#graham lear

[myvinylplaylist]

Santana: Inner Secrets (1978)

Columbia Records

[mitjalovse]

Carlos Santana may have been a part of an intriguing set of records as we have noticed in our discussions on his intriguing career. However, most of his 80's sucked. True, this might be a terrible thing to say about the works of his back then, since his peers from the 60's suffered the similar issues in the same period. Yes, something didn't work, though you have to admit – all of them did tried their best. Back to Santana – they released Freedom, which serves as one of the attempts to modulate their sounds for the period that had no clue what to do with them. While they didn't go full 80's Chicago on the disc, you do notice they planned to travel this road, yet they changed their approach at one point. Still, this only made the disc as a document of a group in search of an identity.

[denimbex1986]

'Andrew Scott, mother Nora has passed away after a sudden illness just before Mother's Day.

The sad news was shared by the family, stating that Nora died peacefully surrounded by her loved ones at St Vincent's Hospital in Dublin on March 7th.

The obituary read: "It is with our deepest sorrow that we inform you of the passing of Nora Scott (nee Boyle), beloved wife of Jim, mother of Sarah, Andrew and Hannah."

"Scott, Sandymount, Dublin, formerly Omagh Co. Tyrone, March 7th 2024 peacefully surrounded by her loving family and best friend Anne, in St Vincent's Hospital following a sudden illness. Nora will be deeply missed by her beloved husband Jim, her loving children Sarah, Andrew and Hannah."

Andrew has not yet made any public comments about his mum's passing. Nora had previously shared a heartwarming story about receiving a bouquet of roses from actor Anthony Hopkins six years ago when she told him she was ill. She met him on the set of King Lear, where Andrew was playing Edgar, reports the Irish Mirror.

Recalling the sweet gesture on RTE, she said: "There was probably more than three dozen red roses and attached to them was a little card from Anthony saying 'Be well, sending hugs', and all sorts of things."

"I was thrilled to get such a gift and for the kind thought that promoted it. Now I have recovered, I can enjoy these exquisite roses that grace our hall. It was such a beautiful gift."

Just two months ago, Andrew and his All of Us Strangers co-star Paul Mescal said they didn't really want their parents to watch the movie.

In the film, we see Mescal and Scott's characters getting very close, and both actors said it would be super awkward to watch with their families because of the steamy scenes. "I don't want to be there when my parents watch it! " Andrew shared with TV star Graham Norton.

Andrew had some deep thoughts about the film, saying: "I think for so many people, particularly queer people, you can feel like a stranger in your own family. Even if they haven't directly rejected you, you just feel slightly different... [But] discomfort within a family and love within a family can coexist. It's pretty common."'

[jesuisgourde]

A list of all the books mentioned in Peter Doherty's journals (and in some interviews/lyrics, too)

Because I just made this list in answer to someone's question on a facebook group, I thought I may as well post it here.

-The Picture of Dorian Gray/The Ballad Of Reading Gaol/Salome/The Happy Prince/The Duchess of Padua, all by Oscar Wilde -The Thief's Journal/Our Lady Of The Flowers/Miracle Of The Rose, all by Jean Genet -A Diamond Guitar by Truman Capote -Mixed Essays by Matthew Arnold -Venus In Furs by Leopold Sacher-Masoch -The Ministry Of Fear by Graham Greene -Brighton Rock by Graham Green -A Season in Hell by Arthur Rimbaud -The Street Of Crocodiles (aka Cinnamon Shops) by Bruno Schulz -Opium: The Diary Of His Cure by Jean Cocteau -The Lost Weekend by Charles Jackson -Howl by Allen Ginsberg -Women In Love by DH Lawrence -The Tempest by William Shakespeare -Trilby by George du Maurier -The Vision Of Jean Genet by Richard Coe -"Literature And The Crisis" by Isaiah Berlin -Le Cid by Pierre Corneille -The Paris Peasant by Louis Aragon -Junky by William S Burroughs -Absolute Beginners by Colin MacInnes -Futz by Rochelle Owens -They Shoot Horses Don't They? by Horace McCoy -"An Inquiry On Love" by La revolution surrealiste magazine -Idea by Michael Drayton -"The Nymph's Reply to The Shepherd" by Sir Walter Raleigh -Hamlet by William Shakespeare -The Silver Shilling/The Old Church Bell/The Snail And The Rose Tree all by Hans Christian Andersen -120 Days Of Sodom by Marquis de Sade -Letters To A Young Poet by Rainer Maria Rilke -Poetics Of Space by Gaston Bachelard -In Favor Of The Sensitive Man and Other Essays by Anais Nin -La Batarde by Violette LeDuc -Lolita by Vladimir Nabokov -Intimate Journals by Charles Baudelaire -Juno And The Paycock by Sean O'Casey -England Is Mine by Michael Bracewell -"The Prelude" by William Wordsworth -Noise: The Political Economy of Music by Jacques Atalli -"Elm" by Sylvia Plath -"I am pleased with my sight..." by Rumi -She Stoops To Conquer by Oliver Goldsmith -Amphitryon by John Dryden -Oscar Wilde by Richard Ellman -The Song Of The South by James Rennell Rodd -In Her Praise by Robert Graves -"For That He Looked Not Upon Her" by George Gascoigne -"Order And Disorder" by Lucy Hutchinson -Man Crazy by Joyce Carol Oates -A Pictorial History Of Sex In The Movies by Jeremy Pascall and Clyde Jeavons -Anarchy State & Utopia by Robert Nozick -"Limbo" by Samuel Taylor Coleridge -Men In Love: Masculinity and Sexuality in the Eighteenth Century by George Haggerty

[arbitrary line break because tumble hates lists apparently]

-Crime And Punishment by Fyodor Dostoevsky -Innocent When You Dream: the Tom Waits Reader -"Identity Card" by Mahmoud Darwish -Ulysses by James Joyce -The Four Quartets poems by TS Eliot -Julius Caesar by William Shakespeare -A'Rebours/Against The Grain by Joris-Karl Huysmans -Prisoner Of Love by Jean Genet -Down And Out In Paris And London by George Orwell -The Man With The Golden Arm by Nelson Algren -Revolutionary Road by Richard Yates -"Epitaph To A Dog" by Lord Byron -Cocaine Nights by JG Ballard -"Not By Bread Alone" by James Terry White -Anecdotes Of The Late Samuel Johnson by Hester Thrale -"The Owl And The Pussycat" by Edward Lear -"Chevaux de bois" by Paul Verlaine -A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton -Don Quixote by Miguel de Cervantes -The Divine Comedy by Dante Alighieri -The Jungle Book by Rudyard Kipling -The Man Who Would Be King by Rudyard Kipling -Ask The Dust by John Frante -On The Trans-Siberian Railways by Blaise Cendrars -The 39 Steps by John Buchan -The Overcoat by Nikolai Gogol -The Government Inspector by Nikolai Gogol -The Iliad by Homer -Heart Of Darkness by Joseph Conrad -The Volunteer by Shane O'Doherty -Twenty Love Poems and A Song Of Despair by Pablo Neruda -"May Banners" by Arthur Rimbaud -Literary Outlaw: The life and times of William S Burroughs by Ted Morgan -The Penguin Dorothy Parker -Smoke by William Faulkner -Hero And Leander by Christopher Marlowe -My Lady Nicotine by JM Barrie -All I Ever Wrote by Ronnie Barker -The Libertine by Stephen Jeffreys -On Murder Considered As One Of The Fine Arts by Thomas de Quincey -The Void Ratio by Shane Levene and Karolina Urbaniak -The Remains Of The Day by Kazuo Ishiguro -Dead Fingers Talk by William S Burroughs -The England's Dreaming Tapes by Jon Savage -London Underworld by Henry Mayhew

[the-hottest-band-tournament]

Round Four of The Hottest 80s Band Tournament

Santana

Defeated opponents: The Alan Parsons Project, Modern English

Formed in: 1966

Genres: Latin rock, blues rock

Lineup: Alex Ligertwood – vocals, rhythm guitar

Carlos Santana – guitar, vocals

Richard Baker – keyboards

Gregg Rolie – organ, vocals

David Margen – bass Graham Lear – drums

Armando Peraza – congas, bongos, vocals

Raul Rekow – congas, vocals

Orestes Vilató – timbales, vocals

Albums from the 80s:

Zebop! (1981)

Shangó (1982)

Beyond Appearances (1985)

The Very Best of Santana (1986)

Freedom (1987)

Viva Santana! (1988)

Propaganda: 

Hanoi Rocks 

Defeated opponents: The Residents, The Cars, Ministry

Formed in: 1979

Genres: Glam punk, glam rock

Lineup: Michael Monroe- vocals 

Andy McCoy- lead guitar 

Nasty Suicide- rhythmic guitar 

Razzle- drums

Sami Yaffa- bass

Albums from the 80s: 

Bangkok Shocks, Saigon Shakes, Hanoi Rocks (1981)

Oriental Beat (1982)

Self Destruction Blues (1982)

Back to Mystery City (1983)

Two Steps from the Move (1984)

Propaganda: a criminally underrated band whose musical influenced many popular bands like GNR. Also they are all so pretty! Like Micheal Monroe is absolutely gorgeous and gives me complete gender envy!!

Visual propaganda for Hanoi Rocks:

[thefisherqueen]

"Self-censorship was a practical necessity, but it was also part of the process of self-discovery, which makes it doubly unreasonable to accuse writers like Proust or James of failing to support the cause. Far more damage was done by the mutilations and incinerations of embarrassed readers. A diarist might turn his closet into a time-machine, but when it arrived in the future heirs and editors would be waiting to barricade the doors.

Some crude attempts at censorship are easily reversed - hims replaced with hers, and so on - but a great deal of the unread corpus was destroyed forever. Edmund Gosse and the librarian of the London Library organized Symond's papers into a pile in the library garden and set fire to them. Richard Burton's extensive research notes on 'pederasty' were probably destroyed by his widow. Minnie Benson's son Arthur left behind 'a packet of letters of very dangerous stuff' and another packet 'that had to be burned unopened', according to his brother Fred. Edward Lear's papers seem to have been selectively destroyed after his death by the man for whom Lear had harboured a 'twarted, frustrated, impossible love'.

To judge by the large number of known destructions (most presumably went unrecorded), at any moment in the 19th century someone, somewhere, was burning the papers of a homosexual relative. People who were almost certainly homosexual, like Thomas Gray or Thomas Lovell Beddoes, can now have no firm place in the record, especially since the standard of proof demanded of biographers is far stricter for homosexual than for heterosexual subjects. It is almost as if the surviving testimonies to forbidden love were written 2000 years rather than four or five generations ago. Ancient Greek literature and 19th-century confessional gay literature probably survive in approximately the same proportions."

From: 'Strangers. Homosexual love in the nineteenth century', by Graham Robb

Crying a little at the thought of all the queer records we've lost

[wrizard]

more terror daemon AU sketches i forgot to post until this second!! (also on twt here xo) our dear harry goodsir and his sweet cordelia, the little brown bat (yes, named after King Lear). she is very small and skittish and shy but will absolutely correct you if you're wrong. this can be socially uncomfortable because she is right like 95% of the time and Not polite about it

further bat doodle and MORE THOUGHTS under the cut

SOMEONE IS WRONG ON THE INTERNET HARRY. SOMEONE IS GOING ONLINE AND TELLING LIES

i love her so much. she is Annoying but extremely sweet and precious and small and quiet. she gets along very well with other daemons typically, and has wonderful bedside manner; she's VERY affectionate and will ride around on harry's head all day if allowed. she gets very sad when ppl are like "ew a bat" tho. she's friendly and sociable! it's hardly her fault people have strange ideas about the species she settled!

also people tend to forget that she's extremely quick and agile in the air, because she tends to scuttle about on the desk when people are around, or hang off of harry's glasses for a lark.

she will ride around on other daemons she gets along with, too, when she gets the chance -- she really likes graham gore's daemon (a dog??) and will cling onto her head and have a chat and a cuddle like that. she will Not approach the ship cats or Neptune due to being tiny and food-shaped and also they are Very Big. and neptune is so LOUD.

anyway. i love her. she is Small

[thesobsister]

From the Festivál album, a song guaranteed to get your body moving, from Carlos Santana and the boys, augmented by the Tower of Power Horns.

This is a particularly sweet spot in the Santana discography, following his years in the spiritual jazz-rock realms that began with Caravanserai and continued through his time with his then-guru Sri Chinmoy. The band's release of Amigos, followed by Festivál, saw Carlos embrace actual tunes and danceable rhythms. And here, the Santana machine is in top form, featuring the great Jose "Chepito" Areas on the timbales and Raul Rekow on the congas, with Graham Lear (d) and Pablo Tellez (b). One of the best of the Santana bands.

Here is the original as written and popularized by the Cuban composer and percussionist Pello el Afrokán, born Pedro Izquierdo Padrón, who also developed the "Mozambique" rhythm called out in the lyrics.

Some background here on Pello:

And for the hispanohablantes among you, this documentary on the composer and percussionist:

[emilyofmindelan]

hot take to make all the (imaginary) theatre critics mad: Graham Abbey and Maeve Beaty were frankly more compelling in Much Ado About Nothing than Paul Gross was in King Lear this year at the Stratford Festival. the main tragedy this year (lear) did not hold a candle to Hamlet last year. however Richard II may redeem this tomorrow. we’ll see.

[tellthemeerkatsitsfine]

Last week, I listened to this 4 at the Store thing, with Radio 4 stand-up comedy from 1998-2004. I decided that would make this week a good time to get to something I’ve had in my folder for a while, which is this audiobook that came out in 2020, with about 20 minutes each by a bunch of different comedians. It’s about 8.5 hours, and the idea was for it to showcase some of the stuff that should have happened at the 2020 Edinburgh Fringe Festival, but didn’t, because, you know, 2020.

It’s cool to me to go straight from a mish-mash of a bunch of late 90s/early 00s comedians showing off whatever they do, to the same thing but in 2020. A really interesting way to compare the way comedy as a whole had changed in 20 years, as well as the ways in which it hadn’t. I think in many ways, I was more surprised by what stayed the same than by what changed.

I may try to do a more in-depth post about this once I actually finish listening to Edinburgh Unlocked, right now I have about three hours of it left. But I’m really enjoying it so wanted to mention it. My favourites so far are: John Kearns, Mo Omar, Shelf, Chloe Petts, and Leo Reich. Which is cool, because I hadn’t heard of Mo Omar at all and really enjoyed his stuff, always good to discover new stuff. Leo Reich was also pretty much unknown to me, the name was familiar because I knew I’d seen it around the internet somewhere, and just immediately thought, “I don’t like that guy.” Once I actually listened to him, and really liked him, I realized I’m pretty sure all that’s happened is my brain saw his name, though of Leo Kearse and Lee Hurst, and decided he must be terrible. I am quite pleased to have that misnomer corrected. I’m also pleased that I ended up liking Leo Reich so much, because I think he’s one of those gen Z ones, and I’m a bit concerned that I might be a bit biased against those ones, but he was great.

Chloe Petts I already knew from some panel shows (actually just Hypothetical, I think, but then she was on the Taskmaster podcast), where I’d liked her enough to look her up and find a few little clips of her stand-up, but hadn’t found anything longer form so it was great to get 20 whole minutes of an Edinburgh hour that I’d love to hear in its entirety. Shelf I’d only heard of because Sarah Keyworth has referenced them in this story they’ve told in the couple of WIPs I’ve seen them stream online this year, and I’m pleased to saw that Shelf’s comedy material was pretty much exactly what I’d expected based on Keyworth’s stories. And obviously I knew John Kearns, looked up a bunch of his stand-up clips after Taskmaster last year, and I’m still not really on board with the false teeth gimmick, but if you just listen to the actual words he’s saying it’s fantastic.

Other good stuff I’ve heard in this audiobook so far - Sophie Hagen’s part was quite entertaining, but I just couldn’t quite list it among my favourites because of how genuinely painful it was to listen to, just too stark a reminder of my own forays into Harry Potter fanfiction circa 2002-2004, age 12-14. Lou Sanders just told some stories about her experiences at the Edinburgh Fringe over the years, which was lovely to listen to. Ivo Graham did something with Shakespare plays. Fern Brady’s hosting the whole thing, introduces each comedian with a little story about her relationship with them (her intro to John Kearns, a heartfelt description of him as an excellent comedian and a good friend, is quite funny in light of the Taskmaster treachery).

Anyway, I’m really enjoying it, it’s a nice way to get a little bit of a lot of comedy and then pick the ones you like enough to get into further.

[denimbex1986]

'By his own admission, awards season has been bittersweet for Andrew Scott.

Currently basking in a flurry of positive reviews for his starring role in a new Netflix adaptation of Patricia Highsmith's The Talented Mr. Ripley, Scott recently collected the Critics’ Circle Theatre award for his remarkable performance in a contemporary rendering of Chekhov masterpiece Vanya.

But the occasion was tinged with sadness for the Irish star, 47, whose devoted mother Nora passed away with a 'sudden illness' in March - shortly before Mother's Day.

And Scott - who dedicated the award to her memory by telling audience members “she was the source of practically every joyful thing in my life” - admits he felt compelled to immerse himself in work following her recent passing.

'Well, you know, you have to — life goes on, you manage it day by day,' he told the Sunday Times.

'It’s very recent, but I certainly can say that so much of it is surprising and unique, and there is so much that I will be able to speak about at some point.'

A devoted follower of fashion away from screen and stage, Scott admits his love of clothes came from his mother and her passion for the arts.

'My mother was an art teacher, she was obsessed with all sorts of design,' he recalled. 'She loved jewellery and jewellery design.

'Anything that is visual, tactile, painting, drawing, is a big passion of mine, so I have tremendous respect for the creativity of designers.'

Despite the tragedy, Scott has attempted to maintain a positive attitude towards both his personal and professional life.

'I feel like, as a person, I am quite near my emotions,' he said. 'I cry easily and I laugh easily, and there is nothing more pleasurable to me than laughing.'

Nora's death was confirmed in a statement on March 9, with family members adding that she passed away on Thursday March 7 surrounded by her family at St Vincent's Hospital in Dublin.

An obituary read: 'It is with our deepest sorrow that we inform you of the passing of Nora Scott (née Boyle), beloved wife of Jim, mother of Sarah, Andrew and Hannah.

'Scott, Sandymount, Dublin, formerly Omagh Co. Tyrone, March 7th 2024 peacefully surrounded by her loving family and best friend Anne, in St Vincent's Hospital following a sudden illness.

'Nora will be deeply missed by her beloved husband Jim, her loving children Sarah, Andrew and Hannah.'

In 2018, Nora revealed Anthony Hopkins sent her 'more than three dozen red roses,' after finding out she was ill when speaking to Scott on the set of King Lear.

Hopkins, 86, starred in the BBC's Shakespeare adaptation as an ‘English Stalin’ with Scott playing Edgar - who becomes Lear’s secret protector.

She told RTE’s Ryan Tubridy at the time: 'There was probably more than three dozen red roses and attached to them was a little card from Anthony saying "Be well, sending hugs", and all sorts of things.'

'I was thrilled to get such a gift and for the kind thought that promoted it.

'Now I have recovered, I can enjoy these exquisite roses that grace our hall. It was such a beautiful gift.'

In January, Scott and his co-star Paul Mescal admitted they weren't too keen on their family members watching their new film, gay drama All Of Us Strangers.

The movie stars Scott as a screenwriter drawn back to his childhood home who enters into a relationship with a mysterious neighbour, played by Mescal, 27.

The film features several intimate scenes between the actors which the pair discussed during an appearance on The Graham Norton Show.

Asked if their families had seen the flick yet, Mescal said: 'With the Irish premiere, trying to allocate tickets to all the aunties and uncles is a tricky business.

'They have seen my bum before but there is a little more going on in this movie I would say!'

Scott added: 'I don't want to be there when my parents watch it!''

[mergingonthefreeway]

Greenpeace - Don't Stop from Samona Olanipekun on Vimeo.

This is no ordinary cover: Don’t Stop is a contemporary fable about being young in the world today. The song is a call to action for people worried about their future and the state of the planet, and a rallying cry for those who dream of a better tomorrow. Together we can stand up to the fossil fuel industry. Add your name now: act.gp/3qIN8o6

Production Company: Lammas Park @lammas_park_productions

Director - Samona Olanipekun @samona_o Exec Producers - Steve McQueen, Bona Orakwue @bonaclara7, Anna Smith Tenser @smithspanna Producer - George Telfer @gtelfs

Production Manager - Chanel Parkinson @chanellyonthetelly PA - Hannah Lockwood @hanlockwood Cast Coordinator - Beth Rubery @beth.rubery Production Runner - Tom Gimlette @tomgimlette

Researcher - Shireen Bahmanizad @shireen_bahmanizad Researcher - Conall O’Brien @conallobrien Bidding Producer - Nat Baring @natanatics Lammas Park Head of Operations - Nicholas Horne Lammas Park Production Assistant - Umashni Puvanendran

1st AD - Gabriel O’Donohue @_gabriel.odonohue_

Movement Director - Liara Barussi @liarabarussi Casting Director - Coralie Rose @coralie_blamo_rose

DOP - Annika Summerson @annisummerson Steadicam / Camera Op - Jonathan Tyler @jonotyler Focus Puller A Cam - Kate Mollins @kate__mo_ Focus Puller B Cam - Sam Ebrahim Riley @samrileyac Clapper / Loader - Sonia Rogriguez Camera Trainee - Lucas Murray Reynolds Grip - Warwick Drucker

Video Playback - Robbie Ross @rsvp.london DIT - Ben Grady @colour.grady Sound Recordist - Anthony Leung @anthonyleungsound

Gaffer - Salvador Lopez-Gomez @glofilmlighting Best Boy - Jamie Hitchens @jamiehitchens Desk Op - Noah Furrer Electricians - Charlie Lodge, Lee Madigan, Nathan Rubins Rigger - Steve Daly @steve_daly

Production Designer - Jade Adeyemi @adeyumyum Prop Buyer - Martha Howe @martha.howe, Matty Mancy @matty.mancey Led Art Assistant - Lea Otovic @leaotovic Art Dept Assistant - Isabelle Bryan, Nana-yaw Mensah @nyk_mensah, Lucia Barsegian @luciabarsegian, Daisy Alexander, Fenella Evans @fen.art_, Sofia Karavis @sofiakara

Construction by Cous De La @cousdela

SFX Supervisor - Neil Gawthrop SFX Technicians - Miguel Ferreira, Jonathan Long SFX by Machine Shop @machineshopsfx

Costume Designer - Verity May Lane @veritymaylane Costume Assistants - Amy Thompson @a_thompson, Johanna Yohannes, Ellie Rimmer @ellie_r1

Make Up Designer - Maya Man @mayamanartist Make Up Assistants - Chelsea Murphy @sculptedbychelsea, Nic Marilyn @nicmarilyn Hair Designer - Kreszend Sackey @kreszendsackey Hair Assistant - Viviane Melo @vivianemelomua

Medic - Verity Stacy

Editor - Jack Williams @__jackwilliams_ Edit House - The Assembly Rooms @the_assembly_rooms Edit Producer - Phoebe Armstrong-Beaver Sound Designer - Jack Sedgwick @snappajack Audio Post - King Lear @kinglearlondon Audio Producer - Suzy McGregor Colourist - George Kyriacou @georgekcolourist Post - Black Kite Studios @blackkitestudios VFX - Mark Stannard Colour Producer - Holly Tidwell @holly_tidwell, Jade Denne @jadedenne

Camera - Panavision @panavisionofficial Lighting - Panalux @panaluxworld Studio - Dukes Island Studios Insurance - Dan Woods at Media Insurance Brokers Accountancy - Robert Okonski & Emmanuel Lindsay at Clay GBP

Casting Assistants - Laura Meredith Additional Casting - Lauren Patterson @ Jukebox Collective Agency

CAST:

Speech Givers: Kyle Osbourne Lili Chin

Tomorrow’s Warriors: Kyle Osborne, Emily Tran, Cassius Cobbson, Shanise, David, Tami Lisa Smith

Waiters & Kitchen Staff Cameron Berryman, Izaebella Cresci, Christopher Mbaki, Jinessa Meggi, Ebony Aboagye, Oliver Manley, Kade Turner, Geddy Stringer

Party Guests: Graham Collier, Anja Kick, Philippa Casares, Noreen Goodwin, Benji Ming, Catherine Cornwall, Huma Mohyuddin, Ellie Madden, Albert Graver, Rainier Manzano, Ruby Gascoyne, Sharifa Butterfly, Haseeb ‘Chilly’ Hearn, Duran Abdullah, Mikael Rivieri, Patrick Gabco, Ellie Harlulow, Rogerio Ghesti, Katerina Bragin, Michael Ahfong, Kesiena Banye, Beverly Connel, Jeanette Maskell, Peter Wilkinson

and Featuring: Will Poulter, Fraser T Smith and Avelino

MUSIC

Written by: Christine McVie / Universal Music Publishing Group Produced by: Fraser T Smith / 70Hz Original Rap verses: Avelino Music Supervision and Consultancy: Ed Bailie and Seb Whyte / Leland Music Music Marketing: Olivia Hobbs and Clare Wright / Blackstar Agency Performed by: Future Utopia X Avelino X Tomorrow's Warriors With thanks to: House Gospel Choir, Benjamin Kwasi Burrell, Janine Irons, Fish Krish, Gabriel Starkey, Patricia Pascal

AGENCY

Creative Agency: Mother London Creative Director: James Sellick @jamessellickauthor Creative: Scott Anderson @scottanders44 Title Design: Ben McNaughton Head of Production: Anna Murray @annasedgwick Producers: Tommy Frankau @tommyfrankau, Nic Akinnibosun, Joseph Ogunmokun Epilogue: Written by Scroobius Pip in collaboration with Greenpeace, performed by Lilli Chin Special Featured Performance: Will Poulter

[kvothes]

i was tagged by @entroponauts to do ten characters / fandoms / tags! so without further ado:

will graham, hannibal

gideon nav, the locked tomb

adam parrish, the raven cycle

silence, le roman de silence

nancy wheeler, stranger things

grantaire, les mis

eddie kaspbrak, IT

henry winter, the secret history

cordelia, king lear

aaaaaaaaaand kvothe, the name of the wind

tagging @glamgil @localcinaedus @nearer-than-the-eye @magnificentmoose @phereinnike @malglories @benafee @fionacreates + anyone who wants!

[the-hottest-band-tournament]

Round Two

Modern English

Defeated opponents: Dinosaur Jr.

Formed in: 1979

Genres: New wave, post punk

Lineup: Robbie Grey – vocals

Gary McDowell – guitars

Stephen Walker – keyboards

Michael Conroy – bass, violin

Richard Brown – drums, percussion

Albums from the 80s:

Mesh & Lace (1981)

After the Snow (1982)

Gathering Dust EP (1983)

Ricochet Days (1984)

Stop Start (1986)

Propaganda:

Santana

Defeated opponents: The Alan Parsons Project

Formed in: 1966

Genres: Latin rock, blues rock

Lineup: Alex Ligertwood – vocals, rhythm guitar

Carlos Santana – guitar, vocals

Richard Baker – keyboards

Gregg Rolie – organ, vocals

David Margen – bass Graham Lear – drums

Armando Peraza – congas, bongos, vocals

Raul Rekow – congas, vocals

Orestes Vilató – timbales, vocals

Albums from the 80s:

Zebop! (1981)

Shangó (1982)

Beyond Appearances (1985)

The Very Best of Santana (1986)

Freedom (1987)

Viva Santana! (1988)

Propaganda: 

[lboogie1906]

The Golden Thirteen were the thirteen African American enlisted men who became the first African American commissioned and warrant officers in the Navy. Responding to pressure from First Lady Eleanor Roosevelt and Assistant Secretary of the Navy Adlai Stevenson, in January 1944, the Navy began an accelerated 2-month officer training course for 16 African-American enlisted men at Camp Robert Smalls, Recruit Training Center Great Lakes in Illinois. The class average at graduation was 3.89. Throughout the history of the US until the end of WWI, the Navy had enlisted African Americans for general service, but they were barred from joining from 1919 to 1932. From 1893 onwards, African Americans could only join the Navy's Messman's and Steward's branches, which not only segregated African Americans from the rest of the Navy community but precluded them from becoming commissioned officers. All sixteen members of the class passed the course, but only twelve were commissioned in March 1944: John Walter Reagan, Jesse Walter Arbor, Dalton Louis Baugh Sr., Frank Ellis Sublett, Graham Edward Martin, Phillip George Barnes, Reginald E. Goodwin, James Edward Hair, Samuel Edward Barnes, George Clinton Cooper, William S. White, and Dennis Denmark Nelson were commissioned as Ensigns; and Charles Byrd Lear was appointed as a Warrant Officer. The reason why only 13 gained rank, despite all the men being successful in training was never explained, but it is noted that this rate brought the pass rate down to the level of the average class of white candidates. Because Navy policy barred African Americans from being assigned to combat ships, the first class of African American officers were assigned to command shore logistics units, small tug, and tender ships, and training African American enlisted. President Harry S. Truman desegregated the military in 1948. At the time of the Golden Thirteen's commissioning, approximately 100,000 African-American men were serving in the Navy's enlisted ranks. Frank E. Sublett, the last living member of the group, died in 2006. #africanhistory365 #africanexcellence https://www.instagram.com/p/Cm9AfgSrxDf/?igshid=NGJjMDIxMWI=

[reposted-yura15cbx]

William Shakespeare, - Tutte le opere. Le.pdf William Shakespeare, - Tutte le opere. Tr.pdf William Shakespeare, - Tutte le opere. I drammi storici. Testo inglese a f.pdf William Shakespeare, F. Giacomantonio (editor) - Giulio Cesare. Testo inglese a fronte. Ediz. integrale-Newton Compton Editori (2011).epub William Shakespeare, Luca Fontana (editor) - La tragica storia di Amleto, principe di Danimarca-Il Saggiatore (2011).epub William Shakespeare, Nadia Fusini (editor) - La commedia degli errori. Testo inglese a fronte.pdf William Shakespeare, Northrop Frye, Fernando Cioni (editor) - Commedie romantiche-BUR Biblioteca Univ. Rizzoli (2007).epub Wystan Hugh Auden, Arthur Kirsch (editor) - Lezioni su Shakespeare-Adelphi (2006).epub Yves Bonnefoy - L'esitazione di Amleto. Scritti su William Shakespeare-Il Saggiatore (2023).epub

A. J. P. Smith_ Graham Handley (editor) - Shakespeare_ Henry IV, Part I-Bloomsbury Academic (1991).pdf A. Schmidt (editor) - Shakespeare’s dramatische Werke_ Band 12 Othello. Macbeth. Cymbelin-De Gruyter (1897).pdf Andre Muller - Shakespeare ohne Geheimnis-Eulenspiegel-Verlag (2006).rar Bill Bryson_ Sigrid Ruschmeier - Shakespeare - Wie ich ihn sehe-Goldmann (Bertelsmann) (2016).epub Charles William Wallace - The evolution of English drama up to Shakespeare with a history of the first Blackfriars theatre.pdf Dr. Maria Salditt (auth.) - Hegels Shakespeare- Interpretation-Springer-Verlag Berlin Heidelberg (1927).pdf DS Mayfield - Rhetoric and Contingency_ Aristotle, Machiavelli, Shakespeare, Blumenberg-De Gruyter (2020).epub Ernst Stadler - Wielands Shakespeare-De Gruyter (1910).pdf Gerhard Muller-Schwefe - William Shakespeare_ Welt - Werk - Wirkung-De Gruyter (1978).pdf Grundzuge und Haupttypen der englischen Literaturgeschichte_ Teil II Von Shakespeare bis zur Gegenwart-De Gruyter (1914).pdf Gunter Reichert - Die Entwicklung und die Funktion der Nebenhandlung in der Tragodie vor Shakespeare-Max Niemeyer Verlag (1966).pdf Henry R. D. Anders - Shakespeare's books_ A dissertation on Shakespeare's reading and the immediate sources of his works-(1904).pdf Holmes, Barbara Ware - Charlotte Shakespeare-anrich verlag GmbH (1993_1990).epub Horst Oppel (auth.) - Stand und Aufgaben der Deutschen Shakespeare-Forschung 1952–1957-J.B. Metzler, Stuttgart (1960).pdf James Boyd (auth.) - Goethe und Shakespeare-VS Verlag fur Sozialwissenschaften (1962).pdf John D. Jump (editor) - Shakespeare_ Hamlet-Bloomsbury Academic (1968).pdf John Russell Brown - Shakespeare-Bloomsbury Academic (1991).pdf John Wain (editor) - Shakespeare_ Macbeth-Bloomsbury Academic (1994).pdf John Wain (editor) - Shakespeare_ Othello-Bloomsbury Academic (1994).pdf K. Elze - Shakespeare’s dramatische Werke_ Band 6 Hamlet, Prinz von Danmark-De Gruyter (1869).pdf Otto Ludwig, Moritz Heydrich - Shakespeare-Studien-Hermann Gesenius (1901).djvu Rudolph Genee (editor)_ Adolf Menzel (editor) - William Shakespeare in seinem Werden und Wesen-De Gruyter (1905).pdf Sabin, Stefana_Shakespeare, William - Shakespeare auf 100 Seiten Reclams Universal-Bibliothek-Reclam Verlag (2014).epub Shakespeare William. - Romeo und Julia.pdf Shakespeare’s dramatische Werke_ Band 1 Konig Johann. Konig Richard der Zweite. Konig Heinrich der Vierte, erster Theil-De Gruyter (1871).pdf Shakespeare’s dramatische Werke_ Band 1 Konig Johann. Konig Richard der Zweite. Konig Heinrich der Vierte, erster Theil-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 1 Konig Johann. Konig Richard II. Konig Heinrich IV. (1. Teil)-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 10 Antonius und Cleopatra. Ma? fur Ma?. Timon von Athen-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 11 Konig Lear. Troilus und Cressida. Ende gut, alles gut-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 2 Konig Heinrich der Vierte, zweiter Theil. Konig Heinrich der Funfte. Konig Heinrich der Sechste, erster Theil-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 3 Konig Heinrich der Sechste (2. Theil). Konig Heinrich der Sechste (3. Theil). Konig Heinrich der Dritte-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 4 Konig Heinrich der Achte. Romeo und Julia. Ein Sommernachtstraum-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 5 Julius Caesar. Was ihr wollt. Der Sturm-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 5 Julius Casar. Was ihr wollt. Der Sturm-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 7 Der Widerspenstigen Zahmung. Viel Larm um Nichts. Die Comodie der Irrungen-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 8 Coriolanus. Die Komodie der Irrungen. Die beiden Veroneser-De Gruyter (1870).pdf Shakespeare’s dramatische Werke_ Band 9 Die lustigen Weiber von Windsor. Titus Andronicus. Das Wintermarchen-De Gruyter (1891).pdf