#good and proper in the grand scheme of things of course
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Suo Hayato (èæéŒéŁ) Character Profile
Bofurin | Tamon Unit | 1st Year Vice-Captain
School: Furin High 1-1
Height: 174cm | Weight: 66kg | Birthday: 28 March | Constellation: Aries | Blood type: AB
Image colour: Sappanwood [#973C3F - see below]
Likes: Animals (fictional/imaginary creatures OK) | Dislikes: Childish adults
Favourite food: Teacakes from all over the world [small cakes or cookies often served with tea] | Disliked food: Natto
Fashion style: Has a lot of Chinese-styled clothing. Made out of linen and silk; he likes how smooth it feels against his skin. Loose-fitting pants, likes kung-fu shoes
Hobby: Human observation
Favourite season: Winter | Favourite music genre: Folk music
Best subject: Chemistry | Worst subject: Art
Special skill: Being able to make others accept his conditions?
Person they respect, senpai they look up to: Master and brother [the words used here are ăćž«ć ă and ăć
ćŒă respectively - might refer to blood relatives or fellow student(s) under the same master?]
Dream: Emancipation of slaves
Recent W (or L): Seal on his right eye was about to break
Favourite place in Makochi: School
What they always do in the morning: Seems to wake up at the same time in the morning to meditate
[masterlist]
#wind breaker (satoru nii)#wind breaker character book#suo hayato#wei translates#from the alleywei#him being bad at art is kinda cute www#his dream is... Something#good and proper in the grand scheme of things of course#but the rest of them are like 'become the top' 'get a girlfriend' 'open a bike store'#the tone is wildly different from everyone else#is what im trying to say#we dont get to see his room either...#they were right this character book just made him even more mysterious
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from the loversâ grave â h. ran
content. fem!reader, one (1) suggestive scene near the end, something about grief, mourning, and love
word count. 10.7k
note. this was not meant to be long. originally, all i had planned was the scene with ran and rindĆ at the end talking and the confession scene for practice (i hate confessions) i am not sure what happened . . . also, this is unedited.
In the grand scheme of things, there were more good times than bad.
Of course, thereâs no denying that during their teenage years of growing up, at some point, things have been deteriorating. Spiraling and spiraling and sprialing. They were just boys being boys, doing the only things they knew how to do, fighting and surviving; those moments were full of fun, exhilarating, a temporary bliss in this little corner of the world of theirs.
However, boys like them donât live for long. They arenât meant to. Just like how the saying goes: live fast, die young. Ran supposes the saying is true. Many of the people heâd known died before reaching adulthood, just like him â Kurokawa Izana. Thatâs just life, after all.
His funeral is a simple one. Nothing grand, and rather than how plain it is, it is more surprising how someone without a family â an orphan â is able to have a proper funeral. People like them never have one, forgotten by everyone and everything. And the one who stays forgotten by the world is Izana [to no oneâs surprise], except for the few remaining members of the S-62 generation. Multiple police officers that keep a keen eye on all of them, and none of them are stupid enough to try and escape on a day like this â their bond with Izana is worth much more than that. It wasnât something so shallow.
There are no decorations besides the white chrysanthemums and white lilies sitting in front of an old picture of him â a picture of when he first was admitted into juvenile detention all those years ago, he looked so young, his eyes were the same then as they are now. Dead. No sign of light. His cold body lies in a plain wooden casket. Itâs an empty, stifling ceremony.
Shion is uncharacteristically quiet, and that alone wouldâve been an insane sight if it were another day, but everyone understands his silence today. Nobody mentions it. Nobody says anything at all. Itâs so silent, each breath drawn echoes, and something feels extremely off about the ceremony â something that has Ran glancing around the room every couple of minutes.
An obvious reason for this is how KakuchĆ is not here; that kid would never miss this for anything, everyone knows this, and Ran can assume what happened. His injuries must be quite severe, and itâs rather a miracle that he had woken up, heck, even much earlier than the doctorâs expected. A sign of Godâs mercy (and for a moment, in that cramped cell, Ran is a believer of faith). If KakuchĆ is still awake, thereâs no doubt he would be longfully staring out that white hospital room. Those cold, sad eyes of his watching the way the snow falls, burying the world.
And the other reason is how at the front of this cramped room, right next to the casket, sits a girl Ran has never seen before. It's alarming. Your head stays down as you only look at Izana, you havenât bothered to look up since they have entered the room earlier. Ran canât help, but wonder who you are. Who you are to Izana. An outsider to the S-62 generation that Izana had built from cold, scarred hands for delinquents like him. Ran wants to know so badly, but he is too tired, and now isnât the time to focus on people he doesnât know nor cares about.
Ran slips the singular white flower into Izanaâs folded hands, all stiff, scarred, and freezing cold. A body of a dead man. He decides to place another: KakuchĆâs offering. Perhaps, that kidâs prayers would reach him, his heart has always been more pure than all of theirs combined, a softer soul trapped within this cruel world. Ran doesn't know why, but he whispers to Izana that he is sorry (he doesnât know for what â maybe, everything), yet his eyes dwell on you.
When you turn and catch his curious eyes, he doesnât look away; neither do you. Attempting to smile, itâs almost as if heâs looking straight into a mirror; a shiver runs down his spine.
He smiles back.
â
August tastes like cigarettes and bitter cherries. Just like it had last year in February, when blood, bones and ash had fallen and scattered around Yokohama that cold night, moments before the snow began to fall down. Gradients of whites and reds painting the town.
Itâs a rather cool evening for a summer day when Ran finds himself visiting Yokohama after so long (even after his release, which had been quite some time ago, he hasnât stepped foot here). Thereâs melancholy lingering in the air, much like how it always clings onto to long summer nights. Ran welcomes this, allowing his feet to lead him. Anywhere, everywhere, or nowhere at all. He just walks down the bustling streets, endlessly.
Something feels strange. . . Something is going to change this summer, something big; the unexpected always comes to people like him.
Downtown, there's a small bar that catches his eye. There's nothing too special about the shop â decorated with tacky neon flickering signs. Open, reflecting within his eyes. There's something inside of him that tells him he needs to enter, and so, he does just that.
And that feeling of his comes true within minutes. Ran sees you again. Coincidentally [or perhaps, fate, or by total chance].
The Izakaya isnât really filled with people; either due to it still being early, since work hours are still going on or it just isnât popular among the many identical shops along this street. And he shouldâve invited RindĆ to come with him; who enters and eats at an Izakaya alone? Ran has never gone out to eat or drink alone before, either way, itâs not like heâs a kid, so it doesnât really matter that much, but he knows RindĆ will be bitching to him about going out to eat alone. Well, thatâs something heâll have to deal with later.
Ran sits down at a table for two; ordering a small plate of yakitori and umeshu, something sweet and cold to drink. A waitress comes over and places his food down, his eyes widening at a familiar face, he speaks before he thinks, âDo you remember me?â
Your brows draw together, you look him up and down, then shake your head. âI. . . I am not too sure. I donât believe so. Have we met before?â
He pauses. Disappointment swirls in his stomach, sinking. He tries not to think about why it makes him feel that way â like, disappointment is normal, but he knows heâs not someone unforgettable. âNo. I mustâve been mistaken. Sorry âbout that.â He offers you a polite smile and thatâs when he sees your eyes widen in recognition, the barâs yellow lights flickering in yours; shining, shining, shining.
His finger glides against the rim of the glass cup, as he waits for you to speak â he knows you will say something. The ice cube clinks against the glass.
Clink. . . clink. . . clink.
âOhâ! Wait, um, youâre from the funeral. . .?â Uncertain as you carefully utter those words, he confirms this, and your eyes brighten. âOh, hold on. Sorry, I canât really talk right now, but my shift ends in twenty minutes,â you drift off, eyes darting toward the old big clock that hangs on the wall. You hopefully ask, âWait for me?â
He nods. âYeah, sure,â Ran casually says, âtake your time.â You thank him with a smile.
[Twenty minutes turn into fourty, and for some reason, he stays and waits for you. The yakitori was worth it, anyway. Heâs grown to appreciate the taste of plums a little more today, too. Itâs sweet.]
The both of you donât say much tonight. Only indulging in introductions and small talk. The pier isnât so far from the Izakaya, barely a ten minute walk away. When the two of you sit on the ledge, close yet not close enough to be touching, itâs all silent. Not a comforting one â one where the air feels thicker and thereâs this itch where he feels as if he needs to say something to break this awkward tension. Curiously silent, because Ran has a lot of things to say â things he needs to know, but that can wait for another day.
âItâs a little breezy tonight,â you attempt to break the silence. He can tell thereâs a lot on your mind, too, but you probably wonât say anything either. Not tonight, at least.
He offers, âWould you like my cardigan?â
You shake your head, declining. âNo, but thank you. You might get cold without it.â
Relief runs over him when you decline because he is cold, he tends to get cold easily (which is something he and RindĆ argue about because RindĆ always, always, always turns the heat down in their apartment because he gets hot easily, even though Ran tells him not to touch it), and doesnât like sharing his clothes or anything he owns with anyone. But Ran is a gentleman, or so he tries to be, girls feel special when he acts like this, and he likes making them think that. Well, sometimes he does. Sometimes, he doesnât know.
âIf you say so. That was my one and only offer so donât complain after,â he halfheartedly teases (he still thinks you shouldâve accepted it, because anyone wouldâve if he was the one offering, but thatâs your loss, really).
Maybe the way he was joking misses, because you simply reply, âI wonât.â And he hums. Silence falls over again.
âHe was such an idiot,â your voice is anything but harsh when you say this. So soft, fond, a whisper of love. Too angelic, Ran is sure it will never reach him. He almost misses your words under the waves, too.
He doesnât know who you are to Izana. A part of him understands, though. No matter what you two were or who you are, he knows you have loved Izana so dearly, you probably have for a long time. Itâs quite obvious, the feeling of him that lingers onto you â he can feel it all.
His fists tightens around nothing, nail digging into his palm. How come he has never seen or heard of you before? Ran knows for a fact that KakuchĆ knows you. Does Shion as well? Heâs obsessed with Izana, obsessed to an unhealthy degree, so surely he knows or at least has caught a glimpse of you before. Maybe he really didnât know Izana at all.
Itâs kind of frustrating, he thinks.
Ran agrees with you. Though, he doesnât verbally express it. Izana really was an idiot, a selfish one who was always stuck in his own head, and Ran would never get to tell him that. Heâll never get to tell him anything again. Bitterness, regret, and anger fill him for a split second, only a second, not a millisecond longer, because these emotions quickly fade back into nothing. Nothing because Ran can do nothing, but feel nothing.
âDoâDo you usually sit out here, doing nothing? Watching the world?â he sniffles. Itâs summer, midsummer, heat is supposed to consume them, especially during these short nights, but the weather has been strange lately. Heâs not even cold, itâs just when the breeze passes by, he gets bad shivers.
The flame of the lighter flickers, youâre lighting a cigarette â he didnât peg you as a smoker (despite only knowing you for less than an hour at maximum), and he grimaces once he catches sight of a little pink box sliding back into your pocket. Pianissimo. Peach flavoured, of course, he almost snorts.
âSometimes,â you reply as you breathe out the smoke. âWe can go somewhere else if you want.â
You pass the cigarette to him, he accepts, saying, âNah, itâs fine.â Your smeared lip gloss stains the tip of the cigarette, his lips overlap with the marking, inhaling the bitter smoke to feel that familiar burn, itâs quite mild compared to what he prefers, something sweet lingers within, too.
âOkay, but that was my one and only offer.â
Ran chuckles at the familiar remark, and you let one out, too. âOkay. I get it.â He passes back the cigarette. âA cheeky one, arenât you?â It comes off more flirtatious than intended, but it makes you smile at him, cheekily.
Youâre captured by the moonlit water, cigarette ashes drifting down, down, down, eyes taken by the ashes, his eyes drift back to you, and that sentimental expression you wear.
(Losing someone isnât anything new. Itâs normal in a world like this. He wonders if you know this; you definitely do.)
â
âYou sure you donât want to come?â
âI am sure,â you tell him, âitâs not even a party, itâs just a get together. Go have fun with your boys. Hasnât it been a while since youâve hung out like that?â
âKnowing them it will be a party instead,â KakuchĆ replies with a short sigh. He has never been too fond of crowds and strangers. You wonder why he is so insistent on you joining, however you donât ask. You tell him you are sure and want to stay home, before shoo-ing him out the door.
And despite your warnings [nagging, as KakuchĆ likes to call it], when you go to see him the next day, youâre met with a hungover KakuchĆ and two boys knocked out on his old, leather couch. One of them is barely hanging on, half of his body is dangling off, and you arenât sure how he didnât wake up from being uncomfortable. And the other, you are quick to recognise as Haitani Ran.
KakuchĆ was indeed right. Itâs always a party with the Haitani brothers, youâve heard this from others before, too. You take a second glance at KakuchĆ. Poor, poor, poor KakuchĆ, who can barely open his eyes and stumbles his way towards you, more so to what you have in your hand, that glutton, you almost burst into giggles.
You greet him, asking him simple questions like: did you have fun last night? Too much fun, you guess. Are you hungry? And heâs replying to each one with nods and grunts and incoherent strings of âyeahâ, âuh-huhâ, and the most annoying one of all, âwhatâ. Maybe, you both were too loud because the sound of shuffling behind catches yours and KakuchĆ's attention. Both boys are awake â stuck in a similar state as KakuchĆ â sets of tired purple eyes peering around the room as if they didnât even realise they crashed at their younger friendâs place.
After a few seconds, Ran speaks up. âOh. Good morning.â He doesnât look too surprised seeing you. His hand ruffles through his wavy hair, smoothing out his bed head as he flashes you a grin. Ran has a pretty smile. Heâs pretty first thing when he wakes up, and that alone makes you envious. Itâs unfair.
âHi, good morning,â your voice comes out a little quieter than you wish it had.
Ran is still smiling, as he repeats, âGood morning.â A slight pause as you smile, too. He cocks his head to the side, introducing the boy beside him. âMy baby brother, Rinrin,â he lazily introduces.
âDonât call me that,â the boy [Rinrin] grumbles as he turns to you and gives a slight nod, âRindĆ.â RindĆ, not Rinrin, bends down to sweep up a shirt from the floor, slipping it back on, covering his tattoo, long black ink that paints half his chest. Your eyes linger for a moment too long, before moving onto Ran, whom for some strange reason, you know to have the other half of that tattoo on his body. They look so different yet alike.
Ran raises an eyebrow, a grin tugging on his corner of his lip once he catches your lingering gaze. Like he knows exactly what youâre thinking. He mouths, âWhat?â, you turn your head away, feeling embarrassed. Your body heat rises to your neck, cheeks, and ears.
You can feel another set of eyes on you, not belonging to Ran, however you donât look back up. You place the homemade bento on the counter, KakuchĆ lets out a sigh, âFinally.â You roll your eyes at the boy.
âSorry, I didnât know KakuchĆ would be having guests, so I only made enough for one person. . .â
You arenât actually sorry. Itâs just a little awkward. KakuchĆ couldâve given you a heads up. It feels rude only bringing a meal enough for one when thereâs a party of four (though, you didnât plan on staying over after dropping off his food).
âNah, itâs cool. We can share,â Ran says.
âNo. Letâs order something else, too. Iâm starving.â RindĆ brings up. You all collectively agree with him because thereâs no way the food you had brought is enough for the four of you.
Ran orders yakisoba and soda for all of you. KakuchĆ loudly complains when he notices the two of them picking at the food you made for him, even with the yakisoba right there.
â
âSo,â Ran begins.
You look up at him. âSo?â
âCan I call you later?â
âFor what?â
âTo see you again,â he replies, âI have a feeling weâre going to keep running into each other.â
âThat may be so.â
â
Haitani Ran was right. You do meet again and again and again. Sometimes he will get a call, lips pressing into a thin line, threatening to fall into a frown as he slips into another room for a few minutes before coming out to tell you that he has to go. He doesnât say what, you donât ask, but you know. Itâs the same thing that has KakuchĆ leaving his apartment in the middle of the night, too. You try not to think about it â acknowledge it â it has nothing to do with you.
He stops by from time to time, dropping by whenever he is in the neighbourhood, much like today. Youâre no longer surprised when you open the door to be met with that charming smile of his, rather once you hear the familiar sound of knocking or ringing of the doorbell, you sort of expect it to be Ran.
âYou play the guitar?â His line of gaze falls onto the acoustic guitar sitting in the corner of the living room.
âHm? Oh no, that belongs to Izana.â Used to. A pause, before you add, âThere was a time when I used to beg him to teach me and he gave up after an hour.â
Ran snorts as his lips curl up. âThatâs a good job for you then. He wouldâve given up on the guys in less than five minutes so you probably did okay, right?â
You laugh at his words. Itâs the truth, because Izana has always been an impatient (impulsive) guy. âMaybe. KakuchĆ was able to learn how to play it, and I remember being a little jealous of him because Izana seemed happy to have someone to talk about music with.â
You were jealous, upset, embarrassed at your lack of ability â you thought, maybe you just arenât talented? You eventually came to terms with it. But there were moments when you would watch Izana and KakuchĆ play their guitars (âIzana set money aside and bought a used guitar just for KakuchĆ, you assume KakuchĆ leaves it hidden away, far away from everyone and everything), the room fills with music and you would be sitting on the couch listening, listening, and listening until youâre slowly drifting asleep to their melodies.
You take a hollow breath.
âThose two have known each other since they were kids. . . Ah, you, as well, right?â he asks and you nod your head in confirmation.
âYes, thatâs right.â
Ran lifts his eyes to meet yours. Ever so purple, beautifully vibrant, like a gem, youâre afraid it could shatter. He smiles, softer, sadder. âI see. The three of you have a special bond then. Something others cannot replicate.â
Your heart races, then pangs at his words. Something special.
Yeah, it is special, you could never forget it. Even if you wanted to.
âJust like you and your brother. The charismatic brothers of Roppongi: the Haitani brothers,â you say, voice light with a small smirk on your lips. âI have heard some stories about you two.â
âMhm, I bet you have. All good things, I assume?â
You tease, âMaybe, maybe not.â
He chuckles to himself. âSo, good rumours,â he concludes with a satisfied look, âI am Haitani Ran, after all.â Definitely nothing good, you both know, or so, you assume Ran knows.
You agree, âThatâs right, Mr. Haitani.â
He smirks at the name.
Ran doesnât ask if itâs okay to touch the guitar, he just takes it, yet you canât find yourself getting upset or complaining about it. You watch as he plops down onto the couch, patting the spot next to him, indicating you to come over, in which you do. âRan, do you know how to play?â
He looks over at you and winks, âOh, honey, thatâs what you are about to find out. Keep your eyes on me.â
You roll your eyes.
Itâs not even two minutes later, when you do find out, just like Ran had said. You learn he doesnât know how to play at all. Ran plays the same tune over and over again, or he attempts to, it sounds nothing like the pretty way Izana plays. Itâs clunky, off-tune, yet something about it feels tender. So, so gentle; your heart trembles along with the tune. Ran doesnât seem to care about his lack of skills; lavender eyes softly gazed on the way his slender fingers move against the strings â a faint smile to his lips, rosy and glossy from your cherry lip balm you saw him put on earlier, as he plays Izanaâs beloved acoustic guitar.
You remember Izana at this moment. The way he played all his favourite songs â how Bohemian Rhapsody and Under Pressure was played on repeat in his little apartment. How, on this very couch that you and Ran are sitting on, he used to get frustrated at how you couldnât memorise or understand what he was teaching you (and in your defense, he sucks at teaching, definitely one of the only things he has ever sucked at), and you would cry at his frustration. Izana eventually gave up and instead learned to play your favourite song for you.
You wanted to learn it yourself, but you were so happy at the same time. It felt special. You felt special.
You remember, you remember, you close your eyes, and you remember it all. It dances to the memories every day, a little record stuck on repeat. Itâs all you have left of him. What if one day your heart suddenly doesnât remember?
âFalling asleep to my playing?â His voice breaks you out of your thoughts.
Opening your eyes, all you see is Ran in front of you.
You shake your head and smile at the sight, Ran catches it and flashes a pretty smile back, laughing beneath his breath as he attempts to show off by playing a series of random chords quickly. Giggling at his antics, you attempt to sing along; humming a random tune as the two of you try to match each other, clearly missing the beat. Soft laughter, light teasing, Ran playing the guitar and you singing along fills the room in your apartment. Your hearts dance along, ever so intimately. You feel light, so light, and you havenât felt this way in a long time.
Maybe you could get used to this (perhaps, you already are).
âI donât know anything about guitars or any instrument,â he admits, âmaybe besides the recorder.â He looks disheartened at the fact as he stops playing and his fingernail taps against the wood, it echoes back.
âItâs okay, I am no good at it either. I also only know how to play the recorder,â only because it is mandatory to learn in primary school. âI am probably better than you at it, though.â
âOh? Is that a challenge, young miss?â
âMaybe.â
âI guess weâll have to find out,â he says. âSomeday, of course.â
You nod. âSomeday.â
â
Ran sleeps with you for the first time tonight. After dinner, he was too lazy, and your couch was too comfortable, so he didnât want to leave, and you didnât really seem to think of anything when you offered for him to stay the night. He didnât think much of it when he agreed. Itâs so innocent, yet more intimate than everything he has ever known. He feels. . . strange.
Your mattress is quite small, however Ran prefers it this way for obvious reasons. The dip in the mattress that allows you to get closer, he can feel your body heat so vividly, if he closed his eyes he could probably imagine it, except he doesnât. He just stares at your bare face, who stares back at him.
âYour hair looks so pretty like this, Ran. I like it.â Your compliment makes him smile, itâs not often when someone witnesses his hair down, wavy and what he considers to be a mess. Your finger runs over the loose waves, twirling the end with your fingertip. He thinks you look pretty, too, in your pajamas, and bare faced.
You ask, âCan I braid your hair when we wake up tomorrow?â
âI like my hair a certain way.â He replied without much thought. He almost doesnât notice that he didnât necessarily reject the request.
You pout your lips, and give Ran your best puppy eyes â little gems are shooting out of your eyes towards him, but he is not one to fall for that. Do you think heâd be the type to fall for a cheap trick? If he were, he wouldâve been screwed ages ago. You picked the wrong person for that. âIs that a no?â
He softly hums, debating to himself. âI am justââ he tries to think of the right word. He just hates when others touch his hair, his clothes, his jewelry, he spends so much time perfecting his appearance â he hates when others ruin it. âI rarely let RindĆ touch my hair.â He decides to say this, because itâs something people can come to understand.
âI learn quickly. . .â
He sighs. Not one out of annoyance, more so at how he is so quick to give into your wishes. âAlright, fine. I will teach you how I like it done tomorrow.â Youâre lucky that youâre cute, he almost adds.
He bites his tongue.
But he doesnât know why. He says those types of things all the time. Itâs a strange night. Heâs been doing things he doesnât do or say.
You lift your hand to his face, your pinky sticks out, âPromise?â
A pinky promise. Ran almost snorts â he wouldâve if he werenât so tired, if you didnât look so cute and serious, and he would have laughed if it were someone else. Ran hasnât pinky promised since he was a kid, barely eleven, promising something mundane to RindĆ (the world, Roppongi, a new house, a new life, he remembers, he always will).
He softly sighs, sending you a sleepy smile as he locks your pinky with his. His thumb presses against yours, sealing the promise with a kiss. His eyes flicker down to your soft lips, you are grinning so happily over a mere pinky promise, what a simple thing bringing you happiness. âI promise.â
For a moment, he thinks he could give you something worth more than this little promise â pretty, shiny things that could make you smile even more. But he knows you arenât someone like that. And thatâs fine to him.
If braiding his hair makes you happy, for some weird reason, then heâs okay with it, too.
â
Ran awakens in the middle of the night, the room is coated in darkness, the moonlight shines through the crack of the curtain and that is how he knows it is still night time. He is not used to not sleeping in his own bed, he immediately notices your lack of presence, fingers tracing the empty surface, the side you had slept on is barely warm; you were still here not too long ago.
He slowly gets up, quietly walking down the hall to find you sitting curled up on the couch, on the side that is closest to the wall where Izanaâs guitar rests. Unaware of him, his presence, and everything else in the world.
He lingers everywhere in your apartment, your home, your mind. It leaves Ran questioning: when you make a person your home, where do you go when theyâre gone? Where do you go? Tell him.
He leans against the wall, asking, âYou canât sleep?â
Your body jolts. Your head snaps up, as you glance in his direction, and you shake your head, beginning to relax. âOh, Ran. . . No, I was just getting some water.â
He hums, going along with your poorly webbed lie, your heart is exposed bare on your sleeve, so cold, lonely, he glances from the empty coffee table to the acoustic guitar to your unshed tears. You are seriously a terrible liar. Thatâs a good thing for him. âDo you mind the company?â He doesnât want to intrude somewhere he doesnât belong.
You shake your head once again, âNo. Not at all.â You pat the spot next to you, and Ran moves from the wall to the spot next to you. Youâre watching him silently, sinking back into the cushions.
âAre you thinking about him?â
You tilt your head towards him, sending a weak smile, unable to find the words for an answer that the both of you already knew.
âItâs okay. Sometimes, I still think about him, too.â He assures.
You ask, âYou do?â You sound rather surprised, and he is also surprised by his own honesty.
âYeah. He was. . .â Words die easily on his tongue as he struggles to find the right words to say. Thereâs not much he can say, despite all of the memories and feelings he once had. What can he even say about Izana? He canât think of anything nice or normal that one would say about an acquaintance (friend, comrade, boss). âHe was an interesting guy. I kinda admired him.â
He was an interesting guy, Ran had thought so their first meeting, years ago back in juvie. He was the only person that left a deep impression on him. Izana was many things. Anything, but a good man. He used to be a good boy (probably), once so long ago. Ran really did admire him, he wouldnât have followed just anyone. He admired him to the point where he spent his entire youth following the boy.
âI did, too.â Barely heard even in this room containing only the two of you, it sounds a little bitter. Just a tad.
âYeah, Iâm sure he knows,â he says, leaning his head down to rest on top of yours. You breathe quietly next to him, all of the little noises can be heard in this silence. Your legs stretch out, dangling beside his.
Itâs a long time before either of you speak. And then, you look up at him. Thereâs something glimmering in your eyes.
You tell him a story and then two more of your childhood. You laugh and tear up through them. He laughs, stays silent, and smiles as he tentatively listens to your every word. Itâs his turn, you donât ask him, but itâs only fair if he shares something personal with you; something he and only RindĆ know. He wants you to know. He wants to tell you sides of him that heâs outgrown and sides that nobody knows. He tells you about the dog RindĆ wants to adopt one day, you say you want to see it, but Ran tells you about how he doesnât really want to have pets in his apartment (though, itâs sometimes hard to say no to RindĆ). You tell him about the stray cat you used to feed a few months ago, and how you havenât seen her in a few weeks. Sheâs probably fine, Ran tries to assure you, thereâs a chance somebody had picked her up and adopted her. You hope so.
The two of you fall asleep on your couch, one far too small for him, curled up, and entangled together. He sleeps so soundly, the cotton of his shirt soaking up your silent tears.
[Ran believes â no, he knows that he visited you in a dream last night. He mustâve. You look so at peace.
The sun hits, orange light shining through the gaps of the curtains, and you look so at peace as you sleep, leg wrapped around his waist as you lay against his chest. His fingers run through your hair, carefully, not wanting to wake you. His index finger ghosts over your cheek and Ran freezes when you shift in your sleep, smiling when he realises you arenât going to wake.
You must be a heavy sleeper. Or maybe, youâre having a sweet dream and arenât ready to wake yet.
He admires you for minutes that seem to last forever. He comes to terms with the fact that heâs doomed, and decides he doesnât want to think about it or you anymore, before drifting back to sleep.]
â
When morning hits (or rather afternoon), Ran stops to look at you before leaving. His hand lingers on the doorknob. âYouâll be okay?â
You nod. â. . . Should be,â you reply, smiling. âSee you later, Ran, and thank you.â
His eyes are gazing down at you, his expression seemingly confused â conflicted, before his eyes soften, turning back into pretty little gems. His smile is so pretty. âIâll call you,â he says.
Itâs a promise.
â
Itâs Wednesday, your afternoon lecture was cancelled due to the professorâs sudden family emergency, so you invited KakuchĆ to hang out around Shibuya. Luckily, he didnât have any of those meetings to attend. âAre you dating Haitani Ran?â
Your heart almost stops at hearing this.
âWhatâno, of course, not,â you reply â one far too quick, your voice raises and you hear KakuchĆ scoff under his breath. You almost stop your tracks, instead you turn your head in his direction, narrowing your eyes, clearing your throat before asking, âWhy are you asking me that?â
He shrugs, opting on not replying to your question, and you frown, pressing your lips into a thin line. When you lightly hit his shoulder, he sighs, giving into you. âYou always hang out these days.â
What a ridiculous reason. âIs that so weird? You and I see each other almost daily,â you reason.
Another scoff escapes his lips as if you had just said the most insane thing in the world. He tells you, âIâve seen him leave your apartment in the morning. More than once.â
âWe didnât sleep together,â you defensively reply. A growing sense of irritation quickly builds inside of you. âItâs nothing like that. I swear.â
âSo, itâs nothing.â
âWell, you know. . .â You trail off, looking at the people fleeing in and out of the cafĂ©s and clothing shops. You donât deny it. You donât know if you should, yet itâs not really anything, maybe something. Heâs your friend. Just like KakuchĆ. Just like Izana.
He sighs before saying, âYou look at him like how you did with Izana.â
You freeze.
KakuchĆ steps stop the moment yours do.
You look at him like how you did with Izana. You grow cold from those words alone, your heart tightens by an old memory of Izana flashing by. Those words play on repeat with the memories.
Just like Izana.
You feel faint.
Thereâs a tap on your shoulder, you notice the guilt on his face. âSorry, didnât mean to make you upset. I wonât ask, you donât gotta say anything. I get it.â
âNo, donât be sorry, I am not upset.â You arenât upset, but you donât know how you are feeling. You know you arenât upset by his words, but your heart stings. You want to cry, but you donât understand why. [You do, and this makes you feel like sobbing.]
âOkay, well, can I ask why Ran? RindĆ is the cooler brother,â he says.
Why Ran. You donât know this yourself. You just know you like being with Ran. His presence is comforting, he makes you feel less alone in moments you feel alone. You just like being with Ran. You just want to be around that person. Itâs as simple as that.
You roll your eyes, jabbing a finger into his forearm, lightly pressing your nail into his muscle. âYou only say that because he works out with you.â
He shrugs. âYeah. Thatâs the manliest thing someone can do. And he drinks more than any guy I know, itâs kind of insane, and he will still show up to the meeting the next day.â
You grimace. You could never pull yourself out of bed if you were that hungover â and, well, youâre sure that RindĆ is dragged and forced to go to these âmeetingsâ. Probably. Thereâs no way it is solely dedication.
âRight. Donât be drinking with him, got it?â You donât need KakuchĆ developing even more bad habits. Sometimes you canât help, but nag, even if it doesn't really reach him (if you were Izana, itâd be a whole different case), always going in and out the other ear. âKaku, are you doing okay these days?â
âIâm fine, but also, a little hungry.â
âKakuchĆ.â You lower your voice in an attempt to sound more serious â threatening, maybe. Obviously, it doesnât work because KakuchĆ doesnât reply or react in any way. âCome on now. Talk to me, I know itâs something.â
He sighs, his eyes donât meet any part of you. He turns away, the long, faded scar running across his face becomes hidden. âItâs always like this. In the end, I am always the only one who ends up surviving.â Youâd prefer bitterness, anger, or sadness â anything â over the empty feeling in his words. Your heart aches, you donât want KakuchĆ to leave you, too.
You donât even want to imagine such a thing.
You want to hold him.
Your hand reaches out to grab him, so firm and all of his little scars and calluses are felt and seen. KakuchĆ looks down at you the moment you touch him. He doesnât pull away. âI am sorry to say this, I know you wonât want to hear it now, but I am grateful for that. Iâd be sad if you werenât here with me. You are my family, Kaku. Donât forget that. So, please donât say something so sad.â
And heâs quick to look away again, too.
He says, â. . . Iâd be lonely without you, too.â
Your hand tightens around his. His hand is warm, like it always is, his body always runs hot, too hot, but he is still alive. Youâre alive. âYou could at least look at me when you say that.â
He grumbles something incomprehensible, you tilt in your head in confusion, âHm? What was that?â
âI said, âwhat do you want to eat?ââ
âArenât you being too shy? I guess youâre at that age now,â you continue to tease him, watching as the tip of his ears turn red. KakuchĆ has never been good at voicing his own feelings, he speaks through his actions alone â through iron fists and undying loyalty â just like most of the men you have ever known. You grin at the reaction. âHmm, well, how about we have okonomiyaki tonight? Itâs been a while, hasnât it?â
The three of you used to eat that quite often back then, KakuchĆ would be the one who would always make it for you and Izana. You havenât had it since then. Youâre craving it like crazy now.
âYeah, sounds good. Letâs find a place less crowded, though.â
He really is still the same. Just older now, maybe maturing and experiencing life in all the wrong ways. But he is still your KakuchĆ.
You wonder if he thinks the same of you.
âOkay. Letâs go.â
And similar to KakuchĆ, youâve never been so fond of crowds, either. Arms linked, you walk to an old restaurant owned by a cute elderly couple. You tell him you love him (because you do, since back then and now and in the future), he almost pushes you away right then and there, you burst out in laughter.
KakuchĆ sits in front of you, in the past he used to sit beside you, you assume maybe itâs because itâs easier to talk this way. A guess because you arenât so sure. He accidentally makes an extra okonomiyaki the first round, a habit he cannot erase, you both know why, you donât say anything. You take the extra okonomiyaki and eat it for him.
â
Ran believes that some things are meant to happen for a reason.
You and him.
Him and you.
He throws a party for his brotherâs birthday as he does every single year. He only invites their friends who immediately invite other people they know as it always goes and the apartment is filled to a brim. Just like every year.
You arrive a little later than most people, due to work and having to get ready, and Ran immediately removes himself from a group of people surrounding him (a chorus of booâs are thrown at him), and rushes over to you.
âHey. You took a while.â
Youâre all smiles around him already. âI had to shower and get ready first.â
âYou still look pretty in your work uniform.â
You look up at him, pointedly. âAnd smell like alcohol and chicken and fish?â
Ran grins, âNot much different from here, yeah? I love eating chicken.â
You playfully shove him and his grin widens as he pulls you into the drunk dancing crowd.
When he makes eye contact with RindĆ, who is DJing (like always), his brother is clever enough to change the music to keep the two of you close. Bodies are bumping into him and you, youâre really close and your hands are in the air, in your hair, and on him. People are too close, too loud, too intoxicating. He has to lean down every time you attempt to say something to him â a lot of it is just you singing â and your lips brush against the shell of his ear every time.
Every. Single. Time. Electricity jolts through him.
Hair is sticking to your forehead, face red and glowing from dancing, sweat, and the mixture of body heat; youâre stunning and all Ran can think of is how badly he wants to kiss you when you bite your lower lip when you meet his gaze once again.
He pulls you closer, and it happens within a second. You kiss him first. Lips briefly pressing against his, youâre quick to pull back before he can reciprocate, and you flash him a smile more blinding than these flickering neon lights. He pulls you back in for a proper kiss this time.
Admittedly, this is not your first kiss together. He had kissed you once before â barely a peck â one night when he had picked you up from work and drove you home. It can barely be called a kiss, but Ran would be lying if he said it didnât cause a shock that ran through his entire body. Later that night, alone in his room, his thumb brushed over his lips and they still tingled with the feeling of you.
This kiss, unlike the previous brief and fleeting exchange, he can taste all of you. Openmouthed, desperate, and a little shameless, too (but he doubts anyone is actually paying attention). Your hands find their way to his hair â much like they always seem to do â and Ran sighs when your fingers run through, gently scratching the nape of his neck. You look up at him with a gleam in your eyes, and he swears he wants to undress you right then and there.
Except, he wouldnât do that. Plus, a loud whistle and a familiar voice jerks him back to the present (reality). It takes so much in him to hold himself back, he has to physically pull himself away from you for a second. He turns and glares at the interruption â Shion. Obviously. That fucker.
âWhat?â he asks, slightly annoyed and amused at the boyâs fucked appearance.
Shion grin widens, face glowing with sweat, red eyes, high and drunk on whatever someone had snuck in. Someone sure is having a good time. âJustââm just enjoying the show,â he slurs as his eyes make their way behind him, to you.
Ran steps forward and places a hand on the boyâs shoulder. Shion wobbles with a faint touch. âGo sit down, Madarame. Youâre gonna fall over.â
Shion ignores him, brushes past him, and asks you to dance. Ran groans, calling out his name, but Shion blocks out his voice and smiles at you.
So, sure, he and the boys have this thing of cockblocking each other for shits and giggles, but now was definitely not the time for that. He needs to learn how to read the room. Damn idiot. (This is probably Shionâs payback from the last party, and all the times before that, but Ran swears itâs funny when he does it.)
You look from Shion to him and Ran shrugs, as if a shrug is enough to let you know that itâs just Shion, so itâs fine if you wanna dance with him, or not. After a second, you accept his dance with a curt, âSure.â And Shion smiles, wide with all teeth.
âBehave yourself,â he warns Shion before turning to you. âI am gonna get some water. Iâll leave you to it for a bit.â
Ran walks over to join RindĆ at his DJ booth.
RindĆ looks at him with a raised brow as he makes his way behind the booth. âYou lost your girl to Shion,â RindĆ loudly snorts.
âJust letting him be around a girl out of his league for once,â Ran jokingly replies, and they both laugh. âChange the song for me.â
The song switches to something more upbeat; everyone is spinning and jumping, you and Shion, too. He can barely hear his own thoughts through the loud vibrations of the bass. He and RindĆ talk about nothing, and Ran lets Shion dance with you for two whole songs. Shion is an idiotic lunatic, especially when heâs drunk, but heâs not stupid enough to do something he knows he shouldnât. His hands donât leave your hands, rather, Ran thinks youâre making sure Shion doesnât let go of your hands, so he doesnât fall over. Ran thinks you might be too nice. Heâs having a good time and so are you, so thatâs all that matters. He likes watching you dance, even if itâs not with him.
At some point, he runs to the kitchen to get a cup of water, and when he returns to you, Shion is nowhere in sight. That boy never stays in one place for long.
âSorry, Shion is an idiot,â he tells you as he offers you the cup in his hand, basically forcing it into your hand to drink.
You chug back the water, no doubt exhausted and dehydrated from all the dancing and sweaty bodies around you. âHeâs a funny guy. I had fun.â
Ran gives you a skeptical look. âGuess so, but feel free to ignore him next time.â
You grin, âReally, Ran, he was nice!â
âI sure hope so.â He leans down as whispers against your ear, âMy room?â
You nod.
And finally, youâre on top of him. Ran is laying on his back, propped up by his elbows as he watches you take off your top, far too slowly, because you like to tease, and Ran is an impatient man deep down. But in this moment, he lets you do your own thing, and watches, watches, admires your every subtle movement. The real thing is much better than his daydreams. Yes, in the moment, he almost thanked Buddha.
You lean down to kiss him. Rather soft and innocent compared to the way you shift on top of him, and the way your hand runs down between the two of you. Heâs rather shameless, and doesnât bother hiding the way you make him feel. Thereâs nothing greater than pleasure.
Your movements come to an abrupt stop, and Ran suddenly becomes more aware. For a moment, he thinks you must be teasing him once more â Ran doesnât beg.
He asks, âYou okay?â
You stay quiet, he canât see your eyes, something is wrong.
âHey, is there something wrong?â His hand is immediately searching for yours, unknowingly. You pull your hand away before he can reach it. You pull your hands together.
Your voice comes out too quiet. It shakes at the end.
â. . . Iâm scared,â you admit.
Ran pauses, his expression drops and heâs quick to sit straight up, reaching over to grab your hand, pulling it into his. His thumb brushes against the back.
He pulls you in his arms, your head lays against his chest as he whispers, âItâs okay. We donât have to do anything.â He doesnât need this. âItâs alright, donât force yourself.â
âNo, thatâs not what Iââ youâre cut off by a whine; your own cry.
Heâs scared to death the moment you begin to sob. Full on sobbing, youâre choking, and he canât calm you down. Heâs frantically trying to speak to you, but his words are not reaching you.
He wants to know whatâs wrong. He needs to know what he can do to help you. Thereâs nothing he can do, except hold you.
âI, I donât know whatâs wrong with me.â
He frowns. Wrong. Your words alarm him. âThereâs nothing wrong. Itâs not wrong. Trust me.â He tells you, more firm than his usual tone with you. âYouâre okay, baby.â
You shake your head. âItâs not.â
âIt is.â He grabs the blanket beneath the two of you and wraps it around your naked figure.
You try to say youâre sorry â words donât come out, but Ran knows youâre trying to apologise for something that only exists in your mind. Thereâs nothing wrong at all and he needs you to understand this.
âWeâre okay, trust me. Weâre more than okay.â He reassures as he holds you a little tighter when he feels your shaky form against him. âDonât force yourself to do anything, yeah?â His voice drops to a comforting whisper, âJust breathe for me. You can do that.â
You cry into his chest for an hour. He says nothing, but strokes your hair and quietly calls your name from time to time.
After a long time, when your sniffles begin to slow and the party outside the door begins to die down, he asks, âAre you okay?â
âNo,â you say, and leave it at that.
(You think Ran doesnât understand, and you feel bad because you donât know how to tell him how his sweetness and understanding and patience with you causes you to cry even more. Heâs so sweet, it aches, and aches, and aches, but his arms around you bring comfort and security, and then, so do his lips.)
â
Leaves decay, autumn passes, and itâs almost Christmas. Snow fell greatly last night, piles and piles of snow pack up, and RindĆ is dragged outside to play. Play as if he is some seven-year-old kid once again.
The three of you are outside their apartment complex, youâre rolling snow to make a snowman next to one that has already been made â probably by the family that lives on the first floor. They have two little kids â one boy and one girl. RindĆ remembers bumping into them in a drunken state, and the mother looked at him in disappointment and disgust as she blocked him from her children (obviously, he wasnât going to do anything, but he canât exactly blame the woman, either), RindĆ scoffed at her and stumbled his way upstairs.
He and Ran arenât doing anything, just standing on the sidelines, lighting a cigarette, and watching you. When Ran passes him the cigarette, RindĆ is quick to take notice of the difference in smell and taste. Since when did he start smoking another brand? Especially something like this. Still, he smokes it with him without complaint.
âSo,â RindĆ starts off, gaining his brotherâs attention. âHow are you?â
Ranâs face twists, he stares at his little brother strangely, as if he had grown another head. âHuh?â
Sure, it is a weird question, because no matter how close they seem (are), they donât talk about feelings or anything like that, even if they are together almost 24/7. But RindĆ just wants to know this time, heâs so curious, because something has changed about his brother. Itâs noticeable in everything he does.
His eyes flicker from him to you. âYou and her. The two of you are together now, or whatâs going on?â RindĆ is curious. He knows thereâs something more going on, heâs no fool, and the way your eyes always seem to find each other basically screams it to his face. âHasnât it been a while?â
Ran shrugs, poker face, as always.
RindĆ just lets out an âAhâ, and thatâs that. Thereâs never much to say between them because theyâll just accept anything about each other without an explanation.
However, Ran continues speaking about it, much to his surprise. âI am actually fine with it, yâknow.â
âFine with what?â he asks.
âHow there will always be a little part of her who loves Izana.â Ran says this so casually, RindĆâs mouth opens slightly, yet thereâs nothing he can think to say so he shuts it and stares on ahead. âEven if he were still here. . . yeah, Iâd be okay with it, too.â
Ran has always been complex in ways that nobody can understand, and when they finally think they do, he shows them that they never knew him at all. When he wants something, heâs quick to dive in and take it. He takes, takes, and takes. Heâs quite cruel at times, itâs how he learned to survive.
(And RindĆ learned that from him, too.)
If Izana were here, somewhere in another life, he knows you would still choose Ran â thatâs probably what his brother is thinking. That cocky, confident smile tells all. And Ran is probably right about it, he always is, and heâs annoying about that fact, too.
Ranâs eyes have always been a shade darker than his. Yet, in this light, they seem to shine brighter than his.
âRan!â
The both of them look up. Youâre running over, thereâs snow in your hair, frosting over. Your smile is bright, teeth showing, the snow around is sparkling. Ranâs smile is suddenly all soft.
âWhat?â Even his voice is all smiles, and internally, RindĆ gags.
âCome here,â your hand pulls him along. Ran follows you like a dog.
And suddenly, itâs only the two of you in the world; moving slowly, kicking snow onto each other, pushing, running, hands never letting go. Itâs pure, gentle, something so rare and hard to find, RindĆ's heart shakes at the sight of Ran and you.
The idea of Ran and you.
Heâs a little jealous, but he will never admit to something like that.
He thinks about taking a picture of Ran to show him how idiotic he looks, but in the end, he decides not to. Ran wonât see what he looks like in this light, unless, as cheesy as it sounds, through the reflection of your eyes.
â
January rolls around, the very first day of the year, and Yokohamaâs seaside never seems to change. Dawn is blue, forever blue, you feel as if your soul is about to cry.
Ran had shown up at your apartment right before the hand of the clock struck midnight to no oneâs surprise. Well, maybe, you were a little surprised. His brother was throwing a New Yearâs party (one you had declined the invitation to), yet here Ran is with you. You ask why, to which he replies with, âI just wanted to see you.â And that is enough for you to let him inside.
The two of you attempt to stay up all night â that attempt is quick to fail, because you both become entangled in your bed, falling into slumber. And once your alarm sets off at five in the morning, youâre dragging Ran out of your bed, pulling his clothes off from your bedroom floor, and pushing him out the door. His hand in yours. You take him to your spot by the pier, almost jogging. Itâs nearly six.
âSleepyhead,â you eventually call out, glancing at the sleepy boy beside you. He could sleep anywhere, you think. Itâs a fact known to everyone around him. âYou are dozing off. Youâll miss the sunrise.â
After a few beats, your words register through his head. He lazily nods, almost as if heâs nodding off again. âIf you donât say anything, I think I really will pass out,â he mumbles back, voice groggy and deeper than usual from his sleepiness.
You ask, âWhat do you want me to say?â
âAnything.â
âAnything?â
âMhm. . .â
You ponder for a moment, before asking, âDo you think people ever truly move on from their first love?â
This is enough to wake Ran up. The weight on your head is lifted, he shifts. âThatâs heavy,â he breathes out.
âYou said anything.â
Itâs quiet for a moment before he gives you an answer.
âIt depends on the person.â He turns his body to turn and look at you. âWhy do you ask? Scared to move on or do you think youâll never be able to?â
You donât lift your gaze, settling on the waves below. You canât bring yourself to look at him. You can feel his eyes on you and the smirk that is tugging on his lips, even though you know he is being serious with you. He wants to know. He needs to hear your answer. âI donât know. . . Do you ever think about your first love?â
âNah, I donât think about things like that, sweetheart.â
âLiar. You could at least pretend and go along with me.â He smiles when you say this. You softly sigh, going along with his silence. âBut fine. If you did think about those things, do you think you would eventually forget about them?â
Ranâs eyes flicker, violet hues staring deep into you, as he huffs a silent laugh â one that feels a little sad compared to his usual ones. âI think I would carry a part of them with me no matter how much time has passed.â
His words make you softly smile. And they feel a little sad, too. âI see. . . You are quite the romanticist,â you tease.
For some reason, you feel as if your teasing never seems to work against him, he remains as composed as he always is. He whispers, âArenât we all?â
Itâs strange how easily Ranâs words bring comfort to you. In ways where you feel heard and seen even in darkness. Ran is always like that. Thereâs a part of you that will never forget Izana, not now or in another life. He will always be someone you love and cherish. Ran understands this â he understands you, never judging. You understand him, too, and thatâs all that matters.
âHey, Ran, can I ask you something?â
âYou sure have a lot of questions today,â he says with both amusement and curiosity swimming in his tone. âShoot. What else is running through that mind of yours?â
You open your mouth, then pause.
âHm? Whatâs with the sudden hesitation? Is it something embarrassing?â he teasingly asks, nudging his shoulder against yours, prompting you to speak your mind. âYou can tell me. Promise, I wonât laugh.â
You know he wouldnât laugh at you â always with you. Never at you. You just canât find the right words to say to him. [Or maybe the courage.]
âYou know I donât judge you.â
âYou judge everyone, Ran.â
His smile drops, and his expression turns more serious than you would like. âSurely you know that youâre not everyone.â He asks, âYou understand, donât you?â
You quietly reply, âI know.â
âThen is it something bad?â His voice goes quiet, too.
âNo, itâs just,â you deeply inhale, turning your head back to the sea, averting your gaze from those eyes that look at you so softly [tenderly, with his full adoration], it causes your heart to tighten every time. You fidget with the ends of your hair, exposing your nerves. Another short pause and then you breathe. âI think. . . I think I like you, Ran. Like, a lot, and it terrifies me. Maybe you donât believe meâI would find it hard to believe, too, because ofââ
âI believe you,â his reply comes immediately. Voice so clear among the waves and seagulls calling above. âI can tell. You make it quite obvious sometimes, itâs hard for me to ignore, yâknow?â
You blink. âOh. Um, is it really?â you meekly reply.
Ran hums and heat rises up to your ears in embarrassment. You donât think youâre somebody who is that obvious. Your face no longer feels the coldness of winter brushing by, internally groaning. You guess it was obvious. The two of you kiss a lot, youâve gone further than that on a few occasions, and he stays over at your apartment more often than not. It is obvious. But liking and loving someone are two completely different things. (Love. . .)
âI feel the same. But how I feel . . . it is probably too soon to say how I feel for you, so I will wait until you are sure you want this.â His hand brushes against yours â cold from the cement and winter air, pinky dragging across the back of your hand. âNot too long, though. My patience isnât so gentlemanly.â
Your heart flutters, embarrassment shifting to shyness. I feel the same for you, too. You try to not burst out smiling, lightly biting down onto your lip. Your cheeks betray you. You can feel the heat rising against the wind.
âOh? Is that what people call you now? I donât recall you being that much of a gentleman.â
Ran scoffs, rolling his eyes. âReally now?â Beginning to mutter to himself about how he treats you so well, that heâs been born a gentleman â itâs engraved into the very depths of his soul. And to some degree, those words are true. Ran has been nothing but patient with you. Someone who is always there when you need it.
I will wait until you are sure you want this. You do want this, you want to be with him â with the person beside you now. You want us. âMe too,â you say as you gather more courage, leaning towards him a little, your hand rests on his shoulder as you stare straight into those pretty lavender eyes. âI am falling in love with you,â you say to him, more sure than before.
You donât waver.
A second passes, a wave crashes.
âMm, I missed what you said. Say it again for me, sweetheart,â he says with that signature smile to his soft, pink lips, âfor me, please?â
His plea makes you roll your eyes. Ran loves attention â both good and bad. He loves pretty things and pretty words, even more when they hold something so precious and meaningful in them. I love you. I love you. I love you. I like you so, so much. I want to be with you, Ran. Ran, Ran, Ran â sweet words that have been whispered to him many times before in the past (and many more times in the future, including now).
You lean over, cherry lips brushing against his ear, as light as a feather. You whisper a confession. A heartfelt confession. The wind rushes by, his hair tickles your flushed cheek, and a sweet confession only for the two of you to know, drowned out by everything else in the world.
Itâs just you and Ran.
Snow gently falls, your hand found itself in Ranâs, his fingers intertwined between yours. He doesnât let go. You donât let go. Even when the sun begins to rise over the blue horizon, not when youâre walking back to your apartment, not when KakuchĆ and RindĆ stop by later for dinner and Ran is doing nothing, but admiring you as you cook. Neither of you let go for a long, long time.
Itâs just Ran and you.
#tokyo revengers#ran haitani#ran haitani x reader#tokyo revengers x reader#tokyo rev x reader#haitani brothers
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Imagine Ji teaching kitten how to make a proper nest
this has been sitting in my ask box for a while.... and i'm glad i held onto it because..... me??? writing for a pair that isn't chris x his girl???? unheard of. but not impossible.
Pairing: Werewolf!Minho x Human!F.Reader (one of the main pairings of my WereRoomies series, but you probably donât really need to read any other instalments to understand/enjoy this one). | Word Count: ~2k | Themes & Warnings: Supernatural/Fantasy AU · Smut · Fluff · Established Relationship · unprotected penetration [piv. no barrier method, but reader is presumed to be on birth control] · breeding kink · creampie
minors do not interact.
For someone with a condition like his, Minho was a very logical man. Sure, he had his moments of randomness and silliness, but in the grand scheme of things, your boyfriend was level headed, rational, and heâd hardly ever let his wolf instincts interfere with his human thoughts.
Which was why you hadnât expected something as seemingly innocuous as a pile of clothes on his bed to get him like this.
Not like you were going to complain, though. Not when the feel of his thickness filling you up time and time again was this good. Not when the way he had you on your knees, bent over like a dog, deliciously ramming into you, was this addictive.
âMinhoâŠâ You werenât really sure what you were going to tell him, you just whined when you started to feel his lips on your shoulder, when he started to kiss and nibble your skin.
âHm?â His deep strokes had you seeing stars, and the feel of him hitting the most sensitive areas within your walls was steadily fogging up your brain.
You swallowed, blindly reaching for one of the cushions that surrounded you, holding it tightly to somehow keep yourself grounded to reality. âLoveâLove youâ.
âLove you, too⊠Missed you, kitten. So muchâ, his pace increased, his panting grew a bit louder next to your ear, sending shivers down your spine, feeding that pool of arousal in your belly that was just ready to spill over at any moment now.
Youâd missed him, too, of course. Every week, you looked forward to the weekend simply because youâll be able to see him. You were tired of the distance, but you supposed it was something youâd had to bear for a while.
âNeed toâShit, fuckâŠâ Minho nuzzled your shoulder, reattaching his lips to the skin there, grunting when you started to push back harder to match his thrusts, making him move faster in response.
Before Minho came back from work, when Jisung had come to Minhoâs flat to hang out and kill time after you arrived today, you didnât exactly expect the afternoon to take the turn it did.
âWait, so youâre not making a nest to fuck in? Not even during his rut?!â Jisung looked genuinely shocked, and you had simply shrugged in response because âWas I supposed to? I donât even know howâ.
Admittedly, you did know about nests, but only as a concept. Throughout your friendship, Jisung had made sure to give you every single detail when it came to omega reproductionâbecause why would you keep anything private when you could word vomit at any given time, about any given topic, right?âand just omega behaviours in general.
Making a nest was, essentially, creating a safe, soft, warm space for yourself. Although it could be done just to be comfortable while trying to wind down, it was most commonly done with reproduction in mind, meaning, to be shared between wolves. So, upon finding out youâd never done one yourself, Jisung decided to take matters into his own hands.
âSee, youâve got to pick up items that make you feel safe. Soft items, preferably. Most commonly youâd use blankets, throws, cushions, but you could also add plushies, clothes⊠If youâve got a partner, itâs usually preferable to use items that smell like them. And itâs always a nice touch to add items that smell like you, so your partner can also feel comforted by your nestâ, Jisung encouraged you to try it, right then and there.
He suggested doing it on Minhoâs bed, since that was his sleeping space, and a place you both spent a lot of time together in. Minhoâs sleeping clothes, his fluffy blankets, the throw and cushions from the sofa out in the living room, the bathrobe youâd used not too long ago, the pyjamas you kept in his closet, the pillows that were already on his bed⊠Jisung and you put these items together, creating this fluffy mess on his bed that certainly looked like a nest.
âSee? So you can do one of two things⊠If youâre doing it on your own, you can cover yourself as much as you can, essentially making yourself a warm little cocoon⊠But if youâre gonna share it, then you just lay in the middle. I, uh⊠I know Iâm incredibly biassed, but I think this is probably one of the most romantic places to have sex inâ, he said it with a completely straight face, so you really believed him.
Jisung did comment on how Minho could potentially react to a nest, considering it was something he hadnât experienced in a romantic setting. âYou know I build nests often when Iâm anxious, so he sometimes joins me to help me calm down, but itâs all platonic⊠A nest built by you⊠Iâm curious as to how itâd make him feel. If it makes him feel anything at allâ.
That piqued your interest.
Exploring Minhoâs animal instincts was always something you enjoyed doing. It made you curious, mostly because he hardly had any, and the ones he did have he couldnât even understand very well.
As if on cue, the obnoxious beeps of the front door resonated in the flat. You heard it even in the bedroom, where you had been standing next to your nest with Jisung, just giggling and joking about it.
After Minho went into the flat, and the customary Tired Groan left his mouth, you heard his languid steps as he made his way to the bedroom. âWho gave you two stray cats permission to come into my home?â
His perfectly crafted tone of annoyance held no real meaning to it. You knew it, he knew it, and even Jisung knew it. So you just smiled and answered. âWith yours, dummy. You wouldnât have given us the code otherwiseâ.
As soon as he was at the door, his poised scowl turned into a look of surprise when his eyebrows rose high on his forehead. His eyes jumped from the nest on the bed, to you, to Jisung, and back to the nest. âAre you feeling well, Jisung?â
Of course. Based on Jisungâs earlier explanation, it made sense that your boyfriend had reached the conclusion that this was Jisungâs nest. That he was probably anxious and built it because of it.
âYeap. Iâm doing great. I was just showing our dear kitten how to build herself a nestâ, Jisung usually gave the impression to people that he was dumb and silly. But in reality, he was very smart. And at that moment, in just a few seconds, he was able to choose the most suitable words to get his point across.
This wasnât his nest.
It was yours.
Built by you with your own two hands.
âHuhâŠâ Minho stared at the bed, and you couldâve sworn the bit of skin you could see under the collar of his shirt was slowly growing redder the longer he stood there.
You cleared your throat to get his attention, and you smiled brightly at him when his head snapped back in your direction. âNo kiss?â
Minho blinked a bit, but then he was scoffing. He made his way towards you so he could cup your cheeks and pull you in for a kiss. You hadnât seen him in a whole week, and that was way too long, in your humble opinion, so that kiss was more than necessary.
The dramatic sigh next to you made you break the kiss, and you turned to see a pouty Jisung staring at you two.
âNo kiss for me?â
Of course. This was Jisungâs thing. He took any opportunity he could to beg for kisses.
Your boyfriend simply sighed, just as dramatically as Jisung had, and he quickly moved to stand in front of Jisung. Cradling the back of his head, Minho pulled Jisung to him, planting his lips on one of Jisungâs round cheeks to press a loud, moist kiss on his skin.
âEw, why is it wet! Stop!â
They jostled for a bit, all while Minho chuckled, until he finally pulled away from Jisung and ruffled his hair. âDidnât you want a kiss? Thereâs your fucking kissâ.
âA peck was enough, jeezâ, Jisung wiped his cheek with the back of his hand, fake gagging.
The three of you broke into laughs and giggles for a bit, bantering back and forth on the âessential omega needsâ Jisung had, until Minho excused himself to go take a shower, leaving you and Jisung back on your own in his room.
âAlright, listen to me, dear kittenâ, Jisung held you by the shoulders, trying to get your undivided attention. âGet as scantily clothed as possible, or, even better, get naked, lay in the centre of that nest, and wait for your boyfriend to come out of the shower. You can thank me in the morningâ.
âDo you really think something like this would do anything to Minho? You know how he is, he doesnât have these alpha urgesâ.
âI guess youâll have to wait and seeâ, Jisung cradled your face in his hands, and he pressed a kiss to your forehead before he wished you good night.Â
He knocked on the bathroom door on his way out, wishing Minho good night as well, then he was gone.
So you did just as he told you.
You figured that putting one of Minhoâs t-shirts on and nothing else would do the trick, and it certainly did, if the look Minho gave you once he was out of the shower was anything to go by.
Minho really wasnât that in touch with his animal needs, not unless he was close to his rut or maybe during a full moon night, but it seemed like the sight of you, dressed in nothing but his clothes and laying on your comfy little nest did things to him.
Before you knew it you were fully naked, with his head between your legs and his fingers in your cunt, giving you a mind-numbing orgasm only to flip you on your stomach and push his cock within your walls almost immediately after.
That was how you ended up here, relishing his sounds of pleasure in your ear, and the feel of him fucking you open. He was mumbling, things you couldnât quite make out, not when his fingers found their way between your legs to rub tight circles on your clit.
âCâmon, babyâŠâ Minho groaned, snapping his hips harder. âGive it to me, kitten, love⊠Want toâFuckâŠâ
âYouâyou want what, baby?â You kept meeting his thrusts, spurring him on. You were certainly almost over the edge, but you needed just a bit more⊠A bit more of him. âWant to stuff me full? Want that, too. Want yourâyour pups, babyâŠâ
âFuck! Fuck, fuck, shit, Iâll give them to you, kitten. All of them⊠Make sure I, fuck, I pump you fullââ
Those were the last coherent words your boyfriend told you before you felt his warmth fill you up, before his name left your mouth in a breathless moan as your own orgasm raked through your body. He kept fucking your through it all, until you whined in oversensitivity.
When Minho peeled himself away from your back, your body slumped, and the sudden lack of his warmth almost gave you whiplash.
In an instant, his hands were on your buttocks, spreading you open just as his cum started to trickle out of your centre, and when you turned your head a little you almost giggled at the sight of him.
His chest was flushed, his cheeks as well, and he was staring at your core so intently it was almost like you could see and feel the phantom of his tail wagging in excitement.Â
Before you could comment on it, he was leaning down and pressing a lingering kiss on one of your buttcheeks. âStay right here, kittenâ.
Minho left the comfort of your nest and made his way out of his room. He wasnât gone for long, only a minute or two before he was back with a soaked washcloth to clean you up.
When he was done, he left the soiled fabric on his bedside table and dropped on his back next to you, staring at the ceiling. You just looked at him, resisting the urge to bring your fingers to his face so you could trace his features. Resisting only because he seemed to be deep in thought and you didnât want to disturb him.
Eventually, he turned to his side, propping his head on his hand and looking at you. âThat wasâŠcertainly somethingâ.
You chuckled. âIt wasâ.
âKittenâŠâ Minho scooted closer to you, draping an arm over your waist. âDo IâŠhave a breeding kink?â
You couldnât help but laugh at that. Loudly. âOh, babe. Donât all alphas do?â
âBut I didnât, though!â Minho was pouting and everything, which only prolonged your chuckles. âNot when Iâm not, you know, going through my rut. But seeing you here, like this⊠Shit. Itâs essentially just a pile of clothes and blankets and cushions, but I think itâs altering my brain chemistry for realâ.
âMmmâŠâ You pushed on his chest a bit so he could be on his back again and you could lay on top of him. Minho wrapped his arms around your waist, keeping you close as you pressed a kiss on his lips. âItâs okay, baby. I can always build more nests so you can enjoy coming inside me. I enjoy itâ.
âEager, are we? What am I gonna do with you, kitten?â Minho chuckled, pressing quick pecks on your lips, waking the butterflies in your stomach, as if they hadnât been wreaking havoc inside you a handful of minutes ago.
âHopefully fuck me again, if I can have a say in what you decide to doâ.
You clearly didnât need to say anything else, just like he didnât. The mischievous smile on his lips told you all you needed to know.Â
It was definitely going to be a fun night. All thanks to that pile of miscellaneous pieces of fabric.
© therhythmafterthesummer 2023. all rights reserved. do not repost or translate my stories.
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#stray kids supernatural au#stray kids fantasy au#stray kids werewolf au#lee know smut#lee know fluff#lee know fanfiction#lee know fic#lee know x reader#minho x reader#minho smut#minho fanfiction#stray kids smut#stray kids fanfiction#skz x reader#skz fanfic#skz fanfiction#stray kids fanfic#werewolf lee know#werewolf minho#âšđâ
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I was wondering... I've been reading the self-aware au and I wonder if Manus Vindictae is also aware of the playerâ How does Forget Me Not even react to the concept of the player too if he's ever self-aware of it? A human who calls the shots on the story progressing (clearing levels) and also the one who beats his ass in battle (i had to insight 2 level 20 my arcanists to beat him under 10 turns in hard mode)
Can he hear the player? Can he see them? (I tend to gush over him whenever he speaks, I repeat the scenes he's in đ i miss him sm in the story) sorry for all these questions!!! Im so curious of self-aware aus and how they work and yours particularly was REALLY good
;R1999 FORGET ME NOT - Self Aware AU
Headcanons about Forget Me Not within the Self Aware AU.
this is a very good opportunity to think about non-playable characters within the game, actually! ty for the ask o7
there was someone who commented on one of my self-aware posts saying it was kind of like analog horror and I agree lolol
I vaguely remember mentioning that the requirements needed in order to be aware of the Player's existence were to either reach a 100% bond and/or to be exposed to Vertin's constant presence.
Forget Me Not, as an NPC with little to no actual relevant weight in the grand scheme of things (he is only relevant during the 1929 arc as of now) doesn't meet any of these requirements, so I don't think he'd be aware of the player!
His self-awareness is limited to knowing the world around him is fake, which fuels his self-deprecating and self-defeating, deranged, depressing mindset. I like to imagine Forget Me Not doesn't even understand that the world he lives in is a game, he just knows it's fake and that no matter what he does or says, no one will truly remember. Things will inexplicably reset or loop, and even so, he's not aware of the many times he's been forced to battle Vertin and the others because the Player had to grind specific materials. And so on and so forth. In his eyes, the "high power" that could attempt to control this empty world would be Arcana and no one else--after all, she's the one who opened his eyes to the truth through indoctrination.
When it comes to the figure of the Player, I wanted to portray an extremely obscure and detached figure. Vertin herself can't even fully wrap her head around the Player's existence, she doesn't even know if you're human--if the protagonist, the character "closest" to the Player is still left in the dark about these aspects, imagine how it is for other characters who don't have the privilege of acting your will, of being your hands and eyes. Sonetto can't even get a proper look at the Player, she still needs an insane amount of time lingering around Vertin to become more attuned to this somewhat eldritch entity tied to her. Characters of "equal" importance to Vertin, such as Arcana, may be able to perceive the Player in their own unique ways just like her, but everyone else? They need these special cases to even notice such a presence. Vertin is your only link to this world. You're the one looking in, this is a one-way mirror and only a very select few can look into the abyss and realize that something -someone else- is out there, staring back.
Like, of course I'll make exceptions or bend the rules if people request direct interactions between a character and the Player, but if we're talking about the setting as it is, then this is how I picture it.
Can he hear or see the Player? Nope. He doesn't have the means to. He doesn't even know they exist.
Forget Me Not feels superior with his self-awareness, gloating about how he's not like the common rubble who goes on about their day, entirely blind to the horrors. And yet, he's not aware of his limited perception of the world. It's very ironic, the way he looks down on others for the very same crime he's guilty of: obliviousness. Forget Me Not believes everyone outside of Manus Vindictae is too dumb, too unworthy of the freedom that comes with self-awareness. But really, this is just the blind leading the blind at the end of the day. Within Manus Vindictae, we only have Arcana and Forget Me Not as important characters, so it's hard for me to make a proper frame of reference, but overall I think that only Arcana is fully self-aware. Everyone else's perception of reality are equal or slightly inferior to Forget Me Not.
I think this falls in line with his modus operandi, so to speak! The way he believes he truly understands how things are, while turning his back on reality at the same time because he can't take it. He's too delusional, too unstable and frail to acknowledge that he may not be right, that he may be just as lost as when he first opened his eyes, that Vertin, someone so utterly disconnected from his ideals and morals and views, is the "chosen one."
As usual, Forget Me Not prefers to live a lie an double down on his usual habits than realize he always had the chance to change for the better and he just never had the courage to take that road.
How would he react upon finding out the Player's existence and their opinion on him?
I don't know the specifics around how exactly he finds out this piece of information, but either way, Forget Me Not would probably be shaken to his core! This isn't an easy pill to swallow in the slightest. You have to understand that every single time you beat him in battle, he 100% believed it was all Vertin's prowess.
How was he supposed to know she had someone guiding her? How was any of this fair?
Essentially, Forget Me Not has to confront the fact that all of his struggles, all the constant fighting and every conscious choice he's made to further ruin his life, were predetermined, already set in stone by forces beyond his comprehension. It's both freeing and claustrophobic, especially for a character like him who revels in misery and his status as an underdog earning his vengeance. He's done so much, he's worked so hard to get to where he is, and sure, his life is far from ideal, he's still the same self-destructive man, but now you're telling him that this was what the world planned from the very beginning? He had no say in anything? Someone out there decided that he was meant to be like this, and even after gaining self-awareness, he wasn't good or strong enough to break away from the script--in fact, he played right into someone else's trap.
I feel like Forget Me Not, at this point, would continue to do the only thing he knows: he doubles down. He redirects all of his hatred and all of his feelings towards the figure of the Player, if only to justify his existence--he can't live as a free man, he can't be seen as a living being worthy of respect because the plot commands it, he doesn't know where his own conscience begins and where the script and dialogue he's meant to say ends. So he might as well keep digging his own grave.
He loathes the Player more than anything else, because if there was no one to play this game, none of this would've happened in the first place. He fully blames you for every single thing, no matter how big or small. Everything that is wrong with his life can be traced to the person booting up this goddamn game every single day.
And if he learns that you replay each cutscene that he's in, he takes that as an offense.
This is just cruel mockery to Forget Me Not--not only you're the reason he's turned into such a miserable excuse of a man, but now you've turned him into your personal little jester, to sing and dance for your entertainment.
If he finds out that you hate him? That's good, it's a mutual feeling and it makes this tantrum he's throwing much more easier to deal with. But if he finds out that he's your favorite character? It kills him from the inside. How dare you?
His voice gets sharper, more visceral--every word is drenched with such profound hatred that you, from your side of the screen, can't help but think that Forget Me Not's voice actor is doing such a great job! And the artstyle is so good, his expressions look so real!
I can also see Forget Me Not eventually struggle with the fact that the Player loves him and sees him as their favorite character. It's not as easy and straightforward as hating you anymore--he doesn't even know you. He doesn't even know what to trust anymore.
Given how depressing he can be, I think he may latch onto the Player? The rug keeps being pulled from under his feet each and every time, but your existence, as awful and mysterious and controversial as it may be, is real. You're real. I have a lot of thoughts about this specific dynamic, but I'll leave them for another post so this one doesn't end up being suuuper long lol
On the subject of finding out that the Player is a human.
This one is easy! If someone were to tell Forget Me Not that the Player, the bane of his existence, is a human, then he'll just be in denial about it!
I really just like the idea of Forget Me Not having no means whatsoever to interact with the Player, it makes things so much more frustrating for him. Of course this means that everything he does know come from third-parties. And this piece of information is an extra layer of stress that he can't physically process at the same time as everything else in regards to his self-awareness, so he chooses to ignore it. To debate it. To simply deny it.
What, is he just supposed to believe everything he's told about you now? He can't even perceive you properly, let alone understand the sort of creature you are and your influence on this world--for all he knows, the people claiming to see and talk to you are all liars! All of his informants and spies could just be dead wrong, they may have misheard something on the way!
You can't be human, because he can't take another blow to his pride like this. It's humiliating enough to be played like a fiddle in such a way, Forget Me Not doesn't even want to think about the possibility of this small, fake world being at the mercy of a human--part of the very same group that caused him so much pain over the years.
#reverse 1999#reverse: 1999#reverse 1999 x reader#reverse 1999 forget me not#forget me not#self aware au#sorry for the absence! food poisoning got me fucked up#and then i got busy with art hehehoho#sorry to FMN lovers but. this man? hes not doing good and he would hate our fucking guts#i love him to death but he would hate me to death. do you understand the problem
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Personally I think they're both huffing a bit of copium about one another (Vox and Alastor) but Alastor is better at hiding it/maintaing his cool. We know that at least Valentino feels confident enough to goad Vox into taking the bait, that Alastor "almost" beat him last time. It's an interesting attitude compared to Vox's. Even Velvette doesn't seem all that concerned with Alastor, both her and Valentino are confident in the Vees current status and it's only Vox's personal insecurities that prevent him from sharing that mindset.
Vox's medium IS the victor in the grand scheme of things, he (along with the other Vees) ARE more relevant than Alastor/radio. And Vox is also capable of upgrading/improving himself over time in a way Alastor (from what we've seen) is not. It's so interesting seeing Vox unable to fully realize his strength/power - he can say it all he wants, but I don't think he really believes it. We the audience, however, know that visual media is king... case in point we are watching this series as a show on screens. Vox's hypnotism and electric powers are also pretty OP, he's got a good deck of cards (even though we haven't seen the full extent of how he can really leverage these yet).
And let's not forget Alasor BOOKED IT across town to get back at Vox during Stayed Gone. I think Alasor is (and should be) somewhat nervous (maybe "cautiously aware" is a better term) about the influence Vox and the Vees have regarding the future of media. He doesn't crack easily, as we've seen, but he cares enough to engage with Vox which he doesn't bother doing with outright "lessers".
In this way the dynamic is more even (in my opinion) than many give it credit for, which I personally prefer, but to each their own... for me, if it's not more equally matched, I struggle to see how the Vees will be worthwhile antagonists in the next season and that would be such a shame for characters that have so much potential. I just love the Vees!
(prev ask)
ehh I mean I do feel that they are on more equal level than some of the fandom may make them out to be but I still don't feel like they're exactly on the same level. like every time I see takes about mutual stuff between them I still can't fully agree cause to me, it's still on some level imbalanced. I do think they are of roughly equal power yes, but I think alastor being able to keep his cool is in fact a point towards him having the upperhand. it's the fact that vox is literally incapable of keeping his cool when it comes to alastor that spells more of his weakness when it comes to him I think. but yeah I mean how the vees, or rather vox will be a proper antagonist when he's so easily defeated by alastor is what I've been asking for a while LMAO.
and the thing is, we've seen instances like alastor being somewhat scared when zestial pops up, his mask slipping when starting stupid beef with lucifer (his eye is literally twitching the moment lucifer steps into the hotel LMAO), and of course with his fight with adam. we don't see any of that when it comes to the vees/vox, alastor waves them off as "nobody important" when niffty asks, easily tramples vox in stayed gone (and yes, he did immediately go back to his radio tower to bite back, but I don't think that's necessarily out of fear, could've easily just been he saw he was being insulted on live tv and HAD to bite back because he's a petty bitch), and gloated to him about having to "try harder than that" after failing to spy on him.
in my view, he doesn't see the vees or vox as a serious threat. HOWEVER, I do think that could easily be a point against alastor. his cockiness and not taking them seriously could very well come bite him in the back (JUUUUST like with adam!)
but when it comes to his current season 1 dynamic with vox, I do think he has the upperhand because of their different attitudes. if vox was able to keep his cool like alastor he wouldn't have caused a city-wide blackout over stayed gone LMAO. they're definitely more leveled power-wise though I think, the difference comes in their attitudes. if vox won the idgaf war a bit more they'd be more leveled, but he has chosen to obsess over him 24/7 so here we are.
#ask#osrs.txt#radiostatic#staticradio#onewaybroadcast#hazbin vox#hazbin hotel vox#vox#hazbin alastor#hazbin hotel alastor#alastor#every time I make a post like this I feel like I'll get vagued but whatever#just know I scroll the maintags sometimes so I very well could see it đđ#it's just a matter of opinion and different readings atp I guess#considering we don't have a ton of info
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Hm ok real speculation time, I know i said before that Sam's gonna die in the finale, and the ep didn't look good for him, but i think with the sheer amount of emphasis placed on alchemy and transmutation, he can't be simply dead. Now, that's not to say I think he'll be coming back in a major way - i personally do not think Sam is, or ever has been, the main character of tmagp. After all, that's the core of his entire character. Never the special one, never the one picked, never 'magnus material'. Besides, it's always been the rest of the cast that has had the knowledge and drive to actually do anything in the story - Sam has always been one (or twenty) steps behind everyone else. I think the most likely option is he will appear in a sort of micheal-esque way, as a truly warped archivist mix. I think we'll get to see a proper monster as a main character, rather than Jon's weak basically tame vampire monstrousness. Meanwhile, i expect season 2 to either focus on Alice, or Celia as a mainish character. A lot of other's seem to think alice is next up in line, which i mostly agree with, but also... doesn't it feel just a little too similar to tma? I'm not sure i'd love season 2 tmagp to just be a repeat of season 3 tma - a main character being suspicious of all their friends and steadily letting them down because of paranoia and grief. Regardless of the similarities, i do think i'd enjoy seeing Alice figure stuff out and go looking for Sam, but i think i'd enjoy getting to see Celia's side of things way more. Sure, her whole deal *could* be the end all be all big mystery of the story, but let's be real, we basically know here whole deal right now. There's some tidbits that are intriguing - when did she cross over from tma; where the fuck did jack come from and what's his deal - but in the grand scheme of things, here goals seem too short sighted to have here be like, the Elias of tmagp. So what i'd love to see is a pov more from Celia's angle where we can watch Alice's deteriorate and suspicion play out from the opposite side, and see how Celia copes with the things she's willing to do to save herself. Also of course i cannot wait to see Gwen girlbossing her way into absolute chaos. But also i do think that'll be fairly background like it was this season, i think season 3 will be the big Gwen season.
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One thing thatâs always puzzled me is how, during Alinaâs time at the Little Palace, she and Aleksander only shared a handful of meaningful interactionsâmaybe three or four scenes at most. I understand he had a lot on his plate as the leader of the Grisha and had his duties as a general to manage, but it still feels like there was a missed opportunity for more connection between the two. If Aleksander really wanted Alina to see his perspective and not turn against him (even though I feel like she would still do that because it seems like Mal is always her only goal⊠đȘ), wouldnât it have made sense for them to have more conversations and moments together? It would have deepened their dynamic and possibly made Alinaâs later decisions even more complex.
Itâs almost likeâmore like it isâthat Leigh Bardugo forgot that Aleksander had been waiting for the Sun Summoner for centuries, and then, when Alina is finally there, heâs practically absent. I get that heâs extremely busy, but why not add other scenes? Thereâs just this big gap in their relationship, which feels like a lost opportunity to flesh out their bond further. Why do you think Bardugo made this choice?
The lack of interaction feels so intentional, but I can't help wondering how the story might have shifted if we saw more of them together.
What about you? What changes would you have made to their dynamic in the first book? Maybe more time spent on Aleksander revealing the weight of his past, or moments of vulnerability between them that would complicate Alinaâs view of him?
I understand your confusion, anon, but think about it from this perspective and all will make sense: This was Leigh Bardugo's very first novel.
See where my point is? And once you realize this then you understand why this book feels so amateurish. Most of all, it lacks another 100-150 pages of character development where Alina spends more time at the Little Palace and around the Darkling.
This way the reader would get more content about their mentor-student relationship, Bardugo would have the proper amount of pages to explore the Darkling's manipulation and Alina (and the reader) would feel even more bonded with the Little Palace. In canon we jumped from September - October straight to late December - January. We only got a recap of her time there.
Now what would I have done?
As an aspiring author that currently practices to writing and developing stories, I would explore Alina's time there more. It's important not to drag a novel with useless scenes but write down moments that even though would feel simple at first to the reader, will make so much sense afterwards when all is revealed and will make the reader go "Aha!". In short, that's what Bardugo should have done with the Darkling's scenes. I would personally have him around Alina even more but I wouldn't make him seem evil. On the contrary, my Darkling would deliberately let Alina be viciously trained by Baghra and then when he would step in he would be kinder, more understanding and more tolerant in order to gain Alina's trust. A manipulative person wants you to see them the way they want you to see them. (In canon, Aleksander was kind because that's who he was and not because of some grand plan which was such a waste). I wouldn't make him fall in love with Alina but Alina would have feelings for him something that my Aleksander would take advantage of, even after his schemes would be revealed. (I love some good-written manipulation, haven't you guessed it yet?)
Ah yes, of course I would change Alina's character. When you're in a foreign environment you unintentionally trust those that are kinder to you. With Alina I don't know what the fuck happened (mother issues). But I wouldn't write any POVs from the Darkling. I find it much more juicy when you don't know what the enemy is thinking, especially when he's cunning. It makes you guessing his next move and surprises you with it.
Also about the relationship between Genya-Alina. I would make the former more vengeful and darker (I'm sorry but I can't resist to such women in fiction đ©). She would be more focused in her mission than being a true friend to Alina and her kind words and actions towards the latter would be just a mask. In truth, my Genya would only care to see the royal family burned. This whole "I'm sorry for betraying you gonna go and betray the Darkling" wouldn't exist. She would know what she would be fighting for.
#well shit now that I read it again my own version is much darker#just the way I like my media actually đ#(damn now I want to write this)#anon asks#the darkling#alina starkov#genya safin#shadow and bone#grishaverse#AU#aleksander morozova#grishaverse trilogy
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[MK1] Bi-Han & Kuai Liang. Good brother? Evil brother? Nah, just different reactions to trauma, part 5
<part 1 <> part 2 <> part 3 <> part 4 <>
POWER
This part will be mainly focused on POWER: Bi-Hanâs character theme and - alongside gaining independence and freedom for Lin Kuei, the main goal he wanted to achieve according to Mortal Kombat 1âs storyline and tie-in material.
There are already many things said about Bi-Hanâs thirst for power and from my experience, fandom identifies it as a serious character's flaw at best and a sign of evil nature at worst. However I do feel that fandom judges Bi-Hanâs goal to gain power outside of proper context and this is why we first need to examine worldbuilding and what role the power - including personal might, plays within it.
To do so, letâs look at the Mortal Kombat Tournament. At the official meeting with Liu Kang and his champions, Sindel described it as a tournament founded to âfoster peace among realmsâ:
Sindel: âWelcome, members of the royal house. Welcome, our esteemed Earthrealm guests. We gather once again to honor my late husband's legacy. To continue the tournament that he founded with Lord Liu Kang in hopes that it would foster peace among realms."
However, as we could see through the story, there is much deeper meaning to Tournament - this is a chance for each realm to demonstrate their strength, and in result, temper potential attempts at war.
Liu Kang said:
âThe time draws near for the grand martial art tournament between Earthrealm and the realm of Outworld. Held once each century, it allows each realm to demonstrate its strength. While our realms are at peace, there are Outworlders who would prefer us to be at war. Our victory in the tournament will⊠temper their zeal.â
and
âEarthrealm and Outworld have long been evenly matched. But Outworld is gaining strength. Should it win, itâs more militant factions will be emboldened.â
and
âIt is a place of great wealth and beauty. But our realms do not share goals or beliefs. We coexist peacefully because Outworld respects our strength. Should we show weakness, our rival will become our enemy.â
Thus Tournament is a way to intimidate Outworld (and presumably other realms) to keep it in check. Which works fine and works for a long time already, as Liu Kang mentioned that Earhrealm frequently is winning
"You presume them frail, General? Should you... given how frequently they win this tournament?"
And winning even at a great disadvantage, as Raiden fought against many rivals and understandably, the more opponents the more weakened he became with each duel.Â
In one of the intro dialogues, we learn people of Sun Do still talk about Raiden despite how many other things happened, including betrayal of General Shao and death of Sindel.Â
Li Mei: Your name is still on Sun Do's lips. Raiden: I can't believe I made such an impression.
This intro both highlights how modest and at the same naive Raiden is, because his victory won't be forgotten anytime soon there. Liu Kangâs Champion, a mere farmer who never took a part in war, came to their great and powerful realm, and beat down First Constable Li Mei, General Shao and his second-in-command Reiko, prominent fighters like Kotal, Motaro, Sheeva, princess Kitana and finally, the Empress Sindel. Of course Outworlders are intimidated by his victory, and in the grand scheme of things, Earthrealmâs power.Â
Since Outworld and Earthrealm are separate realms, and their cultural contact is very limited, people of Sun Do have no idea how truly powerful are Liu Kangâs people, so of course they judge them through Raidenâs achievement. In the case of war, Raiden alone could defeat their military Champions AND Empress and he is just one of possible many other great Champions. Not to mention Lin Kuei lurking in the shadows, the warriors who do not take part in Tournament, but do fight on Earthrealmâs behalf in conflicts between realms (as seen with Vaeternians, a serious problem Outworlders themselves faced in the past).
As worldbuilding goes, Earthrealm safety relies directly on power, the personalâs might of Liu Kangâs Champions and his âsecret armyâ of Lin Kuei.Â
Bi-Han and his family was born in Earthrealm, but as Lin Kuei he was destined to be a warrior meant to defend Earthrealm from external threats, like mentioned before Vaeternians. Understandably then, his mindset about power and personal might wonât be the same as Raiden, Kung Lao or Johnny Cage because he was raised in a different environment than those three living and experiencing modern, normal life. For Sub-Zero, power is what guarantees peace and keeps him and his clan alive and safe. In that sense, âpowerâ and âfreedomâ are inseparable terms, because without one, there wonât be the other.
This is best seen with Bi-Hanâs endingÂ
"I had broken the Lin Kuei free of Liu Kang's enslavement. We were now masters of our destiny and could take our place among Earthrealm's greatest nations. But taking and holding territory would require a vast army. I needed more fighters to make our presence felt. Then I recalled Shang Tsung's dragon warriors. An army of them would be unstoppable. But trafficking in such strong magic would surely draw Liu Kang's attention. Sektor advised that we avoid detection by building our army using science, not sorcery. We've invested much time in this endeavor, and we are beginning to see results. Once again proving the depths of Sektor's genius. When we are done, all of Earthrealm will honor our desires and heed our demands. If not, they will face the Lin Kuei's wrath."
Sub-Zero understood that Lin Kueiâs independence relies on his and his menâs power. Lin Kuei needed it to secure their land and resources, to indimitate or if needed, to defeat those opposing. Ultimately, they used Shang Tsungâs concept and adapted it to their needs, but as intro dialogues imply, power was what Bi-Han showed an interest in:Â
Johnny Cage: Why'd you go rogue? I could've made you a star. Sub-Zero: I want power, not fame.
and Liu Kang: You will not enter the Temple of the Elements. Sub-Zero: I will have the power you've locked away inside.
and
Sub-Zero: One should seize power by any means necessary. Rain: There must be limits, Sub-Zero.
and
Sub-Zero: You wield the power that I aspire to. Sindel: Too bad you're unfit for it, Sub-Zero.Â
and
Scorpion: You defile the Lin Kuei! Sub-Zero: I seek only to make us stronger.
Though the intro dialogues do not give us the context for Sub-Zeroâs fixation on power, there is plenty of source material to assume this is indeed a way to keep his clanâs freedom, especially with so few reliable allies around.Â
There is however a different approach to Sub-Zeroâs own battle might - it pleases him to fight and test himself against powerful opponents:
âWe must find a less guarded section before attempting an ascent. Finally we face a worthy foe. Victory will bring us glory."
or
"After years of idleness, it pleases me to again face kombat."
or
"I had hoped for the chance to battle your dark magic."
or
Sub-Zero: I'm pleased to fight Outworld's foremost mage. Rain: Will it also please you to lose?
Bi-Han judges other characters through their combat power and battle experience. If his opponents do not live up to the high exceptions of his, Sub-Zero will express his disappointment, as happened in his match against Ermac
âLiu Kang was overly concerned. Your magic does not impress."Â
or Shang Tsung
âI had hoped for a worthier enemy."Â
At the same time, in case of Sub-Zero (player)âs losing a match, he would actually praise his opponents,Â
Bi-Han to Nitara after losing a fight: âYou are a superb adversary. More than worth the waitâÂ
andÂ
Bi-Han to Ermac after losing a fight: âYou are as formidable as promised. Letâs continue.âÂ
So with no doubt we can say Bi-Hanâs relationship with power is much more complex than him being just a power-hungry character. One one hand, he is confident in his abilities and Lin Kuei training, to the point he can come off as arrogant. He turned down Raiden and Kung Laoâs help by saying:
You are not Lin Kuei. You would only hinder the effort.
and in intro dialogues claimed Umgadi priestess warriors would not be able to defeat Lin Kuei
Sub-Zero: No one in your order can defeat a Lin Kuei. Tanya: A nescient boast which is easily disproven.
but at the same time, he would show an interest in Li Mei (a former leader of Umgadi) as he heard about her great skills
Sub-Zero: I hear your skills are formidable. Li Mei: As are those of all who have been Umgadi.
A similar thing may be seen with demons and Ashrah. Bi-Han is biased toward demons - as I assume, Lin Kuei's history influenced his idea of them the same way he was influenced by stories about Vaeternians - yet he will appreciate the power of a specific individual:
Sub-Zero: You will surely test my might. Ashrah: I will overwhelm it, Sub-Zero.
The contrast between power as a means to fulfill goals (securing clanâs independence and a way to expand its might) and power as a personal joy and source of respect for opponents highlight Bi-Han's complexity and influence of his upbringing. He is both ruthless and very eager to prove himself. Fighting is his way of life, and he takes great pleasure in it.
Surprisingly, despite Scorpionâs great loyalty to fatherâs teaching, Kuai Liang seems to not like fighting. All he wanted during the mission was to succeed
âI will be pleased when we complete our missionâ
but there was no personal joy in the task
âGlory? We fight for dutyâ
In one of the intro dialogues, Scorpion would go so far as to even criticing (accusing?) Liu Kang for not abolishing combat
Scorpion: As Timeâs Keeper, you could have abolished kombat. Liu Kang: Even a Titanâs power has limits.
 - what logically would erase the need for Lin Kuei and the duty Kuai Liang dedicated his whole life. Which is a total opposite to Bi-Han, who enjoys combat but also provides an interesting complexity of Kuai Liang and his relationship with fighting and power.Â
At the same time, he took pride in being a Lin Kuei once
Raiden: Did you ever want to be an Earthrealm champion? Scorpion: I have only ever wanted to be Lin Kuei.
and has a similar to Bi-Han faith in his own abilities (former Lin Kuei training) that could be seen as arrogance.
Li Mei: Liu Kang has nothing but praise for you. Scorpion: Let me demonstrate why that's so.
or
Sindel: You performed well during the recent crisis. Scorpion: I did what I was trained to do.
or
Scorpion: Here to test the Shirai Ryu's might? General Shao: I will prove it worthless and weak.
or
Scorpion: Was it worth it, training with the Shaolin? Smoke: Let me show you what I learned.
The Lin Kuei training with no doubt shaped both brothers, but like with many other aspects of their past and personalities, they reacted differently to it. Kuai Liang is well aware of his combat skills to the point he barely pays attention to charactersâ compliments. Yet he doesnât seem to enjoy fighting and is there only to do his duty. He does not seek power or power-related support and rejects propositions of other characters - be it Shang Tsung (enemy)
Shang Tsung: Surely I can tempt you with something. Scorpion: Nothing you could offer would interest me.
&
Shang Tsung: I could teach you the secrets of shapeshifting. Scorpion: Stealth is the only tactic I need.
 or Kitana (ally)
Kitana: Weapons. Soldiers. Whatever you -- Scorpion: I have all that I need to defeat Bi-Han.
In contrast, Bi-Han is a much more ambitious man, yet his relationship with power is not one dimensional and there is a personal joy to face worthy opponents and to see how far he came in his training and combat experiences. Power is a means to fulfilling his goals, but also a reason to admire an opponent's skills, even if it's the enemy trying to either capture or murder him.Â
#mortal kombat#bi han#sub zero#kuai liang#scorpion#good brother? evil brother? nah just different reactions to trauma#oh the sweet irony that the brother rebelling against lin kuei duty is the one that enjoys the combat#and the one that is dutiful son feels like he would rather not be fighting
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Gregory introduces Spring-ness to Freddy
The first prompt up there is number three of our tumblr generated prompts and comes from TheGrimRead3r on ao3! The second one came in during this event, but there was no reason not to put them together. This one is a sequel to Amongst the Dead, and the tldr of that ficlet is that Vanessa got spring-locked and possesses a white bunny animatronic now.
A Difference Keenly Felt
Vanessa didnât know what she was doing. In the grand scheme of things, that is, because right now, she was letting a kid stand on her shoulders in order to climb into a vent. A kid she desperately wanted to save. Which meant now was not the time to have an existential crisis. Gregoryâs slight weight left her, and she listened to the clunking of him scooting around up there.
âIâll go unlock the door,â he called back to her, and then he was off. It was a good thing they werenât trying to be quiet, she mused with a soft huff.
She wandered back over to the door in question. Her movements still felt stiff, but it was already a far cry from the absolute struggle it was to stand up. She hadnât moved since sheâd been tossed into that room like junkâas if she wasnât a⊠as if she wasnât an actual person.
A dead one, yes, but clearly death wasnât as final as sheâd once believed.
Vanessa looked down at herself, at what she thought of as her body now. It didnât feel the same as her human body, of course, but it was still hers. There was a much duller sense of feeling, like she was touching things through a thick blanket, and sheâd completely lost her ability to taste and smell. But the limbs moved as she wanted, and her eyesight and hearing was certainly improved.
It wasnât the body she would have chosen for herself. If she could get her human one back, she would in a heartbeat. But instead, she was a fuzzy white rabbit animatronic, which was just salt in the wound.
She hadnât known how to feel when she realized her human body had been removed. The insides of her animatronic suit were far from cleanâjudging by the way Gregoryâs nose wrinkled when he got too close, she still smelled of rotâbut it hurt a little to have lost that last piece of who she used to be. She was grateful, though, to not have to be so aware of the flesh and blood that had clogged her insides.
The door unlocked, and as Gregory pulled it open, he said, âYouâll never guess who I found! I donât think I mentioned it, actually, but Freddy was helping me before we got separated, and that was when I met you!â
What passed for fear when oneâs body lacked flesh and hormones and a brain to translate those chemicals flashed through Vanessa, and she looked up in a panic to see Glamrock Freddy standing behind Gregory. His smile faded a bit when he saw her, but Gregory didnât notice either of their reactions.
âFreddy, this is Vanessa. She watched over me while I took a nap. Vanessa, this is Freddy. He was helping me before I met you.â He barely gave them a chance to take each other in before he was off like a shot. âIâm gonna go get a Fazerblaster like you suggested, Freddy! Be right back, play nice!â
Vanessa tensed as she was left alone with a real animatronic. He eyed her distrustfully.
âYou are not like me,â Freddy said eventually.
âUh,â she replied. âI donât know what you mean.â
âYou are⊠different. Wrong,â Freddy said. She flinched minutely; trust me, she wanted to say, I know. âThere is no âVanessaâ in my files of past or present animatronic personalities. You do not exist, yet you stand before me.â His countenance hardened, and even though Vanessa wasnât hooked up to the communication system the way a proper animatronic would be, she could nearly feel the protective rage settling over him. âIf you are trying to hurt Gregory, I will stop you.â
She raised her hands and shuffled away. âIâm just trying to help, okay? The kid needs as much as he can get.â
âWhoâwhat are you?â Freddy demanded.
âIâm Vanessa,â she said. âI⊠IâmâŠâ
He moved fast for a robot, much faster than she did, as unused to her mechanical body as she was. He slammed her into a wall, looking quite ready to rip her apart if need be.
âOkay, okay!â she cried. âBut you canât tell Gregory, yeah? Itâllâit wonât help.â
âI will be the judge of that.â
She wished she could swallow or run a hand through her hair or even just breathe. But all of those little human things had been taken from her. Their absence, the difference in all the little things that made her up⊠she felt it deep and sharply.
But it wasnât like she could cry about it.
âIâm Vanessa,â she repeated. âAnd I was a human. I got⊠I was tricked into this suitâitâs got springlocks, which are really really dangerousâand I. I died. In here. And now my bodyâs gone and this is my body now.â
The light of Freddyâs eyes flickered. She could hear the subtle clicking and whirring of his body as he processed that.
âVanessa Anderson,â he said slowly.
Her voice box emitted static, as close to a choked breath as she could manage.
He continued, âShe is in my files as a night guard who went missing a year ago.â
A year. Had she really been asleep, shut down, whatever, for that long?
âYeah,â she said quietly. âThat, that was me. And now IâmâŠâ She gestured helplessly at herself.
Freddy backed off, releasing her. âI am very sorry, Vanessa Anderson. I⊠will not tell Gregory.â
âThanks. And I mean it. I just want to help him. I, I canât let him end up like me.â
He looked at her, then, really looked at her, and he nodded. Maybe it was wishful thinking, or a remnant of her humanity that demanded she seek emotion even in emotionless things, or maybe it was because she understood him in a way she wouldnât have been able to as a human. But whatever it was, it seemed to Vanessa that Freddy was looking at her with more compassion than anyone had shown her in years.
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Ocarina of Time Zelda
For the first time in the franchise there is some actual content about Zelda and you don't have to squeeze out fanfiction from a single line in a guide book. However you probably get more out of her if you understand OoT's placement in the Timeline and what kind of role she plays in it, but I'm sorry, I really don't care about the Zelda timeline and just doze off when the exact details of OoT's main plot are discussed. So this will be written with only cursory understanding of the time travel plot.
Design
The biggest issue for me with OoT Zelda is the colour palette, I still find this kind of magenta really unappealing, and I donât think the blue cloth with the royal crest goes well with it either. And the crest design is just a huge mess, I bet Zelda gurus can decipher each individual element but even if each scribble has a specific meaning I still think thereâs far too much going on and way too many colours. Still I like when you have designs âprogressingâ with age like this, and overall I think the OoT design manages that well, with young Zeldaâs design being softer while adult Zelda has some armour pieces and similar colours tying everything together.
Then there's Sheik, who looks perfectly adequate for the "mysterious ninja" role. The hairstyle does bother me, Zelda shouldn't be able to style her hair to bangs like that, but I suppose that is the least of issues when it comes to how Sheik relates to Zelda.
Character
A lot of Zelda's lines are still about the plot, but this time she does have an actual personality to talk about. In princess mode she has a pretty standard nice and polite princess personality, but kid Zelda does have this plucky childlike enthusiasm about her. She's so excited to meet Link that she forgets to introduce herself, and even if it's pretty subdued, she's clearly into getting a partner-in-crime in Link. The whole scene in the castle yard has delightful "meddling kids" energy, with the kids spying on Ganondorf and scheming about their grand plans that end up being way over their head.
There is also obviusly the assertive and witty side to her since she does set up quite a grand plan, though that doesn't quite make her look like wisdom incarnate and rather comes across as just a kid who thrilled about this cool thing they saw in a dream. Meanwhile her passing the Ocarina of Time to Link manages to look like a proper and meaningful plan.
Once she has grown up Zelda displays noticeable character development, and adult Zelda is much more mature, calm and englightened. She even points out how she was naive and presumptuous about her plan, and takes responsibility for the results. I really like her character development, it makes good use of the game's two times mechanic and also fits the overall melancholic tone.
Sheik is of course also an important part of Zelda's character, and it's great that she got a more active secret persona. I have some trouble reconciling Sheik as a part of Zelda's character though, since they feel so separate. Once Zelda reveals her true identity, Sheik just completely disappears and we don't get to hear anything about how Zelda felt about her other identity (other than being sorry for deceiving Link) or presumably having gone a lot of physical training. Sheik's mysterious and poetic way of speaking is gone, as is their apparent coldness towards Link who clearly wants to know more about them. And Sheik doesn't say anything meaningful that would hint about their feelings about the secret identity either. Sure she didn't want to get caught, but I still wish there was more effort in linking the two together.
Role in the story
This time Zelda has quite a lot of presence in the story, especially if you know about the Sheik thing. It's nice that the player gets to see her set up her plan instead of hearing that she did something smart off screen, and in general she makes such a charming impression in her first scene the goal of first fulfilling her plan in the child portion of the game and then trying to reunite with her later is motivating.
Sheik's existence also gives her a way more active role both in terms of screen presence and like, getting to do something else than sit in place being a princess. Granted we don't really get to see Sheik do that much, but they did help out Ruto off screen and at least I can easily believe them to be capable of defending themselves. And I dunno, maybe it's just that because Sheik is written to be believed to be male (for unspoiled first-time players), they come across much more as Link's equal than many side character girls, who usually have at least some baggage that comes with being a girl in a video game.
Gameplay-wise Sheik's appearances are also pleasant because opening fast travel locations is always useful, and making music together with an npc is fun as long as the player's controls don't suck.
Relationships
Zelda and Link are super cute together as children, even if Zelda has to carry the scene on her own since the player can't contribute much anything. But still I get the feeling of two new friends who are excited to get into some mischief together.
As adults they have a much more professional feeling relationships, with a somber aftertaste when Zelda sends her back to the past. So while she is the most prominent npc in the game, she is far from my top pick for shipping out of Link's many potential love interests. Really I think he has the most interesting chemistry with Sheik, but I already wrote about how that doesn't automatically transfer over to Zelda. But there's just something about how he chases after the mysterious stranger! Who feels like a proper peer on their own quest too.
Impa is also there, but I don't get a lot out of them outside a pretty basic combination of child-and-caretaker and princess-and-servant relationship. I'd probably like it more if Impa wasn't in on young Zelda's plan, now it's harder to see if I'm supposed to take it as her being too naive and overconfident to begin with, or if the plan was actually valid and she's being too hard on herself after its failure.
She is also supposed to be the leader of the sages, but I don't get a lot out of that since they don't interact at all and Rauru felt more fitting for that role.
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Watched IWTV 1x01 with my husband tonight, in an attempt to spread the brainrot, and I have Thoughts.
So first, I was struck by how violent and aggressive Louis is from the beginning. Like of course I remembered on paper, but seeing it again after S2 really hit home.
Because the show definitely seems to be pointing to this tendency of his as part of the reason why his relationship with Lestat was Like That, and I also think the Throwing Armand Almost Through a Concrete Wall is telling us that too. (No matter how much he deserved it.) This episode just has Louis barely restraining his rage through the whole thing.
Secondly ...
Yeah I had a second point but uh, I forgor it. I waited a day to see if I would remember what point I was going to make, but yeah.
Anyway, I was NOT sure if Mr. Rings was gonna like this show at first. Like, after S2 I wanted him to see it cause it's so good, but I wasn't sure if like Gothic Gay Vampires was gonna be his thing.
So we finished and he goes "Goddammit now I'm in!" So yay, he liked it.
I thought it funny that he didn't remember Jacob from GOT but did immediately know who Eric was and even remembered the name of Talk Radio AND knew it had been his one man show first. Like, okay, I know we've watched that movie a long time ago but I didn't know my husband was storing so much info about it.
So yeah, apparently my husband is an Eric fanboy. He kept just going "god he's such a good actor."
However, he doesn't like Sam. I was like, well, wait and see. I promise he IS really good. So hopefully he grows on him.
Also I commented on how good Jacob's accent is, and he said "eh yeah." and I was like "for New Orleans?" But then he's only been there like once for any time, and I've been several times. (I spent more time around Cajuns than proper New Orleans, though, in East Texas.) But anyway what I realized/remembered that's great about Jacob's accent is that it's accurate, but also a little subtle. Like a very THICK NOLA accent can sound like an exaggeration or mockery, even if people DO actually sound like that. So Jacob's is a little dialed down so it doesn't sound silly.
God I remember this one infamous cab trip I had in NOLA with this driver who was this very large white dude with the thickest damn accent I ever heard. We get rerouted through the uh, unsavory parts of town, because the president was in town that day. So I got a tour of the projects. And then there was a guy on the street who had apparently lost a finger somehow and there was blood dripping down from his hand to the sidewalk. Even the cab driver was pretty shook by that one.
I nearly went to Tulane, but it was probably good I choose New York over New Orleans in the grand scheme.
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Top 15 Portrayals of Mina Harker
As I said in my past list, the famous Van Helsing is actually NOT the main character of Bram Stokerâs âDracula.â Heâs the leader of the team, sure, but heâs more along the lines of Merlin in Arthurian lore, rather than the main protagonist proper. Itâs hard to say who the main protagonist of Dracula is, really, since the structure of the book makes it rather ensemble in natureâŠbut if I had to cast a vote, Iâd probably say that Mina Harker (nee Murray) is the best option for that role.
I say this because, in the same breath, I would also say that Mina is one of the most maligned characters in all of literature, and certainly in the long history of Dracula. And not just in adaptations, either: even the novel ITSELF shortchanges Mina by the end of the book. In the novel, Mina is intended to be Stokerâs idealization of the âNew Woman,â a concept prevalent in Victorian times: a feminist icon who is still good at heart, and still able to have feminine leanings, but is also just as competent, willful, intelligent, and interesting as any of the male characters in the book, if not more so. Sheâs one of the most proactive characters in the novel, as she and Van Helsing are really the ones who lead the charge against Dracula. Sheâs even the one who helps lead the other characters to the vampire in the climactic final chaptersâŠyet despite this, she plays almost no role in the final battle against the Count. Neither does Van Helsing, for that matter. They justâŠkind of watch the other characters take care of things.Â
On top of that - and this is something critics have pointed out many times since the novelâs publication - this âstrong working womanâsâ oh-so-glamorous job isâŠbeing a secretary. And Stokerâs cast tries to build that up as if itâs something to be REALLY freaking proud of, as if Mina is the worldâs coolest gal because sheâs so good at this particular job. Thereâs nothing wrong with that profession at all, of courseâŠbut I think most can agree thatâs not really the kind of work that those in favor of the âNew Womanâ ideal had in mind, then or since.
These flaws are fairly minor in the grand scheme of the novel, I would argueâŠbut one could see them as portents of the mistreatment Mina has suffered in adaptations and reimaginings since. Many versions of Mina depict her as little more than a damsel in distress; a much weaker character who ultimately is only there to be saved by the rest of the cast. Others take the liberty of crafting a romantic subplot between herself and Dracula; sometimes this angle CAN be interesting, if itâs handled a certain way, but I often feel itâs a total misunderstanding of the intent behind her character. Plus, it makes things difficult, since Mina IS a married woman (or at least engaged, depending on the version you look at), and I think most of us can agree that creates some questionable subtexts. Even her NAME is subject to mismanagement: in some adaptations, Mina is referred to as âLucy,â while the Lucy character is swapped to âMina,â which only confuses things more. With all that said, thereâs no better way to look at how Mina has evolved over the years than for me to present the versions of her I like most from all the Dracula-related stuff Iâve gathered. (pauses) Well, actually, there probably ARE better ways, but this is my technique. So, having rambled all your ears off by now, letâs waste no more time: here are My Top 15 Portrayals of Mina Harker!
15. Agnes Moorehead, from the Mercury Theater Radio Version.
Moorehead, of course, is a fantastic actress, and her performance, on its own accord, is pretty good. However, the Mercury Theaterâs treatment of the novelâs plot - which had to be highly truncated for time - means that the character doesnât even appear till I think about halfway through the entire production. As a result, a lot of what makes Mina so interesting isnât really present in the radio show. Still, hearing future Endora as Mina makes for some interesting listening, if nothing else.
14. Kate Shindle, from Dracula: The Musical (2011 Studio Cast Recording).
Frank Wildhornâs musical version of Dracula has a LOT of problems, not the least of which being the way it treats Minaâs character. This is one of several versions that tries to create a romance between Dracula and Mina, and in my opinion the execution of this concept here isâŠwellâŠnot the greatest. Tie this to some of the musicalâs other flaws (there are several), and you can see why she ranks low. However, I will give credit to Kate Shindle - an actress I admire greatly, who has worked on several Wildhorn projects - for her work in the role on the 2011 Studio Cast Recording, who probably made this role work about as good as anybody reasonably could manage.
13. Melissa Stribling, from the Hammer Horror Films.
Hammerâs first Dracula film, âHorror of Draculaâ (as itâs known in the states), is quite possibly my favorite Dracula movie of all time. (âFavorite.â Not âbest.â I will always contend that there is a difference.) With this in mind, Iâve always felt mixed feelings about Minaâs treatment in the movie. Actress Melissa Stribling does a very good job, and I will say this is one of the first versions of Mina I think of when I think of the characterâs name. HOWEVER, her ultimate role is essentially just being âthe housewife,â so to speak: she isnât nearly as proactive as in the novel, and while she does START to turn thanks to Dracula in the film, we never get far enough to see the full contrast between her true self and her half-vampiric change, which Iâve always felt to be one of the most interesting parts of her story arc. Also, itâs worth pointing out that the Hammer version (for reasons no one can explain whatsoever) swaps characters around: everyone has their names right, but for some reason Mina is depicted as Arthur Holmwoodâs wife, while Jonathan Harker is instead engaged to Lucy. One of many times where characters are fiddled around with for no apparent reason, as youâll see.
12. Maria Rohm, from the 1970 Jess Franco Film.
Rohmâs Mina is one of the stronger versions on this list, as she is counsel to just about everything the men do in the story, tries to save Lucy from Dracula, and even interrogates Renfield at one point, nearly getting killed in the process. However, much like in the novel, sheâs ultimately shortchanged by having basically nothing to do with the Countâs final defeat, and I personally felt still more could have been done with the character than the film ultimately tried. Itâs hard to explain, but I just donât feel I can, in proper conscience, place her higher.
11. CindyMarie Small, from Dracula: Pages From a Virginâs Diary.
As I said on my previous list, in this surrealist dance-based motion picture, all of the male characters from the story are depicted asâŠwellâŠcreeps and jerks, to put things in the kindest possible words. As a result, the two primary female characters - Lucy and Mina - take center stage as the true heroines of the story. In Minaâs case, she proves to be the stronger lady, as - after being kidnapped by Dracula and whisked back to his Castle - she is able to resist the vampireâs temptation and actually helps the men take down Dracula. In fact, one could argue itâs really Mina who is responsible for the Countâs defeat; she doesnât drive the stake through his heart, but the men could not have done it without her help. Ironically (and intentionally so), the men take all the credit despite this, and still treat Mina like a child or a trophy in the end. Ah, the patriarchy of VictorianaâŠwhat fooleryâŠ
10. Helen Chandler, from the 1931 Film.
Chandlerâs Mina is arguably one of the weakest versions of the character on the list, so itâs probably surprising for many to see her so high up. Well, the fact of the matter is that I really like the classic Universal version of Dracula (despite the fact several elements of it have admittedly not aged very well), and - much like Stribling - Chandler is one of the first versions of Mina I think about when I utter the characterâs name. In the Universal film, Chandlerâs Mina is very much depicted as a damsel in distress; ironically, itâs LUCY who is depicted as more of a âmodern woman,â despite smaller screentime. (More on that another occasion.) Instead, Chandler is more of the typical society lady: repressed, glamorous, and idealistic. Draculaâs corruption of Mina, turning her into a vampire and causing her to become attracted to him (in here not so much a love story so much as just another way of him controlling her), is symbolic of the vampireâs influence corrupting her innocence and the order of society as a whole. While this is totally NOT what Stokerâs idea for the relationship was (this is actually more what he tried to do with Lucy than with Mina), I do like Chandlerâs performance. She goes through various stages, from a prim and proper young lady to someone more playful and sensualâŠand finally seeing her go into vampire mode, where she behaves more like an animal than a human being with a deeply unsettling, predatory slowness that really plays into the idea of the undead. Not accurate at all, but very unique.
9. Lupita Tovar, from âSpanish Dracula.â
For those who donât know, the âSpanish Draculaâ is the colloquial reference to the Spanish-language version of the classic Universal film from 1931. Due to the technical and budgetary standards of the time, whenever a movie like this was going to be released to other countries, instead of doing dubbing or subtitles, studios would basically just make the film all over again, using the same sets and often a lot of the same costumes, but now with a different cast and crew all speaking that language. Tovarâs Mina - or âEva,â as sheâs called in the Spanish version - is honestly more interesting than Chandlerâs. Tovarâs Mina is more vivacious, youthful, and has a sort of fiery quality to her performance, which becomes downright manic and feral when she goes into vampire mode, making for a more memorable character, in my opinion. Itâs the same basic character, but much less âstiff.â
8. Minnie Mouse, from Disneyâs Dracula, Starring Mickey Mouse.
Hereâs a shocker for you: this might be one of the most book-accurate Minas, in some ways, on this entire list. No joke. One of the things I love about the graphic novel version of âDracula Starring Mickey Mouseâ is that the people who made it clearly loved the original book and gave it a VERY thorough read. A lot of the humor and intrigue in the comic comes from stuff that you will only get if you actually read the original book. Case in point: Minnie makes for a PERFECT Mina Harker, as, like Mina, Minnie - by typical default - is able to be romantic and sweet, but is also perfectly capable of standing up for herself and wonât hesitate to give somebody a piece of her mind if she needs to. She has the same role in the storybook version, which is only appropriate.
7. Greta Schroder, from Nosferatu.
Itâs weird that the Mina character from the very first true Dracula film (not counting the lost film âDraculaâs Death,â which is a whole other can of worms) is still one of the best, in my opinion. In the 1922 German Expressionist classic, the Mina character is âEllen Hutter,â the wife of Thomas Hutter, the Jonathan character. She is once again the main character; a woman pure of heart (filmâs words, not mine), who is tormented throughout the film by the vampireâs powers. Yet she struggles on, determined to find a way to destroy the vampire herself, ignoring her husbandâs fears. Eventually, she finds out the only way to defeat Orlok (Dracula) is to sacrifice herself, and does so to save her hometown. Admittedly, sheâs also shown fainting aboutâŠfive times throughout the picture, but to be fair, if I had to deal with a vampire like Orlok, Iâd have trouble staying conscious, too.
6. Ellie Beaven, from the 2006 BBC Radio Version.
Honestly, not sure what to say about Beavenâs work in the BBC Radio version. (Obviously, no, she is not in costume for Mina in this image, but she certainly looks like sheâd fit the bill there.) I just think she does a really good job, plain and simple. Also, this is one of two versions Iâm aware of where Mina and Lucy are depicted as being sisters, instead of just being best friends. Doesnât really impact the story, but the other one was also made by the BBC. You may now insert the âIf I had a nickelâ meme here, if you care to.
5. Winona Ryder, from the 1992 Film.
I really struggled with where to place Winona Ryderâs Mina in the ranks here. Some people will probably think sheâs much, MUCH too high up, while others will think that, despite making the Top 5, sheâs too far down. I actually used a method a friend suggested: looking at the highest placement I could put Ryderâs Mina at for me, and the lowest I felt was earned, and finding the median between them. That median just so happened to be either 5th or 6th place, and between Ryder and Beaven, I do think I prefer the former SLIGHTLY (though, once more, I'm not sure why), so fifth place it was. Ryderâs Mina tries to combine the strong, independent, capable, charming lady from the book with a raw, sexual edge and a romantic daliance with Dracula, andâŠin my opinion, the result is something of a mixed bag. As popular as this film is, and the way Mina and Draculaâs romance is depicted, I actually feel the writing is clumsy on Minaâs part, in terms of her motivations and the way her relationships with other characters are depicted. HOWEVER, I think that Winona Ryder gives one of her absolute best performances in this movie, and her work as Mina is probably the first performance of hers I think of when I think of the actress. She manages to maneuver skillfully through the clutter and creates an interesting character to watch as a result. Ultimately, Number Five just felt like the best balance between the pros and cons for me.
4. Kate Nelligan, from the 1979 Film.
When it comes to versions of Mina who have a romantic daliance with a more sympathetic Dracula, I think Kate Nelligan was the firstâŠand I would also say that she was the best. I should point out, on that note, that this film is one of the ones I mentioned before where the names of Mina and Lucy are switched: Nelliganâs character is NAMED âLucy,â but the actual character HERSELF is clearly meant to be Mina. Apparently, this change was made simply because the writers liked the name âLucyâ better, whichâŠis a bit of a dumb reason, in my opinion, as it just makes things more confusing, but whatever. Iâm going to continue to refer to the character as âMinaâ here, for consistencyâs sake. In my opinion, Nelliganâs version succeeds at what the Ryder version (among others) would later try to accomplish: depicting Mina as a strong and competent woman who can stand up for herself and has full agency in her life, while also creating some interesting tension by having her form a romantic attachment to Dracula, and ALSO still having her relationship with Jonathan ongoing. How did they do this? Eh, watch the movie yourself to find out and see if you agree; I havenât got time to go through it all here.
3. Isabelle Adjani, from Nosferatu the Vampyre.
Just like our previous pick, this version once again reverses character names, with this character being called âLucy,â even though the actual role is clearly that of Mina, and vice-versa. It also came out the same year as the previous pick, 1979. (Again, insert âif I had a nickelâ meme here.) This remake of âNosferatuâ (the first of no less than three, the other two of which have yet to gain public release) expands on the version found in the original film, showing even more of the characterâs struggles as she tries to combat the vampire, even having her directly confront Dracula at one point. Interestingly, Dracula is depicted as a sympathetic character in this one, but he and Mina do NOT have a romantic interest in one another; thatâs very rare in adaptations. Just like in the original version, Mina ultimately sacrifices herself to stop Dracula, and since Dracula is depicted as a sympathetic antagonist as well, that makes the ending all the more tragic.
2. The Version from The League of Extraordinary Gentlemen.
If thereâs one way to make Mina independent, itâs to completely separate her from the rest of the cast in âDracula.â Iâm talking about the comic version here, by the way, not the one played by Peta Wilson in the 2004 film adaptation. While Wilsonâs Mina isnât BAD, per say, she isâŠvery, VERY different from the one in the Alan Moore comic series. In the original comics, Mina is actually the leader of the titular League. She has no powers in the comics, but is instead depicted as a capable and charismatic leader, as well as a surprisingly gifted strategist; after her adventures in the novel, Mina has actually become an even stronger woman than before, and shows no fear in the face of opposition from characters like Mr. Hyde or the Invisible Man. She forms a unique romantic relationship with Allan Quartermain, and has someâŠCOMPLICATED feelings in regards to her past, and especially towards the (presumed late) Count Dracula. Again, the movie version isnât necessarily bad on her own merits, but the comic is definitely a more interesting character between the two.
1. Judi Bowker, from the 1977 BBC TV Film.
This TV production is quite possibly the most book-faithful adaptation of the novel ever put to the screen. By extension of this same fact, Bowkerâs pretty-but-not-prissy Mina is quite possibly the most accurate interpretation of her character ever put to the screen, as well. The only major change for her character is that this is the other BBC rendition I mentioned where Mina and Lucy are made to be sisters, rather than just best friends, but this really doesnât cause a HUGE impact on the story. Indeed, Bowkerâs Mina even gets some slight IMPROVEMENTS from the original, as she and Van Helsing take direct part in the final battle, instead of just watching it happen like in the novel. Easily the best Mina onscreen, bar none.
#list#countdown#best#favorites#top 15#mina harker#mina murray#dracula#actors#acting#portrayals#film#movies#tv#comics#radio#theatre#musical theatre
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Writing Share Tag
Thank you @renasdoodles for the tag! Here's an excerpt from a short story I've been on and off working on for awhile! This is the beginning of the first scene. Not sure how good it is, but I've been having fun working on it!
Tarrent was nothing special, and he knew it. He was a balding middle-age man with a wifeâVanyaâand three daughtersâElidi, Thia, and Kinsley. He had an office job that he thought was important but really wasnât, and he earned enough to live comfortably. He thought he was doing well and that he was a good and respectable man, and perhaps he was. It didnât really matter, in the grand scheme of things. What did matter, was the handful of minutes he spent with the three Seers that resided in his town of East Gondul. He was walking home from another day of work. It was a nice day, and his office was only a few blocks away from his home. At first, he watched the scenery. To his left, cars drove past, heading home from work, just like he was. To his right, there were residential homes where kids could be heard playing inside. It was the middle of summer, and they were enjoying the lack of schoolwork, just like his daughters were. In the distance ahead of him, he could faintly see mountains covered in trees where it was well-known faeries resided. Heâd always wanted to get training on how to deal with them so he could go hiking with his family there, but he never found the time. It was dangerous to go there without the proper knowledge, and it cost too much to hire a guide. He checked the timeâ5:12PMâand remembered it was his night to prepare dinner for the family. He pulled out his phone and searched through a list of recipes he compiled to figure out what he wanted to make. He picked one, and carefully examined the ingredients. Was this something his kids would like? What about Vanya? Did he need to stop at the store for any ingredients? He couldnât rememberâwere they out of salt? What about butter? He didnât realize he wasnât the only one walking on the sidewalk anymore. A group of three, walking side-by-side and taking up the entire width of the sidewalk, headed towards him. He didnât notice, too focused on the recipe on his phone. It would have been expected that the three maneuver out of his way, distracted as he clearly was. He was already standing to the side, leaving plenty of room for them to do so, but these three had no intention of changing their course even slightly. So, inevitably, Tarrent and the three ran into each other. âOopâsorry! Wasnât watching where I wasââ He noticed the bright clothes of Felicity first. Bright, colorful, not quite matching clothes with a smile that would liven any room if only it werenât coming from her. Then, he noticed Eulaâs wide-brimmed hat putting a shadow over her deceivingly kind-looking old face and her vintage-style green dress. And Bastian, who had a pale, acne-covered face and wore casual clothes, could easily pass for a normal teenager if it werenât for his sinister smile that struck unease and fear to anyone around him. âSeers-â he stammered. He tried to remember any other time the three of them walked anywhere near this area, but couldnât. Why did they choose today to walk a new route? âIâm so sorry,â he said quickly. âI- I should have been more careful. Are you alright? Can I help you at all? Iâm so sorry for running into you, I will pay more attention in the future.â If it were anyone other than the Seers, he likely wouldnât have felt the need to apologize at all. After all, he wasnât blocking much of the sidewalk. If he were any more to the right, he would have been on the grass. But because it was the Seers, he had to be careful.
Tagging (no pressure at all!): @aminovels
I'm not mutuals/friends with enough other writers to tag more than one, but here's my contribution anyway!
#This isn't the first draft of this scene but it's definitely not the last either#I thought it was good enough to share though!#I hope you like it#writeblr#writing#writerblr#writers on tumblr#writer#writers#writblr#My writing#Short Story#Fiction#Excerpt#Short Story Excerpt#fiction excerpt#fantasy#Lesa's Writing
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Left for Dead
Written for @whumptober
Day 14 - Left for Dead
They always trembled with excitement, they were gripped with such a thrill whenever they imagined their own death. It was supposed to be perfect - on their Lordâs and Fatherâs altar, the last living soul alive walking scourged and bloodied Toril all alone in the end.
It is not a death that was granted to them though.
Read on AO3
...
They were perfect. Bhaal created them to be the last soul alive. At the end of this all, there was not supposed to be a single creature living. Everyone dead. Everyone dead for their Lord and Father. They were meant to make Him proud.
This was not how things were supposed to endâŠ
They are bleeding, crawling like a pathetic worm through the fleshy corridors of the illithid colony they were meant to walk through victorious. They were so close to fulfilling their destiny! They were getting so close! Elder Brain crowned and, oh, even she was impressed by their unmatched cruelty, their plan to eradicate all life. Of course, not that she had a choice in a role she was about to play: in either the Grand Design - the scheme the Chosen of the Dead Three created - nor a plan the Dark Urge themselves was about to act out when the time was right and when their allies outlived their usefulness.
Why are they not celebrated? Why were they butchered as prey? A predator made into a fool. They are still struggling to understand the reality of it. But, oh, can they really blame their brain for not working properly, not properly processing what happened to them? Stabbed and played with and left as useless mush. Same as the rest of them - dying carcass, pathetic creature mutilated beyond recognition
The Dark Urge slaughtered so many different creatures in so many different ways, their imagination never running dry. And every time they killed, they imagined what, the death they were inflicting, felt like. When they ripped still beating hearts, when they tore limbs and pulled intestines out, when gouged eyes, when they ripped throats, when they pierced skulls of their victims. Some part of them really felt it, like it was happening to them and beamed with thrill. Little shiver, just a little touch of death, delivered in the name of their Father.
Well, now their skull was pierced open for real. With their own dagger their brain matter was mushed and squashed and made into worthless pulp and it did not feel good at all. Because it was not a way of dying they chose for themselves and dedicated to their Father. No, someone else, a traitor, dared to try to give the death of the Dark Urge to their God.
Hah, try. Bold claim. They might as well say they succeeded because their time is numbered, is it not? They failed and they are dying and this is the end for them. The Dark Urge is not afraid of their death, they were never afraid. They were always ready to embrace it - they were always meant to have a terrible and gruesome death! But! But they were meant to die only after everyone else does, not here, not now. Not when the rest of the world is treacherously and painfully full of life, still ready to be killed by their hand. But their hand is too weak now. Too weak to hold their blades, too weak to rip through flesh, too weak to even clench in a fist so they can curse the one who brought this fate upon them.
The thing is, they would love to claim, they hold no grudge against their murderkin, their little sister, their second in command, Orin. It was in her nature to try to kill them, it was expected and she has beaten them, has she not? Should they not be happy that their Father will have a better Chosen as they obviously failed Him?
Except she was not ready, they declined her duel for a reason! She should have been worshipping them, everybody was worshipping them, why was she refusing to see their superiority, how could she dare? She was not mean to, she was not allowed to fight them yet. She cheated, this was not a proper way to do things! She did not play by the rules, by Fatherâs rules, it is not fair! Bhaal should frown and punish her for her misbehaving as this action was not a one befitting of his Chosen.
The Dark Urge laughs - or at least tries to, choking on their own blood which is filling their mouth and their insides and all the places they are usually covered only in the blood of the others. Because a grim thought crosses their mind. This kind of treachery was more fitting to one of Baneâs worshippers and, oh, how much Orin would hate to hear that, as she hated both Bane and his Chosen. The attempted laughter is followed by another wave of rage over the unfairness of this entire situation. Because how come the Chosen of Bane, their enemy, Chosen of their Fatherâs enemy, was in the end the one always trustworthy, always keeping his word to them, while the blood of Bhaalâs blood, the one who is sharing the same heritage as them, was the one who betrayed them?
They crawl and curse Orin and scream for their butler but he does not come. That is not possible, Sceleritas Fel always comes, wretched but faithful little thing he is. But where is he now? Why has he not come yet? To fix them and to praise them and to tell them as always how much better than Orin they are?Â
They pray to Bhaal but He does not answer. Why is He not answering? They are His masterpiece, His perfect scion, His tool to bring His revenge on this realm. He loves them! So why is He silent to their prayers? Do they not at least receive one last blessing, to be told they have done well, that they have done good? They have always done everything right, what was the point if Bhaal is deaf to their dying prayerâŠ
They call for his ally who warned them and they laughed and why is he always right, will he ever get tired of being right? Where are his glorious plans now? If he was so sure Orin cannot be trusted, why did he not count with something like this happening, where is his smug smile and back up plan for every back up plan? Did he finally grow tired of them, the mind games they play together, did they finally outlived their usefulness to him as well?
The Dark Urge is in pain, the entirety of their body screams for them to give up. To lie down and let nature do its thing. Let their blood run and leave. Let their body grow cold and still. Let their soul leave for the Fugue Plane. Except they cannot, they cannot stop yet, they cannot give up! Their destroyed mind refuses to still acknowledge their defeat, their end.
Something is squirming in their head, in their brain. They can feel it. It is not a worm, it is too soon for worms to start feeding on them. They want to reach with their claws inside their opened skull and fish it out. Scratch and tore apart their flesh to cleanse it of whatever Orin dared to do to them.Â
The waves of rage and desperation alternate in quick succession, each time giving them a new wave of energy to move, to crawl more, just a bit further. They do not know where they are going. Out of this place. To get help. To get revenge. To make amends. To continue, to finish, to fulfil their purpose. Because they cannot stop till they destroy this damned world! They cannot! they will not!Â
They cannot disappoint their Lord, their Father, they cannot stopâŠ
They try to scream for Him but they cannot. They are getting so tired, every movement slower and slower. They feel the embrace of darkness. No coherent sound is leaving their mouth and the realisation starts sinking in. That this is how they will die. As a failure left to rot forgotten by everyone, abandoned by their God too.Â
And it is unfair. So unfair! They understand it now, they can admit now that they failed, they get it, they are done with their self pity! So it be, Father is displeased by them, He must be, but why is He silent? And they could bear it; they could die with the fact, if only Bhaal, if only their Lord, if only their Father was not so completely quiet. His presence used to always be in the back of their mind. But they cannot feel it now, not anymore. Gone for good, ripped away together with their flesh.Â
And it is unfair.
They deserve to feel at least His wrath; they are desperate for any form of His divine touch. They are the Dark Urge, they are His Dark Urge, they are perfect, He created them perfect and so their failure is a greatest form of blasphemy, an insult to Him. And if they could speak, if they could have one last prayer, they would not beg for forgiveness they would just beg for punishment.
Alas, they cannot speak.Â
They cannot pray.Â
The only thing they can do now is to dieâŠ
#whumptober2024#no.14#left for dead#baldur's gate 3#fic#major character death#blood and gore#religious guilt#the dark urge#anyway behold I have actually written something for whumptober#just a stream of conciousness of dying durge#bg3#mEye fanfic
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to find promise of peace (and the solace of rest): a TMA fanfic
<< Beginning < Prev || AO3 || My Website
Chapter 71: March 1998
Gerard likes to think of himself as reasonably fluent in Latin. At the very least, he can translate a good number of the texts his mother puts in front of him these days, and heâs written out his fair share, too, and theyâre more or less understandable by anyone with a working grasp of the language. His pronunciation is decent and, when his mother reads aloud to him, he can usually comprehend it well enough.
He has, however, no clue what the old man in the frock coat is saying.
Well, thatâs notâŠentirely true. Heâs following along, for the most part. But itâs just off enough that itâs like the guy is speaking a different language. At the very least itâs a dialect heâs not familiar with, and does Latin even have dialects? He supposes it must have, at one point, just like every other language doesâthe Roman Empire was big enough, and lasted long enough, that there must be variants all over the placeâbut heâs never learned anything but the scholarly, textbook variety, and heâs not sure whatâs going on.
He realizes heâs focusing on something supremely unimportant in the grand scheme of things. If he worries about how the man is saying what heâs saying, he doesnât have to think about what heâs saying, or why heâs saying it. He can pretend everything is normal.
To his left, Melanie stands unusually still for once. Her black crepe dress with the white lace collar fits her way too well to have been recently purchasedâRoger almost always buys things Melanie is going to grow intoâbut her patent leather Mary Janes must be new, since heâs never seen them before and theyâre far too shiny to have been worn much; they havenât even picked up much of the dirt. Sheâs taken her hair back with a faux pearl clip, silver stars wink in her recently pierced ears, and at her throat is a cameo necklace on a black velvet ribbon. Her face is drawn and pale, and sheâs clutching an honest-to-God handkerchief trimmed in lace, which might have been white once but is currently the same ivory color as the cameo. She stares straight ahead, not moving, except for the fingers that keep twisting and twisting the handkerchief.
Gerardâs eyes rove over the crowd. Itâs mostly older people, a few people he recognizes vaguely from seeing around the neighborhood and one or two whoâve come to Pinhole Books on occasion, but for the most part theyâre all completely unknown to him. (Heâs learned by now not to use stranger in a benign context.) Roger, standing on Melanieâs other side, seems to be polishing his square spectacles rather a lot, and Gerardâs not about to look at his mother, because he doesnât want to know what sheâs looking at and doesnât want to get in trouble if what sheâs looking at is him.
Unfortunately, that only leaves him two places to look.
He lets himself, reluctantly, look at the folding chair placed just ahead of them. Itâs almost entirely empty, except for two figures. Aunt Lily has gained back some weight in the last yearâa lot of weightâand now has to use a cane everywhere she goes; her hands, covered in black kid gloves, are folded neatly over the carved wooden handle, except when she raises one to cough discreetly into a handkerchiefâlike Melanieâs, except hers is trimmed in black. She honestly looks like sheâs just stepped out of an Edwardian fashion plate in a magazine instructing people on proper mourning attire. For fuckâs sake, she even has a hat with a veil.
Of course Martin stands next to her, slightly behind her. He looks smaller than usual, like heâs crumpled in on himself. His black suit jacket is just a little too big for him, hanging loosely on his shoulders and covering half of his hands, but heâs finally grown into the Norfolk cap heâs owned as long as Gerard has known him. Because of where heâs standing, Gerard canât see anything else, but he knows heâs wearing a pair of too-long trousers that cover his smart black school shoes. He can, however, see his face, and it makes his heart hurt. Itâs beyond upset, beyond even devastated. Martin looksâŠlost.
Gerard looks away, and of course in doing so his eyes lock onto the box just behind the priest. For some reason, the box bothers him more than Martinâs face, even though itâs closed. Maybe especially because itâs closed.
He keeps telling himself the old man isnât really in there. That itâs just a box, containing an empty shell. That they know the old man is dead and beyond the reach of the Fourteen. The body he viewed last night, dressed in a dove grey wool suit and fingers folded over the rosary his parents brought from Poland, isnât really the man they all knew, itâs just a husk. That man is gone, somewhere they wonât see him for a long time, if ever. Gerard isnât terribly sure what kind of an afterlife there is, if there even is an afterlife, and heâs not sure heâll ever earn a place in the same afterlife as Alastair Koskiewicz if there is. But wherever it is, itâs somewhere better than this, it has to be.
It doesnât help much.
Itâs not just the fact of the coffin, the idea of being shut up in a box and dropped in a hole and covered in dirt forever and ever, and how horrifying it would be if he wakes up and canât get out. Gerardâs read stories about that happening and itâs kept him up at nights sometimes, although not as often as thinking about the casual comment Martin made when they first met (why didnât he ever tell Alastair about that, why hasnât he told someone, is Martin still being punished like that, what if Martin wakes up in that coffin someday). Itâs the whole fact of him being dead. Death is one of the Fourteen, after all, so even being dead doesnât mean heâs completely safe. Gerardâs not sure how that works and heâs kind of afraid to ask.
Tiny cold fingers slide into Gerardâs, and he squeezes back on instinct. Thatâs all Melanie needs, apparently, and she clutches his hand so tight he almost expects his fingers to pop off. For a skinny little twig like she is, sheâs got a really strong grip.
The priest recites a phrase, and even if it doesnât sound exactly like how Gerard learned it, he at least knows what it means: Ashes to ashes, dust to dust. He then nods and gestures at the coffin.
Six men, five strangers and Roger, step forward and each take a handle of the coffin, then carry it over to the hole. A man, probably an employee of the cemetery, directs them, then signals for them to let go. For a moment, the coffin rests on a series of straps before the pallbearers lower it into the ground.
At his side, Melanie gives a low whimper and turns away for a moment, pressing her handkerchief to her lips, before straightening and facing the grave again.
At another signal from the priest, Aunt Lily hefts herself to her feet and limps forward, Martin trailing after her. She takes something from the priest and throws it into the open grave, then steps back. The priest beckons to Martin, who also comes forward and hesitantly lets something fall from his hand into the grave. Unlike his mother, though, he doesnât stand back, just stays where he is. The priest ignores him in favor of finishing the ceremony.
Once the final amen is said, the crowd drifts away from the graveside and back towards the road, probably intent on heading back to the old manâs house, where a reception has been laid out. Roger moves over to assist Aunt Lily to her feet, and she leans on both him and her cane as she struggles forward. Gerardâs mother focuses on an awkward-looking young blond man standing off to one side, gives a sharp, sweetly poisonous smile, and heads in that direction. Martin remains where he is, staring down into the grave, even as the gravediggers uncover the pile of dirt under the tarp and begin spading it back into the hole. Gerard can hear the rattle as it rains on the lid of the coffin. Melanie flinches at the sound, then suddenly yanks her hand out of Gerardâs and rushes over to Martinâs side, throwing her arms around him and hugging him tightly.
He doesnât react. Gerardâs heart constricts.
Hesitantly, he crosses over as well and puts one hand on Martinâs shoulder and the other on Melanieâs. Heâs taller than both of them, for now anyway, tall enough that he can look over their heads and see into the grave as the smooth, polished wood gradually disappears under the dry, brittle soil.
âCâmon,â he says gently, trying to steer Melanie and Martin away. âLetâs get back to the house.â
Melanie starts to come without too much resistance, but she stops dead in her tracks when Martin doesnât budge. He keeps watching as the coffin is slowly but steadily obscured.
Heâs not crying. Gerard doesnât like it. He understands Melanieâheâs never seen her cry, no matter how upset she getsâbut Martin wears his heart on his sleeve, and the fact that heâs not crying for his grandfather isâŠworrying. As is the way heâs justâŠstaring at the hole, and the box.
âMartin,â Gerard says, a little more insistently. He holds his shoulder a little tighter, shakes him a bit, trying to get his attention. The fact that Martin still doesnât react scares him more than heâs willing to admit, and before he can stop himself, he slaps the younger boy across the face. âMartin!â
Martin jerks and stumbles back from the edge of the grave. Gerard takes advantage of him being off-balance to grab his arm and drag him away; Melanie loops her arm through his other one and helps, although sheâs not much help. Actually, Gerard has to admit that if Martin wasnât already off-balance, he wouldnât be able to move him either. Martin is chubby, to put it politely, and probably weighs as much as both of them put together, and he can be quite difficult to move when he wants to be.
The village cemetery is probably a good mile from the house, but most of the cars have already left by the time they manage to wrestle Martin to the road. Gerard reckons thatâs probably not the worst thing in the worldâthe walk will do them goodâbut before he can even bring that up, a woman comes over to them. She looks to be about the same age as Gerardâs mother, a sweet-faced woman whose thick braid of hair is more white than black but whose dark blue eyes shine with innocence, and sheâs dressed in a black skirt suit that looks more like an everyday work outfit than something bought specially for a funeral.
âItâs Martin, isnât it?â she says in a soft, gentle voice. Martin recoils, shrinking back, a naked terror suddenly replacing the half-blind look that was in them before, but nods once. The woman doesnât seem to notice his fear. âIâm so sorry about your grandfather, dear. I used to work with him a long time ago. He was a very, very good man.â Turning to Gerard, she adds, âAnd of course, youâre Ericâs son, arenât you? Gerard? We used to be colleagues. I was saddened to hear of his passing.â
Passing. Like it was an easy thing and not the work of his mother and a pair of hedge clippers. Gerard swallows down that response and only says, âYes, maâam. Thank you.â
Turning to Melanie, the womanâs smile softens. âAnd who are you, sweetling?â
Melanie surprises Gerard. She looks up at Martin briefly, then back at the woman, but doesnât answer. Gerard figures sheâs just shy for some reason, or too upset to talk, and steps in. âThis is Melanie. Sheâs our friend. Her dad was one of the pallbearers.â
âOf course, of course. Are you a friend of the family, then?â
Gerard starts to answer, but Melanie shakes her head and pulls on Martinâs arm. âGerry, you know weâre not supposed to talk to strangers. Câmon, letâs go home.â
âOh!â The woman gives a silvery laugh, then instantly sobers. âIâm so sorry, I forgot entirely! Of course none of you know me. My name is Emma.â She looks around the parking lot and adds, âIt looks like everyone else has left already. Why donât I give you a ride back to the house?â
âNo.â That single word, laden with terror and cracked with tears, explodes out of Martinâs mouth as he takes a step back. It shocks Gerard, who suddenly realizes itâs the first word out of Martinâs mouth since Alastair died, but also because Martin is never rude to grown-ups. Or anybody, really, but especially not grown-ups.
Heâs right, though. Gerard was on the verge of accepting the ride, but it dawns on him just how stupid an idea that is. They donât know this woman, and for all she claims to know both Martinâs grandfather and Gerardâs father, they canât prove she actually does. Did. She could be trying to kidnap them, or worse.
With that in mind, Gerard tosses a hasty, âThank you, maâam, nice to meet you!â over his shoulder as he heads up the block, arm still looped through Martinâs. Itâs hard to say whoâs dragging whom.
It takes them almost half an hour to get back to the house. The drive and street are clogged with cars, including the one belonging to the woman called Emmaâso at least sheâs actually hereâand a few shadowy figures pass by the windows. Gerard figures theyâll slip inside, grab a plate each, and find a quiet corner to tuck into.
Martin surprises him again. He bypasses the house entirely, sliding his arms from Melanie and Gerardâs without a word, and makes straight for the grove of cherry trees, currently bare and only just beginning to think about budding; they wonât flower for at least another month. He doesnât stop there, either, just reaches up and seizes a low-hanging branch and hauls himself into one of the older and sturdier trees. Martin might be plump, but heâs strong.
âMartin! Jesus.â Gerard looks at Melanie, who gives him a worried look in reply. Bowing to the inevitable, he goes over to the tree with her and boosts her up. Once sheâs managed to pull herself onto a branch, and while sheâs trying to figure out how to climb a bit higher to reach Martin, Gerard turns and heads back into the house.
For a wonder, he manages to elude both his mother and Martinâs, retrieve a few snacks he can secrete in his jacket pocket, and slip back out again without anyone being the wiser. Getting himself into the tree is harder, but with the assistance of the split-rail fence and a bit of effort he manages it. Martin has climbed as high as he possibly can before the branches wonât hold him anymore, and Melanie has managed, with some difficulty, to get just a couple branches below him. Gerard makes his way up to join them, then fetches the food out from his pocket and passes some to Melanie and some to Martin. He takes it mechanically, but doesnât eat.
Finally, Gerard breaks the silence. âIâm sorry for telling that woman your name, Neens.â
âI donât mind. She knew yours and Martinâs, itâs only fair she knew mine, too. I just wasnât going to talk to her.â Melanie peers up at Martin. âYou didnât like her, did you?â
Martin shakes his head, but doesnât say anything. The sausage roll hangs from his hand, and heâs staring vacantly at something far away. He looks a lot older than nine years old and Gerard doesnât know how to fix it.
Before he can figure out what to say, or even if heâs going to say anything, he hears voices and looks down. The woman from the cemetery is passing under the treesâwhich she has no reason to do, theyâre not between the house and the carsâalong with two other people, neither of whom look so old. Gerard canât tell genders from this angle, only that one has curly blond hair and the other has sandy brown shingled hair. Theyâve obviously all been at the funeral, or are trying to blend in with it, and are apparently mid-conversation.
ââknow him?â a manâs voice asks. âI guess she must have, if you did. Shame she couldnât come.â
âSheâs very busy.â The older womanâs voice doesnât quite have the same soft, gentle tones it did when she was speaking to the three of them, but it still sounds very sweet and pleasant. âThatâs why she sent us, to pay her regards.â
âI have to say,â says a womanâs voice, âthe, er, bereaved didnât seem particularly upset.â The person with the shingled hair stops and puts hands on hips, so Gerard presumes sheâs the one speaking. âNot until you mentioned the Institute, anyway.â
âI probably shouldnât have done that,â the man says, rubbing the back of his neck with one hand. âIâI didnât think it would be that big of a deal. I mean, if her father worked thereâŠâ
âWorked, past tense,â the unknown woman points out. âWhy did he leave, anyway, Emma?â
âOh, I donât know,â Emma says, a bit vaguely. âIt was so long agoâit wasnât very long after I started working for Gertrude myself.â
âWas he in the Archives, too? Did he know Eric?â The manâs voice is a bit eager.
âGracious, no, not the Archives. Alastair was a practical researcher. Youâll find his name on several of the catalog entries for the older artifacts, if you know where to look.â Emma sighs. âBut yes, he knew Eric, too. And Fionaâyou never met her, of course, she sadly passed away before your timeââ
âDidnât I get hired to replace her?â
ââhe was always so patient with her. The rest of us thought she was a bit of a fuddy-duddy, honestly, but I suppose she reminded him of his own mother.â
âYou must have known him well,â the unknown woman says shrewdly.
Emma shrugs. âNot very, honestly. As I said, we were in different departments. He usually brought down information for Gertrude from the other departments, and theyâd chat a bit, but I was always so busy I never had much time.â
âMs. Robinson must have been busy, too,â the man says, sounding defensive.
âIâm not saying she wasnât, Michael dear. Only that I didnât make the time to make as many connections as she did.â Emma sighsâa bit theatrically, Gerard thinks. âItâs something I regret in my old age.â
âYouâre not old.â Michael, or at least Gerard assumes heâs Michael, touches her arm urgently. âYouâre still quite young, honest.â
Emma laughs that same silvery laugh. âYouâre so sweet.â
Michael sighs. âYou know who I feel bad for, though? That little boy. Is thatâwas that Alastairâs grandson?â
âYes, thatâs Martin. I wanted to speak a bit more with him, but heâs understandably upset. He must have loved his grandfather very much.â Emma clucks her tongue. âThe poor little thing.â
âHis grandfather loved him, too,â the unknown woman says. âI didnât see a single picture of his mother anywhere in that house, but that little boy was all over it.â She sighs. âCome on. Weâd best be getting back. Iâve still got to follow up with a couple of people.â
They move off, and for a few moments, there is complete silence. Then something wet hits Gerardâs hand. He looks up and sees Martin, still staring fixedly ahead of him, but with big, fat tears dripping down his cheeks.
âMartin.â Abandoning safety, sense, and sausage roll, Melanie pulls herself to a standing position and lunges forward to wrap her arms around Martinâs middle before Gerard can tell her be careful. She buries her face in his side and just holds on for dear life.
âI canât remember his face,â Martin says, his voice small and fragile and choked with tears. âI, I didnâtâMum said, she said I wasnât allowed to look if I couldnât see on my own and, and I was too short, so I didnât see him last night, there was just the picture, but he was so young, he wasnâtâhe wasnât finished. It wasnât his face. But I canât remember what he looked like. He loved me so much and I canât remember his faceâŠâ
Gerard swallows hard. He can empathize with that, a little, anyway. He barely remembers what his own father looked like, andâŠwell, he assumes his father loved him. He remembers loving his father, anyway. Martinâs had nine years with his grandfather and only just lost him. That has to be disconcerting.
He could describe it to him. Tell Martin what his grandfather looks like. He could also reassure him that even if he had been able to look into the coffin last night, it wouldnât have looked like his grandfather, not with all the makeup and the weird slackness that death adds to a face.
He doesnât. Instead, he puts one hand on Martinâs leg and the other on Melanieâs waist and summons up every ounce of authority and assurance he can.
âYou donât have to,â he says.
Martin blinks and looks down at Gerard. âWh-what?â
âYou donât have to remember his face,â Gerard repeats. âIs that whatâs important? Or is it important that he loved you, and you love him? You can remember what he sounded like when he told you stories or taught you poems, right? What it felt like when he hugged you? What the cherry pie he made specially for you smelled like?â
âYeahâŠ?â
âThen thatâs what matters. Faces change. Yours isnât finished yet either, or mine, or Melanieâs, and if you didnât see us for years and years and then one day you saw us again, maybe you wouldnât remember what we looked like, but youâd remember weâre your friends. Love doesnât have to look. Love just has to be.â
Melanie and Martin both stare at Gerard, who tries not to look embarrassed. Heâs almost twelve, and love isnât a word he throws around a lot, but for these two, heâll do it. Heâs never had a brother or a sister,âbut he feels like heâs got one now. And Alastair treated him like another grandson. Heâs, he was, a good man, and Martin deserves to not feel bad for remembering him in whatever way he does.
âBesides,â he adds, to lighten the mood a little bit. âHe looks a lot like a cross between your mum and a bulldog with big dangly jowls and a walrus mustache. You donât want that image in your head all the time.â
It elicits a tiny giggle out of the other two, and Martin starts to wipe his eyes with his sleeve before Melanie hands him her handkerchief. âHeâs right,â she tells him. âNot about your granddad, not exactly, butâI donât remember what Mama looked like either. Not really. The only picture Iâve got of her is from after she got sick, and that didnât look like her really either.â
Martin dabs at his cheeks. âButâŠbut what if I do forget?â
âThen weâll remind you,â Gerard says. âThatâs what family is for, right?â
At that, Martin finally smiles and nods. âYeah. Thatâs what family is for.â
#ollie writes fanfic#tma fanfic#to find promise of peace (and the solace of rest)#gerard keay#martin blackwood#melanie king#martin blackwood's mother#death#funerals#burial#implied/referenced child abuse#mention of murder#forgetfulness#grief
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The university AU is one of my favourite fics and I reread it very often đ I'd love to hear more about the writing process if you want to share! (regarding the tags in that one post)
Really? đ„șđđ Ohh, love to anon for one thousand years <3
It's obviously been a while since I finished writing it, but of course I can share what I still remember! đ„°
While I did have an actual outline for the whole story in terms of what would happen in each chapter and in which order the POVs would be, there were some key moments or sometimes just some very specific lines that I pretty much based the whole fic around:
The Titanic concersation between Joonas and Niko (ch4) (this wasn't actually that important in the grand scheme of things, I just thought it was funny and it's one of my favourite scenes đ)
âBecause I was afraid I would take too many and not wake up at all.â (Joel's line in Ch5.1)
Aleksi "stealing" Joel's leather jacket and Joel buying him exactly the same one to keep as his own
Tommi's answer to Olli when he (drunkenly) wonders who he'll go to for some kisses and cuddles now that Joonas is with Niko (âBeats me.â) + âYouâre such a good friend.â
These were the scenes that I REALLY wanted to write, and the rest just sort of...happened? Some of it was planned (e.g. pretty much everything that went down with Joel and Aleksi), but for some of the plot details I had only a vague idea when I began writing (e.g. Niko's background story). There were also some details that ended up working out perfectly by accident, such as Joonas heading over to Niko's when Joel and Aleksi (and Rilla!!) were having a sleepover in J&J's room. For some other plotlines my original idea changed during writing; for example Joonas and Niko were supposed to get together way earlier and easier than they did, but I decided to give them a bit rougher path in comparison to Joel/Aleksi, to avoid having two similar plotlines. Another plot detail I originally had was for Joonas to have had a crush on Olli back in the day (NOT overlapping with Olli's crush on him however) and that to be revealed when Olli confesses, but it didn't seem right in the end.
The only chapter that I never had a proper outline for was the very last one, and I actually only finished it on the day I uploaded it. In a way it serves as a sort of an epilogue, as it hints at a new, budding relationship, but doesn't really give much more than that to the reader.
The Fall Out Boy lyrics in the summaries of each chapter was perhaps one of the most fun parts of the writing process and I was so happy with how many of them turned out. Having said that, I did have trouble finding suitable ones for some of the chapters, but I'm particularly happy with the songs I chose for Olli's chapters, as well as Joonas' and Niko's 2nd chapters, and I like to think as a whole it makes a pretty cool soundtrack (I often imagine my stories more as TV series or movies, so here you might wanna think of Skam-esque use of music).
However, my absolute favourite thing about the whole fic and the creation process was Tommi's silent suffering throughout the story, revealed bit by bit (because if you read it again after having finished it once, you probably look at Tommi and his actions very differently). It was super exciting to write this kind of plotline and I was so so happy with how it turned out; at least based on the readers' reactions, I want to believe I did a good job there đ
Fun fact: I actually started writing some sort of sequel around February last year, but I had no idea where I was going with it (I only managed a bit of Joel and Aleksi renovating Aleksi's house and Rilla ruining the floor by walking around with paint-stained paws đ„°). I don't have a plot for the sequel, only one VERY vague scene/shot of Tommi/Olli, so unti I can think of what I want to say with thay story (other than showing you that all is well), I'm afraid you're gonna have to keep waiting đ But as you may have seen with the Olympics AU, I might get a sudden burst lf insporation from the smallest of things, so who knows really? đ
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