#goose plays the crossover of all time

[trucygoose]

He's fucjingv 3d

ITS HIM

ITS THEM ITS TGEM ITS THEM

I'm going to DIE the TURNABOUT SISTERS THEME IS GONNA KILL ME

[xf-cases-solved]

i've been doing my xfiles rewatch, but i've also been watching twin peaks for the first time with my partner (v weird that i haven't seen it before bc it's very much My Type of show, but w/e), and silence of the lambs was already my favorite movie. so since my personal aesthetic is apparently very specifically honed in on creepy and weird early 90s entertainment centered around fbi agents, here's a collection of random crossover thoughts i've had while watching these things, in no particular order:

-twin peaks, xfiles, silence of the lambs, except all the characters are shifted one plot to the left, so you have mulder and scully trying to figure out the death of laura palmer, clarice assigned to the xfiles division, and dale cooper having to make a rapport with dr. hannibal lecter

-separate thought: if mulder and scully met dale cooper, mulder would be absolutely delighted, and scully would want to put his head on a slab. this would just make mulder more delighted

cooper would be very pleasant to them both, but would find mulder's lack of self-care unsettling. mulder would be trying to talk about the case when cooper would interrupt him to tell him to try the mulberry pie and take a moment to savor it

he would also be able to follow scully's reasonings and would know all the references to scientific studies she makes, and would be like, "very clever! you're very intelligent!" not in a facetious way, he'd mean it genuinely, but then he'd still insist that his dream will lead them to the killer and she'd want to rip her hair out

-cooper to m&s, apropos of nothing: so how long have the two of you been in love?

-scully would not enjoy twin peaks. too rustic, too weird, too many affairs to keep track of

-mulder would love it for all the reasons she hates it

-if clarice and scully met they would get to know each other carnally, obviously. msr can still exist, but mulder has to be ok with being cuckolded by special agent clarice starling

he can watch sometimes, if wants ¯\_(ツ)_/¯

-agent crawford would have one (1) conversation with mulder and would immediately write him off as insane and never talk to him again

-crawford and scully would get along fine

-clarice and cooper would be buds, bc even tho cooper is fucking weird, he would be very enthusiastic about how clever she is, and would talk her up constantly, and clarice would appreciate the validation and kindness (besides, she's pseudo friends with hannibal lecter, cooper's idiosyncrasies are nothing in comparison)

-hannibal lecter wouldn't be able to manipulate mulder, but he wouldn't be that impressed by him either. it would be a mutual disdain. they could potentially have a hannibal/will graham-esque relationship but eh

-as badly as a "quid pro quo" scene between scully and hannibal would slap, i can't imagine scully giving hannibal anything to work with. she wouldn't stick around to play games; she doesn't have time for it and would never be able to regard him as anything besides a monster

mulder would agree to take on the puzzles, and hannibal might give them to him, but he'd taunt him and send him on wild goose chases more than he does with clarice, bc mulder doesn't have anything he particularly wants, but he is vaguely curious to see if he can figure it out. (mulder WOULD figure it out, but only with the addition of scully's analysis and theories, not hannibal's direction alone)

-hannibal would not talk to cooper lol. cooper would figure out who buffalo bill is anyway, tho

-nobody at the fbi in the xfiles universe would know how to handle dale cooper. skinner especially would be very -squints- about it, bc he'd get results, but would just be so fucking Weird™️ about it, but in such a different way than mulder is weird

-the lone gunmen would be very sweet and protective over clarice. they would be very confused and vaguely unsettled by cooper

-clarice would be skinner's dream agent bc she would listen to him and value his input and rarely punch him in the face or hold him at gunpoint

-while i can picture clarice getting the hang of the xfiles, i have trouble picturing her in twin peaks (tho, do note that i haven't seen all of it so mb that would change)

-this isn't a headcanon so much as a v obvious observation, but they are all so fucking hot, what the fuck??

-final thought: dale cooper, clarice starling, dana scully, and fox mulder = dream blunt rotation

anyway those are some of the things i think about in my spare time

the end

[madrabit]

for the fic ask game: 🍑🫐

Hey, thank you for the ask ☺️💖 my rambling got a bit long, sorry for that!

If you also want to send me some fruits 🫐🍒🍓🥭🍏, feel free to do so!! 💗✨️

🍑 If you could make a connection between your favorite character and another work you care about (whether a crossover/fusion or a wonderfully “pretentious” literary reference) what would it be? How would it work?

Mhmm… that question is very interesting, but I think this is a good way to combine one of my favorite TV series with our silly Slovenian soft bois.

(Okay, so this is gonna be long and rambly and I only have a half baked knowledge of the show and I have not read the books, just to warn you!)

In this post I already compared Bojan and Jan with Quentin and Eliot from The Magicians and I still think it's a very good comparison! (Mostly looks wise, character wise they are a little different, even though both Quentin and Bojan have anxiety, but Q has some more stuff going on that I hope Bojči doesn't).

It's the hand on the neck for me omg. God maybe I should do another post about them...

I would so love to see Jan and Bojan and all the others ngl as students in Brakebills or maybe in Fillory, I'm sure Bojan and Nace would love the talking animals, while Jure would be so into the Flying Forest (it's opium laced, I'm sure kitty would have fun).

Also, I absolutely love magical AUs and them at a magical College would be such an interesting thought. And all the different disciplines are so much fun to play with!

Bojan: He would definitely be one of the physical kids. He'd have a good grip on telekinesis, maybe even be able to do some fire manipulation and some minor mending (small object reparation). Although one might argue he could also be an empath, I wouldn't wanna put him in the psychic discipline, since a lot of psychics have a base level of telepathy and I think it only would make him even more anxious and I really wouldn't want that ngl. But since the physical kids are also quite social (and the best party people), I think it fits very well with him.

Jan: also strikes me as either a physical kid or one of the psychics. I feel like he'd be able to focus on fire manipulation and cold magic, but telekinesis and phosphoromancy (light bending) also seem like a good fit for him and honestly, I think he'd be able to at least be able to work a few different disciplines easier than usual. For some reason I feel if he were a psychic, he'd had the discipline of either telepathy or precognition, maybe even astral projection, but I'd rather say he's a physical kid, him and Bojan would throw the best parties.

Nace: He is a lil harder, for me he's either a physical kid or a healer. If he were a physical kid I 100% think his discipline would be mending, both major and minor, maybe also with a dash of telekinesis, but healing magic also seems like a good fit for him. He's nurturing, an absolute sweetheart and he has that calming presence and seems like he loves being helpful which would make him a perfect healer (those traits also would fit very well with mending btw). 

But he's not only that. He's chaotic, he's a silly goose who sometimes can be a bit thoughtless in what he says and doesn't realise sth might come off a bit wrong and I'm sure he's not that innocent little bean we make him out to be, at least not all the time. So while that obviously doesn't prevent him from being a healer, I think he'd be a good fit for the physical kids.

Kris: I feel like he'd be one of the few students of knowledge trying to understand how magic works. Since Knowledge is a mix of psychic and physical magic, I feel it might be a good fit for him. There aren't a lot of disciplines, but I think meta-composition (taking spells apart and understanding the separate components and maybe even creating new spells) would be a good thing for him. On the other hand I think he might also have some illusion magic, but mostly knowledge. He also gives me major Julia vibes in that regard.

Jure: I feel like Jure would most likely be a naturalist. He spends a lot of time in nature, seems grounded by it and seems to use it as a way to recharge, so I think it would fit him quite well. Nature magic can either be focused on the weather, which would fit with the sunshine kitty, or on plants.

But he also could be an illusionist. I'm sure he'd be quite good at vanishing, cloaking and invisibility, since he manages to keep a lot of stuff private and stay under the radar, just as I think he might like.

For some reason, I also think he might even be able to do inter-dimensional travel (like Penny), idk why, but I just think it would fit him.

(Also, magicians have to be good with their fingers, so I think the boys would be good at it)

🫐 What’s your favorite underrated thing in your fandom? (A ship that only you seem to write for, a character there’s almost no fics about, a trope that criminally hasn’t been written yet, etc.)

Ohhhhh, that answer is so very obvious 🤭 I think a lot of ships are underrated. First, I'd obviously say BoJance, my favorite little throuple! These three fit so well together, but there aren't a lot of fics. The same goes for BoJan (although the work count has increased there and I love it so much!!) and BoNace and I just wish more ppl would write for them.

And as a surprise, I think one other criminally underrated ship is JuKris!

[thescrapwitch]

20 Questions for Fic Writers

Thank you @grey-gazania and @dreamingthroughthenoise for tagging me! Sorry for the very late reply!

1. How many works do you have on Ao3?

Currently, I have 63 works, though a few of them are on-going multichapter ones. If I narrowed it down to only complete fics, it would be 58. 

2. What’s your total Ao3 word count?

501,530 words!

3. What fandoms do you write for?

Currently the Silmarillion has me in a chokehold and I am having SO MUCH FUN putting tragic elves into all sorts of situations. There’s a lot of free space and flexibility in its canon which is fun to play around in, and so many AU possibilities. Before that I wrote for Linked Universe/Legend of Zelda, which had a large cast of characters whose found family/friendship dynamics had me hooked. 

(we shall not speak of what I wrote during my Fanficion.net days, back when I was very small and very terrible at writing 😛)

4. What are your top five fics by kudos?

Looking at all my fics, my Linked Universe ones have the most: Rescue Mission, Malevolence, Bad Joke, Untitled Goose Fic, and Weatherworn Heart. 

5. Do you respond to comments?

I try to! I adore comments and go back and reread them often, so I try to at least say thank you to people who’ve left one after reading my fics. 

6. What is the fic you wrote with the angstiest ending?

This is a tough one! I have a few Hurt/No Comfort ones (all focusing on poor Maedhros). I’ll go with Despair Like Poison, in which I find a way to make the beginning of the Silmarillion EVEN WORSE. Its based on a Tumblr post I made (which I now can't find????), and I might continue it, once I figure out exactly how dark/angsty I want it to get!

7. What’s the fic you wrote with the happiest ending?

Probably Rest for the Weary and the Damned, the final fic in the main storyline for my Maglor is an Eldritch Horror series. After many problems, everyone gets to be together and live happily ever after, including everyone’s favorite eldritch monster.  

8. Do you get hate on fics?

No, but I don’t tend to write a lot of romance/ship-focused fics, so that could be why.

9. Do you write smut? If so, what kind?

No, not my thing to write. 

10. Do you write crossovers? What’s the craziest one you’ve written?

Crossovers aren’t really my thing to write either. 

12. Have you ever had a fic translated?

I have! It's always such an honor when someone asks if they can translate my fic. 

13. Have you ever co-written a fic before?

No, though I do get a lot of inspiration from comments and side-discussions. Untitled Goose Fic happened because of a Discord discussion, and Trial of Crablor Feanorion was written because of a commentor’s remark about animal trials.  

14. What’s your all time favorite ship?

Silvergifting can be so much fun and so messed up and I love writing it. 

15. What’s a WIP you want to finish but doubt you ever will?

My poor Legend of Zelda 1920s AU fic is crying at me from the depths of my WIP pile. I am so sorry. One day, maybe, I will return to it, but I have so many other things that I want to write…

16. What are your writing strengths?

Dialogue, story structure, and weird stuff. Eldritch monsters, sentient houses that speak to you in nightmares, crabs who were once elves, dreamy-not-entirely-sane narration; those I feel like I can do well. 

17. What are your writing weaknesses?

Description! Specifically, description used to set up a place, to make the world around the characters feel more textured and real. I am trying to get better at it. 

18. Thoughts on writing dialogue in another language in fic?

I have enough typos writing in English, I do not have the confidence to try and write in anything else. The Tolkien fandom has a lot of languages and I’m always in awe of the people who can include them so well into their work.

19. First fandom you wrote for?

Megaman.EXE, way way back in the early days of Fanfiction.net, all of which has now been thankfully eaten by the internet. 

20. Favorite fic you’ve written?

I say it every time someone asks, but it has to be The Haunting of Imladris. That fic was a gift: it gave me a world to flesh out for my eldritch!Maglor series, it gave me confidence to write horror (which I’d never done before) and it gave me Lindir. I will always adore and be grateful to it.

Tagging: @camille-lachenille @thelordofgifs @searchingforserendipity25 @sallysavestheday @lordgrimwing @eilinelsghost @chthonion @gardensofthemoon and anyone else who wants to join in!

[firenati0n]

20 questions for fic writers

thank you to @alasse9 @anchoredarchangel @myheartalivewrites @anincompletelist @cricketnationrise

@tailsbeth-writes @cha-melodius @ninzied for the tags! i am so so so behind on all tags and questions and asks and i am sorry for the delay!! <3 thank you for your patience :)

How many works do you have on ao3?

7 under my name, 1 anonymously

What's your total ao3 word count?

32,316

What fandoms do you write for?

rwrb :)

Top five fics by kudos:

An Amateur's Guide to Piping That Cream and Beating That Meat (5,094 words)

our world, mine and his alone (the midnight train to go) (2,970 words)

cause you're classic, and i'm reckless (5,422 words)

each time we touch / i wanna take too much (1,339 words)

who truly stuck the knife in first (3,697 words)

Do you respond to comments?

yes! i haven't replied to any on angel fic yet bc they make me cry LMAOOOO but i will get to them soon :) comments mean everything to me. receiving any is a privilege. connection is so lovely.

What is the fic you wrote with the angstiest ending?

i would say who truly stuck the knife in first but it's not angsty, just open-ended. they're spies, so happiness for them at the moment is fleeting lol.

What's the fic you wrote with the happiest ending?

i always write happy endings but i think and all i can taste is this moment, and all i can breathe is your life aka the angel!henry fic is the sappiest. it's so sappy I'm giving it a sequel for more sappy endings. it's the happiest ending because it also makes me cry.

Do you get hate on fics?

not yet, thankfully. people have been very nice and welcoming, which has been a real blessing.

Do you write smut?

no lol i got into my M game with who truly stuck the knife in first (sexually charged wrestling), keep me up all night / i wanna scratch your surface (prosey fade to black), and each time we touch / i wanna take too much (fingers in mouths) but i don't think I'll be writing smut anytime soon.

i could barely handle arms and legs in spy fic (@cha-melodius knows how terribly i struggled jfalksdjflkjasdlkf). how the fuck am I supposed to factor dicks into the equation????

Craziest crossover:

none yet but i am cooking up a sci-fi thriller au that may never see the light of day based on Dark Matter by Blake Crouch but no promises jfalksjdlkfadsf

Have you ever had a fic stolen?

not that i know of

Have you ever had a fic translated?

not that i know of. I've had art and moodboards and a podfic but no translations.

Have you ever co-written a fic before?

i am writing one right now with [redacted] and it's going to be so fucking good y'all are not prepared for this AU fr

All time favorite ship?

firstprince forever. alex and henry are my babygirls. Close second is Sydney and Vaughn from Alias or Chuck and Sarah from Chuck.

What's a wip you want to finish but doubt you ever will?

i have a lot of docs with bullet points but typically if i start WRITING real words in a doc, i will be finishing it EVENTUALLY. it will either take me 4 months or 4 hours and there is no in between unfortunately, considering i write most of my fics between the hours of 2am - 7am in a fugue state. fatal flaw. all of my docs with actual snippets in them WILL be completed at some point. it's just going to take me. forever.

What are your writing strengths?

i hate perceiving shit like this bc i always think i sound like I'm blowing smoke up my own ass lmaoooo so I'll go with dialogue. i like the dialogue i write.

@anincompletelist also told me that I can "curate a VIBE and TONE like nobody’s BUSINESS" which is extremely kind (ily) and i think i agree. I do like experimenting with tone and atmosphere. I have been playing with genre and expression with each fic and i like what I've done so far.

i also just love a silly goose time fr ok i love my fun fics like amateur's guide and worm fic and actor au. they make me laugh.

What are your writing weaknesses?

i struggle to plot things out bc i get so caught up in dialogue and snippets of things i actually want to write LOL so weaving the snips together is always a pain for me. i am also a perfectionist so it takes me way longer to get over my mental hurdles and put words on the page. i also struggle to write angst sometimes like angst does not come as naturally to me as zippy banter. neither does prose. i have to work at those.

Thoughts on dialogue in another language?

love!!! i find it so beautiful.

First fandom you wrote in?

i do not count the 1d fanfic i wrote in my notes app as a mentally ill thirteen year old as actual writing, so let's go with RWRB :)

Favorite fic you've written?

and all i can taste is this moment, and all i can breathe is your life. it's my most personal and a fic I used as a coping mechanism to get through some yucky times. i also like the emotional beats in that one a lot. it is my least read / least popular but my favorite.

no pressure and open tags under the cut <3

@wordsofhoneydew @bigassbowlingballhead @eusuntgratie @violetbaudelaire-quagmire @magicandarchery

@getmehighonmagic @indestructibleheart @14carrotghoul @onward--upward @sparklepocalypse

@porcelainmortal @nontoxic-writes @piratefalls @dumbpeachjuice @clottedcreamfudge

@tintagel-or-cockleshells @orchidscript @cheesecurdsgravyandfries @smc-27 @everwitch-magiks

@kiwiana-writes @hgejfmw-hgejhsf @ships-to-sail @rmd-writes @welcometololaland

[masoena]

Comfort in the Rarest of Places

SPN/DCU Crossover

Fill for Hurt/Comfort Bingo hosted by @sweetspicybingo

Pairing: Sam Winchester & Dick Grayson (Nightwing)

Prompt filled: Gun shot wound to loving embrace

Rating: Gen / Teen and Up (Gunshot wound not explicit)

The last thing Sam saw were the demonic black eyes of his brother and the sound of the shot from his 1911 handgun ringing in his ears, before he was pulled by irrevocable forces through time and space. He landed abruptly in a barely lit back alley between two large looming dark-washed tenement buildings. If he had to take a guess, he’d think he landed in New York but he could not be more wrong as he let his blurry vision wander skyward. Looking down at him from the first level up fire escape stood a leanly muscled man with a black mask, teenage Sam would recognize Nightwing anywhere having snuck into Dean’s small stash of Batman comics on more than one occasion. The shot Dean took however was true and landing sprawled on his back like he did added a quickly swelling goose egg at the back of his head to the profusely bleeding bullet wound in the center of his chest and the world went black for him.

He noticed the sounds first, the rhythmic beating of a heart monitor, the rattling of an air conditioning that needed a tune up and the low hum of a television in the room playing the news at low volume.

His eyes opened to a sparsely furnished hospital room, similar but different in many minute but clear ways. The bed frame was made of some kind of carbon fiber rather than rubber padded steel or plastic tubing, the monitors did not look like any he had seen on earth before and if those spot-the-difference type of variances weren’t enough the “Blüdhaven General Hospital” sign on his patient chart told him exactly where he was. He hoped dearly that he wasn’t about to be annihilated by Chemo, reassuring himself with the fact that he had most definitely seen Nightwing the night he landed here. If he was in town, then he was safe. He remembered that in the comic books Nightwing survived, but only because he was out of town when the attack went down.

Looking out at the city through the window to the right of him was like looking at a less polished, economically more depressed version of Manhattan, with skyscrapers reaching high up and luminescence from the buildings polluting the otherwise clear night time sky.

“Mr. A welcome back, how are you feeling?”

“Mr. A?”

“Well you know Adam A is what we call someone who we can’t find a name for and you appear to not even be from this country based on our national ID database check.”

Sam translated Adam A as this world’s expression for John Doe and stared at the police officer, analyzing him to try and gather clues about whether he was safe here. The guy looked like a more chiseled version of Cas, sharp wide masculine jaw, a set of thin lips, bright blue eyes and straight pitch black hair that looked styled slightly messy on purpose and suited him. As much as Sam was feeling discombobulated at having ended up in a DC comic universe, he could appreciate the man’s All American good looks. His eyes were inquisitive, kind and intelligent, his body language open and curious, the patient chart lax in his hands when he spoke to Sam.

“Yeah something like that.”

“Would you care to elaborate?”

“Look, unless I’m under arrest for a crime that I know I did not commit, I would prefer not to.”

The man, officer D. Grayson Sam noticed on his ID batch attached to his uniform, put the chart down altogether and raised his hands in a no harm done kind of way.

“Alright, alright hey not here to harass you but it’s been a while since I have come across someone who is not in the US population database in any way shape or form.”

Sam oddly felt like he was on the other side of a line of questioning he and Dean would use on someone who witnessed a supernatural creature in action. Perhaps responding accordingly would work for him?

“You wouldn’t believe me if I told you why that is the case.”

“Try me.”

“I’m not from here.”

“Yeah I could tell by your clothes that you aren’t from Blüdhaven.”

“Are you gonna let me talk or comment on everything I say with a smartass joke in return?”

Grayson did circular hand motion, asking Sam to continue, mouthing sorry silently.

“I’m not from this world, my home is earth but not this one. I’m from the US but not this version of it. My brother nearly killed me when our angel friend zapped me through a worldhole into this universe.”

“There are so many points in your statement that I don’t fully understand, when you say angel what do you mean and what is a worldhole?”

“Angel as in God’s winged soldiers, you know guardian angels, archangels and such. Do you have a bible here in this world?”

“Yeah I know what you’re talking about, Lucifer falling, Michael his brother and Gabriel. So angels are real where you came from?”

Sam’s face fell, he hadn’t considered that angels were just stories here, if it took celestial power to send him here, how could he return?

Grayson was not ignorant of Sam’s body language, in fact he could see the lost and desolate facial expression that graced the handsome face with the slightly slanted hazel eyes. He wanted him to not go down the rabbit hole of whatever prompted that look of hopelessness.

“Worldhole?”

“There are many versions of earth, many different universes and dimensions, angels have the power to poke a hole through the veil between worlds via time travel. When my brother was ready to kill me, Gabriel of all people, launched me through a time and space tunnel that had me land here.”

“Why would your brother want to kill you?”

“How much time you got?”

“I’m already off the clock so if you want someone to listen, I’m here. Plus where are you gonna go if they release you in a few hours? Because I assure you they’re gonna need your bed.”

As if on cue the doctor that did surgery on Sam came into the room.

“Happy to see you awake Mr. A. The surgery went well and the bullet was a clean shot through you front to back. It missed all important organs and bones which was extremely fortunate. We will be able to sign you out with some painkillers perhaps in 1-2 hours from now.”

“What if there are latent issues with the wound?”

“We have run an extensive number of tests and done both an x-ray and an MRI to ensure all is how it should be internally. You are as healthy as they come other than the sutures on the impact and exit wounds you will be fine. Do you have someone to assist with wound care? You’ll not be able to reach your back.”

Sam wasn’t sure if it was the pragmatic, cold way in which the surgeon laid things out for him or the fact that referring to wound care brought Dean to the forefront of his mind, his big brother, the one who always had his back quite literally, the person responsible for him ending up here. He knew there was no saving Dean, Gabe tried to explain it to him for weeks as was Castiel; Dean wasn’t possessed, he was a demon/human hybrid whose soul was merged like a helix of bright white light and inky, sticky tar blackness both sides of him so solidly intertwined that ripping them apart would spell the demise of both.

What he didn’t expect was for officer Grayson to stand beside him where he was sitting on the edge of his hospital bed and wrap a comforting arm around his shoulders. Sam let himself be held as he could no longer hold back the tears that wanted to fall. Some random cop in a random world that maybe contained Nightwing away from everyone and everything he ever knew. It was a tough situation to accept even for a Winchester.

“I’ll help him with wound care, he’ll be staying with me.” He rubbed his hand up and down Sam’s upper arm, the touch so painfully familiar to how Dean would soothe him as a child which only exacerbated the sobs that shook his body as he shuddered and struggled to reign himself in. The weight of the struggle of the past few months, the unsuccessful demon summonings, Cole and his mad plan of getting back at Dean and the continued dead ends no matter what he tried. All the hopelessness and failure he’d never allowed himself to feel through all of that suddenly released in a cathartic emotional break.

The surgeon left shortly after and Sam wouldn’t be able to repeat what he said, even if his life depended on it.

Grayson hugged him properly now that they were on their own. “I will not claim to understand what it feels like to go through what you went through. But I know a thing or two about loss, grief and moving on and what it feels like to be completely on my own.” Sam melted into the embrace. If he imagined that it was Dean hugging him, Grayson didn’t need to know but he was glad not to be on his own in this.

Unbeknownst to either man their interaction had been attentively observed by a pair of light honey brown eyes from the rooftop of the building across from the hospital, the outline of wings hidden by the darkness of the night.

Link to Hurt/Comfort Series on AO3

[that-was-anticlimactic]

20 questions for fic writers

tagged by my beloved @zukkaoru & @lesmiserablol <333

tagging (with no pressure): @beachytablecloth, @fabro-de-omres, & @milf-harrington (so sorry if you've already been tagged!)

1. how many works do you have on ao3?

69 which... is honestly more than i was expecting? i think it helps that my goal is to post a fic once a month mostly bc that's my motivation to keep writing even when i'm busy/stressed!

2. what's your total ao3 word count?

396,183 - omg i am SO CLOSE to 400k ahhhhhhhhh

3. what fandoms do you write for?

uhhhhhhh many??? right now, it's a lot of bsd/bnha, but it's always a plethora of things, haha! my first was prolly ninjago tbh

4. what are your top five fics by kudos?

hey, little songbird, give me a song

you never quite say (but i hear)

lost in love and lost in feelings

Deeper Than Words

for a new world to begin, the old one must fall

okay the #1 for that is honestly so real that is one of my absolute favorite things i've written EVER lol, same with #2! the rest are... idk #4 is AWFUL - like one of my first atla fics and also my first time writing a ts fic (i have gotten SO MUCH BETTER AT IT NOW)

*note: i started this in like nov or early dec, and #5 changed! it was the zukka goose fic but now it's actually one of my favorites iugytfyhujiko

5. do you respond to comments

i used to be good at it. then i got stressed bc of school. and then i was suddenly like "uhhhh idk How to respond???" i think the thing that got me was i didn't know how to reply to the distressed comments on my sokka falling fic so i just. accidentally stopped.

6. what is the fic you wrote with the angstiest ending?

oh here in the garden (let's play a game) 100% rip to sokka sorry babes ilysm hate to do it to ya, love the angst tho <333 rip to everyone who missed the major character death tag lol. well... that or a spring and summer song, too brief rip to geto in the +1 oops... oh shoot... it could also be take me where my soul can run... hm...

7. what is the fic you wrote with the happiest ending?

this was hard, but imma go with i was a child and she was a child bc it's based on one of my favorite childhood memories! rip to zuko and his ice cream tho :/ but azula is VIBING the whole time oiuygfcgyhuij

8. do you get hate on fics?

not really? i did once have someone try to correct me and say that i wrote sokka with ocd instead of tourette's but it was in the bookmarks and it made me laugh lol. i also got this comment on my kubokai kaidou with ts fic: ".. the self projection is heavy in this one ... -_-" so idk if that counts lol

9. do you write smut? if so, what kind?

nope :)

10. do you write crossovers? what's the craziest one you've written?

uhhhh not really? i wrote ninjago equestria girls crossover oneshot in middle school but i never finished it and it SUCKED lol

11. have you ever had a fic stolen?

not that i know of?

12. what's the longest you've spent working on a fic? and the shortest?

uhhh i wrote a 7,600 word fic in three hours while i had covid? that's prolly the shortest? i count that as shorter than anything i may have finished faster bc i had covid lol but longest? ummmm over a year? multiple years? idkkkkkk the jay with ts fic i posted was something i wrote in 2019 and i edited it (a lot) and posted it in 2022 so??? that maybe?

13. have you ever co-written a fic before?

uhhh i did with friends in middle/high school, but those never left the docs! also grace and i have. very many much so aus lol

14. what's your all-time favorite ship? from all fandoms?

RARIJACK!!! it was one of my first hardcore ships, and also was my introduction to queer ships!!! renga is a close second, but rarijack just is really important and special to me for sentimental reasons that put it above renga and others! i am also on a seroroki kick right now. it's not my all-time favorite, but the brain rot seems never ending right now lol

15. what's a WIP you want to finish but doubt you ever will?

GOD SO MANY i have a folder in gdocs just for ninjago fics and there are folders within the folder for different types of wips i'll never finish - i have That many: "no substance", "baby girls", "drafts"... etc...

16. what are your writing strengths?

uhhhhhhhhhh ngl i'm in a place right now where i feel like the answer is Nothing (writer's block has been Bad recently), but i think something i'm good at in a very specific way is making readers feel the discomfort of characters? like idk i've been told that the way i write ts and tics (specifically tic attacks) makes the readers feel uncomfortable in like a "wow i didn't know it felt this way" kind of way??? i like to think i'm good at characterization??? idkkkk

17. what are your writing weaknesses?

ummm setting and scenery & connecting parts of a story, especially if they're parts that i'm stuck on/transitions are prolly my biggest ones???

18. thoughts on writing dialogue in another language for a fic?

i mean go for it as long as it's respectful and like... you tried making sure it's accurate?

19. first fandom you wrote for?

uhh rainbow fairy/a-z mysteries... but that was like very briefly on paper. first time like... for Realsies was ninjago

20. favorite fic you've written?

oh 100% hey, little songbird, give me a song. it's just really special to me and writing it helped me cope with a new tic i had. but one that i wrote more recently is fantasies i'm not sure that i'm worthy of which is a ritsu-centric fic and is prolly tied as my favorite fic i wrote in 2023. the other one would be sun comes streaming through the window (& i can't sleep anymore) which is my 21k word kenji-centric fic lol but that one is like... i'm more proud of it than anything, which is what puts it up there.

[tutuandscoot]

Let’s talk about this lift

~an essay

First, some brief history..

This is probably VM’s most iconic lift, along with ‘The Goose’, and to a lesser extent I would also say the curve lift in MR (the Prince Lift). I include that last one from an ‘iconic Olympic moments’ pov. It is often used in media packages for the Winter Olympics. It was one of the most iconic moments to come out of VM’s performance- because of the way it fit with the music, created a moment, electrified the crowd… it just became one of those things that you now picture when you hear Come What May, and a truly memorable moment from their skate- when you think of triumph and super human achievement that’s an image that comes to mind. It’s an Olympic lift. In that respect I place it in the same company as the two former lifts, however I wouldn’t give it the same VM specific, iconic to them status as the two former.

The difference with The Goose and this lift (which will be referred to from here on as the ‘Carmen Rotational lift’ (CR) as I hate that other name it was given) is The Goose was largely popularised within the skating community. [I may be wrong with this, I wasn’t around back then but from what I’ve understood and learned about their career/legacy]. (Also I’m not going to recite the whole passage about it’s creation from the book.. IYKYK). It was first performed in Pink Floyd. It was then used as one of the many, but maybe most memorable, highlight moments in Mahler. The fact that in Mahler she originally jumped out of it seemed mind blowing, then when it was changed to blindly falling back into his arms I think just added even more to it’s poetic beauty and mind boggling difficulty. This lift was made famous in 09/10 and was then retired from competitive programs. It became ‘their move’ not just of the season but of their careers among fans especially, and/or anyone who attended ice shows more than once. It’s an iconic move, but it largely stayed iconic within the confines of the skating community, maybe seen more now through FS edits on IG & TT.

The CR, debuted in the 12/13 season as the furious, passionate, violent climax to Carmen. Now this post isn’t about that program so I’ll keep this brief, as with all* their programs they were always able to create new, or modify lifts that were unique and deliberate for each character and storyline. Carmen as a piece is arguably the most raw and thematically dark program they ever did, and this lift, along with several smaller, nuanced moments throughout the program are such perfect embodiments of the specific character interactions they wanted to portray. It’s violent, it’s unexpected, it’s daring and death-defying… one slip on that exit and her head would smash the ice and she could be paralysed.

Moving onto this lift in MR..

Lets start by talking about the athletic and logistical nature of it.

As with everything they do, they make it look so easy. And as has been discussed many times, the reason they can do the lifts they do and make them so unique and seamless is because they play equal parts. It is not simply Scott lifting Tessa- she gets herself into and can hold herself in all types of bizarre positions effortlessly while Scott is the strongest, most secure male partner for her in the base/facilitator of the entry and exits of these lifts.

So let’s break this down. First, let’s talk about Tessa’s role

[WARNING: prefacing this for all readers that NO negative/crude/ comments/rbs will be tolerated, this is an educative/admirational essay. ALSO: discretion is advised for younger readers- adult themes will be discussed].

They prepare for the lift with just two backwards travelling synchronised crossovers, just two to gain a huge amount of speed to get up the momentum they need for T’s flip. She kicks her left leg up then forcefully (but not aggressively) digs her toe pick into the ice and immediately starts the twist and dives forward while still travelling at speed.

So now once she’s off the ice (which I guess is officially when the 7secs for the lift starts ?) is when it becomes mind boggling when you break it down. As she twists and flips, as she takes off she can’t really see him, she just knows he’s gonna catch her. She sees him briefly as she twists towards him but she’s in the air at this point so the lift can’t be aborted (side note: that’s the other thing with a lot of their lifts- they are so dangerous and physically demanding, there is often this kinda point of no return.. I’m sure they do, as we’ve seen in some practice footage, have emergency exit strategies if a lift doesn’t go right) but with this one, considering the speed and that they are travelling backwards, at least in this transitional part before she gets on his shoulders there’s kinda no going back.

What’s so interesting when you start to look at the detail of it.. she doesn’t just twist to flip forward and stays square, she continues to twist a bit because of where he has to step in and forward.. as she goes upside down, her body continues to twist slightly and her right arm gets left behind (1). Once he’s rotated her enough, she gets her right arm out from beside him so quickly and smoothly (2) and immediately starts to square up her shoulders and hips so as she sits up she’s as even as possible as to not throw off the rotation and sit on his shoulders evenly (3). Also while this is happening, she needs to be so specific with how wide she opens her legs. Too wide and she’ll slip off his shoulders, too narrow and he won’t be able to get his head in between. Also, partly due to the twist but also because he is stepping forward from her right side (once she’s twisted) she has to open her right leg slightly wider than left so timing wise it matches up to when he is stepping forward and he has that space as he’s coming from the back to be in line with her (4). The timing has to be perfect because if he steps forward too early he’ll hit her leg. Then once he’s in position she has to close her legs tight together- since that’s really the only point of contact/stabilisation for her throughout the rotation.

1. Upper body is twisted-hips slightly uneven, shoulders more so as right arm gets left behind. 2. Hips have evened up and right shoulder is brought forward. 3. Sit bones are even and right shoulder is (just about) square approaching top of the lift. 4. Right leg open further than left

Once she sitting up right- which she basically does all on her own, he is more or less acting as the pivot point for her hips and she rotates, there’s a little assistance with his left hand but it’s pretty much just her core strength. As she sits up, she has to not throw her upper body forward. She also has to be so careful not to use her legs to get her up because if she were to continue bending her knees and her skates go back, she could risk stabbing him in the back. So what she does to counter all that, is she does more of a ‘crunch’ motion- she lifts her knees up/brings her chest to her knees as she hunches forward, but keeps her hips very square and balanced as to not throw off the axis of the turn (5).

I feel like the Olympics version was the best version of this lift, because where as in other versions, some where she really hunched over but the weight was back (7), and others where she didn’t hunch over as much- she sat upright but she still held his head (6), what they achieved this final time was a balance of all of it. She got into that hunched over position and ‘grabbed’ his head right away- which I imagine just from a physics perspective, being in the tightest shape possible at the top of that lift is the most aerodynamic position. She also sat upright enough- or should I say she wasn’t hanging back on his shoulders - her thighs were at/close to a right angle.

5. Hunched over so her head is right above his. Curved spine for tighter ‘ball’ shape. Hips square- not hinging in an acute angle. Knees not physically moving but pressing upwards to counter knees and skates bending back. 6. Spine straight, only head bent forward and not touching his. 7. Hips at an acute angle, slipping/hanging back-knees bent over shoulders, skates uneven meaning hips aren’t square.

Lets break down Scott’s part in the lift before continuing:

So, as said before, they are skating backwards very fast, he quickly positions on himself in a spread eagle. I’d say it’s this position specifically so she has clear ice to dig her toe pick in for the flip-he could’ve traveled backwards in that parallel stance but would be in T’s way, also the SE position is more flattering and increases the difficulty of the lift.

Where I say she’s flipping blindly and just knowing he’s there, yes that is part of it, but if you look closely. Just before she goes he has just the tips of his fingers on the crest of her pelvis. I’d say that’s the ‘go’ signal (8). If you’ve seen the footage of WYWH where they had to abort the lift (I’m sorry I can’t find it to link) you will see he has his hand in this same ‘go’ position, but stops it by putting his other hand on her other hip. Now in a competition scenario (OF COURSE safety comes first) its not really possible to stop. So with a lift like this where it’s a blind entry and she just has to go.. they know each other so well they could have their eyes shut and he knows exactly when she’s going and knows she won’t hesitate, that’s the signal they use. So, as soon as she takes off his left hand position switches to being in front of her as she flips forward (9) and becomes that first pivot point across the front of her hips. Once she forward and moves past horizontal, his right hand comes over the top and pushes her back down and around. That hand isn’t really doing any lifting though. This whole thing isn’t really even a ‘lift’ (in terms of lifting her upwards, it’s a movement that results in her off the ice). The only point of weight baring contact is that left hand/arm and that only bares weight for not even 180 degrees of her rotation. That right hand then keeps contact with her and does a full pivot on her back to her hip to give her some assistance in getting up, and holds her steady as that the left hand switches from her front to her hip.

8. Light contact so she is aware of him spatially. Prepares to launch off toe pick. 9. As she flips his left hand moves in front of her across her pelvis to catch and establish pivot point. Right hand prepares to push and rotate her upper body.

THIS IS ALL BEFORE THEY’VE EVEN DONE HALF A ROTATION ON THE ICE!

Ok let’s keep going.. I’ll discuss both of their roles simultaneously from here on.

By the time she’s fully in position, they’ve already done a half rotaion, Meaning she has to do that sit up- getting past the hardest bit which is moving through horizontal, with that turning force pushing sideways and around her as she sits up. They only stay at the top of that lift for no more than 1 rotation, so it’s so important that she gets to that position and holds it as quick as possible and can spend as much time held there before changing position again so we see that image and it doesn’t just become all messy transitional movements.

Another important factor in making it work so well and would’ve taken so long to perfect, is he had to get his head right to the top of her legs before she sits up. This is what creates the visual everyone freaked out about, but it’s very important from a safety aspect that he does because as she sits up, she is gonna slide back a bit. Going from a position where there is no bend at the hips, to a hinged hip position, causes the thigh bones to slide backwards [try this for yourself- if you lay on the floor legs straight out and do a sit up/roll up, as you reach towards your toes you will feel your sit bones slide back, as you roll back down, you will notice you have shifted a few centimetres backward]. So here in this gif: the tops of her thighs, just under her sit bones get onto his shoulders as he gets his head in place (10) but as she sits up and hits that position, it’s more the middle of her thighs on his shoulders (11). This is important in creating that tight shape once she at the top of the lift. Obviously she isn’t actually ‘sitting’ on his shoulders, her pelvis is off at the back, so they have to get as high up on her thighs as possible onto his shoulders so she can squeeze her legs together and hang on that way, creating more of a ‘sitting’ look, rather than hanging off with just her knees bent over his shoulders and therefore look like she’s falling off.

Watching in slow motion, she is really only at the top of that lift for no more than 1 rotation-starting it when she’s facing the direction they have come from, when she faces that way again is when she starts to change position. This is really impressive because it is such a highlight moment in the program. It has a huge impact and carries so much emotion, while it really only lasts about a second out of a seven second lift (I’ve timed it and they actually complete it- the whole thing in six seconds easy).

So this is where the CR portion of the lift transitions into a hybrid with the Latch rotational lift. Its a very similar position to that in Latch but has a quite a few differences, partly because of the different position they are moving out of.

Where as in Latch, she only has to slide one leg off his shoulder, and they were facing the same way. Here she has two thighs to get off and twist/change direction. To get out of this sitting position, their timing with each other has to be impeccable for it to look as smooth and clean as it does. It’s actually very hard to notice when and how they change position when watching it at full speed.

Here I will break down the lift in written form, and at the end of this part of the analysis is a chart of accompanying screenshots showing each position at each half rotation.

How it works is: at the 1/2 rotation (12), T has got her position. She stays here fully for really only 1/2 a rotation, before she begins to change her hand position (13), completing the first rotation. By 1+1/2, I think very cleverly, Scott releases holding her with his right hand when she is facing the direction they came from and his right hand is upstage (away from camera) therefore we don’t see the change in hold (14). By the time they have made another half turn, completing 2 rotations, T has straightened and slid her left leg off his right shoulder and is now lying with her right side over his right shoulder (15). There is a point in this which lasts for again about a half rotation, where T has no hold on him at all- she has lengthened her arms from where she was holding his head, her legs are no longer squeezed tight together around his neck to hold on-they are now in about a 90 degree split. Scott is holding her just around her right thigh which is also rotating as she slides down his body (visible in motion between images 14+15). When the lift is at speed, there is no way to really comprehend all that is happening and how much coordination this takes from both of them to make it look so clean and effortless, all while he is maintaining speed and rhythm of each rotation on the ice- every rotation matches and is perfectly controlled and balanced despite the weight changes, curve, etc. He is also turning to the left- I don’t know if this is his more comfortable side, I know with jumps most skaters prefer left but since these are essentially chenés the left is often more uncomfortable- though thinking more about it many of their rotational lifts do turn this way so I guess that isn’t an issue. The thing that is so glaringly obvious, but is also the thing, at least I often forget/take for granted, is that are not doing this on the dry floor without fast rotation- it is on ICE, and happening within very fast rotations and must be completed in a matter of seconds. It’s easy to overlook all these things because of just how good they are and how easy they make it look, but breaking it down reveals all the tiny details that if one thing is off could affect the whole lift.

In just one more full rotation, they are essentially in their final position, with just T left to lock her hands together. From the position we left them in with just the one point of contact from Scott, we see his hands change to his right hand over her front (16), to hold her lying now on her back over his right shoulder, to then be able to completely release his hold around her leg with his left hand, which has to slip narrowly between his body and now her right leg which is dropping further down. His left hand then comes over her and reaches around to her right hip. Finally, that right hand/arm which was holding her over the top as she was lying facing up on his shoulder, releases once the left is now around her to move to holding the base of her head and support her neck (17). [pfeew that was a lot!] Tessa meanwhile has maintained such a strong and clean position throughout this transitional phase of the lift. This is an instance where it is not so much up to Tessa to get/move herself into a position, but she is required to stay so strong yet pliable for Scott to move her into that final position. With something like a rotational lift where there is a central axis point of all the moving parts and any unnecessary movement could fight against that centre of balance, counter balancing through their body positions and not ending up fighting each other for position is so necessary, and that’s exactly what they both do. From that 90 degree split position, over the final half rotation Tessa gradually closes her legs straight, finishing with that right leg in a parallel retiré position. Her body flips from right, to back, to finally left side lying against him- a drop in position from her pelvis above his shoulders, to finishing with her shoulders at the same height as his. In less than three incredibly fast revolutions that is a considerable amount of movement and to be made to look so smooth is very impressive. Finally, and again this goes back to the cleanliness of the lift as it relates to aerodynamics and not throwing off the axis of the rotation, she slips her right arm down his back so that isn’t something else pressing against the force of the turn. Her left arm stays high and circles around till she has been lowered enough and is rolled the right way around to wrap that left arm around his neck. The last thing to happen is her right arm passes forward past her side to be held by her left hand.

Another thing that is so impressive about what Tessa does in this lift is the use of her core to keep her legs up. From the second she moves out of that position at the top of that lift, she isn’t particularly high off the ground. She has to use her core to keep her legs lifted, straight and pointed- it is not simply the force of the rotation doing that. She is obviously not close enough to actually hit the ground, but to still have the affect of it being a ‘lift’ and that unlike other girls she is not just simply being thrown around by her partner.

The whole lift is completed in about 4 1/2 rotations. It is just mind boggling really, thinking about all the detail in it. This is classed as a level 4 (the highest level) lift- and you can see why, although comparing to many others both of this era and currently, it probably should’ve been classed as about a level 10.

What is also particularly impressive with this lift is the musicality. It’s very hard to hear but there is a little trill in the music right as she’s in her flip and ends as she sits up.

Now let’s talk about it artistically.

Firstly I want to say a few things: All art is subjective/interpretive. It is completely up to each audience member to interpret and decide what you are seeing the artist/s do. Sometimes it may be very literal- the artist/s is telling/showing you exactly what is happening, but more often than not there is always an element of interpretation and that varies between each viewer. I feel this lift is quite obvious what it’s implying, my take on it I think is the same as most, but maybe with a bit more artistic and athletic nuance..

So YES. Everyone on Twitter/tumblr/media outlets who childishly freaked out about it and talked about TS like strip teasers, this lift is exactly what it looks like. It is implying sex. It is meant to look like a sex act. And, credit to them for their artistry and bravery, a pretty dark and twisted version of sex.. now let’s talk about it like actual adults appreciating TS’s beautiful artistry and not like 5 year olds seeing the word ‘F**k for the first time.

Moulin Rouge is a very ‘sex’ orientated story. In the live show 95% of the chore is sexual. That’s just what it is, it is a factor in the story. Both consensual and non consensual. TS needed to portray what happens in this story, not only the sex but the abuse, the prostitution, Satine’s death, them falling in love, the setting of the story and the stakes at play, in just 4 minutes and with 3 tracks from the movie soundtrack. That is a lot to take on and frankly only a team of VM’s quality could pull this off this well. Baz Luhrmann confirmed as such that in watching TS he didn’t feel like he was watching an ice skating routine, but a ballet; a masterful piece of story telling where you felt so overwhelmingly invested in not only their characters but them as performers. TS said upon hearing it they felt so connected to the music and the story and it had all the things they wanted in their final competitive program:

Something raw, contemporary. Something with passion, drama, romance. Something with a changing storyline they could evolve over the telling of that linear passage of time where everything is affected by what comes before it. Jealously, rage, sex, raw fiery chemistry.

To convey all of those things in 4 minutes through a piece of art with very specific restrictions as to what must be included/excluded, to work all those themes, emotions and physical acts in in a way that is seamless, athletic, beautiful, classy while at the same time not shying away from being literal about certain things. It’s the true mark of genuses.

There’s several different ways they could’ve incorporated the idea or in their case ‘act’ of sex into this program (or any of their programs that warranted it for that matter). They had to find that balance of sensuality and sex in their choreography and story telling because they just didn’t have the run time, set, costume/s appropriate setting/audience or physical (movement) freedom to perform and compete something so stylistically reminiscent of the movie or stage show. Their MR program is ‘sexy/sensual’ (specifically the Roxanne portion) but for the way they told the story, to compress it into free dance format while hitting all the emotional beats, and as dancers, interpreting the music and convincing an audience, it needed to be this big highlight moment- as this scene is in the movie and is a huge turning point for especially her character. It’s a testament to their bravery as artists to make that big moment also the most ‘controversial’ (as some critics called it) but, pivotal moment in the program through choreography that you’ll remember. They could’ve done ‘sex’ in a story dominated by sex in many ways, but as with everything they do, they manage to incorporate it into an element, make it so classy and kind of in a way, give to the story and musical grandeur what it deserves without shying away from the darker themes, and also give us what we want without giving us too much. There are obviously several other references to the ‘brothel’ and ‘prostitution’ setting of the story and in fact the very first lift of the program- the stationary lift has an even darker context seen so subtly through their movement than most would think (but that’s for another post).

What’s brilliant about the way they did it was it’s athletically spectacular, but also as harrowing and (if you think about it the way I do) upsetting but in a really beautiful way to see them perform as their characters but appreciate them as people and their friendship- the strength of their bond to move in and out of the platonic friendship and their dance partnership where they are actors of the highest, most believable quality.

So, let’s talk about it emotionally- and how it managed to produce such visceral reactions by combining the athleticism and artistry.

• The Position: As I mentioned above talking about the movement break down. Earlier in the season, she didn’t hunch forward over him as much as she does here. It was a difficult position to balance. Here at NHK it’s very balanced but she stays upright. Here at nationals she hunched over more but slipped back.

[Side bar: I’m not gonna go back and track down all the articles about this lift [here’s two I found by accident later on after I wrote this post] and line them up with dates and what happened when, so if I’m wrong oh well, I’m not gonna stress it’s just a lift we’re talking about, but my research tells me that the stuff about this lift and that it supposedly had to be changed because it was taken to some board and it was deemed “too sexual” so it was “banned” seemed to occur after nationals when the media around everything olys related was gearing up. They were also announced as flag bearers so idk if that had something to do with it- sweet ol’ 🇨🇦 didn’t want their flag bearers performing o*** s** in a skating program at the olys. [that was a joke]. Anyway. The line VM gave was not that the lift had been banned, but after going back and watching tape, they didn’t like the shape of it, so they changed it. This contradicts what they said later about them going back to the CR lift for the IE, and that ‘they wanted to go back to original vision and intention’ of that lift. To be fair they do say that as they changed the second half of the program and music it ultimately made the whole story less dark, so not having an as intense and literal lift position for the new version they felt was better. I’m not totally sure what I want to believe, I understand that reasoning behind changing it more over the ‘someone banned it because it’s too sexual’- after the hell they went through with Carmen and having to change all that and forgo their true vision over a couple of people getting offended- I think at this point they were done being told what to do. The idea of it being too. ‘R rated’ for an Olympics viewing audience is BS- the lift is so quick and children would not understand what was going on. Not to mention really the most spectacular part of the lift is the twisting freaking back flip- I think kids watching would be more inclined to exclaim ‘did you see that girl do a backflip on ice!’ rather then ‘hey that’s a sex position’. So, if I may theorise for a moment: What I WONDER is if they changed it because they were trying to get T into that hunched over position and it wasn’t quite working- as seen at nationals, so they played around with other positions. It could’ve also been that with the points between them and 📎✂️ so (unnecessary) tight, and as they said, refined everything to the point where no marks could be taken off. This again is ironic considering as they said here that the lift in the TE was marked lower so they went back to the CR.. so there’s my theory on that. I’m not sure considering I always like to believe what they say, but the contrast between the CR lift at nationals, then when they went back to it after the team event is so obvious and it looks so much better then all the times before, I like to think they must have been aiming to get to that- an even more literal position for a while. Ok side bar over].

They achieved what I think is as perfect a position they could in this final performance. She hunched over him so her nose almost touching his head. She (just about) held his head with her elbows in. She squeezed her legs tight. When seeing it at full speed, while in that top position, you can’t see his head. That’s for me what gives it off as what they are implying. While earlier in the season, it’s still pretty obvious but that specific position they hit adds so much emotion to it.

The idea is that she has her hands clasped behind is head and forcing him into her. (I believe in one of the articles I linked above it’s what one reporter describes what she’s doing as- I can’t remember though it may be a different one). That’s not exactly what she’s doing but that’s what’s implied, and by this version at the olys it looks most like that. I would’ve loved to see them actually be able to do that because the lift is what it is- there’s no hiding from that- so if there was some way it would’ve been possible to complete that image I would’ve loved to see them do it. (I feel) it’s because the lift and rotation is so fast there just isn’t the time for her to actually clasp and unclasp her hands in less than one rotation. I also think, even though it’s only marginal-he is so close to her body he can hardly see, but if she were actually forcing his face into her her, having what little he has of peripheral vision in the position they do probably aids in his balance and spacial awareness. (I know this little bit seems contradictory to what I said about it being so quick kids wouldn’t understand it- but the difference is kids/people in general seeing it once and fast, and taking no further interest in TS, and taking the interest in dissecting it athletically/artistically for appreciation purposes- of course looking at it more with that educational frame of mind more can be gathered).

• The emotional factor/what is happening in terms of the story: I’m gonna do my best to just ramble about this exact moment and not go into the whole thing (I’ll do that in another post). I’ve thought about this in different ways. Earlier in the season, when they still were doing the (what I call) ‘darker’ version of it, where Scott’s character in Roxanne was more menacing and aggressive. Playing not so much a specific person in the story but more the idea of what is happening to T’s character, I saw the lift as him assaulting her. They go into it with so much aggression on his end and it feels more violent. He’s more that version of the character/s of the one/s doing the abusing to Satine (The duke and then also Zidler in enabling it). In the diagonal leading up to it he is playing to the darker, aggressive voice on the lyrics ‘you’re free to leave me but just don’t deceive me’:

The olys version differs where they softened his character and he starts playing into Christian’s qualities earlier. On this same bit of chore he’s playing to Christian’s side of the lyrics, and as they go round into the lift it’s T with more aggression. He’s trying to help her but she’s so caught up and afraid and feels she has no choice so all that anguish she takes into the lift and out of panic and confusion she ends up assaulting him. It’s amazing how they can take literally the same chore and music and just by tweaking the character intentions it can have a huge impact on the direction of their specific story.

Another way to read this is more literally to the scene in the movie (up until recently I hadn’t seen the movie so I had adapted my own interpretation based on that I understood of the story). This scene in the movie is comprised of intercuts to Satine having to seduce and ‘go through’ with letting the duke r**e her in order to continue funding the Moulin Rouge- and her livelihood, and Christian watching the company’s corps play out this tantalising tango in front of him as he yearns for Satine and fears for her safety. The scene then is alarmingly cut as Satine races into Christian’s hotel room, throwing herself into his arms desperate for him to keep her safe as she couldn’t bare being tortured (emotionally/physically) by the duke any longer. She begs Christian to run away with her and promise they will stay together forever. This moment literally plays out this entire scene from the movie in one lift- the terror in the climax of Roxanne, to falling into Christian’s arms as he screams ‘please believe me when I say I love you’. In this one lift, Scott transforms himself from the duke (or representative of the duke’s character intentions) to Christian promising to protect Satine. I’ve said it many times before but I’ll say it again: give that man an Oscar!

In a way I feel a little bit ridiculous spending months and months composing thousands of words to explain a 6 second movement in an ice dancing program. And I’m questioning whether I would’ve had it not been for the ‘controversy’ around it. Yes, I remember the FB posts talking about how ‘these Canadian ice dancers had to tone down their free dance for the olys’ and ‘you won’t be seeing this lift from Canada’s top dance team at the olys’. All made to drum up hype.. but then instead had actual consequences enabling those who can’t tell the difference between sleaze and superior artistic expression. I more than anything was astonished at Tessa’s athleticism and fearlessness. “She did a back flip entry into a lift on freaking ice!!” I’m pretty sure was my reaction, but then immediate after was stabbed in the heart with aching emotion for what that movement and moment was implying in the context of the story, and my heart continued to ache for days on end rewatching this beautiful masterpiece by some of the most fearless artists I have ever seen, on top of the narrative of these precious best friends who had never left each other side for over 20 years in pursuit of greatness in their field and admiration for each other.

I’m going to finish this post essay off by speaking more broadly about the judgement passed on them more so than other teams for boundary pushing themes and choreography, and maybe offer a way to understand their art form on a deeper level.

There are several instances of lifts performed by both pairs and dance teams that transition through ‘sensitive’ positions as a matter of entry and exits. However the difference with this lift (and the stat lift and their other programs with similar themes) is the entire thing is intentional to what it is implying. The ‘eye catching’ position serves as both a means to transition into the main feature/positions of lifts, but it is that very lift position that is implying that moment in the story, and funnily enough, it seems that the position at the top of the lift is the most “””concerning””” part of it. I don’t mean to labour the point of this and reminisce on the controversy, trust me I don’t like it because I understand what they are doing and have never had a problem with it, but I think this is useful in understanding this art and how to convey a story, even if those stories are sometimes uncomfortable- TS are being truthful and honest and want to be literal yet tasteful in the way they tell their stories which they always managed to achieve.

The idea of ‘intent’ with something like this has come up before with them in relation to Carmen- some posts from way back in the day commenting on ‘the thigh grab’ moment. There was a post in helping people understand the difference for those non-versed in artistic movement and physical story telling, that Scott would always be touching/holding/grabbing Tessa’s thigh/s as a matter of partnering and lifts, but the difference in this moment in Carmen was the ‘intention’- it being deliberate and removed from transitional/lifts/partnering movements. That was the entire point of that moment for it to be intentional, obvious, send shivers up your spine. On the opposite end of the (lack of respect/lack of common sense) spectrum there was another old post I came across that claimed in one performance he had reached his hand and grabbed all the way up under her skirt, which was not only completely incorrect (that’s obviously not what he did) but utterly disgusting the fact people were seemingly getting their jollies over something that was completely exaggerated. Now, we’ve all heard references to the ‘OG Carmen’- the ‘very very very’ not toned down version, the ‘NOT Mickey Mouse’ version.. so could that have actually happened in the original version? Maybe. Sure. Would I have been outraged by it and objectified them for being s**ts? NO. There is appreciating intent without it being completely literal, and not exaggerating something to claim they were actually ‘grabbing’ or doing whatever when they clearly weren’t, however if they were to, that should also be respected in the context of what their craft is. There is a matter here of ‘artistic consent’ that they (and all partners doing this sort of stuff) need to have. In the case of actors in a movie/TV show it comes in the form of contracts, chemistry tests, and intimacy coaches (which is actually something finally starting to make its way into the dance world), in TS’s case it is years of foundational trust in each other and a mutual desire to challenge themselves as artists, this along with having coaches and mentors at a young age (and throughout their career) that nurtured their relationship and gave them a safe space to learn how to be intimate with each other. Had either of them ever felt uncomfortable with anything at all, they would have been honest with each other and it wouldn’t have happened, or they would work around their apprehensions through comfort and communication. But because they have (artistic) consent- all of it is 100% consensual, there is zero need to think of any of the more ‘questionable’ choreography they do as anymore than simply choreography servicing their story. Obviously, and I say all the time they have to be very brave to put out the stuff they do- anyone does (not that I’ve seen every program ever so I’m sure there have been others taking on ‘riskier’ subjects) it’s obvious they have felt very connected to these stories for them to be so passionate about performing them, doing them justice and interpreting them the way they want. It has nothing to do with wanting to perform sultry, sensual, ‘R rated’ choreography for the sake of it. They can and when it’s warranted, do it so well because of their trust and chemistry making those moments all the more emotional because you really believe them and feel invested in them as characters and artists.

If you have made it to the end of this essay, thank you for sticking at it all the way through, I know it was a lot but I felt it deserved it, and as I did end up expanding on, it’s not just about one lift, one moment, but learning to understand and appreciate them on a deeper level. I hope this was educational/informative, maybe even a bit emotional.. (I always like my posts to have that flavour). I like to think those who read my posts are here for the in depth study and appreciation of these incredible athletes and we can move on/ avoid all the trashy stuff xx.

[gaogaigar-the-king]

20 Questions for Fic Writers

Tagged by @valkeakuulas

How many works do you have on ao3? 23, though there's some works posted on my Tumblr that I never transferred to AO3 (My Paladins and Warframe ones spring to mind).

What’s your total ao3 word count? 82,191 according to my Statistics page.

What fandoms do you write for? Currently? Warframe, occasionally dip my toes into TCW. In the past? There's also been Ultraman, Iron Leaguer, Brave Police J-Decker and more.

What are your top 5 fics by kudos? Scars (TCW) Untitled Goose Wars (TCW) A New Discovery (Ultraman X, NSFW) Tumblr Ask Memes (Miscellaneous) First Date (Ultraman X)

Do you respond to comments? Why or why not? I try to when I have the energy! I love receiving comments and feedback, though I rarely get any to answer to.

What is a fic you wrote with the angstiest ending Oh jeez, I've written so much angst, uh. I really have no idea?

What’s the fic you wrote with the happiest ending? I really have no idea on this one either? I can't judge.

Do you get hate on fics? I've never directly received hate on any of my fics.

Do you write smut? If so, what kind? Yes. Yes I do. Robot/robot, alien/human, Warframe/human, Warframe/Warframe... If it involves non human characters in some way I will absolutely play around with it. Kinks are included too, I'll play around with them as well. And most of it isn't even straight.

Do you write crossovers? I have tried to in the past, once or maybe twice.

Have you ever had a fic stolen? Nope, not good enough for anyone to want to steal my stuff.

Have you ever had a fic translated? All three of my Ultraman fics have had people requesty to translate them into Chinese/Korean in the past.

Have you ever co-written a fic before? Nope.

What’s your all-time favorite ship? Oh no nonono, this is a fucking evil question, you can't do this to me! I've got more ships than I can even keep track of!

What’s a wip you want to finish, but doubt you ever will? Hmm.... I want to finish Untitled Goose Wars, and I want to finish Among Us Gone Wrong and Love Has Many Forms (And Tentacles), but whether or not I will? I hope I will. My muse is a fickle beast and plays horribly with my mental health.

What are your writing strengths? I've been told before I write a good blend of atmosphere, dialogue and believable character actions and thought processes.

What are your writing weaknesses? See above with my mental health. It takes me so much longer than I'd like to write these days, because of external problems, my mental health and perpetual exhaustion.

Thoughts on writing dialogue in another language for a fic? An interesting idea! But I can't speak any other languages than English, like a true Brit failed by our terrible languages education system.

First fandom you wrote for? Star Wars. The first one I actually published anywhere? Iron Leaguer.

Favorite fic you’ve written? Thus far? My favourite ones are still confined to WIP-status. I love how a lot of my Warframe stuff is turning out... I should share some of the standalone parts to AO3. I also have emotional attachment to LHMF(AT).

[atlantablack]

Stranger Things/Narnia Crossover

Okay, so, this was originally just me rambling in the tags on @steveshairychest’s post but uhhh i ran out of tags…..which has never happened to me before …..and then I didn’t want to hijack their post because it got wayyyyy too long and there are three parts because I have A LOT of thoughts for the lion, the witch, & the wardrobe; prince Caspian; & voyage of the dawn treader so like, this is part 1 i guess, bear with me here

Okay so, I’ve decided to go with, this is a canon compliant Stranger Things AU though Season 3 and then Season 4 still happens, but Eddie doesn’t exist in the modern world. Not 100% sure on how S4 would go in that case but hand waving that away, basic plot points happen, except they defeat Vecna, happy-ish ending, Max is FINE. Cool cool. Moving on.

In the OG post I saw @munsonsduchess mentioned in the replies Eddie as Caspian and I have ENTHUSIASTICALLY taken that to heart, not 100% sure how to work Wayne in there but that’s a problem for me an hour from now (but i have IDEAS for the steddie of it all so I will make it work)

So, The Lion, The Witch, & The Wardrobe:

So, post canon, at some point a few years post-S4, let’s say summer break between the kids Junior and Senior years, Steve, Robin, Dustin, & Max go on a vacation together. Which makes sense because the Sinclair’s, Byers, and Wheeler’s are probably all having family vacations. But Ms. Henderson and Susan Hargrove can’t take time off work to do that and Robin just wants to spend vacation with Steve, so they all go on a vacation to Europe and stay in this bougie ass Bed & Breakfast.

The Bed and Breakfast off is course Professor Kirke’s old house. Now, so we know time in Narnia isn’t accurate to time in England, so theoretically even tho it’s 1988, the kids could go through the wardrobe and still end up at the end of the long winter. I’m thinking in this universe the Pevensie’s never got to sent to Professor Kirke’s house during the war and he passed away in 1949 so the wardrobe just kind of got left in the house when it was turned into a bed and breakfast.

So, the four of them are there, Dustin and Steve are both in the room that have the wardrobe, and Robin and Max are sharing a room. At some point in the first couple of days there, Steve, Robin and Max are outside doing something and Dustin is just exploring as much of the house as he can get away with and for whatever reason, he gets it into his head that maybe the wardrobe has a false back!!! Because you know old house, old wardrobe, why not right?

And ofc it then spits him out in Narnia which is not a false back but is infinitely cooler in his opinion. Unfortunately, Dustin “what if I raise this baby demodog what could possibly go wrong” Henderson does not immediately turn around and go back, but instead goes exploring and then is happened upon by Jadis. Now, see, here’s where it changes, because Dustin’s played D&D for years and he might not have the good sense god gave a goose to not going run around a random new universe, but he does manage to clock, almost immediately, that Jadis doesn’t have his best intentions in mind. but he’d quite like to not get murdered thanks and so he plays along and mentally rolls dice and promises to bring her his “siblings” and then fucking hightails it the fuck out there

So, Dustin is back in the room, and immediately goes to tell the others. Change Number 2: they’ve all already gone through the upside down bullshit four times, and while they’re slightly skeptical, they also believe him pretty fast. It would not be the craziest thing to happen to them.

So, instead of doing the sensible thing and simply not going back into the wardrobe, they stash a bunch of supplies in it and start going in as a group to check it like once every hour or two to see if it’ll let them back in. It takes sixteen hours, by which point Steve is thoroughly over the whole thing and Max is starting to suspiciously wonder if Dustin is playing the longest prank ever on them, but it does indeed open back up and they grab their supplies and wander back into Narnia

If Nancy was there she’d be completely appalled that they don’t have any weapons on them except for Steve’s pocket knife and the kitchen knife Robin managed to steal. Unfortunately, Nancy is back in the states with her family and unaware of this.

So, into Narnia they go, Mr. Tumnus is there, since he didn’t meet Dustin the first time around, and wasn’t implicated. And then they run into the beavers etc father christmas all that

basically, book events happen similar-ish, Steve gets his sword & shield and Robin gets a bow & arrow and her horn. Because really, like, Steve is self-explanatory, going from a nailbat to a sword is the logical conclusion and by god does that boy need a shield. I think Robin would do well with a bow & arrow honestly, especially considering she seemed to do fine throwing the molotov’s and holding a bow doesn’t involve much walking/running unless the enemy gets too close.

Now, I was thinking on the cordial & dagger, and i technically slotted max into the role of lucy because dustin was the one to originally run into Jadis, but neither of them fully fit either of those characters, and I’m not really trying to make them fit perfectly. But so I do feel like the cordial and dagger fits Dustin more, especially if we want to assume he still watched someone die in S4. Not sure who…….but let’s just say he did. I’m not writing this as a full fic so that’s a problem for me never. But that would fit his character then.

We don’t have a canonical fourth gift set since Edmund wasn’t there, but I think, since they all received a weapon of some type, Max would do well with a set of dagger short swords for two handed fighting, and then maybe a map that always shows the right path? to tie in with her being the party’s zoomer?

so they get their gifts and keep going, whatever happens in the book happens I guess (I really don’t remember the small plot points) and then since no one betrayed anyone and we’re ignoring the bible metaphor of it all Aslan’s sacrifice isn’t needed and the battle is fought and won and the kids become the kings and queens of Narnia.

Now, they talk sometimes in the first couple years about trying to find the wardrobe and go home. They’re not really aware that time moves differently in Narnia than in their universe, and they’re sure that the rest of the party must be worried sick about them. But they’ve been handed an entire kingdom and Steve, whenever it’s brought up, always says that if they want to try and find their way back they should but he’s going to stay because this asshole has a savior complex and refuses to leave the kingdom he’s been given responsibility of and well, the other three refuse to leave him, and so in the end none of them leave.

But then, just like in the books, the memories fade and then it’s fifteen years later and completely by accident, they stumble back through the wardrobe and back into 1988.

The In Between:

So, they’re mentally 15 years older (36 / 35 / 32 respectively if my math is right) and now they’re back in their younger bodies in England and it’s only been maybe an hour or two and no one even knows they were gone.

Obviously, when they get back to Hawkins, which was an ordeal in itself while they tried to reorient themselves to the modern world, they call a code red and the party has a meeting where the four of them try to explain what the fuck happened.

The rest of the party wants to not believe them so bad because honestly, it’s horrifying, all four of them gone for years and years and none of them even noticed because time just, passed differently there (which is fascinatingly reminiscent of the upside down btw). The party doesn’t want to believe it, but they do, because Steve is matter of factly talking about the intricacies of running a kingdom and planning battles and treaty negotiations and Robin is explaining how you keep track of crop yield and making sure a kingdom is fed and taken care of and how to make sure you have back up reserves in case a winter runs crueler or longer than the last. Dustin casually talks about hosting castle functions when visiting rulers had come to Cair Paravel and Max talks about hunting and the dryads that taught her how to understand a river’s voice.

They don’t want to believe them but the party doesn’t lie, not about stuff like this, and no one can really deny the way that the four came back from England and no longer seem to fit.

It’s hard on the party of course. Dustin and Max can’t just slip back into their friendships with the others that easily. It’s been fifteen years for them, they’ve forgotten so much. It’s even harder for them to go home to their mother’s and pretend to be children. Robin and Steve have an easier time of it, time had only made them closer, and they’re still together even if they are back in Hawkins. It’s hard on Nancy who had started to grow close with Robin and had been looking forward to seeing Robin after they all got back from their family vacations.

But life moves on and it takes months but eventually all four of them start to slip back into their lives in Hawkins. But they still don’t quite fit, no matter how hard they try.

Steve and Max get into a mock fight one day when they’re out by the pool. Someone had brought a bunch of fake weapons, because they were getting ready for a LARP festival, and no one had thought about it past “that sounds like a fun thing to do” and one minute they’re all laughing and the next Steve has picked up a sword and Max has picked up a pair of short swords and they’re off.

They miss training is the thing, they never say it but there is so much about Narnia that they miss that it feels like they’ve lost a limb some days. Dustin misses Narnia less with every day that passes and Robin thinks some days that she’s fine in either world as long as Steve is there. But Steve and Max feel like they’ve lost a vital part of themselves and so of course they’re not going to pass up a chance to capture even a little bit of Narnia back.

The party goes dead silent as they watch Steve and Max fight. It’s obvious they’ve done this before. Max is fast her on feet and Steve is grinning, sharp in a way he never used to be. Neither of them are pulling their punches and Max jabs Steve hard in the side at one point right as he brings the sword down hard on her arm. “Guess that’s a draw,” he says, cheery as anything and Max laughs, says, “Don’t be ridiculous, you know that one’s mine. One of us would be bleeding out and it wouldn’t be me.”

They go kind of still when they turn and find everyone watching them but Robin hoots and starts making fun of Steve for losing before the silence can carry too long. Dustin joins in making fun of Max for getting hit at all. “I swear you used to be faster than that,” he says.

“Yeah, well, I used to have properly weighted swords too.”

He grimaces and concedes the point.

The point is, it gets easier and it gets harder and they try to move on because they don’t really see what other choice they have and the party does their goddamn best to get used to the new habits and idiosyncrasies of the four that came back.

It gets easier and then of course, a year later, in 1989, Steve, Robin, Dustin, and Max get called back.

to be continued.....

[trucygoose]

Oh my god.

"An unlucky-but-lucky type" dareisay. Phoenix

COME BACK PURPLE GUY..

WHOAO WHATS GOING ON

Ah the perfect time to solve a puzzle.

OH ???!?

AHWGSGSJ I swear the animators always have so much fun with lukes shenanigans

Me during the intro cutscene tbh

DID THEY SERIOUSLY JUST LEAVE MY GIRL LYING ON THE FLOOR... hold on espella before I help u I gotta collect all the hintcoins first you know how it is

his name is professor, actually

ITS THE PURPLE GUY

HEHEHEHEH LUKE JUMPSCARE

yes very much actually that's kind of my thing

[nidhoggs]

#𝐍𝐈𝐃𝐇𝐎𝐆𝐆𝐒                  ──                  independent   &&.   private   /   selective   headcanon   based   portrayal   of   𝑬𝑺𝑻𝑰𝑵𝑰𝑬𝑵   𝑾𝒀𝑹𝑴𝑩𝑳𝑶𝑶𝑫   from   square   enix's   𝑭𝑰𝑵𝑨𝑳   𝑭𝑨𝑵𝑻𝑨𝑺𝒀   𝑿𝑰𝑽.   au   &&.   crossover   friendly.   multiverse   /   multiship.   NOT   SPOILER   FREE   (6.3   tagged).   NSFW   THEMES   PRESENT.   minors   do   not   interact.   loved   by   goose   (she/they   +   cst + 29). 𝐜𝐚𝐫𝐫𝐝. see mobile rules below.

𝐚𝐟𝐟𝐢𝐥𝐢𝐚𝐭𝐞𝐬: @sanctivus , @eunoirous

i. this blog is private, selective, and mutuals only. i curate a safe space for myself to relax and write - and that includes keeping my dash clean. if i follow you - please be aware it's because i want to write and enjoy seeing you on my dash! additionally, i am multiverse, multiship, crossover, oc (especially given the nature of ffxiv), au, and duplicate friendly. i do not do exclusives.

ii. my activity can be a bit sporadic. i have a number of other blogs in a different fandom and also enjoy... playing the game so, at times i may simply not want to write. if it's been longer than two weeks since you've received a reply for me, or i have not liked/acknowledged something you tagged me in - feel free to poke me about it.

iii. i am a rather wordy writer, usually about 3-4 paragraphs in length. i also format my posts (small text, double to triple spaced, some colors here and there). i occasionally use icons as well, but not always. i don't expect my partners to match me word for word - but quality over quantity is always appreciated. and of course, i do enjoy the occasional bantering one liners as well.

iv. no art on this blog is mine unless stated otherwise. any and all resources (from art to graphics) will either be credited here or on my carrd.

v. i don't do drama. i don't do it at all. don't drag me into it. reblog call out posts to your hearts content but i'm old and tired and don't want to participate. that being said, standard DNIs apply to this blog. if you, as a mun, condone or write pedophilia (that includes sexual instances with lalafells), incest, rape, etc - begone. racism, homophobia/biphobia, transphobia, ableism, etc by muns is not tolerated here.

vi. i love shipping. i am weak for it. it's an excellent character development tool and lends itself to some great interactions. i am a huge shipper at heart and am happy to ship. toxic, romantic, platonic? as long as there is chemistry and it's not gross, i'm usually down. that being said - i do like to develop a repetoire with muns beforehand, and shipping IS NOT THE PRIMARY FOCUS OF THIS BLOG. also, i feel like i shouldn't have to type this out - but i do not, under any circumstances, romantically ship estinien with minor muses/minor coded muses (lalafell), and this INCLUDES the twins.

vii. again - NSFW will be present on this blog. estinien and i are both over the ages of 25 and i don't shy away from writing smut, violence, gore, drug use, etc. i will always make an attempt to tag triggers and place sexual content under a read more.

lastly - my discord id is available to mutuals upon request, as is my character name. i'm always happy to vibe in game or just talk memes. please don't be afraid to hit me up i guarantee you i'm more afraid of you than you are of me.

[dreameep]

#𝐃𝐑𝐄𝐀𝐌𝐄𝐄𝐏               ༺               headcanon   based   𝐋𝐈𝐋𝐋𝐈𝐀,   𝑻𝑯𝑬   𝑩𝑨𝑺𝑯𝑭𝑼𝑳   𝑩𝑳𝑶𝑶𝑴   of   riot   game's   LEAGUE   OF   LEGENDS   franchise.   private   &&   selective   //   mutuals   only.   potentially   canon   divergent.   NSFW   material   present.   those   under   21   do   not   interact   !   dreamt   by   GOOSE.   29.   she/they.   prompts   always   open   to   mutuals   !

𝐃𝐑𝐄𝐀𝐌𝐈𝐍𝐆 𝐖𝐈𝐓𝐇: @slayseal

༺ 𝐂𝐀𝐑𝐑𝐃. ༺ 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒. ༺ 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

I. this blog is private and selective, as well as mutuals only. i curate my own space and like to keep my dash semi-orderly. if i follow you, it means i'd like to interact. in the same vein - this blog is multiverse, multiship, au, crossover, oc, and duplicate friendly. i tend to not do exclusives, but i will do mains, all of which will be listed here.

II. on the subject of activity - mine can be sporadic at times, with rp being a hobby and multiple blogs on top of this one. if i don't like a post you've tagged me in　 within around two days time, please feel free to send me a poke about it. i also kindly request when sending in ask memes, send no more than two - otherwise i tend to get overwhelmed.

i am a wordy writer for serious threads, usually about 3 + paragraphs in length. i do also format my posts - triple spaced, small font, occasionally with colors. i neither expect formatting nor entirely matched length in replies.

III. i absolutely love shipping. not only is it an excellent character development tool, but it's a great way to familiarize yourself with certain aspects of your muse. that being said, romantic shipping is not the primary focus of this blog.

if you are interested in shipping with lillia - i seek chemistry first and foremost, and a bit of repertoire with the mun as well. that being said - feel free to message me about it!

IV. it should be obvious that this blog will be dark and heavy on the nsfw side. nsfw includes, but is not limited to: smut, violence, gore, psychological horror, trauma, drug usage, etc. i do not shy away from darker thematics but all triggering content will be tagged and placed under a read more.

as such, i ask that if you are under the age of 21 that you do not follow/interact with me. if you follow me and your blog does not list your age, or lists you as under 21, i will likely soft block you. this is for my own comfort. no exceptions.

other standard dni's apply. do not interact if you, as a mun, are into pro-shipping, incest, noncon, underage, or are transphobic, homophobic, biphobic, ableist - etc. additionally, dni if you are friends with frosty ( windwandered, etc). callouts are listed here, and here.

V. 　goose　 / 29 / she + they / cst. i play on both na and oceanic but i'm bad no matter what my ping is. mutuals feel free to add me!

[chainwards]

—   i   was   a   𝐏𝐑𝐈𝐒𝐎𝐍𝐄𝐑   too,   longer   than   you   can   𝙞𝙢𝙖𝙜𝙞𝙣𝙚.   a   𝑷𝑯𝑨𝑵𝑻𝑶𝑴...   chained   to   the   shadow   isles.   (   ahhh   !   no   one   escapes   !   i   forgot   how   squishy   they   are.   )    𝐁𝐔𝐓   𝐈   𝐀𝐌   𝐅𝐑𝐄𝐄   𝐍𝐎𝐖,      𝑻𝑶   𝑫𝑶   𝑨𝑺   𝑰   𝑾𝑰𝑺𝑯. — 𝐂𝐀𝐑𝐑𝐃. — 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒. — 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

#𝐂𝐇𝐀𝐈𝐍𝐖𝐀𝐑𝐃𝐒               —                  headcanon   based   𝐓𝐇𝐑𝐄𝐒𝐇,   𝑻𝑯𝑬   𝑪𝑯𝑨𝑰𝑵   𝑾𝑨𝑹𝑫𝑬𝑵   of   riot   game's   LEAGUE   OF   LEGENDS   franchise.   private   &&   selective   //   mutuals   only.   at   times   canon   divergent.   NSFW   MATERIAL   IS   HEAVILY   PRESENT.   those   under   21   do   not   interact   !   sentenced   by   GOOSE.   29.   she/they.   prompts   always   open   to   mutuals!

𝐁𝐎𝐔𝐍𝐃   𝐖𝐈𝐓𝐇               —            @ahries      

I. this blog is private and selective, as well as mutuals only. i curate my own space and like to keep my dash semi-orderly. if i follow you, it means i'd like to interact. in the same vein - this blog is multiverse, multiship, au, crossover, oc, and duplicate friendly. i tend to not do exclusives, but i will do mains, all of which will be listed here.

II. on the subject of activity - mine can be sporadic at times, with rp being a hobby and multiple blogs on top of this one. if i don't like a post you've tagged me in　 within around two days time, please feel free to send me a poke about it. i also kindly request when sending in ask memes, send no more than two - otherwise i tend to get overwhelmed.

i am a wordy writer for serious threads, usually about 3 + paragraphs in length. i do also format my posts - triple spaced, small font, occasionally with colors. i neither expect formatting nor entirely matched length in replies.

III. given the nature of thresh's character and his lore, romantic shipping is not the primary focus of this blog, and may not be on the table at all. additionally, the nature of those ships will likely be toxic in some way shape or form.

if you are still, for some reason, interested in attempting shipping with thresh - i seek chemistry first and foremost, and a bit of repertoire with the mun as well. that being said - feel free to message me about it!

IV. it should be obvious that this blog will be dark and heavy on the nsfw side. nsfw includes, but is not limited to: torture, smut, violence, gore, psychological horror, trauma, drug usage, etc. i do not shy away from darker thematics but all triggering content will be tagged and placed under a read more.

as such, i ask that if you are under the age of 21 that you do not follow/interact with me. if you follow me and your blog does not list your age, or lists you as under 21, i will likely soft block you. this is for my own comfort. no exceptions. i also will not be following blogs that are exclusively minor muses. i do not want to write thresh interacting with children.

other standard dni's apply. do not interact if you, as a mun, are into pro-shipping, incest, noncon, underage, or are transphobic, homophobic, biphobic, ableist - etc. additionally, dni if you are friends with frosty ( windwandered, etc). callouts are listed here, and here.

V. 　goose　 / 29 / she + they / cst. i play on both na and oceanic but i'm bad no matter what my ping is. mutuals feel free to add me!

IMPORTANT!!! PLEASE READ ME. i believe for a muse like thresh consent is exceptionally important from both my partners, and myself. there are things i simply will not write. if you are wanting to participate in some sort of darker thread with thresh, i insist we plot beforehand. this doesn't apply to simple meetings or other interactions, but any thread that features thresh actively committing violent torture or in which your muse is harmed, i would like discussed before getting there for my own peace of mind, and yours!

[hoodie-prince-kid-archived]

So is it possible to summarise all the games' lores in a single post/message to someone who knows goose egg about the stories and has only seen boss fight videos but wants to get into the series?

WELL!!!

The good thing about the series is that all the games are perfectly good as standalone content! If you wanna hop in on the ttyd remaster, feel free! The most youll miss out on is easter eggs and callbacks.

HOWEVER!

If you'd like to get into the series as a whole, i suggest playing them in the order i did, which is the order of release. You'll get to experience the evolution of the style of art, story, and gameplay over time!

There are 6 games not including Paper Jam, which is a crossover with the Mario + Luigi series, and I personally consider it to be more of the latter continuity. I would categorize the games as follows:

Classics: Paper Mario (Nintendo 64), Paper Mario: The Thousand Year Door (Gamecube, remastered for Switch). As the earliest games in the series, they have a similar turn-based combat gameplay style, a closed walk-based map, and a system of collecting partners throughout the story in simple JRPG fashion. The stories are divided into chapters and in structure are pretty similar, but still unique from each other. The art style of these two games are what the series is known for, being similar to a pop-up storybook in terms of visuals.

Outlier: Super Paper Mario (Wii). This one is its own category primarily because the gameplay is much closer to a 2D platformer than a turn-based RPG like the prior two, and I personally believe that's important to note before getting into it if you're playing them in order of release, because the contrast can be quite jarring. However, it's also stylistically quite different from the previous two in story structure and art style, being more akin to a cyberspace aesthetic with unique character designs and even other playable characters. I'll also note that the story, albeit in the collect-them-all style of essentially all Mario games, is highly unique when it comes to how things play out and especially the villains.

Comapnion era: Paper Mario: Sticker Star (3DS), Paper Mario: Color Splash (WiiU), Paper Mario: The Origami King (Switch). These three are stylistically much closer to papercraft like Yoshi's Woolly World or Kirby's Epic Yarn, putting much more emphasis on the "Paper" in "Paper Mario". They return to a turn-based combat system with different mechanics, but there are no longer a party of partners- instead Mario is accompanied by a singular companion who helps along the journey in their own unique way that adds to the gameplay. Sticker Star and Color Splash use a system involving material required for attacks, while The Origami King adds on with a rather unique combat stage that also functions as a puzzle system. Sticker Star in particular is a bit devoid of story, but it's still got its merit and is overall highly enjoyable; SS and CS also function with an overworld map much like the 2D Mario games, while TOK returns to the walk-based maps of the classics. The stories are no longer divided into chapters, instead progressing in level-based segments.

All-in-all, you can hop into the series wherever it interests you, but if you want to get into the whole thing, I definitely suggest playing in order of release to follow how the games evolve and change over time- and so you can pick up on Easter eggs as you play further in time!