#hnk meta

[king-paimon]

Houseki No Kuni Chapter 108 Thoughts: Everything Stays....

Hello all. I hope the month of April was good to everyone. It was alright for me, though I'm just in awe by how fast it went! Time really goes by too quickly as you get older.

Speaking of time, would you look at that? The final chapter of Houseki no Kuni was released! 108 chapters over the course of 12 years. And I've been following it for nearly 5 of those years! Wow! That is quite the feat, Ms. Ichikawa.

I'd been waiting for this day for a long time, and the feeling is bittersweet, with the overlaying feeling of relief. This emotional rollercoaster that Ms. Ichikawa had sent us on has finally reached it's dock.

Phos's story is finally complete. What a ride it had been!

Now the question is: Was I satisfied?....

I'll do my best to answer this. I don't know how long this post will be, but I'm hoping that it won't be too long (edit: Oops. I was wrong.) And as always, please feel free share your own thoughts if you're interested!

Here we go:

Phos's True End: Was It Satisfying?

I reread this chapter a few times to answer this question and to be honest, I still reach the same conclusion: It was fitting. Not absolutely bad or 100% amazing, but in terms of Phos's whole journey throughout this story, I think this was a fitting ending for Phos, and that's good. And if anything else, it's a little ironic.

I mentioned in my last post that I thought it was funny that the remaining piece of Phos had become the youngest/newest member of the pebble species much like how they originally were at the beginning off the whole manga. It seems though, the similarities don't end there because of this little interaction between Eyeball/Pita-pat and Pebble Phos:

I'm sure this was supposed to be a little cheeky conversation and Eyeball/Pita-pat didn't really mean it. But still, this was an interesting exchange to include in this final chapter, especially right before it's implied that Eyeball/Pita-pat passed away.

One intriguing story choice Ichikawa made was having Pebble Phos continuously fall apart near the end to the point that they become a small spec. To be honest, I was not sure how to feel about this part when I first read, especially considering how now there's hardly any of Phos left now. Like, after Eyeball/Pita-pat saved that last bit of Phos so they could have a nice life away from humanity, it'd be unfair for them to break apart again to nothing after all of that. But I did like how the pebbles decided to view Pebble Phos' changes; that their fragments surely became beautiful comets that would brighten someone's day. And that shot with original Phos was nice...

Also, I saw the post that implied that Ichikawa released this final chapter around the same time that a rare famous comet was supposed to be seen on Earth. I want to say that I think it was a pure coincidence, but I'm not putting anything past this author!

This chapter made me think of that one song from Adventure Time: Everything Stays. If you haven't heard of it, please give a listen. It's a song about life and the course of change. It focuses on how even if things appear to stay the same over the course of time, changes still occur, even if subtle. Phos certainly changed a lot throughout their story through intense mind and physical altering events. But I also think they changed subtly even during the less intense moments. I think the moments in this final chapter fit with this song, too. Phos was always evolving, even when it didn't appear so. Through their interactions and lack thereof with others and their environment, Phos was always changing and growing, ever so subtly. And even in this last chapter, Phos is still evolving and that'll likely never end.

Interesting... after thinking about it some more, I think I feel a little more satisfied with how this chapter/story ended. I'm glad that Ms. Ichikawa didn't pull some other twist near the end; that certainly would have ruined it for me. Am I 100% happy with how Phos's story ended? I don't think so. But to me, it's a fitting end.

But what do I think about the series as a whole?

When The Journey Ends: Was It Worth It?

There are very few manga or written stories that had me wanting to see how things end because more often than not, there aren't that many stories that I've read to completion. Part of it is because I don't want the story to end; basically, I'd have the thought process that if I don't know how the story ends, the story doesn't end! Perfect logic (sarcasm). Though this usually happens because I lose interest or because the story goes in directions that I don't like, I'd say one of the main reasons I end up dropping a series is because of how a story ends. How a story ends can completely change one's opinion of a story, and I've seen my fair share of stories that end badly. Sometimes the ending is abrupt and not satisfying, especially if it was lead by a big build up, or the ending is a result of a jarring story pivot that seems to come out of left field. It just seems that many creators don't know how to end their story well. And if I like a story a lot, sometimes I'm too scared to see how it ends. Partially because I don't want the story to end, but mostly because I don't want the end to ruin my experience.

Houseki no Kuni is a unique case for me. I know I've mentioned this before but I'll state it again: I don't think I've ever been so invested in a story like this before. Though that investment had dwindled over time, partially due to me developing new interests, life, and being occasionally dissatisfied with certain story choices, I wanted to see this how this story would end no matter what. And now that it's done, I'm glad I stuck it out.

Was this story perfect? No. There were several story decisions that I wish was either told differently or completely omitted that could have made the story stronger in my opinion.

Did I get a too invested in this story? During certain points, most definitely haha. I remember getting very emotional about certain chapters when I first started making this series of meta posts. I remember seeing some posts from people stating that they no longer liked the manga because of the direction it was going and in some cases, I could see where they were coming from.

Do I regret getting so invested in this story? No. No I don't. Despite not liking certain story aspects, I do not regret getting invested in this story. Though the story was not perfect, this was such a unique experience that I'm grateful to have gone through.

I plan on talking more about how I feel about Houseki no Kuni as a whole in another post. I intend to delve into what I loved about it and what I wish was different. While I could include that stuff here, I think this post is long enough. I've already started working on it, but I know it'll be a while before it's done; you bet there will be some parts with me ranting a little haha

But long story short, despite some grievances I have with some parts of the story, I feel satisfied with how it ended. And I'm glad that I read this series.

What Happens Next: Thank you, HnK Fandom

I want to thank those who've read, liked, and even commented on my posts! I didn't think so many of you would like, let alone read, my longwinded messy posts. I loved every feedback I got, even the ones that didn't agree with me. You made me love being part of this niche fandom. Like I said in the previous section, I have at least one more post that I want to make detailing everything I feel about Houseki No Kuni as a whole. I might make another one that's more for fun, but we'll see. I encourage anyone who's interested to share your own thoughts on the post! I seriously love reading different perspectives.

But after those posts, I don't know how involved I'll be in the fandom afterwards. I may repost some art and other people's meta posts on occasion. But when it comes to meta commentary, these will likely be my last posts about HnK. I have other fandoms that I like to follow, though I don't make posts about them. Perhaps I will, though I know they will be nothing like the posts I've made about Houseki no Kuni. This was the only series I've ever felt compelled to analyze so deeply, which makes it special for me. If I were to post anything about the other stuff I'm into, it'll most likely be of fanart that I made for my own personal enjoyment. I know scare many of my followers away since they'll not be HnK related. But who knows? I haven't made any HnK art in a long time... Maybe one of these days, I can try to make some HnK art again. I have some unfinished pieces on my computer that's now years old. Yeah, I should finish them when I have the time. That'd be a fun little send off.

Anyhow, if you are interested, please hang around for my final HnK meta posts! And when it's out, please please PLEASE share your own thoughts in it! Don't be afraid to share your opinions. I promise I don't bite.

So that's it. These are my thoughts of the final chapter of Houseki no Kuni. I might add more to it, but I'm fine with what I put out. Wow... I still can't believe I got into this series 5 years ago! So much had changed in my life since then. Despite everything, it was worth it.

Thank you again for reading my jargon. It means a lot and I can't wait to post my true final meta posts about Houseki no Kuni.

What a ride this was.

Until next time...

[pterobat]

I loved LotL from the start, but I tried hard to find the deeper appeal of the series—and the reason Phos went through so much when it seemed disproportionate to any actions they took.

"Desire leads to suffering" is a huge oversimplification of Buddhist thought, but I think it's key: Phos wanted something so badly, but only reached peace upon letting it go and forgiving everyone, and was happy chilling with the pebbles who in turn don't want much.

When Phod / Phodhisattva was alone after the Prayer and first spoke, it finally hit me. The appeal of Phos and the series--it was personal. The whole thing of feeling useless, seeking validation, and wanting to do things but screwing up a lot, being oblivious to what you might do if you go with your grain, as well as to intrinsic worth—that's relatable.

The final chapter gives me some pause but if Phos’ pain was also not only leading to their transcendence, but to elevating their entire world from a stagnation I couldn’t see outside of the Lunarians…that makes sense.

[hard-times-paramore]

I know Gem society doesn't have the cultural concept of kissing, but in the manga, it's still evident that Gems have a concept of romance between themselves. Like when Dia asked Cinnabar if Phos had confessed to them.

I wonder how gems express romance, since they don't kiss. Maybe it's through hugs, and the physical closeness. Maybe they express a devotion, a loyalty. Much to think about.

[cody-00]

Euclase and Motivation Boredom

Note: this has been taken from my Twitter thread, but there's some edits I've been wanting to make, and generally multi-platform access is a good thing, especially here with how tags work on this site as well the amount of Euclase metas already present here.

It may feel awkward for this post to be based off of a source based in Western philosophy knowing the series' Buddhist influences, but the former's concise terminology helps illuminate the series without any evident conflicts. Conveniently, I have only needed to base this thread off of one article: "Immortality and Boredom" by John Martin Fischer and Benjamin Mitchell-Yellin.

If one believes that immortality necessarily causes boredom, Fischer and Mitchell-Yellin have observed two notable ways in which one could make this argument. One way, coined as "content-boredom", argues that immortality would eventually exhaust the supposed finite amount of desires that would drive a person to live (Fischer and Mitchell-Yellin 355). This is partially shown through the Lunarians. Their desire to pass on stems from the resignation that they have done everything that could bring any sort of pleasure. The Lunarian's problems regarding immortality do not stem from content-boredom, for there is a more existential component present, but it is a real factor. Content-boredom is limited to the Lunarians, for they, outside of Kongo, have lived much longer than anyone else.

The other way to argue immortality that causes boredom is to say that an immortal life would not be constrained by time, and, therefore, lack a certain urgency. Lacking the energy to actualize one's desires and complete projects would make life dull. This is labeled as "motivation-boredom" (361). While perhaps not as intuitive argument as content-boredom, motivation-boredom is an application of the common practice of procrastination at its most extreme. Where one may put off a task until the last possible moment despite wanting and knowing that they should have started that task earlier, people who support the idea of motivation-boredom believe people can and will put off everything indefinitely since there is no last possible moment. Motivation-boredom is best substantiated through the Earth Gems, but most importantly, through Euclase, an elder gem who displays more apparent control over the Earth Gems as the series progresses. Showing how this is the case is what the real substance of this post is.

First of all, Euclase's role in demonstrating motivation-boredom is something only Euclase can properly do. The other elder gems (i.e. Yellow Diamond, Padparadscha, and Alexandrite), are caught in problems regarding immortality that are outside of boredom. The same reasoning applies to Kongo.

Ironically, they acknowledge the idea that immortal existence fundamentally differs from mortals in a psychological sense, but they (through their own admission) ultimately seem unaware of how motivation-boredom affects their judgments. Before any budding criticism comes to mind in how the previous tweet is phrased, Euclase does only mention that an immortal being's sense of danger being distorted—not necessarily an immortal being's sense of urgency being distorted. However, the following paragraphs should demonstrate the compatibility and sometimes interchangeability between the two traits. Euclase's distorted sense of danger is actually rooted in Euclase's distorted sense of urgency.

Relative to other gems in the series, Euclase's conversations take a lot of focus on temporality. There are many examples. In fact, Chapter 4, their first major appearance, foreshadows this tendency. The third image shows a juxtaposition between Euclase and Phos in valuing time.

Another example early in the series (one in which credit goes to Shamu, for he pointed this out during our note-taking process of this video) takes place during Chapter 7 when Jade reports that Euclase dropped their schedule and is in need of more time to reassign roles for the future. The reason is indirectly linked to Phos, which hints at how Phos will impact Euclase’s future.

Euclase, contrasting from the Lunarians, values the benefits that come from the lack of urgency. With infinite time comes the infinite opportunities for conflicts to resolve. The earliest moments where this sentiment shows itself is through Chapter 41 and Chapter 58.

While a bit digressive for this post, Euclase's word choice incorporates time once more to compliment Phos' condition by returning from the moon in Chapter 58. There is an irony here in that Euclase's support for the idea that a lack of urgency eventually will towards positive outcomes through patience is vindicated through Phos. Euclase's encouragement to Phos could have only happened through the systemic neglect that Phos is under.

Chapters 60 and 61 display where motivation-boredom's consequences start to directly impact the plot. Euclase recognizes the threat Phos poses but fails to enact any action outside of sharing their suspicion to Jade and expressing an ambiguous threat towards Phos. Euclase failure here stems from two reasons. One is that Euclase misreads the identity of Phos. Lapis is a gem known for their analysis paralysis. Euclase, by believing Lapis has the most control over LaPhos, assumes that Phos would not follow through any plans with such haste. Furthermore, by predicting their actions through the Lapis-colored lens, they fail to consider what would happen if really is Phos in control, a gem that carries human-like tendencies to carry out tasks with an urgency.

The second reason originates from Euclase's inability to detect time constraints. Notice the juxtaposition between Euclase and Phos here: the threat not only fails to prevents the gems departing for the moon but actually hastens the result.

Even though Euclase manages to prevent a few gems from leaving the moon, it's a pyrrhic victory, suggesting once more how Euclase's inability to feel urgency causes negative results. Consider Rutile, whom Euclase successfully prevents from going to the moon. Rutile could have served as a pivotal piece in preventing the departure to the moon, for they were the only one to consider disseminating Phos’ plan to Kongo. Instead, Rutile’s psyche starts to take a turn for the worse in the series. Euclase’s failure here is multilayered.

Euclase starts to recognize urgency more due to Phos. Kongo's pending request for a self-imposed exile forces Euclase into action. Why Euclase feels compulsion to stay on Earth is slightly outside the scope of this post, but Euclase's argument for staying on Earth lies in identity and its connection to time. Note that Euclase's urge to make up each other's shortcomings results from Phos' actions as well as Kongo's response being tied to the relationship future life forms and the present day.

The scouting mission in Chapter 69 implies that Euclase's natural state is one that tries to maintain a state that avoids urgency when they can. Pad's analysis, considering their constant state of inactivity, suggests that Euclase's character has been unchanging for a while. The threat of Phos does urge Euclase and the Earth gems to respond with a defensive plan, however, as seen in Chapter 70. The following interaction between Phos and Euclase centers once more on time.

Euclase's decision for everyone to rest after the night raid lies upon the premise that relationship between Phos and the Lunarians is currently one of dysfunction. Urgency to act only comes when the danger is immediate and the time constraints are evident for Euclase.

When Phos is separated for 220 years, Euclase once again approaches the problem under the assumption that the amount of time to solve all the conflicts with Phos is not constrained by time. The following chapter shows Euclase's belief that Phos no longer endangers their safety; the small amount of motivation they have to ask Kongo to pray is caused not out of sympathy for Phos but instead of out consideration of the possibility that that Lunarians might invade.

While Euclase's reasoning to delay cleaning up during Kongo's birthday party may have justifiable reasoning, it does show how motivation-boredom even plays a part in casual situations.

Upon recognizing danger from Phos' imminent invasion, Euclase's response is to buy time, which seems rather indicative that their response to urgency is infinitely delay whatever causes urgency.

Through Alexandrite's action sequence, due to the positioning of Euclase at the start of the sequence compared to the other images, it almost seems as if Euclase is trying to delay inevitable danger by using their companions to buy time.

Based on Euclase's previous actions, their reasoning for their negotiation plea towards Phos expresses sincerity. However, as time has proven before, Phos shows that they need to be the danger in order for goals and desires to be reached. Euclase's shortcomings show that becoming immortal does not mean everything can be put off until later.

When wondering why Euclase fails to get anything done later in the series, a serious factor to consider is the influence of motivation-boredom. Euclase's passivity may not be entirely based on intentional callousness, for their existence and their relation to time distorts all decision making, and living as they have distances themselves from a perspective like Phos' and reinforces those distortions.

To wrap everything up, Houseki no Kuni frequently criticizes immortality. Does the depiction of both kinds of boredom claim are aspects that necessarily happen to those who have immortality? No. In a sense the two types of boredoms oppose one another, yet they coexist in this story. However, having these two kinds of boredoms correspond to a respective immortal species shows how these criticisms could happen to those who are immortal. Additionally, unlike content-boredom within Houseki no Kuni, motivation-boredom does not directly lead to unhappiness for reasons concerning the lack of energy to fulfill desires like its supporters suggest. Instead, the manga shows that those in power who lack urgency due to their immortality can lead to excessive and idle conservatism and eventual, destructive consequences by not recognizing and responding to time-sensitive issues. To me, that sounds more like a warning rather than a criticism.

The paper summarizes both types of boredoms, but interestingly, they reject these two concepts as sufficient reasons to oppose immortality. Originally, before making this post, I did not think either forms of boredoms had any merit, but analyzing Euclase has shown me that immortality would, while not necessarily causing motivation-boredom, a distortion of urgency within projects that would require it, thereby risking to harm one's quality of living. Furthermore, for supporters of content-boredom, reading "The Makropulos case: reflections on the tedium of immortality" by Bernard Williams may interest you. For supporters of motivation-boredom, I cannot say I have read them, but Fischer and Mitchell-Yellin's response on content boredom is based off of Todd May's "Death" and Martha Nussbaum's "The Therapy of Desire".

Fischer, John Martin, and Benjamin Mitchell-Yellin. “Immortality and Boredom.” The Journal of Ethics, vol. 18, no. 4, 2014, pp. 353–72. JSTOR, http://www.jstor.org/stable/43895884.

[mieowkoid09]

OMFG. WHEN PHOS GOT THEIR NEW ARMS THEY TRANSFORMED INTO A BOX. JUST LIKE HOW THE ICEFLOES/KONGO'S BRO/THE EYEBALL WAS A BOX WHEN HE MISCALCULATED THE METEORITE STRIKES. AHHHHHHHHH

[hard-times-paramore]

Because they're constantly at war with the Lunarians, all the Gems were raisee as expected to have a job that keeps society going and themselves safe. It's a result of that necessity, but makes for Gem society to be very ableist.

Those ableist views came as peer pressure from the gems reinforced by the way their society is structured, but it's nice that Sensei himself doesn't enforce them. At least he tries not to. Trying to find a job for Phos and Cinnabar is more about helping them fit in. But he'd still be okay it they didn't do anything "useful".

I can also see how overwork-driven Japanese society inspired this part.

Source: Land of the Lustrous / Hōseki no Kuni / 宝石の国 

by Haruko Ichikawa 

[borbology]

had a dream this was an episode

[starflungwaddledee]

from: @starflungwaddledee to: @post-it-notes7

message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "

[kallulily]

Falspar feeding baby sailor dee some appy Sause (He doesn't know how dees eat!!!!)

[hard-times-paramore]

Hell yeah definitely. I also vibe with the hc they make their swords out of gems from the shore of nascency when there's no obsidian in the team. Easy access to hard materials.

Honestly I think Obsidian is kinda underutilized by both the canon and fandom. They're so unique, with their power to liquify at will to make swords (without even losing mass somehow!), but they barely get any focus. Can all Obsidians do that or just that specific one? If they can produce excess obsidian to make swords without losing mass, would that mean that if Obsidian lost an arm, they could theoretically make a new arm? (I suppose it depends on if the goo Obsidian makes can house any inclusions)

Also, doesn't this mean that any group of hnk fan ocs that have the same black swords from the show but don't have any of the canon cast might have an Obsidian running around somewhere? (Otherwise I believe they'd be making weapons from excess gem bits from the Cord Shore.) I think it would be cool if more fan artists put more thought into their own Obsidian OCs, and looked into the varieties it can come in, like Mahogany Obsidian, Sheen Obsidian, or Rainbow Obsidian!

[king-paimon]

Houseki no Kuni Chapter 107 Thoughts: Goodnight, Sweet Phos...

Hello everyone! Sorry for the delay with this post. I originally intended to finish it and post it on Wednesday, but you know.... life happened.

Another month has gone by and now we're on our second to last chapter for Houseki no Kuni. That's right; it's been confirmed that the next chapter will be the last chapter. Can you believe it? If you've seen my previous posts, I'm sure you have an idea of how I feel about this news.

But that'll be for the end of this post. For now, let's talk about this chapter! I don't know how long this one will be, but I'll still warn you that it might be longer than intended, which is the norm for me. This post is a bit too messy for my liking so I might end up making some edits to it later. For now, I just want to have it posted.

As always, please feel free to share your own thoughts in this post! Here we go!

Visual Storytelling Through Change in Style

The first thing I want to talk about is the visuals for this chapter. It greatly contrast with the visual style of the previous couple of chapters. In those chapters, the art was loud, intense, and chaotic, and yet mesmerizing and immersive. The heavy use of black, sharp lines and patterns emphasizes on the harshness of the changing environment. And in many of those page, Phos looks so small, as they are literally being consumed by their surroundings. Even though there were many panels where Phos, Eyeball, or the pebbles are the focus, the background is still very overwhelming in comparison.

Now contrast that with most of the visuals in this chapter. Most, if not all, of the intense visual motifs from the previous chapters are gone; no sharp patterns, black is subdued significantly, and the background isn't overpowering the characters.

The intensity of the visuals were cut back significantly and were traded in for simplified line art, heavy use of the white negative space, and soft hues that make everything airy and dream-like. This is especially true during Phos's sequence. I like how there are very few thick continuous lines in the artwork. These illustrations are mostly made up of light, loose broken up short lines that create abstract structures. And I like that as the regression continued, Phos's design simplified to the point that they were just a small abstract face.

This art style literally and metaphorically showed us the deconstruction of Phos. It's so simple, and yet so impactful.

This is also the case for the last two pages.

The change in visual tone does a nice job emphasizing the literal and figuratively change in scenery. To be more specific, the drastic art style changes can symbolize the final metamorphosis of the remaining characters and the story itself. With Eyeball and the pebbles, the style emphasizes how they've transitioned to a whole new place in a literal and allegorical sense. And with Phos, they're style does the same by emphasizing on the deconstruction of their being during their final moments.

I apologize if what I said was confusing (I also got myself confused for a moment haha) But I'll just end this section with this: I liked the art in this chapter.

Now then, we should jump into the meat of this chapter....

Phos's final curtain call.

Phos Can Finally Rest...

Like I stated before, I found Phos's pages really beautiful for different reasons. In terms of visuals, it's nice seeing some softer imagery after having nothing but sharp, chaotic ones. And story wise, it's nice to see Phos finally letting go and feeling fulfilled.

They are finally free, for real this time. Free from heartache, pain, existing. Phos is no longer held back by the sorrow they had been carrying, and they are free of regret.

They are finally at peace.

And would you look at that? We got to see Pho's original face one last time. And they were happy.

Good for them.

Before going to the next section, I want to quickly talk about this page:

When I first looked through the spoiler tag for the previous couple of chapters, I remember seeing some posts from people who seemed unsatisfied with how the story progressed. From what I understand, many of them didn't like that Phos decided to forgive the remnants of humanity. With this latest chapter, I'm sure there are fans who were also not happy that during Phos's final moments that they are thinking about wanting to see their old families again. I can understand the sentiment, though I'm not surprised with this development.

Despite everything that had led the story to this point, Phos did not hate their old families. Yes, they harbored malice towards them during different points of the story, and it would have been justifiable for Phos to punish them along with the other remnants of humanity came to them to pray. But instead, Phos chose to forgive and free them.

I originally saw Phos's actions as their way of finally cutting ties with their families and relieving themselves of the emotional baggage that they burdened them with. But it's been hinted for a while that despite everything, Phos still loved their families. And the fact that Phos wishes they could see them again solidifies this fact.

Though I can't say if I like this revelation or not, I still find it interesting. But again, I can understand if some readers disagree with Ichikawa's writing decisions. If you have your own thoughts about Phos's final moments, please feel free to share them!

But regardless of everything, I still think this was a wonderfully fitting send off for Phos.

But I'm not done talking about Phos just yet.

And Start Anew...

I'll admit that having the first image I see be Phos's last gem piece shatter was not the welcoming image I wanted to see. For a moment, I thought my hope that there was a chance the small piece of Phos would grow sentience and live a new life was shattered (haha.)

But hooray, for that theory became a reality! Despite Phos's last piece breaking up again, a small bit remained and is evidently showing signs of life. It was wonderful how the pebbles immediately recognized that small piece as their brother, showing once again how open and welcoming their are. Small Phos is so lucky.

And how ironic is it that this Small Phos is considered the smallest, (in some ways) youngest, and most fragile new member of this new family... much like how Phos was with the gems at the beginning of this whole story. (I know that Phos was the same height as the other gems, but because of their makeup and position within their society, Phos can be considered less significant or "smaller" than everyone else)

Hm. With that thought in the air... I hope the parallels end there and this doesn't mean that this small and untainted piece of Phos won't be subjected to a similar treatment of their predecessor, right?

...right??

Nah, it should be fine....Unless Aechmea somehow comes back-

Created Their New Path: Final Act of Defiance?

The second to last thing I'd like to talk about is this page because it had me thinking about few things.

It made me think back to the previous chapters, namely the crazy, nearly perfect plans perpetuated by Aechmea and the Lunarians. It's been emphasized many times how calculated Aechmea's plans were, especially when it came to Phos. He nearly predicted every action Phos would make and kept planning and manipulating accordingly until things go the way he wants. And in the previous chapter, it was also heavily implied that he and the other remnants of humanity counted on Phos, Eyeball, and whatever new organisms they came across, to get onto the Dues Ex Machina ship. In some way, they predicted correctly.

But now I must ask these questions:

Did they also count on the possibility of Phos not entering the ship?

Did they also count on Eyeball switching off the ship's autopilot, manually controlling it, and subsequently crash landing it on a planet that more than likely wasn't the original destination?

For these questions, I want to say no.

It's interesting how even though at this point in the story, both Eyeball and Phos seemed resigned to the fact all of their actions were a result of them being manipulated, even after the perpetrators were long gone. But funny enough, I think that their very last actions were entirely their choice. For Phos, staying on the planet and ceasing to exist was entirely their choice. And for Eyeball, choosing to meddle with the ships settings to grab Phos's last gem piece and boost the ships' output. I don't think Aechmea counted on Eyeball doing that. If Eyeball is correct and they did pass the planet that Aechmea had possibly prepared for them, then this means that Eyeball had in many ways changed the trajectory of his and the pebble's lives, albeit unintentional. This could all mean that are all finally free from Aechmea and his long-game, 4D chess plans.

Phos and Eyeball have finally and truly defied Aechmea and humanity.

...BUT THEN AGAIN.. there's always that dumb chance that this was ALSO somehow part of Aechmea's plan. I highly doubt it, because that would be very ridiculously convoluted, even for this story. But then again, you never know with this author.

But for the sake of this post, I want to believe Phos and Eyeball came out on top in the end by intentionally and unintentionally forging paths that wasn't previously made for them. Even though Phos's final choice was somewhat influenced by the professor, it still felt like it was truly their decision.

I hope this doesn't unravel somehow with the final chapter.

Speaking of which-

The Final Stretch...

I can't believe it. This story is about to end. We'll finally almost done and what a journey it has been. I can't believe I started getting into this series almost over 6 years ago. Many things have happened since then, and during this time, this story had sent me on such an emotional rollercoaster. Though there are many things within the story that I wish was different or handled better, I still think this was a very wonderful and thought provoking story.

Now Ms. Ichikawa has to stick the landing. This could make or break this series.

After everything you put us readers through, I hope the true finale will be worth it.

[perenlop]

i miss when we all went crazy about meta knight having a candy jar in his room. that was funny

[0li0llie]

I know I reblogged the version that was posted for HNK Secret Santa earlier, but here is my latest version with the proper lighting that I originally wanted to capture! This was made for @staring-at-a-blank-pagee as a secret santa art trade hosted by @hoshinokaabi-secretsanta~

Happy New Year everyone! С Новым годом!

[hard-times-paramore]

Those who walk away from Omelas.

Man, it's been a while since my Houseki no Kuni oc Iolite has seen the light of the day! I never gave much thought to what happened to them after they were kidnapped by the Lunarians and ground into dust, long before Phos's time. But now that the manga finally ended, I have ideas on how I'd continue their story!

You can see the tidbits of lore I made for them in here and here. Under the cut, I will go on a ramble as to what is next for them.

Those Who Walk Away From Omelas is a short story about the most wonderful, joyous and perfect city to ever exist, but it only remained that perfect thanks to the inhabitants forever torturing a small child. Sounds familiar?

Well, the thing is, even in that story, not everyone in the city of Omelas accepted that. The story has this title because some people refuse to have their happiness and good life sustained by a tortured child, and leave the city.

And that's what I think Houseki no Kuni is missing. Though, let's be honest, I've noticed most people agree the manga became a dumpster fire towards the end, where none of the characters you came to care about had satisfying conclusions or stayed in-character. Would Padparadscha, for exemple, one of the most mature gems who genuinely saw Phos suffering, allow them to be the tortured child? Hello, Ghost Quartz?? Whose main goal was to protect Phos??

Iolite is a Gem with a history of uncovering secrets. If they found out that their happiness on the Moon was being fueled by a tyrant who tortured one of their own into a wreck of themselves, they'd leave that place to go help Phos. And I know they wouldn't be the only one. There were so many revived gems, surely not all of them, even among the characters we do know, would be okay with their metaphorical Omelas. Hell, I even chose Barbata to help Iolite escape to Earth because he was one of the nicest people to Phos during their time on the moon. Even if, by being a Lunarian, he's the part of the worst remnants of humanity, he might still earn his redemption and subsequent ascencion.

Another thing Iolite wouldn't stand for is being stripped of their personhood and turned into a Lunarian. I didn't add any details in their hair in this comic for this reason. I don't know if, in this Fix-it AU I'm making, I'll even keep the gem-lunarian convertion machine. Cause first of all it came super outta left field. Second of all, they wouldn't choose to be assimilated by their enemy after all they knew in their lifetime was war. If I do keep it, and someone else made this decision to convert them, Iolite would never forgive them, and would grieve their old self - further sympathizing with Phos.

What would result, I think, would be the gems who refused the moon probably having to battle the Lunarians once again, as they want to isolate Phos and make them a good praying machine. The cycle would repeat, for now, with Phos taking in Sensei's role and refusing to pray, and taking care of the new gems, like the fandom theorized would happen.

But one day, the cycle would end. I might write a fanfic on how, I might draw it instead, but one day, the Lunarians, specifically Aechmea, the one set up as the villain, would finally get a proper end fitting to their characters.

There's a lot more I'd like to address in this AU. Such as all the gems having a reconciliation with Phos, resolving their interpersonal conflicts, Cairngorm and Ghost Quartz talking out their differences and Cairngorm becoming free from Aechmea's grooming. I'll work on it and write it someday.

For now, thank you for reading what I wrote. If you got this far down my rambles, your epic.

[purble-gaymer]

good news everyone! big announcement post!

this project has been cooking for the past year and a half, and i’m finally ready to share it. so here we are: i wanted more knights content, so i made more knights content. what were these three doing in their spare time off-screen? i’ve got a few ideas...

[mieowkoid09]

Ya know what's really interesting that I havent seen anyone talk about?

Rutile was the one who brought up the idea of Phos finding a job for Cinnabar.