#girl what did u mean

[moochii-daisies]

moochi's stories:

*everything i write is 18+, minors DNI pls and thank you*

hi hi,

this is mostly for my own organization but i'm just gonna write like someone's readin in case they are haha. i hope that you find somethin you like here 💖 my love for bts keeps growing somehow and idk what to do abt it besides write haha. ppl have been so sweet and supportive and idk how to handle it but it's v deeply appreciated. anyways, thank you for takin the time to read any if you do :)

xoxo

moochi

(this layout might look nuts if you're not on mobile, i'm sorry and learning haha)

series:

୨ৎ just as friends (angst, slowburn, drama) // yoongi + jk-centric, all members included, x female m/c -> here's the link!

- mc reflects on her 20's: meeting yoongi and his roommates, learning what love means through very different relationships, and the things that happened over those years. as a heads up, quite a bit happens. this is my baby, my first story. the pacing is insane but it kinda matches the vibe. it was supposed to be 7 parts. oops. (the first part is based on somethin i really did lol)

- status: ongoing, 15/30!

୨ৎ can you feel it? (angst, slowburn, magic+mafia au, eventual smut, violent!!/dead dove do not eat!) // tae-centric, yoongi + jk + namjoon also, all members included // x you (she/her) -> here's the link!

- tae is a morally grey robin hood, bts are his merry men and you get dragged along (+ so much more) (also hey y'all, i really lean into the mafia aspect. pls don't read this and be like "woah they act like a fucked up mafia!" ...they are a fucked up mafia, but also so much more!)

- status: ongoing! part one (4/4) complete. (i think future parts will be longer cause this world building is a bit more hefty)

୨ৎ the blink series (angst, sexual tension/possible smut, Toxic - capital T - romance) // all members included

- set in the early 2000's, a series of one-shots inspired by blink 182 songs and whiny pining emo boys because i'm the worst sucker for it (fun in fiction, not real life~) (should this go in one-shots? idk i like it here)

- status: in the works! (jin or rapline will potentially be done first)

୨ৎ the red string theory (romance, soulmate au) // ot7

- you are continuously reincarnated into different love stories and recognize a pattern of seven significant relationships in each life. guided by a red thread that appeared on your pinky, each tug leads you closer. to what? you're not exactly sure.

- status: in the works!

୨ৎ doctor, wait - who? (doctor who au, time travel) // jin-centric but all members included x you

- a mysterious fishing shack appears on the corner of your street. curiosity gets you knockin' on the door, and you're off on the adventure of a lifetime. where are we? or should i say, when are we? (martha jones i love you)

- status: in the works!

──୨ৎ──────୨ৎ──────୨ৎ─────୨ৎ─

one-shots: (posted once complete or in the works)

୨ৎ just one day (fluff, crack, slice of life, one-shot collection, jaf au spin-off) // ot7 x female m/c -> here's the link!

- a special memory mc has with each member. because i got halfway through the main story and had a breakdown about it ending haha. just goofy times. some really silly moments with an excessive amount of bts references.

- status: in the works! 1 out of 7 complete! (either tae or jimin is next)

୨ৎ day of disguise (d-day) // (fluff, slice of life, idol au) // yoongi x reader -> here's the link!

- yoongi misses going to the movies, you're the perfect goofy mess of a friend for the job. (despite yoongi being my ult bias, he makes me so soft it legitimately renders me useless. i just want to hold his hand i stg somebody hold that man's hand right now)

୨ৎ strawberry pancakes // fluff, slice of life // namjoon x you

- i'll post the summary once it's closer to being completed but i think abt stressed namjoon peeling a tiny potato every day so this is my ode to the cuteness aggression that he makes me feel

- status: in the works!

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projects that shouldn't be in the works but are in the works:

୨ৎ well ddaeng, vocal line (fluff, crack) // jin + soobin-centric but bts, txt, skz and ateez members featured // x you

- wooyoung calls to give you a strange address and tells you to be supportive. turns out jin and soobin are making their dreams of being rappers come true. just try and stop them. (i can't write this one without laughing so it's slow-going but omg)

୨ৎ according to myself this one has three chapters but these are the kinda notes i leave so - we'll see what this becomes :) (tae, namjoon + hongjoong are captains // you are a siren trying to escape your cultist family)

[sailermoon]

The Handmaiden (2016) dir. Park Chan-wook / Revolutionary Girl Utena (1997) ep. 38 "End of the World"

Inspiration

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[hinamie]

もう一回、もう一回

[thewhizzyhead]

how genderbending the warriors (2024) is done not for the sole sake of "bad-assery"

okay here we go feminist ramble time for our newest chick on the block: warriors. now i'll be honest, prior to listening to the album, when i first heard that the warriors main girls were originally dudes in the movie and the novel, i thought that the decision for the genderbending, in lmm's perspective, were from the following: 1.) girl power move in like a very basic meaning of the word "bad-ass" 2.) simply a twist on a cult movie about big gang bros loved by the film bros, and 3.) a way to have the schuyler sisters back together gjfkdfldf

but when i read more about warriors and its development and how lmm took inspiration from the gamergate controversies of 2014-2015 aka among the peak of gamerbro misogyny campaigns, that's when i realized that Oh Shit Is Serious - because adapting a story about a group being framed and targeted and harassed for something they are accused of doing without any substantial proof other than a man screaming "THE WARRIORS SHOT CYYYYRUUS" with 21st century misogyny campaigns in mind makes the theme of fighting back a lot more complicated and a lot more resonant, going beyond just marketing a cast you can call "badass"

take the hurricanes' quiet girls, for example. the hurricanes (concept album version) is the only gang that lets the warriors off the hook and with a stern warning: quiet girls don't make it home. here, the hurricanes berate the warriors for not saying shit or attempting to defend themselves from accusations they know well aren't true. THIS MESSAGE IN PARTICULAR is what stays and influences ajax, fox, and swan til the very end of their stories.

literally one song after this does ajax show how easily she resonated with the hurricanes' lesson by finally sticking with her gut and actually choosing to fight back against both the baseball furies AND against the sleazy undercover cop. the latter encounter is one of the instances that really solidifies the recontextualization of the story because in the OG movie, ajax (a dude) WAS the sleazy fuck up harassing a woman in a park - and now with the literal character switch, ajax goes from being just a rebellious gangbro dude bro into someone whose want to fight is warranted. such a want to fight is seen in fox seeing as fox is the first to comment on the quiet girls scene and that, in the concept album, she is the one that instigates the rumble against the police in union square - saying that she is sick of being afraid of them and their 'fuckin powder blue' colors (also notice how she is the only warrior that really does say fuck the cops i think that's cool BUT I'LL TALK ABOUT FOX MORE NEXT TIME)

to a less obvious extent, swan also gets the receiving end of this recurring theme - by the album's finale, the usually violence-averse caution-first interim leader becomes a lot fiercer in protecting her crew. but perhaps among what i consider to be the biggest recontextualized change in the feminist sense is MERCY and her motivations to join the warriors in the first place. according to the wiki, her attraction to swan and the warriors and um seeing the orphans as wimps is what led her to switch sides BUT IN THE CONCEPT ALBUM, mercy's motivation to become a warrior is deepened, rooted in admiration rather than attraction - wanting to be like those women who hold their head up high. and again, we see this in Sick of Runnin' when she takes part in the rumble, finding her bravery within their ranks as they fight back. here, mercy becomes less of a swan tagalong and more of someone that wants what the warriors have: pride.

of course now that i type this out i realize that warriors is not based solely on the feminist rhetoric as with their theme of hope amidst adversity, the story is more intersectional and rooted in community struggle and wanting for more than that. but nonetheless, i genuinely believe that the twt filmbros arguments on why the genders should not have been changed in the first place just for "woke" points is kinda like,,,very shortsighted because not only does the narrative of women narrowly escaping unwarranted accusations actually fucking fit, but the act of learning to fight back amidst all odds - be it that of disbelieving, predatory men or the power of oppressive pigs - stays resonant for women yesterday, today, and the days to come.

ultimately, warriors (2024) is not solely a tale of female badassery - rather, it is a tale of the need for such "female badassery" in the face of past and present realities, which is why it somehow fucking worked.

[vintrage]

71st games interview fit for a weepy baby (or is she!??!?!?)

[monotone-artist]

[id in alt]

some idw redraws

[burning-sol]

You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...

The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.

The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)

But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....

But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??

Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).

Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??

So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.

And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"

But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???

And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.

Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.

And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.

And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??

The episode ends with Blitz and Stolas and the credits roll blah blah blah...

This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!

Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???

Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.

Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.

Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.

Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.

DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.

Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.

Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.

Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.

And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.

[wu-wakfu-undertale]

Re-watching wakfu for the first time in years and s1 Yugo was so silly???

dude discovered he could make portals at will and his first thought after actually acknowledging it is "i can do so many cool pranks with this"

[torahtot]

you can always tell when someone doesn't have maga men in their life and god it makes me angry.. "if you're nice and compassionate you can be the one woman that makes them realize women aren't mean!" my mom bent over backwards for my dad for 25 fucking years he has plenty of other women kissing his ass and it never changed anything. do you really think that before being radicalized they never knew a single kind woman? they were never friends with a nice girl? alt-right men's problem with women isn't just that they've experienced too many mean women and they need to be shown that women can be nice, it's that they think women are inferior and don't deserve rights and don't understand anything so you can do what you want with them. and it takes a lot more than being nice to show someone that you aren't inferior. this isn't a case of being nice even when it's hard for the sake of deradicalization, it's about spending every fucking interaction with someone trying to get them to see you as a human being with value and a functioning intellect while they just laugh and show you that's never going to happen.

i cannot stress this enough: random women are not just going out and Being Mean to men. ur average guy interacts with plenty of women throughout his life- close women amongst their friends and family, casual interactions etc. most people don't start out being shunned by women, they start out being treated as NORMAL. & when they show their disrespect in normal society, it isn't tolerated, but when they go to alt-right spaces (which they're pushed towards online) they're told they're allowed to be as horrible as they want with no consequences because they're entitled to everything. it isn't "women aren't welcoming and the alt-right is so friendly so i'll become alt-right," it's "women don't let me disrespect them and the alt-right tells me fuck them, do whatever you want, you're entitled to it all" and why would you choose the group where you have to be a normal accountable person when there's a group that will reward you for being a shithead who gives no fucks?

the alt-right can afford to be more friendly and welcoming because they can allow bigotry. this can't work the same way for progressive spaces because we can be as kind & welcoming as possible but at the end of the day we have lines where we have to say "this behavior/speech isn't allowed in this space," and for certain people, that just can't win against a space where you can be as nasty as you want. these posts always end with a disclaimer saying "of course being kind doesnt mean you need to tolerate their bigotries" but what they don't realize and what drives me crazy is that women not tolerating bigotry IS the "women are mean" that radicalized them in the first place. they perceive you pushing back on any bigotry or bullshit as you being a meanie and treating them like they're ontologically evil. the 'kindness' they need to be deradicalized is you letting them walk all over you.

idk what the answer is to deradicalizing them and im sure relationships are part of it but you can be as kind as you want and all it will do is destroy you ime. i cant stand to see people (who have never even successfully deradicalized any man by being nice btw they always speak in hypotheticals and not from experience) double down on telling women to do things that will see no results and only hurt them, especially when any woman who has tried can tell you exactly how it went

[mcytegg]

you can love a character and still admit when they're wrong. i love roshambogames but can acknowledge his flaws (he has none) & can hold him accountable for his wrongdoings (he’s never done anything wrong in his life) & call him out for his actions (which are always correct)

[arsenicflame]

i Do Not Trust people who make Mary the bad guy in their stories when the show went out of its way to specifically show us how she was suffering just as much as stede was in their marriage and that shes, yknow, a good person

[wateruamelon]

pomni did not want any part of what gangle had going on but it was nice she tried

[deus-ex-mona]

when you’re trying to sleep bUT T H E .

[jrueships]

Paul George on Stephen A. Smith’s Kawhi Leonard jab: “I didn’t like that moment… Kawhi wants to play… We exhausted a lot out of Kawhi this season. So at some point your body breaks you down… I didn’t appreciate that moment. I know I laughed because the situation was lighthearted, but deep down it was like you gotta let that go, Stephen A.”

Paul George, knight in shining armor

[kameyyy]

when I said I need a break from school I didn’t mean to get sick