#god it was such a Choice to have 'she sees me' be the first thing we're told about buck/natalia after not seeing (lol) their first date

[lily-onher-grave]

okay okay okay thoughts/excited ramblings about the wicked movie under the cut bc i've seen it and now i'm insane about it again

let's be real it's kinda hard to fumble the opening number of a musical especially when that opening number is no one mourns the wicked and yet i was still absolutely blown away it was SO GOOD

the lil munchkins running, the singing in the streets, the posters of the witch (side note all the artwork was insanely good and just added so much to the style of oz i feel like) it was all so awesome

NOMTW becomes so sinister and they nailed it

obligatory emotional babbling about glinda standing alone in the crowd as everyone sings 'the wicked's lives are lonely'

before i left for the theater i was like 'take your bets on if i'll cry' and my roommate and i agreed that yeah obviously i would. but what i didn't expect is for ariana's sad face to knock me out in five minutes flat. i was done for

the effigy. holy shit. and handing the torch to glinda. i want to go see the whole thing again just so i can rewatch that scene. my heart still hurts

(also nanny! sort of not really. but i liked the childhood scenes i liked that elphaba had one (1) good thing in her life before shiz)

SHIZ okay shiz honestly shiz was the thing i was most excited for bc c'mon, we don't write about our gothic magic school all the time in fic for nothing. and honestly it was so good. the shots of the whole castle! the library design! the balcony moments and the stairways and just like the layers of architecture and the way morrible could kind of be anywhere at any time. the way it felt so grand and yet so small at the same time. idk man the vibes were good and the set was beautiful

glinda arriving by boat was magical that's all

the way everything dillamond had was tailored to him was fantastic it was so good

actually i want to shout out the library set design again and how it tied into the clockwork theme that never gets fully called out even in the musical but it's still so good

where's my time dragon clock tho

also back up the scene where elphaba loses her temper in the courtyard--when she breaks the relief of the wizard, there's old artwork of Animals behind it and i gasped out loud when i saw it

and that was the first moment i thought 'this is brilliant but i still want an hbo dark fantasy political drama tv show based on the book'

speaking of the dark fantasy political drama tv shows, the Animal meeting!! i'm so glad they put more stuff like that in there

actually as a whole the movie felt more grounded and less comedic than the musical. i think they did a fantastic job of keeping the magic and silliness and charm and wonder of the show while still adding those extra bits of drama and dire circumstances

anyway gelphie fic prank wars trope is officially canon great work everybody handshakes all around. i was cackling (silently. i promise i'm a respectful moviegoer)

the ozdust ballroom being illegal makes so much sense. it being underwater was fucking cool. boq and nessa were actually really great and i usually don't care about them at all during this scene

also i love love love nessa and i cannot wait to see more of her. but showing her multiple times on the sidelines when elphie was being humiliated was such a good choice. the tension between nessa obviously caring for her sister yet always caring for herself more is so delicious and i always want to see it fleshed out more, and i think they did such a good job with her? her and elphaba have sweet moments which i love, and her wanting to be independent and only elphaba really understanding that is so so good. and having her just watching elphaba for so long before finally saying she can't watch. god i can't wait to see her be desperate and selfish and cold in act 2, it's gonna be so good

side note boq also looking upset by elphie being bullied. i miss my brotp man

but let's talk about what's most important: the gelphie dance. because oh my god i started crying all over again. so did elphaba. and glinda wiping her tears i'm dying i've died oh my god

i always get a little bit surprised when glinda seems more head over heels than elphaba. idk why. but ariana's glinda is absolutely more head over heels than cynthia's elphaba and i loved it

(they just. freaking LEFT the party. just zipped out of there as soon as they hugged. glinda was like hmmm i just realized some things and grabbed elphaba's hand and ran off while the night was young. and fiyero stared after them knowing that he stood no chance whatsoever)

also i'm like 72% sure the guys sitting next to me were a couple? and they both cried during the gelphie dance too and it was a very unexpected but very funny moment of solidarity

i say ariana's glinda is more head over heels and i stand by it but elphaba's fond little smile when glinda was pouting about sharing secrets almost made me start sobbing again they're so GOOD they're so CUTE and she is SO heart eyes for glinda immediately!!!

i need to be sedated i swear

popular was adorable 10/10 no notes absolutely nailed it i loved every second

also glinda sitting next to elphaba in class now. my heart <3

after dillamond gets hauled away (again with this being more violent and dark and those moments of drama coming through more in the movie i loveeee) glinda doesn't sit down until elphaba does

also they had several little moments of elphaba looking to glinda and glinda either shaking her head or nodding. they've been friends for 2 days and they're already having silent conversations i love them <3

the poppy spell? was sick as hell????

another seeing of wicked, another complete sense of bafflement as to why fiyero is there

i say this jokingly but the fiyero and elphaba romance really does feel like a product of the early 2000s especially now that it's on screen rather than on stage. idk maybe that's just the lesbian in me talking though

the train design is also sick but we knew that from the trailers

okay look logically yes i knew idina and kristin would have cameos. but i'd been crying on and off and one short day's magic had already taken hold so they caught me completely off guard. it was great

the wizard stuff was really sweet. and while i was hoping for more time put toward shiz and stuff, i do think those moments did a great job of 1) showing how much elphaba just wants to be loved 2) foreshadowing the wizard being her father and 3) laying the groundwork for her briefly considering working with the wizard in act 2, which is a decision that never quiteee feels right in the show

i love that they put more lore into the grimmerie btw. very cool

the hot air balloon was random but fun. i wonder if it'll come up again in act 2

every time. every damn time glinda starts singing in defying gravity i just want someone to end it right there. glinda grabs the broom, it fades to black, and they both lived happily ever after

fuck

defying gravity taking place at sunset because it's at the end of their one short day of happiness

also UM morrible coming up and hugging glinda when she's crying. exquisite emotional manipulation i'm screaming

elphie! seeing! her! inner! child! i loved the baby elphie scenes even though i prefer creepy 'horrors' elphaba always. but seeing her come back was sooooo fucking good

elphaba only ever relying on herself, in the end

glinda's final 'i hope you're happy' took me out, as it always does, as it always should. and reaching out from the balcony? i'm sobbing again

morrible dragging glinda into the darkness while elphaba flies into the sun! someone fucking help me i'm already wrecked by these two

honestly my biggest complaint is that now i have to wait for part two, i want to see the rest nowwwww

[wellcollapse]

EVAN BUCKLEY + THE DESIRE TO BE SEEN

↳ bonus:

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[fadewalking]

Bellara lowkey pissing me off with all this feeling guilty bs

[emmodii-mode]

Just finished my first playthrough of BG3. Romanced Lae'zel, but ending up turning into an Illithid because the idea of making Orpheus or Karlach do it didn't sit well with me (or my character).

I told Lae'zel to leave with Orpheus in the end (I heard she wouldn't stay with a ghaik anyway, which she's valid for, but also, it doesn't feel right to ask her to stay when I know how much her people mean to her). And like-

Her face before she flies off---

She looks so heartbroken and sad.

[pinkseas]

when the line changes from meaning "im the ruler of my own world" to "i finally have worth because i am finally the ruler" because this character has never been allowed to break the rules and never been in control of their own life. and now that they HAVE broken their every most significant rule in the worst, most traumatizing ways possible, they've both changed drastically as a person and warped the entire situation in their head: they blame themselves, they KNOW that the situation is their own fault, but they cannot handle the weight of that guilt and have forced themselves to blame absolutely Anyone else instead because of it. in losing everything that defined them as a person and Taking control for the first time in their life out of an inability to face themselves and their own actions, they think that they've finally found worth in themselves, that they were meant to be the ruler. that THIS was god's plan and what they were meant to be all along. and even then, supposedly having finally broken the rules and their meaning and their worth, they're still not actually in control. they're in denial of the truth of what happened in spite of knowing it deep down, they've lost everything that defined them as a person and have NO idea how to find it again or to discover themselves without it, and though their revenge plot has given them power over perhaps the entire world they still aren't actually the one in control. taking revenge and pleasing the only gods they know for certain exist is one last desperate, terrified attempt to save themselves from the consequence of what they've done and from ever having to face themselves.

[musclesandhammering]

Ok I get that the Chaos/Order thing is a big theme this season, but I stg if they try to make Loki embody order while sylvie embodies chaos… I’m breaking up with marvel for real this time 😒.

[transgothicgenre]

i really like mole because it's like. it's about a lot of things. but one of the biggest parts to me is the paranoia . like. "i know what you want and you know what i want" is already so incredibly damning bc that's not how human interaction works so at least one of these parties is making assumptions. and then just following that line up with "information, information". again its the assumption bc neither party is saying with any clarity what the information is so they could be communicating on totally different wavelengths but there's still just that unspoken level of assumption. you know what i want. i know what you want. we don't need to specify at all. you know. i know.

[priisakilljoy]

They gave her a choice. She choose.

INTERVIEW WITH THE VAMPIRE (2022 - ) I I Could Not Prevent It

[ame-to-ame]

:|

[claire-starsword]

Bloodline of the Sacred Dragons - Chapter 2-7

[warning for violence and dismemberment on this one. yes you read that right. as opposed to me who did not pay attention to this on my first read. lol.]

The group emerged back into the fields, after safely crossing the mountains. They hurried on their journey, heading towards the Pao Plains.

By Krin and Tyrin's calculations, they should be a day ahead of the monsters. If they could get the mercenaries at Pao and come back, they would be able to ambush the enemies at the mountain path that led to the plains. The devils wouldn't be able to escape a trap in such a narrow pathway.

In the forest, Karin replaced Randolf as the lead. Tyrin gave the general directions by her side, and she decided the exact path to traverse according to the condition of the plants and other forest signs. Bleu was speechless on how observant she was, not letting the slightest detail pass unnoticed.

Bleu struggled the most with the thick cluster of trees. Unlike Camallia and Karna, he didn't have the power to heal everyone's exhaustion either. He grew frustrated with himself. Once they got to a wider place or a road he'd be able to stretch out his wings. He did his best to put up with it.

Once the sun had gone down, the group had finally come out the end of the forest, reaching the road between Bustoke and the Pao Plains.

And there, their calculations failed them.

They ran right into the monster squad that had stolen the Manual. A sudden encounter, one could say.

"They shouldn't be here by our calculations, so why…" Krin complained about the unexpected turn of events, as she stared at the twenty or so monsters that had appeared in front of them.

The devils were just as shocked as them.

"Impossible! Why is there a Sacred Dragon here?"

One of the monsters, accompanying the squad of harpies and armed lizardmen, stared wide-eyed at Bleu, with empty eyes devoid of light. Those eyes caught sight of Camallia by his side. The devil then understood everything.

"So you survived. And you guided them here. It's always you, always… Fine, if you'll be this much of a hindrance, then I, Ziduur, will end you just like those pursuing mages."

The monster's fangs showed over the corner of his lips, and his two horns, atop his head like a moth's antennas, swung backwards in a menacing stance. Deep crimson hair ran from the nape of his neck to his back like a mane, bristling. As if answering to that, the lizardmen raised their slimy triangular heads, their bifurcated tongues flickering through their lips. The harpies let out ear-piercing shrieks.

"If you want this, come and take it."

Ziduur held a box made of ebony. It was full of intricate inlay decorations with a foreign feel.

"Sir Bleu, there's no doubt, the Manual is in there!"

With Tyrin's shout, the battle began.

"Randolf, Tyrin, take care of the girls!"

While shouting, Bleu bolted towards Ziduur, as if drawn to the Manual in his hands. Cerberus followed behind him.

"Wait, don't just rush in, it won't go well if we fight separated," Randolf hastily stopped Camallia, who wanted to jump ahead as well.

"Bleu, come back right now! Bleu!"

Karin's voice did not reach Bleu, and he began to fight the harpies in midair.

All his pent up feelings were unleashed at once. And at the same time, he had confidence in being the one who always broke through the enemy lines. With that amount of enemies, he believed he could strike the commander at once and end the battle with that. There was no reason to eliminate them all. Once he retrieved the Manual, he could just disperse the rest of the enemies. The shorter the battle, the less likely it would be for Karin and the others to get hurt. And by defeating all the monsters himself, he could prove his power to them. Maybe then the girls would stay behind without a fuss, Bleu thought.

However, his reckless advance did not go as he expected.

Superior to him in speed and number, the harpies put up a tough fight against him. Wanting to rush to Ziduur straight away, he had become isolated from his allies.

Randolf and Camallia shielded the others, facing the incoming lizardmen head on.

"Bleu, I'll burn down these enemies, get out of the way!"

Krin began chanting a Blaze spell, but Karin stopped her. If she cast the flames in a wide area, Bleu would certainly get caught in them.

"Krin, give up and target a single enemy," Karin ordered, while shooting down an enemy away from Bleu with perfect accuracy. Their lack of coordination was apparent. Karin bit down her anger at Bleu's stupid actions.

"I won't show mercy to any who interfere. Join the hateful corpses that sleep under this earth."

Ziduur took out a piece of a crimson jewel, and held it tightly within his left hand, as if squeezing it. Beams of light came through between his fingers.

"That light!" Camallia shouted, alerting everyone.

Ziduur punched the ground. Thin sparks of crimson lightning ran at once over the surface.

"What did he do?"

Karna watched in awe as the ground in front of her began to stir, and something jumped out from within.

"Eep!" She let out a strangled scream as she came face to face with a skeleton.

"Get down!"

Hearing that shout from behind her, Karna got down while covering her head with both arms. The end of a flail flew past her, sending the skeleton's skull flying like a football. As she pulled the weapon back, Camallia smashed its upper body as well.

In the brief moment where Karna breathed a sigh of relief, more skeletons jumped from below, one after the other. Those skeletal warriors, carrying all kinds of different weapons, were the warped forms of monsters once defeated in that land, and the travelers they once killed.

"Are we surrounded?"

Watching the growing swarm of skeletons and lizardmen around them, Randolf swung his Battle Axe once again. If the monsters attacked all at once, they certainly wouldn't manage to defend against all of them.

Karna shouted for everyone to get closer together.

"O benevolent ones who watch upon all, please hear our prayers. Gather the righteous light within our hearts, and make it into a shield of holy brilliance!!"

By her incantation, the faint shine of the supporting spell Boost enveloped the whole group from within. The monsters with no flesh nor blood were driven away by that light.

Not wasting the opportunity, Randolf and Camallia attacked. The mages covered the openings between them, Tyrin freezing the enemies to stand as shields, and Krin erecting walls of fire with her Blaze spells. They were doing their best to defend themselves, but the situation still wasn't good as they were outnumbered.

On one swing, Camallia's flail became entangled in another flail wielded by a skeleton. The resulting forces made both of them lose their grips on their weapons. Without delay, the skeleton took a short sword from the back of its shield, and charged at the now empty-handed girl. Another short sword was thrown at the skeleton as it did that. By reflex, the skeleton knocked it down with its shield. Camallia jumped at the fallen sword, grabbing it and swinging it at the skeleton's leg to cut it down. The monster fell down as it lost its balance, and Camallia stepped on its bony body from over its shield, using all of her strength to crush it.

"Thank you, Sir Randolf."

Picking up her flail, she stood back to back with Randolf, who had moved backwards. She extended a hand in his direction, trying to return his short sword that had saved her from her predicament.

"I don't mind. Keep it. Without a spare weapon, something like this might happen to you again."

Answering that, he swung his blade at another monster.

At that time, Bleu was also surrounded by even more enemies than before.

Sacred Dragons had tough bodies and powerful attacks, but were in no way invincible. Their thick hide was hard to penetrate with a blade, yet at some point he had been wounded, and it bled. While he had finished off many of the harpies, he had also hurt his wings. The injury was not severe, but it made him unable to fight the remaining harpies in the air. Having fallen to the ground, Bleu faced a concentrated assault from the group of enemies.

Sustaining minor injuries all over his body, Bleu had made a pile of corpses out of his enemies. Yet he was clearly exhausted. Taking a fierce blow to his chest, he began to cough violently.

In this terrible moment, a lizardman brandished his Large Axe. In Bleu's current condition, he couldn't dodge or spew out his lightning breath.

The monsters became agitated.

Steeling himself for the fatal blow, Bleu saw a silver blur pass through the corner of his vision. Fresh blue blood spilled by. With a deep gash on his torso, the lizardman turned around only to be cut again like a paper doll by sharp claws, this time on the chest.

"Zylo!?" Bleu exclaimed in surprise, seeing the werewolf that had showed up behind the fallen lizardman.

"It's been a long time, Bleu."

Zylo's eyes had the glint of a wild beast hidden within, and he narrowed them in recognition for an instant.

Taking that as an opening, the harpies attacked from the sky.

"Watch out!"

Faster than Bleu's cry, Zylo jumped to the air. He spun next to harpy like a gear, hitting it with a somersault, and knocking it down hard to the ground. The blood from the harpy's torn neck ran in lines across her dead body.

"Before worrying for others, worry about yourself. Honestly, what a pathetic fight you put up. Have you forgotten your past experience? I'll show you how it is to fight as a group. Watch and learn."

Zylo howled.

The lizardmen and harpies flinched at the incoming chants of beast hunters. From its direction came the rushing sound of rain. A merciless rain of arrows…

Once the synchronized barrage of arrows ended, Zylo had also disappeared. Too fast for Bleu's eyes to keep up, he ran between the disoriented enemies, cutting them down as he passed them by. One by one they fell to the ground.

Having broken through the enemies surrounding them, Zylo reached Karin's group.

"It's Zylo, the king of Bustoke."

Krin calmed down the others, who were on guard, unsure if he was a new enemy.

"We'll regroup with Bleu. Follow me without delay," Zylo ordered, and turned away from them without waiting for an answer. He spoke as if certain that they'd obey. Not forceful. Just showing unwavering confidence.

"Diane!!" He shouted. In answer, a squad of archers appeared from the forest shadows, led by an elf girl. Their bowstrings rang as they once again released their arrows in unison.

Diane's archers concentrated their assault on the skeletons. The ropes tied in their arrows perfectly wrapped around their enemies. The skeletons hit by them fell down and tumbled through the ground. It seemed as if they knew what enemies they'd be facing, which made Krin impressed, but also a bit suspicious.

"Let's go!"

Zylo dashed away, heading towards Bleu, who had recovered some energy and continued to fight on his own. The others ran behind him as fast as they could.

"Karna, Camallia, heal Bleu, quickly!"

As Zylo and Randolf took the surrounding enemies down, Karin immediately asked the priests to tend to Bleu. While the archers of Bustoke kept lending them support, Camallia healed everyone who had been injured with Aura, the high level healing spell.

"Thank you, Camallia. You too, Karin…" Bleu thanked the girls.

"There's no time to waste," Zylo urged Bleu. "Let's retrieve the Manual at once with this."

Led by the wolf king, the group split apart the confused enemies. Separated from each other, they had no time to recover, and were shot down by Diane's squad.

"Now. Sir Bleu, the Manual!" Tyrin shouted.

Spreading his healed wings, Bleu flew over the skeletons. The monsters were knocked down by the wings and the gust of wind.

Ziduur held up the ruby in his hand. His body was enveloped in red light.

"Like I'll let you teleport!"

The monster had jumped away, but Bleu sliced him with his claws.

Ziduur's arm was torn and sent flying, tracing an arc in midair, weighted down by the ebony box it carried.

Bleu had his attention drawn to the Manual for a moment. Ziduur didn't miss that, casting a Blaze spell in that time. Bleu crossed his arms in front of him as the flames burst in front of him.

"Bleu!!"

Karin and Camallia left the few remaining monsters to Zylo, and ran to the dragon.

He looked down bitterly at the space Ziduur had teleported away from. It shimmered like hot air, proving that a devil stood there just a moment before.

He picked up the box with the Manual, and Camallia saw that both his arms were bleeding.

"Are you wounded?" she asked, walking to him.

"It's no big deal. Just scratches."

"Even a small injury cannot be left alone."

While he insisted that he was fine, Camallia softly kissed his wounds.

Bleu suddenly felt eyes on him, and tried to pull away from her.

"Please stay still."

Camallia's warm lips moved over his skin as she said the words. Her hot tongue traced over his wound, licking off the blood. Her throat made a glugging noise as she drank it. Her lips continued to move over it, trembling with her incomprehensible chants and sighs.

She let go after a while, and no trace of the wound was left.

"Bleu, the king of Bustoke is calling."

Karin only said that before turning her back and running away.

To next part>

Translation notes:

"Zidur" is apparently a word of a power to summon one of the creatures in the Necronomicon by Simon. I know nothing of that book other than a cursory look so I can't talk much about it, but do you know how hilarious it is to google a Shining Force thing and come up with a pdf full of demon rituals and absolutely no other results? Unparalled experience. Also, the character's name does have a longer "u" sound so I reflected that in my translation as well.

I don't recall Ziduur being explicitly referred to as a man, but his speech manners are pretty rough and he'll eventually be using the rough and masc "ore" pronoun, so unlike Otrant I just made the call to use he/him pronouns for him.

Zylo's species in the original game is given as "wolfling". His base class however is "werewolf", so nothing wrong here.

Up to this point I had been calling the dog "Cerberos" because that's closer to the japanese reading and I didn't think to look it up, but I was recently reminded that the games use "Cerberus" instead. I'd rather stick close to the official translations when it doesn't matter so I've updated past posts and will be using the game romanization from here on.

[thats-a-lot-of-cortisol]

2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss

oooh these are fun ones!

2. Describe their tent set-up (outside and inside) (Peri)

I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc. 3. What would their character quest be titled? Why? (Peri)

This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?

Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here"). 7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)

Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.

Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.

Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.

She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.

If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[girlb0yfriend]

dragon age update!! finished origins for the second time ever :3