#give me the scripts i can do it

[phantosss]

Fuck it I will make the spinoff myself

[corallapis]

[charlieconwayy]

Movies That Made Me: Back to the Future (1985)

[puppppppppy]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[xxplastic-cubexx]

ohhh i just know magneto is so pathetic in bed constantly asking charles if he’s making him feel good and charles just praising him like 😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌

THIS IS WHAT I LOG ON TO THIS WEBSITE FOR 🗣️🗣️🗣️🗣️🗣️

[spocks-kaathyra]

do u think that um. yk Julian was having a rough time in the later seasons. and ofc he wants to talk abt it, wants someone to help him process it, wants someone to just listen. but it's not easy to talk abt. and he wants to talk to Garak, wants Garak to know what's going on in his life, wants to be vulnerable and be met with support and care. but Garak is so emotionally unavailable and so unwilling to break his pleasant facade and so unwilling to deviate from their little social script. he was taught never to show care or vulnerability. and Julian gets so tired of playing their little game when, god, there's a war going on, his life is falling apart, can't Garak even acknowledge how bad things are for both of them? he doesn't need witty retorts, he needs sincerity. and Garak can't give him that. so he withdraws from their friendship. and it's not that Garak doesn't care. it's not that he doesn't want to help. but sincerity and vulnerability were beaten out of him a long time ago, and he doesn't know how to take off his mask. even just acknowledging genuine emotion is practically impossible for him. and maybe that's why ASIT is the apology that it is. it's saying, here, I've learned to be honest, I've learned to be vulnerable. I know the harm I caused you by refusing to acknowledge pain, so here's a whole book of me acknowledging pain.

[phoenixtakaramono]

There are only two episodes left in The Boys S4, but having seen the leaks and with what we got, I have some opinions.

My conspiracy theory is that they got too many cooks in the kitchen (writers in the writer’s room)—plus the writer’s strike and pandemic happening during this time—and it’s starting to make sense how they dropped the ball with this season.

[darrengrave]

I think one of the funniest things about the Arcane writing team is that seemingly specifically because they didn't intend to write Viktor and Jayce as romantic they accidentally developed one of the most interesting and moving queer dynamics on television, and specifically because they were so into Caitlyn and Vi they completely forgot and failed to develop literally any chemistry between them at all before we were supposed to believe they had a thing going on beyond vague interest.

[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend

[amelikos]

The writing around Friede and Amethio's dynamics is brilliant for many different reasons, but one of the things I enjoy the most about it is that Amethio gets to act bratty in a way he rarely gets to be around others when he faces Friede (not liking being given orders, etc).

[youaremysunshine-court]

The saddest thing is the witcher could have portrayed healthy found familial relationship in a non-traditional way, but they went and forced yennefer into the role of mother, geralt into the role of father, completely did away with jaskier, and didn't even bother to consider that every single witcher in Kaer Morhen could be considered ciris father, but no, there's a husband and a wife and a child and that's all there is to it

[jasperyourmutt]

Thank fucking god for doctors who give a shit about your health. I just met my new doctor who is going to be prescribing my T and I feel so relieved to have someone who actually CARES

[zouisalmightie]

i feel like all i ever do is complain about my job like there are some parts i really love about teaching but then some days i want to run and nosedive out the window

[bluebellhairpin]

I'm getting to the end of my line over here.

[berenshand]

shakespeare snobs still aren't ready for this conversation but revenge of the sith is the closest western media has to a modern equivalent of a shakespearean tragedy

- entertainment created for mass appeal

- effectively utilizes comic relief despite overall serious tone and/or subject matter

- the audience knows it's a tragedy going in

- utilizes, as shakespeare did, the elements of the greek tragedies which came before him, ie:

- the tragic hero is virtuous but for a fatal flaw

- the audience fears for and roots for the hero despite said flaw and their knowledge that the story is a tragedy

- in his attempts to escape his destiny, the hero unknowingly runs toward it, even brings it about himself

- it's entertainment for the masses even though the masses know it's a tragedy before it even starts

[mifunebooty]

Barbie 2023 is like a quarter funny, I don't even know if I'd have fun if I was drunk watching it like there's so many movies to have fun with when you're drunk/high like I can watch what a way to go! where a girls husbands keep dying each time they get rich, one of who gets kicked to oblivion by a cow, or dumb and dumber or something