#goddamn it's still so good

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[piko-power]

"I never knew you were a hugger..."

"No body protects nature better than you, sweet Amy."

Whoa, he's bisexual! I didn't know that!

[cartoonhostage]

Click for better quality

I’M SO NORMAL ABOUT @somerandomdudelmao ‘S TURTLE CASEY I PROMISE (lying) (lying a lot)

The SOUND THAT I MADE when I saw the reveal page is something I’ll never be able to replicate.

Flats and transparents under the cut

Regular transparent

Without lighting

Without decloaking effect or lighting

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[univemma]

They let Loki be intimidating again. They let him use his magic they let him be seen as an actual formidable person I repeat they LET HIM BE INTIMIDATING AGAIN NOBODY TOUCH ME

Physically vibrating with excitement, INCREDIBLE DAY FOR ANNOYING PEOPLE

[fbfh]

I want to fuck Daryl Dixon so fucking bad. y'all don't even understand the primal need I have to milk him dry, suck his soul out through his heavy uncut dick. and I KNOW the feeling is mutual because we all know Daryl's the typ to suppress and ignore his emotions, right???? which means OBVIOUSLY he'll be too focused on staying alive and keeping the group safe to even think about sex, too exhausted from fighting walkers and scavanging supplies, just making it through the day to even whack one out. and all of that sexual frustration just builds and builds and builds deep in his subconsious until one day he's out hunting and comes across you. he doesn't expect to see someone alone and without a group, especially not such a hot piece of ass like you. he's older, you know there's an age gap between you, but you are both adults, and only meeting for the first time now. you justify this to yourself, mentally trying to figure out if anything between you would be legally or ethically yucky. you decide that it's fine - especially given the state of the world - to indulge your feelings.

Daryl brushes it off for as long as he can. He ignores the way you look at him, and all the dreams of you sneaking into his tent and riding him until you squirt, he ignores the stray thoughts that leave him a little bricked up happening more and more. He ignores it until one night, you actually do sneak into his tent. He thinks he's dreaming at first, seeming as gruff and chilly as ever, but you don't care. You just crouch next to him and hug him, hiding your face in his bare chest.

"I... I had a bad dream." your words are simple, but they really speak volumes. He knows first hand how bad the nightmares can get, and your skin feels so nice on his. he's so touch starved that he doesn't even realize why he's pulling you into his lap, holding you close and rubbing your back, he just knows it feels... really good. like, really really good. so he tries to calm you down and help you settle back down for sleep, laying you down next to him. you cuddle up to him so painfully close that he doesn't know what to do. You wrap both your legs around one of his thighs, squirming a little as you settle down.

"'m sorry for keeping you up so late," you say, pouting up at him and he is SO close to folding. he has maybe one or two scraps of self control that are fully stripped away when you squirm some more, rocking your core against his thigh, and he feels it. He feels the slimy, slippery wet patch growing wetter and wetter as you "get comfortable".

"Do you think there's something that could... y'know... tire me out a little?"

and he folds. of COURSE he folds, anyone would with you being all cute and sweet to them, ESPECIALLY someone whose heavy, full balls are bluer than the lonliness and pain in his heart. he uses his last ounce of self control to say your name like a warning, but it only serves to make your pussy throb against his leg - something he definitely does not miss.

"You're playing a dangerous game here, kid..." he warns. You inch closer and closer to him, batting your eyes up with a cute little pout.

"'m not a kid," you protest. your eyes flick between his eyes and his lips, and you can't stop your hips from grinding down onto his thigh. "...you want me to prove it?"

but with how fast he flips you over and pins you down and folds you in half, you really don't have time to prove anything.

[volivolition]

DAY 3: RHETORIC - You – against the atom, the charm and the spin. Where the whole world failed – matter failed to bend to human will; human will failed to get out of bed and tie its laces – you alone, single-handedly, will rebuild the dreams of the working class. You are The Last Communist.

[themoonstonechronicler]

I thought it was a shame that since everyone in Aurora is travelling, no one gets to dress up, so here is Erin in what I imagine he would wear back in Asera! (click on image for better quality)

@comicaurora let him be fancy!

[senselessalchemist]

Bow problems (+ other nonsense)

[creative-robot]

Generation Loss: is super well done and enjoyable, hella tragic and thought provoking and has both amazing commentary on both content creators and the cost of entertainment and the effect an audience can have on the life of their favorites and pondering it too hard can genuinely make one sad for the Hero regardless of their fate

Charlie Slimecicle that one time: hehehehe…. PENUIS…… hehehehe….

[hiirenvirna]

brighter than the sun, swifter than the wind

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[isjasz]

The brainrot continues (Blame @vesperionnox and @cherrysherin we are dragging the whole server down with this au)

Part 1

[xuxudio]

successfully choosing the most doomed ship in any media since 1999