#hammond c3

[benjamindehli]

Keyboard sounds from "Skyfri Himmel" by Bjørn Eidsvåg & Ylva

Some of the keyboard sounds from Skyfri Himmel by Bjørn Eidsvåg and Ylva Olaisen.

Both direct out and a piezo pickup are used to record the Wurlitzer 200A. The two signals are processed slightly differently, but are summed together before the amplifier. The Korg MS-20 has been recorded twice. Once with fixed octave selection for the oscillators and once with variable octave selection. The direct signal from the Hammond C3 has also been recorded twice. One for the chords and one for the bass notes. The two signals are mixed together and sent through a reverb pedal and a Leslie 122 rotary speaker.

Wurlitzer 200A signal chain:

Direct signal and a piezo pickup

Hairball Audio FET/RACK Revision D (only on direct signal)

Fulltone Supa-Trem (only on direct signal)

Roger Mayer Voodoo-Vibe+ (only on bridge section)

Fulltone Tube Tape Echo

Gamechanger Audio LIGHT Pedal (only on bridge section)

Fender Twin Reverb

Shure SM57 and Royer R-121

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Hammond C3 signal chain:

Direct signal for bass notes and chords are recorded separately

Gamechanger Audio LIGHT Pedal

Leslie 122

Pair of Shure SM57 and Sennheiser e 602-II

DIYRE G Bus VCA Compressor

Roland SH-09 signal chain:

Hairball Audio FET/RACK Revision D

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Korg MS-20 signal chain:

Double tracked (fixed and variable octave range)

Fairfield Circuitry Shallow Water

Hairball Audio FET/RACK Revision D

Roland Dimension D SDD-320 (only on the track with variable octave range)

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Omnichord OM-84 signal chain:

Double tracked (panned hard left and right)

Hairball Audio FET/RACK Revision D

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Roland D-50 signal chain:

Hairball Audio FET/RACK Revision D

Bandpass filter

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Skyfri Himmel:

Bjørn Eidsvåg (Vocals, Composer, Lyrics)

Ylva Olaisen (Vocals)

Carl-Viktor Guttormsen (Guitar, Drums, Keyboards, Producer)

Benjamin Dehli (Keyboards)

Christer-André Cederberg (Mixing)

George Tanderø (Mastering)

[personagensecia]

Ele tem alguma chance?!

Você já conhece esta figura como o atual namorado da Rosalyn, mas você conhece literalmente metade dele: Anselmo.

Anselmo tem 1m92, olhos amarelos e quase as mesmas cores de sua amada Rosalyn. É um gato, da mesma espécie dela. No nosso universo isso não é obrigatório, mas ajuda bastante nos relacionamentos. Mas o mais marcante é seu interesse pela música. Anselmo é baixo profundo desde os 13 anos e tem uma voz impossível de ser ignorada, digamos assim. Além de ser algo meio estranho para uma HQ dessas, organista, pilotando um Hammond C3. (No meu antigo serviço eu convivia direto com essas questões, inclusive quando eles compraram um órgão de tubos à fundo perdido, em vez de investir na minha área, em câmeras.)

(Anselmo tem mãos muito bem definidas, ao contrário do autor!) Anselmo além de ter uma voz grave, consegue cantar ainda mais grave do que a imensa maioria das pessoas, o que maravilha ou assusta (como iremos saber?) seus interlocutores. Mas enfim. Algo que seria simplesmente um 'vilão' na concorrência (como Ratigan, Scar ou até o atacante dos Monstars, em Space Jam 1), aqui é o principal coadjuvante. (Uma notável exceção é o elefante Jotalhão, de Maurício de Sousa. Os dois fariam um dueto interessante rsrs) Anselmo em breve (na HQ) será um artista underground ao lado de um maestro polonês e seus sobrinhos gêmeos, cantando rockabilly, ritmos latinos e outras faixas bizarras. (Curiosidade: assim como as músicas do EKKA, estas também existem de verdade! Só as vozes que são phalsas, ainda, infelizmente.....) "CeBá, daonde você tirou isso?" De um monte de coisas, mas principalmente, baseado no cantor americano Thurl Ravenscroft, cujo trabalho mais conhecido foi ser a voz original do Tigre Tony, até 1995, ele se fué em 2005. Tem coisas até da aparência dele no nosso personagem. O caso é que a voz que imaginamos para Anselmo se parece com a de Thurl, mas é cumprida de outra forma, através do plugin AlterEgo, da francesa Plogue, alterando a voz padrão do programa, Bones (a única voz masculina, aliás...) Conheci Thurl ao procurar informações - inexistentes, inclusive - de quem seria a voz que cantava "Bom dia com Kellogg's" no Xou da Xuxa, em 1987. Não, não era ele, como cheguei a dizer na Internet, trata-se de um brasileiro mesmo e sequer a melodia era como eu me lembrava.

E porquê escrevo estas mal traçadas linhas? Hoje, no meu serviço, sei lá por quê, veio à tona uma música de um seriado da atualidade cantada por baixos, não sei se era Piratas do Caribe (me lembrava até algo relacionado a God of War, que eu nem acompanho) e o pessoal tocou (e mais de uma vez) tendo uma recepção bastante curiosa, em tempos de Pablo da sofrência, Vitas... Lembrando que eu não falo sobre projetos pessoais com eles. Apenas trabalhei e pensei nessas coisas. O que mostra que, incrivelmente, Anselmo pode surpreender, sendo que a aparência dele evoluiu uns 200% nos últimos anos. O meu objetivo ao criar personagens, no visual, é que eles sejam reconhecíveis em preto e branco, e mesmo pelas extremidades. Não sei se isso seria padrão aí fora. Eu tenho até receio de apresentar este personagem como tal, é um personagem 'errado', sei lá (como uma cobra do bem, sei lá) e olha que tem MUITAS coisas bisonhas e esquisitas no furry fandom, mas pra mim, Anselmo ganha de todos eles...... Um tiro no escuro, sei lá se ele seria odiado ou teria 25 fãs ardorosos, vai lá se saber!

[robyeciubino]

Unique Hammond Organ Solo with Great Hammond Tone

[merlinband-archive]

Stage Left: Jamie Moses Interview

Date: August 21, 2019

Source: Stage Left Podcast

Transcript of the Merlin portion below (begins at 18:55).

So. Tell us about Merlin.

Oh god! Oh Jesus! Well, that was back in 1821 when the band was formed... It was the first proper band, I guess, proper touring band that I'd been in... Was it? Guess it was. I joined in 1973 and they were called "Madrigal" at the time, and they were known for being a harmony band. And they- y'know, big harmonies, it was really impressive. Not in a Beach Boys way, but it was [unintellible]

Anyway, they got "discovered" by Roger Greenaway and turned into- What he wanted was, he wanted his own version of The Sweet or Mud or the bands that were around at the time. Sort of glam rock things, you know. So he stuck us all in leather catsuits-

Really?

Yeah, and feather boas and stuff, it was hilarious.

Was that very "you" at the time, or was it something...?

Well the fact is that the music was me. The fact is the music was me, so it was- because it was basically a rock band, is what it was. I mean a really good rock band. And the bass player had a Fender Precision and a 100-watt Marshall stack, you know. Keyboard player had a C3 Hammond and a Wurlitzer... In fact, he had- Check this out, anyone who knows anything about keyboards- Imagine being the road crew for this band.

He had a Hammond C3, Wurlitzer electric piano, Hohner Pianet, a Fender Rhodes... No, he didn't have a Rhodes. Um, a double keyboard Mellotron. A Minimoog. And a baby grand piano which was suspended on scaffolding over the C3!

Wow! Really? Wow, that's-

With- And on the lid of the piano which was up like that, the logo of the band was spotlighted-

How cool!

Very cool. And the road crew hated us!

Really? I'll bet they did.

Can you imagine? I mean there were five of them, but even so...

And the Minimoog must've been a quite new instrument then, would that be right? Around that time...?

Well, well no. This is- We turned from Madrigal into Merlin in... '75. By which time it was on a lot of records, and so on. I mean we also used an ARP Synths, Stevie Wonder was big on ARPs. But yeah that was, that was some band…

And you once described them as kind of like a teeny-pop band rivaling Queen. Would you stand by that, or..?

Well. No, I never, I don't think I did - It wasn't me, it was the Melody Maker.

Oh! Oh, really? Right, okay...

Yeah, the Melody Maker had like a two-page spread on us and said- It was called - I've got it somewhere - It was called "Hype in the Pop Market" and it had mirror images of the two bands. It had CBS band Merlin, EMI band Queen. And it listed, you know, who was on guitar, who was on- doing vocals, who was on- And so on. And who was championing this within the production companies and everything. So it was Roy Thomas Baker with Queen, and then Roger Greenaway with us. Turns out, one had more success than the other!

But I remember when I first started playing with The Brian May Band, which had been...

'93?

'93? Yeah, about that, yeah. And when we'd been in rehearsals for a couple of weeks I thought it was safe to bring it up to Brian. And I said, "I used to be in a band- I don't suppose you'd remember a band called Merlin?"

And he went, "You were in Merlin?" He said, "Yeah we were worried about you!"

I said, "You needn't have been, obviously!"

But it was like, we were the rival band for about ten minutes. And then we realized how massively talented Queen were...

[epacer]

Classmates

Douglas Kvandal Jazz Organ Trio

This coming Monday, Jan 16, 2023 will be the inaugural San Diego Hammond Organ Jam at The Jazz Lounge on El Cajon Blvd in the College Area (just west of of 70th Street). We will be featuring my classic 1959 Hammond C3 with two Leslie speakers (145 and 122).

You can get tickets by going to the website at: https://thejazzlounge.live/

Tickets are $20.00 ($40.00 if you want dinner), but I have a limited number of discounted admissions available for $10.00 for anyone contacting me in the next couple of days. You can reach me at 619/337-5005 (text or cell) or my direct email at dkvandal@gmail.com. The music starts at 7pm, but doors open for dinner and/or drinks at 6pm. Wine and beer  will be available. If you haven't been to Leonard Patton's The Jazz Lounge, here's your chance to experience this unique venue.

Musicians who want to sit in are FREE. Looking for all interested musicians to attend - but especially organists, guitarists and drummers (sax players are also welcome) who want to perform in the classic organ trio format.

The following night, Larry Goldings will be performing at The Jazz Lounge using my setup. Tickets for that show are $40.00, and is almost sold out.

Please tell your friends about this unique venue and our new Hammond Organ venture in San Diego to help us make an ongoing success of this event.

I hope to see you there, and remember, contact me directly for discounted tickets, and also that sitting in musicians are FREE.

Douglas Kvandal, Class of 1966

[michelristenpattsworld]

This company re-issued the famous hammond B3/A100/C3. In itself that is not very special, except for the fact that the Pari.e ‘new’ K61 contains REAL tonewheels, It’s weight is less then 50 kg, and cost less then €5000 for a new one..It sounded just as good as the original thing.

Was very promising: Pari.e in Italy.

———————————-

This is the original one I own myself; A Hammond A100 1960. A true beauty, but impossible to use on stage because of it’s weight.

[guvnor69]

Comin’ soon

[claudiobaglionicantastorie]

E TU COME STAI?

Interprete: Claudio Baglioni

Etichetta: CBS

Catalogo: CBS 83335

Data di pubblicazione: Dicembre 1978

Matrici: CI 83335 1L/CI 83335 2L

Supporto:vinile 33 giri

Tipo audio: Stereo

Dimensioni: 30 cm.

Facciate: 2

Note: Copertina apribile a libretto con all'interno una fotografia dell'artista - Busta interna con i crediti dell'album - La prima tiratura di stampa comprendeva un inserto allegato con i testi delle canzoni (vedi link "Altre immagini") / Fotografia di Lucky - Grafica di Luciano Tallarini / Coordinamento di Fabrizio Intra / Registrato da Christophe Bonno negli studi Le Château di Herouvillé (Francia) / Distribuito da CGD Messaggerie Musicali - Milano / La ristampa del 1984 ha numero di catalogo diverso (CBS 466532 1) e matrici diverse (CI CBS 466532-1L/CI CBS 466532-2L) e sul retro della copertina è cancellata l'indicazione della distribuzione da parte della CGD Messaggerie Musicali - Milano.

BRANI

Lato A

CON TE

Autori: Claudio Baglioni Musicisti: Jacques Chambon (oboe) , Benoît Widemann (Oberheim) , Benoît Widemann (minimoog)

SIGNORI SI CHIUDE

Autori: Claudio Baglioni Musicisti: Claudio Baglioni (cori)

TI AMO ANCORA

Autori: Claudio Baglioni Musicisti: Paola Massari (cori)

GIORNI DI NEVE

Autori: Claudio Baglioni

LORO SONO LÀ

Autori: Claudio Baglioni Musicisti: Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

Lato B

E TU COME STAI?

Autori: Claudio Baglioni Musicisti: Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

UN PO' DI PIÙ

Autori: Claudio Baglioni Musicisti: Claudio Baglioni (cori) , Rodolfo "Foffo" Bianchi (sax tenore) , Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

QUANDO È COSÌ

Autori: Claudio Baglioni Musicisti: Claudio Baglioni (cori) , Rodolfo "Foffo" Bianchi (sax tenore) , Jacques Chambon (oboe)��, Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

ANCORA LA PIOGGIA CADRÀ

Autori: Claudio Baglioni Musicisti: Pierre Francis () , Benoît Widemann (Oberheim) , Benoît Widemann (minimoog)

PRODUTTORE

Rodolfo "Foffo" Bianchi

ARRANGIATORE

Ruggero Cini

EDIZIONI MUSICALI

April Music

Cosa

MUSICISTI

Claudio Baglioni autoarpa

Michel Baroville coro

Danielle Bartoletti coro

Jean-Claude Briodin coro

Massimo Buzzi congas

Massimo Buzzi cabasa

Massimo Buzzi batteria

Massimo Buzzi claves

Massimo Buzzi triangolo

Massimo Buzzi castagnette

Michel Cantin corno

Luciano Ciccaglioni chitarra acustica

Luciano Ciccaglioni mandolino

Luciano Ciccaglioni arpavatar

Luciano Ciccaglioni mandovox

Luciano Ciccaglioni chitarra elettrica

Luciano Ciccaglioni chitarra acustica 12 corde

Luciano Ciccaglioni mandola

Ruggero Cini Fender Rhodes

Ruggero Cini organo Hammond C3

Ruggero Cini pianoforte Steinway

Ruggero Cini Hohner clavinet

Ruggero Cini fisarmonica

Ruggero Cini piano elettrico Yamaha

Ruggero Cini Omniarp

Christiane Cour coro

Jean Cussac coro

Jean-Claude Evreux orchestra d'archi

André Fournier corno

Wilfrid Fournier corno

Jean-Paul Gantiez corno

Anne Germain coro

José Germain coro

Alice Herald coro

Bernard Houdy coro

Danielle Licari coro

Graziella Madrigal coro

Claudine Meunier coro

Jo Novés coro

Fabio Pignatelli basso

Jean Stout coro

Henry Tallourd coro

Françoise Walle coro.

[sea-of-teeth]

08.13.17.21.35. / Standard

[myrecordcollections]

Keith Emerson

Honky

@ 1983 UK Pressing

****

Between 1979 and 1985 all band members were engaged in various projects. Keith Emerson recorded several soundtracks and in 1981 he recorded his first official solo album called Honky. This album has got an excellent remastered version in 2013. Not only the music sounds better, but also the information inside the booklet with new liner notes, pictures and line-ups is top-notch!

Honky was recorded in the Bahamas and 'honky' is what the local children called Keith while he was there! The pictures inside the booklet show that Emerson's stay there was primarily a holiday, so this album was recorded in a relaxed, carefree spirit. For this record Emerson used the following instruments: Yamaha CP30, MiniMoog, Hammond C3, Korg 3100 & 3300, Steinway concert grand model D, Yamaha grand and a vocoder. Emerson isn't the only musician who can be heard on Honky. He got some assistance from Kendall Stubbs (bass), Neil Seymonette and Frank Scully (drums), Mott (guitar), Andrew Brennen, Dick Morrissey and Pete King (all on saxophone) and Shelley Lightbourner and The Kayla Lockhart Singers (vocals).

The album certainly contains some fine musical moments which can be enjoyed by lovers of prog rock. Especially the album's opener Hello Sailor is an amazing piece of music. This is a kind of mini-suite divided into three pieces called Introduction, Bach Before The Mast and Hello Sailor Finale. This suite comes closest to what Keith Emerson is famous for with the albums he recorded with ELP. The first part is performed on the piano and tends towards a style that can be heard on albums such as Brain Salad Surgery (1973) and Works, volume 1 (1977). Bach Before The Mast written by the British pianist George Malcolm is an arranged version which holds some classical influences. Salt Cay is also worthwhile listening to. The song contains some reworked themes from ELP's Pirates from the album Works, volume 1, written by Emerson for an Italian TV show.

Green Ice is a kind of fusion; this composition was part of a rejected score that Emerson wrote for the eponymous movie. I think that Honky contains tracks that Emerson just recorded for fun. Listen for instance to Intro-juicing. I don't know whether he was drunk at the time he recorded it, but he speaks and sings rather funny. He even introduced himself as a DJ. Big Horn Breakdown is another rather silly tune with a kind of honky-tonk piano playing style and this also applies to the funny boogie-woogie sounding piece Yancey Special. You could describe this track as being ' Status Quo for piano' since it holds all the elements you can hear on their greatest hits. Only the saxophone has replaced the heavy riffing guitars.

Rum A Ting is a piece of music you either like or hate depending whether you like Caribbean music or not. The junkanoo percussion is used prominently here; in a way it reminded me of Teakbois by Anderson, Bruford, Wakeman & Howe on their eponymous album (1989, see review). The funniest track on the album is probably Jesus Loves Me. This kind of gospel song sounds as if it was recorded at a local church in the Bahamas completely with a gospel choir and a reverend. You can't take this song too seriously, I guess!

The mixture of serious and funny tunes on Emerson's first official solo album won't be liked by all prog heads. I think many people who listened to the album for the first time must have been disappointed. They probably expected the kind of music which Emerson made with ELP. However, I had no problem at all and I still enjoy Honky!

*** Henri Strik (edited by Peter Willemsen)

[benjamindehli]

The keyboard sounds of "Kaasin - Wrong"

Some of the different keyboard parts from the song Wrong by Kaasin.

[progtracks]

OPETH -  "Hjärtat Vet Vad Handen Gör" / "Heart In Hand" ( In Cauda Venenum - September 27, 2019)

Just posted yesterday... the first taste of the new “The Poison is in the Tail” album from Opeth, due in late September!

Warning:  This is not a 17-minute song, but an 8-1/2 minute song sung in Swedish, then in English (you probably know that I like native-language songs the best).

Enjoy!

The Artists:   Mikael Åkerfeldt / lead & backing vocals, acoustic & electric guitars, producer; Fredrik Åkesson / acoustic & electric guitars; Joakim Svalberg / grand piano, Fender Rhodes 88, harpsichord, Moog, Mellotron, Hammond C3, percussion, backing vocals; Martín Méndez / bass; Martin Axenrot / drums, percussion

[hammondcast]

Jon Hammond Show 0406

#WATCHMOVIE HERE: Jon Hammond Show 0406 Jon's archive https://archive.org/details/JonHammondShow0406

Jon Hammond Show 0406

by Jon Hammond 

Jon Hammond Show 0406 segment 1: Hamburg, Germany-- Missing Man Formation - a concert for Lutz, opener blues Auster Bar Hamburg - Musicians: Frank Delle tenor sax, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ - concert honoring our dear friend Lutz Büchner the great saxophonist in the actual same place where we last played together with Family and Friends, amazing special night. Lutz is greatly missed! We honor him in music - Jon Hammond  with fotos by master photographer Frank Siemers

#MissingMan

#LutzBüchner

#Saxophonist

#Hamburg

#Jazz

#Blues

#Honor

#Ndr

Segment 2: We gather one more time to honor Lutz Büchner, missing man formation. This song Pocket Funk was played many times by Lutz on Jon Hammond Band and right here in Auster Bar, thank you for Lutz' Family and Friends joining us on this special night - Musicians: Frank Delle tenor sax, Heinz Lichius drums, Joe Berger guitar, Jon Hammond at the Hammond Sk1 organ powered by Heinz' Markbass amp

Segment 3: Hamburg -- Besame little Snack's & more Rotherbaum - Der Ham-Berger war ganz gut belegt Heinz auch!” KARSTEN JAHNKE KONZERT DIREKTION ... Nein, es ist ein KNUT BENZNER  https://de.wikipedia.org/wiki/Knut_Benzner KONZERT DIREKTION Produktion! Heinz Lichius - schlagzeug HH DE Joe Berger - gitarre NYC USA Jon Hammond - Hammond-Orgel NYC USA Jon Hammond Band Live-Show nur eine Nacht! little Snack ́s & more Grindelallee 180 20144 Hamburg Swinging Funky Jazz and Blues - Heinz Lichius, Jon Hammond, Joe Berger - Ham-Berger mit Heinz! - thanks Knut, Toba, Little Snack's and More Team *Note: Jon's organ and PA powered by Heinz' Markbass amp 

#Snacks

#Rotherbaum

#HammondOrgan

#Trio

Lutz' Wiki https://de.wikipedia.org/wiki/Lutz_B%C3%BCchner 

Büchner studierte an der Musikhochschule Hamburg bei Herb Geller und arbeitete dann mit dem Posaunisten Ed Kröger. Seit 1994 war er Mitglied der NDR Bigband. Zwischen 1996 und 1998 trat er in Hamburg regelmäßig mit Lucas Lindholm, Heinz Lichius und Buggy Braune und Gästen wie Wolfgang Schlüter und Gene Jackson auf. Außerdem arbeitete er mit Jörg Achim Kellers Small Bigband und mit Jürgen Attigs Low X, mit der Band von Nils Gessinger.

Von 2000 bis 2004 war Büchner Mitglied der Band von Alex Riel, mit der er das Album live at Jive (mit Carsten Dahl und Jesper Lundgaard) einspielte, Tourneen durch Dänemark, Norwegen und Vietnam unternahm und im Rolf-Liebermann-Studio des NDR auftrat. Seit 2001 war er Mitglied in der Band von Joe Gallardo, mit der er bei verschiedenen Festivals auftrat und das Album A Latin Shade of Blue aufnahm. Seit 2011 gehörte er zu Addi Münsters Old Merrytale Jazzband...

Hamburg, Missing Man, Jazz, Band, Lutz, Hammond Organ, Jon Hammond 

Publication date 2019-03-31

Usage Attribution-NoDerivatives 4.0 International

Topics Hamburg, Missing Man, Jazz, Band, Lutz, Hammond Organ, Sk1, Jon Hammond, Markbass Amp, Neodymium Speaker

Language English 

Identifier JonHammondShow0406 

Jazzkeller Frankfurt

Di. 02.04. 

"The FINGERS...are the SINGERS!" Musikmesse "Warm Up Party" Jon Hammond & Band Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic jonhammondband.com/music More Jon Hammond, klick: http://behindthebeat

  "The FINGERS...are the SINGERS!" Musikmesse "Warm Up Party" Jon Hammond & Band APR4 Eros 49 Frankfurt RedLight Public · Hosted by Jon Hammond Band EVENT https://www.facebook.com/events/590876024698798/ Nice sundown out of SFO It's my tune dammit - Jon Hammond 33rd consecutive year musikmesse - Frankfurt Germany Hamburg, Missing Man, Jazz, Band, Lutz, Hammond Organ, Sk1, Jon Hammond, Markbass Amp, Neodymium Speaker

[burlveneer-music]

Braen & Raskovich - Afro Beat / Afro Flower - archival library tracks

Four Flies Records continues its 7” line-up with another de rigueur repechage that will have your dancefloor jump frantically up and down. Two freaky afro-flavoured tracks, written by Giuliano Sorgini and his partner in musical delices Alessandro Alessandroni. Recorded during a non-specified session which may be traced back to the recording of Sorgini’s UNDER POMPELMO and PAWNSHOP's first 7”. The sound and the ideas behind the music are exactly the same, even though there’s more rhythmic and percussive emphasis on both tracks. Two little precious gems, unreleased to this day, brought back to light and finally available for DJs and fans all over the world. Afrodelic breaks for your pleasure! drums, percussions, hammond C3: GIULIANO SORGINI guitar, bass: ALESSANDRO ALESSANDRONI 

[madasahattersworld]

Still In Love (2021) Lachy Doley - RETURNS to Blues on Broadbeach 2021

Lachy's EPIC slow burning love ballad 'STILL IN LOVE' like you've never witnessed before. After a 14 month break from the stage LACHY DOLEY returned to the amazing Blues on Broadbeach festival on May 21, 2021 in the Gold Coast, Australia.

 ▶︎ Grab Lachy's latest album STUDIOS 301 SESSIONS at https://lachydoley.com/301 ▶︎ Download a free 12 track BEST OF album at https://lachydoley.com/freelp 

 Lachy Doley - Hammond C3, Vocals Jackie Barnes - Drums Joel Burton - Bass Filmed by Strut Your Mojo Mixed by Lachy Doley Video Edited by Lachy DoleySHOW LESS

[pinkfloydtributeband]

undefined

Max play our C3 Hammond with Leslie 122, US and Them..... Floyd Time Machine Italian Tribute Band inspired by Brit Floyd.... Only pink floyd.