#god love dvds

[gargoyleofhumankindness]

macgyver dvd home screen has the extended version of the theme

[teenagedracula]

the story of little red riding hood (1949)

[sporesgalaxy]

i feel so insane every time i hear someone say they dont have a dvd player anymore. what do you do when the dvd hunger possesses you? die?

[ilovemesomevincentprice]

Vincent Price guest stars as a psychiatrist, pretending to see birds because his client, Cauliflower McPugg (Red Skelton) is seeing birds that aren't there. It's a rather unorthodox method that *kind of* works in the end.

Vincent Price guest stars -

Red Skelton Show; Cauliflower Loses His Birds (1962)

[cucumber-icepop]

Gaze upon my unimaginable horrors, boy

[theclarinetistcarstairs]

The other day I found a box DVD set of season 2 of pushing daisies at the thirft and I think that might have been one of the happiest moments of my life. To be clear I had no idea this TV show had a second season until that moment. So anyway this is how I imagine it felt to find out about the northwest passage.

[nevecircus15]

god i love this show and this silly lil man

[troythecatfish]

Nimona NEEDS a DVD release

Nimona NEEDS a DVD release

Nimona NEEDS a DVD release

[crappy-coffee]

“Kai and Nya’s last name being Smith isn’t canon!” Unfortunately it is

[stormbreaker-290]

In other news:

[rubenesque-as-fuck]

Anyway I finally watched Lisa Frankenstein last night and I absolutely adored it and the dream sequence in particular has been playing over and over in my head ever since.

[junewongapologia]

I think it's a common misconception that Granda Summerisle invented the island's religion - he didn't! In and out of universe! Howie reads about the May Day rituals in a book that describes them as taking place all across Britain! Lord Summerisle describes his grandfather as "giving [the people] back their joyous old gods"! Extensive research was done re Paganism to write the story!

Granda Summerisle effectively revived a dead religion, he didn't invent one from scratch.

[dollsome-does-tumblr]

something i really love about our flag means death, now that we know it's really done, is that i truly love every episode (every one, a perfect treasure to me!) and that i think the finale hits beautifully as an ending. i've endured so many finales that were such frustrating flop endings that they retroactively dimmed the whole series' shine for me, and it's lovely how that is not the case at all here. and even though i would have liked to see more for the supporting characters in particular, and even though ed and stede obviously have a ton more progress to make on themselves and their relationship, i feel like the main story -- ed and stede's story -- feels complete to me in a really rewarding way. i also like the structure of season one being stede's 'stupid puppet pulled it off!' season and season two being ed's; if it does have to be a show that only has two seasons, then that structure at least pleases me narratively!

and like, the story began when stede left his family to run away to sea, and it ends with him happily choosing to stay on land with the man who's his new family, and that just works for me as a beautiful full circle journey. 💗🏴‍☠️🦄

[csidle]

There was supposed to be a Grissom x Lady Heather kiss!!

“We didn’t know if Billy would go through with it”

And then he DIDN’T

Wonderful stuff. Obsessed with how much Billy and Jorja drove the scenes in spite of the writers, honestly

How HIGH Jorja’s voice is in these seasons is incredible. She’s so little 😭

[kezcore]

i hate to break it to you, millennials, but gen z does, in fact, know what dvds and cds are. we grew up with them. we grew up with a lot of stuff y'all obsess over, actually. not my fault all the tech companies collectively decided to get rid of dvd players

[stephantom]

I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?

There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).

Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).

Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.

There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.

There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.

And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.

They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.

What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.

Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.

Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).

I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”