#hang in there and keep being amazing | Explore Tumblr posts and blogs

letoasai · 5 months ago

Text

The Youngest Ancient

An idea where the JL has gotten word from Green Lantern that a planet has been destroyed. That threat is headed for Earth.

We could blame it on Darkseid despite the fact that i don’t actually know if that’s within his power set. Bad guy of your choice. Keeping it vague works too.

Danny finding out that one of his planets is gone and he’s not having it.

They were short on time. Monumentally short on time. Usually everyone would look to Batman in a situation like this. It wasn’t like his numerous contingency plans were a secret. The problem was time and an overall lack of information about the coming threat. All that was clear was the fact that Earth was in danger.

Not even a normal, run of the mill danger, but the planet bleeding out of existence kind of danger. Supposedly it could happen so fast that the citizens of Earth wouldn’t even know it had happened.

“There’s always begging an Ancient for help.” Constantine muttered, lighting another cigarette. As many members of the League as possible had gathered but brainstorming could only get them so far.

Multiple gazes snapped to him but it was Wonder Woman who spoke first. “You think petitioning the gods would be a wise course of action?”

“Could be the only course of action.” Flash muttered though no one looked happy about it.

“Nah, it’s a much crazier idea than that.” Constantine said flatly. “We’re not talking about any of those old hats we’re used to dealing with. I mean an Ancient. Their powers are next level stuff. Above the gods on the totem pole, if you will.”

Batman’s eyes narrowed. “You want to bring in a complete unknown.”

“I want the planet to fucking be in the same spot tomorrow, mate.” Constantine snapped back. They were out of time but he evidently had more practice at being reckless then the rest of the League. “Heard tales of a new baby Ancient. A likable kid that has many of the heavy hitters doting on `em. Word is the baby Ancient is rather agreeable. Makes deals. Likes to explore. That kind of thing.”

“Baby Ancient.” Superman repeated, clearly hearing the oxymoron in that title. “How does that work?”

“Well they gotta come from somewhere, don’t they?” Constantine shrugged. He didn’t know and he wasn’t going to ask.

“I’ve heard the same rumors.” Zatanna heaved a sigh, adding credence to Constantine’s claims. “Even if they can’t do anything themself, they might have enough pull with one of the other Ancients that can.”

Flash clucked his tongue. “We literally have everything to lose if we don’t do something. If no one else has any other ideas then we need to give it a shot.”

“How long do you need to prepare?” Batman asked, his frown obvious. He never fully liked ideas that he didn’t have a hand in.

Constantine sat up straighter, taking a pull from his cigarette and already looking exhausted. “Gimme an hour.”

“I’ll help.” Zatanna said, already standing.

“Forty minutes then.”

The light of the summoning circle was hard to look at. It was like a mini supernova right in front of them. The colors would have been amazing to look at if anyone could have opened their eyes to see it.

When it dimmed, leaving only a toxic looking green glow around the circle, a young boy floated in the center. His hair was white and flowed even in the tightly air controlled Watch tower. The freckles across his face seemed to glow just like his green eyes.

He was cute, and couldn't have been more than fifteen. He wore a skintight black suit, calf high white boots, and had a strange looking thermos hanging off his belt. So this was a baby Ancient. He looked utterly perplexed.

“Um…” He blinked, taking in every member of the Justice League slowly.

“Welcome to the Justice League Watch Tower.” Wonder Woman said, ever the diplomat. “We apologize for summoning you on such short notice.”

“Oh. Okay.” He was still blinking owlishly before his eyes locked onto one of the windows that currently had a vast view of space. The boy all but purred at the sight. “You can call me Phantom. What do you want?”

“You’re the new Ancient?” Constantine asked without as much tacked.

Phantom sighed, shifting to sit even as he floated. “So they tell me. I didn’t know there was going to be a superhero test.”

“We summoned you to request assistance if you are able to give it.” Batman said, taking over. “A threat is coming to destroy the Earth and we don’t have much time. Is there something in particular you would want in payment?”

“Besides souls.” Constantine muttered which subtly alarmed everyone within earshot.

“Destroy…Earth?” Phantom repeated slowly, head tilting. It was slowly occurring to everyone that maybe a baby Ancient really was too young to deal with something like this. “Why?”

Green Lantern sighed, arms crossed. “I’m likely the cause. Earth is the home base for Lanterns in this sector. The previous planet destroyed was also a home base.”

Phantom’s eyes jerked up, his full attention on Green Lantern. “Previous planet destroyed? Where?” He paused, “And when? I have been feeling a little off.”

No one knew quite what to make of the strange comment, but Lantern continued anyway. “A planet in the neighboring sector, 2813. It has been eight days, and before long, that threat will be here.”

“Is it possible you know of a way to prevent the destruction of Earth?” Wonder Woman asked, but Phantom seemed distracted.

He removed his gloves and was looking at the back of his hands. When that didn’t seem to tell him what he wanted, he tugged on his sleeve, making the fabric go invisible in small sections so he could easily look at his skin beneath it without the cumbersome task of rolling his sleeves up.

He was covered in glowing freckles, just like on his face, but one by one the League members took notice of the way they moved. Phantom would twist his arm one way and then another and each set of freckles would be replaced by a completely new set of glowing little spots. When that didn’t show him what he wanted, he kept looking, checking both arms first before moving down his chest slowly.

The League could do nothing but watch the strangeness before them as their follow up questions went ignored.

When he got to a spot under his ribs, Phantom screeched. “It’s gone!”

“Phantom…?”

Phantom looked out the Watch Tower window, his face morphing into one of fury. His eyes shined brightly and whatever he was looking for, he clearly found.

“T̢̜̞̮ͭ̓ͫͦh̨̻̼͓͓̜ͭ̈͆ȃ̴̩ͅtͯ̚͏͇̮̖̙ ̡̭͎̝̟͇͙̏ͣ̑͛m̵̭͉͈̳̟͎͈̲̋̋o͈̮̫͓̪͔͐͠t͉̬̉͒̈́ͪ͠h͉̠̭͓̞͎̺͓ͥͥ͘e̅͗̔̿҉̞̪̺̮̗̜r͙̪̼͈̐̉͞ ̫̥̳̿̾͒͑͞f͔̟͈͍ͯ̊̏́ù̶̯̬̫͈͕c̲ͣ̓̿͠ͅk̦̘̖̭͕͉̹̥̈̍̈́ͤ͘e͚̬͗͡ͅr̛̤̩̺͂̃̇̉ͅ.”

To say the Justice League was surprised by the shift in the boys tone was an understatement.

“Yeah, i’ll stop your threat.” Phantom growled, easily leaving the summoning circle. He shifted right through the wall and directly into space without a care.

Silence filled the room, no one entirely sure what they’d done by summoning a baby Ancient. “So that happened.” Flash commented. “Are we still planning for doomsday?”

“We’ll see…” Constantine muttered. “Though if that kid gets hurt, might be bad for the universe.”

“Not what we wanted to hear, John.” Wonder Woman said, looking out the window. Nothing looked unusual to her.

In an hour's time, Phantom returned just as distracted as he’d been when he’d left. He remained seated in the air as he held what looked like a cracked marble in his hands. It was surrounded by a mist, and inside sparked with many different colors.

Phantom seemed to be sealing the crack, a smile on his face.

Batman was the one to approach, and if he was anxious it was hard to tell. “Phantom.” He greeted cautiously. “You’re back.”

“Uh huh.” Phantom said, eyes glittering happily at the marble. “I got rid of your problem. Earth is safe.”

“Got…rid of.” Batman repeated slowly, a tinge of disbelief in his voice.

“So we’re good?” Flash asked. “Good work, kid.”

“Yeah, he deserved it.” Phantom said, finally cradling the smooth marble in his palm.

Constantine was still smoking, but his eyes were narrowed. “Do i wanna know what you’re doin’?”

Phantom beamed. “I got my planet back! It was a little broken but i fixed it.”

“Your planet?” Green Lantern repeated, adrenaline hitting him. “The destroyed planet!?”

“Yep.” Phantom looked pleased with himself. “Now i just gotta set it back in time eight days to get everyone back on track and i can put it back where it belongs.”

“Put it…back.” Batman seemed to have trouble with the skill set of one teenager.”

It was Superman who slid closer with a disarmingly charming smile. “May i ask what kind of Ancient you are. I admit i don’t know much about them.”

Phantom perked up. “I’m the Ancient of Space!” He ignored Constantine’s groan from across the room. “I’m really glad you guys called me about this! It would have taken me a while to find a planet destroyed out of the natural timeline.”

“And you have time abilities?” Wonder Woman asked softly. Time and Space was a heady combination.

“Nope! But Clockwork does.” Phantom said. “He’ll do it for me.”

“Will he?” The Flash stared.

Phantom didn’t seem to notice the incredulous looks. As far as he was concerned, everyone was simply taking his explanations in stride. Tilting his head back his eyes shimmered with power. “Clockwork!” he called, voice reverberating oddly. No one missed Zatanna paling or Constantine cursing. No one had time to ask either before a tear appeared just to the right of Phantom. It split the very air apart in a green haze before a portal opened and a man floated out. Wrapped in a purple cloak, the man floated like Phantom did but had a ghostly tail instead of legs and off putting red eyes.

He had a staff donned with clock gears and mechanisms that ticked in an unsettling way. No one needed an explanation, which was good because Constantine wasn’t going to give one.

This was the Ancient of Time. They had two Ancients in the Watch Tower.

Phantom didn’t seem bothered and held out his marble with a smile. “Fix!” he asked cheerfully.

Clockwork turned from what appeared to be an adult man to an elderly man in the blink of an eye. “You know time is sensitive, Phantom. Not everything can be changed on a whim."

Phantom’s smile lessened. He looked back and forth from Clockwork to the marble and back to Clockwork again. “I’ll cry. Swear to the Ancients, i’ll start crying.”

The elderly Clockwork shifted back into the form of a young man. “Do you think tears will alter the timeline?”

Batman smiled, almost. He knew a mischievous teen trying to get his way when he saw one. That theory proved correct when Phantom honestly did begin to sniffle, eyes becoming damp.

“An asshole destroyed a piece of me.” Phantom said, lips wobbling. “I felt it. I didn’t feel good.”

Clockwork’s form shifted again, this time into the form of a young child. He heaved a sigh, “If you start weeping you’ll summon the others.”

Phantom nearly whimpered, holding out the marble still. Every member of the Justice League watched with bated breath.

Clockwork crossed his arms. “How far back do you want it?”

“Yay!” Phantom beamed immediately, impressing upon how young he must have been. “Eight days! Actually, maybe nine. That might be better for them. I’m sure the…Green Lantern…people… can explain that they lost little more than a week in order to be brought back. That’ll be fine, right?”

Green Lantern was too stunned by the question to answer but it was fine since it seemed to be rhetorical coming from the young Ancient.

Clockwork turned back into an adult and held his staff out over the marble Phantom held. There was no discernible change other than the hands on the staff’s clock face moving. Phantom was nearly bouncing in place which was interesting to see considering his feet weren’t on the floor.

“Thank you, Clockwork!” Phantom said, looking delighted and completely missing the way Clockwork just sighed fondly.

“Hurry along home before the yeti’s start to look for you.” Clockwork said in a fairly familiar tone.

“Yes, yes.” Phantom said distractedly, tossing the marble up in the air where it disappeared. He tugged at his black suit right over his ribs and did the same invisibility trick again. He shifted twice until he found the patch of skin that held the group of freckles he wanted.

No one was close enough to see for themselves, but Phantom crowed happily. “Good! It’s back where it’s supposed to be!”

“It’s back?” Batman asked, a hint in his voice saying he had a hundred more questions.

“Yep.” Phantom said. “It’s really annoying to me when someone destroys one of my stars or planets before their natural life cycles have worn out.”

“Is that a map of the galaxy on your skin?” Wonder Woman asked, charmed by the constellation of freckles across his nose and under his pointed ears.

“No.” Phantom said. “It’s a map of every universe on my skin. They overlap so sometimes i gotta hunt for the one i want a little.”

“Every…” Superman sounded like he had the wind knocked out of him.

“Come, Your Majesty.” Clockwork said, opening a shockingly green portal with his staff. “You’ve had your fun.”

“Okay, okay.” Phantom mumbled.

“Majesty?” Zatanna whispered, confusion coloring her tone.

Phantom whipped back around to look at her with a sheepish grin. “Ah, yeah. I’m the King of the infinite Realm. Let me know if anyone else messes with one of my planets! Bye now.”

The Ancients departed and Constantine started wheezing.

“I take it no one knew the baby Ancient was a king?” Flash asked, a very startled silence taking over the Watch Tower.

I know i originally said that the planet had been destroyed but that somehow turned into it being eaten or absorbed or something so Danny got it back.

I really just wanted Danny to find a missing planet on his skin and freaking out over it.

Feel free to take this idea, though i’m sure something like it exists already. ^__^

Master List

#dp x dc #dp x dc crossover #Danny Phantom #The youngest ancient #justice league #Clockwork #Danny feeling the loss of a planet #whole solar systems on Danny's skin #star freckles

7K notes · View notes

gooobraghhh · 11 days ago

Text

I know I like almost only post dom content but this happened a few hours ago and I feel like I need to talk about it because it was so hot.

I was hanging out with a trans guy, we’re just like fucking around doing random things. I keep teasingly being mean to him, calling him names or whatever, generally being kind of a bitch for fun and we left my room for something and when we left he grabbed me by my throat, pinned me against the wall, lifted my shirt up and put my tits in his mouth while I tried to push him back but he’s like so much stronger than me so I couldn’t really do anything.

He started scolding me while leaving hickies on my tits before grabbing my hair in his fist and pushing me down to my knees and making me suck his dick. He kept his hand in my hair the whole time and when he was done using my mouth he pulled my head to the ground of the hallway by my hair, stripped me, and then alternated between spanking and fingering me while making me apologize over and over again for being mouthy.

He proceeded to drag me to the bathroom and started playing with me in front of the mirror while degrading and hitting me.

We fucked right after and it was all great but god that intro to sex was just amazing. Love trans guy doms so much and any trans guys who feel insecure about topping/ being dominant you are hot and can do it, all of that was without a strap even you just have to be confident <3

#trans nsft #t4t nsft #mtf sub #ftm dom #mtf nsft #ftm ns/fw #ftm nsft #gooobraghhh text

3K notes · View notes

mywritersmind · 2 months ago

Text

WINNING KISS - LN4

summary : lando isn’t used to being a human mirror, but when a pretty girls tells him to hunch down and let her fix her lipstick in the reflection of his glasses, he’s more than happy to oblige.

listen up : no warnings!!

word count : 750

⋆｡‧˚⋆

I can practically feel the music through my veins. The lights of the club are flashing and my friends are laughing and swinging shots back.

I won today. Singapore has been fucking amazing honestly. Besides the whole drowning in sweat thing.

“So…” Max Fewtrell claps a hand on my shoulder, “Taking a girl home tonight, winner?” He teases me as I roll my eyes and sip my drink, “What- You too tired?” he fakes a frown. I didn’t really want to go out tonight but decided it’s sort of a one in a lifetime thing.

“Go find your girlfriend, idiot.” I eye him.

He throws up his arms and laughs, “Gladly!” As he walks away I feel a hand on my shoulder, spinning me around. I’m surprised who did it had such force for being so small.

A girl stands in front of me, a pencil in hand and for a second I think she’s going to ask for an autograph, “Bend down a bit!” She tugs on my shirt and I do as I'm told because I'm genuinely so confused and the pretty girl means business.

She takes the sunglasses from my head and pushes them over my eyes, looking directly into them and bringing the pencil to her lips.

The ‘pencil’, I now realize, it’s a makeup product and deposits a dark color to her lips as she uses me as her mirror.

As she’s stood in front of me, my eyes can’t help but analyze her. This club is stuffy and smoky but she’s so close I can see everything she has on.

She’s got messy brown hair, silver jewelry, a mini skirt, a fur jacket, and a white corset top. Something about her feels magnetic. She’s stunning.

My eyes go to her lips which she smacks together before pulling out a proper lipstick, as she runs the makeup over her lips I start to smile a bit. She finishes quickly and doesn’t pauses as she starts to place the makeup back in her back.

I slide the glasses down to hang around my neck, I see the recognition appear on her face, “Shit.” She says confidently, “You’re that guy!”

I laugh a bit, standing up straighter and looking down at her, “Nice to meet you too.”

“Sorry! Everyone’s been talking about you today!” My tongue runs over my teeth, smiling a bit, “Thanks for being my mirror. And- congrats, I guess?”

“Thank you. And no problem, I’d never deprive a pretty girl of her lipstick rights.” This makes her laugh and fuck I want to keep her laughing.

She gets a look in her eye, her arms behind her, and her eyes staring up at me, “Well I appreciate it. Like it?” I look at her lips again and I’m beginning to think this is a trick just to make me want to kiss her.

“I do. It suits you.” Her lips pull into a wide smile and she steps a bit closer. “You know- people are talking about me for a reason.” I say, building myself up a bit.

She squints, “Right… A win?” I nod, “You’re celebrating then?”

I nod again, “A bit boring though… if only there was a girl to make my night better.”

She scoffs, “Suppose you want a winning kiss then?” I eye her, sipping my drink once more. My eyes flick to her lips but she doesn’t stop looking at me.

“I mean- your lipstick would look great on me.” I say smugly as she stops herself from smiling, humming and nodding.

“Would it?” She says into my ear, the club getting louder with the music.

“Suppose we’ll have to check and see.” I say in her ear this time and when I pull back, I can tell she’s trying to figure me out.

She hums again, leaning in close and slipping her hand onto my neck. Her cool rings practically sting my hot skin. She turns my head slightly, I feel her stand taller to softly kiss my cheek.

When she pulls away, I’m smirking again, “Let me get your number.” I don’t even ask it as a question.

She pulls the lipliner out of her bag once more, uncapping it with her teeth and taking my arm. She scrolls the numbers slowly against my arm, holding me close.

When she’s done and there’s red numbers up my arm, she closes the product and smiles kindly, saying “Congratulations, winner.” before walking away.

#fanfic #formula 1 fanfic #lando norris #lando norris fanfic #f1 imagine #lando x reader #f1 fanfic #f1 x reader #lando imagine #f1 fic #lando norris win fanfic

3K notes · View notes

fushic0re · 1 year ago

Text

𝐈𝐒 𝐒𝐀𝐍𝐓𝐀 𝐇𝐄𝐑𝐄 𝐘𝐄𝐓?

𝗗𝗔𝗗!𝗦𝗔𝗧𝗢𝗥𝗨 𝗚𝗢𝗝𝗢 𝘅 𝗥𝗘𝗔𝗗𝗘𝗥

��𝐚𝐲 𝟖 𝐨𝐟 𝐭𝐡𝐞 𝑹𝒊𝒌𝒂𝒏𝒆 𝑾𝒐𝒏𝒅𝒆𝒓𝒍𝒂𝒏𝒅 𝑨𝒅𝒗𝒆𝒏𝒕 𝑪𝒂𝒍𝒆𝒏𝒅𝒂𝒓 ⋆.ೃ࿔*:･

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ─ in which you and satoru finally have some alone time…except baby gojo is vigilantly watching for santa’s arrival.

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 ─ 18+ ONLY; MINORS DNI. SMUT; penetrative sex, trying to keep it quiet, getting caught. baby gojo being an especially cute cockblock.

꒰ ͜͡➸ 𝐈𝐅 𝐘𝐎𝐔 𝐄𝐍𝐉𝐎𝐘𝐄𝐃 𝐓𝐇𝐈𝐒 𝐒𝐓𝐎𝐑𝐘, 𝐏𝐋𝐄𝐀𝐒𝐄 𝐆𝐈𝐕𝐄 𝐈𝐓 𝐀 𝐑𝐄𝐁𝐋𝐎𝐆! 𝐑𝐄𝐁𝐋𝐎𝐆𝐒 𝐀𝐑𝐄 𝐖𝐑𝐈𝐓𝐄𝐑𝐒❜ 𝐁𝐑𝐄𝐀𝐃 & 𝐁𝐔𝐓𝐓𝐄𝐑! ♡

“TORU–” YOU PANT AGAINST YOUR HUSBAND’S EAR.

Satoru grunts in response. His large hands tighten around the meat of your thighs, his fingers leaving an indentation against your skin from his grip. His hips move with more vigor, pounding into you wildly as he loses every piece of himself to pull of your velvety walls. Each thrust draws him deeper and deeper into your heat, a feeling he missed oh so much. While fatherhood was the biggest calling of his life and his proudest accomplishment, he definitely missed the spontaneous aspect of his relationship with you–quickies in places you most definitely should not be having sex in, watching you cook and deciding then and there to bend you over the kitchen counter to have his way with you, being late to commitments because he decided to spend an extra hour or two in bed with you, the whole nine yards.

You were everything–a mother, the woman who birthed the first Gojo heir in years, an amazing sorcerer. But you were his girl before everything else. And now that your son was asleep after the sugar crash he had from too many cookies at the Christmas Eve party, it was prime time for him to remind you of just how much he loved you.

“Hah…shit–”

“Mama? Dada?”

Time freezes for a moment as do you and Satoru, staring at each other as your bodies stiffen as if remaining oh so still will make your son unsee the sight before his innocent eyes. You quickly snap out of it, yanking the throw blanket hanging from the back of the couch and wrapping it around you both. To the innocent eye, it looks as if you and your husband were just having a cuddle. Satoru follows suit, lifting his blindfold off to stare at his son lovingly.

“What’s up, little man? You should be sleeping that sugar rush off.” He chuckles, completely unphased by the fact that your son had just walked in on the both of you.

The Gojo heir rubs his sleepy eyes with his small fists.

“Is Santa here yet? Y-Yuuji said he would be here soon…” He mumbles, his little voice raspy.

You look at Satoru with wide eyes for a moment before nervously laughing as you pull the blanket tighter around your bare forms.

“No, baby. Santa doesn’t come until very, very late when all you babies are fast asleep. Go back to sleep, you have nothing to worry about.” You assure.

Your son is just about to walk off when his eyes fully register what is in front of him. Under the impression that you have been fully caught, you slap your husband’s chest.

“Do something.” You hiss.

“I don’t know, babe, this is kinda funny–”

“I told you too much sugar would mess with his sleep schedule! I told you!”

“Okay, but how was I supposed to know Yuuji was going to get him all Santa-crazed–”

“Because you are his dad! Dads know these things!”

“...You sayin’ I’m a DILF?”

“A..Are you guys c-cuddling without m-me?”

You and Satoru’s incessant bickering comes to a halt. Both of your hearts break at the sight of those big blue eyes welling up with tears, that pouty bottom lip trembling as he clutches his blanket for comfort. Just like that, your shared kryptonite had rendered you both fightless. When your son cried, angels cried for him. Satoru springs into action, pulling on his boxers and scooping your son up into his arms. You try your best to, but the ache and empty feeling in between your legs cannot be ignored.

“I’m sorry, buddy. Your momma wanted daddy all for herself because she gets jealous.” Satoru dramatically wails, hugging your baby and rocking him in his arms.

You gasp as you stare at him incredulously. Was he seriously throwing you under the bus? Turning you against your own son?

“Excuse me?!”

“Come on, let daddy take you to bed for some snuggles aaaaaalll by yourself!” He cries out once more.

With that, Satoru easily diverted the situation. He grins at you as he carries your baby boy back to bed, the latter falling asleep in the comfort of his arms as he does so.

“Bad mommy.” Your little one murmurs as his father descends down the hallway, leaving you floored.

Satoru Gojo would receive one, and only one, gift that year….blue balls. And not in the form of ornaments.

#satoru gojo x reader #satoru gojo x you #satoru gojo x y/n #dad!satoru gojo x reader #dad!gojo #gojo x reader #satoru gojo #jjk x reader #jjk #jujutsu kaisen #jjk fanfic #jujutsu kaisen fanfic #satoru gojo smut #satoru gojo fluff

6K notes · View notes

batsplat · 4 months ago

Note

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you

#spec tag #casey's power is such that after half a decade of having weird hang-ups about valentino #he finally got valentino to have weird hang-ups about him #like sometimes u get these comments where ur like... huh casey doesn't this feel. a bit much. like this is a bit much #and then valentino sees it and goes????? wow FUCK this guy. and then they just keep doing it. like adults #this is the thing right. if i'd broken my leg and the main things one of my two biggest rivals says about me in those months is #a) 'the race in britain was so much nicer because that guy's fans weren't there :)'#and b) 'idk why everyone's making such a big deal about this guy being immediately fast on his extremely premature return'#'it's just a leg break he probably only lost some muscle mass'#i think i'd probably also be a bit ?? especially since the rivalry really wasn't THAT bad before 2010 it really wasn't!!#but then by 2011 casey managed to completely fry valentino's brain and it just goes off the CLIFF like it is so!! undignified!!#it's funny because it's definitely the rivalry valentino got over the quickest #but in terms of sheer hit rate of insults. like just raw frequency. when they were going at it. this ranks number one in vale feuds!!#(btw a big GLARING tell that the marc thing is weird and special is that he is *right* on the opposite end of the spectrum)#(like i think this can be tricky for people to clock but it's actually Notable how little day to day conflict those two had post 2015)#and obviously casey's still not over it. which again is DEEPLY understandable but also a littleeeeee bit funny (love you casey)#the way he still yaps on about jerez 2011!! a racing incident in the wet!! like it is kinda... well yeah. funny. when you contextualise it #idk it's just cute to me how they had completely different experiences of that rivalry #to the point where they just don't Get what's going on for the other guy. they just don't get it!!#hitherto unknown levels of 'what is this guy's PROBLEM' it's so!! they're so!!#this is how you get casey talking about wanting to explain his pov of the rivalry to valentino over dinner. this is how you get that #and it still wouldn't work!! isn't that amazing. they're going to go to their graves being vaguely baffled by the other guy's deal #//#brr brr #i put all my best analysis in tags for a read more x2 post. this one's for the real ones. all two of you #casey has a shorter sample size of a career to work with but do NOT get it twisted that is my number one girl!! my beautiful sister #my poor troubled neurotic paranoid delicate prodigy conspiracy theorist magical girl anime protagonist #casey would have an aneurysm if he read those words but is that not. the point #luminous yellow tag

25 notes · View notes

pomefioredove · 3 months ago

Note

could you write the overblot boys (+ lillia & adeuce) with a reader who is really naïve? like they aren’t dumb by any means (the opposite, actually, they are smart and get amazing grades) but they have a lot of trust in people and sometimes takes things too seriously/at face value (like they don’t understand sarcasm at all, respond to rhetorical questions, etc)

how do you guys keep coming up with the most specific relatable ideas 😭😭 finally, oblivious representation!!!

summary: naive/oblivious reader type of post: headcanons characters: riddle, ace, deuce, leona, azul, jamil, vil, idia, malleus, lilia additional info: romantic, reader is gender neutral, reader is yuu

for someone who's entire life is structured around decorum, Riddle is unexpectedly lenient with you

he's always had a certain weakness for cute things...

AHEM

he's seen your grades, and he knows you aren't incompetent or dim, you just...

...lack social finesse

fortunately, he says he's an expert at socializing!

...unfortunately, that's not true at all

if you're not careful, he'll have you talking like a sickly Victorian orphan by month two

*ੈ✩‧₊˚

but at least he's not Ace, who finds your naivete VERY entertaining

you and Deuce are a two-man circus to him

tricking you is so easy, it's almost not even fun

almost

he has, on three separate occasions, told you and Deuce that "gullible" is written on the ceiling, and all times, you both looked up

but it's all in good fun, of course

Sevens help anyone else who teases you about it, though. then it isn't so funny anymore

Ace and Deuce are just a little overprotective

*ੈ✩‧₊˚

Leona hasn't said a word about it

not that he hasn't noticed

...not that he's trying not to embarrass you, either

he's just trying to see how long it'll take before you can tell when he's being sarcastic

it's just... entertaining

for someone as smart as you to hang onto his every word...

it's... a bit of a power trip for him

not that he's taking advantage of you for anything other than amusement, of course

besides, you'll need someone around to tell off the idiots who do try to pull the rug out from under you

*ੈ✩‧₊˚

speaking of which...

if not for your friends' intervention, Azul would probably own your soul by now

he's not half as convincing as he thinks he is, but even then, you respond to everything he says in earnest

you actually believe the whole "nice guy" act

and, honestly...

well...

he likes the way you like him

you actually see him as a nice, smart, interesting person. you spend time with him without expecting anything in return

so, he gives up on trying to squeeze a deal out of you

...for now, at least, you're under his protection

*ੈ✩‧₊˚

someone get this poor man a day off

Jamil is tempted to put you and Kalim in a play pen together so he can take a nap

he just... doesn't understand you

he's seen your name in the hall after exams, he's heard the way the professors praise you, and yet you are almost painfully easy to manipulate

he could mold you like clay if he really wanted to

...unfortunately, he cares too much to do that

so, for now, he'll keep trying to trick you into tutoring Kalim so he can have the night off

*ੈ✩‧₊˚

Vil is your number one protector

you're smart, you're competent, but you're way too easy to deceive

and knowing the boys at this school...

...of course, Vil has to keep you by his side at all times. he wouldn't trust half the students here with his laundry

he can't sit by and let you get taken advantage of

...not that he never teases you

he does, of course

your earnest responses are just so sweet to him, and you seem to genuinely enjoy complimenting him...

anyway

while Rook teaches you how to pick up on hints and cues, and Epel throws hands with anyone who even looks at you weird, Vil is busy pampering you half to death

*ੈ✩‧₊˚

Idia's initial reaction is something along the lines of "well, at least I'm not that guy,"

(sorry)

but, really; he thinks he has it bad, and then you can't even read a room?

you're like total opposites; an overthinker and an underthinker

you're all... sweet and genuine and cutesy

and he's a lame weird loser...

he assumes that everyone else thinks the same; but then he starts hearing the things other people say about you...

...and the way you get treated when you don't understand a joke or pick up on a cue

maybe you're not so different, after all...

*ੈ✩‧₊˚

unfortunately, it looks like you and Malleus are on the same page

one oblivious to social cues, the other awkward from years of isolation

communicating with anyone else is a minefield

but, of course, you have each other

the way you talk to each other is kind of adorable?

Malleus can be quite blunt when he doesn't mean to, though, for you, that's a blessing

but he's also aware that you're a little oblivious, compared to other humans, and he's quite accommodating

*ੈ✩‧₊˚

Lilia is a little shit

he may act all innocent about it, but he knows very well what he's doing

your naivete was the first thing he noticed about you

he absolutely uses it to his advantage

you're just so easy to prank, how can he resist?

he also enjoys flirting with you

it goes right over your head every time, and it's just the cutest thing he's ever seen

he's trying to see how far he can push it before you realize he's being serious

times he's said "I want you" to your face: 2 and counting!

#twisted wonderland x reader #twst x reader #queued #riddle rosehearts x reader #ace trappola x reader #deuce spade x reader #leona kingscholar x reader #azul ashengrotto x reader #jamil viper x reader #vil schoenheit x reader #idia shroud x reader #malleus draconia x reader #lilia vanrouge x reader

2K notes · View notes

mattybsgroupie · 3 days ago

Text

help | chris sturniolo

contents: fwb; first time; fingering (f receiving); p in v; use of “y/n”; virgin!reader; soft dom!chris

♡⊹𑄽୧

ˏˋ°•*⁀➷ notes: oh maria you said you’d post weekly WELL I LIED. i got pretty busy with college but ! only a few weeks left till the semester is over ♡ finally had the guts to write chris and i think i’m finally ready to admit that i NEED to have sex with him lmao. a bit different from the usual stuff (it's chris being sweet with a sub!virgin!reader) and not proofread as usual, but hope you enjoy ♡

ˏˋ°•*⁀➷ requested by: anon

♡⊹𑄽୧

“ma” chris chuckled. when he noticed i wasn’t kidding, his blue eyes suddenly widened in disbelief. “are you serious?” he said in a high-pitched tone.

“well, someone should’ve told me that being a virgin is a crime” i rolled my eyes, closing my fist and playfully punching his shoulder.

“ouch!” chris pretended to be hurt. his brothers were traveling and he couldn’t stay alone with his thoughts for too long, asking me to come over and keep him company.

“i mean” he started, clearing his throat. “it’s not a crime. i just don’t understand how?” i narrowed my eyes and chris knew that meant watch your mouth. “c’mon, you know how hot you are”

“shut up, chris” the corners of my lips gave away how much i enjoyed hearing that.

chris slowly dragged his feet on the wooden floor, coming closer to me. one of his hands stopped by my hips, giving a light squeeze there.

“i’m not kidding” he whispered in a gentle tone, his blue eyes tenderly looking at me. “you’re a virgin, but you know how it works... right?” he raised one of his eyebrows.

i denied with my head, trying to look somewhere else. “what do you mean? no one ever made you feel good?” chris questioned me again. i sunk my teeth on my bottom lip, refusing to answer him again.

i had never been intimate with any guy, and chris knew it. what amazed him was the fact that i couldn't even make myself cum.

“nah” he said, a smirk appearing on his face “y/n, you never had an orgasm?”

i could feel the sudden heat spreading through my body, the fingers he had pressed against my skin becoming warmer, my cheeks flushed from embarrassment.

“how come a pretty girl like you has never felt good, hm? we gotta change that, don’t you think?” chris said, tucking my hair behind my ear before taking his fingers to my jaw, his thumb gently lifting my chin so i'd look at him.

my heart started beating faster as his grip on me grew tighter. chris leaned in and sealed our lips in a gentle, lingering kiss, full of affection and care.

he pulled away, a silly grin hanging on his mouth. “you had done this before, right?” he teased and i rolled my eyes, letting go of him.

chris pulled me back, wrapping his arm around my waist, this time locking our lips together in a passionate, almost desperate kiss.

“let me make you feel good” he said and i let out a deep sigh, my hands immediately going to his hair, gently pulling his locks. chris moaned and wasn’t planning on holding himself back.

his sounds sent a shiver down my spine and i immediately felt myself getting wet. the grip chris had on my waist grew stronger and our tongues were fighting for dominance until he pulled away, catching his breath. a tiny strand of saliva still connected our lips together, his were swollen and flushed as if we had been making out for hours.

chris placed both hands on my cheeks, cupping them together before placing delicate kisses across my face. i only noticed chris had been leading me towards his room when my back touched the door, the sound of wood creaking open removing me from my trance.

“you’re such a player, aren’t you?” i chuckled, noticing my situation. i couldn’t run away even if i wanted to, chris’s arms were placed on each side of my shoulders, holding me in place. “how many girls have been here before, huh?”

“you’re the first one” he said, going to my neck and starting to suck my exposed skin, making me gasp from the sudden contact.

“liar” i breathed out, tugging on his hair. chris chuckled and stopped the kisses, his gaze trying to tell me something. “i wouldn’t lie to you” he said, the emotional tone on his voice showing he was being truthful to me and to himself.

“but… you’re not a virgin” i said, placing my palms on his chest and dragging my index over his shirt, drawing circles on the white fabric.

“that doesn’t mean i’m a slut!” chris widened his blue orbs and a fake moan came out of his mouth when i playfully twisted his nipple. “i think you are” i giggled, opening the door and walking into his room.

i threw myself on the bed, striking a sexy pose. i took off my slippers and crossed my foot over my leg, calling chris with my index finger.

he grinned mischievously, locking the bedroom door and walking towards me. chris was standing in front of me, his legs slightly parted, biting his lower lip. i adjusted my position and raised my palms up to his waistband, teasing him.

“hey, no” chris said, taking my wrists. “this is about you” he started, gently pushing my body against the mattress and crawling on top of me.

“i’m gonna take care of you. i don’t care if i end up cumming in my pants” chris chuckled, his hardened cock showing through the gray fabric.

i simply nodded, my cheeks flushing from the affection and attention. i was aching for him. i could feel my pussy throbbing, the wet patch on my panties growing bigger with each kiss.

chris tugged on the hem of my shirt, silently asking for permission to take it off. he mumbled a small “fuck” while placing his palm underneath the cloth, his large hand pressing against my tummy and making its way upwards. he groped my breasts and with his free hand, removed my shirt. “y/n... god” he whispered, “can i see 'em?” chris asked about my boobs.

“please” i moaned, wrapping my legs around his waist and bringing him closer to me. “just make me feel good, please” i pleaded, tangling my fingers on his brown locks.

“i got you ma” he chuckled at my eagerness. chris placed kisses on my collarbones and reached for my breasts, his sneaky fingers untying my bra and letting them fall free next to his face. chris clenched his jaw, licking his own lips.

“you're so fucking beautiful” he praised, placing a peck in one of my nipples. the gentle act sent a shiver down my spine, making me gasp as he started to carefully lick my hardened nub.

i could feel chris's cock lazily getting dragged against my thigh, his hips moving in a slow, rhythmic pace. he breathed heavily against my skin and each time his tongue circled around my nipple i whined.

i needed more.

“chris” i called him. “i need you— need you so bad”

“i'm right here princess” he whispered, trailing kisses down my torso. “let's go slow, yeah? i promise you're gonna feel so good” he assured me, both indexes playing with the strands of my shorts. i nodded desperately, lifting my hips up and helping him to remove my last piece of clothing.

“shit” chris muttered under his breath. “we’re both so fucking wet” he gazed at my drenched panties and then at his own pants, a wet spot of pre-cum forming on the fabric.

chris brushed two of his fingers over my underwear, nudging my clit. my jaw went slack and my thighs involuntarily attempted to close. chris chuckled lightly, tapping my knees and forcing my legs apart.

he positioned his body in between my thighs and slid down on the mattress, his face resting on my hipbone. he began to fiddle with the seam of my panties, teasing me, as if he was going to pull them off at any moment.

“stop fooling around” i softly spoke, not really mad at him. “but she's so pretty” chris said, dragging his index across the damp fabric and pouting his lips. i giggled, ruffling his hair.

chris's bright blue eyes had a both kind and concerned gaze, and he used his sense of humor to soothe me. “good girl, let me have fun here” he pulled my panties down, leaving me fully exposed.

chris gulped dryly and licked his own lips before placing two digits in between my wet folds, stroking every inch of my pussy. i gave out a deep sigh when his fingers reached me and whimpered when chris began to spread my lower lips.

chris then moved his thumb to my clit, rubbing it in circular motions. my hips instinctively bucked upwards, making me bring my palm to my face and cover my mouth in embarassment.

“don't hide it” he ordered, “i wanna hear you. i wanna hear that you're feeling good, that i'm the only one who makes you feel good”. chris laid down next to me, pulling me near his chest. he locked our lips together as his fingers remained against my pussy, slowly fondling me.

“taking me so well, princess” he whispered, smooching every spot he could reach. “think i can put a finger in? have you done this before?” chris asked, his voice full of concern.

“i… i tried” i confessed, reminding him that i had never gotten all the way to the end. “gonna go real slow f'you” he said, his middle finger slipping down my folds and reaching my entrance. chris pressed my hole and gradually entered me.

when he got all the way in, my jaw was hanging open as i panted heavily and chris kept on praising me, “there you go, such a good girl. it's all in baby, 'm so proud”.

he allowed me to stay like that for a while, getting used to his size, i moved my hips downwards when i was finally ready and chris quickly understood, curling his finger inside my walls and reaching for my sweet spot.

the knot in my lower belly tightned when he found it. “theeeere we go ma” he said, thrusting into me as he massaged my clit.

“chris” i called, desperation taking over me. “i'm f-feeling it— ah! i'm g-gonna—“

“shh, i got you. you wanna cum on my fingers?” he asked, speeding up the pace of his thrusts. “no? where then?”

“your cock, please” i said, not a thought going through my mind. all i cared about was having chris inside me. “fuck, i’m not gonna last long if you keep talking like that”.

“are you sure? we don’t have to do this, y’know” chris said and whined. “no! i want it!”

chris immediately stood up, hovering over me. he removed his pants, cock slapping against his lower belly. chris was huge, the flushed tip leaking pre-cum all the way down his veins. i held my breath nervously when he started to pump his shaft, coating his dick.

“shit, i forgot” chris spoke. “i don't have any condoms here, fuck”

“pull out” i told him and chris widened his eyes. “i'm on the pill, i promise” i chuckled, calming him down as he placed himself in between my legs.

“well, i wouldn't mind putting a baby in you” he spoke and i could feel his swollen, leaking tip rubbing against my lower lips, trying to get in. it wasn't long until my walls were stretched out, fitting chris inside of me. it burned and it hurt like i never felt before, my nails digging on his back as i squeezed my eyes shut, trying to adjust to his size.

chris began to to move his hips cautiously, just enough to make me moan. “fuck fuck fuck” i whimpered as his cock filled me up. i could feel my orgasm approaching, overwhelmed by the new sensation.

“‘m close” i cried, “so close chris fuck!”

“don't hold yourself back princess” he said, encouraging me. his fingers went to my clit, rubbing it quickly. his cock, his words, his fingers — it was all too much. the knot in my lower belly snapped and i felt my body collapsing, my mind going blank as my orgasm washed over me. my whole body trembled as chris held me close, whispering praises at me.

i whined when he removed himself, spurting his cum all over my belly in a loud groan. chris threw himself over me, nuzzling his face against my chest. “i think i’m in love with you” he said. i giggled, playfully pulling his hair “shut the fuck up, chris”.

“thank you for helping me, handsome. it was so much better than i had expected” i thanked him and he gave me a peck “anytime, princess”.

♡⊹𑄽୧

taglist (drop a 🌸!): @thepubeburgler @submattenthusiast @pearlzier @mattsfavbitchhh @bugeyedgrl @sturncakez @riowritesitall @mattsturnswife @sturnsmia @sturnthepot @mattscoquette @conspiracy-ash @ilovemattsturn @lizzymacdonald06 @blahbel668 @fratbrochrisgf @bagsbyclair0 @sturnobsessedwh0re @cayleeuhithinknott @sturniolo04 @1c3b4th @mattsfavbigtitties @bellassturniolo @sturnsxplr-25 @ivammbb @shadowthesim @stefansring @teeheeomg

♡⊹𑄽୧

746 notes · View notes

aegonstradwife · 4 months ago

Text

closer | aegon targaryen x reader

summary: anonymous requested; aegon's wife comforting him after his battle with rhaenys.

warnings: mention of various injuries, established relationship, smut. (handjob, fingering.)

a. note: link to the original request.

They've been keeping him from you.

'He needs his rest, m'lady.'

That's all you ever hear.

Well, damn rest to the seven hells. Aegon needs you; without your love and support, how is he ever supposed to get better?

All evening you've stood watch just around the corner from Aegon's bedchamber on the second floor of the keep, under the guise of overseeing the hanging of a new tapestry along the hallway toward the grand staircase.

Once you hear the last maester leaving Aegon's room and shuffling along for the night, you hurriedly dismiss the servants hanging the tapestry and begin to creep down the corridor.

Finding the door unlocked, you sweep silently inside.

The room is dark, the only illumination the light of the moon slipping in through the windows. Aegon is lying down, breathing steady beneath the sheets as you sneak over and settle yourself gingerly on the bed beside him, making sure not to rustle any of the bedclothes.

His eyes open instinctively, staring amazed up at you, clearly not expecting visitors this time of night.

Aegon whispers your name like a prayer. "What are you doing here?"

"I came to see my husband. Am I not allowed to see how his recovery's going?"

If you're being honest, Aegon looks awful, the mottled skin of his cheek purple and red in the low lighting. There are more burns, further down and across his shoulder. You ache to hold him, but don't want to hurt him.

You clear your throat. "I just needed to see you, my love. It's been so long...." You reach out, avoiding the burn on his cheek as you pet a lock of hair back from his forehead. "Don't you miss me?"

He watches you carefully. Of course he misses you, more than he cares to admit. And he is touched by the gesture, even if he's unwilling to show it right now.

"I miss you," he admits quietly. "More than anything. But I assure you, I'm fine. No need to waste your time fussing over me."

He tries to sit up, biting back a pained groan.

"Don't," you urge, pressing him back against the sheets with a hand at his unmarred shoulder.

It's been a long time since you've slept together - the maesters have been keeping Aegon in this room to rest and heal. Even during the day, you've been forbidden to see him; everyone claims it's better for him to be alone and 'clear his mind.'

But what about you? It's been torture not having him beside you at night, not holding his hand at meals or at court.

And what about him? Has anyone even asked Aegon what he wants? What he needs while he's like this?

"What can I do for you, Aegon? What do you need?"

"You," he says with no hesitation, "to lay here with me." He pats the space on the opposite side of the bed. That's what he needs - the woman he cares for most.

"Just.... be careful of my leg. It's broken, if they hadn't told you...."

You hurry around to his unburnt side, climbing carefully back on the bed so as not to disturb his broken leg. "I know.... does it hurt badly still?" You ask quietly, tucking yourself against his side.

He wraps his good arm gently around you and rests his chin at the crook of your neck. Your touch soothes him, and he's missed it more than he can say.

“Only when I try to move it. The burns still hurt like all seven hells, though….”

You nod - closer now, you can see the burns all over the side of his body, trailing down beneath the covers. The maesters had told you his injuries were extensive, but you didn't realize just how badly until now.

"Oh, Aegon -" you cut yourself off on a choked sob. "Why did you do it? Why did you leave me to go to that wretched battle?"

His heart aches just hearing the sound of you crying. He pulls you as close as he can with one arm.

"Shh...." He shushes you, running fingers through your hair. "I had to go. I couldn't let what they'd done go unpunished. The people need their king to fight for them."

You sniffle. Not wanting to get snot and tears all over him in addition to his other tragedies, you calm yourself with a hand at the remaining smooth skin of his stomach. "I just can't believe they've kept you here, away from me. It's been so difficult, Aegon...."

"I know, my love, I know...."

He pulls you against his chest and lets you rest your head there against his beating heart, seemingly the only thing that had not been damaged in the battle.

“It's been difficult for me too…. I thought of you every day....”

It comforts you, to know Aegon has been thinking of you, even as sick as he is.

You lick your lips, fingers circling gently over his stomach. "You have? Have you been able to.... pleasure yourself at all?"

A shiver runs through him, and he lets out a shaky exhale. “Only once. I tried a few times, though....” His voice is a whisper as he speaks, his body reacting even to the simplest of your touches.

You kiss his shoulder in sympathy. "You must be so pent up. I mean.... I know I am," you say suggestively.

"Yes," he breathes. He is desperate. The touch of your lips to his shoulder is enough to send heat shooting straight down. "You don't even know.... but...." He swallows thickly. "I don't know how I would...."

He turns his face from you in shame.

"Shh, Aegon, it's okay." You turn his face back toward you, cradling him gently just below the heated scrape of burn. "I wouldn't expect that right now.... You need to heal more before that. But there are always other ways to make sure you get your release ..."

His eyes, one darkened by the brindled skin surrounding it, fix on you. They are both, however, hungry and wanting. "Other ways?" He whispers.

You nod, smiling sweetly at your husband. "Yes, many other ways. I can think of two off the top of my head that won't be too taxing for you.... shall we try them?"

Aegon mirrors your nod. “Try them, yes. I’m desperate. I’ll do anything, as long as you’re the one doing it….”

With another kiss to his shoulder, you let the very tips of your fingers trail just beside the jagged line of burns along Aegon's body, making sure not to hurt him. You want to tease, to make this as good for him as possible.

You've been apart for a month at least; if Aegon is anywhere near as tense as you are, he will appreciate this.

But just as your fingers are about to traipse under the sheets, Aegon stops you with a grunt. "Darling.... one thing first."

You gaze curiously up at him.

"Are you still.... Do these bother you?" He gestures to the slowly healing burns along his face and side. "Do you still find me as handsome as you once did or am I...."

He can't seem to find the words to finish.

You shush him yet again, pressing a loving kiss to his lips. "You will always be the most beautiful man in the world to me, Aegon. No matter what."

“You…. you still find me…. pleasing to look at, like this?”

You lean up on your elbow, fingers now taking their time trailing over his stomach, up to his uninjured shoulder, over his unburnt cheek, and back down. "Oh, Aegon.... I've missed you so. Is that the real reason you've refused to see me? You're afraid I'll find you ugly?"

He closes his eyes as your fingers wander over him, his breath hitching in his throat at the pleasure of your touch, but the question makes him pause.

“Yes,” he admits without any attempt to lie. “I don’t want you to look at me and feel nothing but disgust…. I’m not….” He swallows and opens his eyes, gaze blazing into you, “I was afraid you would think me hideous.”

Gods, the fact that you can't throw your leg over him and just fuck yourself down onto him to show him just how handsome you still find him is driving you mad....

"Why don't you let me show you, hm? Just how attractive I still find you?" You kiss him again, his neck this time, dry, fluttering kisses along his pulse point, which has quickened.

Exhaling with a shudder as your lips trail across the sensitive skin of his neck, he whispers, “Yes.... please.” His eyes are pulled to the tenting in the sheets below.

"You still get hard for me so easily," you reply with a pleased smile, gaze also drawn down toward his midriff. "Give me just a moment."

On the bedside, you had spied some oil the maesters had been using to treat Aegon's wounds. With the vial in hand, you retreat back into Aegon's side, slowly pushing the sheets down to reveal his hardened manhood.

You hiss, sitting up momentarily to see where the burns wrap around his hip, coming dangerously close to his erection. "Will it be okay for me to touch you?"

His breath catches, eying the path of the sheets as you remove them.

“It'll be fine. Please, touch me. I want your hands on me, need them on me, please….” He pleads, his eyes darkened with want, watching you as you continue to examine the extent of his burns.

“Only be gentle...." he sighs softly.

"Of course." You nod fervently, bending to press a kiss to his belly.

Curling against his side, you reach with the vile to drip just a few spots of oil onto his hard cock. You watch them rain slowly down, licking your lips at the sight.

"Gods, I missed seeing your cock. Is that weird...?"

Aegon's length twitches as the oil hits it. He watches you closely, moaning at the mere sight of you here with him after so long.

"Not weird," he reassures you. "I-I've missed you so much, your touch, your.... your everything. It's all I've thought about for weeks, and the only thing that's made this bearable."

Reassured by his sweet words, you press your lips to his side. With just one finger, you stretch and start to run that finger slowly over Aegon's slick cock, spreading the oil, making sure it doesn't drip too close to his burns. "Aegon.... oh, gods ..."

You're trembling, wanting him so bad, but unable to properly have him.

A shiver runs through his body at the touch of your finger, and he gasps for air as the sensation washes over him.

“Oh, gods…. yes, please....” he mutters. “Don’t stop, please.”

He desperately wants to reach out and touch you, to give you as much pleasure as he can, but with his broken leg and burned body, he's helpless to do anything but let you work.

"I-I'm sorry I can't.... for you."

"it's alright," you mutter, mouthing at his side, so hungry for him.

That one finger continues to stroke and tease your beloved's cock, which is twitching up into your touch. "Is this okay? Does it feel good?" You query, staring up at him.

"Yesyesyes," your husband mutters breathlessly, hips canting up into your touch. "It feels so good.... so good.... don't stop, please."

That tensing in his stomach tells you he won't last for much longer.

You know you shouldn't tease your poor injured husband too much, but you also know by now when he's about to climax. And you really want to draw this out for him.

"Don't cum," you plead, taking your finger away. "Not yet, my king."

Aegon groans miserably; he was so close. He tries to hold himself back from the edge but it’s damn near impossible when your hand had brought him almost to the brink.

"Please," he pleads with you, "I-I'm so close, please don't stop, please, I need...."

"I know," you mutter, straining up to kiss him properly. It's a searing kiss, your lips biting into his as your slippery finger slowly circles the base of his cock, avoiding his burns. "It's going to be so good when I finally let you finish, Aegon...."

He practically melts against you, desperately returning your kiss. Your ministrations have slowly come to make him forget all about the pain, for the first time in a long while. Everything, right now, is just you.

"Please," he manages to mutter between kisses. "Please, I need to finish, I need you so badly.... please.... please let me finish."

You shush him yet again, letting him catch his breath for a moment. "I know it's been so long, Aegon. So long since we've seen each other, let alone touched each other. I know it's hard for you to hold back. But can you try? For me?" A thought crosses your mind, and you look worriedly at his strained face. "It doesn't hurt, does it?"

Aegon loves you, and the resolute look that overtakes his face tells you he'll try for you. "It's alright, it doesn't hurt."

You kiss him again, sweetly, knowing how hard he's trying for you. "Thank you, my love."

Being careful not to jostle his leg, you push the sheets down further and let your finger swirl delicately over the top of his thigh. "Is this okay? I know your legs have always been sensitive...."

He stifles a gasp; it's all so much, almost overwhelming his restraint.

"S-Sensitive, yes, but.... it's alright. It feels good."

Aegon's good arm tightens around your shoulder and you bite your lip around a moan. Part of you doesn't want Aegon to know how wet you are - he'll see it as his duty to do something about it. And right now that's just not possible.

"Aegon? Do you mind if I light a candle? I want to be able to see better when you spill for me."

He’d known it would be difficult for you too, like this. And, unbeknownst to you, he feels a small sense of satisfaction that your voice sounds just as strained as his. Even though there's nothing he can do about it.

When you ask about the candle, he nods. “Y-yes, go ahead....” he says between breaths, a flush of heat across his unmarred skin.

With another quick kiss, you dart off the bed, fumbling with the matches on the night stand. The series of half-melted candles finally lit, you turn back to the bed, but are stopped by Aegon's uninjured arm, his hand planted firmly on your stomach.

"Aegon...?"

"Pull your gown up," he croaks.

You shake your head, trying to press past his grasp, but Aegon is still surprisingly strong. "Please," he gasps, tugging at the loose material around your thighs.

Acquiescing to his request, you tug the folds of your dress up and rest a knee at the side of the bed, letting Aegon reach under with curious fingers.

Your undergarments are soaked when he presses his hand against them, and you whimper, grabbing for him to steady yourself.

"There it is," he moans, a satisfied smile plain on his face. "So you do still desire me...."

"Of course I do, Aegon.... how could I not? Every day without you is like a knife to the heart. My ladies' maids urge me to bring a serving boy in to help satisfy me, but they don't know.... they don't know you're the only one who has ever been able to."

His fingers continue their journey between your thighs, running along your sensitive center. The feel of you only serves to make him harder.

"And you don't know," he gasps, "how much the thought of you being.... with someone else nearly kills me.... you are mine."

"I'm yours, Aegon. I wouldn't ever have asked anyone to share our bed with me. Ever." Desperate now to be rid of your clothes, you rip yourself out of them, tearing the seams of your gown in your hurry.

Nonplussed, you bring Aegon's warm fingers back to your dripping cunt, letting him touch to his heart's content.

Aegon cups his hand underneath of you, fingers slipping wetly through your swollen, sensitive folds.

"Every night," you tell him, voice trembling. "Every night I'm like this for you. I've missed you so...."

Aegon looks tortured, the tips of his fingers seeking that tight, leaking hole. Slowly, two digits begin to work their way inside of you. "So tight, my love. So tight without me stretching you out every night, aren't you?"

You sob, fingers clenched painfully hard in the covers as you struggle to stay upright. One foot is still on the cool stone floor, your other leg stretched out beside him on the bed so he can continue to finger you. "Yes, Aegon! it's actually quite.... a struggle now, to take your fingers."

"I'll be gentle then...." He keeps those digits working slowly inside of you, just stroking at your insides to get you used to him.

"Thank you, Aegon...." Having not forgotten about him, you steady yourself better with one leg on the bed and lean over to take Aegon's oily cock in hand properly now, stroking him lovingly.

At your touch, Aegon inhales sharply. His free hand comes to grip the pillows behind his head as your hand moves over him. “Ah, darling, I’m trying to.... stay, mmh, focused on you.... but you’re making it so difficult....”

With your clean hand, you stroke his hair, messy against the pillows. "You don't have to focus on me, Aegon. This was supposed to be for you. My poor boy...." You sigh, gaze roving over his injuries.

"But I want to please you, too...." He protests, although the words are almost lost in the moan he lets out after, body jerking with pleasure.

He gazes up at you as you comb your hand through his hair, fingers stuttering inside of you. "I-I'm still your sweet boy?" He gasps.

"The sweetest boy," you can't help but respond, twisting your hand around his fat, leaking head. "If you just.... keep your hand there, Aegon, I can...."

With his wrist against the bed, his fingers still pointed up into you, you start to roll your hips, effectively fucking yourself on his fingers. "I can't wait to do this to your cock. W-When you're a bit more healed, I'll come in here and bounce on you until we both cum, okay?"

Aegon’s eyes are nearly black with desire as he digs his toes into the sheets and starts to cum. His orgasm blindsides him and he cries out, letting you work your hips over his hand as his cock begins to spurt all over your fingers and his own stomach.

"That's it, my king.... let it all out. Let me milk all of it out of you.... you've been pent up for so long, haven't you?"

"Ye-es," Aegon chokes, and as the last rope of his cum hits your wrist, you fall into your own climax as well.

Cunt spasming around his fingers, you brace yourself over him clutching whatever unmarred parts of him you can reach. "Aegon! Oh, Aegon.... Gods, you're doing such a good job.... "

Aegon’s fingers move slowly, coaxing you through it as his chest heaves. His heart is still pounding with the pleasure of his orgasm, taking in the gorgeous sight of you climaxing above him.

“You are so beautiful, my queen,” he mutters, looking at you with desire in his eyes and a hint of pleading. “.... can I ask for something?”

Panting with exertion, you turn your face toward him, still grinding your orgasming cunt down against Aegon's thick fingers. "Anything, my king."

His body is exhausted, but there is one thing he wants more than anything in that moment. He needs to feel you against him, skin to skin.

“I….” he starts breathlessly. “I want you to lay down. Right here, right beside me. I…. I need to feel you against me.”

Pulling yourself free from his fingers, you whine at the loss, but do as he's requested. Laying down beside him, tugging the sheets over both of you, sweaty and covered in the essence of each other.

"Did that hurt at all, my love?" You mutter, kissing along his shoulder. "Was it okay?"

Aegon’s eyes flutter as he feels your lips against him again. Feeling your body pressed against his and just knowing you're there brings him more comfort than he can say.

He reaches out with his uninjured arm, pulling you harder into him as he buries his face in your hair, against your neck.

“No, it didn’t hurt, my love. It was perfect, it was more than okay.”

Out in the hall, hurrying footsteps make themselves known just outside the door. The knob rattles, but you had locked it behind you when you entered.

"My lord," comes the head maester's voice. "I heard you cry out. Are you alright? Are you in pain?"

Aegon just manages to hold back an annoyed laugh. Of course they had heard the two of you, it's a miracle the whole damn keep didn't. His entire body sags in irritation, and he tightens his grip on you, pulling you flush against him. He damn well isn’t letting go of you just yet.

“I’m fine, Archmaester. Just a…. a bit of a twinge in my leg. Nothing to be concerned about.”

You giggle, muffling the sound against Aegon's skin. "Should I let him in?"

“Absolutely not,” he mutters, pressing a kiss to your forehead. “You’re mine, and you’re not leaving this bed, and you’re not letting anyone else in this room for a long time.”

#aegon targaryen #house of the dragon #tom glynn carney #aegon targaryen x y/n #aegon targaryen x you #aegon targaryen x reader #smut #tom glynn carney x reader #my writing #house of the dragon smut #aegonstradwife #request fill

2K notes · View notes