#good omens judas

[5queerducksinatrenchcoat]

i think every production of jesus christ superstar should change the kiss of judas to a full-on kiss on the mouth, make that shit even more tragic.

(i am having good omens season 3 jesus/judas = aziracrow-related thoughts and yes, it's because of jesus christ superstar.)

[emilydickinsonsghost]

When you have zero interest in canon but the fanfiction is really good.

That’s how I feel about Christianity. Like, no hate, but it just isn’t for me. And yet I am a huge fan of the gay Bible fanfics known as Good Omens and Jesus Christ Superstar.

[loumandivorce]

crowley and aziraphale + jesus and judas, or love as betrayal

[slightlyartist]

Okay I finally came up with a Judas design do we vibe with him?? would you let him betray you??

[ohsoldier]

tumblr please take my judas x jesus poetry that the nyc mags predictably did not like

[pikaboubou]

Crowley looks absolutely gorgeous in this ❤️

[ineffableclassics]

Crowley had Fallen. That was the end of it, or that's what he assumed, anyway. He was a demon now, so he couldn't be punished for acting like a demon, right? Wrong. After he completed his job tempting Eve in the garden, God decided casting him from Heaven wasn't enough, and instead, added a curse to rub a little salt in the wound, saying, "dust you shall eat all the days of your life." So much for indulging in the sin of gluttony for this demon...

Or, what if the reason Crowley is never seen eating is that God's curse in Genesis 3:14 made any food he tried taste like dirt.

Words: 30,376

Status: Complete

Rating: Teen And Up

@yourbestieluke

Art Credit: The Temptation of Adam by James Barry

[poetrydemon]

We need to create a slur for British men who say "tickity-boo"

[edenslice]

aziraphale and crowley share a lot of parallels to jesus and judas, if you think about it real hard.

i mean.

i've talked about this before but crowley shares so many parallels to jesus; serpent of eden, lamb of god. perpetuator of original sin, died for humanity's sins. both having intricate scapegoat symbolism tied to their characters, crowley's affinity for goats (seen during the ark and the job minisode). alpha and omega—crowley with the first woman and being the reason why judgement was cast on humanity, jesus with the last man and being the reason why judgement is lifted. condemned for something they cannot control; crowley's curious nature that got him expelled from the kingdom of heaven and jesus' divine bloodline that marked him for inescapable painful death the moment he was conceived. god forsaking them during the most crucial points of their lives.

and, likewise, aziraphale also shares many parallels to judas. in my honest opinion. judas's betrayal of jesus fully believing his and his beloved's pain will be worth it, that it will save everyone, that rome will leave his people alone if he sacrifice the messiah—aziraphale's betrayal of crowley fully believing his and the demon's pain will be worth it in the end because his sacrifice will change heaven once and for all. both being wrong, and both never having the chance to explain nor articulate how grandiose their love is until it was too late. how judas acted as a foil to jesus and often drove him insane, and how a crucial part of aziraphale's ineffable dance with crowley is his refusal and denial.

jesus had asked judas to kill him, and then demanded more of him by asking him to live, to live despite committing the worst sin, to live despite betraying himself and the truth of his love.

and yet he loves him anyway.

crowley grabbed aziraphale by his lapels and kissed him, asked him to stay, that if he leaves for heaven there will be no crowley. no nightingales. no good wine and good books and simple goodness, something that heaven can't even afford. crowley had asked aziraphale to kill him, then asked him to live despite it—killing what was supposed to be quiet and gentle and romantic in a desperate attempt to prevent aziraphale from doing what was good.

and yet he forgives him anyway.

[dubblebubbleibuprofen]

Who knew you could fit fourteen assholes in one post

[shakirachyanne]

Song: Judas - Lady Gaga

Show: Good Omens

[chicken-wayng]

RED/BLUE

[ennas-aesthetic]

"What are your Good Omens 3 predictions?" You don't wanna ask me that question unless you want the answer to quickly devolve into my mile-long headcanons about GoodOmens!Jesus trust me I've blorborized him before he even steps out of that silver plane and gets lost in New York, let alone appear in the show.

[drconstellation]

Trials and Denials

Part 2 of The Passion of Jimbriel

Part 1: The Entry to Soho is here

The story of events leading up to the crucifixion of Jesus, and the days following, until his ascension to Heaven, are collectively known as the Passion narratives. It comes from the Latin "to suffer," or "to endure."

More than one op has mentioned there are parallels to this in S2, so I thought I would try and find how well the whole narrative was followed. Oh yes, is the short answer, it certainly does! And how! And in places you might be surprised about. I hope this series of metas might answer some of the odd mysteries of "why is that there...? that are still floating around at the moment for you.

In Part 1 we looked at the three temptations in the wilderness during the 40 days of fasting, before the entry to Jerusalem on donkey. Then there was the Cleansing of the Temple and the Anointing of Jesus.

Now we start to do some hard work. As a warning, we are going to be covering part of the Final Fifteen Minutes during this post, so if you don't want to read this at work, or somewhere else you don't have privacy to be upset, you might want to save or skip this for later.

I also mentioned at the end of Part 1 that it's not just Jim/Gabriel that takes on the role of Jesus, it's also Crowley - and they change around as we follow the narratives along. Crowley and Gabriel actually have a lot in common so it shouldn't be that much of a surprise.

The Last Supper is the next way point we need to cover in the narratives as we move along. It was at the Eldritch Ball, of course, with Jimbriel offering everyone "tiny little dinners" and just about everyone had a drink in their hand.

And he does share something he discovered about his body with the assembled crowd.

The Denial of Peter. After the meal, on the way to the Garden of Gethsemane, Jesus predicts that Peter, the first Apostle, would deny him three times before the cock crowed (or morning arrives.) In the narratives this happens in quick succession, but in S2 the three incidents are spread out.

But who plays who? Here's the prediction:

And here's Peter Michael, who's going to do the denying.

The Agony in the Garden of Gesthsemane is the next main part of the narratives. Here Jesus has retreated with three of the Apostles after the meal to pray and to ask to be released of his burden. But after pleading three times, he accepted he must take on the sins of men and die for them.

We have actually mentioned this one before - It is Crowley drinking the laudanum in the 1827 minisode. By drinking the laudanum in Elspeth's place he absolves her of her intended sin of taking her own life and took it upon himself - he saved her from going to Hell, so she could join wee Morag in Heaven, eventually (and paid the price in her place for it.) I covered it in my Altar of Eccles Cakes as it also covers being a Sin offering. It was first suggested here.

"If this cup cannot pass by, but I must drink it, Your will be done!" Matthew 26:42

An angel was said to have come from Heaven to comfort and strengthen him. Uh huh.

Jesus then comes back to find the three Apostles asleep. "The spirit is willing, but the flesh is weak."

I'm going to suggest these could be the three bodies we see in the 1827 minisode: the first is the body dressed in the mason's apron that Elspeth has dug up when Aziraphale and Crowley first come upon her, the second is the priest they dig up with wee Morag along, and the third is wee Morag's body. Why? Because I've been thinking about being shown the mason there in contrast to the priest (and the mention of masons in other parts of S2) and the brief discussion that is had about where one goes after one dies in that minisode. And the thing is, as Aziraphale tries to point out (and Crowley tries to argue with Aziraphale, as well) a lot of what you believe in while living doesn't matter once you die. Masons just have to believe in a supreme being (i.e. the Almighty) but they don't have the same belief structure as the Christian church. Both the mason and a catholic are going to end up in the same place (and wee Morag, too) despite that.

Now we've reach The Kiss of Judas, then The Arrest. But lets take a couple of steps back and set up the betrayal of Judas first - which starts around here:

Hello there, Judas!Aziraphale. Aren't you going to accept my 30 pieces of silver bribe in the form of I'm-watching-what-you-do-almond-syrup-laden-coffee? Come and have a further chinwag with me while I bribe you with more silver in the form of the the Supreme Archangel's clothing and status! Meanwhile I'll just glare at this troublemaker of a Jesus!Crowley-echo-from-the-Great-War-in-the-past to remind him I haven't forgotten about him.

That's the Metatron, standing in for the High Priest of Israel, Caiaphas. We'll be seeing him again.

Oh. Yeah. The Kiss of Judas, to identify Jesus to the soldiers who came to arrest him.

You might notice it was kind of swapped around, though - Jesus was the active kisser in this instance.

So now we get to ask why. Why this. Why this ending. Because the relationship between Judas and Jesus is crucial to understanding what went on and what decisions were made. If the majority of us don't even understand that story we may have been told over and over again, how are we going to understand this one? No wonder we've been struggling with it.

I realize I've got this far into this series of metas without really justifying why Crowley is standing in for Jesus. It started out being about Gabriel/Jim (we are still going to see more of Gabriel!) but understanding why...well, this is an echo from the past - part of the Great War of Heaven and the Fall being replayed in the present. Its a meandering mobius strip of a story line folding back over on itself and repeating. Perhaps I'll just point you back to this post for the time being while I'm still working on things (Its a long read, you might have to come back to it. But I'll cover a bit of it in the next part of the series.)

But back to Judas and Jesus, for context: Judas loved Jesus, but he was afraid for his people, the people of Israel (Heaven,) as well, and didn't want the might of Rome (Hell) to descend upon them. It would be far better to sacrifice just one person, Jesus, than many, so he agreed to the bribe and lead the soldiers to the arrest in the garden.

Jesus loved Judas just as much back, yet accepted the betrayal, and still called Judas his friend and loved him unconditionally. He had predicted he would be betrayed, and knew at the end of the hour in the Garden of Gethsemane that the hour had come. He had essentially asked Judas to kill him, then asked Judas to live with his guilt. (I think its expressed better in this short post. Very worth the read.)

Jesus was arrested, and taken away for trial.

The Trial Before the Sanhedrin

The Sanhedrin was a council of elders who who were appointed to act as a tribunal. Jesus was questioned before them but answered little, and they struggled to find witnesses to testify against him. Eventually they accused him of blasphemy and sent him to Pontius Pilate in the morning.

Here we have Gabriel being trialed before the Metatron/Caiaphas and the senior Archangels. Gabriel saying "Nah!" was blasphemy towards the Great Plan, and enough to get him removed.

The Three Denials of Peter Michael

No. 1...

URIEL: So the miracle was nothing to do with Gabriel's disappearance then? [in the back, Gabriel waves] AZIRAPHALE: Gabriel? Oh, you mentioned you're looking for Gabriel. MICHAEL: Did we? AZIRAPHALE: Yes. [Gabriel slams books together] AZIRAPHALE: Mm! GABRIEL: And see, the big ones can be used as fly swats. I know what you're thinking, but it's okay, because the beauty part is, it never works. ( fly buzzing ) MICHAEL: Don't I... Don't I know you? GABRIEL: Yes. You do. I'm the assistant bookseller. I opened the door for you.

...No. 2...

URIEL: The traitor? MURIEL: Yes. He seemed very... Traitorous. URIEL: Hmm... MURIEL: And his grumpy friend, Mr. Crowley. URIEL: The demon. MURIEL: Oh, I suppose that explains the grumpiness. Oh, and, of course, his... assistant? But I don't think I saw him. MICHAEL: His assistant? He doesn't have an assistant. MURIEL: No. Sorry, I don't know why I said that. MICHAEL: Does he? Does he? Didn't we meet a someone, something... about... [clears throat] books? URIEL: No, no. That's Aziraphale himself, he likes books.

...and No. 3.

I was going to conclude the trial with Pontius Pilate in this part, but on reflection it may be better to include it in Part 3 - Resurrection

[wierdfanficwriter]

My dumbass saw a few posts and was just re-reading Matthews and re-watching good omens and, oh. Oh my god.

So basically i’m now obsessed with the idea of Crowley trying to stop Jesus from being an idiot and sacrificing himself and Aziraphale is just there like, “no, no, he has a point”

Like, instead of Satan in the desert its just Crowley trying to gET HIM TO FUCKING EAT. And then instead of angels its just Aziraphale butting in because this has probably gone long enough.