#good observation

[spade-riddles]

lyricstoojesus asked:

Hey Spade,

Has anyone pointed this out with 🕰️ anon?

The mashup in June for “finally clean” went as follows OOTW x Is it over now? x Clean

Well, the past two weekends all of these were played on different nights but followed the same order…

10/20 - Out Of The Woods

10/26 - Is It Over Now? (Did I manifest please please please too? 🙃)

10/27- Clean (finally clean) the last song of the last weekend in October

[king-paimon]

I've read up on your blog through a lot of Houseki no Kuni's manga. I liked your analysis though I gotta say come the last chapters, specifically since chapter 95, I didn't always agree with them.

I didn't need the end to be happy sunshine and rainbows, or the opposite, for Phos to go all revenge monster on the gems either. But at the end there, I felt like we all just accepted everything Ichikawa threw at us with no criticism, all that torture flattening the narrative's nuance, and if I didn't like it, I was seeing it through the wrong angle.

I know you don't act like that, which I appreciate. Throught all your reviews, you expressed understanding on why so many people disliked the story. Thank you for that, thank you for not being judgemental. And I'm glad you enjoyed the ride.

I just couldn't help but feel like so many story threads were left lose, and so many complete 180°s were thrown that didn't match the story or it's characters. Some people described it as a self-sabotaged narrative, and I see it. It wasn't enough to give me catharsis - especially with the character set up as the villain getting everything he wanted.

I guess I just had higher standards, which the story didn't meet. That is not a bad thing, after all.

I think my biggest gripe is with how Cairngorm's character was handled, and I'd like to include this here. The ambiguity of their predatory relationship was in poor taste, and remained unaddressed. I can see why so many of my friends left the series when that plot point happened. They deserved better.

Hi @intoxtinction! Thank you for sending me this message and sorry that it took me so long to finally respond. Real life has been kicking my butt and free time to do anything on here is a rarity. But I still wanted to write a response to you because I really loved your response! And yes, I saw the comment you left on my last HnK meta post. You're good; don't worry about it!

Thank you again for your kind words. I'm glad that you like my posts, even if they sometimes become long, nonsensical rambles and especially if you don't agree with some of my points! I love that. Whenever I wrote my posts, I always try to keep an open mind and take into account that all fans are different and would have different views when it comes to works works like HnK. As far as I can see, HnK is one of those works that is supposed to draw up conversations because it's not a simple, straight forward story with clear distinction between black/white moral characters. Everyone who reads it is going to view the events in the story differently based on their own beliefs and even if everyone's views conflict with one another, I think it's fascinating and even wonderful. So even if I may not agree with some fans when it comes to certain aspects of HnK, I never hold it against them. I don't want to demonize anyone for how they interpret the story, at least not too harshly anyways. I know when I'm biased, but I don't let that stop me from at least trying to understand where other fans are coming from. HnK was such a fascinatingly complex and unconventional story, and the fact that it can spur many views and feelings from people is one of the reasons whyI liked the series.

With that being said, however, I also think it's important to be open to properly critique our favorite works. HnK is not immune from these critiques, because for as much as I enjoyed following the story over the past couple of years, there are many aspects in the overall story that were far from satisfying. So many loose ends, incomplete character arches, and questionable story decisions... After being away from the story for some time now, it's become more apparent that there were many aspects to the HnK that has me question Haruko Ichikawa's story telling abilities. Don't get me wrong, she's shown to be a very fascinating storyteller and I overall liked what she created. But when it comes to the incomplete story threads for all of the other characters besides Phos, I can't tell if some of Ms. Ichikawa's decisions were intentionally left up for interpretation or if their stories were just not important to complete since at the end of the day, HnK is about Phos's story. One of these decisions I question the most about is Cairngorm's story arch, so I couldn't agree more with you, @intoxtinction. Cairngorm was done dirty in so many ways and they deserved a more satisfying ending to their story.

I was planning on writing two last posts that would be focusing on these topics. But because life has been kicking my butt too much lately, I don't know when they will be out, if at all at this point. But if I'm able to complete them, I hope you'll get the chance to read them and share your own thought. And again, it's totally fine if you don't agree with my points; I'd still love to read them!

[crusheswhimsandfancies]

This comment cracks me up. So true

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[puppyeared]

renaissance dogys

characters belong to @canisalbus

[grayeet]

I love the pale garden and how it's like a parallel to dark forests. I love how the two divert expectations.

Dark forests, despite their name, are saturated and full of life. Even compared to regular forests, there's a lot more biodiversity than many of the "basic" biomes. There's three whole different trees found there, giant mushrooms, and plenty of flowers. They're one of the biomes capable of spawning a lush cave underneath it. It has its dangers just like any other overworld biome, obviously, but it's nothing overly more than anywhere else. Traversing it can be tricky sometimes and illagers may take residence in the biome's woodland mansions, but it's ultimately a very colorful and lively environment.

Opposing it is the new pale garden. Usually white and light colors are seen as pristine and good, but the pale garden takes it the opposite direction and goes right into uncanny valley territory. It has none of the color of dark forests, none of the biodiversity, none of the liveliness. It has trees and moss that look familiar, but something is off. It has a signature mob, but even the creaking is just a puppet of the trees, not really sentient, not really even plotting against anything. There's "life", but, once again, it's wrong.

I think the pale garden is a wonderful addition to Minecraft's world building as it is, but the deliberate parallel to dark forests? Delicious.

[zan0tix]

ALPHA KIDS: Draw your best friends!

DIRK: I'd say I'm better at one on one character interaction work of the more intimate variety, but I think this piece came together nicely. DIRK: Fun for the whole family style wholesomeness, any motherfucker in the radius of a screen displaying this image will instantly get hit with a sore case of heartburn and their tear ducts will clock in overtime at the weeping factory.

ROXY: im so proud of these i think these are my best designs yet :3 but omg dirk callie and jake were SOOO peculiar about their damn designs over my shoulder. jake wanted me to clarify that even in pink pen form his little guy is BLUE. so there. sigh this is the one occasion they could take notes from janey.. JUST LET LE ARTIST WORK!

JANE: Boy! I don't draw often but I always was fond of calligraphy growing up. I was kind of inspired by all of the other's works, but especially Calliope's swirls she puts in her art. It's very fun to add!

JAKE: Im not quite the best with posing, but i find the head very fun to study! Especially skulls.. so good ole calliope makes for the perfect muse! (hehe)

CALLIOPE: i realized i hadn't ever made a piece with Us in the same place at once. u_u CALLIOPE: bUt since it's reality now here's all of Us together, United at last! ^u^

==->

[nagging-reader]

"But I was just struck by how much Katara was unhappy and so cut off from her canon best friends (Aang, Toph) and loving family (her tribe, Sokka, Hakoda).

Either she was cut off through force (forced marriage, captivity). Or because she personally felt secretly resentful and jealous of Aang, "parentified" and burdened by Sokka, disgusyed by her misogynistic tribe...

And how no one understood her except for Zuko. No one could give her the tools to empower herself except for Zuko. Only in the Fire Nation can she be independent and free."

Literally my experience with zutara fics; I aimed for top 20, and I recognise the ones you're talking about, but in the end I quitted somewhere halfway through. I am sorry you had to experience this, anon – you just reminded me how painful it was. Also it is hilarious how zutara shippers, the ones who are supposed to actually believe that Katara and Zuko loved each other in canon, always write them getting together forcefully. And they have to put a significant effort, too!

Nichya, your post about the way Zutarians view Katara struck a huge chord in me. 1 month ago, I was a naive multishipper who had just finished ATLA and was looking for good fics to read. Went on A03 and saw there were a lot of Zutara fics, sorted them out by kudos to see what the 10 most top-rated fics were. Katara is my favourite character, so I was really excited to see her post-canon life.

And. Oh, man. The experience was so fucking weird. I expected a lot of happy Katara fics, because canonically she IS really happy -the war is over, her family is reunited, her best friends Aang and Toph are alive, she can go home now to rebuild her tribe. That's NOT what I got.

The top-rated one was about how invisible and marginalised she felt being Aang's gf, and how she escaped it to be a world changing politician...in the fire nation??? When canonically Aang supported every one of her ambitions and all she wanted to do is restore her tribe?? Don't get me started on how the fic had Sokka, Toph, even Gran Gran all villanised Aang and blamed him for Katara's oppression.

Another one was a typical forced-marriage with Zuko because of duty?? And she and Zuko had children and her kids found 12 year old Aang??? Not even going to touch that one.

The 3rd was that Zuko pointed out to Katara how she fussed and looked after Aang as a mom or older sister, and Katara agreed she "coddled him". (did they miss the part when Miss Katara was a trouble-maker and Aang had to save her everytime?? And she canonically thought of Aang as the leader in the group???)

Another one was how Kataang had broken up, but Aang was still waiting for her and "hoped to marry her one day" and she was so indignant she fell into Zuko's sexy arms. (I literally laughed out loud at this, because canonically Katara was incredibly jealous of Aang's fangirls from S1 and Aang never gave af about Jet)

One incredibly gross one when Katara marries Aang out of duty because "she cannot break his heart" but always loved Zuko. KATARA. The girl who was ready to abandon her tribe to learn waterbending in ep.1!

And 2 more forced marriages, one where Katara is Zuko's captive and pawn of war, and they have sex literally when she's still a prisoner of HIM.

Like. I cannot tell you how shocked I was. It really disgusted me. I promise I did not know anything about Zutara before that.

It was obviously my mistake, clearly Zutara isn't meant for me. People can write whatever they want, I'm not here to police anyone's fandom.

But I was just struck by how much Katara was unhappy and so cut off from her canon best friends (Aang, Toph) and loving family (her tribe, Sokka, Hakoda).

Either she was cut off through force (forced marriage, captivity). Or because she personally felt secretly resentful and jealous of Aang, "parentified" and burdened by Sokka, disgusyed by her misogynistic tribe...

And how no one understood her except for Zuko. No one could give her the tools to empower herself except for Zuko. Only in the Fire Nation can she be independent and free.

It just felt so wrong!!!! I gave up. I couldn't stand to see Katara so resentful, bitter, and sad with her canon life unless she marries Zuko.

Anyway. Thanks for the blog. And for writing such insightful posts. It really articulated my discomfort.

Once again: for people who claim to be "the TRUE Katara fans", Zutairans hate everything about her character and arc, especially how happy she ended up being. Half the misery they put her through almost feels like trying punish her for not jumping straight into Zuko's arms.

[semisolidmind]

Does DogDay have romantic feelings for your sona or is it more platonic? The way you draw him I wouldnt mind if it was the first- 👀

(theyre not a sona, just a standard y/n insert. im not much of a self shipper. the y/ns are their own characters in a way)

and as far as feelings go…

there’s affection on both sides...but perhaps something more from our favorite dog.

[scribblewise]

occasional gems of wisdom dropping from the 24/7 AI Jesus stream on twitch dot tee vee

[yeye23]

Leo jumping test! I am studying some martial arts moves and thought I would test it out on him. Flip my boi, flip!

[nagging-reader]

Yes. One of the reasons I will never love this ship. Because those two characters that the majority of zutarians ship are neither Katara nor Zuko. They are sanitised and boring. These two. Of all the characters.

Brrrr.

After watching the show for the first time, Zutara quickly grew on me. It’s not that I abandoned Kataang, but I learned to appreciate both before really engaging with the fandom.

Years of fandom immersion later, and Zutara shippers have almost ruined the ship for me…and it has nothing to do with the ship itself, but the way it’s often shipped. So this is an attempt at constructive criticism:

Zuko is a passionate guy, and he has the capacity to perform grand gestures of selflessness….but he’s also rude, short-tempered, demanding and sometimes plain stupid. He’s not particularly thoughtful or romantic. He’s certainly no ladies man, and while he can be very awkward, he has too much of a mean streak to be an ‘awkward turtleduck.’

Katara’s virtues are pretty obvious. She’s capable of deep empathy, always willing to stand up for those who need help and…regardless of the EIP parody…actually does know how to keep hope alive no matter the hour. But she’s also extremely stubborn, impulsive and can hold a nasty grudge.

When all their shortcomings (and therefore personalities) are erased or ignored, they start to lose what makes them great characters. Let them be who they are. There is no ‘Momtara’ or ‘Dadko.’ They’re not significantly more mature than anyone else in the Gaang.

Katara and Zuko wouldn’t have a perfect relationship. Their fights are liable to turn ugly and become bitter passive-aggressive feuds. Zuko would need Iroh to remind him of their wedding anniversary more years than not—but at the last minute he’d find some tchotchke nicknack to give Katara, which, depending on how much thought he put into it, she’d cherish anyway.

You’re far from the only shippers in the fandom who self-project. You’re probably not the worst case of it either. But writing an idealized/woobified version of Zuko and/or Katara doesn’t prove the ship is better.

Have a sense of humor about your ship. Zuko can be a complete idiot and Katara gets waaaaay too ahead of herself sometimes. They’re both sorta high strung and don’t have spectacular senses of humor to say the least. Recognizing their shortcomings makes your ability to portray the ship stronger, not weaker.

Lastly, ask yourself why you are drawn to Zutara over other ships, and you might understand why others prefer Kataang or Maiko.

X

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

[First] Prev <–-> Next

[janearts]

Roisia in her original Divinity: Original Sin build was a witch and witchcraft spells are a combination of D&D's Necromancy + Enchantment schools. I replicated that in-game and had a think about the… complications that might arise when Astarion realises that this unassuming woman has also been a bit of a deft hand at persuading, deceiving, and manipulating her targets too.

[brainwormcity]

Crowley really said "He's just an angel I know," to a human as though that was gonna seem less gay.

[haveihitanerve]

Ok so, idea. Damian says ‘i love you’ as a sort of goodbye/thank you. Like for example “This evidence will prove very useful on this case, I love you Todd.” or “this photo of Titus is most adequate Drake, I shall have enough to start drawing. I love you.” or “The meal was most delicious Pennyworth, I love you.” And everyone coos and is like “aww.” even jason and they look at dick because like obviously dick taught damian that, hes the golden child, the one damian looks up to the most, the most affectionate one…

But the truth is, Damian learned it from Bruce. Damian is there when Bruce calls his other kids, he hears Bruce go “I love you.” As a goodbye the second after the child at the other end hangs up. He hears Bruce say ‘i love you’ to alfred, quietly, when hes patching him up after a mission, hears the frantic ‘i love you’s’ after someone gets hurt on patrol, and he thinks thats how its done. But Bruce seems to think the same as everyone else, that he got it from Dick, and Dick looks so pleased, Damian decided not to correct them. Besides, who do they think Dick got it from?