#hans :]

[phdbabygirlism]

It came to me in a vision

[scurviesdisneyblog]

𝕯𝖎𝖘𝖓𝖊𝖞 𝖛𝖎𝖑𝖑𝖆𝖎𝖓𝖘 𝖈𝖔𝖓𝖈𝖊𝖕𝖙 𝖆𝖗𝖙 ➔ 𝕱𝖎𝖓𝖆𝖑 𝖋𝖎𝖑𝖒 ⬧︎ [𝔭𝔞𝔯𝔱 3]

[sango-blep]

No I'm not done with my tipsy Avatrice nonsense

[yuriisclumsy]

hii! How are you darling :)

Can i request a crack/ funny and fluffy cale x pregnant reader ? Like she is a few months pregnant, so cale and the kids always lay with her and dont let her do much.

Ofc the others are overprotective of her, bc like shes clumsy😭 like always falling down the stairs, nose bleeds (me core) and she watched everyone panic while looking at them with a deadpanned look bc

1. Shes a baddie whos to hot to die

2.the baby is fine and alive

And cale is loosing his mind bc he cannot leave her alone for two mins bc she will somehow make even more trouble simply bc shes ✨just a girl ✨

Stay still, will you?

𝚆𝚘𝚛𝚍 𝙲𝚘𝚞𝚗𝚝:1,267

»»►This is a funny scenario. I like to think Cale is a super, over the top, overprotective, man. If you mess with those he cares about or loves, you’re about to find yourself in an interesting situation. 

»»►But when Cale finds out he’s going to be a papa, he goes wild. Forget accepting whatever mission the crown prince wants him to do, he needs to be right next to his wife–24/7. 

»»►And let’s be honest with ourselves, this man would literally take this chance to laze around even more. This is the life he wanted, no? 

»»►Oh, but his dear wife doesn’t like sitting still for more than a minute. This is torture for her—but can’t do anything about it because her husband and (adopted)kids want her to relax and take care of herself and the baby. 

»»►But, why? You may ask. That’s for the single fact that she is clumsy (hey just like me!). She crashes stuff, trips, falls, hurts herself—according to Cale and the others—she denies such accusations—and last but not least, she gets herself in trouble. 

»»►So, yeah. [Name] have no “stepping outside the state” privileges until after the baby is here physically. But [Name] is a tough cookie. She can handle herself when no-one is around. So—to everyone’s dismay—she goes outside one day. It’s just to stroll around and see what has progressed in Harris Village. 

»»►One thing to note: she didn’t tell a soul about her outing. 

»»►Now imagine Cale’s face when he comes back to see the staff panicking for the whereabouts of his wife. 

»»►Let's just say…it was chaotic that day. 

“Woah, that looks tasty...!” [Name] drooled at the sight. 

“Good morning, lady [Name]! What can I get you today?” The shop owner greeted [Name] with a smile. 

“Can I have this please?” [Name] pointed to one of the delicacies of the bakery. It was a croissant-looking-bread stuffed full of chocolate. 

The owner of the bakery gave her a bag filled with what she ordered. “Here you go! Please come back soon!” the owner waved goodbye. 

“I will!” She waved back at the owner. [Name] took one of the baked goods and began to eat it.  

“I wonder how everyone is doing at the state.” 

… 

“LADY [NAME]!” 

“M’lady! Where are you?!” 

“Does anyone remember the last place [Name] went to?!” 

“M’lady, please be okay!” 

Currently, everyone is in a frenzy. The lady of the house was nowhere to be found, and everyone and their mothers were running like headless chickens in search of her. And if they did not find her, their master was going to kill them! 

“What is with the commotion here?” a voice spoke from the entrance of the manor. 

Everything stopped. Slowly, the housekeepers and butlers turned their heads towards the voice. They knew this voice. Very well in fact. Although they grew to like it, right now, they wish they didn’t hear it. They prayed that it was a ghost. Dread overtook them as they saw the voice’s owner. 

Cale Henituse. Their young master. And the husband of the manor’s lady they were trying to find. 

“So? Is anyone going to tell me why you are all running like the world just ended?” Cale spoke. 

Who was mad enough to even dare to tell the young master that his wife magically disappeared? Not me. And not anyone in this room.  

Yet a brave soul stood up and spoke. May he rest in peace. 

“Ah…y-young mater Cale,” a young butler went forward and vowed, stammering in his word, “we..uh…. Can’t find lady [Name] anywhere...?” 

“...” 

“...” 

It was deafeningly silent. No one moved an inch, waiting—waiting for the order to execute them. They fully accepted their fate. 

“Well, what are you all just standing there for?” he spoke, breaking the iceberg. 

“Huh?” 

“Standing still isn't going to bring back [Name].” He stood there, staring at the crowd. 

He was right. 

They needed to get back to searching for Lady [Name]!  

A chorus of ‘yes, sir!’ was heard before a horde of housekeepers and butlers left in search of their Lady. 

“*sigh* Why are you like this [Name]...?” Cale whispered and looked up. He slowly walked to the exit of the manor heading to the town; the children followed after him–this included Choi Han. 

“Master Cale, where are you going?” Hans asked. 

“I’m going to the market area in the town,” he said, not bothering to look back. “Ron, make my bed as comfortable as you can make, will you?” 

“Yes, young master.” Ron responded. 

“Great.” 

… 

Lovely day for [Name] sitting in the shade of an umbrella and her delicious foods. Going from one shop to another, she had managed to gather a lot of food. She had gone overboard again, yes, but the baby she was carrying and her were happy. Who could ever disturb such happiness? 

“[Name].” A male voice called her name firmly from behind. 

Of course. The only person that could was her husband. [Name] knew he only meant good, but right now he had broken that tranquility. 

“Oh! Cale, love, darling, how are you...?” [Name] turned and looked at him nervously. The children had gathered around her–with Raon being invisible naturally. 

“[Name]...” Cale rubbed the temples of his face before sighing, “why are you out?” he asked sternly. 

“Well clearly, I was taking a walk. And I bought some snacks on the way.” She answered, petting both Hong and Raon while On made herself comfortable in her lap. 

“What–no. That’s not what I meant.” 

“You asked why I was out, and I told you why.” 

“You know exactly why I asked that.” 

“I have no idea what you’re talking about,” [Name] gave the children the treats she had bought earlier. 

“[Name], please. You know how dangerous it is for you to be here right now. You are due at any point now! And I just…agh..I just want you to stay safe.” He said in frustration. 

[Name] looked at him, feeling a bit guilty that he is like that. She had reached her ninth month a week ago, making this month the most crucial. She just didn’t want to stay locked up in her room all the time. It was something that did not sit right with her. 

“I’m sorry…” [Name] looked down in shame. 

“I…*sigh* You are going to be the death of me.” Cale came closer to her and placed his hands underneath her. 

“Hu-huh? Cale? What are you doing?” panicking a little before realizing he was going to carry her. 

“Carry you, obviously.” He scuffed. “We’re going back to the manor.” 

“Aww…can’t we go to another shop? It’ll be the last one, I promise!” Her begging went to deaf ears. He wasn’t letting her get away with it, so she started to wiggle her way out his arm. 

“Stay still, will you?” 

“Not until I get my last treat.” 

“*sight…* Fine. But you’ll have it after dinner. Dinner is going to be served soon.” Cale said while walking to the nearest candy shop. 

“Mmmm, I'm fine with that. Oh! Choi Han, hello. Sorry, I didn’t notice you there.” 

“It’s fine lady [Name].” Choi Han gave her a small nod. 

“Moooom…I want a treat too!” 

“I also want one!” 

“The great Roan Miru will get one too, right?” 

“Wait a second. Since when do they call you mom?” Cale asked in confusion. 

“Yes, yes. All of you will get one.” 

“Don’t ignore me.” 

Choi Han giggled as Cale continued to ask and get ignored by them. 

Fin 

𝚃𝚊𝚐𝚜: @lureslutes, @cruzerforce4256, @narcise63, @potterhead-whovian-117, @margieee194, @zenix108, @vimenorie, @lunavixia, @potterhead-whovian-117, @alithurism, @matchalyne, @minteaspoon, @dontknowhowtousethis, @valacz29, @rainalovesouya, @vimenorie, @lunavixia, @ru8yx. Re-blog or Comment if you want to get added into the Tag section for Lout of Count's Family updates. Back to Lout Of Count's Family Master-List

Master-List

[shinyzango]

I finally colored something yippeee

I saw this one post/trend on Twitter a while ago and really wanted to draw my own take with it, as it fit the little AU I have going on with Monster Hans way too perfectly.

Baby Cosette belongs to @nijiomi and I would die for her--

The Twitter post that inspired this:

[puryartist]

the worst person you know is still actively obsessed with helsa (i forgot to post this on tumblr lol)

ref:

[artist-issues]

I’m bored and I really enjoy your opinions on Disney, so I thought you might have something interesting to say to get my brain ticking. I came across a post on Frozen and I was like, “Ah, a perfect starting place for dropping you an ask.” I’ve never really been that bothered by Frozen and I don’t know what it is that I’m just not fond about. Maybe it’s that I dislike the characters? Maybe it’s that they didn’t really have any established rules for the way magic worked in that universe and thus had anything they wanted happening? Maybe it’s the twist villain? I don’t know, it’s probably just the characters that they tried to make so cool and girlboss!

Elsa is made out to be this awesome protagonist that is never in the wrong and that grates me. She has flaws, but the film doesn’t act like they’re flaws. She runs away out of fear and shame for not being able to control her powers, but then two seconds later she’s singing “Let It Go” and making giant ice castles and bringing snowmen to life?! And “Let It Go” is super annoying for the fact that Elsa starts off worried and upset (fair enough, she’s just ran away from her home, her kingdom, her sister whom she hasn’t seen in years, she lost control of her powers) but then immediately turns round and is like, “Actually, it’s not my fault and I’m fine as I am and I don’t need any of those responsibilities!” Which would be fine, but she also finishes the film with the same attitude!

Anna, too! Naive and optimistic and perhaps a little too trusting, she never realises that even if Han hadn’t turned out evil, Elsa had every right to be worried over their marriage. She never realises that it’s partly her fault for revealing Elsa’s powers (and she definitely doesn’t apologise). There’s a lot she doesn’t realise, and the only lesson she takes away from it all is that Christoff loves her instead of Han.

Oh my days, I’ve just realised how ridiculously long this has gotten, super sorry! Have a lovely day!

Let’s do this! For fun!

1. They don't need to establish exhaustive rules for how magic works in their world.

Red Riding Hood doesn't explain how the Big Bad Wolf can talk-it just explains that he can. Cinderella doesn't explain how Fairy Godmothers work, or why the spell should only last until midnight—it just explains that she casts one, and it does only last until midnight. Beauty & the Beast does not explain how, after The Beast has died, the "breaking of the curse" could bring him back to life. After Belle confesses her love, he should just go from dead beast to dead human, for all the explanation they give.

Beauty & the Beast also famously refuses to explain (explicitly) why all of the household were cursed, along with the castle and the Prince. But what it does explain is, "there's a curse, it was put in place because of a defect in the Prince's character, and there's a time limit on it's ability to be removed, which can only happen if the defect in his character is overcome."

The whole point of having magic in the story is just as a tool...to create a plot. You don't have to explain everything; you just have to explain what will affect the characters. So, Frozen says, very plainly in the beginning: "you can either be born with magical powers or cursed with them in this world, and trolls are the experts on how magical powers work. The way Elsa's specific magical powers work is, they're beautiful, but powerful, and they're tied to her emotions. Therefore, if her negative emotions control her, her negative emotions control those powers. Also, if you're struck with magical powers in the head, the effects can be removed with memory alteration. If you're struck with magical powers in the heart, the effects can only be removed by an act of True Love.

Also, here's an explanation of what counts as 'True Love." They actually do way more explaining than the average fairy tale. And they set you up really nicely to receive that explanation by having the opening scene be a song that describes Ice Magic as “beautiful/powerful/dangerous/cold/ice has a magic can't be controlled.” Etc.

If you were wondering what limits there are on Elsa's powers, and whether or not she can just make anything out of ice, and how it's possible for her to bring inanimate snow to life

—well, you're focusing on the wrong things for this kind of story.

It's not that important for a fairy tale like this one. In a superhero story, limitations on powers would be important. Because the point of a superhero story is, "how am I going to take selfless responsibility for what I'm able to do?" And if you don't know the boundaries on "what I'm able to do," then you can't communicate that point clearly. That's why we need to know that Superman can see through just about everything, but not lead. That's why you need to know that Elastigirl can't stretch in the cold. You can't know how to take responsibility for your abilities if you don't know what they are and are not.

But Elsa? The point of Elsa having powers is not as a metaphor for her unique skills. That's what it would be in a superhero movie.

Like, in superhero movies, Spidey's ability to stick to walls is supposed to be a reference to like, your ability to...l don't know, draw really well. How is Spidey going to use his ability to stick to walls for the good of others = how are you going to use your ability to draw for the good of others, because it's something special and unique to you, you have something to offer, are you going to use it selflessly, etc.

But for Elsa, that's not what it's about. Her powers are just a metaphor for how what's going on inside of her effects everyone around her, relationally. And it's still relatable. But not in a "skills" way. Just like all of us non-superpowered people: "if you let fear control you, you'll hurt everyone around you. But if you let love cast out fear, you'll love and be loved."

That's what's so good about this movie. When you look at it like that, you realize the powers aren’t the point.

Elsa isolates because she thinks that'll keep her from hurting everyone (fear controls her) but actually, by isolating, she's still hurting everyone-nobody in the kingdom gets to see their beloved ruler, and her sister is hurt, relationally, and feels unloved and shut-out, enough to trust the first scoundrel she meets-etc. See how the powers just make the story interesting, but they're not the point of the story? If Elsa's powers were replaced by "frantic outbursts of human temper" the story could be told in a lot of the same ways. But that's a post for another time.

So I don't think you disliked it because of the powers not being "established." "Whatever they wanted to have happen" did not happen, in the story. They laid out the rules that were relevant—“if fear controls you, it'll lead to great danger/but an act of true love can thaw a frozen heart."—and then they followed those rules in an interesting and consistent way.

2. The "twist" villain worked perfectly for the story.

A good villain is supposed to be the opposite of whatever your story's message is. Frozen's is, "Self-Sacrificial Love Casts Out Fear." Elsa is afraid she'll hurt everyone around her, and afraid that makes her unloveable-so she's a control freak over her circumstances. Anna is also afraid she's unloveable-simply because she's shut out and unknown-so she's always trying to control who she keeps in her life. Hans is both "unknown" and "controlling." He's "unknown" in two ways—1, nobody sees him in the shadows of his brothers in his own kingdom, and 2, nobody in Arendelle "knows" his true nature, especially not Anna. But the difference is, where our heroes don't like being unknown, Hans does, and uses it to his advantage, because he's also "controlling." But unlike our heroes, who learn that "control" is not the way to love, Hans is willing to do anything to stay in control. Which is, always, rooted in fear, too. Hans is just afraid he'll never get a throne. So. You see that he foils the two main characters perfectly.

But the main point of Hans is that he's not self-sacrificial, he's self-serving, which is the opposite of what the story claims "True Love" is.

Why's the "twist" part important? Because he uses the main characters' fears as a weapon to serve himself, and he couldn't have done that, for these two particular characters, by being anything but a liar. Anna is afraid she won't ever be loved, so he pretends to love her to get something for himself. Elsa is afraid she'll hurt everyone, so Hans pretends to be protecting everyone from her. And honestly, that's another core of the movie-love that is self-sacrificial, true love, can't be separated from truth. Anna can't really "truly love" Elsa in a way that HELPS Elsa feel loved if she doesn't know Elsa's flaws. Elsa can't "truly love" Anna if she's refusing to know Anna by always shutting her out. And Hans comes along and doesn't let himself be "truly known." Perfect.

So, the movie says "Self-Sacrificial Love Casts Out Fear" and Hans, the villain, says, "Self-Service Uses Fear As a Weapon."

So I don't think you disliked the "twist" villain. Because it wasn't just an empty "shock-jock, look how edgy we are, to make the Prince the bad guy" move. It was the right move, for this story and these characters.

3. I think your definition of "so cool" and "girlboss" might be different from what l understand those terms to mean, because none of the characters fit those descriptions.

Anna (as we understand her throughout the story) is introduced like this:

And she's constantly dropping stuff and getting into awkward social situations-and she basically makes zero correct decisions, for the entire adventure. Tries to fight wolves like a girlboss-and instead accidentally knocks her guide out of the sleigh and has to be thrown to safety while she ruins his livelihood. Tries to climb a cliff with zero experience-looks ridiculous and falls. Tries to talk her sister into lifting a curse and insists that she knows best because her sister would never hurt her-gets crippled, because her sister absolutely does hurt her, and totally fails. Tries to marry a handsome prince-really bad judgement of character, totally duped, basically would've died without help from the weakest and most mentally-confused character in the movie, Olaf. The only "girlboss" moment you could argue she had was punching Hans in the face at the end of the movie, and I would argue that that one moment, in the face of all her failures and humiliation throughout the movie, and in the face of him as a vile villain? That moment is okay.

Also, the whole way they pace that moment is still in-character for Anna. It's still like she's not doing the "dignified" thing. She delivers her little one liner, "the only frozen heart around here is you," and then turns around to walk away with her nose in the air, like she's

"above it all." Which frames the moment where she turns around and punches him like a joke. It frames that moment like it's a satisfying, but still "not decorous, not dignified," thing to do. It would've been "cool" and poorly received if Anna, the character who's always jumping into doing the emotional, awkward thing, had suddenly become the bigger person and risen above her hurt in that moment.

So instead, she punches him. And whatever. He deserved it, blah blah blah. The point is, even that moment isn’t supposed to be strictly “cool” or “girlboss.” It’s just supposed to be “in-character funny.”

See, usually a "girlboss" character knows exactly what the best thing to do is in a situation, and does it well. Or, she gets knocked down, but consistently gets back up and hits harder. Anna does not do any of those things. She keeps trying when she fails, yeah-but it's not because of an inner strength, it's because of an inner weakness. She keeps pushing because she's desperate, and insecure, not because she's awesome and never-say-die. Eventually, after Elsa strikes her and Hans betrays her, Anna does give up. She tells the snowman "we won't (come back.)" after Elsa strikes her. She tells Olaf she doesn't know what love is. It's not until she learns that lesson that anything she tries to do works—and she gives herself up to do it. And that's finally a moment of strength from her, not weakness. As for "cool"-gimme a break.

There's nothing "cool" about Anna. Anna's not good at anything except, at the very end, self-sacrificially standing in front of a sword and getting one punch in on a villain who's already disarmed, defeated and probably slightly concussed anyway. She's not supposed to be "cool" or "girlboss." She's supposed to be "Desperate to Love and Be Loved." And that's what she is, perfectly. "Desperate" is not a characteristic that fits the definition "girlboss" or "cool."

But maybe you just meant "Elsa is so cool and a girlboss." Okay, well, again, depends on what you mean by that. If you mean "having superpowers are cool" okay, well, are they? Is that what the movie is telling you? Because powers basically ruin all of Elsa's childhood and life until the last 3 minutes of the movie. You could be like "come on, she can make snow and ice monsters, glitter gowns, and an entire palace just by dancing. They totally tried to make her 'cool." That's like saying Simba's ability to eat bugs and belch and fight with Nala is "cool." She does all those things at her "Character in the WRONG" moment, in the story, just like Simba living in the Hakuna Matata jungle. Therefore the movie is not trying to tell you that Elsa is cool, it's trying to tell you that Elsa is wrong, but you can understand why she's wrong. You can understand why she feels triumphant for a moment-and then the movie shows you that triumph is misplaced.

I mean, she's taken out by her own falling chandelier. Every time she's confronted with a problem, she runs away. When she gets into "battles of wits," she says the wrong thing, or the shy, shut-down thing, not a girlboss one-liner that shuts the other person up. Elsa's not cool either. She doesn't have the answers, she doesn't save the day-she gets saved.

Both of these characters are desperate, open wounds-—they're needy and they're in the wrong, each in their own way, for the majority of the movie. They're weak, and they have to learn to find strength in love, for most of their story. There's nothing "girlboss" or "cool" about them.

I think maybe what some people make the mistake of is noticing the Frozen mania, and the fact that the two main characters are girls and one of them has superpowers and they other doesn't get with a Prince, and then they get the impression, from that, that the characters are "cool girlbosses." But like...that's like saying Dory from the first Finding Hemo movie is a girlboss. She's so totally not. She's a wreck. A funny, appealing, sometimes-relatable-human wreck. And a good character, but the hype doesn't change who she is, as a character. And who she is, like Anna and Elsa, is just a good character.

4. Elsa does not finish Let it Go with an "I'm Fine As I Am" attitude, and she doesn't finish the movie that way, either.

She finishes "Let it Go" with an "I'm fine up here, isolated from everyone," attitude. And then the movie very quickly proves her wrong by having Anna show up and reveal to her that no, actually, she is not fine up there, because the person she cares about most can still find her and be hurt by her, and the whole kingdom is still reeling from the problems she ran away from.

At the end of the movie the only thing I can guess you got the impression that she's "fine as she is" from was the fact that she's using her powers again.

But like. Elsa's whole problem was never her powers. She wasn't supposed to learn to stop using them. She was supposed to learn to stop living in fear. Instead, she was supposed to lean on love-love that sacrifices for her, flaws and dangerousness and all-and stop trying to control her image and what everyone knows about her.

Because in trying to control what everyone knows about her, she was controlling whether or not they loved her or treated her like a monster. And even running away and singing Let It Go was still an effort to control everything-by not being around people who could treat her like a monster or be hurt by her. Instead, accepting that she might hurt people because she can't always control everything, and trusting that they'll still love and forgive her, was her character arc.

She lives by faith in sacrificial love by the end, not by fear. That's the arc. She does that perfectly.

It was never, "I'm fine as I am." Because the point was never "there's* something wrong with me." It was, "I don't need to fear a lack of control, because true love covers what I can't control." That's all.

4. Anna does communicate to the audience that she's sorry and willing to understand the reasons behind Elsa's secrets.

The lesson Anna takes away from all of this is not "which guy loves me." It's "what is love?" And you know she's learned that because she demonstrates it. If Anna had died-frozen forever-or been cut down by Hans' sword, you realize that Elsa would never have been able to repay that gesture, right? But Anna still made that choice.

Even though it meant Elsa would never repay her. And the point is — excuse me, I know this is long enough, but I feel like you're missing out on something wonderful here—

Anna could have left Elsa to be killed and ridden off into the sunset with Kristoff.

They make it very clear that that is her goal when she stumbles onto the ice, free from the room Hans trapped her in. Elsa is no longer her motivation. She isn't looking for Elsa. She's not trying to get that love she's looked for, from Elsa, in that moment. She's trying to get it from Kristoff, not just for her emotional need-but for the "breaking of the curse" that's killing her in the moment. That whole scene where she realizes he loves her-truly loves her, because he fits the description Olaf gives-is in there to communicate to the audience that he could save her. He could give her what she needs.

And the reason that's important is that it proves that this is character development: when she chooses not to go to Kristoff, and to go to Elsa instead.

Because it's her, choosing to turn away from the person who could give her something (even if it is "love") and to turn toward the person who can't give her something (Elsa.) Who has repeatedly failed to give her something, for their entire lives.

Anna at the beginning of the movie would've run to Kristoff. That was the whole point of Hans, when it comes to Anna-he represents someone who can fulfill a need in Anna. But when Anna turns away from Kristoff and runs to save Elsa instead, Anna is demonstrating what she's learned —that love isn't about her own needs. It's putting someone else's needs before yours. She stands between Hans and Elsa, with the full expectation that she's not going to get anything out of it, not even a guarantee of E/sa's love in return. And her own needs will NOT get met if she puts Elsa's first.

And that's what she does. Whereas, at the beginning of the film, Anna would not have done that. Because that's not what she thinks love is. She hasn’t realized that yet.

She thinks love means closeness. And that does come with love. But that's not love. Love is, like Olaf says, putting someone else's needs before yours. But the whole movie, Anna is not working to put Elsa's needs before her own. She's working to change Elsa's mind, now that she knows the truth, so that she and Elsa can be "close again." She's climbing that mountain and arguing with Elsa, because she thinks that all that stood in their way before was this secret that's been uncovered. And sure, Anna has always been willing to “be there for” Elsa, but you have to see that Anna wanted that to come with Elsa being there for her, in return.

Which would be nice. But it's not true love. True love is being there for someone even when they refuse to be there for you. Because that's putting their needs before yours.

Thanks for the super long ask! That was fun! I hope you enjoyed reading as much as l enjoyed writing-I think sometimes we judge Frozen by the mania that followed, not the good quality that actually caused the mania, and deserved the mania, though. Anyway 😂

Guards! Take them away! Back to the theater with you! Watch the movie again!

[synergysilhouette]

Disney hero/villain tropes and personalities I'd like them to revisit or try for the first time.

An optimistic male lead. Pessimistic leads are a dime a dozen, so having someone who's more innocent and sees the world in a positive light would be awesome.

2. A male hero/female villain dynamic. Male villains are more common than female in Disney canon (though the female villains have better odds of being iconic), and usually when we have a female villain, we have a female hero. It'd be neat having a male protagonist and a female antagonist.

3. A villain who's kinda right, or has selfless or selfless-adjacent (ie not "I'm doing this just for me," but "I'm doing this for someone I care about--and maybe me too") intentions and bad methods. I feel like Disney has done this trope before (or at least tried), but I'd love them to do this more; a complex villain who CHALLENGES the protagonist to grow as a person, whether they're doing "I'm selfish but now I understand how it hurts others" or "I thought I was doing everything right but now I see the situation isn't so black and white."

4. A forgotten/fallen hero as the villain. I like the idea of someone who was originally a typical Disney protagonist, only to get to a situation where they gave in to their fear, hope, despair, grief, etc. I remember the 2015 remake of Cinderella doing a really good parallel to how both Cinderella and the Tremaines had suffered grief, but while it embittered the Tremaines, Cinderella held strong, making them resent her further (particularly Lady Tremaine).

5. A shy Disney protagonist. Most Disney protagonists are pretty outgoing and/or social, so having someone who isn't the best at socializing would be a cool Disney lead--plus if it was a musical, the singing could either all be done from the protagonist and co's minds rather than out loud, or the protagonist only sings when they think they're alone. Perhaps they eventually gain the confidence to sing publicly.

6. A hero and villain romance. This may not be something that you wanna have with a film that caters to a younger audience (glamorizing abusive relationships and such), but if done correctly, I like the idea of a villain redemption and subsequent falling in love with the protagonist. As such, they'd probably have to be a secondary villain in order to keep their crime/kill count low. It's a controversial idea, but I do like the enemies to lovers trope (note: ENEMIES to lovers, not two people who pester, annoy or argue with each other then fall in lover over time; not a fan of that).

[frozen-snowflakesandsunflowers]

D23: Frozen content breakdown | Breakdown/ Analysis

What a day it was yesterday! So much content we were flooded with and especially for us with the Frozen 3 and 4 update! I'm sure you all know the latest deets but I would like it to break it all down and guess what it could all mean. So be prepared to read a lot! ❄️

[long post alert]

Frozen III logo

A couple of hours before the Frozen panel had begun, we were given a first look of the logo for Frozen 3:

It features the four elements symbols and two snowflakes too for Elsa and Anna as the fifth spirit. The III had a purple - pink gradient to it and the background had a spring scenery south blossom/ sakura trees and mountains far behind. Some of us predicted before that Frozen 3 would be set in Spring given Frozen being in winter/ summer and Frozen 3 in Autumn.

However, some people didn't believe this logo was real. But after the panel, Josh Gad put it on his stories and as a post on Instagram, the announcements and reveals made at the panel.

This must mean that it's real. But a more accurate, rendered logo was also revealed at the Panel and that Gad had also shared in his post.

So my conclusion is that the first one is a working title, a concept of what it would be like when it's promoted. The second one is a mix of the first Frozen logo and the second movie's logo combined being more 3D but still with a frozen effect. This logo is the official used rendered one whilst the first one is just a concept based on the implied spring theme of the movie. Both are real.

Frozen questions left unanswered

When the Panel began we were given a flood of questions on the board that were the questions the fans had after Frozen 2, aka the questions that were left unanswered. Here they are:

Who gave Elsa her powers?

Why doesn't Anna have powers?

Was there a fifth spirit before?

What kind of Queen will Anna be?

Will Kristoff be a King?

Do they [Anna & Kristoff] want kids?

Where are Kristoff's parents?

How did Kristoff meet Sven?

How can Sven be so old and still so virile?

Why is Olaf alive?

What about Marshmallow and the snowgies?

Is it “Hoo Hoo” or “You Hoo”?

What are Elsa's powers still growing?

Why are their castle ruins throughout Ahotohallan?

Where do the nature spirits come from?

Do we still need to beware of the Frozen Heart?

Who is the Frozen Heart?

What happened to Hans?

These questions will most likely be answered in Frozen 3 and 4, as they are confirmed to be a two part film. These are actually really good and interesting questions we have that we do need to have answered. I actually want to try and analyse (and answer them for fun!) them because some people might feel some have already answered so why the need to answer them again?

Who gave Elsa her powers?

We already know that Ahotohallan is where her powers come from. That's the source along with the other four spirits. But they probably felt like they didn't make it clear enough. Some people before Frozen 2 had theorized that there was a Snow Queen who gave Iduna something that caused Elsa to have powers. Maybe there's more to Ahotohallan than we know.

Why doesn't Anna have powers?

This isn't addressed in the movie other than the fact that Elsa and Anna are both the fifth spirit and the bridge which has two sides. But why doesn't Anna, I believe that's because the fifth spirit's role is to create balance between the powerful and the powerless (in a literal magical form). The fifth spirit was never just one being I don't think. It was always two to have one with powers and one without and have the two form a deep unbreakable bond so that humans and magical entities would look at them and see that though different, they can get along and have peace amongst each other, and live in harmony. If both were magical it would defeat the objective of creating peace between the two different types of beings

Was there a fifth spirit before?

I think yes because in the Myth VR on Disney plus, it was revealed that there was a fifth spirit before Elsa and Anna but after it created harmony with the other spirits and humans, it disappeared creating disharmony in the forest and caused the spirits to rage. Then the other four spirits managed to calm down until they were raged again by King Runeard's war between Arendelle and Northuldra. Even if this isn't canon I still believe there was one. I think it's important to know because it could be important with the journey Elsa and Anna next go on.

What kind of Queen will Anna be?

Her own kind of Queen. She will continue to bring peace and joy to Arendelle while also supporting the Northuldra tribe as her statues unveiling had suggested. She won't try to be Elsa. She's not Elsa. She's Anna. She may be the fifth spirit But whether or not she realises that she'll help maintain peace between magic and humans will Elsa's support too.

Will Kristoff be a King?

If Anna does abdicate from the throne then yes. To be exact he would be a king Consort. At the end of Frozen 2 we saw Anna greet the public as Queen and unveil the statue of her parents and kids. That wasn't the coronation which is confirmed and this confirms it too as it asks will he be king? and not is he king? I loved Elsa as Queen but she probably felt that she couldn't take care of Arendelle as she had to restore and look after Northuldra/ the enchanted forest and felt Anna deserved it after she had scared her and Arendelle twice without a doubt.

Do they [Anna & Kristoff] want kids?

That's a question that none of us thought of? Do they want kids? I think they do but will find it hard to do if there's threats and danger around. Anna definitely would be a lovely mother and Kristoff and lovable dad. But I don't think we'll see them have kids so soon, at least not in the beginning of the movie, like we won't immediately be introduced to them I don't think.

Where are Kristoff's parents?

A question we've been asking since the first movie. All we know is that he grew up as an ice harvester. He seems to have grown up independently with Sven. I can't even guess the answer because I'll probably be wrong anyway.

How did Kristoff meet Sven?

Another question regarding Kristoff's backstory we've been longing to see. It's nice to see they're including Kristoff's backstory now. The first two movies were about the sisters backstory and development arcs (and 3 and 4 continue that) but now we can finally learn about Kristoff!

How can Sven be so old and still so virile?

No clue! I never noticed that actually. I never thought of why. I don't know much about reindeer so I didn't know that Sven was so old yet so virile. Perhaps when he was young he was injured and the trolls may have healed him giving him a longer youthful life. I'm certain the trolls have a role in this if it's magic related.

Why is Olaf alive?

Why not how!! Another really interesting question that I can answer. We all know how he is alive because we saw Elsa bring him back to life but why was he brought back? He's still an important part of the sister bond and individually he has much more in him than we have seen. Plus he's Olaf and we love Olaf!

What about Marshmallow and the snowgies?

I believe they all too, along with the ice castle and all other permanent creations of Elsa, got restored either automatically after Elsa's return or by hand when Elsa got the chance. They too are as iconic as Olaf is. I hope they return in Frozen 3. They're so lovable and cute - it would be a fun addition to the movie.

Is it “Hoo Hoo” or “You Hoo”?

I always thought it was... “Yoo Hoo” because that's what people say. Hoo Hoo is an owl's line lol and one says that.

What are Elsa's powers still growing?

Just as we grow individually sometimes in height, in character, in what we feel, powers are no different. They grow as we grow inside. And Jen Lee has previously said that her powers will reach a new height in Frozen 3.

Why are their castle ruins throughout Ahotohallan?

I think they are referring to Ahotohallan as a castle and inside and out it looks ruined. During Show Yourself Elsa has to lift things up and add things to get across to the place where the memories are held. I theorize that the previous fifth spirit may have done something to Ahotohallan or to its power and caused chaos that caused Ahotohallan to have ruins in it. Ahotohallan probably was the previous fifth spirit's castle and when it went rouge Ahotohallan may have been left abandoned and ruined.

Where do the nature spirits come from?

Ahotohallan is where their powers are from. But perhaps it's more complicated than that and it needs to be addressed for lore reasons. There's more to Ahotohallan than we know.

Do we still need to beware of the Frozen Heart?

Oooooh!! My favourite question along with the next two. Do we? We must be if it's even a question at this point?

Who is the Frozen Heart?

Who? Frozen Heart is a person?! It was literally Anna in Frozen but metaphorically it was Elsa. Maybe someone else will be the Frozen Heart. Hans? Kristoff? A new character/ being?

What happened to Hans?

A question we've needed answering since Frozen and one that Hans fans have been trying to answer. His backstory based on official and unofficial media is that he has 12 brothers but they all or at least most of them treat him poorly along with his dad because he's the last child and last in line to the throne. That means, they think Hans as unworthy and unless of anything. So why did the Queen and King have another child? Probably as an accident child or just because. I'm sure the Queen is loving. He was sent back at the end of Frozen to his home, the Southern Isles so they can deal with him themselves and they did. As punishment they made him do chores like sweep up horse poop as seen towards the end of Frozen Fever before Elsa's giant snowball accidentally yet subconsciously hit him causing his major injuries. The southern Isles didn't immediately know where the snowball came from. But what happened to him after that? In a poster in the new Frozen Park in Hong Kong, it is revealed that Elsa and Anna invited the Southern Isles among other kingdoms to celebrate a year since Anna sacrificed herself to the Elsa and the Kingdom.

Hans couldn't come because he was injured. But his return is almost certain in Frozen 3 with his rise in unofficial/ canon media. Will he return as a villain or a redeemed hero is to be determined. I don't think he should return as a villain. If he did he would have taken his revenge out during Frozen 2, as he would have been recovered by then. Seeing the concept art of Frozen 3, which I'm about to go onto, it looks like we'll see mythical beings and a world bigger than Ahotohallan. Hans wouldn't fit as a villain in the expanded world of magic because he doesn't seem to be interested in magic in that greed sense. I think he'll be redeemed and help them in their new quest. Perhaps he does have tied with magic in his ancestry as we know nothing about his family.

All these questions are ones that the team feel like they need to answer in the next two movies and I think that's good. Along with showing something new, we get answers from questions we've long waited for too. And I think it's a good strategy for them to tell us the questions we've been asking so that they can answer it in the movies. They're letting us know that they can hear us and want to fulfil our wishes while telling a new story. It's good communication in my opinion.

Frozen 3 concept art and new release date

Jennifer Lee also revealed the concept art of Frozen 3. I'm sure there must've been dozens of art but this one may have been the direction they're headed in.

We have a beautiful calm colour palette that reminds me of dawn/ dusk of spring. Trees are on either side, golden light beams from behind a mystical palace in the left centre. Flowers and leaves present hinting at a Spring setting. Anna's on a horse with Olaf and Elsa on the Nokk on the river both heading to the palace-like place. The scene is set at night as the aurora borealis/ northern lights can be seen arising from the castle. Perhaps this castle has some connection to the northern lights. In the Lego Northern lights series, the trolls crystals are the ones to cause the northern lights or have a connection to them. I don't think the Lego series is canon but I do wonder if the trolls will have a role in this too.

Elsa and Anna are in their Frozen 2 attires, Anna in her travel one and Elsa in her fifth spirit one but with boots (for practical reasons). That doesn't mean that's their final look. Frozen 2's early concept art had Elsa and Anna in their Frozen looks. Olaf looks worried as he points to something off scene.

Just below the direction in which he points, in the river, lies a shadowy creature. It could be that that's the shadow of the creature Olaf points to. The creature appears to have horns and hold a staff/ spear with a sharp end.

Just below the palace-like place is a land. I was going to say Ahtohallan but the silhouettes are different.

So it seems like this place is unknown. If they went North in Frozen 2, perhaps Thai time they're going south, which is why Hans could appear. But that's just a guess.

During the panel it is also revealed that the release date is November 2027 having it moved back by a year from its original 2026 release date. 2027 seems quite far away just when we felt we were getting closer to Frozen 3 but we'll just have to be patient and hope we get some other Frozen content released meanwhile.

Frozen: Winter Festival short form series?

That's everything that was revealed regarding Frozen 3, but no word on the series that was revealed by dolls and their descriptions. I believe since the movie got delayed by a year, probably to spend more time developing the two part movies (which is a good thing so we avoid the mistakes caused by rush in production for Frozen 2), the short form series will be delayed by a year. That would mean the announcement could be closer to time in next year's D23. That or they wanted to announce the series later. The dolls are to be released in September and the series is said to be released this fall. That is of course unless they have delayed it by a year but we'll have to wait and see if anything gets said before September otherwise consider it delayed by a year (😭).

And that's all the information given to us for now. Frozen 3 looks so good and promising - the vibe of spring with a deeper fantasy element is making me extremely excited! New places, new seasons, new characters, expanded lore, possible character returns, new looks and more!! Can't wait!! And yeah though my patience is sad that Frozen 3 had been delayed by a year, I'm glad because it means they can spend more time on the movie, to develop it properly and not repeat the same mistake they made with Frozen 2 with no good planning and a rushed development to the run up of the movie.

And the Frozen: Winter Festival I'm also excited for. I think Frozen needs a canon series in its franchise.

The future looks big and bright for the franchise! ❄️

Any new info or details I have not mentioned please let me know! Any questions for me please feel free to drop them in the "Ask" box

[oddlittlespider]

Fixing Frozen 3's questions at 2024's D23 Expo

On August 9–11, 2024 at D23, Frozen co-director Jennifer Lee revealed questions that may or may not be answered in Frozen 3:

Who gave Elsa her powers?

Why doesn't Anna have powers?

Was there a 5th Spirit before?

What kind of Queen will Anna be?

Will Kristoff be a King?

Do they want kids?

Where are Kristoff's parents?

How did Kristoff meet Sven?

How can Sven be so old and still so virile?

Why is Olaf alive?

What about Marshmallow and the snowgies?

Is it "Hoo Hoo" or it is "Yoo Hoo?"

Why are Elsa's powers still growing?

Why are there castle ruins throughout Athohallen?

Where do the nature spirits come from?

Do we need to beware the frozen heart?

Who is the Frozen Heart?

What happened to Hans?

One word: disappointing. These questions are like tossing dung at a wall and hoping one of them will stick. They are either incredibly redundant (e.g. Olaf alive, Elsa's powers growing), unnecessary (e.g. Kristoff meeting Sven, the origin of Elsa's powers, castle ruins, the spirits origin) or obvious throwaway questions (e.g. Yoo Hoo, Sven's virility).

And why are the only questions about Elsa all about her powers? Does Lee genuinely believe people only like Elsa because she has ice powers? Seriously look at the questions about Anna and Kristoff--these questions ask about their lifestyles. Do they want kids? What kind of rulers will they be? Meanwhile Elsa gets two questions and they're all about her POWERS.

And why are there no questions concerning the relationship between Anna and Elsa? I thought their sisterly bond was what Frozen was all about. Not Elsa's magic. Not convoluted mythology. Not Kristoff and Anna being rulers and starting a nuclear family. These questions are seriously missing a HUGE part of why Frozen became a hit.

So I've decided to formulate a different set of questions, or rather a more through set of questions, which build upon Lee's questions, and hopefully better address the characters and themes of Frozen and Frozen 2:

Characters

The personalities, the journeys they undergo, the choices they make, the consequences they endure, and the relationship they have with each other are vital to creating memorable characters that resonate with audiences. Frozen set the groundwork, Frozen 2 destroyed it, now its up to Frozen 3 to build it back.

Elsa

Is Elsa happy in Athohallen?

Does she miss being queen?

Does she miss living in Arendale with Anna?

What is her role as Fifth Spirit?

What does Elsa do in Athohallen?

Does she want a partner?

Does she want kids?

Does Elsa still have social anxiety or any other mental health issues she struggles with? How does this effect her new lifestyle?

What does Elsa think of Kristoff and his relationship with Anna?

Does Elsa think Kristoff will make a good king?

Has Elsa forgiven Hans?

Is Elsa the frozen heart?

Anna

Is Anna happy being queen?

Does she miss being princess?

Does she miss living with Elsa?

What does she think of Elsa abdicating the throne to live in Athohallen?

Is Anna ever worried about Elsa living in a glacier that tried to kill her?

What is her role as queen?

Does Anna feel she can be as good as a queen as Elsa?

Does she think Kristoff will make a good husband?

What does she think of Kristoff being king?

Does she want kids?

Has Anna forgiven Hans?

What does Anna think of her parents, specifically in how they treated Elsa and her as children?

What does she think of the trolls as her in-laws?

Kristoff

What does Kristoff think of being king?

How is Kristoff adjusting to his radically different lifestyle?

Does Kristoff miss being a ice harvester?

What do the people think of a commoner like Kristoff marrying the queen?

Does Kristoff still love ice?

What about Kristoff's misanthropy? Did that magically go away when he dated Anna?

Does Kristoff think he will make a good husband?

What does he think of Elsa's abdication?

What happened to his parents and why is he an orphan?

Does he want kids?

Hans

Will Hans return to the franchise?

Will Hans be redeemed?

Does he want revenge?

Does he still want the throne?

Will he ever find a place of his own?

What does Hans think of Anna as queen?

What does Hans think of Elsa's abdication?

What about his parents and twelve older brothers?

Did he have a abusive or neglectful childhood?

Is Hans still shoveling horse manure as his punishment?

Is Hans the frozen heart?

Olaf

How does Olaf feel about being the only sentient snowman of his kind?

Does Olaf wish he was human?

How do other people treat him?

Does Olaf see Elsa as his mother and Anna as his aunt?

Will Olaf reach adulthood?

Can Olaf physically grow?

Does he miss living with Elsa?

How does he feel knowing that if Elsa dies he will die as well?

Will Olaf ever stop being a insufferable edgelord? (lol)

Themes

Old and new themes to explore....

Sisterhood. How does living separately effect Anna and Elsa's relationship? How does Elsa cope without Anna's constant presence and unwavering support? How does Anna cope without Elsa's compassion and wisdom? Will living separately cause the divide between them to deepen?

Fear and isolation. Is Elsa afraid of being alone? Is Elsa afraid of her powers spiraling out of control again? Is Anna afraid of failing to live up to expectations as queen? Does she feel lonely without Elsa always by her side? Is being queen a lonely endeavor? Is Elsa afraid of Athohallen (it literally froze and held her hostage when she got too curious, lol)?

The duty/role of a ruler. Now that Anna is queen, how does that effect the people? What do they think of Elsa's abdication? What do they think of Anna being queen? What do they think of Kristoff being their king? What are the qualities of a good ruler? What sort of constitutional duties are there to perform?

Self-discovery and transformation. How will Elsa and Anna discover new things about themselves or about each other? Will the journey they undergo change them for the better or the worst? Will Elsa's role as fifth spirit drive her further from her humanity? Will Anna's role as queen isolate her from her sister and her people or drive her closer to both?

Redemption and forgiveness. In Frozen, Elsa redeemed herself when she thawed Arendale. The people, who she had nearly accidently killed, forgave her and happily ice skated with her at the end. If Hans is redeemed in Frozen 3 then the theme can continue anew. Redemption is all about transformation. Can someone flawed change for the better? Or are some people's crimes so evil that they are irredeemable? Can we forgive those who wronged us even if they aren't sorry?

Norse mythology. Fate, rebirth, knowledge, sacrifice are a few of the central themes of Norse mythology. The Æsir (e.g.  Odin, Frigg, Thor, Loki, Balder, Hod, Heimdall and Tyr) and Vanir (e.g. Njord, Freyr, and Freyja), the Nine Realms, Yggsdrasil. How can they be weaved convincingly into Frozen 3, when 1) it takes place in 18th century Norway and 2) the first film was largely based on a fairytale and classic disney references? Will they ever acknowledge how Christianity replaced paganism? (probably not since this is Disney).

Conclusion

What do you think? Feel free to add some questions. Please be respectful.

[disney-android-foundation]

Random Villain headcanon time!

- Whenever someone does something he doesn’t like or make a joke on how he died, Ernesto will say “You’re not invited to my Sunrise Spectacular!” just like little kids will say that you’re not invited to their birthday. (Inspired by a Tiktok)

- Hades lips are not naturally that color, he wears lipstick.

- Maleficent will just loom and stare at you in any dark area she can find. She doesn’t even have a real reason to do so, she just likes to wait and see how long it takes you to notice her.

- Cruella is lactose intolerant.

- Yzma, even after getting herself cured of her cat transformation, will still get the effects of catnip if near her.

- Hans definitely has a pair of gloves for every kind of occasion.

[lovewillthaw-j]

A tale of two frozen Hans

The Han-ds on Prince Hans are definitely a homage

[scurviesdisneyblog]

"Love Is an Open Door" visual development for Frozen (2013) by Cory Loftis

[elanrakiss]

heartless <\3

[ezinekihart]

Obsessed with this racer outfit!