#got The Norman Spoiler

[copdog1234]

You know who else isn't getting enough love? Norm Maclean. Mans did all the snooping about his vault for us only to end up cryogenically frozen against his will and yall are sleeping on him!!!

[theeconfession]

i actually can't believe they pulled a poseidon and had a giant wave flip the ship over and it was still the second most dramatic scene of the episode

[mcbride]

DARYL Spinoff + CAROL rumors/spoilers

So here’s new info from Brazilian YouTuber Victor (aka agentefazagora): WARNINGS SPOILERSSSSS AFTER THE JUMP...

Carol was never out of the equation - they always knew Melissa would be back;

Carol and Daryl reunion is currently being worked on;

S2 is being written with Carol as a main character too;

so they predict Carol will show up at the end of s1, or beginning of s2;

they are making longterm plans for the Carol/Daryl series, including rumors of a s3 already;

this spinoff is not limited like the other 2 spinoffs that were announced.

S2 is set to begin filming in March 2023.

[mintypsii]

me gaslighting myself into thinking that what i just found out was a silly little joke everytime i get a spoiler

[rozugold]

OOOH A PROMISED NEVERLAND AU WOULD ABSOLUTELY BE SO COOL

Who would play which role?

Who would play the Mother? I mean probably Dream but he ain’t very motherly.

Instead Demons what if it’s Minecraft mobs in general like Zombies, Blazes, Skeletons, etc

OKAY Tommy is Emma (obviously) Tubbo is Norman (because clingyduo getting separated hurts too much to NOT include) and Ranboo is Ray (especially for the traitor bit and working alongside Dream n stuff)

OH YEA Dream would be Isabella!!! His whole ‘one big happy family’ shtick works really well in this context

And I’m thinking Jack and Niki takes Don and Gilda’s place… maybe baby Michael takes Phil’s place… (the little one’s name is Phil right? I think??)

ALSO the demons being mc monsters is a neat idea!!! I’m a little lost when it comes to world building though so I don’t have much to add. I just like sticking my blorbos in situations

[instinctsxbad]

help what is happening in the most recent Spider-Man comics. what’s happening in general

[deviousdiesel]

.

[mariocki]

The Saint: The Convenient Monster (5.6, ITC, 1966)

"Mr. Templar, what's your interest in this?"

"Well, let's say I have not bought an ailing hotel on the banks of Loch Ness and I've not been retained to boost Scottish tourism."

"Are you going to help Mrs. Bastion catch the monster?"

"If there is a monster and Mrs. Bastion's after it, then it's the monster who'll need help."

"What's your next move, Mr. Templar?"

"Lunch."

"Oh, one more thing, Mr. Templar: do you believe in the monster?"

"Does the monster believe in me?"

[tiny-huts]

Regis continues to be the bitch of all time I'm enjoying this conflict he's having in this book between his two identities from his two lives that the other companions of the hall don't seem to be having, or at least aren't having to the same degree, it's very very fun

[emeryhiro]

My thoughts on The Book Of Carol Episode 1

-Spoiler-free edition-

I know that some information about what was discussed during the panel has already been posted online, but I personally will try my best to refrain from posting about it since that was what was requested before the episode showing, and the panel.

Setting the tone for the rest of season 2

Firstly, Episode 1 immediately starts the season with huge emotional implications, primarily focusing on Carol and her current mindset. I truly believe that if they keep at this pace, we will have Daryl and Carol on an even field within the spinoff by the end of season 2.

Over the seasons of the main show, we got the chance to see so many layers of Carol, but since the screen time on that show had to be shared with so many other characters, we never got to go as far into Carol's mindset as we wanted to. But after watching this episode, I now know beyond a doubt that Melissa has the talent and Carol has the depth to be a brilliant leading character. She can fill an entire episode with her storyline, and there would not be a dull moment; on the contrary, during the showing, I constantly had chills because of the absolute power of Melissa's performance.

Storyline split ratio

As Norman has already said, The Book Of Carol will not be an exact 50/50 split between Daryl and Carol. There will naturally be slightly more of a focus on Carol, which I found was already so evident in Episode 1. The heavier focus on Carol was done beautifully, and like I said earlier Melissa fulfilled the role of a leading character so perfectly that I couldn't help but be a little disappointed whenever I saw that a scene had changed away from her.

Carol's mindset

Carol's mindset and emotional state had me in a chokehold this episode; I don't think there was a single scene between Carol & Ash that didn't bring me to tears or leave me with chills. As Melissa mentioned in her behind-the-scenes interview for Daryl Dixon episode 6, Carol's journey is about her mindset and how she needs to know that her friend is okay.

This theme is already heavily touched on in episode one and delivered in a way that brought me to tears repeatedly. They utilised a few vital flashbacks and some moments where we find Carol alone, going through some powerful emotional moments that opened old wounds and addressed certain things that were never fully resolved on the main show.

One of the most heartbreaking moments we see of Carol alone revolves around a song that Carol sings along with (to herself); even though the song itself has very simple lyrics, I immediately thought that it fully explains why Carol is prepared to do anything to get Daryl back.

Even before watching the episode, we knew that Carol would do anything for the ones she loves, but this current situation with Daryl truly asks more from her than anything she has ever done before. Still, there is no hesitation within her about how many lines she is willing to cross to find him again.

In all this Carol also showed some immense growth, especially in how she handled guilt and loss compared to her actions and mindset in season 10.

Daryl's change

This is mentioned in the new season's synopsis, so I no longer classify it as a spoiler. The synopsis stated that "Daryl struggles with his decision to stay in France" which appeared to be very true to me in episode 1.

I saw a colder, more aggressive, and mentally exhausted side to Daryl, which is evident in how he handles all his conversations with people from the Nest and how there seems to always be an slight undertone of resentment in his words that he is trying to hide.

Additionally, while watching season 1 of Daryl Dixon, I noticed that the longer Daryl is away from Carol, the more he regresses into his trauma. It's like all progress is being lost, and he's slowly turning back to his old ways, not standing up for himself and hiding in Merl's shadow.

Additional quick takeaways:

Ash is an angel and must be protected

Genet looked scary and really creeped me out at one point, which was really thrilling and showed the possibility of a really interesting villain for the season 2 arc

It appears that (according to Norman) we'll be getting more screen time with some of the other characters, like Sylvie and Losang

Some of the nest members' scenes evoked a sense of impending doom and eerieness, which suggests that there may be more to the Nest than meets the eye, with perhaps something sinister hiding within it.

This episode had gorgeous cinematography, which I personally liked more than season 1's, and I found that it felt richer too.

Episode 1 of TBOC is now, by far, my favourite episode from any of the spinoffs. It shows that when a show about Daryl and Carol is true to its characters, it becomes a natural success and a beautiful piece of the story.

Melissa's voice and influence are clear in how Carol's story is told in this episode. And Melissa herself seemed very proud of the work that had been done for season 2.

Norman teased one of his favourite upcoming scenes, which is of Daryl and Carol bickering like an old married couple, and Melissa teased about her favourite location where they slept and woke up surrounded by horses (I'm just imagining Norman waking up and immediately being terrified)

Melissa was absolutely glowing in person and exceeded any and every expectation that I may have had of her

Conclusion and final thoughts

If episode one is a good example on which to base my opinion, then I'd say that season 2 looks very promising, with the very likely possibility of surpassing the main series in ranking as my favourite show.

It has planted seeds to potentially resolve many of Caryl/Daryl's storylines that were left unresolved in the main series, in a way that's true to who Carol and Daryl are and how even we, as viewers, envisioned it should be.

And in Melissa's words from the panel:

"12 years of The Walking Dead, there was a lot unsaid... we picked some of the core issues and built on that"

All I gotta say to wrap this up is get excited!! The future of Caryl is looking bright!

~~~~

I have also written a full spoiler version of my thoughts, which goes into a further in-depth analysis of specific moments and their significance. However, I will post that once season 2, episode 1, is officially released in September.

[ralibo14]

TPN Brainrots part 1:

Another TPN manga panel redraw, but this time everyone goes down with me (because it's sad).

Also part one of my 'wonderful' tpn theories and head canons. It'll be long😅. There will be manga spoilers so please, read at your own risk😊.

First character I go through is... Ray.

He is one of the most complicated characters I ever saw (all tpn characters are, tbh). I always thought that people who have photographic memory are so lucky. Ray showed me that it's both a blessing and the curse.

Like in the picture above. You can clearly see that the first 2 kid waving at his direction. It's strange to know that there was a time when the Trio were one of the young kids and not the older ones. My first head canon is that Ray tried to save more kids, not just Emma and Norman when he was younger. When the blond haired boy leaves (first panel) he looks like he is about to cry (also the Trio is around 4 or 6) but when the other kids get 'adopted' Ray keeps his head low most of the frames (I'm convinced that when the second kid left he was already working as Isabella's spy.)

Ray coloration explained:

Purple eyes are self explanatory to me. I started draw him with purple eyes as soon as I found out he is Isabella's son. Purple in the hair and freckles? Well... I'm still very, very convinced that Leslie didn't die (at least not when he left the House). I always think about his situation, like what Norman got into with Lambda. The Ratri-clan is big but they need outsiders, to be soldiers, scientists, etc. And since girls from the Houses can only become Sisters and Moms... maybe some boys can become scientists and soldiers. (I can't believe I'm writing this but think about Andrew🤢... he was 100% not Ratri yet he could become an adult). So by this logic I believe Leslie could grow up too and (because I'm a sucker for happiness) he met Isabella again at some point.

Ray turning away:

On the second frame he is not looking at the girl who is leaving, but to the opposite direction. Why? Notice something else? Yes, Norman is missing too. Gilda has her winter jumper on so I figure Norman got sick again. Ray priorities his friends safety over everything else.

Also notice how Emma and Norman slowly get into the middle of the frame while Mom/Isabella get out of it? Pretty strong metaphor. It's the perfect example of 'Blood related family ≠ real family'. And while I'm a RayEmma shipper (obviously aged up version) I would never forget about Norman. He is as important to Ray as Emma. This Trio sticks together no matter what.

(older manga colouring ⬇️)

Now onto the hearth breaking stuff:

Ray's relationship with Isabella:

This deleted scene with Ray and Ayshe lives rent free in my head. Like there are two people with similar family situations and the one who lived int the middle of nowhere with a demon parent thinks positively about their parent, while the other, who grew up in a comfortable home like space with a human parent, thinks the opposite.

"But to me, she was always a monster"– Ray.

Like ufff... This sentence hits real hard. And it's low-key true from Ray perspective. He studied and read all the books in the House, not because he was interested, but because he had to. Norman is a genius, Emma learns real fast, Ray does everything he can to always get max points on his tests. But he also secretly planning his friends excape. Collects scraps of technology to build the device which makes them able to excape, plans his own 💀 carefully, so no one else will get hurt and on a top of that he is 'spying' for Isabella. Sacrifices people he wanted to protect. I can't imagine that inside panic when he didn't get max scores to that one test. I'm sure he was happy because Norman and Emma got their regular scores, but deep down he felt like he failed.

My head canon here is that Ray always gets nightmares if he is alone or in an unsafe place. And 'thanks' to his perfect memory his nightmares build up from actual memories (like we see that in the Seven Wall Arc). Also he doesn't get sick often but when he does... it's like a memory fuelled fever dream, with hallucinations and etc.

Ray's healing journey starts after the Jailbreak Arc. As soon as Mom is not around anymore, he ever so slowly starts to let down his guard and starts to show more and more emotions. His relationship with Yuugo/Mister is like a greatest archivment in his case. The playful, sarcastic 'arguments' and the way he openly said his opinion on things in front of Yuugo and Lucas. Shows how much he changed and opened up.

Isabella on the other hand... her change of heart and feelings were a mistery almost to the very end. To be honest I hated her most of the time, until the Back to Grace Field Arc. (Older manga colouring again⬇️😅)

Two things in this page which are very important.

1: Ray's guard is up again in no time, when he sees Isabella, while her emotionless mask is cracking. This is the first time we get a little inside of how she really feels about Ray.

2: Flashback of the two most important things that connects them. The song and the way they were forced to sacrifice others to stay alive.

The lullaby is very important, because it's calming and feels very intimate (like a normal parent-child relationship should be).

You also can't convince me otherwise that Ray didn't hummed this lullaby at least once in the B06-32 shelter to help the youngest kids fall asleep.

And now... onto the last picture. Their goodbye.

Saddest part ever! Never forgiving for this decision.

Ray and Isabella were never allowed to talk even two short sentences with each other without any consequences. In the House they had to play their assigned roles. Then they didn't see each other for almost 2 years. Finally they had to save half of the team from getting unalived... And they moment they would have time the last twist happens... leaving us with a sad ending.

Epilogue and Human World Arc...does little to compensate. Although I can't get over the fact that Yuugo's, Conny's and Isabella's 'ghosts' helped Ray found Emma in the Human World.

Speaking of finding Emma. My last head canon for Ray is the following;

When they found out that Emma lost all of her memories from the Demon World. Ray couldn't help himself but whisper a "I wish this happened to me". And everyone looks at him with an understanding smile thinking he blames himself for this... But in reality he really just selfishly thought (only for seconds) that he could forget everything happened on the other side.

Okay. That's all. Sorry for the supper long post and I'm forever thankful if you read through my brainrots 🥰😘. Also let me know if I should cover more characters like this. I'll obviously do Emma and Norman but if there any other characters you want to see please let me know🥰🤩💖.

[phlondeshavemorefun]

core memories from TIT Berlin

spoilers under the cut!

screaming "taschenlichtprojektor"

Scheiße becoming ScheiBBBBBBe becoming BBBBBBBBB (i'm afraid i can't explain this)

the photo evidence of them sharing clothes... and dan saying it doesn't count if it's only inside the house. sure honey

mention of capita£ester selling socks with norman on them after he died and "someone in this room right now is wearing dead fish socks" (it was me! i was wearing the norman socks!)

linguistics fact with phil!! as a linguistics nerd I was overjoyed

the whole boxing sequence of course but especially the part afterwards with the audio of them undressing. was that necessary, was it really

someone's confession that they got engaged to their straight boyfriend and hadn't told anyone yet (unexpectedly wholesome!)

someone else's confession that they pegged one of their ex's friends who is a cop (the opposite of wholesome)

of course, the song and choreo which has since been playing on loop in my brain (🎵t-e-r-r-i-b-l-e🎵)

bonus: singing along to "good luck, babe!" before the show started

and of course freaking out about the insanity of it all with the lovely people i met in the queue ❤️

[swifty-fox]

What did you think of The Bikeriders?

omg Im a lilll drunk so.

SPOILER FREE REVIEW:

I honestly think its the best movie I've seen since Green Knight. The sound design is phenomenal, the soundtrack is deeply immersive. I think (not sure) they used real film so it had that lovely 60's grain and bloom that made me feel like I was watching a documentary more than anything else. I think the plot was clear and concise and enjoyable without being overcomplicated or trying to make any sort of broad statements. It knew what it was and it did it well.

Jodie Comer/Kathy was PHENOMINAL!!! She was funny qitty, she made me Feel like she was a 60's housewife in Chicago. The accent was flawless, her hair and wardrobe reminded me of my grandma (in the best sort of way) and you really feel for her and connect with her the entire time. Her facial expressions had me laughing several times.

Tom Hardy/Johnny was wonderful of course, it's Tom hardy. he nails the accent, honestly everybody did. And like. It's Tom Hardy man. He acts like he wants to fuck whoever he's talking to its his signature. but he plays the sensitive biker so well, he was great in every scene he was in and It felt like watching an aging lion with his pride. This bittersweet melancholy colored with utmost respect. i won't give spoilers but once you watch it you'll understand.

Norman Reedus/Sonny!!!!! he wasnt in it a ton but he CRUSHED every scene he was in I was cracking up every time he opened his mouth you could just tell he was having a blast playing an absolute Bum. He's not hugely important to the plot but he was just a delight to watch.

Austin Butler/Benny was just....beautiful. It won't make sense until you watch it but he doesn't exist. but he does. but he also doesn't. He's a real man but he's symbolic of the biker spirit. We know nothing about him but we come to understand him so well. he's a tomcat who desperately wants you to scratch his head, and then he's a prize thoroughbred who will run until its heart gives out if given the chance and he wouldn't choose to be any other way. he has very few speaking lines but he OWNS every scene he's in. He's got all the sex appeal of Marlon Brando and all the bad boy charisma od James Dean. but jesus christ give this man a shower and some clean clothes. He's. hot. He's vulnerable. he's unkillable because he's a mythological figure more than a man. he takes a role that could have been deeply 2D and makes it something DELICIOUS.

My only complaint is sometimes it was hard to hear lines over the background noise/the motorcycle engines.

[patiann345]

I'm flabbergasted, I'm shocked, I'm disappointed, and frankly? I'm indignant.

In a series with so, so very little in terms of representation in canon, a series that had what I THOUGHT was 2-3 confirmed POC (we'll get to that 2-3 bit btw), 1 Jewish man, a handful of women who's writing is hit-or-miss, and no queer characters because according to one of the creators "their identities don't matter"... (Tell that to the straight characters like Henry, Thomas, Allison, Susie, Linda who's not even a character and didn't need to exist in the first place-)

Preview for that graphic novel dropped! Spoilers!!

Norman Polk is white.

I'm. astonished. For the record, because I know someone will likely bring it up, I am aware that there was never a point in the series where it was ever actually confirmed that Norman was a black man. But it was very much the consensus for most people that he was coded to be POC. To see this is just.. it's disheartening.

Dreams Come to Life seemingly (egg on my face for thinking Norman was black ig???) had 3 POC characters; Norman, Thomas, and Jacob. This was... maybe changed to 2 later on, as JDS went back on coding Thomas as a black man (an announcement they made in a Discord server of all things?? Never publically???) which they may have gone back on again later since the wiki (not official, for the record) recognizes him as black.

3 characters, and we're now down to possibly one; I say possibly because it depends on how Thomas is represented in this book. If he's black, we've got 2. If he's white?

One. One character who's never made an appearance in the games; only in spinoff material in a book. One.

In the simplest way I can put it, I'm upset. There's lots more I can talk about here; how I think this opening is a disservice and bastardization of the original writing for cutting so much out, how while it can look worse (I've read a good handful of fnaf books I KNOW it can look worse) I can't say it really looks any good, how Buddy looks like he's 12, how the yellows are garish and piss-looking. But what has me the most upset is Norman, because he was 1 of 2-3 POC characters, out of a cast of dozens upon dozens. And sure, there could be more. But we only had 3 confirmed. Maybe 2.

And now we may be down to one.

I actually spoke with my partner a few nights ago about how nervous I was about the graphic novel. Because of how the cover looked, I wasn't expecting anything great. But I knew there was a chance they'd double down and be like 'Nope, actually Thomas is white, always was' I was anticipating that, and I still am. And I looked at them and told them something roughly along the lines of- "I can live with them making Thomas white, cause of them trying to back-peddle once, I wouldn't be surprised, but I don't know how I'd handle them whitewashing Norman."

I still don't know how to handle it. To say I'm disappointed is an understatement. People have done amazing designs of Norman for AUs and personal headcanons. Hell, all the staff really. And a majority of them, you'll find, are black. Almost everyone thought he was black. Not this pale Afton knock-off (seriously his hair looks greasy as hell, I know it's a stylization of the lighting but it looks gross)

I'm just throwing my thoughts out here for anyone who cares. Maybe most people won't mind, and fine. Again, it wasn't stated, it was seemingly coding, but clearly, we were wrong because he's paler than the fucking moon. But this is upsetting. This is genuinely upsetting to see. We have so little rep in this series, and the number is somehow dwindling.

What. the Fuck.

[formercarylshipper]

Thoughts on TBOC finale ***SPOILERS AHEAD***

I have to say I was curious when Norman repeatedly claimed that the finale is the best hour of TWD ever. But then watching S2, and the way it was written, the story, etc, i had my doubts. Then I watched the finale. In my opinion, it was not the best hour of TWD television. Not even close. Not even the best TWD finale. BUT, I do have to say that the location and the zombies were definitely unique and not something we've seen before, so kudos for that.

The best part of it was Carol. We already know that Melissa is a tremendous actress and she did not disappoint. I cried. The emotion in that final scene was so beautiful. And it felt like Carol's trauma around Sophia has been resolved in a way and I'm hoping that it allows Carol to finally start healing and move foward.

Can't say the same for Daryl. Maybe it was lost on me, which is completely possible. I saw a man who was ready to give up. Granted, he had just been through quite the beating by not just one, but 3 people. I don't imagine he felt amazing in that moment, so I get it. But also, I do feel like there was a bit of a "what's the point" moment. And then Isabelle shows up. I'm still not sure what she meant to Daryl but there she is stroking his face and telling him not to give up, to believe in hope and then telling him that he's not going to die in France like his grandfather did and leave his family behind. We know Daryl struggled with his grandfather's story in S1. In a way, it was very beautiful, her giving him hope since that what she represented. And Daryl is crying while staring softly up at her. Likely a combination of a few feelings I imagine. There was also a script leaked awhile back and A LOT got cut from this scene. It was supposed to show Daryl dealing with feelings of guilt around the deaths of Merle, Glenn and Beth. But we don't see that. Just a sweet moment between Daryl and "the love of his life".

I feel like, aside from Isabelle's apparition, she had a bigger presence in this episode. And that might just be my own interpretation. But the song with Laurent and Daryl i think had to do with Isabelle with the lyrics "you can't always get what you want, but you get what you need" suggesting that Daryl wanted a family with Isabelle and Laurent but that, in fact, Carol was what Daryl needed which lines up with what Norman said about the Carol being the person that he needs. Then Fallou leaving but then deciding to stay with this new woman that he's found romance with, was representative of the choice Daryl's felt with Isabelle and that Fallou got his happy ending, where Daryl didn't. I think that Isabelle showing up isn't necessarily a closure for Daryl and it's not necessarily wrapping up that story and that character. It's already been hinted to us that Daryl is going to continue to deal with his grief in S3. To me, it seems that Isabelle was more than just an acquaintance or "experiment". Was he in love with her? No, I don't think so. But I also don't think Daryl knew exactly what he felt. Since according to Norman, Daryl's never experienced that before. So he's probably trying to figure out how he feels about all of it.

Overall, the season didn't leave me wowed. It's called The Book Of Carol, but it just felt like Carol was a side kick to Daryl's story. And things just felt awkward. There's still so much missing between those two. Norman wants to make us think things are all perfect between them, but it's not coming out on the screen that way. Have Daryl and Carol changed too much to get back to what they were before? They don't feel like the BFF's they were in the flagship show. There's just...something missing.

Tbh, nothing i saw is giving me lots of excitement for S3. Time will tell.

[inkyvendingmachine]

Mobs and Stalkers Season 4, Episode 3

💀 Call of Cthulhu: Haunted Hijinx Masterpost 💀 Call of Cthulhu Season Four Masterpost (Coming Soon)

Warning: This campaign is an edited version of  a Call of Cthulhu scenario from the Tales of the Crescent City book. While a lot has been changed, there IS spoilers for it throughout these posts.

Who is this guy and why is he following us? Why are we following him?? Why are we interreacting with mobs again??? How does this keep happening to us?????

Art Credit: @inkdemonapologist : sketching + inking @inkyvendingmachine : concept + colouring

IT IS THE NEXT MORNING. EVERYONE WAKES UP AND NOBODY (who slept over at JDS) IS MISSING, OR DEAD.

THAT’S GREAT.

Bendy even slept on top of Jack during their slumber party, trying to give the same comfort as an Beans might give. It might’ve been weird otherwise, but after all the hectic nonsense going on and not being able to feel safe going home, in this case it was welcome.

Joey slept on his research notes. 

But it is a work day (at least it’s friday,,,) so the cots are shuffled away before people start coming in and questioning the group about the spontaneous night in. And foreseeing this might be a future issue if stuff goes haywire and they have to hide out at JDS more, Joey takes the holiday opportunity to get everyone out of the office for a while.  Enjoy New Years Eve off, go party! Also New Years, to recover from the party. And also… the day AFTER New Years, to do all the things you meant to do on New Years but you were recovering from the party!! Look how nice Joey Drew is, giving so many thoughtful days off. Nobody come back until Thursday or else.

While everyone else is getting some work done, Joey checks in on Norman who didn’t even call in. He seems fine, but he’s still adamant about staying at home. Okay you do you.

(Joey sends Susie to hang out with Norman, as his inside woman and also because the Norman vs. Susie perception of the world will be nice when more things just. C h a n g e.)

The team has two big leads for trying to find Alan Leroy: Chandler Kreel and Amanda Cornish. Both of them are apparently good friends with him, and with addresses in hand, they split up to try and track down the danged clarinetist that they probably need to get to.

Jack and Sammy drive downtown to a bunch of law offices with apartments above, searching for Amanda. They’re able to get to her door pretty easily, but Amanda isn’t the one who answers. Her sister does! Luckily Jack’s there to run introductions because otherwise Sam’s scowling face probably would have just been turned away at that point. Sitting in the waiting room, Amanda soon joins them and admits that the last time she saw Alan was at a christmas party they went to… but seems to be kind of standoffish about any other information.

After some more charming by Jack, it’s revealed that she thinks he might be in trouble with the mob, and uh, Sammy… looking the way he does……. Maybe made her think they were the mob?? But with confirmation that, no, they super aren’t the mob and in fact are trying to find Alan before he possibly gets in trouble with a mob or two, she’s a bit more relaxed. Something weird is happening, because Alan really doesn’t seem like the type to be in trouble with the mob. And the last weird thing she remembers happening with Alan was… well, he got freaked out over some book she gave him for the holidays!

What’s so scary about a book? It was a pretty interesting read, here she’ll go grab it for ya!!!

Sammy is looking away Sammy is looking away Sammy refuses to look in any direction near Amanda as she, indeed, brings out a little black book with the Yellow Sign on it. 

Jack immediately feels it wiggle into his head. But at least he’s able to wrap up the conversation with her in a… semi-normal manner? While Sammy’s eyes, darting anywhere else, find a photo on the mantelpiece that features Alan Leroy and friends, hanging out at a party scrawled with the note: Skinner Place, May, 1934… and Sammy is CERTAIN he recognises the man.

Oddly, his clarinet in the photo is missing one of the extensions he'd expect for a professional player...…….

Joey and Henry take the brown Mercedes to check out Chandler Kreel, who luckily lives in a nice part of the city that feels like a Mercedes might be somewhat… less… easily noticeable. 

He answers the door but seems extremely nervous, like Amanda was. Leroy is great! So good at clarinet you wouldn’t even know he was down a finger!! Also totally a swell guy who shouldn’t be in any trouble so why are you heeerree?? 

Through Joey’s uh, storytelling skills, and Henry's good calming daditude, they get the idea he’s a loyal friend who wants to make sure he’s helping his buddy and not handing over information to the mob or any other parties that might be after Alan… Which means, he probably has information on where Alan is. Since it’d be suspicious to just plain ask, Joey goes the heartfelt “please reach out to us we’re here to help,” direction and hands off contact information. 

While returning to the car, Henry and Joey find someone oogling over it… and this time it’s not some girl trying to declare herself Henry’s lifelong love, but the pale-faced man in a black suit that’s been seen everywhere recently. Their conversation is short, as the man mentions looking for a “wandering player” that needs to be returned to his place, and he walks off after some vague threats about what happens if you are in his way. Or if you lie to him, don’t do that either.

His mask-like face doesn’t move while communicating any of this.

Henry tells Joey once they’re alone that he thinks that guy is Fowler. He has the same nervous fidget Fowler used to…

Jack and Sammy go to stop by Norman’s on the way back, and find that… his place is apparently a block down from where it used to be!! 

GREAT!!!!

When he answers the door and is immediately and frantically questioned about this, he takes a look around and confirms, shrugging and simply stating “it seems like I’ve moved.” 

He invites them in for a housewarming party.

Susie and Norman have been playing cards. There’s no updates on Avadon. Jack and Sammy update them about the few tidbits of information they’ve found, and Norman finds a piece of junk mail to hand off to Jack before they head out. Since… the address on there seems to have changed too, so if Norman ends up moving again, well… they’ll know where he is!

The four of them meet back up at JDS to exchange information about Alan Leroy, and also eject the yellow sign from Jack’s head asap. Sammy's still worked up about this clarinetist's missing E flat extension, but Joey dismisses this as old news -- obviously; he's missing a finger. Keep up, Sammy. Peter has kind of also met back up with them, leaving a message on Joey’s phone talking about sightings of the masked man going through some magic shops in the city. And the fact that despite all his digging, he really can’t find anything about where this Leroy guy came from…

Joey tries to call Peter back by memory and it doesn’t work. We’re not going to talk about the fact that Joey has Peter’s number memorized. Pulling out his phone book, indeed, Peter’s number on paper has changed and that one DOES work. 

Before they get much of a conversation going at all, Joey hangs up on Peter to try something. Instead of dialing a number in, or looking one up… he just wills himself to dial a number in to call Alan Leroy.

It kiiiindaaa works.

Joey manages to call Alan Leroy’s phone, but the same servant picks up and insists that Alan hasn’t returned home. Joey hangs up on him. 

Peter gets a call back. Okay so there’s those Magic Shops he wants to check out, and also he has a lead on the gangster guy who shot the gun during the charity event. To keep Peter from doing nonsense alone and probably being abducted to Carcosa, Jack and Joey decide to go with him to investigate magic shops, while Sammy and Henry uneasily go to the bar to find info on the gangster guy, once Sammy is reassured that this won’t be like last time and all he has to do is eavesdrop. This surely will only go well.

At the bar, Henry casually brings up the charity dinner shooting while trying to fish for information, and maybe he talks a little too much, because suddenly all eyes are on him. What! Sammy wasn’t doing any talking so Henry was just trying to… do….what Joey would do? Henry trying to do what Joey would do has never gone wrong before…

Sammy and Henry are in a mob car, only kind of against their will. They are escorted to a restaurant, where they meet the extremely average looking Italian mob boss, Johnny Nero, who wants to know what they know about this pale masked man. At first it seems like they’ve made another great terrible get-yourselves-kidnapped-by-a-mob mistake, but the boss seems surprisingly rattled, and after some grilling from Sammy, Nero admits that… he’s seen some stuff that shouldn’t be…

… and Sammy hits the nail on the head when he asks, have you seen the y͟el͜l͘ow sig̵n?

Henry steps in and decides to offer to help him… to get him on our side, and understand that we are not a threat to him, we’re simply trying to remove the same thing from the city. After some pressure, Nero is convinced, and goes through the extremely normal process of Henry writing eldritch symbols with his own blood to remove the sign from him. After the nightmare has been yeeted from his brain, Nero turns out to be a wee bit nicer: he gives us all the info he has, but insists that if we find whatever the pallid mask guy is looking for, to give it to him so he can use it to get the guy gone.

And then he kicks them out without even offering them a ride back to their car at the bar.

Wrow.

What an extremely average super not classy even mob boss. 

That’s gonna get you a terrible review on yellowp my dude.

Meanwhile, on the other side of town, it’s time for

✧･ﾟ: *✧･ﾟ:*SHOPPING✧･ﾟ: *✧･ﾟ:*~~!!

The first store is called Cool Jewel Skull. It has cool jewels and skulls. Surely that’s exactly what it says in the book, because it’s extremely not a legit shop, and Jack spends the entire walk to the next shop dunking on it to keep Joey's spirits up. They did find out that not just the Phantom but Leroy had been through it though!

The next stop is an apothecary, and it does seem a lot more actually occult stuff. The guy recognizes a photo of Leroy and confirms he came through looking for protective charms, but when he went to buy one, he dropped it upon touching it and immediately left?? Then the Pallid Mask guy came through later… Not much info on him, except that he was creepy, but we already knew that. The interesting thing is though, the charm that Leroy dropped? It has the same symbol on it that Henry uses to expel the yellow sign from people’s heads. So… weird that he didn’t take it with him…. And seemed allergic to it as well.

The three leave and try to go to the last shop on the list… but the address is missing from the paper now. Like… completely gone. Joey gets the great idea to try his “I'm going to will myself there” trick and closes his eyes, imagining a route to this store he’d never been to before, and giving Jack directions to drive there. Suddenly Jack slams on the brakes and manages to keep from completely smashing into… a man in a suit… and a pale mask…. There’s definitely a dent in the bumper now though, because Jack wasn’t that quick, and apparently a moving car is not more solid than this thing is. 

Joey immediately starts cursing him out, but he insists that Joey called him?? before going around to the side of the car and opening the back seat door… where Peter is sitting. Not having this AT ALL, Joey tries to beat him out of the car with his cane, only to be thrown back against the dashboard. 

With Jack frozen in terror and Peter having an oddly difficult time moving to even the other side of the car away from this pale jerk, Joey immediately decides he cAN AND WILL RIP THIS ASSHOLE OUT OF EXISTENCE. 

And… somehow, it works.

It sure tears something into him alright, and manages to boot him out of the car, giving enough time for Joey to demand Jack step on it. And Jack, panic stricken, somehow manages to follow the command and at least not run into anything else as they drive off into the night – But just as he’s hit the gas pedal, he does feel the cold of both glass shards and … something else, as  he gets touched by a hand smashing through the window in the last second. 

Luckily Jack bought the first car on the market in the US that had safety glass so he’s not going to be fucked up much from this in the physical department, except for his wallet maybe.

Mentally though? Memories flood in… 

memories of a time he visited a dream with his eyes closed, and almost had his head removed.

After they’re at a safe distance, a shaken Peter manages to pull the door closed. 

And thank them.