#gnarls barkley live

[ceelogreenfc]

I'll die when I'm done... But are you done? ☢ Gnarls Barkley makes me feel like a super hero. 🕴🏾🔥 Crazy, live at Later With Jools Holland. A classic! | @ceelogreen

[fivebrights]

Emotion Booth | Songs for Stanley, the Narrator, and many of the endings.

An expanded ver of the original fanmix, because I finally got to play TSPUD and it permanently rewired my brain the same way TSP did way back when. Happy 4/27; Let's Begin Again.

▶Listen (Spotify)

(tracklist & annotations under the cut)

[SIDE A] 1. Existential Crisis Hour! (Kilo Kish) [Intro/Confusion Ending] 2. Watch the Show (M. Ward) So tomorrow on your way into work, who will be wearing the emperor's clothes? 3. Soundproof Box (Ami Saraiya and the Outcome) Living behind these walls it feels like living in a soundproof box. 4. You're Alive (ANIMA!) [Apartment Ending] Sidewalk walkers, empty vessels, task completers / Go through the motions, keep repeating. 5. In the Glass (OK Go) [Real Person Ending] I tried to call out to him but the glass was perfect. 6. A.A.A. (Squalloscope) Can you do me a favor? Can you give me one cent for everything that doesn't make sense? 7. Crazy (Gnarls Barkley) [Mariella Ending] I remember when I lost my mind / Even your emotions have an echo in so much space. 8. Vein of Stars (The Flaming Lips) [Zending] They'll glow from above our heads / Nothing there to see you down on your knees. 9. Vertigo (The Guggenheim Grotto) [Powerful Ending] It's not that I fear the fall or crushing my bones / I fear the desire to heed the call of that unknown. 10. Humpty Dumpty (AJR) He said, "Screw it, I'mma smile right through it, and I'll scream when no one's around." 11. Why (Andrew Bird) Why'd you do that? You shouldn't have done that. 12. Complaint Department (Lykke Li) [Countdown Ending] Me oh my your luck seems to be no more / If you want to complain, I'm not the complaint department. 13. The Cruel, the Kind and the Bad (Psapp) [Museum Ending] He's taken all your best years away, but he's all that you can find. 14. The Great Escape (Patrick Watson) [Escape Pod Ending] Looking for a way home, looking for the great escape.

[SIDE B] 15. Good Old Desk (Harry Nilsson) [intro] 16. Honest Feedback (Saint Motel) Of all the illegal ways to take someone's life, there's one just as sharp and it's sharp as a knife / it's called honest feedback. 17. Longform (The Dodos) [Theme for the Memory Zone] To place an installation now for all to come and bring what they think about. 18. Eight Seven (Psapp) Though I call you won't reply / You watch me rooting through each door, you watch me lie. 19. Alive Alone (The Chemical Brothers) [Skip Button Ending] No way of knowing if [he's] ever coming back. 20. Here for Good (Jason Lytle) [Epilogue Ending] I'm here for good. 21. X-Rays (Gomez) We didn't turn it on, but we can't turn it off. 22. Since I Left You (The Avalanches) [Freedom Ending] Since I met you, I found the world so new. 23. The End Has Begun (Loudon Wainwright III) [Figurines Ending] We've been here before, you know the signs / The looks and the language, the gestures, the lines. 24. Helplessness Blues (Fleet Foxes) What's my name, what's my station? Oh, just tell me what I should do. 25. Lonely Town (Vulfpeck) He's the mayor of lonely town, population: one. 26. Hallucinating - Mariachi Ver. (Elohim) [Theme for the Infinite Hole] 27. ICE CREAM FEVER (Tomoyuki Tanaka, FPM) [Secret Disco Ending]

[hit-song-showdown]

Year-End Poll #57: 2006

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Daniel Powter, Sean Paul, Nelly Furtado, James Blunt, Shakira, Natasha Bedingfield, Gnarls Barkley, Chamillionaire, Justin Timberlake, Beyoncé. End description]

More information about this blog here

The sound of popular rap is still skewing down south, as seen with Chamillionaire and Slim Thug. The dirty south sound will continue to be popular throughout the decade.

With Timbaland, The Neptunes, Danger Mouse, and Swizz Beatz, we're seeing a lot of established names in the world of music production popping up in the top 10. Timbaland was already a well-known producer in the 90's, especially his work with Missy Elliot, Aaliyah, Jay-Z, and other notable names in rap and R&B (cutting a lot of artists from this list; seriously he's very prolific). In the mid-2000's, Timbaland started working with more pop acts, like Justin Timberlake, Nelly Furtado, and The Pussycat Dolls (again, cutting a lot out), bringing more mainstream pop listeners to his sound. Like The Neptunes, Timbaland's production style is incredibly distinct and helped to shape what a lot of music in the 2000s sounded like.

This was also the year the second-generation iPod Nano was introduced. This is mostly notable to me because this was the year I upgraded to one from my Walkman, and I saw the music video for Gnarls Barkley's Crazy on that tiny screen and it blew my goddamn mind because I thought I was living in the future.

[mooglebunny]

why I keep thinking about 2006

(from my Substack newsletter, Molly's Love Letter)

Someone once said that being 10 years old is the peak of our lives, that it doesn’t get better than that. I can’t remember who said this—Darren Aronofsky? Truman Capote?—but I have found there is some real truth to it. I tried to look it up and couldn’t find it, but I did find this relevant Capote quote:

“Past certain ages or certain wisdoms it is very difficult to look with wonder; it is best done when one is a child; after that, and if you are lucky, you will find a bridge to childhood and walk across it.”

I have been thinking about this a lot lately. This runaway train of thought was fueled in part by The Artist’s Way: Week 3, which asked me to note my favorite childhood toy (dolls), game (dress-up, monkey bars), and foods (Walker’s prawn cocktail crisps and paté sandwiches (?!)). And then there were my artist’s dates spent reading old issues of Teen Vogue and remembering not only cultural trivia, but also certain cultural—and personal—moods.

When I was 10, I was in 6th grade. The year was 2006. I spent my evenings rooting for Paris Bennett on American Idol and then trying to get Daniel Powter’s “Bad Day” out of my head. There was also “Promiscuous” and “SexyBack,” and Gnarls Barkley’s “Crazy,” and the premieres of Hannah Montana and Ugly Betty…

This month, to harness my tweenage nostalgia, I rewatched a 2007 episode of Gossip Girl and listened to 2006 Britpop and Ameripop albums like Lily Allen’s Alright, Still and Fergie’s The Duchess. Each of these cultural artifacts was like a portal into a world I had not truly thought about for at least a decade.

As I dug into all these sentimental pieces of media, I started thinking more about who I was when I was younger—someone free-spirited, enthusiastic, imaginative, goofy, eccentric, whimsical. Someone who wrote freely on my garage-sale typewriter about orphans and spies and talking cows and overweight cats doing ballet. I didn’t overthink or question my writing or compare it to that of Joan Didion or even think about other people reading it at all. I was in my own little world, playing, for the joy of it.

Cut to a decade later: After taking a semester-long writing workshop in Chicago at age 19, I stopped writing fiction. Since then, another decade has passed—one spent writing primarily for other people, lifestyle features for medical websites and branded content for luxury liquor labels.

More and more throughout this decade, I have been wondering why I’ve had creative-writer’s block for 10-plus years, when I used to spend hours a day playing make-believe through my writing. While thinking about this recently, I thought about how I had gone through puberty and internalized a narrow idea of who I “should” be in order to be “cool” or attractive. I realized there was some truthful connection between the loss of my childhood creativity and my adolescent foray into the world of hormones and vodka and boys and Skins. As I moved into my teens, writing weird, whimsical stories—or made-up stories at all—started to seem childish to me, or delusional somehow. I found myself spending less time in my vivid imagination and more in my (self-)conscious mind. This self-consciousness stifled my ability to play.

Not to get all Peter Pan Syndrome and start rambling about the Good Old Days and how “when you grow up you lose your wings” or whatever—referencing, of course, these quotes from J.M. Barrie’s Victorian-era plays and novels:

“Why can’t you fly now, Mother?” “Because I am grown up, dearest. When people grow up they forget the way.” “The moment you doubt whether you can fly, you cease for ever to be able to do it.”

It’s just that, as someone who prides myself on my elephantine memory, I was alarmed by how much of the stuff I used to wholeheartedly love I hadn’t given much thought to in almost two decades. And the reason I hadn’t thought about it was because somewhere along the way I deemed it “uncool,” or else not in alignment with a certain identity I had created for myself. Said identity may have been more digestible to whatever dude I was crushing on or dating at the time or to strangers on social media or to my own ego, but it was a dilution and a flattening and a boxing-in of who I was. I denied myself the complexity of being a full human being who can love both Ariana Grande and Tom Waits, both Gossip Girl and Twin Peaks, both Teen Vogue and Tolstoy.

The result of this self-denial was that it not only obscured my true self from the people around me, but it obscured me from myself. I think that’s what growing up can do to a lot of us: We start trying to define and explain and justify ourselves to the world. We start to compartmentalize things, to label them as “babyish” or “basic” or “nerdy” or “girly” or whatever else. This hides parts of us in the shadows, and keeps us from being free and expressive and whole.The Olsen twins: Style icons then and now.

Sure, 2006 wasn’t a wholly wholesome time. Toxic trends (Perez Hilton, fat shaming) ran rampant. But the Internet had a simpler and less central role in the culture then: Facebook wasn’t made available to the public until that September; iPhones weren’t launched until the following June; and YouTube revolved—at least in my own consciousness—around silly videos like Charlie the Unicorn, Fred Figglehorn, and “Shoes. Oh my God, shoes.” Today, most of the content I see on YouTube comes from lifestyle vloggers pushing products or podcasters preaching self-optimization strategies. Teen Vogue has gone digital and political. Hyper-“connection” has made us more individualistic and censorious as a society. Culture, not just age, has made the world feel heavier.Blake Lively and Leighton Meester in Gossip Girl (2007)

So why am I thinking about that time so much? Why am I watching The O.C. and reading back issues of Teen Vogue and listening to tracks produced by Timbaland? It’s because doing so reminds me in small but mighty ways of who I was—who I am—beyond any self-consciousness about projecting a certain curated, “correct,” and clear-cut image to the world. It’s fun to look back and feel 10 years old again. It reclaims the parts of me I had rejected for being too corny or cheesy or geeky or goofy. It builds that bridge Capote wrote about, the one back to childlike wonder and creativity.

A lot has changed within and around me since 2006. And one day I’m sure I’ll be looking back at 2024 through this same wistful, rosy haze. But today, I look at and listen to these cultural relics with the same ears and eyes I did 18 years ago, and I am reminded what it felt like to be free, to express rather than impress, to explore and play with wonder and delight. Thinking about 2006 reminds me how to fly. ♡

(from my Substack newsletter, Molly's Love Letter)

[tourneyposting]

i decided to randomise megamix

see under the cut for sourcelists & fan-names

01 - MAU5TRAP

-Claymation/Stop Motion -Gnarls Barkley & It's members -Snakes, Serpents, & Reptiles -Kero Kero Bonito

02 - Summer Swimming

-Rivals of Aether & flashygoodness -Mysteries, Detective Media, & Puzzles -Royalty & Time -School & Education

03 - Lord Farquaad

-RayWilliamJohnson -Studio Ghibli & Their Image Albums -Pre-2012 Internet Culture & Bait-And-Switch memes (NO SIIVAGUNNER)

04 - Heaven Ascension Dio

-Big Time Rush/Stephen Glickman, Boy Bands & Their solo acts -Jojo's Bizzare Adventure & other Shonen Jump media -Wayforward & ArcSystem

05 - Ace D. Copular

-Smash Mouth & Shrek Artists -Webcomics, Animated Webseries, & Indie Web Animation -Quad City DJs/Space Jam Artists

06 - Maddumb

-90s Hip Hop/Rap -Lofi Hip-Hop & Shiloh Dynasty -Dreamworks -Pokémon & It's mainstay artists

07 - Neil Cipher

-Well-Known Music Producers -Insects & Skeletons -Otaku Culture/Sex -Alt Rock, Britpop, & Post-Britpop

08 - Tomska

-Sleep, Dreams, & Nightmares -Twitch/Esports games -Jojo's major antagonists references -First Person/Class-Based shooters, & Guns

09 - Tord

-Turner Broadcasting Media -Space & Aliens -Danny Baranowsky

10 - Charles "All-Star" Barkley

-Geico Commercials/Made for Ads -Progressive House & Dubstep -Sampled by Neil/Featured in his Mouth albums -Robots, Ghosts, & Felines

11 - Hot Hats

-Lou Bega, Mambo, & Big Band -Skating/Boarding & Skate Punk/Ska -Madeon & His collaboraters

12 - Last Peace

-S3RL/Happy Hardcore -SoundClown sources & SoundCloud rappers -Gears for Breakfast/Indie Platformers & Collectathons -Racing Games, Cars, & Bikes

13 - Scatman John

-Tally Hall & It's members -Christmas, Winter, Snow, & Ice -R&B & Soul

14 - Baba

-War, Explosives, & Flight -Electro Swing -Interscope solo female artists

15 - DARK ONES

-Voxel -Halley Labs -Psychadelic/Drugs

16 - UNCRE/ATIVE

-C418, Minecraft, & Sandbox -Lil Darkie/Spider Gang & Their Producers & Collaboraters -Gangs & Organised Crime -Creepypastas

17 - Oven Beats

-RPGMaker -Hardstyle/Trap Metal -88rising & Their collaboraters

18 - Elliana

-Streamers, Streaming, & Streamer BGM -Arena Fighters & 3D Brawlers (NO ARMS) -Live Action Sitcoms

19 - Sex Rulers

-Mods -The Apocalypse -Snail's House/Kawaii Future Bass

20 - Mettaton EX

-Tyler, The Creator & His collaboraters -Damon Albarn -Eddsworld & It's collaboraters -French Touch/Ed Banger

21 - Bad Snails

-Big Beat, Plunderphonics, & Turntablism -Gigi D'Agostino & Fatman Scoop -Undertale/Deltarune -Eastern European Culture, Food, & Culinary arts

22 - Sleepless Nights

-Deadmau5, his collaboraters, & Mau5trap artists -Bedroom Pop -VGM & Chiptune EDM

23 - The Mutant Enderman

-Beat Em Up -Game & Watch/Other Category -ARGs -Glam-Rock

24 - Rocque Banger

-Industrial, Dark Techno, & IDM -Bodies of Water & Sea Life -80s/90s Nintendo Non-VGM -Valve & It's fancontent

25 - CA7 & MATT

-NES, SNES, & Gameboy -FGC Competitions & 2D Fighting Games -Neil Cicierega -Money & Partying

26 - Cursed ARMS

-Nickelodeon/Nick Records -Vampires & Religion -Synthpop/Synthwave -One-Hit Wonders & 90s Hits (NO RAP/HIP HOP)

27 - Snail's Stream

-YTPs/YTPMVs & Keygen -Disney Channel/Disney XD & Disney child stars -Billboards Top 100 2010 & 2019

28 - Misako

-Newgrounds/Flash & Their creators -Rythm Games -Rick Astley/80s New Wave

29 - Lou Bega

-ARMS/Switch Exclusives -Huey Lewis & The News -Dungeon Crawlers/Roguelikes

30 - The Grinch

-Heat/Fire & Summer -Zombies -Chipzel

31 - Ke$ha

-Murder & Killing -Sports, Training Segments, & Montages -Ke$ha, Billie Eilish, & Their collaboraters

32 - GAME: BEAT: HUNT

-Cowboys, Deserts, & The Wild West -Illumination/Dr Seuss -Scatman John, Eurodance, & Jazz -Monstercat artists

i'm pretty sure i forgot a source in there. don't know what it is though. whatever it is goes to ke$ha.

[thereareeyesinsidethetrees]

i've been having trouble deciding which of the songs in my ford to explain, so!

below the cut is my ford playlist, my stan playlist, and my bord playlist. if there are songs missing from the public version, they'll be listed under the playlist

if you find any songs in them and you're not quite sure why they're there or you just wanna hear some thoughts on them, let me know and i'll make a post explaining it

and if nothing catches your interest, there's a chance you at least got to be introduced to some new songs :]

missing songs:

-Good Enough by atsuover

-Plug Me In by Lil Soda Boi

-Spiraling by Jtfrag and TheIronPapyrus

-Crazy by Gnarls Barkley

-Ruler of Everything by Tally Hall

-Promiseland by MIKA

-MY HEART BEATS OUT OF TIME by Black Dresses

-Two Moons by BoyWithUke

-Make of This What You Will by Billy Cobb

-Choice by Jack Stauber

-Lovers by Kiltro

-How to Disappear Completely by Radiohead

-My Ordinary Life by The Living Tombstone

-Bad Apple!! covered by Cristina Vee

-Ancient Dreams in a Modern Land by MARINA

-Dream Sweet in Sea Major by Miracle Musical

-Icicles by The Scary Jokes

-Transformation by Anthony Warlow

-Bullet by Hollywood Undead

-Werewolf by Motionless In White

-Baby Hotline by Jack Stauber

-I AM NOT MY OWN by evidentlyfresh

-Killing Time by Infected Mushroom

-Thistle & Weeds by Mumford & Sons

-Venetian Blind Man (Song) by Will Wood

-Sin Triangle by Sidney Gish

-VIRUS by SacriStuff

-Don't Forget covered by Caleb Hyles

-I Am Electric by Heaven's Basement

-Kill Somebody by YUNGBLUD

missing songs:

-Don't Forget covered by Caleb Hyles

note: NOT a ship playlist

missing songs:

-Sharks by Imagine Dragons

-Feed the Machine by Poor Man's Poison

-Along Came A Spider by Czesław Śpiewa

-Stop A Bullet by Black Light Burns

[pagan-stitches]

Boogie Monster — Gnarls Barkley

I got a monster in my closet

Someone's underneath my bed

The wind's knocking at my window

I'd kill it but it's already dead

It waits till the midnight hour to come

To torture me for the wrong that I've done

It just sits there and stares at me

And it won't let me get any sleep

(Just let me sleep)

I got a monster in my closet

Someone's underneath my bed

The wind's knocking at my window

I'd kill it but it's already dead

At first I was scared

When I looked at his eyes

But now that I know him

I'm not that surprised

I'm just waiting on the sun to rise

Oh how I wish that old sun would rise

I got a monster in my closet

Someone's underneath my bed

The wind's knocking at my window

I'd kill it but it's already dead

I used to wonder why he looked, familiar

Then I realised it was a mirror

Oh and now it is plain to see

The whole time the monster was me

Oh there's a monster in my closet

Someone's underneath my bed

The wind's knocking at my window

I'd kill it but it's already dead

The living dead

Only thing that'll bring me back alive woman

Is some good good head

Hahahahaha

[joegrafia]

No Time Soon - Gnarls Barkley

This could be one of those days That we must go our separate ways. Scared for you to be out of my sight, Because you never know, you might.

And I carry this It's heavy. And I miss you Already

You were perfect babe.

My time will come Yours too. I'll gladly go before you.

I hope you live forever, Or maybe we can go together.

It would be perfect baby.

And I carry this, It's heavy. And I miss you Already

[thesinglesjukebox]

TEDDY SWIMS - "LOSE CONTROL"

Harkening back to a time when music made you shake, rattle, and roll...

[3.79]

Will Adams: Must be love on the brain. Or maybe just water in my ear. [4]

Ian Mathers: When will The Black Keys be held accountable for what they have unleashed upon the world? [3]

Jacob Satter: "He began playing instruments including piano and ukulele, and watched YouTube videos of singers to help develop his vocal technique. [4][5]" -- Wikipedia [4]

Thomas Inskeep: Oh, yay: another big-bearded, face-tatted white boy who thinks he's somehow "soulful" because he heard a Stax record once. And much like Post Malone and Jelly Roll before him, throw him on the burn pile. [1]

Scott Mildenhall: A great audition: four chair turns and a message from Rag'n'Bone Man. All theatrics are plausibly deniable, but the vocal capabilities are conspicuous, with there never being enough of a song to intrude on them. A strong message to the detractors of treading water in the natatorial world. [5]

Nortey Dowuona: The history of soulful white boys is long and strained. The Righteous Brothers are one example, but they never got more than one big immortal hit (only one did: Bill Medley). There's Michael McDonald, Bobby Caldwell, Tom Jones, and, of course, Fucking Drake. Each time a soulful white boy appears, he does appear acceptable, but only up to a point. Once that point has been breached, his existence becomes an anchor -- not a boon -- receiving enmity and bitterness for both his success and his inability to possess the skill demanded from truly soulful singers. As time has gone on, the five-alarm church runs that once ran R&B have gone out of style with the youngsters, unless coated in patiently brush-stroked Autotune. Even though live performances are a crapshoot with many of them, their excellent songwriting kept them aloft. Sometimes, their voices were so pretty that their lack of range didn't bother us. Now, another soulful white boy who possesses the runs (with scalpel-level Melodyne on them) has risen to the top. The worst part is that his song is well-produced: done by Ammo and Julian Bunetta, a trained jazz drummer whose heavy-handed soul drums anchor the thin mix. The plaintive keys shuffle against the tambourines gently, as Bunetta's bass lopes below and follows the key of the keys. But the songwriting from Mikky Ekko drags down this fantastic effort, leaving a held-back guitar solo by Bunetta bashing its neck against the withholding mix of Serban Ghenea. If only Brent Faiyaz was writing this... [6]

Tara Hillegeist: Oh, this is a very passably lovelorn piece of uptempo romantic angst, the kind that sounds like it could just as easily have dropped off the back of Cee-Lo Green's tour bus, circa "Fuck You." But it's not so passable that I can't help but have my main response to it all be "Wow, your man's such a tatted-up white lad, looks like he belongs on the set of a Guy Ritchie film, innit?" And now I've had that thought, I have to ask myself: when's the last time I heard something like this from someone who didn't, whose name wasn't T-Pain? And now I've asked myself that question, I have to wonder: should that question still matter? [6]

Joshua Minsoo Kim: This is a good time to admit that I always thought Gnarls Barkley’s “Crazy” was a terrible, plodding song. This sounds like a mellower, simplfied version of that. I find the almost-rapped verse kind of sweet, reminiscent of Ed Sheeran if he had a bit more soul, but then the guitar solo arrives and makes me feel disgust. It is not lost on me that this isn’t so far from Portishead’s “Glory Box.” The difference is that it all feels so rote, the elements already pre-packaged with an understanding of their meaning and import, and they don’t ever come together to bring the track to a greater whole. [4]

Hannah Jocelyn: Does nothing new in this type of song (except for the weird keyboard warble, which I'm not convinced is a good innovation because it sounds like "Dance Monkey (slowed + reverb)"), but the production from Julian Bunetta is phenomenal -- incredibly warm, but with enough muscle that what's probably just a drum loop from Splice sounds massive. Teddy Swims is very much in the Rag'n'Bone Man/Jelly Roll vein of gruff belters, but there's a warmth in his voice that prevents him from coming across like Mr. Roll or, worse, Oliver Anthony. [6]

Jacob Sujin Kuppermann: I get no enjoyment at all from listening to this. Every pained vocalization, every flanged guitar stab and demonstrative snare hit feels empty to me; whatever feelings Swims has do not survive transit. And yet, I feel a certain perverse respect for "Lose Control" despite all this. Perhaps it reminds me too much of the soul revival tracks that my high school pop ensemble teacher favored, the Fitz & The Tantrums-alikes that I dutifully jammed out to for four years. It's not a style that moves me at all anymore, but as I listen to "Lose Control," I can almost conjure bass tabs and keyboard charts to memorize and devote myself to (and can imagine the students of a semester from now who will be playing along to teenage takes on Teddy Swims' adult melodrama). [4]

Alfred Soto: The echo, horn blasts, and Soulful White Man vocal evoke a pop climate at least a decade past obsolescence, a reminder that a certain overstatement will always serve as a crutch. [4]

Wayne Weizhen Zhang: This song makes perfect sense if you just picture the woman he’s singing about standing next to him the entire time.  [3]

Leah Isobel: This man said "problematic" like he's on the Tumblr dash in 2011. [1]

Katherine St. Asaph: Thoughts and prayers for anyone persuaded to fuck to this song. [2]

[Read, comment and vote on The Singles Jukebox ]

[ceelogreenfc]

Since this is the year to be a Gnarls Barkley fan, @ceelogreen reminds us how Crazy was born. Crazy is one of those classic songs, that no matter how much time passes, still resonates with us. #CRAZY isn't it?!

#Crazy#CeeLoGreen#CeeLo#GnarlsBarkley#CrazyChallenge#TBT

[cage-cat-yt]

✨️When you get this ask you have to put 5 songs you listen to, post it, then send this ask to 10 of your favorite followers (positive vibes are cool)🎶

Drunk by the Living Tombstone - most listened to song for 2 years

Crazy by Gnarls Barkley - current loop song

Genocidal Humanoidz by System of a down - underrated song (it's a newer one by them)

Normalize by Mother Mother - Probably the most relatable song I've heard?

Be a better friend by Eyedress - Please check Eyedress out he's super good and this is one I really like

I wish I could put more 😭 I'd put MCR and Evanescence if I could

[my-chaos-radio]

Release: March 13, 2006

Lyrics:

I remember when

I remember, I remember when I lost my mind

There was something so pleasant about that place

Even your emotions have an echo in so much space

And when you're out there without care

Yeah, I was out of touch

But it wasn't because I didn't know enough

I just knew too much

Does that make me crazy?

Does that make me crazy?

Does that make me crazy?

Possibly

And I hope that you are having the time of your life

But think twice, that's my only advice

Come on now, who do you, who do you, who do you

Who do you think you are

Ha ha ha, bless your soul

You really think you're in control

I think you're crazy

I think you're crazy

I think you're crazy

Just like me

My heroes had the heart to lose their lives out on the limb

And all I remember is thinking I want to be like them

Ever since I was little

Ever since I was little it looked like fun

And it's no coincidence I've come

And I can die when I'm done

Songwriter:

But maybe I'm crazy

Maybe you're crazy

Maybe we're crazy

Probably

Thomas Callaway / Brian Burton / Gianfranco Reverberi

SongFacts:

👉📖

[virtualbearfox]

rules: you can usually tell a lot about a person by the type of music they listen to. put your playlist on shuffle and list the first 10 songs, and then tag 10 people. no skipping!

Tagged by my lovely sister @wintercrushes

1. La Cumbia de los Monjes by Grupo G

2. Black or White by Dreamcatcher

3. High school by Umi

4. My Medicine by The Pretty Reckless

5. Dream On by Aerosmith

6. Summer Tights by DPR LIVE

7. Crazy by Gnarls Barkley

8. Lonely Heart by 5sos

9. Goteo by Paloma Mami

10. Mz. Hyde by Halestorm

I will tag @drowsymiha 🤗

[randomestfandoms-ocs]

🎶 Nikki

oh god oh man this week has been the week of Nikki & Crazy by Gnarle Barkley like you don't understand how fucked up it's got me this is her second most heartbreaking "fight" song scene moment thing (it's a fight scene it's just tragic not badass)

My heroes had the heart To lose their lives out on the limb And all I remember is thinking I want to be like them Ever since I was little Ever since I was little it looked like fun And it's no coincidence I've come And I can die when I'm done

Send me 🎶 + an oc and I’ll give you a song I associate with them

[songs-im-thinking-abt]

why i think about this song: i think about this song a lot because it has found a way to resonate with almost every major era of my life. When i was younger (and lacking any of the hope a middle schooler would need to enjoy living), I thought this song was about someone considering taking their own life despite the fears they have of what would come next. as an adult now (still slightly lacking in the hope department...) i have a new perspective that while it is about someone wanting to move on from the life they're living at the moment, they don't plan to take their own life to do so. this song sticks with me because it has evolved with me, and i hope it can do the same for y'all.

[kubrick06010]

##Tracks escuchados en Breaking Bad.

Season One:

Gnarls Barkley, “Who’s Gonna Save My Soul”

Mick Harvey, “Out of Time Man”

Ticklah, “Nine Years”

In-Crowd, “Mango Walk”

Koop, “Koop Island Blues”

Clyde McPhatter, “You’re Moving Me”

Working For a Nuclear Free City, “Dead Fingers Talking”

Darondo, “Didn’t I”

The Motels, “Suddenly Last Summer”

The Silver Seas, “Catch Yer Own Train”

Season Two:

The Walkmen, “Red Moon”

The Be Good Tanyas, “Waiting Around To Die”

Nancy Sinatra, “It’s Such a Pretty World Today”

Alvin Red Tyler, “Peter Vendor”

Calexico, “Banderilla”

TV on the Radio, “DLZ”

Blue Mink, “Good Morning Freedom”

The Platters, “Enchanted”

Wang Chung, “Dance Hall Days”

The Outlaws, “Green Grass & High Tides”

Season Three:

America, “A Horse With No Name”

ZZ Top, “Tush”

Amboy Dukes, “Loaded For Bear”

Buddy Stuart, “In the Valley of the Sun”

Prince Fatty, “Shimmy Shimmy Ya”

The Association, “Windy”

Buddy Stuart, “Sun Shine On Me”

Stan Getz, “Lee”

Son of Dave, “Shake a Bone”

Beastie Boys, “Shambala”

Season Four:

Fever Ray, “If I Had a Heart”

El-P, “Flyentology (Cassettes Won’t Listen Remix)”

2 Live Crew, “Hoochie Mama”

Melani L. Skybell, “Days Like This”

Ana Tijoux, “1977”

Pretty Poison, “Catch Me I’m Falling”

Thomas Dolby, “Hyperactive!”

Pretenders, “Boots of Chinese Plastic”

Walter Wanderley, “Crickets Sing For Ana Maria”

Thee Oh Sees, “Tidal Wave”

Season Five:

The Doors, “The Crystal Ship”

Mack Owen, “Somebody Just Like You”

The Peddlers, “On a Clear Day You Can See Forever”

Knife Party, “Bonfire”

Queen, “Lily of the Valley”

The Monkees, “Goin’ Down”

Alan Parker + Alan Hawkshaw, “Clear Waters”

Duke Ellington, “Overture (Nutcracker Suite)”

Tommy James & The Shondells, “Crystal Blue Persuasion”

Nat King Cole, “Pick Yourself Up”

Bonus Tracks:

Alexander, “Truth”

Honey Claws, “Digital Animal”

Say Anything, “Baby Girl, I’m a Blur”

Danger Mose + Daniel Luppi (feat. Norah Jones), “Black”

Apparat, “Goodbye”

Fujiya & Miyagi, “UH”

Quartetto Cetra, “Crapa Pelada”

Timber Timbre, “Magic Arrow”

Los Zafiros, “He Venido”

Los Cuates de Sinaloa, “Negro y Azul”