#give it as much love as possible

[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[goosewizard]

hc that tubbo is REALLY insecure about his missing eye, so he wears an eyepatch in new l’manberg and absolutely hates it. it’s too big and garish, it rubs up on his wounds all wrong, he hates seeing himself with it. it makes him feel weak. ranboo notices (of course he does) and thinks that tubbo deserves to feel handsome again. they set off after a cabinet meeting to see if ghostbur has any books on prosthetics.

it should be noted that ranboo has no fucking clue what they’re doing. in the weeks after the plans inception, he has amassed over fifty handcrafted glass eyes, of which exactly zero will work. they’re too big, too small, not the right color. he even managed to make one with a rectangular pupil before they thought better of it. it's a shame, too, that was his best one yet. they're tired and frustrated and the eye collection is really starting to creep him out. ranboo considers asking for help.

ranboo remembers the tumultuous political state of new l'manburg.

ranboo thinks this may be a one-man project.

it really shouldn’t be a surprise that tubbo finds out. they've been practically attached at the hip since ranboo joined, and he was never any good at keeping things from tubbo anyway. they're popping over to ranboo's to get supplies for whatever adventure they're going on today, and the little chest labeled SECRET DO NOT OPEN is too full, propped open with dozens of lumpy glass spheres. tubbo notices (of course he does) and gets halfway through a i can't believe you have an eye fetish before he realizes. ranboo thinks it's a bad sign when he goes silent and an even worse one when his eye goes all misty and aw shit he made the president cry.

he's stuttering through an apology when tubbo's one eye meets their two and he asks is this for me? did you make these for me? ranboo nods and tubbo smiles like a kid on christmas, watery and bright. they've missed that smile. before he knows what's happening, tubbo's tackled them into a hug, sending both of them careening to the ground. ranboo vows there and then to give the man anything and everything he desires now and forever, just so he can feel like this again. not a veteran, not a politician, just tubbo, carefree and kind.

yeah, that sounds like a good life.

as quickly as ranboo went down, he's being pulled back up with tubbo insisting that they try every single eye, previous adventure abandoned. they spend the day like that, going through the chest, laughing at some of ranboos earlier attempts, and screaming with excitement when one managed to fit.

he looks beautiful. more confident, brighter, somehow. they burn his eyepatch that night. ranboo had already gotten him a better one anyway.

part 1 | part 2

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[beautyofattolia]

I think the order of reasons Katniss gives for why Peeta shouldn't be mad at her for playing up their romance is so funny. Like she starts with the fact that they didn't know each other and she was trying to survive and that she doesn't understand what exists between her and Gale. But then she goes into "well I'm never going to get married and he'll just hate me for that!" and "I can't afford love that leads to children or family!"

Girl. Why are you thinking about marriage or children with a man you claim you have no feelings for? Did Peeta ever say he wanted to get married? Did he ever say he wanted children?

NO! Katniss is literally doing this all on her own! She's coming up with a happily-ever-after-domestic-bliss-married-with-kids fantasy in her head with absolutely no input from Peeta and then is like "I could never give him what he wants!"

What he wants? Or what you want, Katnsis?

She's down so bad for him and we're not even in Catching Fire yet.

[non-un-topo]

POV: You're a tavern owner who just turned away a raccoon and an owl

[kala-mies]

We'd play our parts and be people later

[beanghostprincess]

Akutagawa (victim of abuse who became an abuser and is still learning about self-worth) being the one who has to take care of Aya (a child of an abusive dad who treated her like a failure) is something so important for both of their characters. I am so excited to see how this dynamic ends up developing. Akutagawa could finally show his emotional improvement while taking care of her in comparison to how he treated Kyouka, while Aya becomes her own knight but learns to let herself be protected too and mourn Bram. And they bond over the same trauma. And they're happy at some point because if they aren't I might die.

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[aq2003]

i feel like some people r missing the tragedy of timebomb somewhat bc i've seen a few ppl say that ekko was only in love with powder in the alt universe and not jinx, and it's like.. first of all they are the same person. they are the same person in different circumstances. but secondly ekko seeing that good universe, i think, instilled in him the belief that fixing the problems in his universe was still possible, that peace between piltover and zaun was still possible, that jinx wasn't doomed or irredeemable. ppl highlight his selflessness in being able to leave the good universe behind, but i think a big part of WHY he left was bc of the hope he had for his world. that's why timebomb is so tragic to me! ekko returned with the drive to make everything right, strengthened by knowing it wasn't some unattainable out-of-reach goal. and he came so so so close but was still a little too late

[starrysharks]

another wip found concept art of flora chen from "canterlot high" :000

[poorly-drawn-mdzs]

There is a platonic explanation for all this. Right?

[First] Prev <–-> Next

[shalomniscient]

every day, once a year, yelan takes a day off.

this is written directly into her contract with the tianquan. there are no exceptions, no special arrangements. on this singular day, yelan does not belong to the qixing; on this singular day, her leash and collar are abandoned, and she has free reign to do as she pleases.

what does she do? well, prepare for your anniversary, of course.

she hops out of bed, cleans up, tugs her jacket on and then slips out the door with the clink of her jade bracelet. it’s a clear day, and yelan tilts her head to the sky briefly, letting the golden sunrays warm her face almost like an embrace. you were never really a morning person, but the sun on your skin always suited you. she’d have to drag you out of bed to see it, but it was always well worth your grumbling in the end when you finally cave and offer her a smile which she would then steal with a kiss.

“ugh, yelan—“ you giggled, your hands on her chest gently pushing her back. your bracelet was cool against her skin, and the matching one on her own wrist hummed. she nosed along your jaw, pressing more and more kisses until she reached your neck. playfulness turned into something a little more heated, and her blood sang at the sigh she pulled from your lips. emerald eyes flicked up to you, teasing, challenging, and you managed a wry huff before tangling your fingers in her hair and tugging her back to properly kiss her again. it stung, beautifully, but yelan grinned all the way."

she shakes herself out of the memory, and steps into the busy street. liyue’s morning scene has always been crowded, and she blends into the throng with practiced ease. she follows the flow of the crowd down the wharf until she reaches the shop she’s looking for—a florist, tucked snugly between two other stores on the higher levels of the shopping district.

the owner, a midde-aged woman, looks up from tending to her orchids to smile at her. her eyes crease with familiarity at the sight of yelan as the spy steps into her store, fingers brushing the petals of a few flowers. the woman rounds the counter, and rummages in the storage for a few moments.

“the usual, i take it?” she asks, and yelan nods, leaning against the counter and tapping her fingers over the grainy wood. the shop hasn’t changed much, if at all, since she last came here with you.

you leaned down by a bouquet of white chrysanthemums, lips curving upward into a smile as you breathed in the soft, floral scent. yelan looked curiously over your shoulder, a hand casually resting on your hip. she asked if it was your favorite flower—you nodded, your other hand rising to just as casually cup her face from over your shoulder. “they’re quite pretty, aren’t they?” you hummed, and yelan took a moment to ponder the question. in the end, she said they were nowhere near as pretty as you, and took the light smack you delivered to her shoulder with an easy laugh.

the florist clears her throat, coaxing her out of the memory. yelan recieves the bouquet—white chrysanthemums—with a smile, settling it in the crook of her arm. the woman’s expression is measured, but there’s a slight waver to her tone when she speaks. if yelan really had to name it, it sounds close to… pity.

“yelan—“ she begins, but she only flashes the woman a signature grin, before slipping out the door as quickly as she came. she has other things to get, after all, and the clock is always ticking.

(or maybe her clock stopped ticking a long time ago and all this is just extra. maybe it cracked when the rocks fell and the earth buried—)

she dissolves back into the crowd as she heads to her next destination: wanmin restaurant. she can smell the chili in the air as she makes her way down the street again, a sharpness only wanmin seems to be able to make. when she gets there, xiangling is boisterously calling out orders while her father toils away in the kitchen, with guoba tirelessly maintaining the roaring fire for his wok. when she sees her, xiangling’s grin only widens, and she waves her over enthusiastically.

“miss yelan! welcome, welcome,” the young chef says cheerily. “here for another batch of dried chillies?”

yelan chuckles, shaking her head. “no, not this time. i’m here for a few rice buns. with a sweet filling, preferably.”

“ooh,” xiangling coos, nodding. “are you planning to go on an expedition? rice buns are both portable and satiating.”

“you could say that,” yelan says vaguely. the little chef is right, in a way, since she’ll have to hike a little to get to your spot—but really, it’s because rice buns have always been a comfort food of sorts for you.

“how can you not like them?” you asked defensively as you trudged along with her behind the group. there was a slight smear of filling on the corner of your lip, and your expression scrunched up a little more as she wiped it off. her jade bracelet was cool against your heated cheeks. yelan only shook her head, teasingly remarking that spice was a much greater wake-up call than sweets. you huffed at that, taking another bite of your rice bun. “not all of us are masochists, lan’er,” you grumbled, and yelan laughed softly. her nimble fingers encircled your wrist, tugging you closer so she could take a quick bite of your bun. it was sweet, sweeter than she’d like, but maybe that was because you were there. and somehow, that made it good.

yelan pulls herself out of yet another memory when xiangling deposits the bag of warm rice buns into her hands. they’re freshly steamed, and the scent of warm buns fill her senses. she thanks the chef, and disappears much the same way she came before the young lady can get even so much as a word in. in the back of her mind, she can almost hear you chastise her for it.

(she always hears you in the back of her mind. if not, where else—)

there’s only one thing left on her list, and it’s incense. it’s late in the morning now, so the crowds have thinned out—and without her cover, yelan takes to back alleys and rooftops instead. she sighs, relieved almost, as she slips into the shimmering, reflective cover of hydro, darting like a minnow between buildings like rocks, barely a blur in the eyes of anyone nearby. the secrecy isn’t strictly necessary for what she’s doing now, but she’s been so used to being unseen that being in the open feels… unsafe.

it doesn’t take her that long to reach wangsheng funeral parlor. the young lady running the parlor isn’t in today—instead, it’s her ‘assistant’, the elegant man shrouded in such thick mystery that neither her nor ningguang has been able to pierce. he greets her with a solemn expression, no doubt because director hu has told him the reason for her visit. “incense?” he asks again anyway to confirm, his voice low and soft. yelan nods absently, her nose stinging slightly from the intense scent permeating the parlor.

she watches as the man disappears into the back of the parlor for a moment, before he reappears with a delicately wrapped packet of incense sticks. she slides a pouch of mora his way, which he takes wordlessly. she tucks the packet into her little pocket dimension, then turns on her heel to leave. just as she exits the door, he calls out to her.

“safe travels.”

she doesn’t deign him with a response.

her feet take her out and away from the city, down the familiar path to the bleeding wound in the earth—the chasm. the land goes from valleys to large, curling momuments of rock, carved by the force of a falling star. she feels that familiar tug in her chest, the voice that calls to her, that tells her to forsake the surface as her ancestor once did. she listened to it, once. and—

“go,” you whispered, pushing her away. half of you was buried under rock, and she could only see one of your eyes; the other was forced shut by the blood that trickled down your face. yelan nearly screamed herself hoarse, but you grabbed her face and kissed her. it tasted like salt, and her heart lurched at the wrongness. your kisses had always been sweet. you slipped your bracelet onto her wrist, then pushed her again, and then the earth heaved and groaned, and it was the last she ever saw of you—

she turns her head and rips herself out of the memory and the temptation; she has other, more important places to be today. she has other days to chase down her demons. she skirts the side of the chasm, slowly ascending to the top. she passes by the memorial to the millelith, and leaves a rice bun and a few sticks of incense as an offering. they too, deserve to be remembered after all.

(she wonders if anyone else comes out here to remember them. she wonders who will come when she’s gone for—)

it takes her a while, but eventually, she reaches the highest point in the chasm. the sun has traveled across the sky by this point, the afternoon heat mellowing out into a slightly cooler evening warmth. the sky is alive with shades of gold when she finally stops, drawing to a halt right before a smooth stone, standing upright from the earth like a silent vigil. she kneels before it, producing three sticks on incense and inserting them into the censer before the stone and lighting them. she sets a rice bun on the plate by the stone, and saves one for herself. the bouquet of white chrysanthemums, she lays on top of the stone.

yelan takes a bite of her rice bun, letting the sweetness settle on her tongue, as the floral scent mixes with the incense, filling her lungs and settling on her shoulders. she tilts her head to the sun, and the warmth feels almost like an embrace. and when she closes her eyes, the wind in her hair feels almost like a caress. when she opens them again, she lets them rest on the stone—the headstone, and she offers it a smile.

sitting on the edge of the cliff, your legs swinging, you smiled at her, nearly blindingly bright like the golden hour. your pinkies were twined together, your shoulders flush with hers. there was a bouquet of white chrysanthemums on your lap, and just a few crumbs on the corner of your lips. your voice carried in the wind when you spoke.

“happy anniversary, yelan.”

“happy anniversary, sweetheart,” she whispers. the wind carries her voice as well, and she hopes you hear it, wherever you are now. one day, she’ll join you, but for now she takes another bite of her rice bun and breathes in the scent of incense and chrysanthemums.

[wistfulwatcher]

bau members + near death experiences

[crescentfool]

orpheus and thanatos 💚

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[bacchuschucklefuck]

and! barbarian!fig! its her