#hammond c3

[benjamindehli]

Keyboard sounds from "Skyfri Himmel" by Bjørn Eidsvåg & Ylva

Some of the keyboard sounds from Skyfri Himmel by Bjørn Eidsvåg and Ylva Olaisen.

Both direct out and a piezo pickup are used to record the Wurlitzer 200A. The two signals are processed slightly differently, but are summed together before the amplifier. The Korg MS-20 has been recorded twice. Once with fixed octave selection for the oscillators and once with variable octave selection. The direct signal from the Hammond C3 has also been recorded twice. One for the chords and one for the bass notes. The two signals are mixed together and sent through a reverb pedal and a Leslie 122 rotary speaker.

Wurlitzer 200A signal chain:

Direct signal and a piezo pickup

Hairball Audio FET/RACK Revision D (only on direct signal)

Fulltone Supa-Trem (only on direct signal)

Roger Mayer Voodoo-Vibe+ (only on bridge section)

Fulltone Tube Tape Echo

Gamechanger Audio LIGHT Pedal (only on bridge section)

Fender Twin Reverb

Shure SM57 and Royer R-121

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Hammond C3 signal chain:

Direct signal for bass notes and chords are recorded separately

Gamechanger Audio LIGHT Pedal

Leslie 122

Pair of Shure SM57 and Sennheiser e 602-II

DIYRE G Bus VCA Compressor

Roland SH-09 signal chain:

Hairball Audio FET/RACK Revision D

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Korg MS-20 signal chain:

Double tracked (fixed and variable octave range)

Fairfield Circuitry Shallow Water

Hairball Audio FET/RACK Revision D

Roland Dimension D SDD-320 (only on the track with variable octave range)

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Omnichord OM-84 signal chain:

Double tracked (panned hard left and right)

Hairball Audio FET/RACK Revision D

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Roland D-50 signal chain:

Hairball Audio FET/RACK Revision D

Bandpass filter

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Skyfri Himmel:

Bjørn Eidsvåg (Vocals, Composer, Lyrics)

Ylva Olaisen (Vocals)

Carl-Viktor Guttormsen (Guitar, Drums, Keyboards, Producer)

Benjamin Dehli (Keyboards)

Christer-André Cederberg (Mixing)

George Tanderø (Mastering)

[burlveneer-music]

Sean Wolcott - Light Music for Heavy Industry - his 8th library album but the first one I've heard, and it's among the best in the genre 🤯

“Light Music for Heavy Industry,” Wolcott’s 8th library album, is a kaleidoscopic journey into the psychedelic fringes of easy listening. Inspired by library music for industrial films, space-age pop, experimental jazz, exotica, and early synth pioneers, it’s Wolcott’s most sweeping and dreamlike work yet. Combining symphonic jazz-funk, hazy grooves, and avant-garde textures, the album crafts a playful, surreal, and atmospheric soundscape. Echoes of Pete Jolly’s Seasons, Alessandro Alessandroni, Charles Stepney, Esquivel, and Galt MacDermot ripple through this ode to an alternate future bathed in misplaced optimism. All songs were written, produced, arranged, and recorded by Sean Wolcott at Soundview Analog Recorders. PLAYERS Keyboards Micah Hulscher: Fender Rhodes, Hammond C3, Harpsichord, Piano, RMI Electra-Piano, Wurlitzer 200A (1-10) Sean Wolcott: Harpsichord, Minimoog, Piano, Roland SH-2000 (4-5, 7-8, 10) Mario Luciano: Yamaha CS-60 (4-5, 9-10) Trevor Church: Conn Electric Band, Minimoog (1, 5) Reeds Jay Thomas: Flute (2-6, 8) Susan Telford Boyd: Flute (5-6, 9-10) Joel Astley: Harmonica (6-7, 9-10) Strings Sean Wolcott: Bass (1-2, 4-10) / Guitar (1-2, 8-10) Victoria Parker: Violin (2-10) Paul Osborne: Bass (3) Jimmy James: Guitar (3) Vocals Zan Fiskum (2-8, 10) Leon McQuay III: Countdown (5) Percussion Trevor Church: Drums, Congas, Shaker, Tambourine, Triangle (1-10)

[personagensecia]

Ele tem alguma chance?!

Você já conhece esta figura como o atual namorado da Rosalyn, mas você conhece literalmente metade dele: Anselmo.

Anselmo tem 1m92, olhos amarelos e quase as mesmas cores de sua amada Rosalyn. É um gato, da mesma espécie dela. No nosso universo isso não é obrigatório, mas ajuda bastante nos relacionamentos. Mas o mais marcante é seu interesse pela música. Anselmo é baixo profundo desde os 13 anos e tem uma voz impossível de ser ignorada, digamos assim. Além de ser algo meio estranho para uma HQ dessas, organista, pilotando um Hammond C3. (No meu antigo serviço eu convivia direto com essas questões, inclusive quando eles compraram um órgão de tubos à fundo perdido, em vez de investir na minha área, em câmeras.)

(Anselmo tem mãos muito bem definidas, ao contrário do autor!) Anselmo além de ter uma voz grave, consegue cantar ainda mais grave do que a imensa maioria das pessoas, o que maravilha ou assusta (como iremos saber?) seus interlocutores. Mas enfim. Algo que seria simplesmente um 'vilão' na concorrência (como Ratigan, Scar ou até o atacante dos Monstars, em Space Jam 1), aqui é o principal coadjuvante. (Uma notável exceção é o elefante Jotalhão, de Maurício de Sousa. Os dois fariam um dueto interessante rsrs) Anselmo em breve (na HQ) será um artista underground ao lado de um maestro polonês e seus sobrinhos gêmeos, cantando rockabilly, ritmos latinos e outras faixas bizarras. (Curiosidade: assim como as músicas do EKKA, estas também existem de verdade! Só as vozes que são phalsas, ainda, infelizmente.....) "CeBá, daonde você tirou isso?" De um monte de coisas, mas principalmente, baseado no cantor americano Thurl Ravenscroft, cujo trabalho mais conhecido foi ser a voz original do Tigre Tony, até 1995, ele se fué em 2005. Tem coisas até da aparência dele no nosso personagem. O caso é que a voz que imaginamos para Anselmo se parece com a de Thurl, mas é cumprida de outra forma, através do plugin AlterEgo, da francesa Plogue, alterando a voz padrão do programa, Bones (a única voz masculina, aliás...) Conheci Thurl ao procurar informações - inexistentes, inclusive - de quem seria a voz que cantava "Bom dia com Kellogg's" no Xou da Xuxa, em 1987. Não, não era ele, como cheguei a dizer na Internet, trata-se de um brasileiro mesmo (provavelmente um mesmo que cantava em algumas faixas da Xuxa na época) e sequer a melodia era como eu me lembrava.

E porquê escrevo estas mal traçadas linhas? Hoje, no meu serviço, sei lá por quê, veio à tona uma música de um seriado da atualidade cantada por baixos, não sei se era Piratas do Caribe (me lembrava até algo relacionado a God of War, que eu nem acompanho) e o pessoal tocou (e mais de uma vez) tendo uma recepção bastante curiosa, em tempos de Pablo da sofrência, Vitas... Lembrando que eu não falo sobre projetos pessoais com eles. Apenas trabalhei e pensei nessas coisas. O que mostra que, incrivelmente, Anselmo pode surpreender positivamente. Eu tenho até receio de apresentar este personagem como tal, é um personagem 'errado' (algo como uma cobra do bem, sei lá!) e olha que tem MUITAS coisas bisonhas e esquisitas no fandom, mas pra mim, Anselmo ganha de todos eles...... Um tiro no escuro, sei lá se ele seria odiado ou teria 25 fãs ardorosos, vai lá se saber. Ouça neste outro Tumblr nosso uma produção com o plugin AlterEgo do que seria uma música cantada por Anselmo.

[rockmusicassoc]

Born In The Rick 6/9/1941: The late great Jon Lord, co-founder and Hammond B3 and C3 organ mastermind for Deep Purple. #JonLord #DeepPurple #RockHonorRoll

[johnkatsmc5]

Red Noise "Sarcelles-Lochères"1970 France Avant Prog,Free Jazz,Experimental

full spotify

First in a series of ten reissues of the cult French underground Futura label. Fully licenced by Gerard Terrones, this is the first official vinyl reissue of “Sarcelles-Lochères”, the unique album of French underground heroes Red Noise led by Patrick Vian. It is a unique blend of free jazz and rock with highly political and satyrical lyrics. The highlight of the album “Sarcelles c’est l’avenir” is an epic journey into proto noise territories which prefigures the decades of sonic experiences to come....~ Souffle Continu Records presents the first official vinyl reissue of Sarcelles-Lochères by Red Noise, originally released in 1970. This LP inaugurates Souffle Continu's series of ten reissues from the catalog of the cult French label Futura Records, fully licensed by Futura founder Gérard Terronè. Red Noise were founded in May of 1968 by Patrick Vian (son of Boris Vian), who would go on to release Bruits et Temps Analogues (STAUB 126CD) in 1976. Red Noise developed their own unique blend of free jazz and rock with highly political and satirical lyrics. The highlight of their sole full-length release is the 18-minute closer, "Sarcelles c'Est l'Avenir," which charts an epic journey into proto-noise territories that prefigure the sonic experimentation of the decades to come. Presented in a gatefold sleeve with obi strip and matte finish. Limited to 1000 copies: 700 on black vinyl....~ This French band was obviously influenced by Frank Zappa and The Mothers. You can even see it from the album cover where that dude is trapped in prison inside Zappa's head. I dig the album cover very much. Musically this album is a really diverse mix of different styles ranging from experimental rock to free jazz and highly complex early avant-prog. The album includes twelve tracks and some of them are pretty damn short. Some of these shorter parts feel a bit unneeded. But the best parts here are indeed very good. For example "Galactic Sewer-Song" is a killer. The 19 minutes long album closer and climax "Sarcelles C'est L'avenir" is also very interesting but it includes both strong and weak moments which makes it a bit unbalanced. Overall I think this record deserves a listen from every fan of progressive and experimental music. When I first gave this record a try I wasn't quite sure what to feel about it. It includes some true masterpiece moments but also some parts which are pretty mediocre. The album is inconsistent which is the biggest flaw it has...~

Line-up / Musicians - Philip Barry / guitar, drums, voices - Austin Blue / percussion - Jean Claude Cencu / flute, saxophone, voices, wind - Daniel Geoffroy / bass, electric bass, voices - John Livengood / organ, hammond organ - Patrick Vian / guitar, voices Songs / Tracks Listing 1. Cosmic, Toilet Ditty (0:40) 2. Caka Slow / Vertebrate Twist (4:21) 3. Obsession Sexuelle, No.1 (0:29) 4. Galactic Sewer-Song (4:04) 5. Obsession Sexuelle, No.2 (0:12) 6. Red Noise Live Au Café Des Sports (2:08) 7. Existential-Import Of The Screw-Driver Eternity Twist (2:03) 8. 20 Miror Mozarts Composing On Tea Bag And 1/2 Cup-Bra (2:29) 9. Red Noise En Direct Du Buffet De La Gare (2:15) 10. A La Mémoire Du Rockeur Inconnu (0:40) 11. Petit Précis D'Instruction Civique (0:36) 12. Sarcelles C'est L'Avenir (18:56)

Red Noise "Sarcelles-Lochères"1970 France Avant Prog,Free Jazz,Experimental

https://johnkatsmc5.blogspot.com/2025/05/red-noise-sarcelles-locheres1970-france.html?view=magazine

https://johnkatsmc5.tumblr.com/post/782640065993179136/red-noise-sarcelles-loch%C3%A8res1970-france-avant

[daggerzine]

Louis Philippe & The Night Mail- The Road To The Sea (Tapete Records)

Philippe Auclair, aka Louis Philippe (lead and backing vocals, Fender Rhodes, guitars, keyboards), and The Night Mail, which are Robert Rotifer (guitars), Andy Lewis (bass, cello, guitars, percussion, keyboards), Danny Manners (grand piano, Hammond C3, keyboards) and Ian Button (drums, percussion) are back with another album that is quite difficult to pinpoint. Yes, it's pop, but it goes much broader this time around. Baroque? Orchestral? Jazz? Lounge? Psychedelic? Sunshine? Any way you look at it, it's filled with detailed musicianship enhanced by the superb mixing and production of Andy Lewis. “The Road To Somewhere” begins with a swirling guitar and those smooth vocals of Louis we love. Next up, the first single, “Pictures Of Anna,” has a creepy intro, but eventually becomes a bouncy piano song filled with orchestration and harmonies that explode with sound. Here's the video:

Track 3. “Where Did We Go Wrong,” is a groovy, funky, jazzy number that will get your feet tappin'. “La Maison Sans Toit” slows things down with the first of many French sung numbers. Its beautiful acoustic guitar and piano highlight this one. Track 5, “Those Days Of Summer,” bounces back with a throbbing bass synth(?), handclaps, and those beautiful harmonies again. “All At Sea” is another gorgeous piano track that eventually hits full throttle with intricate instrumentation. This easily could have been pulled from The High Llamas playbook. “Le Baiser” is another slow-moving French song with excellent orchestration. “Wine And Roses” has another eerie introduction to a song highlighting the piano. Track 9, “Watching Your Sun Go Down,” is a somewhat psychedelic song filled with 60s keyboards and clanging guitars that The Dukes of Stratosphear could have penned. Definitely some new territory for the band. “A Friend” heads back to the piano for a slower baroque pop number. Track 11, “Song For Paddy (Wings Of Desire),” is a beautiful tribute (to the Prefab Sprout's leader. Philippe's covered "Nightingales" in concert) with soothing vocals to send you off into a blissful sleep. “To The Sea” is a softer track that could resemble a children's song/story with its merry-go-round melody. Track 13, “Always,” brightens things up with its keyboards and orchestration blasting away, at least on my stereo. Minimal ("always" and "ba bas"), but beautiful, soaring harmonies carry this mostly instrumental piece. The album closes with its third French sung number, “Ville lumière.” It signals the end with its clock-ticking beat. More orchestration and gorgeous harmonies make you realize you just don't want it to end. But when it finally does, you want to start the album all over again. The Road to The Sea is a delicate, detailed delight to listen to, especially in one sitting. Here's hoping this album puts Louis Philippe in the spotlight he very much deserves. ERIC EGGLESON

(Photo Credit: Ruth Tidmarsh)

[adominguezs]

Pearl Jam - Vitalogy.

Año 1994. Redición Europea. Año 2016. Grunge. Epic/Legacy.

Es el tercer álbum de estudio de la banda, lanzado por la compañía discográfica Epic Records el 22 de noviembre de 1994. El disco se escribió y grabó Vitalogy mientras realizaba la gira de su álbum anterior. La música de este nuevo trabajo es más diversa en comparación con los anteriores y consiste en canciones agresivas de rock, baladas y varias piezas experimentales.

Sencillos: «Spin the black circle», «Tremor Christ», «Better man», «Corduroy», «Not for you» y «Immortality».

Músicos Jeff Ament - bajo, contrabajo y coros. Stone Gossard - guitarra, coros y mellotron. Mike McCready - guitarra, coros y guitarra slide. Eddie Vedder – voz, guitarra, acordeón y mecanógrafo. Dave Abbruzzese - batería. Jack Irons - batería en «Stupid mop».

Músicos invitados Brendan O'Brien - órgano y órgano Hammond. Jimmy Shoaf - batería en «Satan's bed».

Producción Pearl Jam - productor. Brendan O'Brien - productor.

Tracklist: A1 Last exit 2:54 A2 Spin the black circle 2:48 A3 Not for you 5:52 A4 Tremor Christ 4:12

B1 Nothingman 4:35 B2 Whipping 2:35 B3 Pry, to 1:03 B4 Corduroy 4:37

C1 Bugs 2:45 C2 Satan's bed 3:31 C3 Better man 4:28 C4 Aye davanita 2:58

D1 Immortality 5:28 D2 Hey foxymophandlemama, that's me [o Stupid mop] 7:44

[robyeciubino]

Unique Hammond Organ Solo with Great Hammond Tone

[guvnor69]

Comin’ soon

[claudiobaglionicantastorie]

E TU COME STAI?

Interprete: Claudio Baglioni

Etichetta: CBS

Catalogo: CBS 83335

Data di pubblicazione: Dicembre 1978

Matrici: CI 83335 1L/CI 83335 2L

Supporto:vinile 33 giri

Tipo audio: Stereo

Dimensioni: 30 cm.

Facciate: 2

Note: Copertina apribile a libretto con all'interno una fotografia dell'artista - Busta interna con i crediti dell'album - La prima tiratura di stampa comprendeva un inserto allegato con i testi delle canzoni (vedi link "Altre immagini") / Fotografia di Lucky - Grafica di Luciano Tallarini / Coordinamento di Fabrizio Intra / Registrato da Christophe Bonno negli studi Le Château di Herouvillé (Francia) / Distribuito da CGD Messaggerie Musicali - Milano / La ristampa del 1984 ha numero di catalogo diverso (CBS 466532 1) e matrici diverse (CI CBS 466532-1L/CI CBS 466532-2L) e sul retro della copertina è cancellata l'indicazione della distribuzione da parte della CGD Messaggerie Musicali - Milano.

BRANI

Lato A

CON TE

Autori: Claudio Baglioni Musicisti: Jacques Chambon (oboe) , Benoît Widemann (Oberheim) , Benoît Widemann (minimoog)

SIGNORI SI CHIUDE

Autori: Claudio Baglioni Musicisti: Claudio Baglioni (cori)

TI AMO ANCORA

Autori: Claudio Baglioni Musicisti: Paola Massari (cori)

GIORNI DI NEVE

Autori: Claudio Baglioni

LORO SONO LÀ

Autori: Claudio Baglioni Musicisti: Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

Lato B

E TU COME STAI?

Autori: Claudio Baglioni Musicisti: Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

UN PO' DI PIÙ

Autori: Claudio Baglioni Musicisti: Claudio Baglioni (cori) , Rodolfo "Foffo" Bianchi (sax tenore) , Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

QUANDO È COSÌ

Autori: Claudio Baglioni Musicisti: Claudio Baglioni (cori) , Rodolfo "Foffo" Bianchi (sax tenore) , Jacques Chambon (oboe) , Benoît Widemann (minimoog) , Benoît Widemann (Oberheim)

ANCORA LA PIOGGIA CADRÀ

Autori: Claudio Baglioni Musicisti: Pierre Francis () , Benoît Widemann (Oberheim) , Benoît Widemann (minimoog)

PRODUTTORE

Rodolfo "Foffo" Bianchi

ARRANGIATORE

Ruggero Cini

EDIZIONI MUSICALI

April Music

Cosa

MUSICISTI

Claudio Baglioni autoarpa

Michel Baroville coro

Danielle Bartoletti coro

Jean-Claude Briodin coro

Massimo Buzzi congas

Massimo Buzzi cabasa

Massimo Buzzi batteria

Massimo Buzzi claves

Massimo Buzzi triangolo

Massimo Buzzi castagnette

Michel Cantin corno

Luciano Ciccaglioni chitarra acustica

Luciano Ciccaglioni mandolino

Luciano Ciccaglioni arpavatar

Luciano Ciccaglioni mandovox

Luciano Ciccaglioni chitarra elettrica

Luciano Ciccaglioni chitarra acustica 12 corde

Luciano Ciccaglioni mandola

Ruggero Cini Fender Rhodes

Ruggero Cini organo Hammond C3

Ruggero Cini pianoforte Steinway

Ruggero Cini Hohner clavinet

Ruggero Cini fisarmonica

Ruggero Cini piano elettrico Yamaha

Ruggero Cini Omniarp

Christiane Cour coro

Jean Cussac coro

Jean-Claude Evreux orchestra d'archi

André Fournier corno

Wilfrid Fournier corno

Jean-Paul Gantiez corno

Anne Germain coro

José Germain coro

Alice Herald coro

Bernard Houdy coro

Danielle Licari coro

Graziella Madrigal coro

Claudine Meunier coro

Jo Novés coro

Fabio Pignatelli basso

Jean Stout coro

Henry Tallourd coro

Françoise Walle coro.

[sea-of-teeth]

08.13.17.21.35. / Standard

[benjamindehli]

Cantique de Noël / O Holy Night (Keyboards and Therevox version)

A synthesizer / keyboard version of the Christmas carol Cantique de Noël / O Holy Night by Adolphe Adam. For the vocal melody I used a Therevox ET-4.3. This version is inspired by the recordings and live performances of Bing Crosby, Luciano Pavarotti, Andrea Bocelli, but perhaps most of all Céline Dion (especially the vocal melody). Instruments:

Dehli Musikk 4-track Glockenspiel: Glockenspiel

Dehli Musikk 4-track Music Box: Music Box

Doepfer Dark Energy: Drums and Percussion

Hammond C3: Organ

Hohner Clavinet D6: Clavinet / Baritone Guitar

Korg MS-20: Drums

Korg Polysix: Synth Harp

Logan String Melody II: Synth Strings

Louis Zwicki Pianette: Piano

Mellotron M4000D: Violins, Cello, Flute and Choir

Moog Matriarch: Synth Pad

Roland SH-09: Synth Bass and Drums

Sequential Circuits Pro-One: Synth Brass and Drums

Therevox ET-4.3: Vocals

Yamaha DX7: Tubular Bells

Yamaha L-20D: Harmonium

Amplifiers:

Leslie 122

Tandberg Model 2 T

Vox AC15H1TV

Microphones:

Royer R-121

Sennheiser e 602-II

Shure SM57

Effects:

Alex Franklinos Stereo Transformer Saturator

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Electro-Harmonix Deluxe Memory Man

Fairfield Circuitry Shallow Water

Fulltone Supa-Trem

Fulltone Tube Tape Echo

Hairball Audio FET/RACK Revision D

Pro Co RAT 2

Roland PA-120 (preamp, EQ and spring reverb)

Roland Dimension D SDD-320

Tape recorder:

Fostex X-28H

Cantique de Noël:

Composed by: Adolphe Adam

Text by: Placide Cappeau

English text by: John Sullivan Dwight

[myrecordcollections]

Keith Emerson

Honky

@ 1983 UK Pressing

****

Between 1979 and 1985 all band members were engaged in various projects. Keith Emerson recorded several soundtracks and in 1981 he recorded his first official solo album called Honky. This album has got an excellent remastered version in 2013. Not only the music sounds better, but also the information inside the booklet with new liner notes, pictures and line-ups is top-notch!

Honky was recorded in the Bahamas and 'honky' is what the local children called Keith while he was there! The pictures inside the booklet show that Emerson's stay there was primarily a holiday, so this album was recorded in a relaxed, carefree spirit. For this record Emerson used the following instruments: Yamaha CP30, MiniMoog, Hammond C3, Korg 3100 & 3300, Steinway concert grand model D, Yamaha grand and a vocoder. Emerson isn't the only musician who can be heard on Honky. He got some assistance from Kendall Stubbs (bass), Neil Seymonette and Frank Scully (drums), Mott (guitar), Andrew Brennen, Dick Morrissey and Pete King (all on saxophone) and Shelley Lightbourner and The Kayla Lockhart Singers (vocals).

The album certainly contains some fine musical moments which can be enjoyed by lovers of prog rock. Especially the album's opener Hello Sailor is an amazing piece of music. This is a kind of mini-suite divided into three pieces called Introduction, Bach Before The Mast and Hello Sailor Finale. This suite comes closest to what Keith Emerson is famous for with the albums he recorded with ELP. The first part is performed on the piano and tends towards a style that can be heard on albums such as Brain Salad Surgery (1973) and Works, volume 1 (1977). Bach Before The Mast written by the British pianist George Malcolm is an arranged version which holds some classical influences. Salt Cay is also worthwhile listening to. The song contains some reworked themes from ELP's Pirates from the album Works, volume 1, written by Emerson for an Italian TV show.

Green Ice is a kind of fusion; this composition was part of a rejected score that Emerson wrote for the eponymous movie. I think that Honky contains tracks that Emerson just recorded for fun. Listen for instance to Intro-juicing. I don't know whether he was drunk at the time he recorded it, but he speaks and sings rather funny. He even introduced himself as a DJ. Big Horn Breakdown is another rather silly tune with a kind of honky-tonk piano playing style and this also applies to the funny boogie-woogie sounding piece Yancey Special. You could describe this track as being ' Status Quo for piano' since it holds all the elements you can hear on their greatest hits. Only the saxophone has replaced the heavy riffing guitars.

Rum A Ting is a piece of music you either like or hate depending whether you like Caribbean music or not. The junkanoo percussion is used prominently here; in a way it reminded me of Teakbois by Anderson, Bruford, Wakeman & Howe on their eponymous album (1989, see review). The funniest track on the album is probably Jesus Loves Me. This kind of gospel song sounds as if it was recorded at a local church in the Bahamas completely with a gospel choir and a reverend. You can't take this song too seriously, I guess!

The mixture of serious and funny tunes on Emerson's first official solo album won't be liked by all prog heads. I think many people who listened to the album for the first time must have been disappointed. They probably expected the kind of music which Emerson made with ELP. However, I had no problem at all and I still enjoy Honky!

*** Henri Strik (edited by Peter Willemsen)

[progtracks]

OPETH -  "Hjärtat Vet Vad Handen Gör" / "Heart In Hand" ( In Cauda Venenum - September 27, 2019)

Just posted yesterday... the first taste of the new “The Poison is in the Tail” album from Opeth, due in late September!

Warning:  This is not a 17-minute song, but an 8-1/2 minute song sung in Swedish, then in English (you probably know that I like native-language songs the best).

Enjoy!

The Artists:   Mikael Åkerfeldt / lead & backing vocals, acoustic & electric guitars, producer; Fredrik Åkesson / acoustic & electric guitars; Joakim Svalberg / grand piano, Fender Rhodes 88, harpsichord, Moog, Mellotron, Hammond C3, percussion, backing vocals; Martín Méndez / bass; Martin Axenrot / drums, percussion

[johnkatsmc5]

Arjuna "La Montagna Sacra" 1999 Bologna Italy Prog Psych

https://www.youtube.com/watch?v=uC8V13ehfHw&ab_channel=AndreaMonettiR.

https://www.youtube.com/watch?v=zPvNbXx6Xo0&ab_channel=AlejandroPe%C3%B1aPineda

https://www.youtube.com/watch?v=NhKpniRzaQI&ab_channel=JuanManuel

Review by memowakeman Oh yeah, give me more Italian stuff! Once again, i thank PA and it's members for showing me the way to great music, Arjuna was simply one more band i knew because of this site and one more band that i really enjoy listening to, thanks specially to my favourite admin who let me know about this album. So here i am reviewing an album from yet another Italian band and i wonder how some members have not explored the RPI realm, it is so vast and with a lot of hidden gems that are awesome to find that makes this realm full of excellent music, this particular album is not the Italian prog album we are used to listen, this is different with some different ideas and cool music. Arjuna released this album called La Montagna Sacra back in 1996, and if i am not wrong i think it was their only album, what a pity. It contains 6 songs and a total time of 41 minutes, may the trip begin. The album opens with their longest song which lasts over 11 minutes and whose name is Perso nel Vuoto, the start is very reminiscent to Zeppelin's No Quarter as Linus pointed out in his review, with a slow tempo beginning, some nice sax and a constant bass and drumming along with the vocals and a nice flute touch here and there, then at minute 4 it makes a stop and changes with a pastoral mood made with piano and flute with a delicate sound and a minute after the bass lines enter and it is where you will listen that they are an Italian band, and i am not saying that just because of the obvious vocals, but because of the music as well, with that 70s touch, a powerful and very enjoyable second part of the song which also includes some nices guitar solos, the last part has some psychedelic touch as well. The next song is A Song for Timothy, this song opens very beautifully with melodic flute and a nice acoustic guitar that gives the folkish touch to the music, a much lighter song than it's previous one but that will mantain you listening due to it's delicate sound the percussion also play a nice role here, the song as a whole is the same all time. Salva la tua Realta opens with a kind of jazz rock drumming and then the flute and guitars gather to create again very nice music, here you will listen to a clear psychedelic touch very reminiscent to some 70s moments, the keyboards and electric guitars are the ones who lead this song, but after a minute and a half you will appreciate the sax sound and the vocals return in this song, in some moments this track sounds heavier but without losing the soft parts. La Montagna Sacra brings immediately to my mind that Indian or middle eastern sound because it adds the sitar sound to the music, sitar is an instrument that i like listening a lot, sometimes it gives me goosebumps so finding this different track with that sound was very cool, the song runs alike all the time, with sitar, percussion and flute, a delicious melody definitely. E Cadere D' Improviso is quite different to he previous one of course, it opens with a slight piano sound but almost immediately shows the rockier sound of the band, with more agressive drumming and electric guitars, but agains with their prominent flute sound then we will hear to a very nice instrumental passage that contains also cool bass notes, a minute after vocals appear and the keys with that psychedelic sound as a background. the best about this song is definitely when the music just floats and runs naturally, those instrumental moments are very cool. Arjuna "La Montagna Sacra" Line-up / Musicians - Vincenzo Nick Le Rose / vocals, electric & acoustic guitars - Andrea Monetti / concert & bamboo flutes, sax alto - Goffredo Fioravanti / piano, e-piano, keyboards, Hammond organ - Massimiliano Iannotta / bass - Salvatore Turco / drums, percussion With: - Giuseppe Turco / sitar , electric guitar (4,6) Songs / Tracks Listing 1. Perso Nel Vuoto (11:13) 2. A Song For Timothy (4:11) 3. Salva La Tua Realtà (7:18) 4. La Montagna Sacra (4:24) 5. E Cadera D'improvviso (8:40) 6. Mushrooms (5:30)

Arjuna "La Montagna Sacra" 1999 Bologna Italy Prog Psych

https://johnkatsmc5.blogspot.com/2025/02/arjuna-la-montagna-sacra-1999-bologna.html?view=magazine

https://johnkatsmc5.tumblr.com/post/776107486064279552/arjuna-la-montagna-sacra-1999-bologna-italy-prog

[hammondcast]

Jon Hammond Show 0406

#WATCHMOVIE HERE: Jon Hammond Show 0406 Jon's archive https://archive.org/details/JonHammondShow0406

Jon Hammond Show 0406

by Jon Hammond 

Jon Hammond Show 0406 segment 1: Hamburg, Germany-- Missing Man Formation - a concert for Lutz, opener blues Auster Bar Hamburg - Musicians: Frank Delle tenor sax, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ - concert honoring our dear friend Lutz Büchner the great saxophonist in the actual same place where we last played together with Family and Friends, amazing special night. Lutz is greatly missed! We honor him in music - Jon Hammond  with fotos by master photographer Frank Siemers

#MissingMan

#LutzBüchner

#Saxophonist

#Hamburg

#Jazz

#Blues

#Honor

#Ndr

Segment 2: We gather one more time to honor Lutz Büchner, missing man formation. This song Pocket Funk was played many times by Lutz on Jon Hammond Band and right here in Auster Bar, thank you for Lutz' Family and Friends joining us on this special night - Musicians: Frank Delle tenor sax, Heinz Lichius drums, Joe Berger guitar, Jon Hammond at the Hammond Sk1 organ powered by Heinz' Markbass amp

Segment 3: Hamburg -- Besame little Snack's & more Rotherbaum - Der Ham-Berger war ganz gut belegt Heinz auch!” KARSTEN JAHNKE KONZERT DIREKTION ... Nein, es ist ein KNUT BENZNER  https://de.wikipedia.org/wiki/Knut_Benzner KONZERT DIREKTION Produktion! Heinz Lichius - schlagzeug HH DE Joe Berger - gitarre NYC USA Jon Hammond - Hammond-Orgel NYC USA Jon Hammond Band Live-Show nur eine Nacht! little Snack ́s & more Grindelallee 180 20144 Hamburg Swinging Funky Jazz and Blues - Heinz Lichius, Jon Hammond, Joe Berger - Ham-Berger mit Heinz! - thanks Knut, Toba, Little Snack's and More Team *Note: Jon's organ and PA powered by Heinz' Markbass amp 

#Snacks

#Rotherbaum

#HammondOrgan

#Trio

Lutz' Wiki https://de.wikipedia.org/wiki/Lutz_B%C3%BCchner 

Büchner studierte an der Musikhochschule Hamburg bei Herb Geller und arbeitete dann mit dem Posaunisten Ed Kröger. Seit 1994 war er Mitglied der NDR Bigband. Zwischen 1996 und 1998 trat er in Hamburg regelmäßig mit Lucas Lindholm, Heinz Lichius und Buggy Braune und Gästen wie Wolfgang Schlüter und Gene Jackson auf. Außerdem arbeitete er mit Jörg Achim Kellers Small Bigband und mit Jürgen Attigs Low X, mit der Band von Nils Gessinger.

Von 2000 bis 2004 war Büchner Mitglied der Band von Alex Riel, mit der er das Album live at Jive (mit Carsten Dahl und Jesper Lundgaard) einspielte, Tourneen durch Dänemark, Norwegen und Vietnam unternahm und im Rolf-Liebermann-Studio des NDR auftrat. Seit 2001 war er Mitglied in der Band von Joe Gallardo, mit der er bei verschiedenen Festivals auftrat und das Album A Latin Shade of Blue aufnahm. Seit 2011 gehörte er zu Addi Münsters Old Merrytale Jazzband...

Hamburg, Missing Man, Jazz, Band, Lutz, Hammond Organ, Jon Hammond 

Publication date 2019-03-31

Usage Attribution-NoDerivatives 4.0 International

Topics Hamburg, Missing Man, Jazz, Band, Lutz, Hammond Organ, Sk1, Jon Hammond, Markbass Amp, Neodymium Speaker

Language English 

Identifier JonHammondShow0406 

Jazzkeller Frankfurt

Di. 02.04. 

"The FINGERS...are the SINGERS!" Musikmesse "Warm Up Party" Jon Hammond & Band Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic jonhammondband.com/music More Jon Hammond, klick: http://behindthebeat

  "The FINGERS...are the SINGERS!" Musikmesse "Warm Up Party" Jon Hammond & Band APR4 Eros 49 Frankfurt RedLight Public · Hosted by Jon Hammond Band EVENT https://www.facebook.com/events/590876024698798/ Nice sundown out of SFO It's my tune dammit - Jon Hammond 33rd consecutive year musikmesse - Frankfurt Germany Hamburg, Missing Man, Jazz, Band, Lutz, Hammond Organ, Sk1, Jon Hammond, Markbass Amp, Neodymium Speaker