#good community building

[solarpunkpolliwog]

I know things don't feel good right now, but you're here; we're all here, and need to do our best to survive and empower each other as we can. It's a scary world, but we have small pieces of power we can join together.

Regardless of how this election goes, I really encourage y'all to either start or continue investing in your local communities. I'd recommend finding some non-profit communities that work to protect something that you want to invest time in. Follow them on Instagram, and follow other groups that they follow on Instagram to build up a community network.

As someone who has been getting involved in local politics and the arts & culture scene, it is still hard, but much more empowering being invested in improving something you can get directly involved in. Build up relationships with conservative people in public who seem like they could be talked to, cus they do exist. It might take a lot of time to talk through issues, and to gently challenge, but it's possible.

That being said, if you're BIPOC or otherwise vulnerable in a way that doesn't allow for as much work, take time to heal and restore yourselves, rely on community support, call on your community to help you.

Good luck tonight everyone, I'm going to try to get settled in for sleep, take care of yourselves! 💪🏼

[solarpunkpolliwog]

Kind of adding to this, if you are regularly involved with a group in the vein of a Food Not Bombs, you can also gain the skillset of building up networks of the other orgs in your area! My primary volunteer work is done through my local makerspace and a queer hispanic social group. Often, my orgs will either run a collaboration with another group directly, or simply table at local events. Even the tabling provides an opportunity for me to build up community network and learn about other orgs I can support either by engaging with them on social media, or helping out myself depending on my availability.

I mean, even the group I mentioned above, the queer hispanic group, is a group I found while tabling for my makerspace. Afterwards I emailed them and let them know I wanted to help them market themselves and that was how I built up a relationship to them.

My partner and I also built up a relationship with a mutual aid community fridge project- one of their fridges is one of our frequent walking paths, so we ended up joining the fridge's discord server so we can let them know when something's broken! When you start engaging your community, you might find that you're all very closely connected and find ways to help each other out!

volunteering with Food Not Bombs is really good training wheels for getting into more explicitly political leftist organizations for three main reasons:

it (or at least my local chapter) is mostly anarchist, which gives you firsthand experience with how ineffective "community organization" is at doing any kind of management more complex than "show up at this location at this recurring time"

preps you for handling leftist infighting in-person, which is not really a skillset you develop on tumblr - when someone you cook with every week starts talking about how US military interventionism is sometimes a good thing when the country in question is run by "a dictator", you unfortunately can't just tell them to kill themselves and then block them

gives you plenty of opportunities to learn to be wary of random people showing up and asking if you'd be interested in doing black bloc or direct action and giving you a protonmail address written on an index card

[moonwoodhollow]

day vs. night in Del Sol Valley

[shouyuus]

was thinking about it this morning as i was making tea and i think there's a fundamental gap in the advice we give to writers/creators to "first and foremost create for ourselves", bc yes. in the beginning, i am almost always writing for myself. i write all the time, and im sure that artists doodle and paint all the time too. there are things i've written that will never see the light of day and are truly just for me.

and then there are things that i choose to share, because i want to share them. because i'm proud of a story, and want to put it into the world. the act of sharing it is, above all, an invitation.

its me inviting you into a corner of my mind/heart/soul, opening the window and throwing open the curtains and waving, holding up a sign that says "hi! do you like this too? let's talk about it!"

what im asking for is a connection, a conversation. a shared space. digital or otherwise. and the so-called "harm" of "ghost consumption" is not that artists will stop creating art or that writers will stop writing -- no, that's not quite how creativity works (thankfully, and sometimes unfortunately). we will always create.

we just might not be inspired to share it anymore.

[softle0]

I forgot how beautiful this neighborhood was looking

[solarpunkpolliwog]

My hispanic community members are already being harassed IN PUBLIC just by your average Joe, and that's before policies kick in. The Dominican women I live next to are getting verbally assaulted, made fun of that Trump won, called heinous slurs, told them to "go back where they came from" in the middle of living their lives with no changes to the policies that protect us and in a blue state. It's super important and serious to ensure that we are doing what we can to protect more vulnerable populations in the face of massive suffering that will occur.

I think it's important for everyone, but especially for white people to force yourself outside of your baked-in community. Segregation still exists in our country, and very real policies and government actions made it possible for a lot of white people to live in almost literal bubbles away from bipoc people.

Find a nonprofit like a makerspace or a community that services the unhoused. Meet regularly with them (At least once a month, preferably more) for volunteer work or community meetings. Make sure you find a group that has more varieties of people in it. Are there less than 20% people that are bipoc? You need to find another group that represents more than white people.

Go to every regular meeting that they have. Ask questions about people's lives, overhear that someone needs something you have and offer it to them- build relationships with folks! It makes it possible for you to learn more about your community, how they are impacted differently than you, and make moves to protect them. It's also possible to have multiple intersected communities!

(I THINK that this is already well known, but just in case, I would also highly recommend combining that with only asking hard questions on the internet unless you do a check-in with someone very close about if those types of conversations are okay. If there are questions digging into bipoc people's experience that are potentially an invasion of their bodies, mind, or culture, ask the internet instead of them. Bipoc folks who are willing to examine those questions have already done the emotional labor to share their thoughts and you won't be forcing them to experience pain for your education without their consent.)

Intentional community building is not something we're trained to do. We're primarily trained to have neighbors, academic peers, and co-workers for friends. For me at least, it has sometimes been uncomfortable and terrifying, and I wanted to quit a couple of times, but it has made such a difference in how fulfilled I am by the connections I have. I get to ask myself questions about who I let into the varied spheres of my life, and I get to feel so much richer in how many people I get to interact and love in different ways.

All this to say, bipoc people and other vulnerable populations are in danger, and yes... Us lighter skinned queer folk who aren't in immediate hostile danger have a higher chance of being okay. I honestly am still grappling with not knowing exactly how bad the path our country is on, and not knowing if it could veer extremely badly or if we can band together enough to protect each other and make positive change. But for now, if we already have privileges, we need to unlearn how we've been trained to socialize, and be there for the people who need it most. I want to go beyond this, but if the only thing I do is hug my friend as she cries in my arms about how scared she is to survive even greater abuses from the world around her as an older Dominican immigrant, it will be worth it.

still a lot of "we'll survive, we did before" and not enough "here's how to prepare for the promised mass deportations and fight for people who may be facing racist policies come the new year" and "here is what we can do about how the climate may get worse in the coming years"

Like. Cool that you have confirmed that you as a white queer will probably be kind of okay. I need to see more about what we're going to be doing for people of color both in this country and outside of this country that are at risk of state brutalization, increasingly dangerous natural disasters, wars......

Too much placating. Not enough discussing plans of action.

Idk about y'all but I AM really afraid of the deportations that have been threatened, especially when the racism that pairs with it goes even beyond targeting illegal immigrants (which to be clear is still awful) but legal immigrants as well, and even people that white Americans think LOOK like they might be immigrants.

Get your shit together and start talking about what people of color need because right now we DESPERATELY need the help of white people, you are the ones who are safer in the face of the cops and ICE, you are the ones that the other racist white people will actually listen to when you cover for us. Please. If you've genuinely decided that you will be okay, then start getting out there for the people that definitely won't be.

[folkbreeze]

📌The Fin's - pictured: bathroom, kitchen, dining room & reading corner

wasted almost all their money just for these rooms, hope Ashe doesn't get mad at me

[iirulancorrino]

The Green brothers are doing effective altruism better than maybe 95% of people who identify online as effective altruists.

[quenepacrossing]

🌥️ dreaming of honeyshire by @animalcrossing-skye

[powersandplanetaries]

I know that news stories about Indigenous people leading ecological stewardship movements are very charismatic and heartwarming, and if your heritage or culture inspires you to work towards better care for the environment that is incredible and extremely admirable, but we're clear on the fact that Indigenous rights and Land Back movements shouldn't depend on First Nations people being mystical Noble Savage, Closer To Nature poster children, yes?

Indigenous self-determination applies to the person who becomes a teacher because she wants to help fill a need in underserved northern reservations. It applies to the person who studies engineering because the job market is good and he likes cool cars. It applies to the woman who works a government job because it's a stable job with a decent salary on which to raise her kids, and the woman who works a government job because she wants to represent and be a voice for her people. It applies to the person who is a lawyer trying to correct the over-incarceration of First Nations people, and her son who wants to be a professional baseball player because he loves sports. It applies to the grad student who wants to bring traditional knowledge into field work, and the goth hairdresser who spends every weekend going to punk shows and anime conventions in the city. It applies to the person who considers themself Two Spirit, and the person who uses non-binary instead because they dont feel that umbrella term fits them. None of these examples are hypotheticals- these are all people I personally know, either friends or family friends or even members of my family. All of these people are equally Indigenous, whether or not they fit your image of what a marginalized people's priorities "should" be. They are not gone, and they are not "stuck in the past". Happy National Indigenous People Day. Do better.

[genericpuff]

hate to be cynical on main but it really do be like this every single time a new "not like social media" art platform comes out of the woodwork and then people migrate to it in droves just to find out the only other people using it are other artists that they're competing with for any scrape of viewership from an increasingly oversaturated internet that didn't exist when we were teenagers in 2009

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[inspiredsimmerx]

this set is absolute perfection and idk how i’m going to restrain myself from using it everywhere

@awingedllama - nostalgia living

[moonwoodhollow]

Eternithaus - a cc-free lot for Oasis Springs

When I was working on Baumgarten Estates I looked into other buildings the architect Paul Baumgarten did and found this gem (2), which I accidentally stumbled across during my visit to Berlin last October. Of course, I had to recreate it in the Sims and I am so happy with the result. It certainly looks different from the original, but it's a gorgeous mid-century house that fits quite perfectly into Oasis Springs.

More info + download link under the cut!

Eternithaus is a 30x20 unfurnished lot placed in the Mirage Canyon neighbourhood of Oasis Springs, specifically on the Futures Past museum lot. It is designed as a residential rental lot, but I've uploaded it as a normal residential building to the gallery, in case you're not actively playing with the For Rent pack/gameplay yet.

It has a total of 4 rental units, which are all on the smaller side, perfect for a couple without children or a single sim.

Uses items from the following packs: For Rent, High School Years, Snowy Escape, Eco Lifestyle, Discover University, Island Living, Get Famous, Cats and Dogs, City Living, Get To Work, Werewolves, Strangerville, Jungle Adventure, Dine Out, Spa Day, Tiny Living & Desert Luxe.

Download: simfileshare | or up on the gallery: aeromantica

TOU: please don’t claim as your own or put behind paywalls etc. If you find any issues (wrong files, etc.) please let me know + tag me if you���ll use the house, I’d love to see it in your games.

[nyanbinary-87]

hey wandersong fans. do you ever think about the baron. how, in so little time, wandersong clearly establishes four things: one, the baron fucked up an Entire Town. two, he did it trying to bring that town happiness, because it was once His community. three, hes kiwis father. four, they do not recognize each other.

do you ever think about how profoundly sad that is? the baron, presumably already estranged from his community, decided to try and bring it joy. he abandoned his wife and child to do so. he spent years, decades, even, working on his factory, his toys. but the factory fails. the community comes together, rallied by a bard he does not know, to tell him that hes done them wrong. that hes done something downright evil, even. he looks at a determined community he does not recognize, and backs down. he goes home to his wife, their child nowhere to be seen. thats to be expected, after decades. they must be an adult now.

and kiwi...ohhh the ways the baron parallels kiwi...the both of them, estranged from the communities they live in, doing whatever they can to bring the people around them joy, but its never enough. theyre never Part of the community. so they leave, on their own journey. one to save the world, one to save the town. and they fail! theyre not the heroes of their stories, no matter how hard they try. but kiwi went out making friends on their journey. kiwi has miriam to lift them up and help them out. the baron has no one, not anymore.

[softle0]

Claire's bedroom