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meazalykov · 1 month ago

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whiteheads

lena oberdorf x esthetician!reader

summary: with an esthetician girlfriend, she can spot anything on your face.

warnings: one suggestive mention

you sit in your cozy esthetician studio, the low hum of the diffuser filling the space with the soft scent of lavender and eucalyptus.

your eyes flick to the clock, a gentle smile tugging at your lips as you think about your next client—your favorite client, really.

lena had been so caught up in her recovery from the ACL injury and all the intense training sessions that came with it, that she'd fallen off her usual skincare routine. her skin was still gorgeous, of course—she was lena, after all—but you noticed the subtle changes. the stress, the long hours of practice, the constant travel. all of it was taking its toll in ways that she hadn’t paid attention to, but you had.

so, naturally, when she mentioned feeling like her skin hadn’t been looking its best, you immediately scheduled an appointment for her in your studio.

"my favorite client needs a bit of pampering," you'd texted her with a wink emoji when she was at bayern’s training ground last week

she responded with an eye roll, followed by a simple, “i’ll be there.”

you hear the soft creak of the door, followed by her familiar voice.

"is it too late to back out?" obi teases, stepping into the room with that easy, confident smile that still makes your heart skip a beat, even after all these years.

you turn, grinning. "too late. i’m already prepping your skin in my mind."

she chuckles, moving toward you, her hands slipping into her pockets. "i can’t believe you’re making me do this," she says, mock-complaining. however, you can see the glint in her eyes, the way she’s more than happy to let you work your magic on her.

you gesture to the treatment bed. "you’re going to thank me when we’re done, trust me."

after you say that, you reach into the small closet and hand lena a soft, pink, plush robe to change into, one that you've had ready just for her.

she raises an eyebrow as she takes it, a teasing smirk playing on her lips. "really? a robe? you’re going all out, aren’t you?"

"of course, all of the clients wear a robe because i don’t want their outside clothes on the bed– even though I do wash the sheets after each client," you reply with a playful grin.

"however.. all of the clients use all of those blue robes that are hanging in the other closet. the pink one I gave you is my personal one– nothing but the best for you."

obi shakes her head but doesn’t argue. she’s used to you doting on her at this point, and honestly, you know she enjoys it.

without much hesitation, she begins to strip off her t-shirt, revealing the toned muscles of her back and shoulders that you’ve traced with your fingers countless times before. you’d step out the room before this point for every other one of your clients– but with lena there's no need for you to step out or give her privacy—you’ve been together for three years, and this level of comfort is something you've earned together.

you’ve seen much more of her than this, in much more intimate settings.

as she tosses her clothes aside and pulls on the robe, you can’t help but admire her for a moment. despite the months of recovery, despite the grueling rehab sessions, she still carries herself with that confident grace you love so much.

she ties the robe loosely around her waist, glancing at you with a small smirk when she catches you watching her.

"like what you see?"

you shrug playfully, trying to keep your tone casual even though your heart skips a beat.

"always."

lena chuckles softly, stepping over to the treatment bed, moving with a slight limp that reminds you of all she’s been through with her ACL recovery. she carefully settles onto the bed, stretching out with her leg propped up on the pillow you’ve set for her.

you lean over, adjusting the blanket around her, making sure she’s completely comfortable before you get started.

“ready?” you ask, your voice soft as you hover over her with your rolling chair.

lena grins, her eyes sparkling with a mix of amusement and affection. “as ready as i’ll ever be.”

with that, the session begins, and you slip into your professional yet tender mode, knowing that this is just as much about relaxing her body as it is about taking care of her skin.

"this feels so weird," she admits with a laugh.

"i’m used to seeing hannah, not... this."

hannah is the physio at bayern.

"well," you say, stepping closer and brushing a stray piece of hair behind her ear, "this is a different kind of healing."

her eyes soften at your words, and for a moment, neither of you speaks. there’s an unspoken understanding between you—she knows how much you care about her, how you notice the little things even when she doesn’t.

you break the silence first, giving her a playful smirk. "now, lay back, relax, and let me work."

lena raises an eyebrow as she leans back, settling into the bed. "you’re getting bossy."

"only when i need to be," you shoot back, grabbing your first cleanser and starting to work on her skin.

you begin with the first cleanse, your fingers moving gently over her face, massaging the cleanser in slow circles. "just taking off the surface stuff," you explain as you work, your voice soft but steady.

lena closes her eyes, sighing softly. "this feels... really good."

"good," you whisper, your hands never pausing.

as you wipe the first cleanser away with a warm towel, you glance at her face—her features are relaxed, her breathing steady. the tension that usually lines her forehead and jaw, remnants of her intense focus on the pitch, has already begun to melt away.

"so, this is what you do every day?" she asks, cracking one eye open, a teasing tone in her voice.

"you get paid a lot of money just to... touch people’s faces? i could retire from football now and go to school for this."

you laugh softly, moving on to the second cleanse, this one deeper and more targeted.

"there’s a bit more to it than that, lena."

"uh-huh," she murmurs, clearly enjoying the sensation of your fingers gliding over her skin. "i could get used to this."

"you should," you say, leaning a little closer, your voice dropping a touch. "i mean, i don’t work on my off-days for anyone except for you."

her lips curve into a smile, her eyes still closed. "oh yeah? i feel special."

"you are special." you let the words hang there, simple but true. and for a moment, it feels like the world outside your studio doesn’t exist—just you, her, and the soft intimacy of the moment.

you finish the second cleanse, wiping her face gently with another warm towel.

"how’s your leg?" you ask as you reach for your next tool.

"better," she says, her voice a little quieter now, a little softer. "you already know that. i’m getting stronger every day."

"i know," you say, your tone filled with pride. "i can see it."

as you prepare for the next step—extractions—you hold up the small metal tool.

"okay, so... next up are extractions. how are you feeling about that?"

lena’s eyes flick open, and she looks at the tool in your hand, her brow furrowing slightly. "what exactly are extractions?"

"basically, i use this tool to gently press around your pores to get rid of any blackheads, whiteheads, clogged pores... you know, stuff like that."

"and this is... necessary?"

you nod, smiling reassuringly.

"it’ll make a difference, trust me. but if it’s too uncomfortable, we can skip it and go straight to the enzyme mask and LED light."

lena squints at you, the skepticism clear on her face.

"how uncomfortable are we talking?"

you tilt your head, considering how to phrase it.

"it can sting a little, but i’ll be as gentle as possible. and remember, if it’s too much, we can stop."

she eyes the tool again, then finally nods.

"okay. i’m tough. i can handle it."

you smile, loving her determination.

"i know you can."

starting with her nose, you gently press the tool against her skin, carefully working around the small blackheads that have appeared. lena winces almost immediately, a small hiss escaping her lips.

you pause, looking at her with concern.

"you okay?"

she opens one eye, giving you a lopsided grin.

"yeah, just... didn’t expect it to sting like that."

"we can stop if you want," you offer, setting the sterile tool down momentarily.

lena shakes her head, her competitive nature shining through.

"no way. i’m not tapping out. finish what you started."

you laugh softly, admiring her grit.

"all right, tough girl. let’s keep going."

you continue the extractions, moving slowly and carefully, making sure not to cause too much discomfort. fortunately, lena’s skin doesn’t have too many issues—just some whiteheads that you quickly take care of.

when you’re done, you set the tool aside and wipe her face down with another warm towel.

"all done," you say, smiling at her as you clean up.

"how was that?"

lena lets out a dramatic sigh of relief.

"i thought you said you were going to be gentle."

"i was!" you protest, laughing. "you’re just sensitive."

"or maybe you’re secretly trying to torture me," she teases, her lips curving into a playful smile.

"i’d never," you say, leaning down to kiss her forehead. "besides, you survived."

"barely," she mutters, but the smile stays on her face.

now that the extractions are done, you move on to the enzyme mask, smoothing the cool, creamy, raspberry scented, formula over her skin.

"this part’s the easy part," you tell her.

"it’ll just sit for a bit while it works its magic."

"finally," lena says, her voice taking on a teasing tone again.

"something that doesn’t involve pain."

you laugh softly, finishing up with the mask and setting the timer. "well– it will make your skin tingle but here's a fan to blow on your face," you say, stepping back to admire your work.

“by ‘tingle’ do you mean an actual tingle– or burning?”

“a small tingle. if your skin starts to burn please say something.”

“oh– i will.” lena whispers with her eyes closed.

as the enzyme mask settles onto lena’s skin, you take a moment to glance at her, admiring how peaceful she looks lying there. her eyes are closed as the fan blows cool air onto her skin.

obi is breathing steady, and she seems to have completely relaxed under your care. the soft, warm light from the lamp above casts a gentle glow over her features.

you set the timer for the mask and move behind her again, placing your hands gently on her shoulders. lena tenses slightly at first, but as your fingers begin to knead into the muscles, you feel the tension start to melt away. you apply just the right amount of pressure, working in slow circles over her shoulder blades, feeling the tight knots that have built up from months of intense training and rehab.

your thumbs press into the spots just above her shoulder blades, and a soft sigh escapes her lips. you smile to yourself, continuing to massage her, knowing that lena never fully admits how sore or tired she gets, but you can feel it in her muscles—the tightness, the strain.

you take your time, moving down toward her neck, your fingers expertly working over the base of her skull and into her hairline. with each stroke, you can feel her sink deeper into the bed, her body completely giving in to the relaxation.

“you okay?” you murmur softly, more out of habit than necessity, since you know she is.

lena doesn’t respond, but the soft rise and fall of her chest tells you everything you need to know.

you smile to yourself, convinced that she's on the verge of sleep. continuing your gentle ministrations, you move your hands into her hair, lightly massaging her scalp in slow, circular motions.

obi loves when you run your fingers through her hair, and you know this will send her over the edge into pure bliss. her head tilts slightly to the side, completely relaxed under your touch.

as you move your hands back down to her neck and shoulders, working out the last bit of tension, you glance down at her face. the breathing in her body has deepened, her lips slightly parted.

yep, she's asleep. you chuckle softly to yourself, careful not to make any sudden movements that might wake her.

for the rest of the time, you keep your touch light, alternating between massaging her shoulders and running your fingers through her hair. the timer finally goes off, signaling the end of the mask’s set time, but you’re in no rush to wake her.

she looks so peaceful, so content, that you almost hate the idea of disturbing her.

eventually, though, you clean the mask off of her face with a soft warm towel. afterwards you press a soft kiss to her temple, and whisper, “babe, time to wake up.”

lena stirs slightly, her eyelids fluttering as she slowly comes back to the present.

“was i... did i fall asleep?”

you laugh quietly, running your fingers through her hair.

“yeah, you did. i think i’ve got some magic hands.”

she chuckles softly, still half-asleep, her voice drowsy. “you really do.”

"you look amazing already." you admire her glowy skin.

"i always look amazing," she quips, but there’s a playful gleam in her eyes as she glances at you.

you grin, rolling your eyes. "humble as ever."

"i learned from the best," she shoots back, smirking.

you prep the LED light therapy, getting everything ready for the final step. after you set the timer on the LED, you gently put safety eye covers on obi’s eyes before guiding her head beneath the LED light.

the soft red glow fills lena’s vision through the safety eye cover, and you sit behind her, running your fingers gently through her hair as she relaxes under the light.

"this is my favorite part," lena murmurs after a moment, her eyes still closed.

"oh yeah?" you ask, smiling softly.

"yeah," she says, her voice low and content. "you. taking care of me."

your heart swells at her words, and you lean down to press a soft kiss on the top of her head that isn’t underneath the light.

"always."

as the LED therapy wraps up, you remove the light and finish with a light serum and moisturizer, massaging the products into her skin with gentle, soothing strokes.

when you’re done, you help her sit up, and lena stretches, touching her face lightly.

"i feel like a new woman," she says, examining her reflection in the mirror you hand her.

"you look like one too," you tease, stepping back to admire the glow of her skin.

lena turns to you, pulling you by the waist and into a warm embrace, her hands resting on your waist.

"thank you," she murmurs, pressing her lips softly to yours.

“for everything."

you smile against her lips, feeling the familiar warmth of her body against yours. "anytime," you whisper, pulling back slightly to meet her gaze.

"but next time, no slacking on the skincare, okay?"

lena chuckles, nodding. "deal. but only if i get to come back here for more of your special treatment."

"oh, you’ll be back," you say with a playful grin. "whether you like it or not."

she smirks, leaning in to kiss you again. "i think i’ll like it."

masterlist

#lena oberdorf #lena oberdorf x reader #woso fanfics #woso community #woso x reader #gerwnt #bayern frauen

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marleneoftheopera · 11 months ago

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Holiday Audio/Video Gifts!

For the holiday season, here are some audio gifts from various shows and one Phantom video! The link to them is here and the info is below the cut:

Happy holidays and I hope you are all having time for some rest!

Audios

POTO

Jon Robyns, Paige Blankson, Joe Griffiths-Brown, Kelly Glyptis, Matt Harrop, Adam Linstead, Francesca Ellis, David Kristopher Brown, Maiya Hikasa August 22, 2023; London

Tim Howar, Harriet Jones, Nadim Naaman, Lara Martins, Nicholas Garrett, Arvid Larsen, John Ellis, Valerie Cutko, Kelsi Boyden March 19, 2023; Greece

Josh Piterman, Corinne Cowling (u/s), Danny Whitehead, Katy Hanna (u/s), Ross Dawes, Kris Manuel (u/s), Sophie Caton (u/s), Paul Ettore Tabone, Georgia Ware October 17, 2019; London Matinee.

Jeremy Stolle (u/s), Samantha Hill, Greg Mills (u/s), Michele McConnell, Richard Poole (u/s), Tim Jerome, Ellen Harvey, Christian Sebek, Kara Klein, Scott Mikita (u/s) March 9, 2013; Broadway Matinee performance.

John Owen-Jones, Deborah Dutcher, Matthew Cammelle, Bruce Montague, Charles Shirvell, Margaret Mary Kane (u/s), Janet Murphy, Jeremy Secomb, Lucy Middleton January 5, 2002; London

Love Never Dies

Tam Mutu, Celia Graham, David Thaxton, Daniel Dowling August 25, 2011; London Tam Mutu's last performance.

Les Miserables

Christopher Jacobsen (u/s Jean Valjean), Stewart Clarke (Javert), Katie Hall (Fantine), Will Callan (Marius), Lulu-Mae Pears (Cosette), Amena El-Kindy (Eponine), Luke Kempner (Thenardier), Claire Machin (Madame Thenardier), Dejan Van der Flyert (Enjolras), Alex Shaw (Gavroche), Clohe Sullivan (Little Cosette), Tom Hext (Grantaire/Majordomo), Adam Pearce (Bishop/Claquesous), Ellie Ann Lowe (Factory Girl), Jordan Simon Pollard (u/s Foreman/Bujon), Matt Dempsey (Bamatabopis/Lesgles), Annabelle Aquino, Hazel Baldwin, Emily Olive Boyd, Ben Culleton, Matt Hayden, Sam Kipling, Anouk Van Lake, Harry Lake, Ben Oatley, Jonathan Stevens, Phoebe Williams, Ollie Wray September 28, 2023; London 15,000th show in London and the 5th show for the new company.

Sunset Boulevard

Nicole Scherzinger (Norma), Tom Francis (Joe Gillis), David Thaxton (Max von Mayerling), Grace Hodgett Young (Betty Shaefer), Ahmed Hamaad (Artie), Tyler Davis (Sheldrake), Charlotte Jaconelli (Johanna), Jon Tsouras (Cecil B. de Mille) September 28, 2023; London

Rebecca

Laureen Jones (I), Richard Carson (Maxim de Winter), Kara Lane (Mrs Danvers), Sara Harlington (Beatrice), Neil Moor (Giles), Piers Bate (Frank Crewley), David Breeds (Ben), Alex James Ward (Jack Favell), Shrley Jameson (Mrs Van Hopper), Nicholas Lumley (Colonel Julian) September 27, 2023; Off-West End

POTO Video

Ian Jon Bourg, Olivia Safe (u/s), Kyle Gonyea 2001; Hamburg, Germany VOB files. One of the most legendary Phantom's opposite one of the youngest Christine's!

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viir-tanadhal · 5 months ago

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Pet Shop Boys' song picks for various radio interviews for Nonetheless

BBC Radio 2 with Jo Whiley (April 25, 2024)

Chris

Black Beauty theme (childhood song)

Bedsitter by Soft Cell

Ain't No Stoppin' Us Now by McFadden & Whitehead (death song)

Neil

The Young Ones by Cliff Richard and the Shadows (childhood song)

Bedsitter by Soft Cell

Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams (death song)

BBC Radio 6 with Lauren Laverne (April 26, 2024)

Chris

Was That All It Was by Jean Carn

This Time Baby by Jackie Moore

Native New Yorker by Odyssey

Neil

Borderline by Madonna

I Want You by Marvin Gaye

Born Slippy by Underworld

Greatest Hits Radio with Jackie Brambles (April 28, 2024)

Chris

Baby Love by The Supremes

For Once in My Life by Glen Campbell

Rhythm is a Dancer by Snap!

Neil

Girl Don't Come by Sandie Shaw

Whole Lotta Love by Led Zeppelin

Unfinished Sympathy by Massive Attack

BBC Radio 3 with Jess Gillam (June 8, 2024)

Neil

Ich Habe Genung (Cantata No 82) by J.S. Bach

Générique by Miles Davis

Symphonia Virginum: O Dulcissime Amator by Hildegard von Bingen

September Song by Kurt Weill; sung by Lotte Lenya

Tracks of My Years with Vernon Kay (June 9, 2024)

Chris

Stop! In the Name of Love by The Supremes

Fame by Irene Cara

Never Give You Up by Sharon Redd

Let Me Love You For Tonight by Kariya

A Love So Beautiful by Roy Orbison

Neil

I Am The Walrus by The Beatles

Papa Was A Rollin' Stone by The Temptations

Do Anything You Wanna Do by Eddie and the Hot Rods

This Is Not America by David Bowie

Unfinished Sympathy by Massive Attack

Artists in Residence - Queer (Nov. 11, 2024)

Homosexuality by Modern Rocketry

Smalltown Boy by Bronski Beat

Walk On The Wild Side by Lou Reed

I Was Born This Way by Carl Bean

Dizzy by Olly Alexander

Shoot Your Shot by Divine

Menergy by Patrick Cowley

Streets of Philadelphia by Bruce Springsteen

Never Give You Up by Sharon Redd

Hideous by Oliver Sim (ft. Jimmy Somerville)

In the Evening by Sheryl Lee Ralph

If Love Were All by Judy Garland

Artists in Residence - Producers (Nov. 12, 2024)

I'm So Hot For You by Bobby O

Hey DJ by Worlds Famous Supreme Team (Stephen Hague)

Slave To The Rhythm by Grace Jones (Trevor Horn)

I Like You (Shep Pettibone Mix) by Phyllis Nelson (Shep Pettibone)

Point of No Return by Exposé (Lewis Martineé)

Axel F by Harold Faltermeyer

Hold That Sucker Down - Builds Like a Skyscraper Mix by OT Quartet (Rollo)

Balcony Scene from Romeo + Juliet by Craig Armstrong

So Hard - D Morales Red Zone Mix by Pet Shop Boys (David Morales)

The Loving Kind by Girls Aloud (Xenomania)

Say You Will by Kanye West (Andrew Dawson)

It's Automatic by Zoot Woman (Stuart Price)

The Meeting Place by The Last Shadow Puppets (James Ford)

Artists in Residence - Miserablism (Nov. 13, 2024)

Has Anyone Ever Written Anything For You by Stevie Nicks

One Day I'll Fly Away by Randy Crawford

Please, Please, Please, Let Me Get What I Want by The Smiths

Baltimore by Nina Simone

Alfie by Cilla Black

Everybody's Got To Learn Sometime by The Korgis

Nothing Compares 2 U by Sinéad O'Connor

Parlez-moi de Lui by Françoise Hardy

By The Time I Get To Phoenix by Glen Campbell

Mercy Mercy Me (The Ecology) by Marvin Gaye

I Don't Want To Hear It Anymore by Dusty Springfield

I'm Not In Love by 10cc

Let's Stay Together by Tina Turner

I Can't Give Everything Away by David Bowie

Artists in Residence - Remixes (Nov. 14, 2024)

Girls & Boys (Pet Shop Boys Remix) by Blur

Young Offender - Jam and Spoon Trip-O-Matic Fairytale Mix by Pet Shop Boys

Hallo Spaceboy (Pet Shop Boys Remix) by David Bowie

Flamboyant (Michael Mayer Kompakt Mix) by Pet Shop Boys

Insanely Alive (Pet Shop Boys Radio Edit) by Wolfgang Tillmans

Miserablism (Moby Electro Mix) by Pet Shop Boys

Queen of Ice (Pet Shop Boys 7" Mix) by Claptone

I Don't Know What You Want But I Can't Give It Anymore (Peter Rauhoffer's Roxy Anthem Mix) by Pet Shop Boys

Think Of A Number (Pet Shop Boys Magic Eye 12" Remix) by Noel Gallagher's High Flying Birds

Can You Forgive Her? (M.K. Remix) by Pet Shop Boys

Love Comes Quickly (Shep Pettibone Mastermix) by Pet Shop Boys

Dancing Star (Solomun Remix) by Pet Shop Boys

A Red Letter Day (Trouser Enthusiasts Autoerotic Decapitation Mix) by Pet Shop Boys

#pet shop boys #psb #ive been meaning to do this but then new interviews kept popping up 😭#anyway proof chris is also a romantic skjddk

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read-alert · 8 months ago

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Another crosspost from my Instagram! This time for the Trans Day of Visibility!

Full titles under the cut

Poetry

Bluff by Danez Smith

Even This Page is White by Vivek Shraya

[Insert Boy] by Danez Smith

Maiden, Mother, Crone: Fantastical Trans Femmes ed by Gwen Benaway

Giving Birth to Yourself: Poems for Combat by Kai Cheng Thom

Falling Back in Love with Being Human: Letters to Lost Souls by Kai Cheng Thom

Fantasy

Lead Me Astray by Sondi Warner

She Who Became the Sun by Shelley Parker-Chan

Out of the Blue by Jason June

Celestial Monsters by Aiden Thomas

Historical

Self-Made Boys: A Great Gatsby Remix by AM McLemore

Most Ardently: A Pride and Prejudice Remix by Gabe Cole Novoa

The Companion by EE Ottoman

The Spirit Bares Its Teeth by Andrew Joseph White

Horror

Manhunt by Gretchen Felker-Martin

Hell Followed With Us by Andrew Joseph White

Romance

I Think of You Often by Sienna Eggler

Their Troublesome Crush by Xan West

Drag Me Up by RM Virtues

Nonfiction

Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity by Julia Serano

Self Organizing Men: Conscious Masculinities in Time and Space by Eli Clare and Jay Sennet

A History of My Brief Body by Billy-Ray Belcourt

Miss Major Speaks: The Life and Times of a Black Trans Revolution by Miss Major Griffin-Gracy and Toshio Meronek

Indigiqueerness: A Conversation About Storytelling by Joshua Whitehead and Angie Abdou

The Appendix by Liam Konemann

Captive Gender: Trans Embodiment and the Prison Industrial Complex by Nat Smith, Eric A Stanley, and CeCe McDonald

Making Love With the Land by Joshua Whitehead

Graphic novels

Cheer Up: Love and Pompoms by Crystal Frasier

Across a Field of Starlight by Blue Delliquanti

Lumberjanes: Up All Night by ND Stevenson, Grace Ellis, and Shannon Watters

Trans authors but (to my knowledge) no trans characters

Sorrowland by Rivers Solomon

All the Dead Things by Bear Lee

Bitter by Akwaeke Emezi

Miscellaneous

The Many Half-Lived Lives of Sam Sylvester by Maya MacGregor

Catnip by Vyria Durav

#queer books #trans books #queer reads #trans reads #queer lit #trans lit #bookblr

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happymetalgirl · 27 days ago

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Nails - Every Bridge Burning

Eight years later, and we finally get the fourth album from the ever-punishing, powerviolence stalwarts, Nails. A lot of bands have some long gaps in their discographies; shit happens. But for a band like Nails whose songs average out at somewhere between one to two minutes and whose whirlwind albums are similarly brief and to the point, it's kind of a trip to think back to where I was when they put out their last album, You Will Never Be One of Us, their longest record yet at a whopping 21 minutes, which is followed by Every Bridge Burning here, which doesn't even eclipse 18 minutes. So much has changed in my life and the world between those 39 minutes of music, including nearly the entire lineup of Nails, with frontman Todd Jones apparently burning every bridge between 2016 and when this album commenced, every bridge apart from that between him and tattoo artist and Leviathan mastermind Jef Whitehead, whose fittingly animalistic and cerebrally violent artwork once again graces the front of a Nails record eight years later. Despite the many changes of the past eight years, Nails' modus operandi remains steadfast in uncompromising antisocial rage and nothing else. There's no deep introspection or dissection of the details of the fury on this album, just the pure, distilled explosion of every instigation of the past eight years, and again Nails hasn’t ever done it any other way. It's all confrontation and all fighting words, no compromise, no offering to hear anybody out to come to a collaborative or diplomatic solution, just violence. And what better time for Nails to come back than now? Could there really be a more apt time for such music? When the western world and Europe are being plagued by the crystallization and consolidation of fascist movements characterized by mask-off hate and utter disregard for empiricism and reality, completely open in their intent to take power against any democratic will and wield it cruelly and destructively in a blind, stupid blaze of insecure and imagined revenge, when the constant spilling of immense and increasingly corrosive bigoted fascist propaganda by the insulated wealthy owners of corporate media enterprises erodes the social fabric this badly, really, what bridges are there worth preserving with those who have seen and supported the continuous creep toward open fascism as the last fumes of plausible deniability in complicity evaporate? What bridges are worth trying to repair between those whose aim is to uplift the whole of humanity, to progress, and to move society forward, and those whose ideological or functionally captured operative is to burn all bridges and burn the supposed degenerates within society and burn books about those “degenerates” and burn and burn until there is nothing left to turn any impotent rage against? What else can be done except sequestering this vile, hateful, miserable, misguided, and sad political movement intent on nothing but destruction and extermination, and desperately keeping it from seizing power in hopes that it burns itself out in a blaze of pathetic and incoherent anger?

It seems almost comical to segue with the grace of the whiplash of a head-on car collision into the music on this Nails album, but the opening track and lead single, “Imposing Will” captures the toxicity and anti-sociality of the minoritarian fascist mindstate with lyrics like “I know I don’t have a place”, “give me strength to cause them pain”, “force my vision into law”, “it can never be enough / no matter how deep it cuts”, and “keep reason under control”. It’s all written in the first person perspective in a way that vibrantly and grippingly captures the stream of dumb uncontrolled but determined fury to “take back what they stole” of the perpetually aggrieved fascist who always feigns defensiveness even with disproportionate power and even when the cruelty is obviously the only real purpose, and the Todd Jones’ venomous and spitfire vocal performance against a backdrop of grinding, crusty guitar distortion and unidirectional self-exhausting blast beats could not be more fitting.

And from minute zero to minute eighteen, that’s basically how the whole album goes, not to say it’s homogenous (only as homogenous of an experience as the violence of a warfield can be) and not to be reductive either. There are many delicious riffs, pointedly vile and poisonous lyrics, and interesting musical dynamics at play on the rest of Every Bridge Burning but it would honestly just be quicker and more effective to just listen to the other quarter hour of music after the first track than it would be to read me spoiling the details song by song.

9/10

My enjoyment of this kind of music, this kind of art in general, that plays with fire in the expression of convincingly performing sociopathy (especially sociopathy as broadly consequential as fascism as opposed to other forms of less systematically destructive sociopathy like self-isolation, depression, or even interpersonal abusive tendencies) hinges heavily if not entirely on it being performance and not just a plain-faced expression of the artist’s actual sociopathy. I’m sure Todd Jones is a genuinely difficult and not friendly person whose confrontational tendencies have informed Nails’ anti-social music for as long as Nails has been around. And I think seeing a negative tendency in one’s self that perhaps seems or feels innate and choosing to portray it sympathetically and honestly in its negativity can have a great impact on preventing or combating that negativity to the audience. Screaming “I’m a giant piece of shit and I fucking hate my life” with the right passion and honesty can strike the right chord in people who resonate with those words to incite them to work on stopping being self-hating assholes. And, done the wrong way, loudly proclaiming an antihuman hatred for the world and a seething desire to burn it all down can also just make racists and neonazis feel validated and legitimized in their hateful motivations.

The rest of the album is not as lyrically pointed and checking off of every box of fascism as the opening track, but the broad strokes are very much present and consistent, with supportive lyrics and song titles like “don’t look for me I’d rather stay lost”, “committed to revenge”, “frenzy of anger shoot your mouth like a gun”, and “Lacking the Ability to Process Empathy” being emblematic of the fascist reverence for violence and enacting supposedly necessary evil. And it’s also not just an album about fascism but about consigning one’s self to a broad and seemingly unfixable inability to function as a social creature part of a social species. The second to last song on the album, “I Can’t Turn It Off”, is both an obvious fuck you to Todd’s former collaborators and a cathartic revelation in the glory that being a brash, unrepentant, and standoff-ish asshole has got him farther than it got them. And yet the next song, “No More Rivers to Cross”, takes a 180 on the previous track’s arrogance and closes the album in a barn-burning dirge of apathetic loneliness, self-isolation, and being knowingly used in life as a means to an end by an even bigger asshole. I’d be lying if I said this shit isn’t relatable to at least some degree. The toxic high of schadenfreude or of the delicious spite in success in the face of doubters and haters, being the one envied, feels exhilarating, and I think indulging in some toxic behaviors in moderation is possibly an integral and defensible part of the human experience. But plenty of things that come naturally and easily, socially and individually, are worth tempering, if not excising: insecurity, selfishness, innate fear and disgust, in-group prejudice.

My enjoyment of this album absolutely does not hinge on Todd Jones not being an asshole, not at all. My enjoyment of it hinges on it being an honest cautionary dissuading of the excesses of those behaviors and not an advocacy for them. My appreciation for a song like “Imposing Will”, which is just the vomitus of the incongruent inner machinations of the malignantly sick fascist mind, hinges on it being a portrayal of sickness and not a call to action to other sick fascists. The fact that nothing on this album reads as a cringeworthy piss-fit against cAnCeL CuLtUrE or ThE wOkE LeFt and that I’ve not yet caught wind of Todd Jones bitching to some interviewer about being “cancelled” or “the woke mind virus” or some other shit that would indicate that he’s just another pathetic and unlikeable piece of shit who fell down the reactionary rabbit hole with so many other weak and gullible dipshits because it fed their fears and insecurities is why I feel like I can interpret and enjoy this album as a raw and personal expression of Jones being trapped in his own self-made vices and completely out of ways to escape, choosing instead to burn out alone instead of futilely clawing at a human connection he can’t reach. Like Acid Bath’s or Eyehategod’s visceral imagery of being trapped in heroin addiction or alcoholism, or like DSBM’s deranged defeatist revelry in the assumption that one of these days the constant thoughts of suicide will finally end the constant teasing and become manifested in action, Nails is all about negativity, and art about negativity is necessary and valuable in showing why it persists in us and getting us to think about how to get rid of it. And sometimes just showing it all using the hook of rage-room drumming, nasty guitar riffs, and borderline non-linguistic demon-screaming to show up-close how miserable that negativity is is a highly effective way of doing it.

I don't think Todd Jones is a stout leftist or a pearl-clutching liberal with an "in this house we believe" sign on his front lawn either. Like if I ever met him out in the real world and talked to him, I imagine the best outcome I could reasonably expect would be him calling me a cunt. If I had to, I would guess, based on his expressed disregard for participating in society, that he's not planning on voting for anybody or anything, but to say it would be frustrating and disappointing to find out that Todd Jones is just another sucker for the easy-answer scapegoating and thought-terminating clichés of the MAGA movement who made this album in support of the impending tide of dumbfuck American fascism would sound like the spineless opposition we have currently facing down that fascism with expired and lethargic pleas for unity and civility with the brown-shirts actively pouring gasoline on you with a torch in their hand and would not adequately capture how stupid it would be for Nails and for Todd Jones to make this album that so poignantly illustrates the ills of anti-social psychology and its role within fascist mentality and then go, “yeah Trump 2024”.

#new music #new album #album review #metal #heavy metal #Nails #Every Bridge Burning #powerviolence #metalcore #grindcore

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likeclarabow · 2 years ago

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2023 Books Read

Our Wives Under the Sea - Julia Armfield (Dec 31-Jan 2)

See You Yesterday - Rachel Lynn Solomon (Jan 2-Jan 3)

All Dressed Up - Jilly Gagnon (Jan 4)

She Gets the Girl - Rachael Lippincott & Alyson Derrick (Jan 5-Jan 6)

Ready Player One - Ernest Cline (Jan 6-Jan 10)

Jamaica Inn - Daphne Du Maurier (Jan 10-Jan 13)

Greywaren - Maggie Stiefvater (Jan 14-Jan 16)

The Ballad of Never After - Stephanie Garber (Jan 17-Jan 22)

By the Book - Jasmine Guillory (Jan 22-Jan 24)

Portrait of a Thief - Grace D Li (Jan 25-Feb 4)

Pride and Prejudice (reread, audiobook) - Jane Austen (Jan 31-Feb 6)

Macbeth (reread) - William Shakespeare (Feb 6-Feb 10)

Normal People - Sally Rooney (Feb 18-Feb 22)

All the Dangerous Things - Stacy Willingham (Feb 23-Feb 25)

The Diary of Mary Berg - Mary Berg (Feb 17-Feb 27)

The Witch Haven - Sasha Peyton Smith (Mar 4-Mar 11)

Americanah - Chimamanda Ngozi Adichie (Feb 26-Mar 12)

The Witch Hunt - Sasha Peyton Smith (Mar 19-Mar 22)

Jonny Appleseed - Joshua Whitehead (Mar 19-Mar 28)

The Mysterious Affair at Styles - Agatha Christie (Mar 25-Mar 29)

Last Violent Call - Chloe Gong (Mar 30-Apr 1)

Beartown - Fredrik Backman (Apr 1-Apr 4)

People We Meet on Vacation (reread) - Emily Henry (Apr 5-Apr 7)

Notes on an Execution - Danya Kukafka (Apr 8)

Kiss Her Once For Me - Alison Cochran (Apr 8-Apr 10)

If You Could See the Sun - Ann Liang (Apr 11-Apr 15)

Murder at the Vicarage - Agatha Christie (Apr 15-Apr 19)

The Appeal - Janice Hallett (Apr 19-Apr 20)

The Black Spider - Jeremias Gotthelf (Apr 20)

Molly of the Mall - Heidi L.M. Jacobs (Apr 21-Apr 22)

The Dark Descent of Elizabeth Frankenstein - Kiersten White (April 23-Apr 25)

Sense and Sensibility - Jane Austen (April 26-Apr 28)

Happy Place - Emily Henry (Apr 29)

Us Against You - Fredrik Backman (Apr 30-May 3)

The Great Gatsby - F. Scott Fitzgerald (May 3-May 5)

Juniper and Thorn - Ava Reid (May 6-May 10)

Meet Me at the Lake - Carley Fortune (May 11-May 12)

Cloud Atlas - David Mitchell (May 12-May 19)

Anne of Green Gables (reread) - L.M. Montgomery (May 19-May 22)

Anne of Avonlea (reread) - L.M. Montgomery (May 24-May 26)

Anne of the Island (reread) - L.M. Montgomery (May 26-May 30)

The Winners - Fredrik Backman (June 2-June 6)

Rebecca - Daphne Du Maurier (June 7-June 8)

Peril at End House - Agatha Christie (June 9)

The Many Lives and Secret Sorrows of Josephine B (reread) - Sandra Gulland (June 11-June 12)

Tales of Passion Tales of Woe - Sandra Gulland (June 13-June 14)

The Last Great Dance on Earth - Sandra Gulland (June 14-June 15)

Frankenstein in Baghdad - Ahmed Saadawi (June 15-June 18)

Crooked House - Agatha Christie (June 22-June 24)

Northanger Abbey - Jane Austen (June 20-June 30)

I Must Betray You - Ruta Sepetys (June 30-July 1)

Pageboy - Elliot Page (July 2-July 4)

This Time It’s Real - Ann Liang (July 6)

The Last Word - Taylor Adams (July 6-July 7)

The Fiancée Farce - Alexandria Bellefleur (July 7-July 8)

The Guilt Trip - Sandie Jones (July 8)

Camp Zero - Michelle Min Sterling (July 8)

The Berry Pickers - Amanda Peters (July 8-July 9)

Family of Liars - E. Lockhart (July 9-July 11)

The Last House Guest - Megan Miranda (July 11-July 12)

The Last Tale of the Flower Bride - Roshani Chokshi (July 14-July 21)

Rolling in the Deep (audiobook) - Mira Grant (July 20-July 21)

Wunderland - Jennifer Cody Epstein (July 21-July 23)

The Stationary Shop of Tehran (July 24-27)

Yellowface - R.F. Kuang (July 27-July 29)

These Violent Delights - Micah Nemerever (July 29-Aug 3)

Wuthering Heights - Emily Brontë (Aug 3-Aug 5)

Begin Again - Emma Lord (Aug 6-Aug 8)

Medicine Walk - Richard Wagamese (Aug 8-Aug 12)

419 - Will Ferguson (Aug 16-Aug 19)

Harlem Shuffle - Colson Whitehead (Aug 21-Aug 24)

Ballet Shoes (reread) - Noel Streatfeild (Aug 25-Aug 26)

Songs for the Missing - Stewart O’Nan (Aug 28-Aug 31)

You’re Not Supposed to Die Tonight - Kalynn Bayron (Sept 1-Sept 2)

I’ve Got Your Number - Sophie Kinsella (Sept 2)

The Adult - Bronwyn Fischer (Sept 3)

Nine Liars - Maureen Johnson (Sept 4-Sept 6)

Small Things Like These - Claire Keegan (Sept 6)

The Honeys - Ryan La Sala (Sept 15-Sept 19)

20,000 Leagues Under the Sea - Jules Verne (Sept 12-Sept 20)

Beowulf - Unknown (Sept 8-Sept 21)

The Mirror Crack’d From Side to Side - Agatha Christie (Sept 21-Sept 25)

Better Than the Movies - Lynn Painter (Sept 26-Sept 30)

Annihilation - Jeff VanderMeer (Oct 4-Oct 7)

And Don’t Look Back - Rebecca Barrow (Oct 7)

Hallowe’en Party - Agatha Christie (Oct 8-Oct 9)

Cannibal Island - Nichlolas Werth (Oct 9-Oct 22)

The Final Gambit - Jennifer Lynn Barnes (Oct 17-Oct 22)

Stalin’s Nomads: Power and Famine in Kazakhstan - Robert Kindler (Oct 16-Oct 24)

Six of Crows (reread) - Leigh Bardugo (Oct 25-Oct 30)

Crooked Kingdom (reread) - Leigh Bardugo (Nov 3-Nov 7)

Sadie (reread) - Courtney Summers (Nov 9-Nov 10)

The Invisible Man - H.G. Wells (Nov 6-Nov 13)

Hamlet - William Shakespeare (Nov 6-Nov 13)

A Good Girl’s Guide to Murder (reread) - Holly Jackson (Nov 11-Nov 15)

Good Girl, Bad Blood (reread) - Holly Jackson (Nov 15-Nov 18)

As Good as Dead (reread) - Holly Jackson (Nov 20-Nov 23)

Red White and Royal Blue (reread) - Casey McQuiston (Nov 25-Dec 5)

The Secret History - Donna Tartt (Dec 18-Dec 22)

The Day of the Jackal - Frederick Forsyth (Dec 24-Dec 25)

Emily Wilde’s Encyclopaedia of Faeries - Heather Fawcett (Dec 25-Dec 27)

Murder in the Family - Cara Hunter (Dec 28)

Three Holidays and a Wedding - Uzma Jalaluddin, Marissa Stapley (Dec 29)

The Book of Cold Cases - Simone St James (Dec 30-Dec 31)

#2023 books

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kwebtv · 9 months ago

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Jane Eyre - BBC - September 27, 1973 - October 25, 1973

Drama (5 Episodes)

Running Time: 275 minutes total

Stars:

Sorcha Cusack as Jane Eyre

Juliet Waley as young Jane

Michael Jayston as Edward Rochester

Jean Harvey as Mrs. Reed

Terence Sheppard as John Reed

Amanda Stone as Eliza Reed

Caroline Jewson as Georgiana Reed

Brigid Erin Bates as Bessie

Peggy Atchison as Miss Abbott

John Baddeley as Mr. Lloyd

John Phillips as Mr. Brockhurst

Susan Jameson as Miss Temple

Megs Jenkins as Mrs. Fairfax

Stephanie Beacham as Blanche Ingram

Brenda Kempner as Bertha Rochester

Isabelle Rosin as Adele

Geoffrey Whitehead as St. John Rivers

Tina Heath as Helen Burns

Ann Tirard as Miss Scatcherd

Jaki Harding as Miss Miller

Ronald Mayer as John

Zara Jaber as Grace Poole

#Jane Eyre #TV #BBC #1973 #1970's #Drama #Sorcha Cusack #Michael Jayston

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yr-obedt-cicero · 2 years ago

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“I was in such spirits when I landed in my fine red coat, that I laid a wager with one of the passengers that I would kiss the first female that I should meet on the shore. It was a handsome young girl clad in a scarlet cloak: I marched up to her politely, told her the wager I had laid, expressing a hope that she would not suffer me to lose it. To my great astonishment she yielded with a good grace, and I triumphantly pocketed the money I had so agreeably won. Thus I was first wedded to this country.”

— “Notes and Documents: The Autobiography of Peter Stephen Du Ponceau, by Peter Stephen Du Ponceau and James L. Whitehead,” The Pennsylvania Magazine of History and Biography.

#amrev #american history #pierre etienne du ponceau #peter stephen du ponceau #history #quotes #cicero's history lessons

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strictlyfavorites · 2 years ago

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Harry Houdini was born 148 years ago today.

A Hungarian-American illusionist and stunt performer, noted for his sensational escape acts, Houdini first attracted notice as "Harry Handcuff Houdini" on a tour of Europe, where he challenged police forces to keep him locked up.

Soon he extended his repertoire to include chains, ropes slung from skyscrapers, straitjackets under water and having to hold his breath inside a sealed milk can. In 1904, thousands watched as he tried to escape from special handcuffs commissioned by London's Daily Mirror, keeping them in suspense for an hour.

Another stunt saw him buried alive and only just able to claw himself to the surface, emerging in a state of near-breakdown. While many suspected that these escapes were faked, Houdini presented himself as the scourge of fake magicians and spiritualists.

As President of the Society of American Magicians, he was keen to uphold professional standards and expose fraudulent artists. He was also quick to sue anyone who pirated his escape stunts.

Houdini made several movies, but quit acting when it failed to bring in money. He was also a keen aviator, and aimed to become the first man to fly a plane in Australia.

Houdini died of peritonitis, secondary to a ruptured appendix, on October 31, 1926 in Detroit at age 52.

Eyewitnesses to an incident at Houdini's dressing room in the Princess Theatre in Montreal gave rise to speculation that Houdini's death was caused by a McGill University student, J. Gordon Whitehead, who delivered a surprise attack of multiple blows to Houdini's abdomen.

The eyewitnesses, students named Jacques Price and Sam Smilovitz, offered accounts of the incident. Price describes Whitehead asking Houdini "if he believed in the miracles of the Bible" and "whether it was true that punches in the stomach did not hurt him." He then delivered "some very hammer-like blows below the belt."

Houdini was reclining on a couch at the time, having broken his ankle while performing several days earlier. Price states that Houdini winced at each blow and stopped Whitehead suddenly in the midst of a punch, gesturing that he had enough, and adding that he had no opportunity to prepare himself against the blows.

Throughout the evening, Houdini performed in great pain. He was unable to sleep and remained in constant pain for the next two days, but did not seek medical help. When he finally saw a doctor, he was found to have a fever of 102 and acute appendicitis, and was advised to have immediate surgery. He ignored the advice and decided to go on with the show.

Despite the diagnosis, Houdini took the stage. He was reported to have passed out during the show, but was revived and continued. Afterwards, he was hospitalized at Detroit's Grace Hospital.

It is not entirely clear what relationship the encounter in the dressing room had on Houdini's eventual death. One theory suggests that Houdini was unaware that he was suffering from appendicitis, which would have been clearer to him had he not received blows to the abdomen.

After taking statements from Price and Smilovitz, Houdini's insurance company concluded that the death was due to the dressing-room incident and paid double indemnity. To this day, rumors persist that Houdini was murdered by his enemies. The truth is lost to the ages.

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ramrodd · 2 years ago

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What is Alfred North Whitehead’s process and reality to the development of man and society?

Process theology

COMMENTARY

In service of full disclosure, I more or less accept Alfred North Whitehead’s version of process theology, root and branch, the singular differences being that I have his intellectual history available to me that he didn’t have, and, 2, I am not a philosopher because I have absolutely not doubt regarding the existence of The One as described in Genesis 1:1 and elaborated on in Revelation 4:2, I was given a vision precisely like John the Revelator except for linguistical nuance. The difference being that my vision was an awful experience in a Fear of the Lord kind of way missing in the literature. and narrative.

The difference between Whitehead’s version of process theology and my version of theology is the difference between VFR and IFR in aviation, combination/fusion of Celestial Navigation of Naval aviators and GPS as a it plays out in real time. Go read The Little Prince. This was written by a French aviator who was flying when Lingurgh was pioneering air mail routs through the Rockies before we could fly over them. The stars at night are big and bright away from any light pollution from the ground. He had done a lot of seat-of-the-pants flying to have lived as long as he did. If you want to understand why Bergson’s epistemology is my favorite epistemology, read The Little Prince.

And that’s the nature of paradox, which is the fountain of living waters Jesus describes that turns on the Samaritan Woman at the Well. who was hoping to get laid while she drew some water when she spotted the gang of Jews on their way home from Jerusalem preparing to raid the market place for rations, moving forward. The Samaritans kept their Judaism very pure, drawing their entire moral sustenance from the Torah. They wanted nothing to do with the Talmud, which was progressive apostasy devolving to the Judaism permitted in Babylon. Like Pope Benedict in East Germany. The Samaritans wanted nothing to do with the intricate inquiry into the mechanics of godliness by legislation of 613 Laws. From the perspective of process theology, an essential message of Jesus, the Law Maker, is” Keep It Sim;;e Jesus adds a word and a codicil to the Shema and discards 612 redundant laws. As Hillel explicated Judaism for his neighbors, the Samaritans, that which is hateful to you, do not to others: the rest is all commentary.

The Samaritans didn’t want spiritual toxins from Babylon to pollute their worship of the Torah. I mean, they were the Amish of Orthodox Jews, BUT, they probably encouraged the same pilgrims coming direct from the constant Festivals in celebration of Yaweh, they, the Samaritans benefited as a community from both the commerce and the glow the pilgrims were bringing back from the festival, itself. The Samaritans assumed the crowds going to Jerusalem were foreign invader but the crowds coming back from Jerusalem were effectively ritually clean from the springs of Jerusalem.

Beginning in John 4, John Mark is a 14 year old friend of Jesus’s mother who travels with Team Jesus as basically the bat boy. John Mark is in the thralls of a one-sided bromance with Jesus. Everything that happens in Mark 6 is expanded in John 4, 5, 6,, the feeding of the 5000. Numerology is very important in process theology: the 19 in Sura 74:30 “Above it is nineteen” is the clearest portrait of the mind of The ONE in literature. In the numerology I employ, 19 is the Alpha and Omega of number The “5ness” pf the number has a military significance. This is where the Masonic narrative is woven into the scriptures. The Gospel of John is written from the perspective of Kabbalah as a performing art. He doesn’t understand what is going on between Jesus and the Samaritan Woman but his journalism is sublime. What he really captures is the elegance of a conversation with Jesus.

This is incredibly graceful literature. You could story board this line by line and shoot it in a single take and nothing else is needed. Have Sophia Loren playing the Samaritan Woman and Omar Sharrif as Jesus and Sal Mineo from Exodus as John Mark. Among other things, it is clear that this is a deliberate allusion to Tamar and Judah, with Gal Gadot as Tamar and Saddam Hussein as Judah. Judah was holding out on her dowry and a girl’s got to do what a girl’s got to do.

So, the process theology version of the Gospel of John is that Sophia Loren comes out all fat and sassy and looking for love. There is an apparent sexual connotation to the water jug that is lost on me but was like “Fuck Me Now” pumps of 1st century Palestine, universally. And Jesus has hurried to get to Jacob’s Well for this particular assignation. He knew if He showed up in town, she’d come looking to get laid to Him. The lesson from Abram and Sarai is that polyandry is a superior cultural norm than polygamy which kept the Samaritan gene pools healthy since at least after Babylon.

See, the thing is, John Mark is always looking for signs of Jesus’ divinity, but he only saw 7 he could name. Jesus was casting a far wider net than what is captured in all the New Testament. If you want to see process theology in action, consider the maniac in Mark 5 and the Samaritan Woman, who is made pregnant by the identical process as Jesus’s mother. Her pregnancy will begin to show by the feeding of the 5000 and the 4000 who Jesus feeds that John Mark does not witness are the Gentiles generated by the mania and the Samaritan women.

And, of course, this is where Hegel comes in handy.

Process theology emerges out of chaos. The essences of process theology is captured in this quote from the Wikipedia article, to wit

For both Whitehead and Hartshorne, it is an essential attribute of God to affect and be affected by temporal processes,

I’m not trying to argue its validity: i’m demonstrating it for fun and profit, or in the line of duty. this stuff is useless to me if I am the only one doing it. Process Theology is one way to develop a systematic relationship with the Holy Spirit as part of the Liberation Gospel of Pope Francis.

I’m not Catholic. Unlike Whitehead, I doubt not regarding the God Hypothesis. In the final analysis, it all comes down to seat-of-the-pants spiritual navigation, but process theology expands the inventory of solutions infinitely.

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afacelookingtwoways · 2 months ago

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VICTIMS OF THEOPHILUS BARBOUR

Yolanda Buckland

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Daniella Hernandez-Guzman

Cynthia Yang

Olivia Leventhal

Francesca Williams

Guadalupe Villaseñor-Bojorquez

Yazmin Jackson

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Briana Eastman

Fenghua Wang

Zeinab Kourouma

Charlotte Whitehead

Annette Martin

Skye Baker

Fernanda Sandoval-Moreno

Katrina Davis

Roberta Michaels

Jamisha Stephens

Crystal Spearman

Monica Anderson

Felicia Gray

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Lashae Woodburn

Erika White

Alicia Barnhart

Kimberly Allen

Nandita Acharya

Brittany Moore

Lisa Su

Victoria Berkowitz

Whitney Black

Andrea Cromwell

Kenya Joiner-Smith

Alexis Ramirez-Sanchez

Emi Murakami

Carleigh Foster

Ashley Morelli

Sarah Goldman

Hannah Gordon

Rebecca Perlmutter

Kennedy Ledbetter

Ifeya Nwachukwu

Meaghan Bright

Grace Saunders

India Williams

Vanessa Franklin

Latonya Ramsey

Nadima Muhammad

America Salinas-Montes

Lei Yang

Maya Paek

Ryleigh Smith

June Randheer

Fatima Abdul

Nina Hall

Zoey Miller

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greenviewhq · 2 months ago

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limit ten (10) per member

for Artemis -

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#gv.reserved

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thechannellist · 8 months ago

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From Books to the Screen: Upcoming Adaptations on Streaming Services

Excited about diving into the world of your favorite books coming to life on your screen? Get ready for a thrilling ride as upcoming adaptations of beloved literary works make their way to streaming services near you. From gripping mysteries to heartwarming tales, these adaptations promise to bring the pages of your most cherished novels to vivid life.

Imagine immersing yourself in the captivating storylines and complex characters you've grown to love, now with a visual twist that adds a new dimension to your reading experience. With streaming platforms bringing these adaptations to your fingertips, you can look forward to binge-watching sessions that transport you to fantastical realms and intriguing narratives. Get ready to see your literary heroes and heroines leap off the page and into your living room as you explore the magic of books-to-screen adaptations on streaming services.

Popular Literary Works Getting Adapted

Exploring the latest adaptations of popular literary works for streaming services offers you a glimpse of captivating storytelling coming to life on your screens. From classic novels to gripping sagas, these upcoming adaptations promise to immerse you in a world of enchanting narratives and beloved characters. Here are some noteworthy titles to look out for:

"The Great Gatsby"

F. Scott Fitzgerald's timeless classic is set to receive a modern twist in an upcoming adaptation. Immerse yourself in the glitz and glamour of the roaring twenties as Jay Gatsby's iconic story unfolds in a fresh and contemporary light.

"The Chronicles of Narnia"

Enter the magical realm of Narnia once again in a new series based on C.S. Lewis' beloved fantasy novels. Join the adventures of Lucy, Edmund, Susan, and Peter as they journey through a land of wonder and enchantment.

"The Underground Railroad"

Colson Whitehead's Pulitzer Prize-winning novel depicting the harrowing journey to freedom is set to grace the screens in a powerful adaptation. Witness the resilience and courage of the protagonist as she navigates the treacherous path to liberty.

"Dune"

Brace yourself for a visually stunning and thought-provoking science fiction series based on Frank Herbert's epic novel. Explore a richly detailed universe filled with political intrigue, desert planets, and mysterious powers in this highly-anticipated adaptation.

Stay tuned for these upcoming adaptations that promise to transport you to distant worlds, evoke powerful emotions, and spark your imagination. Witness your favorite literary works come alive on screen, offering a new dimension to storytelling that will captivate and enthrall audiences.

Streaming Platforms to Watch Out For

When looking for upcoming adaptations of beloved literary works on streaming services, there are some key platforms you should keep an eye on. These platforms are known for curating a diverse range of content, including highly anticipated book adaptations.

Netflix: Known for its vast library of original content, Netflix is a top choice for book-to-screen adaptations. With successful adaptations like "The Witcher" and "Bridgerton," Netflix continues to invest in bringing popular literary works to life on screen. Keep an eye on Netflix for upcoming adaptations that promise to deliver captivating storytelling.

Amazon Prime Video: Amazon Prime Video is another platform to watch out for when it comes to upcoming book adaptations. With acclaimed series such as "The Handmaid's Tale" and "Good Omens," Amazon Prime Video has shown a commitment to translating books into visually stunning and immersive series. Stay tuned for new adaptations on this platform.

Hulu: Hulu has made a mark in the world of book adaptations with series like "The Handmaid's Tale" and "Little Fires Everywhere." As a platform known for its diverse and thought-provoking content, Hulu offers a promising lineup of upcoming adaptations that are sure to enthrall viewers.

Disney+: With the success of "The Mandalorian" and other original content, Disney+ has emerged as a major player in the streaming landscape. Disney's vast collection of intellectual property includes beloved literary works that are ripe for adaptation. Look out for new adaptations on Disney+ that will transport you to magical worlds and timeless stories.

HBO Max: HBO Max is known for its high-quality original programming, including adaptations like "Game of Thrones" and "Big Little Lies." With a focus on premium content, HBO Max is a platform where literary adaptations are given the star treatment. Keep an eye on HBO Max for upcoming adaptations that promise to deliver compelling storytelling and cinematic flair.

These streaming platforms offer a plethora of options for book lovers eager to see their favorite stories come to life on screen. Keep an eye on these platforms for the latest adaptations that are set to captivate audiences with their immersive storytelling and engaging characters.

Impact of Book Adaptations on Streaming Services

Exploring the impact of book adaptations on streaming services, you'll notice a significant shift in the entertainment industry's landscape. Bringing beloved books to life on screen opens up a new world of storytelling possibilities for both avid readers and TV enthusiasts alike. By adapting literary classics into visually compelling series, streaming platforms successfully cater to diverse audiences looking for immersive and engaging content.

When popular books are adapted into streaming shows, you can experience your favorite narratives in a whole new light. The rich storytelling and well-developed characters from the original books take on a vibrant form on screen, drawing viewers into captivating worlds and narratives.

Moreover, streaming services like Netflix, Amazon Prime Video, Hulu, Disney+, and HBO Max have a proven track record of delivering top-notch adaptations of literary works. Their ability to transform complex narratives into visually stunning and emotionally resonant series has set a new standard for book-to-screen adaptations. By partnering with talented directors, producers, and actors, these platforms ensure that the essence of the original stories is preserved while offering unique twists and interpretations that keep audiences engaged.

As a viewer, you can expect upcoming adaptations of popular books to continue pushing boundaries in terms of storytelling, visual effects, and character development. The blend of literary genius with the creativity of filmmakers results in a dynamic viewing experience that appeals to a wide range of audiences. So, keep an eye out for the next wave of book adaptations on your favorite streaming services, as they promise to deliver unforgettable stories that will leave a lasting impact on viewers.

Conclusion

Exciting times lie ahead as beloved literary classics prepare to grace your screens through upcoming adaptations on various streaming services. From the modern twists on "The Great Gatsby" to the fantastical realms of "The Chronicles of Narnia," these adaptations promise to immerse you in captivating narratives and intriguing characters. With platforms like Netflix, Amazon Prime Video, Hulu, Disney+, and HBO Max at the helm, get ready for visually enchanting experiences that push the boundaries of storytelling and character development. These adaptations blend literary brilliance with creative filmmaking, offering diverse audiences unforgettable stories that stay true to their original essence while providing fresh interpretations. Get set to embark on a journey of dynamic viewing experiences that will leave you spellbound.

Frequently Asked Questions

Q: What literary classics are being adapted for streaming services?

A: Literary classics like "The Great Gatsby," "The Chronicles of Narnia," "The Underground Railroad," and "Dune" are in the pipeline for adaptation on streaming platforms.

Q: Which streaming platforms are known for adapting popular literary works?

A: Platforms like Netflix, Amazon Prime Video, Hulu, Disney+, and HBO Max have a track record of successfully bringing popular literary works to life on screen.

Q: How do book adaptations on streaming services impact viewers?

A: Book adaptations on streaming platforms offer unique interpretations of original stories, providing visually enchanting experiences that captivate audiences and push boundaries in storytelling and character development.

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