#great job me!

[moeblob]

Living up to my blog name of questionable art…

I sat at the only wobbly table in the coffee shop and went “nah this is fine” and proceeded to not be fine.

[goldenhourhimbo]

We need to leave for the airport in 3.5 hours, there’s not a single thing in my suitcase, I need to do at least an hour of work, and I am…at the nail salon

[anna-scribbles]

so this summer i am nannying a 5 year old who loves miraculous ladybug (my dream) & every day she asks if we can play ladybug and chat noir at the park. these are some comics based on our various games<3

[saryasy]

Eddie when he's certain of something vs when he's not

[xixovart]

“no seriously who did you choose?”

“i chose you”

grover and percy are the platonic soulmates. in the most literal sense possible. i mean, literally nobody in the world, including their respective girlfriends, will ever know grover and percy as well as they know each other. and not just because of their empathy link.

grover was the person who was there for percy the most. he helped percy transition from the mortal world into the greek one. he supported percy in tlt when sally was thought to be dead. grover was percy’s first friend. ever. it’s not fair how people keep forgetting that. grover saved percy’s life.

percy literally did NOT hesitate to save grover when he was kidnapped by polyphemus. percy tried his hardest to be there for grover while grover fulfilled his dreams of finding pan. percy and grover travelled through most of the labyrinth together. grover is the foundation of percy’s best traits. percy saved grover’s life.

there is no other friendship in any of riordan’s books that can compare to grover and percy’s. they’re platonic soulmates. there’s no one like them.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[raggedy-spaceman]

Neil behind the camera all day tomorrow

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[erufin-art]

I really enjoy the idea of Godpoke just straight up not buying Inspekta's shit

[aenslem]

You and me. Like old times?

[mooskobold]

When everything's made to be broken

I just want you to know who I am

[notherpuppet]

me seeing a drawing that took many hours get the same attention as a 12 minute sketch: lol

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[arrowheadedbitch]

New idea: Shinsou is supposed to be babysitting Eri but he has to do something so he leaves Denki in charge for a little bit, he comes back expecting the house to be burnt down but instead he finds Eri begging Kaminari to let her re-dirty up her room so they can clean it together again

[unhappy-sometimes]

here's a playlist of (mostly) historically accurate love songs that twiyor has most definitely danced to on vinyl: youtube, spotify, apple music

some fast, some slow, some made for dancing, others probably not (but i still like them so i included them anyway), i'll add songs as i think of them

[blenselche]

redoing some old sketches i never used