#handy game
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falloutconceptart · 4 months ago
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I cannot overstate this enough.
There is no single person more responsible for the aesthetics and design of modern Fallout than Adam Adamowicz.
Fallout and many of its designs were of course established prior to Adam's involvement with the series, but his work on Fallout 3 brought an astounding depth and detail to a world he had full vision for.
His concept work was the foundation that the game designers intensely relied on and its astounding how closely his concepts were translated into the game.
I just went through all 800+ concepts he did for Fallout 3 and it is fucking *insane* how he seemingly designed almost everything for that game, at least at the conceptual level.
From mutants-
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To robots-
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To the buildings-
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To guns-
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To the details and vibe of the decayed metro-
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Adam's artistic vision and creativity was behind the style and design of the entire game.
Adam was a generational talent and he left the world too soon.
Bless him and RIP.
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kanzgamesandtrailers · 2 years ago
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Townsmen VR - Official PS VR2 Announcement Launch Trailer | The Game Com...
Help me get to 1000! Subscribe please. ------------------------------------------------------------- HandyGames is a German video game developer and publisher based in Giebelstadt. In July 2018, the company was acquired by THQ Nordic. ---------------------------------------------------------------------------------------------- Hello everyone, I wish you an enjoyable viewing, do not forget to subscribe to the channel, because your support for us means the continuation and development of the channel, and press the Like button and activate the bell to receive all new. Subscribe now to get the latest HD game trailer, hottest new gameplay, DLC & cinematic video on Game News Official. thank you for your understanding.
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zondearts · 22 days ago
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more clothing (featuring Mafuyu and Haruka)
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istehlurvz · 11 months ago
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The Lich King
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stick-ball · 1 year ago
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Im so normal im so sane
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larabar · 9 months ago
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the i-forgot-an-important-thing dread we've all been there
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emry-stars-art · 8 months ago
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Children of the Moriyama-Day thrones ✨
I’ve been putting off an explanation for the kingdom Evermore for FOREVER and honestly a lot of it is directly pulled from this post and some more chats with @snazzy-jas-z-is-a-fan-of (thank you ily you’re so smart)
So if you wanna know like 80% of the pre-timeline Moriyama-Day story, read on:
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SO. In Evermore, at least amongst nobility, all importance is placed on direct descendants of family lines. Spouses to the royal family can claim titles if they so choose - the equivalent titles are reserved for that eventuality - but their children will always have higher titles than them (ex: the husbands of the Day line queens are not princes but instead something closer to dukes, while their children will be Day princes and princesses, as well as the reverse for the Moriyama wives). This means that every once in a while, if a spouse would prefer to live privately rather than subject themselves to the more stressful aspects of noble life, they remain only vaguely known by the public. This doesn’t happen often by any means, but it does give the royal family an excuse for why the father of Kevin Day has not made himself known.
Each generation has a shared title - the most fit and capable to rule will take the titles of kings and queens*, while their children are princes and princesses. The eldest of each family in the generation adds “high ___” to their title once a younger sibling is born. This is why even though Kevin is the younger between him and Natalie - the next Day generation - he is the heir to the Day throne because his mother was the elder sister. The names in pink are the highest ranking royalty of their generation, whom the throne is passed to.
*(Maybe Evermore retires their monarchs once they’re unfit to rule, or maybe the younger generations take them by force, thus proving they are fit for the throne. I could see it going either way tbh)
The Moriyama line here is continuing essentially as is usual and expected. There’s family members among each generation and the procession of power is in place. The Day family, on the other hand, has almost entirely crumbled.
Queen Shields left the throne of her own volition, taking her daughter Natalie with her. She left the throne and renounced her Evermore citizenship for reasons unknown to the public, though the Moriyama family brushed it aside as the whims of a young woman that clearly couldn’t handle the lifestyle. For this reason, even if she was to come back to Evermore, she would no longer be able to claim her place among the Day family. Her daughter Natalie Shields, on the other hand, was hardly more than an infant when she was taken, and so the Evermore nobility could not say she renounced her throne or her citizenship by choice. If Princess Natalie ever returned to Evermore and demanded her throne, she would have it.
High Queen Kayleigh, as we all know, has passed away. Her son Prince Kevin was raised beside Ichirou and Riko by the Moriyama family as the sole remaining member of the royal Day line. Though he and Prince Riko had always been close because of their age (High Prince Ichirou was at that age range and just older enough that he found littler kids and especially siblings to be “annoying”, the way kids do), as they grew up, Kevin realized that even if Riko was his best friend and brother, he himself had started agreeing more with Ichirou’s political views and ideas. Riko swallowed the Evermore ideals of “conquer and prosper” as any younger brother might. Kevin and Ichirou never had to fight for the power handed to them - they were beginning to see that those traditions were becoming obsolete, and there were better ways to expand and run a country.
Riko did not like the attention Kevin was suddenly getting from Ichirou.
So when Kevin said, suddenly and surprisingly, that he was going to travel before marriage - see what and who around them might benefit Evermore - no one could really stop him. He was by that point the Day crown. High King Kengo allowed it. (He wouldn’t have, had Ichirou not so strongly championed for the idea.)
Young king Kevin is not technically an Evermore deserter or traitor. The Moriyamas cannot prove that he is. But the longer he stays in Palmetto, the more suspicions arise that he isn’t there only on business, or even that he might never intend to return at all. The only way to take the throne from Kevin - destroying the Day line in Evermore for good - is for him to renounce his throne, or for war to break out between the two countries so that Kevin will be forced to pick a side.
(We know what side he’d pick, of course. His adopted brothers as well. The rest of the Moriyamas are fairly certain they know, and are growing severely impatient for the chance to label him a traitor.)
(This also leads to the idea that perhaps, if she found her way back to Evemore on an errand, all the lost princess Natalie would have to do is exchange her claim to the throne for a certain foreign prisoner’s freedom. Ichirou is always looking for ways to get rid of competition, and Riko’s lost plaything is not his to worry about. Kengo’s declining health makes it easy for Ichirou to pass off his word as the High King’s.
So the ex-princess is free to take Jean Moreau wherever he’d like to go. Or, when he says he doesn’t know, wherever she thinks is suitable.)
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ankiebitez · 8 months ago
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ngl something ive wondered about for a while is if satans barcode tattoo thing and jumpsuit is a reference to the slipknot jumpsuits.....
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originally i kinda just thought about it after seeing the barcode bc thats really just. a random ass thing to have tbh and slipknot used that imagery a LOT during their early days
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especially on the jumpsuits they wore but then i realized how similar satans looks to the white ones they had. especially since joey jordison usually cut off the sleeves on his so he had better movement (now all i can imagine is satan doing the same thing for battles, im gonna ignore the seam lines on it)
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would also explain the 6 point star/star of david thing bc i thought that was kinda odd but it makes since bc slipknot used the 9 point star as imagery a lot too + 666 obviously but
anyway i might be reaching on this but they do reference a bunch of other stuff + i still think its pretty cool either way
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headlesssamurai · 11 months ago
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‘‘ I don't want to see tomorrow, Unless I see it with you… ’’
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oooocleo · 1 year ago
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Do you use references for your art (both sfw and nsfw) or are you someone who draws from your imagination most of the time?
its pretty 50/50! i tend not to draw from refs as much for comms/commercial work, whereas w personal art i use refs to Have A Good Time and help me study/improve at the same time 🤔 theres less creative brainpower needed sometimes lol...
some examples 👇
personal work = combining elements of refs to better suit the blorbos
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work work - initial pose from imagination, then figuring out the details using articulated dolls
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when it comes to nsfw/erotica i absolutely use refs LOL theres a lot of anatomy involved.. and tbh its a great way to study the body! when im able to draw smut w.o ref thats when ill know ive made it as an artist 🫡
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happyk44 · 10 months ago
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The thing was Percy didn't like being a bad kid. Every time he got kicked out of a school or wound up in the counselor's office over some incident he wasn't completely blameless for, his mom's brows would pinch. The line on her lip dipped. He knew what she was thinking each time: lost wages, job risk, who was going to watch him if he got suspended, where would she send him if he got kicked out, and so on.
He hated that he did that to her. Being a bad kid meant being a bad son. He refused to be a bad son - not on purpose anyway.
Well, he used to. She wasn't here anymore. Her brows weren't going to furrow. Her lips wouldn't thin. Her shoulders wouldn't draw up and tense before the principal even opened their mouth. It was over.
He didn't have anyone anymore. Nobody at cabin eleven would look at him. Other cabins steered around him like he was carrying the plague. Grover was off doing whatever satyrs did - probably getting ready to infiltrate some new school, befriend some new kid, save their lives. He didn't need Percy. It’d only been a few days but they'd barely interacted. Older satyrs would yank him along into the wood before Percy could get close or even open his mouth. Even Annabeth just eyed Percy with scrutinizing eyes - like she was assessing him for something. But every time he tried to approach her outside of their lessons, she brushed him off.
No one wanted Percy around.
What was the point of being a good kid anymore? There wasn't anything or anyone forcing him to keep his head above water. He was tired of the murmurs. He was tired of the avoidance. Tired of the glares from the Ares cabin. Tired of trying to keep the quake in his stomach tamped down.
He was just tired.
He thumbed along the flat edge of his sword. His new best friend was the pervasive feeling of loneliness. With a miserable sigh, he tucked the sword into the holster on his hip. People barely wanted to spar with him now so he was stuck to sweating it out on the dummies by himself. At least only when Luke wasn't pushing him as hard as possible.
But even with Luke there seemed to be pause. The first time Percy felt his gut yank after being claimed had been in training with Luke, and as soon as the feeling caught him, Luke begged off. Like he'd seen something in Percy that unnerved him. Sometimes when Percy looked in the mirror, he saw something in his eyes that unnerved him. A foreign thing - like a contact lens put in the wrong way.
No amount of poking or prodding at his eyes was going to get it out though. It was inside him - in his blood. He was sure of it.
He was starting to worry that it was the very thing he'd been keeping back, the very thing his mom was trying to keep him safe from.
The clang of metal against metal was loud as he walked past other trainees. There were a couple people leaning against the wall near the water fountain. As expected, they shifted away as he neared. Mistrust was bright in their eyes.
He did his best to ignore it. Not the first time people had stared at him like they thought he was dangerous. Or beneath them.
The water sprayed for a moment before he lowered his head. It was clarifying. He'd noticed it before, a burst of energy with every sip whenever he was tired, but ever since being claimed, he'd noticed the alertness more and more.
As he let go of the button, he caught the tail end of the muttering nearby. His stomach dropped.
“... should've ditched him sooner,” one boy grumbled. His friend snorted. “Maybe then she wouldn't have died.”
“What did you say?” The two startled. Percy understood why. He barely recognized his own voice, the eerie coldness to it frosty on his own tongue. Still, he repeated as he twisted on his heels to face them. “What. Did you just say?”
Panic besot them. For a second, the barest of a second, he could feel it kick in - be a good boy for me, Percy, be a good kid for Mom.
But she wasn't here.
She wasn't here.
So what was the point?
He took a step forward. “What,” he snarled, saliva coating his tongue like froth, “did you say?”
The others shifted away but he just crept forward. “Nothing, man,” one of them finally bit out, but they were lying. He could see it in their eyes, hear in their voice, feel it in their veins.
“You're lying,” he said. A bitten off laugh echoed from his lips. “You were talking about my mom.” Another choked laugh. “You think it's my fault?”
One of them raised his hands - a mock surrender. “Hey, dude-”
“You think I wanted her to die?” A sharp sensation coiled through Percy's chest. It thrummed hot and heavy, piling, piling, piling on his lungs. “You think I asked for ANY OF THIS?”
Someone's hand came to rest on his shoulder and it was like the crashing of the waves against his bare feet. Cold, clarifying, clear.
Freeing.
His fist drove straight into the jaw of whoever was behind him. He could barely tell who he was seeing - it might've been Luke, or any other tall blonde guy. But as soon as whoever it was stumbled back, he whirled around and punched whichever kid was closest in the stomach. They went down and he clambered on top to wail. Fist and fist upon whatever body part he could reach. He wasn't the most elegant hand-to-hand fighter but there was something to be said for the voracious and vicious energy boiling through him.
Distantly he was aware of yelling around him, aware of people pulling at him, aware of the person beneath him crying, arms over their face, arms Percy was tired of hitting. He needed to get their face, get their tongue, rip his mom from their mouth. How dare they speak about her.
How dare anyone talk about her.
A dozen hands finally yanked him back. He screamed. Bodies toppled. He grabbed the closest one by their hair, driving his knee upwards over and over again until hands ripped him away again. Swung blindly and caught someone. The two of them fell. His stomach pulled back. They choked. They weakened. He swung himself over until he was on top.
I want you all to drown, he thought, grabbing at their jaw. Don't ever speak of her again.
Saliva smeared across his fingers. His stomach pulled back even more. What was that - blood, water? On his hands, on his knees, on their skin, on their faces, in their veins.
His free hand drew out. He wanted it. It was his. Didn't they get that? She was his, and she was gone, so he would take and take all else that belonged to him until the hole in his chest was gone. Until the water they had coursing inside them filled him up.
“Percy,” someone whispered.
Their voice was familiar, breath hot against Percy's ear. He twitched. The feeling of nearby water, nearby fluid, was clenched tight in his fist. He just had to pull back. Yank it. Make it his.
The voice turned pleading. “Percy.”
He froze as two hot hands came to clasp his cheeks, dark brown eyes and curly hair blurring into view. Grover's face.
“Grover,” he breathed. For the first time since he'd ended up at camp, he relaxed.
Grover's thumbs stroked his skin. “Yeah, it's me.” He leaned in closer. “Percy, you need to stop.”
“Stop?”
“You're hurting people," he said. “You have to stop.”
Why? Percy thought. He didn't care. He didn't care if they hurt, didn't care if they drowned where they laid choking, didn't care if they suffered. It didn't mean anything to him. They didn't mean anything to him.
But this was Grover.
And with his mom gone, Grover meant the world.
“You want me to stop?”
“Yes,” Grover said. His breath was warm, his skin hot, his body close. Distantly Percy remembered nights at school like this - Grover tucked up next to him, trying his best to help Percy study when most people would've bailed. “I want you to stop.”
His lips were wobbling. His eyes were thick with wetness. His voice was unsteady - trying to be calm and rapidly failing. Even his hands shook.
Percy grabbed at his wrists. “Okay,” he whispered as he clung. His stomach relaxed slowly, the crash turning into a tickle. “I'm good, I'm good.”
Shakily, Grover exhaled, pressed his forehead to Percy's, and murmured, “I know, I know.”
His hands pulled away from Percy's face, but not away from him, arms wrapping around his neck and pulling him in for a tight hug. Percy's breathing wobbled as he tucked his face into the crook of Grover's neck. He clung tight and desperate. Pleading.
No, he couldn't be a good son anymore. He didn't have to bother keeping in check to avoid the thin line of his mom's lips. But he could be a good friend. To keep the tears out of Grover's eyes, the tremble from his skin.
“I can be good,” he promised quietly, for Grover's ears only. “I promise I can be good.”
“I know,” Grover said. His cheek pressed against Percy's. “I believe you.”
-
The fountain nearby trickled quietly. The steady flow soothed the unease between Percy's shoulders. Still, he squeezed the pillow in his grip tighter to his chest as he watched Grover flit around the bunk closest to him. He snapped the final end of the sheet around the mattress. Hooves clopped quietly against the tile as he stepped back. His gaze flickered between Percy's bed and his own.
Then he grunted and began pushing it closer.
Percy hopped up. The discarded pillow slipped from his fingers and onto the floor. He nearly tripped over it trying to get to Grover's side. They pushed the other bunk over until it was pressed into Percy's.
While Grover unfurled his blanket, Percy stepped back. Awkwardness choked him. He didn't know what to do, what to say. So he picked the pillow off from the floor and pressed it into his chest. Grover didn't spare him many glances as he worked to make up the bed. Leaning across his bunk, he yanked Percy's blanket from between the seam where the two bed frames connected and began tying the edges of both blankets together. It was shoddy work, no way it wasn't coming apart just from them lying on the sheets, much less sleeping.
But Grover did it anyway.
As he shifted back, hooves scraping the floor, Percy held out the pillow. Grover dusted off the top then laid it against the headboard. With both hands on his hips, he admired his work. Percy stared at it too. It was nice. Joined bed. Grover within direct reach.
His palms itched.
“Are you scared of me?”
Grover twisted around. His brows furrowed, but the edges of his lips were quirked upwards. It was reminiscent of school - Percy stumbling over something he read and Grover, lost but amused, over why Percy thought it was a man-of-war that Theseus fought.
He was partially grateful Grover cut him off before he could finish what he actually thought the sentence was trying to say. It certainly wasn't fight.
“I mean,” Grover started and Percy's stomach drew back. Behind him the trickle of the fountain silenced. Like the water was holding its breath too. “I'm scared for other people, but I'm not scared of you.” He punched Percy's arm with a quiet smile. “I know you're not going to hurt me, Percy. That's why I stopped you.”
The fountain began to trickle again. “And that-” He faltered. The ghost Grover's touched goosed up his bicep and across his shoulder. “-that doesn't worry you?”
That you might have to stop me again went unspoken but Grover was always good at understanding Percy's unspoken words, at knowing his unspoken feelings - even the ones Percy wasn't even aware he felt.
He sighed. “It worries me. But not because it's you.” He shook his head. “And definitely not because I'm scared of you hurting me.”
His eyes scanted away, brows furrowing deeper. Then he relaxed into the bed. After teetering on his heels for a couple seconds, Percy joined him. He gripped the edge of his shorts so tight his palms burned. Grover reached over to stroke along the back of his hand.
He exhaled slowly and let go.
“You remember Pan?” Grover asked.
Percy paused. “The satyr god, right?”
“Yeah.” Grover pulled away to tug at his fingers. “He's been missing for a while. Ever since the industrial age took off. And no one knows where he is. It's the dream of every satyr to find him, so that nature can return to the way it was.”
“That your dream?”
He nodded solemnly. “You have to be a Protector first, before you can get your Searcher’s license. But I'm not like the others.” His gaze fell down. His hands sat in his lap, cupped around nothing but air. “I don't want him just so we can bring nature back to its peak.” He sighed. “We were a lot different when Pan was still around. More free. More wild. I want satyrs and nymphs - all of us to be us again!”
Percy leaned into him. “What's stopping you?”
Grover snorted. “People forgot. We were more than just Pan's disciples. We fought to protect the wild from mankind. We didn't just sit around waiting for him to tell us what to do. But nobody wants to do anything.” He scowled. “They think when Pan returns he'll fix it all and I-” He bit his lip, then shook his head. “The world has changed. And gods don't get involved like that. Not to the extent they want him to. It's not in their nature. But if he comes back then maybe…”
He faced Percy. His eyes were watery, darkening the already dark brown of his eyes into shots of black. The welled tears glistened ever so slightly. Like the night sky, free of pollution.
His lips wobbled into a gentle smile. “But that's why I'm not afraid. You’re like nature at its purest form - chaotic, wild, unburdened.”
Normally those words wouldn't hit Percy as compliments. Insults, degradation - things that would deflate him and make his mom frown. But Grover sounded so earnest, his heart swelled.
“You can't tell, but I can feel it.” He swung his arm over Percy's shoulders and tugged him in close. “Your demigod essence, this sense of the wild that I've been searching for my whole life.” He gestured loosely. “Even the Demeter kids don't have that. Their mom is all agriculture and farming and that's great and all, but it's not pure nature, it's not the wild.” He squeezed Percy's shoulder as best he could with one hand. “You remind me of home, Percy.”
The frog Percy hadn't noticed in his throat jumped out with a burst sob-laugh. He tried to tile away, but Grover just tugged him close, bringing around his other arm to keep Percy pinned. Nonetheless his hold was fairly loose, like Percy was a stray cat he didn't want scratching him if he felt like running.
Or like he knew that Percy was the ocean through and through, unwilling to be contained, wanting to flow wherever he saw fit.
Percy practically crawled into his lap, sniffling into Grover's shoulder. Warm hands stroked up and down his back. He laughed quietly - a half-distressed noise marrying the sound, but managed a breathy wheeze of, “You remind me of home too.”
Grover kissed the top of his head. For the first time since arriving, he shattered. All his twisted up emotions committed out in a tidal wave of tears and broken gasps. All the while Grover held him. As tight as Percy clung to him, he didn't complain. Just held on even tighter. Wetness from Grover's own tears smeared across Percy's skin.
Ever the empathetic. Like his mom.
Percy squeezed his eyes shut. “Please don't leave without saying goodbye,” he begged in a hollow, hoarse whisper.
“I won't,” Grover promised.
They held onto each other even as tears and cries faded away. Grover kept stroking his back with both hands. Percy continued to cling.
Shoulders shaking, Percy wound the fabric of Grover's shirt over his fingers. After a few minutes of toiling silence, he whispered. “I think I'm changing.” He pressed his forehead to Grover's collarbone. “I'm scared.” He pulled back and stared into Grover's eyes. “What do I do?”
“Be my best friend,” Grover said, like it was the simplest answer in the world. And as soon as the words fell off his tongue, it did. How silly was Percy not to think of it before? “My best friend is a good person, the best kind of wild.”
“I can do that,” Percy promised. “I swear, I can do that.”
“I know,” Grover said, squeezing Percy's cheek. His thumb swiped away at a still wet tear under Percy's eye. The stroke was soft, gentle. Kind. “I believe you.”
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dcsmdcsm · 4 months ago
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This guy...
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ahollowgrave · 3 months ago
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Spent more hours than I'd like to admit playing with Renn Cosmetic's Build Your Own Makeup and I think I might make some edits in terms of colors! But for now she's looking pretty fricking cute! Thank you to @thefreelanceangel who showed off her own usage of this kit with Anna!
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paper-starz · 1 year ago
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PUPPET DOODLES!!
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makeshiftloops · 7 months ago
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Happy anniversary to Little Nightmares 1!!! 🧡 (this is art for the third game, but it’s close enough, don’t come for me)
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toomanycharr · 9 months ago
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A reminder that male and female charr have different horn/ear set ups!
(Of course, do what you want but- It seems a lot of newer charr people just don't know!)
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