#hnk meta

[katharsisboy101]

Moon Phos' hyperrationality and self-sabotage, and why it's a paradoxical step into happiness.

Or, basically, a Moon Phos analysis.

I think this part of the manga is genius, both thematically and for Phos' original character, because it goes against everything she used to represent, and it showcases both the dangers and strengths of reason, and how isolating it can be.

OG Phos vs Moon Phos

While OG Phos used to be a lot more present-focused and someone who took things at face value, that also made her capable of reaching out in a very honest and genuine way to people like Cinnabar, who was too caught up in her mind and insecurities to see an escape for her situation. Phos used to be someone who was able to enjoy the moment, and the simple things that come with it, whether it was the butterflies, the amazing views, or her own cute mint-colored hair.

I'd argue this way of experimenting life is what HnK argues to be the key to happiness: that existence is what you make of it, and Phos was content as she was, but everyone around her pushed her to become something else, to the point that she absorbed those frustrations and lost sight of her way of living.

What corrupts Phos isn't that she acquires new body parts; that's just an extreme metaphor for what changing would look like if our soul also experimented physical change—it's all about how she loses sight of the simple happiness she could have experimented on her own (and along with Cinnabar, if she reached out to her), in favor of increasingly more complicated goals. (Moon Phos is the extreme version of this.)

Phos' corruption into overthinking doesn't come out of nowhere, though and it starts to manifest strongly the moment she loses herself in the stress and burden of losing Antarc in Winter. Phos does retain some of her groundedness as post-Winter Phos, but she also starts to think more, to question more things and to brute-force her way into change, with disasterous results.

When she realizes this, she makes the right call by trying to stop, but it's too late by then—she had already stared at the abyss, and the world wouldn't let her forget all that she had learnt.

When Phos loses her head, now she has all the tools she needed to generate change and innovation—to look at the big picture and avoid getting caught up on the little things... and that's her demise.

Because in comparison with OG Phos, who looks at the present, Moon Phos is someone who always looks forward. Someone who always uses reason as her greatest weapon, in order to manipulate others while losing sight of many important details (some related to her own well-being and that of others) in favor of big, complicated plans in which everyone's feelings, even her own, are just pawns in her game.

Cairngorm explicitly warns her about this, saying that she hasn't valued those at her side (Cairngorm herself, or Cinnabar) as much as she should, and that's why she's become such a lonely individual.

Moon Phos is someone who lives in her head, in the world of ideas and the abstract, while OG Phos was the complete opposite, and the change in approach has a direct impact on her happiness, as she loses sight of the simple things in favor of objectives that just don't translate into happiness as well as she thinks she does. Moon Phos optimizes, but loses the essence of happiness that she could have achieved in a simple manner by focusing too much on "what should be" rather than "what it is".

To put it succintly, Moon Phos is brute-forcing her way into being accepted, into bringing change for her people, losing all the tact that was needed for a moment as life-changing as a pact with the lunarians could be for the gems. And if OG Phos had something that Moon Phos didn't, was that ability to look at things in a simple way that would have avoided such a mess in the first place.

By talking about both of them, I think it's clear that each have their strength and weaknesses, and that's why talking about Phos is so difficult. Because even if she lost many of the good things that made her who she was, she also gained many others that brought "prosperity" for the gems. Prosperity in quotations because later, we'll see that the optimization didn't really bring many benefits.

Whatever the case, in order to truly understand the strengths and weaknesses of Moon Phos, we need to analyze her sacrificial role in the story according to the themes of buddhism in it.

The Bodhisattva

A sacrificial figure in Buddhism, and that Phos, especially Moon Phos, represents to a T.

But why? Well, one of the fundamental characteristics that the Bodhisattva represents is that they work towards enlightenment in order to save others, being a kind of Buddha in training. The problem here is that sometimes, saving others requires for the Bodhisattva to sacrifice their own happiness and enlightenment.

Phos becomes the opposite of the teachings of buddhism. Hyperrational, manipulative, working towards her own desires and masking them as altruism. (because we all know Phos didn't do everything she did for the gems, she did it for their validation and to be acknoledged by them). And yet, the contradictory part of it is that it was necessary for everyone's enlightenment, but most important of all, for Phos to be given the chance to be happy, away from a world that pushed her to be rational.

Buddhism has this constant theme of paradox in it. The paradox that in order to reach happiness, you must let go of happiness. The paradox that in order to realize that you must focus on the present and stop thinking, Buddha had to spend years thinking about it. And Phos is a living paradox, in the sense that her hyperrationality and look into the future and big picture was needed for everyone to reach happiness, at her own expense. She was played a fool by everyone, and it's even implied that Kongo was on it, all because she was the one most attached to her earthly desires of them all, to the point of changing every part of herself in order to accomodate to what she thought others wanted her to be.

In a way, Moon Phos (and the lunarians, because it's no coincidence that the "lunarian" Phos is the one that represents these themes) doubles as a criticism of our present capitalist society as a whole, with all its hyperrationality and big-picture focus that allowed for progress and suffering alike, always at the expense of oneself. Because we're our own slaves, and we work ourselves to death to reach a happiness that is further and further away from us due to those same efforts (paradoxically). All Phos wanted at first was to be loved by those around her, but she chased that dream with such relentlessness that she ended up casting away the parts of her that made her loveable and losing the people that would have been able to connect with her. And yet at the same time, Moon Phos (and the lunarians, the rationality, Ayumu herself) paved the way for God Phos' chance at happiness at the end of the story.

A Paradox

Thus, to the question of how to live in society and be happy, Houseki no Kuni poses that the answer is balance, or perhaps, a paradox. It showcases the ugly but necessary aspects of humanity, and the reality that every time you gain something, you lose something else, through Phos and her loss of body parts that benefitted society at her expense. Thus, there is no right extreme, and no goal that can be achieved by just rigidly doing the same thing.

Whether you look at the enlightenment buddhism promises you (as showcased by the way of living of the gems, simple but without meaning and creating resentment between everyone, with a literal buddhist monk as its leader), or the prosperity that civilization achieves (as showcased by the lunarians, who corrupt and surround themselves with earthly pleasures to distract themselves from their problems), both have their strong points and weaknesses and seem paradoxically necessary to reach one another, to ultimately work towards the goal of enjoying existence, as it is, unabashedly.

The gems truly found happiness on the moon due to finally allowing them to be themselves, and eventually, all the lunarians (including the gems, who turned into ones by virtue of corrupting themselves with the eartly pleasures), reached enlightenment by letting go of those desires. Of course, if you analyze it more, it was a "fake" kind of salvation, and only Phos reached true happiness in her God form (expanding more on it on another post), but at least they got to enjoy more of their life than they would have if they had continued in the endless cycle they were put in (or the "samsara").

In the end, Phos had to gain the rationality that characterizes present-day humanity in order to save everyone, while at the same time, condemning herself. Because for all their short-sightedness, destruction and cruelty, humans are also kind and wise, and they allowed the rocks to live just that little bit more by escaping the sun in chapter 106. Both the optimization and the relaxation and appreciation of little things are necessary in order to become happy, and we need to find the balance in the different aspects of ourselves in order to do so.

As Phos herself says at the end of the manga, despite it all, she is grateful. Because no matter how she got there, every step of her journey was necessary to make her who she is—and that's how it is for everyone. Experiences mold us, they change us, we can't force change and we certainly can't predict where it'll take us... and that's the paradox. Because sometimes, working towards the result we desire leads us astray from it, and viceversa. Phos was someone who had her eyes set on a goal, one that she didn't want to admit: the goal to be admired and loved by everyone.

And in the end, she had no one.

Moon Phos was necessary, but she took it to an extreme and burnt herself up along the way. Thankfully, she was granted a second chance by the very same flawed people (Kongo, Aechmea, Ayumu) that made her into a sacrificial lamb for their own selfishness.

A chance she took to finally accept that no matter what she did, there was no predicting life or changing yourself to an "optimal" version of yourself, so she might as well enjoy the ride.

[king-paimon]

Houseki No Kuni Chapter 108 Thoughts: Everything Stays....

Hello all. I hope the month of April was good to everyone. It was alright for me, though I'm just in awe by how fast it went! Time really goes by too quickly as you get older.

Speaking of time, would you look at that? The final chapter of Houseki no Kuni was released! 108 chapters over the course of 12 years. And I've been following it for nearly 5 of those years! Wow! That is quite the feat, Ms. Ichikawa.

I'd been waiting for this day for a long time, and the feeling is bittersweet, with the overlaying feeling of relief. This emotional rollercoaster that Ms. Ichikawa had sent us on has finally reached it's dock.

Phos's story is finally complete. What a ride it had been!

Now the question is: Was I satisfied?....

I'll do my best to answer this. I don't know how long this post will be, but I'm hoping that it won't be too long (edit: Oops. I was wrong.) And as always, please feel free share your own thoughts if you're interested!

Here we go:

Phos's True End: Was It Satisfying?

I reread this chapter a few times to answer this question and to be honest, I still reach the same conclusion: It was fitting. Not absolutely bad or 100% amazing, but in terms of Phos's whole journey throughout this story, I think this was a fitting ending for Phos, and that's good. And if anything else, it's a little ironic.

I mentioned in my last post that I thought it was funny that the remaining piece of Phos had become the youngest/newest member of the pebble species much like how they originally were at the beginning off the whole manga. It seems though, the similarities don't end there because of this little interaction between Eyeball/Pita-pat and Pebble Phos:

I'm sure this was supposed to be a little cheeky conversation and Eyeball/Pita-pat didn't really mean it. But still, this was an interesting exchange to include in this final chapter, especially right before it's implied that Eyeball/Pita-pat passed away.

One intriguing story choice Ichikawa made was having Pebble Phos continuously fall apart near the end to the point that they become a small spec. To be honest, I was not sure how to feel about this part when I first read, especially considering how now there's hardly any of Phos left now. Like, after Eyeball/Pita-pat saved that last bit of Phos so they could have a nice life away from humanity, it'd be unfair for them to break apart again to nothing after all of that. But I did like how the pebbles decided to view Pebble Phos' changes; that their fragments surely became beautiful comets that would brighten someone's day. And that shot with original Phos was nice...

Also, I saw the post that implied that Ichikawa released this final chapter around the same time that a rare famous comet was supposed to be seen on Earth. I want to say that I think it was a pure coincidence, but I'm not putting anything past this author!

This chapter made me think of that one song from Adventure Time: Everything Stays. If you haven't heard of it, please give a listen. It's a song about life and the course of change. It focuses on how even if things appear to stay the same over the course of time, changes still occur, even if subtle. Phos certainly changed a lot throughout their story through intense mind and physical altering events. But I also think they changed subtly even during the less intense moments. I think the moments in this final chapter fit with this song, too. Phos was always evolving, even when it didn't appear so. Through their interactions and lack thereof with others and their environment, Phos was always changing and growing, ever so subtly. And even in this last chapter, Phos is still evolving and that'll likely never end.

Interesting... after thinking about it some more, I think I feel a little more satisfied with how this chapter/story ended. I'm glad that Ms. Ichikawa didn't pull some other twist near the end; that certainly would have ruined it for me. Am I 100% happy with how Phos's story ended? I don't think so. But to me, it's a fitting end.

But what do I think about the series as a whole?

When The Journey Ends: Was It Worth It?

There are very few manga or written stories that had me wanting to see how things end because more often than not, there aren't that many stories that I've read to completion. Part of it is because I don't want the story to end; basically, I'd have the thought process that if I don't know how the story ends, the story doesn't end! Perfect logic (sarcasm). Though this usually happens because I lose interest or because the story goes in directions that I don't like, I'd say one of the main reasons I end up dropping a series is because of how a story ends. How a story ends can completely change one's opinion of a story, and I've seen my fair share of stories that end badly. Sometimes the ending is abrupt and not satisfying, especially if it was lead by a big build up, or the ending is a result of a jarring story pivot that seems to come out of left field. It just seems that many creators don't know how to end their story well. And if I like a story a lot, sometimes I'm too scared to see how it ends. Partially because I don't want the story to end, but mostly because I don't want the end to ruin my experience.

Houseki no Kuni is a unique case for me. I know I've mentioned this before but I'll state it again: I don't think I've ever been so invested in a story like this before. Though that investment had dwindled over time, partially due to me developing new interests, life, and being occasionally dissatisfied with certain story choices, I wanted to see this how this story would end no matter what. And now that it's done, I'm glad I stuck it out.

Was this story perfect? No. There were several story decisions that I wish was either told differently or completely omitted that could have made the story stronger in my opinion.

Did I get a too invested in this story? During certain points, most definitely haha. I remember getting very emotional about certain chapters when I first started making this series of meta posts. I remember seeing some posts from people stating that they no longer liked the manga because of the direction it was going and in some cases, I could see where they were coming from.

Do I regret getting so invested in this story? No. No I don't. Despite not liking certain story aspects, I do not regret getting invested in this story. Though the story was not perfect, this was such a unique experience that I'm grateful to have gone through.

I plan on talking more about how I feel about Houseki no Kuni as a whole in another post. I intend to delve into what I loved about it and what I wish was different. While I could include that stuff here, I think this post is long enough. I've already started working on it, but I know it'll be a while before it's done; you bet there will be some parts with me ranting a little haha

But long story short, despite some grievances I have with some parts of the story, I feel satisfied with how it ended. And I'm glad that I read this series.

What Happens Next: Thank you, HnK Fandom

I want to thank those who've read, liked, and even commented on my posts! I didn't think so many of you would like, let alone read, my longwinded messy posts. I loved every feedback I got, even the ones that didn't agree with me. You made me love being part of this niche fandom. Like I said in the previous section, I have at least one more post that I want to make detailing everything I feel about Houseki No Kuni as a whole. I might make another one that's more for fun, but we'll see. I encourage anyone who's interested to share your own thoughts on the post! I seriously love reading different perspectives.

But after those posts, I don't know how involved I'll be in the fandom afterwards. I may repost some art and other people's meta posts on occasion. But when it comes to meta commentary, these will likely be my last posts about HnK. I have other fandoms that I like to follow, though I don't make posts about them. Perhaps I will, though I know they will be nothing like the posts I've made about Houseki no Kuni. This was the only series I've ever felt compelled to analyze so deeply, which makes it special for me. If I were to post anything about the other stuff I'm into, it'll most likely be of fanart that I made for my own personal enjoyment. I know scare many of my followers away since they'll not be HnK related. But who knows? I haven't made any HnK art in a long time... Maybe one of these days, I can try to make some HnK art again. I have some unfinished pieces on my computer that's now years old. Yeah, I should finish them when I have the time. That'd be a fun little send off.

Anyhow, if you are interested, please hang around for my final HnK meta posts! And when it's out, please please PLEASE share your own thoughts in it! Don't be afraid to share your opinions. I promise I don't bite.

So that's it. These are my thoughts of the final chapter of Houseki no Kuni. I might add more to it, but I'm fine with what I put out. Wow... I still can't believe I got into this series 5 years ago! So much had changed in my life since then. Despite everything, it was worth it.

Thank you again for reading my jargon. It means a lot and I can't wait to post my true final meta posts about Houseki no Kuni.

What a ride this was.

Until next time...

[pterobat]

I loved LotL from the start, but I tried hard to find the deeper appeal of the series—and the reason Phos went through so much when it seemed disproportionate to any actions they took.

"Desire leads to suffering" is a huge oversimplification of Buddhist thought, but I think it's key: Phos wanted something so badly, but only reached peace upon letting it go and forgiving everyone, and was happy chilling with the pebbles who in turn don't want much.

When Phod / Phodhisattva was alone after the Prayer and first spoke, it finally hit me. The appeal of Phos and the series--it was personal. The whole thing of feeling useless, seeking validation, and wanting to do things but screwing up a lot, being oblivious to what you might do if you go with your grain, as well as to intrinsic worth—that's relatable.

The final chapter gives me some pause but if Phos’ pain was also not only leading to their transcendence, but to elevating their entire world from a stagnation I couldn’t see outside of the Lunarians…that makes sense.

[hard-times-paramore]

I know Gem society doesn't have the cultural concept of kissing, but in the manga, it's still evident that Gems have a concept of romance between themselves. Like when Dia asked Cinnabar if Phos had confessed to them.

I wonder how gems express romance, since they don't kiss. Maybe it's through hugs, and the physical closeness. Maybe they express a devotion, a loyalty. Much to think about.

[cody-00]

Euclase and Motivation Boredom

It may feel awkward for this post to be based off of a source based in Western philosophy knowing the series' Buddhist influences, but the former's concise terminology helps illuminate the series without any evident conflicts. Conveniently, I have only needed to base this thread off of one article: "Immortality and Boredom" by John Martin Fischer and Benjamin Mitchell-Yellin.

If one believes that immortality necessarily causes boredom, Fischer and Mitchell-Yellin have observed two notable ways in which one could make this argument. One way, coined as "content-boredom", argues that immortality would eventually exhaust the supposed finite amount of desires that would drive a person to live (Fischer and Mitchell-Yellin 355). This is partially shown through the Lunarians. Their desire to pass on stems from the resignation that they have done everything that could bring any sort of pleasure. The Lunarian's problems regarding immortality do not stem from content-boredom, for there is a more existential component present, but it is a real factor. Content-boredom is limited to the Lunarians, for they, outside of Kongo, have lived much longer than anyone else.

The other way to argue immortality that causes boredom is to say that an immortal life would not be constrained by time, and, therefore, lack a certain urgency. Lacking the energy to actualize one's desires and complete projects would make life dull. This is labeled as "motivation-boredom" (361). While perhaps not as intuitive argument as content-boredom, motivation-boredom is an application of the common practice of procrastination at its most extreme. Where one may put off a task until the last possible moment despite wanting and knowing that they should have started that task earlier, people who support the idea of motivation-boredom believe people can and will put off everything indefinitely since there is no last possible moment. Motivation-boredom is best substantiated through the Earth Gems, but most importantly, through Euclase, an elder gem who displays more apparent control over the Earth Gems as the series progresses. Showing how this is the case is what the real substance of this post is.

First of all, Euclase's role in demonstrating motivation-boredom is something only Euclase can properly do. The other elder gems (i.e. Yellow Diamond, Padparadscha, and Alexandrite), are caught in problems regarding immortality that are outside of boredom. The same reasoning applies to Kongo.

Ironically, they acknowledge the idea that immortal existence fundamentally differs from mortals in a psychological sense, but they (through their own admission) ultimately seem unaware of how motivation-boredom affects their judgments. Before any budding criticism comes to mind in how the previous tweet is phrased, Euclase does only mention that an immortal being's sense of danger being distorted—not necessarily an immortal being's sense of urgency being distorted. However, the following paragraphs should demonstrate the compatibility and sometimes interchangeability between the two traits. Euclase's distorted sense of danger is actually rooted in Euclase's distorted sense of urgency.

Relative to other gems in the series, Euclase's conversations take a lot of focus on temporality. There are many examples. In fact, Chapter 4, their first major appearance, foreshadows this tendency. The third image shows a juxtaposition between Euclase and Phos in valuing time.

Another example early in the series (one in which credit goes to Shamu, for he pointed this out during our note-taking process of this video) takes place during Chapter 7 when Jade reports that Euclase dropped their schedule and is in need of more time to reassign roles for the future. The reason is indirectly linked to Phos, which hints at how Phos will impact Euclase’s future.

Euclase, contrasting from the Lunarians, values the benefits that come from the lack of urgency. With infinite time comes the infinite opportunities for conflicts to resolve. The earliest moments where this sentiment shows itself is through Chapter 41 and Chapter 58.

While a bit digressive for this post, Euclase's word choice incorporates time once more to compliment Phos' condition by returning from the moon in Chapter 58. There is an irony here in that Euclase's support for the idea that a lack of urgency eventually will towards positive outcomes through patience is vindicated through Phos. Euclase's encouragement to Phos could have only happened through the systemic neglect that Phos is under.

Chapters 60 and 61 display where motivation-boredom's consequences start to directly impact the plot. Euclase recognizes the threat Phos poses but fails to enact any action outside of sharing their suspicion to Jade and expressing an ambiguous threat towards Phos. Euclase failure here stems from two reasons. One is that Euclase misreads the identity of Phos. Lapis is a gem known for their analysis paralysis. Euclase, by believing Lapis has the most control over LaPhos, assumes that Phos would not follow through any plans with such haste. Furthermore, by predicting their actions through the Lapis-colored lens, they fail to consider what would happen if really is Phos in control, a gem that carries human-like tendencies to carry out tasks with an urgency.

The second reason originates from Euclase's inability to detect time constraints. Notice the juxtaposition between Euclase and Phos here: the threat not only fails to prevents the gems departing for the moon but actually hastens the result.

Even though Euclase manages to prevent a few gems from leaving the moon, it's a pyrrhic victory, suggesting once more how Euclase's inability to feel urgency causes negative results. Consider Rutile, whom Euclase successfully prevents from going to the moon. Rutile could have served as a pivotal piece in preventing the departure to the moon, for they were the only one to consider disseminating Phos’ plan to Kongo. Instead, Rutile’s psyche starts to take a turn for the worse in the series. Euclase’s failure here is multilayered.

Euclase starts to recognize urgency more due to Phos. Kongo's pending request for a self-imposed exile forces Euclase into action. Why Euclase feels compulsion to stay on Earth is slightly outside the scope of this post, but Euclase's argument for staying on Earth lies in identity and its connection to time. Note that Euclase's urge to make up each other's shortcomings results from Phos' actions as well as Kongo's response being tied to the relationship future life forms and the present day.

The scouting mission in Chapter 69 implies that Euclase's natural state is one that tries to maintain a state that avoids urgency when they can. Pad's analysis, considering their constant state of inactivity, suggests that Euclase's character has been unchanging for a while. The threat of Phos does urge Euclase and the Earth gems to respond with a defensive plan, however, as seen in Chapter 70. The following interaction between Phos and Euclase centers once more on time.

Euclase's decision for everyone to rest after the night raid lies upon the premise that relationship between Phos and the Lunarians is currently one of dysfunction. Urgency to act only comes when the danger is immediate and the time constraints are evident for Euclase.

When Phos is separated for 220 years, Euclase once again approaches the problem under the assumption that the amount of time to solve all the conflicts with Phos is not constrained by time. The following chapter shows Euclase's belief that Phos no longer endangers their safety; the small amount of motivation they have to ask Kongo to pray is caused not out of sympathy for Phos but instead of out consideration of the possibility that that Lunarians might invade.

While Euclase's reasoning to delay cleaning up during Kongo's birthday party may have justifiable reasoning, it does show how motivation-boredom even plays a part in casual situations.

Upon recognizing danger from Phos' imminent invasion, Euclase's response is to buy time, which seems rather indicative that their response to urgency is infinitely delay whatever causes urgency.

Through Alexandrite's action sequence, due to the positioning of Euclase at the start of the sequence compared to the other images, it almost seems as if Euclase is trying to delay inevitable danger by using their companions to buy time.

Based on Euclase's previous actions, their reasoning for their negotiation plea towards Phos expresses sincerity. However, as time has proven before, Phos shows that they need to be the danger in order for goals and desires to be reached. Euclase's shortcomings show that becoming immortal does not mean everything can be put off until later.

When wondering why Euclase fails to get anything done later in the series, a serious factor to consider is the influence of motivation-boredom. Euclase's passivity may not be entirely based on intentional callousness, for their existence and their relation to time distorts all decision making, and living as they have distances themselves from a perspective like Phos' and reinforces those distortions.

To wrap everything up, Houseki no Kuni frequently criticizes immortality. Does the depiction of both kinds of boredom claim are aspects that necessarily happen to those who have immortality? No. In a sense the two types of boredoms oppose one another, yet they coexist in this story. However, having these two kinds of boredoms correspond to a respective immortal species shows how these criticisms could happen to those who are immortal. Additionally, unlike content-boredom within Houseki no Kuni, motivation-boredom does not directly lead to unhappiness for reasons concerning the lack of energy to fulfill desires like its supporters suggest. Instead, the manga shows that those in power who lack urgency due to their immortality can lead to excessive and idle conservatism and eventual, destructive consequences by not recognizing and responding to time-sensitive issues. To me, that sounds more like a warning rather than a criticism.

The paper summarizes both types of boredoms, but interestingly, they reject these two concepts as sufficient reasons to oppose immortality. Originally, before making this post, I did not think either forms of boredoms had any merit, but analyzing Euclase has shown me that immortality would, while not necessarily causing motivation-boredom, a distortion of urgency within projects that would require it, thereby risking to harm one's quality of living. Furthermore, for supporters of content-boredom, reading "The Makropulos case: reflections on the tedium of immortality" by Bernard Williams may interest you. For supporters of motivation-boredom, I cannot say I have read them, but Fischer and Mitchell-Yellin's response on content boredom is based off of Todd May's "Death" and Martha Nussbaum's "The Therapy of Desire".

Fischer, John Martin, and Benjamin Mitchell-Yellin. “Immortality and Boredom.” The Journal of Ethics, vol. 18, no. 4, 2014, pp. 353–72. JSTOR, http://www.jstor.org/stable/43895884.

[mieowkoid09]

OMFG. WHEN PHOS GOT THEIR NEW ARMS THEY TRANSFORMED INTO A BOX. JUST LIKE HOW THE ICEFLOES/KONGO'S BRO/THE EYEBALL WAS A BOX WHEN HE MISCALCULATED THE METEORITE STRIKES. AHHHHHHHHH

[hard-times-paramore]

Because they're constantly at war with the Lunarians, all the Gems were raisee as expected to have a job that keeps society going and themselves safe. It's a result of that necessity, but makes for Gem society to be very ableist.

Those ableist views came as peer pressure from the gems reinforced by the way their society is structured, but it's nice that Sensei himself doesn't enforce them. At least he tries not to. Trying to find a job for Phos and Cinnabar is more about helping them fit in. But he'd still be okay it they didn't do anything "useful".

I can also see how overwork-driven Japanese society inspired this part.

Source: Land of the Lustrous / Hōseki no Kuni / 宝石の国 

by Haruko Ichikawa 

[hoshinokaabi-secretsanta]

From: @eganmont (Instagram)

To: @gemapples (Twitter)

[borbology]

had a dream this was an episode

[katharsisboy101]

Lunarians vs Lustrous - A look into Individualism and Collectivism in Houseki no Kuni

As I've mentioned before in my posts, these two races have a lot of parallels in regards to real life cultures and philosophies, and I'd like to examine what characterizes each of them more closely and how their portrayal and subsequent differences reflect the themes and messages of the manga.

The West and the East

There's many factors that cemented the difference between the individualistic collectivist cultures, but in essence, what separates them is what each of them valued according to their cultural and religious beliefs. Beyond looking at what caused that each side of the world turned to a different way of living (which in and of itself is massively simplifying it, because not the entire west is individualistic and viceversa, it's a lot more gray than that), it's important to understand what each philosophy entails.

It has to be said that this separation, through globalism and its subsequent capitalism, became blurrier and much more skewed towards the western way of doing things, in which eastern spirituality is just another commodity, but I'll talk more about it later.

By the way, my little analysis of the incredibly underdeveloped Admirabilis is that they basically aim to represent a culture under monarchy (because of their designs), but I don't think there's a lot more to extrapolate from that other than the fact that they represent the missing piece of how humanity can organize itself and its beliefs, I guess.

The Lustrous

I normally call them gems, but I guess their official name is the Lustrous, right? Well, whatever, maybe I'll use it interchangeably as I write.

The Lustrous are clearly a collectivist society, which are associated with Eastern cultures. Characterized by favoring community, which many times means the suppression and neglect of those who don't fit in it or those who aren't in it, it's clear that characters like Phos and Cinnabar are meant to be the misfits in a society like the one Kongo promoted. The arrangement at the start of the manga, in which everyone knows Cinnabar is suffering but no one does anything about it because it's more convienent that way is a perfect example of this.

Even those who fit in and take pride in their usefulness (the value that reigns supreme in the gems' society) have to compete in that regard, as a collectivist society which values a specific trait will have a "supposed way of being" that isn't as tolerant of differences and different ways of expressing yourself and achieving success as an individualistic society would.

Just take a look at Dia and Bortz, the former who despite being at the top of the "usefulness hierarchy" still feels like she isn't enough because she has Bortz as a partner, or the latter who feels like she constantly has to live up to her reputation of being the strongest and actually feels relieved when others step up to cover for her. (Like when the Lunarians stop attacking.) Everyone is bottling things up and no one is doing anything about it because it's easier that way... except it obviously isn't.

Hell, even though I do agree that Phos' loneliness is self inflicted for the most part, it can't be ignored that the reason the gems alienated them so easily and quickly was also partly due to this collectivist mentality, in which the gems are "us" and everything else is "them*.

Phos further strayed from the "us" with each transformation, to the point that she is rejected understanding because of her differences with the rest, despite her seemingly good intentions. This black and white way of viewing people and beings in general results is dangerous, and can justify inhumane acts such as what Phos was made to bear during her prayer. And of course, the "architect" of this society is Kongo/Adamant, though I do understand the reasoning behind it.

The Mastermind

I'd say that Kongo overcorrected, and created a society that separated itself from the selfishness of humanity along with the earthly pleasures that he saw dominated the humans, to the point of the gems' worth becoming completely about how useful they were in their work and neglecting their emotions and the fun they could have in between along with ignoring the importance of their individual relationships (as opposed to just their cordial relationship to each other, out of being part of the same species).

Kong actively discouraged feeling, discouraged crying for Phos—he discouraged humanity, with the good and the bad.

This has both pros and cons, because even though it keeps the gems together and allows them to effectively counter the threat that the lunarians pose, it also eaves them in a stagnant society, one in which they have to bear the risk of losing the people they care about while still being expected to keep their composure for the sake of each other and tradition.

It's a society that is afraid of change, because change is a stand out, and no one should stand out in a collectivist society—and yet, it's that same unchanging quality and resilience for the sake of each other that strengthens the bonds of the gems after Kongo reveals the truth to them. Their loyalty to Kongo and each other gives them meaning, and allows them to keep going year after year.

Whatever the case, that status quo is broken the moment Moon Phos enters the picture. And I'd say the main difference between her and the rest of the gems is her selfishness, the selfishness to see how far she can push herself and to discover what's out there. This is where we start to enter into individualism, with all the progress and independence usually attached to it, that many gems secretly admired, to the point of calling her their "hope".

The reason we call the Phos with Lapis' head "Moon Phos" is because once she arrived to the moon, she assimilates with the Lunarians in a way—she's extremely compatible with their way of being and the optimization and research they constantly promote, but she also has the disadvantages that come with being like that, in how that obsession for optimization and rational planning keeps her mind away from those who are supposedly important to her, just being tools in her game and ultimately causing her downfall as she's broken by those whose trust she broke with too many mindgames and rationality. But in order to analyze this more in depth, let's take a look at individualism in general.

The Lunarians

Personally, I see individualism as a cult of of rationality and its subsequent optimization, in which the only logical conclusion of valuing independence and progress over everything is the commodification of any and all experiences and resources in order to sell them and increase your own gains. Everything is a tool, a means to an end, feeble feelings like love and community aren't as important as the american dream and the self made man. Individualism, and the economic version of it, capitalism, are systems that perpetuate the ideas they represent and instill them onto the mind of those born under them.

We can clearly see how Ichikawa meant for the Lunarians' extravagant lifestyle to be a complete contrast to the simpleness and community-focused society of the Lustrous.

They are literally a society expecting and wishing for their demise, too caught up in it to value what it is and keeping their minds busy with sensorial pleasures and progress—"what will be". They are much more technologically advanced than the gems due to this, which is good, of course, but it also comes with a cost.

And that's the magic of comparing these two cultures—each of them is incredibly flawed, and yet changing them also comes with losing something of value in the process. It shows the contrasting nature of certain philosophies and ideas and how the overreliance on them leads to black and white thinking and unhappiness, whether it is from suppressing yourself too much like the gems or not allowing yourself to compromise and live at all like the Lunarians.

Maybe, just maybe, instead of grand philosophies that apply to everyone and anyone, idealizing their principles and taking them as a gospel to live, it's better to just be, like Phos learns to do in the last arc.

Assimilation and Conquest

Remember what I said about how globalism blurried the line? I'd say the assimilation of the gems to Lunarian society, becoming Lunarians themselves, reflects this perfectly.

Now, they're allowed to be who they are, seek their own interests, indulge into the endless pleasures that were prepared for them and discover a whole new world in which love, food and entertainment are part of their day to day life. However, as great as it sounds, much is also lost through the assimilation—the gems' glitter is gone, and their care for each other isn't really touched upon.

The gems, upon first arriving on the moon, are made to wear new clothes, fancy and more feminine, they are shown the pleasures they can indulge in, and the possibility of keeping the culture and mantaining the positive aspects of their bond is neglected, almost ran over, in what is in essence a colonization.

Cairngorm is a clear example of this, and although she becomes happier by allowing herself to show her true colors (literally) and falling in love with Aechmea, there is this constant feeling that she strayed away from who she should have been, from her relationship with Phos, from her own wishes and interests… because she never discovered them.

She always lived for the sake of others, for Phos, for Lapis, for Ghost, and even if it is under the mask of a loving relationship, she repeats this pattern with Aechmea. Their relationship is all that is great and wrong with Lunarian culture, in which you are drunk with pleasure and forget your true self as a result. Why else do you think Cairngorm is continually portrayed as hyperfeminine and small, almost child-like, compared to the manipulative, dominating and masculine Aechma?

These labels are the ones that individualism and capitalism pushes in order to survive and keep the power dynamics that characterize it. They are images and illusions of what "should be", of masculinity and femininity that the characters fool themselves into wanting in order to continue with the "blinding-youself-with-pleasure" charade.

There's a foreboding sense that Cairngorm—no, that the Lustrous, have lost their purpose and are trying to distract themselves from their inevitable demise through the eartly pleasures that the Lunarian society offers. There's a reason why the album of photos starring the gems living on the moon is called "Party of the End"—because that's what the life of the Lustrous on the moon is.

A party, which involves overindulgence on sensorial pleasures, that is done in order to create an instance away facing their own mortality and having to reflect upon their actions. A celebration that precedes the end, in which they become nothingness and yet they also become something else without ever having come to terms with who they were, like Phos does.

We are all the Same

With all of that in mind, I believe that rather than choosing to ally with a certain philosophy, religion, or culture, Houseki no Kuni shows unabashedly the ugliness that each possibility holds, the selfishness and selflessness of humans, and how those traits manifest differently depending on the ideas and principles that surround you. It's a story that blurries the lines between a selfish collectivism and a selfless individualism, between the organic and inorganic, between what is us and what is something else (Phos), and it arrives at the conclusion that it's all ultimately meaningless in the face of a simple happiness—that binarisms are misleading and in truth, even cultures as different as the Lustrous and the Lunarians have as much in common as they have differences, especially in their selfishness. It's an examination of humanity and the way it deals with each other and itself.

[hard-times-paramore]

Hell yeah definitely. I also vibe with the hc they make their swords out of gems from the shore of nascency when there's no obsidian in the team. Easy access to hard materials.

Honestly I think Obsidian is kinda underutilized by both the canon and fandom. They're so unique, with their power to liquify at will to make swords (without even losing mass somehow!), but they barely get any focus. Can all Obsidians do that or just that specific one? If they can produce excess obsidian to make swords without losing mass, would that mean that if Obsidian lost an arm, they could theoretically make a new arm? (I suppose it depends on if the goo Obsidian makes can house any inclusions)

Also, doesn't this mean that any group of hnk fan ocs that have the same black swords from the show but don't have any of the canon cast might have an Obsidian running around somewhere? (Otherwise I believe they'd be making weapons from excess gem bits from the Cord Shore.) I think it would be cool if more fan artists put more thought into their own Obsidian OCs, and looked into the varieties it can come in, like Mahogany Obsidian, Sheen Obsidian, or Rainbow Obsidian!

[king-paimon]

Final HnK Meta Post Question...

Hello everyone. It's been a long while. I'm very sorry; I truly didn't mean to be away for so long. I'm pleased to say that I've finally found the time to work on my final meta posts for Houseki no Kuni. Yes, it's looking like I'll be making more than one post for this. And I'd say that I'm about 70-75% done with them. The remaining percentage that I'm still working on is very crucial to the whole thing, and it's unfortunately taking far longer than I expected. Other than life just being a lot at the moment, these final sections are what's causing me to delay posting at all. I'm the type of person who prefers to finish everything before posting, but I feel very bad delaying for so long, especially since I promised I'd have it all done months ago.

So to those who follow me and/or my HnK posts, I wanted to ask for your feedback on my dilemma. (This is also my first poll, so hopefully I'm doing this correctly)

(4/18/2025: Fixed some writing errors I missed)

I don't know if anyone will even respond to this post, but I figured I'd give it a shot.

Thank you!

(BTW: If you have personal suggestions that's not one of the other options, feel free to add it in the comments below)

[eganmont]

Merry Christmas and a Happy New Years to my giftee, Mac! (aka @gemapples )!

If you see this again, you're one of my favorite Magolor artists, so I was really excited to make something for ya! (And for any reason to draw my favorite kirby character :) ) Hopefully I did everyone justice!

This was a part of the secret santa event by @hoshinokaabi-secretsanta, be sure to go and check everyone else out!

Anyways, as a bonus, here's a couple prog pics from my backup saves:

It's truly a miracle how my scribbles turn out sometimes lol

I love this event so so much, everyone did such a great job too! 'Til next time!

[starflungwaddledee]

from: @starflungwaddledee to: @post-it-notes7

message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "

[hard-times-paramore]

Those who walk away from Omelas.

Man, it's been a while since my Houseki no Kuni oc Iolite has seen the light of the day! I never gave much thought to what happened to them after they were kidnapped by the Lunarians and ground into dust, long before Phos's time. But now that the manga finally ended, I have ideas on how I'd continue their story!

You can see the tidbits of lore I made for them in here and here. Under the cut, I will go on a ramble as to what is next for them.

Those Who Walk Away From Omelas is a short story about the most wonderful, joyous and perfect city to ever exist, but it only remained that perfect thanks to the inhabitants forever torturing a small child. Sounds familiar?

Well, the thing is, even in that story, not everyone in the city of Omelas accepted that. The story has this title because some people refuse to have their happiness and good life sustained by a tortured child, and leave the city.

And that's what I think Houseki no Kuni is missing. Though, let's be honest, I've noticed most people agree the manga became a dumpster fire towards the end, where none of the characters you came to care about had satisfying conclusions or stayed in-character. Would Padparadscha, for exemple, one of the most mature gems who genuinely saw Phos suffering, allow them to be the tortured child? Hello, Ghost Quartz?? Whose main goal was to protect Phos??

Iolite is a Gem with a history of uncovering secrets. If they found out that their happiness on the Moon was being fueled by a tyrant who tortured one of their own into a wreck of themselves, they'd leave that place to go help Phos. And I know they wouldn't be the only one. There were so many revived gems, surely not all of them, even among the characters we do know, would be okay with their metaphorical Omelas. Hell, I even chose Barbata to help Iolite escape to Earth because he was one of the nicest people to Phos during their time on the moon. Even if, by being a Lunarian, he's the part of the worst remnants of humanity, he might still earn his redemption and subsequent ascencion.

Another thing Iolite wouldn't stand for is being stripped of their personhood and turned into a Lunarian. I didn't add any details in their hair in this comic for this reason. I don't know if, in this Fix-it AU I'm making, I'll even keep the gem-lunarian convertion machine. Cause first of all it came super outta left field. Second of all, they wouldn't choose to be assimilated by their enemy after all they knew in their lifetime was war. If I do keep it, and someone else made this decision to convert them, Iolite would never forgive them, and would grieve their old self - further sympathizing with Phos.

What would result, I think, would be the gems who refused the moon probably having to battle the Lunarians once again, as they want to isolate Phos and make them a good praying machine. The cycle would repeat, for now, with Phos taking in Sensei's role and refusing to pray, and taking care of the new gems, like the fandom theorized would happen.

But one day, the cycle would end. I might write a fanfic on how, I might draw it instead, but one day, the Lunarians, specifically Aechmea, the one set up as the villain, would finally get a proper end fitting to their characters.

There's a lot more I'd like to address in this AU. Such as all the gems having a reconciliation with Phos, resolving their interpersonal conflicts, Cairngorm and Ghost Quartz talking out their differences and Cairngorm becoming free from Aechmea's grooming. I'll work on it and write it someday.

For now, thank you for reading what I wrote. If you got this far down my rambles, your epic.

[falce-knight]

Happy Falce Friday No. 25!

"Keep going."