when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]
I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!
OH HI
Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.
(wow putting this under the cut bc it got longer than I thought it would LMAO)
I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.
A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.
And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).
But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.
About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.
But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.
Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).
Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.
Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.
Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.
I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.
Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.
And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.
Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.
As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3
Hope that was satisfying!!
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The beginning of 17776 really is so interesting in the way that it sets up the rest of the story. The calendar backdrop was such a stroke of genius, because it forces the reader to focus on nothing but the passage of time and nine's increasing desperation and loneliness. and then when ten responds with 'i love you so much'--well, i still had no idea who these characters were, but i was already invested enough in them to feel anxious scrolling through the days where they weren't able to make contact with each other. and then, when ten tells nine not to contact them for 27 years, my first thought was, 'but that's a life! that's a life apart for two people who clearly care about each other'
and then the scroll through the days, once again forced to focus on nothing but the passage of time, leading straight into the reveal that these people aren't actual people with a lifespan of a century or less, and THEN the reveal that even humans aren't people with a lifespan of a century or less anymore, and the way that the reader has been interacting with the passage of time is so FUNDAMENTALLY different to how it works for the current denizens of the earth
just, what a great way to really bring out the focus of the story right from the beginning: how would we change, if the constraints and anxieties of finite time were lifted from us as a species?
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hm. im not very big on new years resolutions, they're too much pressure. but... perhaps i can handle new years Desires
this year i want to complete a lil comic, fan-based or otherwise. i'd like to also complete some sort of storyboard/animatic thing. i want to develop a coloring style that i can be proud of. i want to get to a point with my dragons where they can have a coherent story & world to live in. i want to think of so many fun, trivial facts about my characters. i want to post more about them. i want to write and post an original thing, be it 1k words or 10k. i want to finish the rough draft of a book i outlined. i want to be kinder to myself. i want to create more gift art for others. i want to put more effort & care & love into my art. i want to force myself into the world and figure out how to live. i want to make an irl friend. try a new craft - scrapbooking, maybe, or making an enamel pin. i want to finish that last commission and make a new sheet for more. i want to be freer with myself. i want to finish at least three fics. i want to go whale watching again. i want to improve my art, especially in the matter of drawing people. i want to bake something tasty and share it with the neighbors. i want to be content with existing. i want to have more good things in life to list on bad days. i want to build a birdhouse.
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no actually I’d like to hear your thoughts on the isat ending
Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That
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so. successfully defended my master's. I have some a bunch of revisions to do for my written thesis before I officially have a master's, but I'm very nearly done with it.
I'll be doing research over the summer, but it's not nearly as fast-paced as normal semesters are, and this was a semester in turbo mode. And boy I certainly felt it. I should have a week or so before this semester is officially over, then I'll be able to finish up my thesis and have more time/energy for writing.
I know I've said that updates would be slower than normal this academic year (this semester, especially) and y'all have been very patient with me, so thanks so much. I've still got another draft/revisions to go, but I'm hoping I'll be able to get back to normal Hannah writing mode because I miss averaging 500-1000 words a day lmao
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