company, not coming around because Lucien likes Eris’s mate.

And so this letter was yours. Rhysand was your brother. Any tenderness or ire or passive aggression from him is yours to decide what to do with.

The letter sat next to you, your mind lost in thought when Eris returned with the small bundle in his arms. Your chest lightened at the sight, the tight grip of anxiety around your heart lessening with every step Eris moved forward until your son was tucked back into your arms.

“And he’s okay?”

“Yes, he’s been looked over at least a dozen times by now. His worst injury is a scrape on his arm that has already healed.”

You gazed down at the impossibly tiny thing in your arms, taking in the features of his smooth, pale face. He was beautiful and he was yours.

“I am sure the extent of his injuries is in no small part due to your quick thinking.”

“Eris-“

“You are littered in cuts and scrapes, bruises everywhere. Do not think I can’t be both angry and proud of you at once.”

You preened a bit at the compliment, your mate’s pride in you always making your heart swell. “And if I did risk injury to myself for him?”

“Then you’d be the female the Mother mated me to, the one I had sworn myself to so long ago.”

It was quiet, two pairs of eyes looking down at the young boy between them. He was so small, so unaware of the danger that had surrounded him for several hours. To him the afternoon was different and scary in a new way: utter exhaustion had left her unable to stop her emotions from spreading and he felt his mother’s fear bubble in his belly.

“I haven’t seen such injuries on you in so long.” Centuries ago, the blonde male had dropped off the Night Court princess in Autumn, her beautiful wings haphazardly cut off. The outpour of blood seemed endless, Eris not knowing how you still had any left. He could still smell the blood and vomit, the scent had stuck to his walls for years to come.

“It would be the greatest disservice for Atlas to not know his mother.” Eris couldn’t say more, couldn’t verbalize the fear that was easing off his chest. It would gut him to not have anyone to share Atlas growing up with. He would go on without you for Atlas, but he wouldn’t be the same. How much pain can one bare before it consumes you whole?

The room was silent, the small family huddled together, enjoying their reunion. Warmth radiated around the room as two sets of eyes watched Atlas smile.

A soft knock at the door woke you from the sleep you had dozed off into. You were alone - Eris’s scent still lingered, likely having left not even ten minutes ago. You took a deep breath, feeling around in your chest for him. All that was found at the rope that tethered you to him was a sense of calm and pride. He was definitely with Atlas, hopefully eating a meal as he cradled his son to his chest.

“Come in.”

The door opened, your brother’s head popping in through the door. Rhysand looked so out of place here in Autumn. His violet eyes screamed ‘wrong’ as he stood out from the background. You had the same eyes as him, but they seemed wrong here.

He kept his head low as he walked in, varying degrees of guilt and shame pouring off of him. The magic inside of you was slow to return, but Rhysand’s emotions wouldn’t be a mystery without them.

“Hello.”

“How cordial of you.”

“Well, when in Autumn.” He shifted on his feet, taking your silence for confusion. “Historically Autumn is a much more proper court than Night.”

An awkward tang filled your mouth with each word. “I am aware.”

The two of you looked at each other, the silence in the room settling over the siblings. So far from their younger selves, so many atrocities laid between them. An observer would think they were strangers from the odd tension in the room.

Speaking was the hardest either had done.

“I am sorry.” His words were slow and deliberate, emphasizing each syllable to truly show he meant it. His shoulders hunched slightly, Cassian’s words from an earlier conversation swirling through his head.

We’d expect that kind of treatment from your father.

“When was the last time you said that to me?” Rhys was never good at apologies - every one had been followed up with “but-“. It would have been more sincere for him to apologize for his actions hurting your feelings.

“Far too long.”

Silence. You waited, wanting more from him. You were tired of fighting with him, a constant battle for choices already made, each party wanting to be the victor. It was exhausting and with a new babe, something had to give.

“Rhys, this is my life, whether you like it or not. I can’t- I’m not playing games with you anymore. I don’t care if you like Eris or not, but you have to believe I can make my own decisions. You have to trust me.” Your earlier words seemed to finally get through to your brother, his shoulders slumping in some form of concession. “I can’t keep doing this merry go round of things seeming to be better just to blow up again.”

“I do trust you.”

“Do you?” The question flew from your mouth without thinking. “I kept this a secret for a century, Rhys, because you reacted exactly how I expected you to. You don’t - you used to trust me, let me make my own choices, but since that night you haven’t.”

You were growing wearisome from this argument, the fight draining you of what little energy was left. You pointed to the water cup on the nightstand, Rhys picking it up and giving it to you. He hovered next to you, staying at your bedside.

“I am sorry that I made you feel like I don’t trust you.” The water helped ease the slight headache that was building, and gave you something to do while you took a moment to think on Rhysand’s words.

“Do you?”

“Of course I do.” His voice broke as he spoke, a desperation lacing his words. “But how can I trust anyone else to care for you? How could I live with myself if I let you be with him only for him to hurt you?”

“He’s a good male, Rhys.”

“I want you safe. I want what’s best for you.”

“And he is. If I told you Feyre was no good for you, what would you do?” He quickly looked away, proving you right. His hand tugged at his hair, an action he hardly ever did.

“I was scared. When Eris came in and you were missing, I was scared. Cassian had to talk me down from blowing up the entirety of the Middle.”

The truth finally came from him. Every discussion, every argument, all Rhys would talk about was his anger, the betrayal. He kept his emotions so tight to his chest, they were suffocating him. You kept quiet, letting him continue.

“I was scared that it finally was happening. That another court was finally going to finish what Spring had started. I thought Eris had done this somehow, wanting us to discover his deeds. Wanting to basque in the glory of getting the upper hand over me.” He breathed in deeply through his nose, his hands shaking as he brought them to his face. Unshed tears lined his violet eyes, the depths of sadness keeping your gaze. “But it was me who led you to danger. It was me who couldn't keep you safe.”

A sob tore through him, the sound of the last wall between the two of you collapsing. You moved over on the bed, allowing space for Rhys before patting the bed. He stood before sitting on the edge of the bed, toeing off his shoes, and laying next to you. You leaned your head on his shoulder as he draped his arms around you, clinging tight.

He clung to you as he sobbed into your shoulder, your own tears falling on top of his head. How had things become so twisted? How had your relationship crumpled this much?

The High Lord’s embrace allowed the emotions of the day to crash into you, clutching his shirt tight in your fingers. The soft silk was such a contrast to the pain in your chest.

Rhysand was your brother, the only person alive who loved you before you were born. He didn’t have to know you to love you.

Rhys had always told you he loved you before you were born, something you had never grasped until Atlas. Seeing something so small and tiny and knowing you would go to the ends of the planet to help them.

“You didn’t get to meet Atlas.”

He stayed in your arms, a less than dignified sniffle coming from him. When was the last time you had seen Rhysand cry? Those nights he would find you in Feyre’s absence when she was in Spring, letting you soothe him to sleep? Or was it when Nyx was born and Feyre nearly died?

“Do I even deserve to at this point?”

The two of you were the sole survivors of a noble family. An entire family gone in one night. You leaned further into him, nose pressed against his bicep. He was warm, the citrusy scent coming off him made so many memories flash through your mind: learning to fly, lounging in his study as he worked, intense chess matches that left everyone mad. Centuries of baggage laid in the space between the two of you.

The second part of his scent was the soft undertone of sea salt that always reminded you of home. Your mother smelled like sea salt and caramel, a scent that always made your mouth water for sweets and feel safe. She was gone, had been for so long your memories of her were blurry from use, but so much of her lay in the male next to you.

There was no way back to her or the rest of your family, gone for centuries now, memories so replayed they were memories of memories by now. But you still thought of them often. You were thinking of your mother when you spoke once more, thinking of the excitement Rhys had to finally have a little sister.

“Yes, you do.”

Author’s note: AHHHHHHH wasn’t that great ❤️

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really-fanny-longbottom · 8 months ago

Text

never yours

summary: azriel never regretted his decisions so much like he does right now.

warnings: angst (like a lot), fluff (also a lot because we need a balance)

pairings: azriel x reader, azriel x elain, lucien x reader

words: 6k

you were born in day court during the longest and the warmest day of the year — summer solstice.

even though it's not a custom to exchange gifts on that holiday, your parents always told you that you were their greatest gift and that the sun shined brighter that day like he knew that you would be entering this world very soon.

your father was helion's best and longest friend, and he had a place in his court as his second in command and advisor.

your mother was the lead healer of the court. she was one of the most powerful and talented healers of prythian, being a very close second to madja.

due to your parents' jobs, you grew up in the day court palace and close to helion, who didn't just happen to be your high lord but also your godfather.

your parents reconsider that maybe making helion your godfather had been a mistake because of how much he spoiled you.

on your 4th birthday, he gave you a black baby pegasus as a present, which you decided to name him blackjack.

when he discovered that you liked reading, he had a private library built in your room with all kinds of books.

when you were seven and heard an old male saying that females should only wear dresses, you only wore pants for the next three months and of course, helion made sure you had every type of pants at your disposal.

when your parents tried to scold him, he just scoffed with his only response being, 'she's my goddaughter. what else am i supposed to do?' with a big grin plastered in his face.

you weren't helion's child, but he always treated you like one, and that never changed, especially after your parents' death.

your favorite thing about your parents was their mating bond. after you learned that mates are rare and a blessing, it made every single thing about your parents' love even more unique and pure.

you saw first hand what true love is really like. you saw how much they loved, cared, supported, and protected each other.

you saw loyalty and honesty in their deepest forms. seeing your parents' mating bond made you wish to the stars for a mate, and that one day, you would be blessed enough to find him.

but you also saw how deep a mating bond could go — you saw it first hand, too.

you saw it when your mother died after getting infected by a rare disease while trying to help her patients.

her death destroyed your father. the pain and the grief of losing your mother — his mate, and the love of his life were so big that your father followed her into the next life a few days later, so they could start their next journey together.

before he died, your father made helion promise him that he would take care of you, which he agreed without hesitation.

he became more protective of you. he couldn't stop thinking how unfair it was for you to lose your parents at such a young age, only eleven years old, when helion had them for centuries.

your godfather made sure to provide you with anything you needed from the best education to the best clothes, and when your healing powers start manifesting and you decide to follow your mother's steps, helion called in a favor to thesan to see if he could teach you himself.

the high lord of dawn was happy to accept, and so were you at the thought of having him as your teacher.

you moved to dawn court for a year where you learned everything about being a healer, not only with the high lord himself but also with his best healers.

you became one of the best — talented, powerful, gifted, and wise. just like your mother.

madja was looking for an apprentice at the time you returned to day, and when she heard about your skills, she asked for you.

rhysand reached out to helion with madja's offer — you would be her apprentice, work in the clinic with her but you would also assist her if she ever needed to go to a patient's residence, and would learn everything she could teach you.

it wasn't needed to convince you to agree. you had heard about madja and her healing, after thesan, she was the healer you wanted to work with the most, so of course you were more than happy to have a chance to have her as your mentor.

rhysand added that you would be welcome to stay in one of his personal residences, the house of wind, during your stay in velaris.

you were only supposed to stay in the night court for a year, but that was before you met the shadowsinger.

however, despite wanting the apprenticeship more than anything, if you had known what would happen when you agreed to go to the night court, you would never have accepted the offer.

•••

azriel couldn't sleep.

no matter how much he tried, he couldn't. not with tomorrow so close, not when he knew what was waiting for him in the morning.

the past was haunting him tonight, his thoughts hadn't stopped since he had been informed earlier of tomorrow's meeting.

so now, here he was, trying to keep his eyes open even though his body was protesting for him to do the opposite.

but he was fighting that need because every time he closed his eyes, you were all he saw.

your beautiful face with your sparkling eyes, your smooth hair, your pointy ears, your sweet voice, and your soft laughter.

you were haunting his thoughts like a punishment for all those years ago.

so all he could do now was to sit on the edge of his balcony with his legs hanging off while waiting for the sun to be born, and remember how things used to be before he destroyed everything.

•••

everything was perfect in the beginning.

velaris was beautiful, the people were kind, and the pastries were absolutely delicious.

the only thing you actually missed, besides helion, was the warmth of the sun like no other court had but the day court — that was just the day citizen in you talking.

your apprenticeship was going amazing. you and madja had instantly connected, and you were learning so much.

two weeks later, you were already attending your own patients without supervision.

you really had a gift, and every time madja complimented your powers, you gave all the credits to your genes — to your mom.

it warmed your heart knowing that the mother had blessed you with this part of her. In this way, it felt like she was always with you.

the house of wind felt just like home, and you adjusted perfectly.

the inner circle had welcomed you with open arms, and you got along with everyone. they thought you and mor would be the closest of all, but they got a big surprise when it turned out to be you and azriel.

the shadowsinger was different from everyone you ever met.

everyone in day was so loud, extroverted and open.

but not him.

he was calm, reserved, and difficult to read, but with time, you ended up finding out that the two of you were more alike than you thought. you were able to go through the shell that azriel had so perfectly built around him over the centuries.

a friendship was born.

every day, qzriel would fly you to the clinic and then back to the house. you explored velaris together and made your personal mission to try every single restaurant and bakery from the city of starlight.

you walked along the sidra and even stopped once in a while to dance along the melodies that the musicians were playing. you would read together whether that was in the library, in your room, or in his. you even started training with him and sometimes, cassian.

you became each other's person.

when a day at the clinic was hard or you would lose a patient, he was there to hug and comfort you, and you found yourself doing the same for him about his missions.

so you decided to take the next step and spoke about your parents' death, how much still affected you losing them.

and in that moment, azriel realized how much trust you put in him, so he decided to return it and opened about his past, his family, and his hands. you listened to every word, cleaned every tear, and held him for as long as he needed.

tou found yourself falling in love with him a little more day by day, and it only took you a few months to realize that you were completely in love.

the day the bond snapped was one of the happiest days of your life.

it happened during the most beautiful celebration in the night court — starfall.

your hair was tied in a long braid that reached down to your waist, decorating the braid were small yellow daylilies.

you were wearing a golden dress that fit perfectly against your sun-kissed skin. the dress had a slit on the left side that went up to the top of your thigh, a single strap held the dress on your right shoulder and when you turned around, whoever was behind you could have a perfect view of your naked back.

golden jewels rested on your ears and neck.

you looked like a goddess — one blessed by the sun itself.

you were shining just like a day court citizen should.

azriel standed next to you in the balcony while gazing at the spirits passing.

both of your hands rested on the stone of the balcony, and when you went to adjust your hand, it brushed against azriel's.

at the new feeling, you looked up to find his eyes, only to see the shadowsinger already looking at you.

in that moment, with the touching of your hands and the meeting of your eyes, the world stopped.

your hands start interviewing, and everything else just disappeared.

it was just the two of you and the sound of your heartbeats. and then, a golden thread appeared and started tying your hearts and souls.

azriel held your free hand and pressed it against his own chest, right where his heart laid.

you followed his action, freeing your intertwined hands and putting his hand on your chest, above your heart.

with the final loop of the golden thread around your hearts, azriel bent down and kissed you.

that moment couldn't be more beautiful and magical even if you tried.

you had finally found the mate that you had wished to the stars all those years ago.

everything was perfect.

you had everything you wanted and more.

you lived in a beautiful city that you learned to love and were starting to call it home.

you had the job of your life, working alongside one of your idols.

amazing friends that made you feel welcomed and part of a little family.

and finally, your mate, the male you were in love with, long before that beautiful and sacred golden thread.

everything was perfect.

but of course, nothing lasts forever.

and all of that disappeared when elain archeron came into the picture.

•••

ten years.

he couldn't believe that much time had passed. all those years without you.

it had been ten years since the last time he saw you.

ten years since he had heard something regarding you.

ten years since he had broken your heart.

and ten years since he had made the biggest mistake of his entire existence.

you had moved back to day court after that day, after what happened and after what he did.

the high lord of day had forbidden azriel from seeing you and from trying to contact you in any way.

and months later, when the rumors of a certain shadowsinger flying above the palace in hopes to get a glimpse of you reached his ears, helion banned him from his court.

helion had always been a very charismatic and loving person.

he's kind, generous, and a very good friend. He gets along with almost everyone, always joking around and laughing.

some people may say that he's the nicest and kindest high lord that prythian has ever seen.

when problems arise, he always tries to find a solution to solve them or if a solution is not possible, a way to improve them.

but not this time.

not when it comes to you and his son — Lucien.

because your heart wasn't the only one to be shattered that day.

no.

lucien's heart was a victim, too.

so, from that moment, everything that helion did was to protect you and lucien.

to make sure that you felt safe, that you had space and time to heal.

azriel's banishment wasn't the only consequence from the events of that day.

that day also cost the alliance between the day court and the night court, and when the alliance fell apart, so did helion and rhysand's friendship.

but azriel wasn't the only one to blame for all of this.

elain archeron was guilty, too.

she, too, was banished from the day court and forbidden to contact lucien in any way.

but unlike azriel, elain's actions cause far more consequences than his.

the autumn court followed the same decisions as the day court.

the banishment of azriel and elain and the prohibition of any kind of contact with lucien.

eris, now the new high lord of the autumn court after beron's death, didn't take lightly to what happened to his little brother.

the two of them had reconnected after eris became high lord.

they talked through everything that had happened in the last centuries, made peace with their past, and decided to move forward together.

now, the brothers were inseparable and had the kind of relationship they had always wanted since they were younger.

so when eris heard what had happened, he considered those actions as a personal attack.

he went as far as to offer lucien the opportunity to choose the blood duel, which his little brother refused, saying that all of this had already caused enough pain.

eris wasn't angry just because of lucien.

he was angry because of you, too.

you were the first person to give him the benefit of the doubt, the first one to not judge him and unlike the others you tried to get to know him, to be his friend and he let you.

6ou were the first one to know the real eris, to know what he hid behind the mask.

therefore, you had a special place in his heart. even if you didn't share the same blood, you were part of his family.

but that didn't stop with day and autumn. spring joined them, too.

despite everything that happened and the fact that they were still working on their friendship, tamlin's loyalty remained with lucien.

spring had been lucien's home for decades, and with that came a brotherhood between the two of them.

needless to mention that jurian and vassa's loyalties also remained with lucien.

to everyone outside the situation, all of this may seem overreacted and exaggerated.

but to everyone involved, it's not.

after all, you and lucien almost died.

that's what happens when a mating bond is rejected.

•••

azriel couldn't believe things had turned out this way.

he was so sure that the cauldron was wrong, that he belonged with Elain.

three sisters for three brothers.

how more poetic could it be?

there were signals everywhere.

feyre with rhysand.

nesta with cassian.

elain with him.

elain wouldn't go close to lucien or talk to him, but she would sit next to him whether during dinners or on the couch, she would talk to him, and requested his company when she went to the garden or to the city.

even his shadows disappeared every time he was with her.

weren't those signals clear enough?

they were meant to be.

the cauldron was wrong.

so azriel did what he thought was right.

he rejected the mating bond with you, and elain did the same with lucien.

he never thought that the rejection of the bond would've almost cost your life.

that memory still gave him nightmares to this day.

how pale you turned, how you sank to your knees with your hand pressed against your chest, tears running free down your cheeks and muffled screams leaving your lips.

how much pain you had suffered and how he had been the cause of it.

how once, not that long ago, he had been the reason for your smiles, laughs, and giggles.

but that memory wasn't his.

it was rhysand's.

rhys, who had to go through your mind shields, and knock you unconscious so the pain would stop and that memory led him to another memory.

the memory of that day and the things that had followed after he shattered your heart.

•••

azriel wasn't there the moment it happened.

no, he was too busy kissing elain after admitting how much they craved each other.

and while he kissed elain, he felt that golden thread tying the two of you breaking and start slowly to disappear.

nothing could have prepared him for that last memory of you when he and elain were summoned to the river house a few hours later.

rhys had shown him not as a courtesy but as a lesson of how much his actions can affect others.

but you weren't just some other.

you were his mate — former mate.

azriel made a move to go find you.

he needed to explain it to you, and he needed you to understand, but you were already gone.

rhys told him that after you regained consciousness, lucien took you with him back to day court.

lucien.

who you had become instantly friends with since the male's arrival in velaris.

you had treated him just like you were when you moved to the night court.

you showed him the city, the good restaurants and the best pastries, and also told him about Helion, now that he knew the high lord was his father and he was his heir.

you wanted him to feel like home, just like you did.

when Azriel made his intentions clear to go to day and find you, rhys showed him the letter helion had sent.

the one that forbidden him from seeing you and from trying to contact you in any way.

the one that also had the same indications to elain regarding lucien.

and that if any of them tried to disobey his orders, there would be consequences.

azriel knew of protective the male was of you and that he would do anything to protect his family, so for a split second, azriel found himself fearing the high lord.

rhysand also ordered them to stay away from the two of you, stating that they had already created enough problems and the night court could not afford a war with day.

after they left his office, rhys sat down on his chair, trying to think how he was gonna solve this.

his mind kept going back to you and lucien.

he was there when lucien came for you.

the red headed male was also pale and every few minutes, his hand would press to his chest in pain, his eyes were still red, probably from the tears he had shed.

rhys knew that Helion's letter wouldn't be the only one he would receive that day.

and like he was right, three more letters arrived during it.

first from autumn, then spring and the last one from the band of exiles.

rhys passed a hand through his black hair and released a long sigh.

azriel and elain actions had just cost four allies to the night court.

•••

when you and lucien arrived in day, helion almost fell to his knees at your sight.

you were in lucien's arms, your eyes half open with tears still following down your cheeks.

one of your hands was against your chest, rubbing small circles in a way of trying to get rid of the pain.

lucien wasn't much better.

helion headed towards you and started examining you for injuries, but he found nothing.

when confusion made his way to his features, Lucien told him everything.

the confusion was replaced by anger, but the anger wasn't just directed towards the shadowsinger and the middle archeron sister.

some of it was towards himself.

towards himself, because seeing you like that, helion felt that he had broken the promise he made to your dad and that this was his fault.

without giving time for any more thoughts to fill his mind, helion led lucien to your room, where the heir laid you on the bed.

you had fallen asleep in his arms with your cheeks still stained.

lucien sat on the chair by your desk that was placed in front of your bed and said to Helion that he would stay with you.

helion gave him a firm nod, remembering that lucien didn't have a room yet in his palace, but he was about to fix that.

helion didn't waste any time after making sure that the two of you were okay for now.

he called two of his servants to prepare a room for the young heir and went straight to his office where he wrote the letter and sent it to rhysand.

the next week's were a complicated ones but showed that time was the best healer.

you no longer spend the days locked in your room alone.

you started to eat properly again and went back to work.

day by day, you were smiling more, sometimes making jokes.

lucien improved as well.

he decided to live in the day court for the time being and took his place as helion's second in command.

his relationship with helion was also getting stronger over time.

they were making up for the lost time.

but that wasn't the only thing that changed. your relationship with lucien also changed.

you got closer than ever, due to the fact you were the only ones who knew what the other was going through.

you found comfort in each other's presence and started spending more time together to the point where you became each other's favorite person.

little by little, you start helping each other heal.

you started putting back together the pieces that had been broken, and the pain started slowly fading until the day that it didn't hurt anymore.

you two mended your hearts and souls, and for the first time, in a long time, you were full again.

your friendship grew, and so did your feelings for each other.

•••

azriel couldn't believe how wrong he had been.

because the cauldron wasn't wrong, it had never been wrong.

he was the one who was wrong — right from the beginning.

he and elain had tried a relationship after yours and lucien's departure.

it worked for six months until it didn't.

azriel questioned himself why the relationship was starting to fail and why being with elain was starting to feel wrong.

it didn't take him too long to understand the reason. It was because she wasn't you.

he found out that the reason his shadows disappear every time he was with elain wasn't because they were destined but because they were with you.

his shadows would leave him and elain to go find you, like they were stating that they wouldn't betray you, that they chose you.

on the day he broke up with elain, he found his shadows in your old room, which once was filled with colors, books, paintings, and light, and now was empty, dusty, and dark.

the shadows were swimming around your starfall dress — the one you wore on the day your bond had snapped.

the sight of the dress was painful, and he understood why it had been left behind.

azriel had tried to apologize.

he flew to day court and around the palace trying to find you but he never did and the next day helion sent a letter with his and elain's banishment, making autumn and spring to make the same decision.

he understood why.

they were trying to protect you and lucien, and even though he didn't have the right, he just wanted to know if you were okay.

he asked rhys several times if he knew something about you, and thys revealed to him that you weren't talking to him or the other members of the inner circle either.

you had stated that it was too early and still very painful.

so they respected your decision and kept their distance.

that had caused azriel's guilt to grow even more.

how he wished for nesta to still have her powers so he could go back in time and repair all of this.

the light of the sun broke his thoughts.

the sun was finally making its appearance in the orange and yellow sky.

azriel released a long breath and looked at the clock perched on his bedroom wall.

the morning was here, and he was only two hours away from seeing you.

•••

the inner circle stood at the entrance of the day court palace.

helion had lifted the banishment for this meeting with yours and lucien consent.

both of you said that it had been a long time and that the past should stay in the past, but that didn't mean you would be accepting any apologies today.

koschei was on the rise again, and prythian needed to come together once more.

right now, your past didn't matter.

the doors swung open, and the inner circle made their way inside.

a servant led them to the conference room located in the same hallway as helion's office on the first floor of the palace.

they sat at the marble table while the servant informed them, "the high lord will be here in a few minutes."

receiving a nod and a 'thank you' from rhysand, the servant left.

rhys started, "y/n and lucien will also be in this meeting. now, helion was nice enough to allow the two of you back here, so do not ruin this."

he finished while looking at azriel and elain, making them both nod their heads.

helion entered the room, and the inner circle raised from their seats.

the high lord of the day court made his way to the head of the table.

he turned to the side where rhys and his inner circle stood, offering his hand to rhys to shake it.

taken by surprise, rhys needed a few seconds to process what was happening before accepting his hand.

once they had shaken hands, everyone returned to their seats, but not before helion sent a disapproving look in azriel's and elain's direction.

a few minutes into the meeting, the door to the conference room opened again.

and there you were.

you were dressed in day attire. a beautiful white dress that hugged your body, with your hair loosen and golden jewelry adorned your neck and ears.

lucien was by your side also wearing day attire, one that matched helion's, with your hand in his.

the inner circle held their breaths at your sight.

it had been ten years, but all the memories came flashing back to them.

you looked the same, but when you two approached the table, that's when they saw it and shock spread all over their faces.

azriel couldn't believe what he was seeing.

he didn't know what he was expecting to see at this meeting, but it wasn't this.

it wasn't the golden ring that you and lucien had matching on your left hands informing him that you were married that shocked him.

it was the small and round belly that your free hand was resting on and the sweet vanilla scent that was filling the air — the scent of yours and lucien's baby.

"apologies for our delay," lucien started, then looking in your direction with a smile continued "someone had a big appetite this morning," he ended with a laugh.

you looked at his gaze, a genuine smile on your lips "shut up," you whispered.

lucien grabs the back of your chair, pulling it to give you enough space to sit. "thank you, my love."

you said while watching him take the seat at your right, making you stay seated between him and Helion.

for the first time since you entered the room, you looked at the people in front of you. "night court," you greeted with a small smile.

feyre was the first to say, "congratulations, y/n and lucien."

lucien spoke this time. "thank you, feyre." he rested his hand on your belly.

"how far long are you?" rhysand's voice reached your ears.

looking in his direction, you answered, "23 weeks. lucien thinks it's a girl, but i think it's a boy," you added, making rhys smile.

"i always took you for a boy mom." amren's voice surprised you and couldn't help but smile at her words.

"congratulations to you two. the mother knows you deserve it." she finished with a genuine smile.

lucien looked at azriel and elain before directing his eyes to the ancient one "yes, we do. thank you, amren."

lucien paused for a second before turning in helion's direction and continuing. “let's not keep holding on to the meeting. please go on, father."

helion proceeded with the meeting, but azriel didn't listen to a word that was said.

he couldn't tear his eyes from you and lucien.

there was no doubt of the love you two shared, not when it was written in both of your eyes.

he didn't miss Lucien caresing your belly and pushing a strand of hair behind your ear, passing his thumb over your jaw, and kissing your cheek after.

or how you rested your right hand on top of his on your belly while your left passed through his long red hair before resting around his shoulders and your smile while doing it.

what bigger proof did he need of your love if not for the baby you were carrying?

lucien's baby, he kept telling himself.

not his.

lucien's.

jealousy invaded his body, but there was nothing he could do.

he made his decision ten years ago, and now he had to live with it.

lost in his thoughts, he only realized the meeting was over when everyone started standing.

rhys and helion were finishing talking, and when the doors opened one more time, eris vanserra walked in with a little ginger boy in his arms.

he couldn't be more than five years old.

he looked exactly like lucien, except for his eyes — those were yours.

azriel's heart sank, and it sank even more a few seconds later, when the little boy spotted you and lucien.

you already had a baby and you were about to have your second.

with a big smile appearing on his sweet face, the little boy almost shouted, "mommy! daddy!"

the boy jumped from his uncle's arms and ran to you.

you bend down and gather the happy boy in your arms before standing again and passing a hand through his ginger curls and saying, "hi, baby."

you peppered his face with kisses, making him laugh even more. "i thought you were having fun with your uncle," you said, looking at your brother in law.

your son pouted “uncle eris doesn't know how to play. he only wants to do the boring stuff, mommy.”

everyone in the room chuckled. eris gasped with fake hurt “excuse me?”

“elijah.” lucien chuckled and said to your son after joining your side “don't be rude to your uncle.”

“but it’s the truth, daddy.” elijah hid his face on your neck.

eris approached the little family with a smile directed to his nephew. "sorry. i tried to keep him entertained, but he just kept asking about you two."

lucien noticed his older brother had paint and glitter on his white shirt and laughed at the thought of his son giving him a hard time before exclaiming, "it's alright, brother. we were about to leave anyway."

the little boy settled in your arms and rested his head against yours, lucien started rubbing his back.

when the little boy caught the sight of his grandfather, he asked before anyone could stop him "grandpa, how was the meeting with the idiots from the night court?"

the room went quiet, and a few gasps escaped.

at your son's words, you turned to look at Helion, now on mom's mood. "helion! how many times do we have to tell you not to speak like that in front of him?"

the room erupted in laughter at your statement.

the air became lighter, and helion put his hands in surrender, promising you that it wouldn't happen again.

you gave him an incredulous look, saying that you didn't believe him.

your son wrapped his tiny arms around your neck and rested his head on your shoulder with a yawn leaving his lips.

you rubbed your son's back while speaking to him. "C'mon, elijah. let's leave before your grandfather comes up with a new bad word for you to learn."

“bad grandpa” your son agreed with you while earning new chuckles from the night court.

even though he was trying to hold his smile, azriel failed. your son was too adorable.

you turned your gaze to the inner circle and gave them a smile. "it was good to see you all."

"you too, y/n. i missed you." cassian replied.

your smile stretched before telling him, "i missed you too, cass."

the nickname made his heart ache — maybe there's still a chance for you to reconnect.

you turned to look behind you, meeting your husband's eyes "you're coming, lu?"

a pink blush made its way to lucien's cheeks "of course, my love."

the heir looked at his father, "we'll see you at dinner, father. night court." he said, giving the inner circle a small nod before joining you and wrapping his arm around your waist and giving a kiss to your now sleeping son.

amren spoke again “see i told you were a boy mom.”

“you're right. if this baby happens to be a boy as well, i'm gonna be in trouble.” you replied with an arm holding your son and while the other made its way to your belly.

“no, you're not. you're gonna be great.” nesta spoke, a genuine smile on her lips “we already can see you are.” she gestured to the little boy sleeping in your arms.

“thank you, nes.” you were grateful for her words.

on your way out, you met azriel's eyes, but you couldn't find the words, so you simply gave him a nod with a small smile, and azriel returned the gesture.

when the door closed, amren was the first to break the silence "well, the mother has a sense of humor."

everyone turned to look at her, but she focused her gaze on azriel and elain.

"you rejected them because you believed you belonged with one another only for your relationship to fail six months later. and now," she released a laugh, "your former mates found their way towards each other. fell in love, got married, have a son, and have another baby on the way. ironic isn't it?" she said with the feline smile returning to her lips.

it was helion who spoke next, amusement all over his face, "indeed. i guess karma is a bitch."

he sent a disapproving look one more time in the direction of the two people who almost cost him his family before exiting the room.

amren's and Helion's words stung, but azriel knew it was nothing but the truth. He realized in that moment that despite your life now and how things turned out, you would never forgive him.

he had lost you forever, and now he had to live with regret for the rest of his life.

after all, you were no longer his.

a/n: thank you for reading! i'm thinking in making a general taglist so if you wish to be added let me know.

masterlist

the beautiful dividers belong to @cafekitsune

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readychilledwine · 7 months ago

Note

may i pretty please request a little cassian one shot where it’s a very out going reader who is NOT shy at all and never balks from anything unless it’s sex related and cassian absolutely loves undoing her once she gives in and making her all flustered and needy with his little taunts. LORD—

specifically from the smut prompt list:

“I know you’re not shy, so come here.” or like “Use your words, baby.” with a possible sprinkle of exhibitionism oh pls pls pls pls if this makes sense idk lol

Good Girl

Summary - Your birthday celebration at Rita's becomes Cassian's golden chance to end your 2 year shy and dry streak.

Warnings - voyeurism/exhibitionism, smut, fingering, oral, hair pulling, choking, spanking, unprotected sex, possession/ownership kink, dirty talk, cream pie

A/N - Happy Birthday, @sarawritestories! I was already finishing up this request, and your birthday actually made finishing this one shot easier. I wanted Cassian to have a special reason to fulfill one of reader's fantasies.

I hope you and my tumblr baby, @loneliestluvr enjoy this so so much 💕

✨️Cassian Masterlist✨️General Masterlist✨️

Cassian was watching you like a hawk tonight. Eyes glued on how your body danced in time to the music, to how Mor touched you as you two moved in time. He hated when you acted like this, so bold and brave in public. So okay with being touched by anyone but him. Talking a big bold game in your book club with Amren, Feyre, and Mor about wild sex you've never had.

You two had been mates for over 2 years, yet heated kisses and heavy petting was as far as you had let him go. It was driving him feral. Every time he had tried to get you into his bed or prepared to crawl on his knees to get into yours, it was something. “My cycle,” or “a headache,” or “Not a good body day,” whatever the fuck that meant. You were perfect to him. Curves in all the right places just begging and teasing him to touch. Cassian craved to be the reason your thighs clenched, to just once be the reason his shy girl screamed. He felt his lust growing as you and Mor approached the table, and the way your scarlet red birthday dress clinged to your figure, sparkling in the lights, made it worse.

His mate, his love, looked like the picture perfect face of innocence in his color when he knew the nasty things you read about, talked about, and fantasized about was too much. “Come with me,” Cassian's alluring voice hit your ear so softly. You took his hand, following him with both of you carrying your drinks in hand.

As Cassian pulled you further into Rita's, you began to blush. The lights had turned to a deep shade of red, doors locked and glowing to indicate they were occupied while some were open. Cassian smirked and pulled you into his goal room, thankful that for once, it was empty. As if the Mother had intended for this night to go exactly as he wanted. He had you against the glass wall instantly when the door shut.

“Why are we in here,” your face began to flush his favorite shade of pink. Glaze tinted glass was the only thing separating you and Cassian from the rest of Rita's. The private room of the pleasure hall was reserved for only the most bold couples, showing just their silhouettes as they partook in activities you could hardly dream of.

Cassian trapped you between him and that glass, towering over you, “Don't get shy on me now, baby.” His lips crashed on yours after the request, hot and heavy as he lifted you and forced your legs around his waist. You didn't know if it was the shots helping you relax, or your hope to have finally had birthday sex with Cassian, but here you were, moaning softly into his kiss as he pulled your hair back and began kissing down your throat and nipping softly.

“Need you to be a good girl for me,” you shivered at his murmured words. “Going to fulfill that dirty little fantasy of yours. Give you the best birthday present." You couldn't help the soft moan and smile, knowing instantly what he meant.

This room was visible behind the bar. The silhouettes of the people inside dancing like shadows on that glass for all to see as they ordered their drinks. You had dreamed for years of being taken in this room and had made the mistake of drunkenly sharing that fact with Rhys and Azriel.

Cassian began to untie the corset laces of your dress, suddenly annoyed by the back that the whole back was held together by the ribbon instead of him having to deal with just one small area. But Gods, it hugged you in the best places, showing your curves and dips in a way that had him drooling for you. He could hardly wait as it finally fell to the floor and you were bare beneath. He quickly set you on the lounging chair, knowing you were in view of everybody.

He'd never undressed himself so quickly, growling at the sight of your soft skin. Be wasted no time trailing his kisses lower. Worshiping each of your nipples until they came to perfect peaks. “Such a beautiful girl. My little exhibitionist.” He continued his path lower, nipping at your hips before kissing down your luscious thighs. He held eye contact with you then, as his kisses trailed up in the inside of your right thigh. “Are you going to be a good girl for me?”

The question lit a fire inside of you, body now aching for more of him, to please him, “Yes, General.” He smirked as his title rolled off your tongue before licking up your core. The taste of you made him hum. And he wrapped his lips around your clit, sucking the bundle of nerves slightly before circling and flicking it with his tongue. He repeated that after watching your head fall back and your body arch.

He took his time, tasting every drop of you and rotating between sucking your clit and pushing his tongue as deep into you as he could. Your legs began to tremble below him after denying your body what you had craved for so long. You both knew it would be fast, hot, and passionate. You could worship each other at home, but here, here was built for sin, nothing more, nothing less.

Cassian began to slowly work a thick finger into you, stretching you open for him while his mouth focused on your swollen bundle of nerves. Your body felt as if you were burning alive as your stomach felt tighter and tighter. Moans and pants falling into breathless noises. Cassian listened with sick pride as his normally composed and eloquent mate began crumbling for him, because of him.

He looked up and saw your pleading eyes, “What do you need? Use your words, baby.” He smirked as he went back to working your core, prepping you for your first time taking an Illyrian.

“More, please General, more,” you finally begged for him, eyes rolling back as your back arched hard. He worked a second finger into you, growling at how tight you were, at the thought of how good you'd feel around him. You cried out as his fingers finally found the spot he'd been looking for and curled into it. Moments passed like breaths, his name repeated over and over until you finally gave him what he wanted, your release.

He knew other fae could hear you screaming his name in ecstasy, but he could not bring himself to care as he worked you down from the High. “That's my good girl,” he groaned as he pulled his mouth from you, licking his lips to savor every bit of your essence before pulling his fingers out and holding them to your mouth, “I want you to clean them. I want you to taste the nectar of a Goddess.”

The words hit exactly how he needed them and you became hazy eyed, licking and sucking his digits as an almost tingly feeling settled into your body. As soon as you were done, he flipped you over, pulling your hips in the air before you could try to protest or return any favors. Tonight was for you. For your pleasure, and he was just getting started.

You gasped as the feel of his cock lined up and sitting at your entrance, “Hold on to something, y/n.” He pushed in hard before you could respond, forcing you to plant both hands on the glass and keeping you trapped. “So fucking tight. The prettiest and most perfect pussy.” His pace became relentless quickly. Hand coming down on your ass before squeezing it hard.

There were no words or noises coming from your mouth, just bliss making your jaw fall open in silence. You felt like you were drooling, drunk on him, on his feeling, on the way you could feel every vein and he pushed and pulled. But you weren't close enough for Cassian, and soon he grabbed you by your hair, forcing you to arch your back as he kept pounding into you. Your shoulders met his lower chest as his other hand moved to your front, brushing your clit slowly and teasingly. “Do you know how long I've waited,” his voice was low and deep, filled with his own pleasure. “Been dreaming about you going dumb on my cock for years and here you are, unable to even speak.”

You could only whimper in response as his hand moved from your hair to your throat, testing your limitations. “I could stay inside you forever,” his head fell back. “Love this body of yours forever. So fucking perfect. Every godsdamned inch of you.” The praise hit you, pushing you towards the edge again as his pace became sloppy. “Not going to last, baby. Cauldron this pussy. Best pussy I've ever had.”

That made you gasp, eyes lighting up in excitement, “Yeah? You love filling me, don't you?” His smirk grew at your response. “You love knowing my pussy is all yours, huh?”

He growled, a feral instinct waking up with those words. His fingers began to move fast in your clit, forcing words to turn to cursing, moans, and whimpers. “All fucking mine. My mate. My wife. My good girl. Mine,” the edge in his voice left no room for arguments, no way to fight and even try to claim otherwise if you had wanted. “Scream. Scream my name so every single soul in Velaris knows who you belong to.”

Your lip trembled as how close you were and you moaned his name, “Cassian-”

“Louder.”

His pace became impossibly quick and your mind became numb to anything but the pleasure of him hitting your gspot over and over while his fingers worked your sensitive bundle of nerves. “Cassian!”

“Come. Come for your General.”

You came screaming his name so loudly you were sure all of Velaris did know who you belonged to. Your core began fluttering around Cassian, triggering is own orgasm. He pumped himself deep inside of you, releasing directly into your heat as he groaned your name.

He squeezed your throat gently when you both came down before releasing it, allowing your sore body to rest as his head found the spot between your shoulder blades. The room was heavy in the scent of your shared bond as it hummed and burned brightly between the two of you. “I'm never going a day without you again,” Cassian panted before turning your head to kiss you softly. “Happy Birthday, y/n."

General Taglist:

@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects @sleepybesson @tayswhp @itsswritten @milswrites @littlestw01f

#elizabeths.updates #acotar #acotar x reader #send asks #cassian x reader #cassian acosf #cassian acotar #cassian smut #cassian fanfic #cassian of illyria #lord of bloodshed

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mawlaeina · 6 months ago

Text

Childe is a family man.

Of course he loves his current family—so much that he spoils them everytime he comes home to Snezhnaya.

But recently he’s come to a point where he’s thought of making a family of his own. Sadly, he’s been too busy with his work as a harbinger to even find someone he wants to get to know better.

That all changed though when he saw you comforting Teucer at the lake nearby his family cabin.

When he came to the lake, he wasn’t expecting hearing the sad sobs of his younger brother Teucer. Instinctively, he began to run through the snowy terrain and towards where the cries were coming from.

There he saw you, panicking and reassuring Teucer (albeit timidly). Teucer had clung to you, hugging you tightly as he cried his eyes out on your shoulder, and there you were—knelt to the young ginger’s height as you embraced him, softly patting his back to soothe whatever was ailing him.

Something ticked inside Childe’s head, and before he knew it he was walking towards you with a glint of interest in his eyes.

Childe called out to Teucer, and Teucer let go of you to rush over to his older brother. It put a smile on Childe’s face knowing he was still his younger brother’s favorite. You stood up, and both of you introduced each other.

You say that you were new, having just moved into the neighborhood from Liyue. Currently, you began to work as a tutor for the neighborhood kids, adding that you’ve always liked kids and wanted to help and see them grow up. It gave you such a fulfilling experience.

Oh, you had no idea how that statement made Childe’s blood rush to his head… and pants.

He smiled, saying that he also liked kids, his younger brother Teucer in particular. He asks how you managed to meet Teucer since he usually just stays inside playing with the Mr. Cyclops toys that Childe gave him everytime he returned. You reply that you visited his family cabin because his mother invited you over after helping her with some groceries before.

Teucer randomly began to mention how his brother was single—much to his own brother’s surprise. Who taught him that? Childe thought as he awkwardly laughs it off in front of you, though he secretly hoped you’d take interest in such a topic.

Before any of you could even say another thing, Teucer began to go off again, talking to his brother how pretty you were, and how he liked and wanted you to be another one of his big sisters. You were flattered of course and chuckled at the cute ramblings of the kid.

You asked Childe if this was a normal thing, and Childe responded that he doesn’t usually do this. You began to talk to each other, and Teucer seemed to notice how the two of you got a long so well so quickly.

So he asked you the million dollar question.

“Hey, will you marry my big brother Ajax?” He asks abruptly, stunning you and Childe momentarily.

A blush forms on your cheeks as you began to laugh bashfully, scratching your cheeks with a finger, unsure of how to respond to the child without sounding too bad.

“Uhm… Teucer, we just met.” You say to the young boy.

“But you’ll marry him, right?” He seemed so excited at the thought, and Childe was as well, though he decided to laugh it off.

“Teucer, don’t get too excited now. No one’s rushing for me to get married.” Childe tells his younger brother kindly, though Teucer only pouts.

Oh, but the plans that Childe began to have in his head after Teucer mentioned marriage. He definitely saw a possibility that he could spend a future with you.

Maybe give him some time, get to know him. You’ll definitely find yourself spoiled rotten in the future by this handsome Snezhnayan bachelor.

✦ I’m not obsessed with him, I’m not obsessed with him, I’m not-

✦ happy birthday to my dearest darling harbinger and husband

[Good lord I just wanna pamper him with kisses in the face]

#childe #ajax #tartaglia #childe x reader #ajax x reader #tartaglia x reader #genshin impact #genshin impact childe #genshin impact tartaglia #genshin impact ajax #teucer #Snezhnaya #teucer being a crybaby and wingman #BIG BROTHER AJAX #greatest toy salesman in Snezhnaya #childe | genshin impact/reader #short fanfiction #i love him sm #HAPPY BIRTHDAY GINGER BOY

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its-luna-noel · 1 month ago

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in my restless dreams, i see you | various!jjk x reader

01. you look lonely, i can fix that

Vampire lord Ryomen Sukuna gives you the gift of eternal life. It’s not all it’s cracked up to be. vampire lord!sukuna x reader vampire!geto x reader vampire hunter!gojo x reader

warnings: 18+, MDNI, f!reader, vampire!au, smut, drinking, partying, non-con elements, blood drinking, vampire turning, violence & blood, definite dark themes so DD:DNE

word count: 2.0k

chapter 1/? next chapter

masterlist | link to ao3

notes: hi welcome to the first chapter of restless dreams! this fic is inspired by the album by the same name by Savage Ga$p & KAMAARA. hope you enjoy xx

also quick note on reader: pov is fem!reader, no use of y/n. can be read with any physical characteristics, when i mention pallor that just means a lack of typical color, not necessarily white (only mentioning cause i reject stephanie meyer’s idea that vamps can’t be black/brown). okay thx bye

It’s your twentieth birthday when you’re turned.

Heavy bass thumps loudly through the club as you walk inside, hips swaying just enough to make your pretty little sundress flutter around your thighs. Your heels are just impressive enough to turn eyes towards you as you walk to the bar, heads turning and eyes roaming as you walk past. You flash a charming smile at the bartender and order your favorite drink.

Nobara sighs as she comes up beside you, leaning against the bar. “People are staring,” she tells you.

You offer that same smile, now with a mischievous twist. “That’s the point. I bet I won't have to pay for a single drink tonight.”

She sighs again when the bartender hands you your drink and slides her card across the bar top. “Starting now, I guess. Happy birthday.”

You just grin and take a long drink, tipping your head back and exposing the column of your throat. “Thanks, Nobes.”

A gentle hand comes to your back, and you look over as Maki comes around your shoulder to stand next to Nobara. She’s wearing a small smirk as she examines your face; it’s clear you’ve been pregaming for hours, if not all afternoon. “You ready to get dancing?”

You nod, taking another drink before taking the girls by the hand and leading them to the dance floor.

It’s a busy night; the floor is crowded with groups of friends just like yours dancing together. Flashing lights nearly blind you, but you don’t even care because you’re intoxicated by the smokey air and by the alcohol moving sluggishly through your veins. As soon as you find an open space, you drop your friends’ hands and lift your own into the air, reaching towards the stars as you start moving your hips to the sultry music.

You let the bass guide your movements, let the beat of the music move through your body as you tip your head back to take another sip from your drink. Condensation starts to drip from the side of the glass, and sweat beads on the side of your face, but you’re smiling with your eyes closed because it’s all so euphoric, and as you sing loudly to your favorite songs, you’re sure you’ll live forever.

Because what are your early twenties but immortality?

Nobara and Maki sing along too, and you’re all dancing together, throwing it back against each other’s hips in the sluttiest moves you’ve ever made, and you’re all laughing because you all love each other so deeply.

But that love isn’t what you’re looking for tonight.

And so when Nobara turns to Maki and takes her hips in her hands, grinding playfully against her ass with another boisterous laugh, you grin and shout over the music. “Want something to drink?”

They both nod, grinning back, and you totter off towards the bar, empty glasses propped up in your hands.

You order three more.

While you wait, watching the girls dance together, you feel the shadow of an indomitable presence behind you, and you’re already shivering before you even hear the voice in your ear, before you feel the soft brush of breath against your hair.

“You look lonely.”

You slowly turn, and your eyes widen a little.

Your eyes land first on black markings, thick lines of tattoos on skin that you’re sure might be rude to stare at, but you can’t help it. It’s the first thing you see, and then your drunken mind finally flickers and focuses on scarlet eyes gazing down at you, a dangerous smirk curling lips that are just as dangerous.

You feel like you’re seeing a walking nightmare, an incarnated desire, a realized fantasy. Standing next to you, coming to lean against the bar beside you, which causes him to stoop slightly from his incredible height.

“I can fix that,” he continues, and his smirk seems to only grow. “Can I buy you a drink?”

You blink, coming back to yourself, and shake your head a little. “I just ordered one,” you tell him.

He hums, and the sound rumbles deep in his broad chest. “That’s a shame,” he says, tilting his head as his eyes roam over you, from your face, down the curve of your throat, over your chest, down your belly to your hips, to your legs and feet adorned in heels…

You fight to swallow under the weight of his gaze.

His eyes finally flicker back to yours, and he smirks again. “Pretty girl like you shouldn’t be buying your own drinks,” he continues, and it feels like he’s chastising you, like he’s disappointed in you. You flush a little at his tone; you’ve never been spoken to like that, like you’re a misbehaving little puppy, and it sends heat through your body.

You stammer a response. “I-it’s going on my friend’s tab.”

He chuckles, a low sultry noise. “Ah, I see. And what’s the occasion?”

Under his scrutinizing gaze, you can’t help but answer. “It’s my birthday.”

His eyes light up a little, and his smirk widens into a full-blown grin. “Your birthday, huh? Well, then, I have to buy you a drink now. Can’t let the birthday girl go without a little gift, eh? How’s that sound, pretty girl; let me buy you your next drink?”

You couldn’t argue if you wanted to; you’re pliant under his dangerous gaze. You just nod obediently, watching his smile grow. “That’s a good girl,” he tells you.

You flush deeply at his words.

The bartender slides three drinks your way, and you wrap your hands around your glass, tipping it back and finishing it quickly. Then you grab the other two and nod your head towards your friends. “Let me give them these,” you say, hoping he won’t be gone when you come back.

He seems to see the question in your eyes; he smirks again. “I’ll be here,” he says.

So you hurry away, and try not to slosh the drinks all over you as you walk towards Nobara and Maki, still on the dance floor.

The girls are watching you closely, curiously, cautiously. You hand them your drinks, giving them a very particular look that they could recognize as excitement, and you mouth oh my god, he’s so hot, and neither of them can argue, because goddamn you caught a good one.

So they just offer smiles and mouth back go get him.

And so, once they take their drinks from your hands, you flutter back towards the bar, returning to the stranger’s side.

He offers a slow, lazy smile, gesturing to the bartender. “Order what you want,” he says, voice sending another shiver down your spine, because you can tell exactly what he’s thinking about doing to you if you stay in his presence.

But he’s just as intoxicating as the ethanol in your system, and so you stay, giggling and ordering yet another drink.

He continues to examine you with that heavy gaze, those dangerous eyes. “What’s your name?” he asks, eyes unabashedly roaming over your face, your throat, again.

You take it as a compliment. You tell him your name, and he hums and repeats it, and you have to hold back another giggle; it sounds so good coming from between his lips.

You want to hear it over and over again.

“Sukuna,” he introduces himself, and even just his name sends a shiver through you, because you can already feel the power he has over you. Then he says, “Dance with me.” It doesn’t sound like a question.

You nod anyway. “Okay,” You say, and once you finish your drink, you offer him your hand.

He takes it and guides you to the dance floor, his steps slow and measured, so confident it practically makes your knees shake. His hand is firm and surprisingly cool around yours, and when he’s got you back on the dance floor, he grabs your hip and pulls you back against his body.

His muscles are hard against your back, and his arousal is hard against your ass.

His large hand on your hip roams slowly, sensually, across your belly, tangling in your dress to feel the soft heat of you through the fabric. Then he moves back to your hip, gripping the flesh around bone to hold you in place as he starts to grind against you, his movements confident and practiced.

Your breath catches in your throat, and you press your ass back against him, swaying your hips against his. You feel his fingers tighten on your hip, and you know he’s just as affected by you as you are by him.

He dips his head to press a slowly, open-mouthed kiss to the side of your throat. Your lashes flutter as your eyes fall shut, and you tip your head out of the way for him, and you can feel him smile against your skin as he kisses lower, then lower.

He reaches the spot above your pulse, and he inhales slowly, breathing in the scent of you, your perfume, your sweat. You shiver as his breath fans across your skin, sending goosebumps rising along your skin. He chuckles quietly and moves another inch lower, moving towards the spot where your neck meets your shoulder.

“So pretty,” he murmurs into your skin, nuzzling into the curve there.

You tip your head back against his shoulder and close your eyes, hips still moving against his to the music. Your head feels light and airy, like you’re floating, and you know you’ve gotten too drunk, that you’ve put yourself in a dangerous position, but you can’t even bring yourself to care, because he dances so well against you. His hands move everywhere you want them, coming up to palm your breast through your dress, long fingers dragging down the neckline so he can catch a glimpse of your lacy bra.

He grunts against your neck, squeezing and massaging the soft tissue. “Pretty,” he says, and for some reason the word sounds like Mine.

You wouldn’t even mind if that’s what he meant.

It’s oppressively hot in the club, especially with him touching you like this, his palm now sliding back down your body to play with the skirt covering your upper thighs, like he wants to lift it up right there and take you in front of everyone. You’re not even sure if you’d stop him, if you’d want him to stop, his aura is just that overpowering, convincing, dominating. But he doesn’t; he just tugs the fabric back and forth, watching how it clings to your body.

You’re sweating, but his touch, his breath, his tongue are all much cooler than you would’ve expected.

That cool tongue brushes against your pulse point, and he finally lets out a small groan. “Damn,” he breathes against your neck. “Taste so good.”

You whimper softly, grinding back against him harder, movements needy and desperate.

He chuckles, the hand that’s been holding you still by the hip finally trailing up your body. His palm runs over your neck, gripping gently as he tips your head to the side. “You wanna leave, little girl?” he asks you, voice low, rumbling beneath the loud rhythm of the bass.

You nod, moaning softly as his lips press against your neck again. “Please,” you whisper.

He just chuckles again, noise pleased but slightly derisive. “Alright,” he says, and he pulls away, letting his hands drop from your body as he instead grabs your hand and starts to lead you off the dance floor. “Let’s go, then.”

You turn over your shoulder, catching Nobara’s eye, and flash a big smile and a thumbs up. Then you face forward again and follow obediently into the night.

thanks for reading! -luna xx next chapter

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danikamariewrites · 9 months ago

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The Happiest Day

Bat boys x reader

A/n: I can't believe @polyacotarweek is almost over. I know I'm late for celebration but I wanted to make sure I got out what I wnated to say. I wrote this one because I've never really liked my birthday but in the last few years I've started to enjoy celebrating. I didn't have anyone I liked celebrating with (minus my immediate fam) until college. When people really love you and want to celebrate with you that's what makes the day special in my opinion.

Warnings: none

Another year another century started for you. Today marks your 400th year and Cauldron did you not want to celebrate. Not that you didn’t like your birthday. Quite the opposite actually. You love having a day where you get to do all the things you love. But when it’s just you.

At some point in your youth your family started celebrating multiple birthdays together. The day no longer felt special. When you were old enough you started doing your own thing.

Having a calm afternoon to yourself, treating yourself to nice things just felt right. Of course that semi-stopped when you met your mates. Rhys, Cassian, and Azriel always made you feel special and your birthday was no exception.

Stretching and rolling around the soft sheets you reach out for your mates only to be met with their cold pillows. Your fingers brushed over a note against Rhys’s spot. Your name was written in his elegant handwriting on the outside. Opening the parchment it read, Happy Birthday darling! We’re sorry we aren’t there to kiss you and hold you on our favorite day but you will see why later. We love you very much y/n. Enjoy breakfast in bed.

Putting the note down on the bedside table a tray appeared. A small vase with Evening Primrose sat in the corner. Chocolate croissants, fruit, toast, and bacon were laid out on beautiful blue and white plates.

You decided to enjoy breakfast, choosing not to dwell on the giant party your mates are putting together for you.

—

Mor knew exactly where to find her cousin this morning. Entering the grand ballroom of the House of Wind Mor weaved between fae carrying large flower arrangements and party decor. She shook her head, blonde waves bouncing around her shoulders.

Rifling through the stack of papers in her hand she picks out the one Rhys needs to sign. Looking around the room Mor spots Rhys in the middle with the party planner. He was pointing animatedly as Cass and Az lifted the heavy stuff for the decorators. Mor cleared her throat once she was behind her cousin making him slightly jump.

Once he faced her, Mor gave Rhys a shit eating grin. “Excuse us, I just need the High Lord a moment.” The party planner gave a bow of her head, scurrying off to go perfect something else. “Cousin,” Rhys sighed, “what can I do for you, I am very busy.” Mor hands him the papers and a pen for his signature. As Rhys read through them Mor looked around the ballroom, truly taking in the lengths the males will go to celebrate you.

Mor’s brows furrowed as she thought back to your last wine night. If she recalled correctly you hated celebrating your birthday with a huge party. “Here,” Rhys shoved the papers back into her arms. Rhys began to walk to the banquet table and Mor followed. “Does y/n like these parties? All seems a bit, ya know…much.”

Rhys stops dead in his tracks slowly turning to face his cousin again. “Of course she likes the parties. Why would you ask that?” Mor’s eyes go wide along with that stupid smile she’s still wearing. “Oh, you have no clue do you.”

Cass and Az have now joined the conversation. Confused looks pull at their features which are bringing Mor so much joy. The males look at each other, having a silent conversation. “Mother above you three are thick in the head.” Cassian waves his hands urging Mor to tell them. To stop teasing them with this secret information she’s holding over their heads.

“She doesn’t like big parties. Have you ever wondered where she goes during the day on her birthday? Why has she only asked for a party with the family?” Their faces drop as the realization hits them like a ton of bricks. “Excuse me,” Rhys murmurs, quickly turning on his heel to tell the party planner to stop everything. Mor let out a triumphant hum, leaving the other two glued to the floor.

—

On your way to the kitchen you found the house oddly quiet. Usually you could hear the hustle and bustle from the ballroom. People hurrying through the kitchen and foyer, cooking and setting up decorations for the party Rhys insists on throwing you every year. But nothing. Odd for eleven in the morning.

Normally you take the day to yourself to mentally prepare for the large party in the evening. You never liked big events or being the center of attention. It was never fun to be used by your people as a reason to climb a social ladder or gorg themselves on food and alcohol Rhys provided.

Not that you would ever tell your mates this but you have shed a few tears after putting on your gown. Eventually you pull yourself together. Putting on a smile to look ready to celebrate.

Shyly poking your head in the kitchen you find it empty. Your brow furrows as you place the breakfast tray in the sink. “Rhys,” you reach out to him in your mind. “Yes, darling.” His voice a purr in your head. “Where is everyone?” “We’re waiting for you in the living room.” You could hear the smile in his voice. You smirked, something told you your mates are up to something.

You found them in various states of excited and nervous. Cassian was pacing while Rhys and Azriel sit in large arm chairs conversing quietly. Clearing your throat the three perk up, smiles plastered on their lips. Cassian made it to you first, pulling you into a bone crushing hug, “Happy birthday, sweet pea.” He pulls away from you to kiss all over your face leaving you giggling.

Azriel pulled you to his chest next then into a searing kiss. “Happy birthday, princess. How was your breakfast?” “Delicious.”

Rhys held your hands, resting his forehead against yours, leaving a soft kiss on your lips. “You look like you want to ask something, darling.” You exhale a little. Not wanting to seem greedy but you needed to know. “No, I was just expecting the house to seem…busier.”

Rhys hummed, “Yes, you have Mor to thank for that.” Your cheeks turn red from the shame of your friend speaking up for you. “Why didn’t you say anything?” Azriel asked softly. Letting out a sigh you look down to avoid eye contact. “You seemed so happy having the party and I didn’t want to upset you.” After a few long moments of silence you feel Cassian’s hands gently grip your chin, tilting your head to look at them. Frowns replacing their smiles.

“You could never upset us y/n.” Smiling at them you feel happy tears prick at the corners of your eyes. Your mates pull you into a group hug, sending pulses of love down the bond. Letting go Cass ruffles your hair. "No more tears today." He says.

"We have the whole day planned," Rhys starts, "we're going to go to all your favorite shops and then have a nice relaxing night in. Az will cook dinner and we can do whatever you want." Your face lights up at the thought of having your mates with you, doing your favorite things on your day is all you've wanted.

#acotar #acotar fanfiction #acotar reader fic #acotar reader imagine #acotar imagine #azriel x reader #azriel acotar #azriel x you #rhysand x reader #rhysand acotar #rhysand x you #cassian acotar #cassian x you #cassian x reader #poly!batboys #poly!batboys x reader #poly!batboys x you #poly+acotarweek2024 #poly+acotarweek2024 d5

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turnstileskyline · 1 year ago

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The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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