#glass door front

[saeruth]

Phoenix Glass Inspiration for a large modern one-story glass house exterior remodel with a metal roof

[twittercriterion]

Flat Roofing in Boston A mid-sized minimalist brown one-story wood building with a flat roof is an example.

[bibliotecauditiva]

Austin Exterior Inspiration for the exterior renovation of a sizable contemporary white three-story mixed siding home with a hip roof and tiles.

[flancrossing]

Porch - Southwestern Porch

Mid-sized southwest tile front porch photo with a roof extension

[talesofthenine]

Stucco - Modern Exterior Large, minimalist exterior shot of a two-story beige house with a hip roof and a shingle roof.

[rowbutt]

Siding Exterior in Indianapolis Large transitional beige two-story mixed siding exterior home idea with a shingle roof

[pamiakram]

Metal - Roofing Large country red two-story wood exterior home photo with a metal roof

[wolfpal]

Brick Exterior in New Orleans Exterior shot of a sizable, elegant white two-story brick home with a hip roof and shingles.

[tommyxvx]

Wood Boston Photo of a large, elaborate, three-story, beige home's exterior with shingles on it

[two-dolla-bills]

This is both the absolute best and worst thing I have ever seen in my entire life

[parksrway]

I feel like I'm living in a fake aita post

[lady-harrowhark]

went home for lunch, got out of my car and realized that someone had left me a little gift in the form of a piece of some sort of industrial metal cabling, which they have helpfully used to tear through the front bumper of my car. they even ripped out the grille to make room for this new acquisition, very thoughtful!

[rebrandedbard]

You're getting a lot of shit in your mailbox so I figured I'd send you something not shitty, did you know that pigeons mate for life and co-parent?

I did not! Way to go, lil lovebirds!

[tortoisesshells]

Dark Shadows episode 85, aired October 21 1966

[cowardlychimera]

*raises hand* Me, me, me! I want the elaboration :3

omg hiii!!

okay first off, my memory sucks so if I get any details wrong please do correct me </3

anyway. Omori killing headspace Basil in the Sunny/true route. first I'd like to bring up how in the Omori/neutral route, when Sunny saves headspace Basil, he has to fight Stranger instead, mirroring the fight with the real Basil in the true route. to continue the game he has to force Stranger to give up, and as a result leave the real Basil to suffer on his own, and kill himself.

in the true route, Omori kills headspace Basil instead, giving Sunny the chance to save the real Basil. he doesn't let him have the option to save headspace Basil, and I think it's because he's challenging Sunny to actually take action for once.

Sunny giving up is a very big theme in the game. he gives up in the lake incident, letting someone else save him instead. he gives up and throws his violin down the stairs instead of speaking up. he gives up and lets Basil deal with Mari's body. he gives up and lets Omori take over. he gives up on reality, choosing his dream world instead.

it's safe to say Omori expects him to give up when faced with the option to save the real Basil. after all, Sunny's been faced with the truth multiple times, and gave up each time too. even Mewo asks if Sunny's waiting for something to happen (instead of taking action and taking the first step: leaving the house).

if he managed to build up the courage to open the door for Kel, surely he can build up the courage to open Basil's door and face him. Omori wants to see if he'll give up. he's challenging him to save the real Basil instead.

and when he does? Omori himself challenges Sunny to a fight instead. maybe he still doesn't think Sunny's capable of making things right. he doesn't think he's capable of accepting and telling the truth. he still expects him to give up. so he challenges him one more time.

I remember Misty pointing out Omori's expression in his final phase and how it looks a bit different compared to before. Misty brought up some pretty good and interesting possibilities, but if his expression did really change, and it's not just the distortion, I think he's actually surprised.

because he's expecting Sunny to give up. but he's not. he's still fighting. he's still standing. he's not giving up. after all these years, he's making a choice for himself. he's always let others make choices for him, always let others save him. but this time Sunny's fighting for himself. for his friends, for Mari, for the truth. he made the choice to try to make things right again when he opened Basil's door. Omori is testing if he really wants to go through with that, forcing him to face every horrible thing he can throw at him.

but he doesn't expect him to actually stand strong. but he is. Omori can't die, can't be defeated. but Sunny's still fighting anyway. Sunny gets back up and plays. plays the song he couldn't before. he does what he had given up on years ago.

and so Omori realizes Sunny isn't going to give up this time. so he steps aside and gives Sunny one last chance to carry on with his choice. he lets him choose between two leaps of faith: one from the roof, and one from Basil's hospital room. Sunny gets to choose which door he opens. and in the true ending?

Sunny chooses the real Basil over the imaginary one. Sunny opens Basil's door.

[lumpsbumpsandwhumps]

The Whumper knows exactly where Whumpee is hiding, but they pretend they have no idea.

The thrill of the chase is half the fun, to catch Whumpee scrambling from one place to another out of the corner of their eye, to see the traces left behind in the form of open vents and bloody smears that create the perfect path to them. Whumper always makes sure to linger just in front of where they've tucked themself away, calling out to them, checking every nook and cranny except the one they know contains Whumpee.

And as soon as they leave, as soon as Whumpee dashes out of the compromised room for a new hiding spot, the hunt is on again to be as prolonged as Whumper desires.