It's so emotionally powerful to me that we don't hear any interactions between Minkowski and Eiffel in the finale between the scene when she tries to send him back on the Sol and the scene where she witnesses him losing his memories. That's more than an hour in the middle of the finale with no direct interaction between these two central characters whose dynamic is a core element of the show. For me, this makes both of those dramatic scenes even more moving, because they feel juxtaposed in a way they might not otherwise be if there was a Minkowski & Eiffel interaction inbetween them.
As the Sol prepares to launch, Minkowski tells Eiffel goodbye and she knows it could be the last time she speaks to him. She thinks she might never see him again, but at least he'll be safe. She thinks he might never forgive her for that choice, but at least he will have made it through this.
But his stubborn desperation to fight alongside the rest of the crew defies all her plans to protect him. And the next time she speaks to him - after she's been shot in the stomach during her attempts to reach him, after she's continued to look for him even as she's bleeding out - he is injured in a way she would never have expected. When she first sees him hooked up to Pryce's machine, maybe she thinks for a moment that he's unharmed, that they might all make it through this the way she hoped. Then she learns that his memories are already slipping away from him.
There's her desperate attempt to protect him at all costs, and then there's a life-altering harm that she couldn't protect him from, which she witnesses. Between these two moments, there aren't any scenes with both characters in together to bridge that gap. There's Eiffel yelling "Goddammit, Renée, DON'T DO THIS!", and then there's him telling her "It was an honor to serve under you, Sir." There's him pleading with her and then there's him forgiving her. There's Minkowski saying "Go home, Eiffel. Hug your daughter.[...] Goodbye, Doug.", and there's the desperate heartbroken way she says Eiffel's name after the memory wipe has gone through. There's two very different kinds of goodbyes.
And then, afterwards, there's two very different kinds of introductions.
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normal things to experience nightmare-level anxiety about in a dream:
your mom and your dad having a conversation
being confused about a school assignment
losing your phone
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My appreciation for iris and ota as characters increases every time I play aitsf like I think the side characters in aini are more likable but they don’t have as much depth cuz you have to remember them in all these different points in time and their different relationships with all the protagonists and it gets really wishy washy but in the first game it’s just like. Here’s iris and ota, they’re fucking annoying and sketchy as hell. Please spend all your time with them 🥰
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Meet my new (and first) Ultrakill OC: Bezaliel!
I honestly don't have a lot down in terms of his story or place within the lore, but I have been playing with some ideas based on his name meaning "The Shadow of God" (Maybe also meaning "Damaged"? Idk it's kind of mixed but the first one is most widespread. I'm learning as I go lol).
He's also mentioned as being a fallen angel (if I'm not mistaken) so I've been toying with that as well. I know that most of his abilities are related to that "Shadow" aspect of things: moving through shadow, providing aide from the shadows, or even using the shadows in battle.
The ball on the screen is similar to a familiar of sorts- something he uses to gather information or keep tabs on certain individuals. Considering the fallen angel bit, I might have him be on poor terms with the council, though that part of things is still up in the air.
I have yet to draw his physical weapon, but I do have some ideas for that as well.
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Me: omg they love calling ships they don't like brother and sister, it's like they don't know the word friedship, what's next? They goona start calling them mother and son? Hahahaha!
Me after becaming a kataang fan:
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