#gurfield

[3030nate]

Gurfield.

[n0nb1narycode]

40 Days of Halloween! 🎃 Day 2: Gurf. 🍂 You can try to pretend that Gurf here ain't spooky, but you know you're lying to yourself. 🏚️ 🪦 💀 🕸️ ⚰️ 🦇 #40DaysOfHalloween #Day2 #September23rd #Gurf #Gurfield #Gorf #Garf #SpoopyCat #SpookyCat #Garfield ? #CursedGarfield #Cursed #CreepyCat #Halloween #AllHallowsEve #Samhain #HallowsEve #Autumn #Fall #TheBestSeason #HalloweenSeason #SpookySeason #SpoopySeason #Spooky #Spoopy #ThisIsHalloween #Sauin #FallWeather #HarvestSeason #iLoveHalloween https://www.instagram.com/p/Ci4K7KPOI9x7EPJvM4n8c_1PdCOABPyQ3mRoPE0/?igshid=NGJjMDIxMWI=

[righteousdelusions]

[hellocanticle]

William Susman's Scatter My Ashes

William Susman’s Scatter My Ashes

I first encountered the composer William Susman(1960- ) when one of his works appeared on a program which included a solo cello and electronics piece by Vivian Fung.  This solo electroacoustic piece, the work I was initially asked to review, was nestled in the middle of an interesting program by the San Jose Chamber Orchestra.  I chose to review the entire concert which was a fascinating…

[johncas4]

In Praise of Shadows (At The CONFLUX Part Three) from Justin Tierney on Vimeo.

"In Praise of Shadows" tours Japan's transportation systems in time-lapse. This runs the gamut from the massive monorails of Kobe and Chiba, the automated transit in Tokyo, and the trains of Osaka, as well as more modest transport methods–escalators, taxis, crosswalks, rickshaws, and sushi conveyor belts. While the first two installments of At The CONFLUX are exclusively nocturnal, “In Praise of Shadows” begins at dawn. Twilight gradually approaches, shadows sweep the city, and night falls, concluding high above the city where Aerial Arterial began. It takes its title from a 1933 essay by the Japanese author and novelist Jun'ichirō Tanizaki. Tanizaki uses shadows (both real and metaphoric) to contrast the subtlety of traditional Japanese aesthetics with the gleaming light of the modern era. The music is brighter than the previous installments. Clarinet, upright bass, and violin chords and lines punctuate simple koto-inspired melodies of the piano. Field recordings of train announcements, monorail accelerations, crosswalk jingles, elevator chimes, conversing crowds, and summer cicadas decorate the texture.

- - - "In Praise of Shadows" is the third and final installment of At The CONFLUX, a short film that explores the rhythm of urban Japan and its people. A complete gear and location list can be found at attheconflux.com .

- - - At the CONFLUX was shot during two trips to Japan. In May and June of both 2014 and 2015. Editing began in earnest in November of 2015 along with the composition of the music. I recorded the solo piano part in early April at Sound Pure studios in Durham, NC, with the help of recording engineer, Artem Smirnov. I recorded the koto melodies in my home studio. Members of The Deviant Septet, Karen Kim—violin, Bill Kalinkos—clarinet, Brad Balliett—bassoon, Doug Balliett—bass, Mike Gurfield—trumpet, Matthew, Melore—trombone, Jared Soldiviero—percussion recorded the instrumentals with recording engineer Rick Nelson. The time-lapses were shot in raw (with a 5D Mark III and a Sony A7s) developed in Lightroom, and edited in Adobe Premiere Pro CC. I composed the music at the piano with paper and pencil, input it into Finale 2014, recorded the music into Pro Tools in two separate recording sessions, processed the field recording in Ableton and Max MSP, and executed the final edits in Adobe Audition and Premiere.

- - - Music and Images © Justin Tierney JustinTierney.com | AtTheConflux.com | facebook.com/JustinMarkTierney | instagram.com/jtimelapse

[tkzw46]

In Praise of Shadows (At The CONFLUX Part Three) from Justin Tierney on Vimeo.

"In Praise of Shadows" tours Japan's transportation systems in time-lapse. This runs the gamut from the massive monorails of Kobe and Chiba, the automated transit in Tokyo, and the trains of Osaka, as well as more modest transport methods–escalators, taxis, crosswalks, rickshaws, and sushi conveyor belts. While the first two installments of At The CONFLUX are exclusively nocturnal, “In Praise of Shadows” begins at dawn. Twilight gradually approaches, shadows sweep the city, and night falls, concluding high above the city where Aerial Arterial began. It takes its title from a 1933 essay by the Japanese author and novelist Jun'ichirō Tanizaki. Tanizaki uses shadows (both real and metaphoric) to contrast the subtlety of traditional Japanese aesthetics with the gleaming light of the modern era. The music is brighter than the previous installments. Clarinet, upright bass, and violin chords and lines punctuate simple koto-inspired melodies of the piano. Field recordings of train announcements, monorail accelerations, crosswalk jingles, elevator chimes, conversing crowds, and summer cicadas decorate the texture.

- - - "In Praise of Shadows" is the third and final installment of At The CONFLUX, a short film that explores the rhythm of urban Japan and its people. A complete gear and location list can be found at attheconflux.com .

- - - At the CONFLUX was shot during two trips to Japan. In May and June of both 2014 and 2015. Editing began in earnest in November of 2015 along with the composition of the music. I recorded the solo piano part in early April at Sound Pure studios in Durham, NC, with the help of recording engineer, Artem Smirnov. I recorded the koto melodies in my home studio. Members of The Deviant Septet, Karen Kim—violin, Bill Kalinkos—clarinet, Brad Balliett—bassoon, Doug Balliett—bass, Mike Gurfield—trumpet, Matthew, Melore—trombone, Jared Soldiviero—percussion recorded the instrumentals with recording engineer Rick Nelson. The time-lapses were shot in raw (with a 5D Mark III and a Sony A7s) developed in Lightroom, and edited in Adobe Premiere Pro CC. I composed the music at the piano with paper and pencil, input it into Finale 2014, recorded the music into Pro Tools in two separate recording sessions, processed the field recording in Ableton and Max MSP, and executed the final edits in Adobe Audition and Premiere.

- - - Music and Images © Justin Tierney JustinTierney.com | AtTheConflux.com | facebook.com/JustinMarkTierney | instagram.com/jtimelapse

[bootleg-daycare]

Gurfield stepped in some dog doo doo

[lokilaufeys]

vote #48! best of luck c:

thank you!

url: 9/10icon: 10/10theme: 100/10 posts: 10/10compliment/advice: ahh i love your blog so much

vote for me here & send me your number for a blog rate, a promo or a handwritten message

[hcrleenquinn]

The Dark Knight c:

Movie: never watched | whatever | it was good | I saw it and was amazing! | WHAT? I THINK THIS MOVIE IS FUCKING AMAZING

Blog: 1 | 2 | 3 | 4 | 5 | 6 |7 | 8 | 9 | 10 | +10 | fuck you +follow

put a movie in my askbox and i will rate your blog

[chocoparfaits]

beelzemonblastmode replied to your post: New theme~ Check it out

How nice~

gurfield replied to your post: New theme~ Check it out

yOooOoo

Thank you~! c: It took me forever, ahah.

[acebodhi]

8 – top five songs!

oooh.. 

Numb by Linkin Park 

You Know What They Do To Guys Like Us In Prison by My Chemical Romance

Family Portrait by Pink

Silhouettes by Of Monsters And Men

Famous Last Words by My Chemical Romance

[bfwangji]

☺ (just woke up, so nothing's really happened yet uwu)

Good morning then!

Url: Okay | Good | Great | Amazing | Flawless | AsdfghjklIcon: Okay | Good | Great | Amazing | Flawless | AsdfghjklTheme: Okay | Good | Great | Amazing | Flawless | AsdfghjklPosts: Okay | Good | Great | Amazing | Flawless | AsdfghjklOverall: Okay | Good | Great | Amazing | Flawless | AsdfghjklFollowing: No, but ily | Now | Yes | Forever Advice/ Comment: updates tab?

want this?blacklist “blogrates” to avoid these posts

[tkzw46]

Tokyo Aglow (At The CONFLUX Part Two) from Justin Tierney on Vimeo.

- All music and Images by Justin Tierney - Tokyo Aglow tours the Japanese capital by road and rail. Whereas Aerial Arterial (the first installment) explores the edifices of the city from elevated perches, Tokyo Aglow captures the city from the blacktop. The automated Yurikamome flows through Odaiba and arrives downtown. A taxi whips to converging clusters of crowds in Shibuya. Scores surge, stream and swarm, tangle and scramble. Patterns of people, probabilities and periodicities, play. Weaving and knotting, the masses rhythmically engage with the machinery of modern life.

Koto-inspired chords underpin the music of the piano. Trombone, trumpet and violin map to the patterns recurrent and emergent. Crosswalk chimes, chirps and cuckoos echo into the night.

- - - "Tokyo Aglow" is the second of three installments of At The CONFLUX, a short film that explores the rhythm of urban Japan and its people.

Stay tuned for the premiere of installment three, "In Praise of Shadows," which will be released on Monday, June 27th.

A complete gear and location list can be found at attheconflux.com. - - - At the Conflux was shot during two trips to Tokyo. In May and June of both 2014 and 2015. Editing began in earnest in November of 2015 along with the composition of the music. I recorded the solo piano part in early April at Sound Pure studios in Durham, NC, with the help of recording engineer, Artem Smirnov. Members of The Deviant Septet, Karen Kim—violin, Doug Balliett—bass, Mike Gurfield—trumpet, Matthew, Melore—trombone, Jared Soldiviero—percussion recorded the instrumentals with recording engineer Rick Nelson.

The time-lapses were shot in raw (with a 5D Mark III and a Sony A7s) developed in Lightroom, edited and color graded with FilmConvert in Adobe Premiere Pro CC. I composed the music at the piano with paper and pencil, input it into Finale 2014, recorded the music into Pro Tools in two separate recording sessions, processed the field recording in Ableton and Max MSP, and executed the final edits in Adobe Audition and Premiere.

Music and Images © Justin Tierney JustinTierney.com | AtTheConflux.com | facebook.com/JustinMarkTierney | instagram.com/jtimelapse

[bootleg-daycare]

Found Gurfield, he hates lasagna and loves Mondays.

[acebodhi]

Pepperony?

ship: ew / nonono / maybe / ship it / aww / otp / MY HEART|

your blog: ew / nonono / cute / great / flawless / OH EM GEE

Send me a ship and i’ll rate it + your blog

[acebodhi]

i made it to the end and i don't think i'm emotionally stable anymore

there there *hugs you*

I'm not either ;_;