#get wrecked afo

[marimeeko]

I love this chapter I love Kacchans smile, I love him saying that he's there to take on what Izuku can't handle,

But I love horikoshis portrayal of Katsuki going from this

To this

In just a few panels

Horikoshi gave him so much range lmao

[smolthealmighty]

[capesch-arts]

This is probably the second time I've drawn this man. This time I actually have references for his face because he's no longer a 'tater head

Anyways old supervillain go brrr

(the only crime Horikoshi did was NOT making him stay old 🥲)

[drindrak]

gotta say, pretty funny to see afo failing so hard he tries his final gambit against a literal child lmao

[villainsandvictimsalliance]

Horikoshi giving hero tropes to the villains is probably my favorite part of bnha.

He presented us with a nervous wreck of a boy at the beginning of the manga. Look, he seemed to say, isn't he creepy? isn't he evil? He met Tomura in his most lanky form. Malnourished, neglected, real dead hands all over his body and blunt nails digging mercilessly in his skin.

Sure, the story paints him as a real villain. He is there to kill kids, after all. He wants to kill the light of the hero society, to spread violence and hatred all around. He's also very very suspicious. You get that feeling that there's more to the story. It's in the way he acts, his desperation. He looks sick. What is he making him so? What is his story?

Tomura is a loser. A failure since the beginning, if you follow the narrative. Characters like Stain, Overhaul and Redestro point it out: Tomura isn't the best strategist per se, they can't understand his reasons to do what he does, there's something wrong with him in villain terms.

That's when the brain starts to pick up the signals and plants the doubt. Many people don't notice it, but something in the story gives away that he is a very special type of villain.

We see him alone in his dark messy room, staring at a screen. We see him drinking alone in a bar as he sits on his misery. Over and over, we see that evil boy and his burdened stance. Only Kurogiri is there. His master only talks to him through some radio. He doesn't mention anyone else. No one else seems to live in that bar but Kurogiri and him.

Back then, when Tomura was all about AFO and All Might and no one else, he felt hollow. Rotten.

We first saw him approach someone for help and some company after the first LOV members were introduced. We meet Toga and Dabi, then Tomura goes to find Deku. Is he still creepy? Yes. Is he still evil? Also. We have Giran talking about Tomura with the fondness you reserve for a spoiled child. The way Kurogiri and Giran talk about it, it's more like Tomura needs to make some friends. He's not used to it, so he's being rude to them.

He's a chosen one reluctant to make friends, since he's used to doing things on his own— or at least with people he didn't care about. Next time we see him, his telling Kurogiri that he doesn't want them to die, he wouldn't sacrifice them for a goal and he actually wants them to succeed. He talks like a leader, he considers them important.

When they show us the LOV around Tomura as he talks to a kidnapped Bakugo, there's something in there already. How they worry when Bakugo hits Tomura and knocks the hand out of his face. They humanize Tomura, which is a lot to say when AFO did everything he could to dehumanize him. They make Tomura be more mature, more responsible and more capable. While AFO paints Tomura as a foolish child that cannot get things right until he's guided there, the LOV trusts Tomura to take care of himself and guide them.

That's when the hero tropes with villains started.

A quick list from the top of my head:

Twice overcame his trauma mid-battle in order to save Toga and then the LOV.

Tomura was tempted by Overhaul to betray the LOV in exchange for power. He pretended to agree, only to backstab Overhaul because Tomura would never forgive those who hurt his friends and would never betray the LOV.

Magne went to attack Overhaul for offending her and her friends, defending their ideals and their right to exist 'til death.

Mr. Compress took the leading role in many dangerous situations to assure that the LOV would get their win, but also to assure they'd make it out alive.

Tomura would forgive people not on his behalf, but for the benefit of the LOV.

Giran refused to sell any info about the LOV and laughed in his captors face because he was not so important to them. Turns out he was bluffing about it being all business, since we know from Twice's flashback that he did it also for the fondness he felt towards the LOV and the LOV went there to rescue him.

The LOV rushing through a battlefield the size of a city while desperately trying to find a way to save Tomura.

Twice and Mr. Compress refusing to leave Tomura fighting Gigantomachia alone and taking the burden of his training with him.

Dabi doing all he could to save Twice and snapping when he realized Twice was dead.

Mr. Compress worried about Toga and her solo mission.

Spinner telling Toga that she needs to come back safe and sound to them.

Tomura refusing to die or give up while the LOV still needs him (to be a hero).

Twice already dead and still moving because he needed to save Toga.

The entire LOV refusing to even consider defeat because they blindly believe that there is no way Tomura can lose.

And there's so much more...

The LOV made Tomura act heroic. They gave him a reason to want to save and protect, instead of just wanting to destroy.

The power of friendship but for evil.

Isn't it the best thing ever?

[gentrychild]

BNHA 407 : AFO is a lying liar who lies

Today is a very sad day because I am about to do something I genuinely dislike: I am about to defend All for One. In order to cope, I shall make fun of him the whole time.

AFO and Yoichi's backstory is finally out, with AFO narrating it, and there are two possibilities: he is either completely lying about it (boring) or he is lying a little about it (very in-character for him) because he is also lying to himself.

Lie number 1: AFO was born evil.

The narrator (AFO, seriously, it's AFO) says things such as "The baby drained the lifeforce of both his mom and his brother.", "It was born an arrogant baby." and such but it really reads at AFO villifying himself to add to his own legend.

That's what babies do. Children, before they're born, kinda have to take their strength from their mother. That's why pregnant people aren't supposed to do anything taxing.

AFO and Yoichi's mother didn't die because baby AFO drained her like a vampire. She died because she was a homeless woman who had access to nothing and had to go in labor alone.

Same thing here: during twin birth, a twin is often bigger than the other (well, probably not to extent of Yoichi and AFO, but you get my point).

Lie number 2: AFO, as a demon baby, is shown killing for no reason, just because he can.

(First slaughter by Baby AFO shown in that chapter.)

There are two things that are strange in this scene (apart from... you know.... a baby murdering people...)

AFO had no reason to go after them because they don't have any quirks to steal.

It makes no sense for someone to attack a group of people with nothing to gain. I doubt that's the kind of behavior you have when you're in survival mode as you're barely surviving in the street.

However, a previous panel points at some context we might be missing.

The same panel that indicates that those guys don't have a quirk to steal also shows that they are wiling to do some "preventive attack" on a bunch of quirked people who might or might not be those who assaulted a protest group (reminder that in this context, that protest group are protesting the rights for quirked people to exist).

I could be wrong but odds are that they did something to be qualified as a threat to All for One and we are missing the additional context.

(Second slaughter by Baby AFO shown in that chapter.)

Now, the poor souls who just got absolutely wrecked by a toddler wearing what I suspect to be a garbage bag have quirks, which makes more sense than the previous scene.

However (and thank you for @aimportantdragoncollector for pointing that out to me), we also have this panel.)

Yoichi is shown with bruises on his face and might be broken teeth.

Probably because those same people AFO is shown killing attacked him.

Lie number 3: AFO never loved Yoichi because he can't love, he just considered that he was his. That's all. Nothing more.

(Just... Just ignore the rats.)

AFO didn't care about Yoichi so much that the very conscious first act of his life might have been to swim a river upstream while dragging his brother above the surface with what must have been the deathgrip of all deathgrip.

AFO didn't care about his brother so much that Yoichi was fed and clothed by an AFO who was malnourished enough for his ribs to show and who wore what's basically an improvised toga.

But he just keeps sacrificing what little he has for someone he doesn't care about one bit, that's just his first possession. Nothing more.

Okay, I am going to be clear: anyone who sees that panel and thinks that it's the proof AFO didn't like his brother... You just outed yourself as an only child.

Siblings punt each other for no reason. (There is a reason why the first recorded murderer was an older sibling.) In this case, the reason was Yoichi throwing a can at him.

AFO: "You're not inviting me to a fun activity? You're leaving me out, in the cold, unable to partake in brother bonding activity? Oh, vault for Little Brother! Vault for Little Brother for one thousand years!"

AFO: "Nevermind, we're reading together. All is well, I guess."

Lie number 3: AFO killed the glowing baby for power, because he could, or because the Glowing Baby didn't deserve it

Still laughing about AFO's flawless reasoning... "Comic books heroes' life suck. Better to be a villain. I already did the whole struggle thing, I want an easy life."

AFO killed the glowing baby because he was jealous. It's as simple as that. The glowing baby was considered the first official quirked individual (even though it's not true), was protected by his family (if I remember correctly, the mother of quirks was his mom) while AFO and Yoichi had no one but each other (EDIT: I was wrong, the Mother of Quirks was Destro's mother. thanks to the people in the tags), and had a ton of people following him (while, for some strange reason, people start running away screaming when AFO shows his quirk... What a mystery...).

The last panel was basically AFO saying "I want to be loved' but not having the frame of reference to even know what love is.

In conclusion...

While AFO is definitely a bad guy and a monster, he didn't begin his existence as one. He just wants people to believe that. Because his pride and his ego can't allow him to admit that he lived a childhood full of horrible trauma where he was a victim abandoned by society (to an even greater extent than the LOV) or he would probably combust out of rage and mortification.

Ergo facto, AFO is a lying liar who lies, especially to himself.

[codenamesazanka]

What Deku doesn't understand is that the “League of Villains” encapsulates exactly who Tenko - the Crying Child Deku was so adamant about saving - is. He thinks reaching out a hand, smashing that hatred, and saving Tenko means getting Tenko to abandon the League. He is completely wrong - and he would've realized this if he just talked to Shigaraki in all the time he fought against Shigaraki. And listened to what Tenko said in Chapter 418.

The League of Villains is the group Shigaraki Tomura created in order to wreck shit and kill All Might and bring down Hero Society. Shigaraki picked the name and picked the purpose and picked its members and he leads them towards the apocalypse—

—and this is also the group of outcasts that are his comrades and friends; that he gathered and created a place for, where they can be themselves in a society that ruthlessly denied them that. He accepted Twice without care for his insanity and inability to use his quirk, never pushed Twice to do more than he was able to. He accepted Spinner despite being a Stain fanboy and having a weak, nearly useless quirk, and promised him the destruction of the world that hurt him; for all of League. When Toga was pushed by the other members to choose a Villain name despite wanting to live as herself, as Toga Himiko, Shigaraki spoke up in indirect defense of her choice, providing himself as an example of someone who didn't use a Villain name, and who can override the boss' words? Dabi was allowed to come and go as he pleased, and although he was the most aloof member, by the end, he was declaring the world burn for "our" sake - plural; the League's. Mr. Compress believed in Shigaraki enough to entrust an ancestor's dream and family legacy to him; when surrounded by Heroes at Jaku, he was willing to die to save Shigaraki, to let him escape.

The League is a collection of people that Shigaraki cares for - that he saved. That was always the surest sign that ‘Tenko’, sweet and kind and hero-aspiring boy, was alive inside.

Without the League, without having seen the time Shigaraki spent with the League, a reader can just write off Shigaraki and say there’s nothing left in there worth saving. The League is literally the evidence for Tenko have still existed and that Shigaraki was "worth" saving, long before we ever saw ‘Inner Tenko’.

But Deku doesn't understand that.

To go further: outside of the League, Shigaraki still had his distorted but undeniable kindness and fairness. I've spoke about it before, and sorry for repeating myself, but even towards his Villain enemies, he gives them consideration: Shigaraki left Overhaul crippled, but 100 chapters later, he's still continuing Overhaul's work - the quirk erasing bullets - and even laments that Overhaul would be disappointed when Shigaraki sees some of the bullets destroyed. All For One at Jaku tries to take over his body, at the time seemingly only a phantom voice in his head, but Shigaraki still acknowledges that he's grateful AFO took him in. It's only when AFO oversteps that again and again, taking possession of his body, that Shigaraki would tear the AFO vestige from inside out and mock him when the opportunity arises.

And there's ReDestro, and the importance of the ending of MVA. RD and his army picks a fight with Shigaraki - something that Shigaraki explicitly points out; the blame for what happened to Deika is on largely them. RD challenged Shigaraki and the League; blackmailed them, kidnapped their broker, and attacked their pitiful 6-member team with a town-sized militia; insulted Shigaraki, destroyed The Hands, tried to kill him. Shigaraki had every reason to just dust RD while the man was sitting there bleeding out with his legs cut off. Just finish him off without even giving the guy last words. It was more than fair.

But Shigaraki didn't. He went and talked to RD. To mock him for picking this fight, but it was still a talk. And when RD acknowledge his defeat and kowtowed, Shigaraki let him live. Took over his army and resources, but RD was still alive and even made lieutenant.

Without this - if Shigaraki had just dusted RD after defeating him - we would have only seen Shigaraki as a conquerer and not someone who can be reasoned with. He would just be AFO with different minions. And Shigaraki wasn't.

He can be brutal, and he seems like he's destroying for evil fun; but Shigaraki has his compassion and justice. A Villainous Hero for the Villains. It's why he destroys; it's why he doesn't regret his actions, why he wishes good luck to Deku to continue it, even after Deku smashed his core of anger and hatred. Shigaraki saved his League, and he refuses to disavow doing so. Because he shouldn't.

And Deku just doesn't understand that.

[itsnothingofinterest]

You know I’ve been finding the recent suggestion that is Tomura comes back, he’d take the name Tenko Shimura, somewhat perplexing. Because I have to ask, like, why would he?

To distance himself from his villainy? Probably not, he never really got any reason to think he was wrong or to regret what he did; my guy went out thinking he was doing all he could to save the villains and was never really fought on that or given the impression he should've done something else.

To distance himself from AFO’s influence maybe? That seems backwards then. While we can’t prove he named Tenko the way he did Tomura, AFO’s fingerprints are otherwise all over his early years. Dude orchestrated his family life, his social life, his dreams, his quirk, his very birth! At least as Tomura, he had time as just himself.

Really, his time with the League is pretty much all he had to hold onto now that AFO has undermined the entire rest of his identity (with Deku's help). If he wants to distance himself from AFO's influence, then he has nothing left but the League. And they know him as Shigaraki Tomura.

Eh, maybe it wouldn’t matter as long as he’s brought back and that one aspect of this train wreck ending salvaged, need to count our blessings and all. But while we're still discussing it as a hypothetical, I just don’t get the reasoning behind this hypothetical decision.

[sadlittleratboy]

So I actually enjoy the AFO gave Tomura his quirk plot, mainly because I foresaw it ages ago and felt like the story built up to it fairly well, but I wanted it to be handled like the ending of Mama. I don't know how well known this 2013 (seemingly) forgotten horror film is, but I LOVED how they handled the ending.

The plot is basically the ghost, Mama, raised two little girls whose father brought them to her cabin to kill after killing her mother. She disposes of the dad and takes care of the girls for years until the dad's brother finds them and brings them back to his home to take care of alongside his girlfriend. Mama haunts them, etc.

Near the end of the movie they reunite Mama with her baby, who she lost when she fell to her death, in an attempt to get her to leave the girls alone. Mama cradles the body for a moment, looking lovingly down at what is left of her baby, and then suddenly tosses the remains of her child behind her to keep coming after the children she adopted. Mama chose to keep coming for her living daughters. In the end, one daughter chooses to stay with the brother and his gf, and the other chooses to leave with mama. It made me cry.

I wanted Shigaraki to feel his loss, to hate AFO and honestly? To wreck his ass because he deserves it. Then I wanted his tossing the baby behind him moment. The moment when he realizes that yeah, he didn't have to become this, but the pain he felt was real, and his points still stand. He still needs to be a hero for the villains. I want him to turn to Izuku and say "this changes nothing". Maybe he even thanks Deku for helping to free him of AFOs shackles before going back to their fight. I want Deku to have to address his points, to see that this is more than AFO (who is a prima donna honestly, like everything is NOT about you).

Honestly I think there's a chance we'll still get this, but I'm worried I'll be disappointed 😅

Anyway, my thoughts at AFO coming back are literally just:

[blackberreh-art]

first off!! your toshi fangs and the way you do his hair is incredible and i love love love it! second off....AFO/AM shipping has given me brainrot and now i just need AFO wrecking toshi. absolute smithereens. 'get him pregnant' levels of destroying him.

Thank you!!!!!

Boy do I have a spinoff to Old Man Yaoi AU for you!!

[princess-of-the-corner]

You mentioned Chloe getting Eri away from Overhaul, and I'm just picturing Chloe kneecaping Overhaul with a shotgun (likely stolen from the police because it's really hard for civilians to acquire real guns in Japan) before grabbing Eri and just GTFO.

firstly, my brain went 'Ah yes AfO and Yoichi's younger sibling: GTFO'

Secondly: Chloé clearly got the gun from Snipe.

Thirdly: she doesn't go full 'wreck him' because this is the original scene with Izuku and Mirio but with Chloé added in so while she does know Overhaul deserves to be kneecapped, she can't explain to her companions /why/ so she just scoops Eri up and is like "Well this child clearly needs medical attention and you're shady af so if you're really her legal guardian you will have no problem picking her up at the hospital!' and fuckign BOOKS IT

[mettywiththenotes]

Why do people refer to the fusion at the UA battle and war arc as Tomura?

"I can't believe Tomura killed Bakugou" but he didn't though. That was AFO. AFO possessed his body and then stabbed and killed Bakugou

Like maybe you could say it was both of them at UA, they were a mix of each other at the time, but Tomura was not the only one wrecking shit from in there

Even Izuku gets it right, telling AFO to shut up in the war arc, addressing AFO in the UA battle, yet the fandom seems to just ignore this

[marunalu]

Lol. In translated spoilers i read that Kotaro sees AFO as someone from construction company.

But notice one thing. We never see AFO saying his name to Kotaro. I dunno, usually in that cases people say their names.

Why Horikoshi, keep hiding from us?

Because of the same reason he still refuses to let izuku see afos/dads face! 😁

As a side not, its actually, quite genius of afo to work/own a construction company. He wrecks havock in japan and destroys dotzens of buildings, streets, bridges, whole citys etc. Just for his company to rebuilt everything and get the whole money in return. No wonder the asshole is rich as f*ck! 🤣🤣🤣🤣

He earns his money by rebuilding what he destroyed just a day before instead of paying for the destruction! F*cking genuis man! 🤣🤣🤣

[local-fire-dumpster]

Hate it when ppl make mha x one piece crossovers where Luffy is an UA student, this boy would 100% be labeled a villain. Like he hates restrictions! He wants to be free! He'd use his quirk whenever he pleased regardless of laws and rules!

He is also absolutely unhinged. His entire crew is a bunch of missfits. He needs to have the biggest & craziest weirdos he can find as friends.If he befriended the League,he'd help them through their issues without even trying and all they'd have to do was get him a pizza.

Yes, Luffy would beat the shit out of Afo but he'd probably also take Afo's spot as the biggest,baddest villain in the country after wrecking the entire hero commission headquarters.

[marimeeko]

A little wish I have for mha, that is absolutely not important, is that we would see just a snippet of Katsuki's nameless goons reacting to

1. Izuku having powers and fighting the BBEG on live tv

2. Katsuki leveling up and fighting the other BBEG (and completely wrecking a hundred years old villain)

3. Katsuki declaring that he is "the one who steps in for Izuku," calling himself Kacchan, etc

4. Katsuki and Izuku fighting together(this includes Izuku throwing Katsuki at AFO as well as any teaming up we are going to get in upcoming chapters)

And 5. Battle-weary Katsuki and Izuku embracing(optionally, kissing) at the end of the war, confessing feelings, and taking/holding hands.

All of this is on live TV and it's actually pretty curious that we haven't spotted them in one of those little panels that show civilians watching the broadcast! I wonder if Hori forgot about them lol.

[super-paper]

MVA Appreciation Post? MVA Appreciation Post.

Rereading MVA with the benefit of some hindsight really makes me appreciate just how well-crafted it is as a story arc. Like, pretty much every aspect of it was tailor-made for the sake of exploring Tomura (like....!! even the conflicts & themes explored thru other characters are still ultimately written to service Tomura's character in ways that only a completely insane person can appreciate, lol.)

Mostly just listing some observations and things I like abt MVA that I feel lay the groundwork for Tomura's entire character + arc:

There's a lot of significance to Tomura fighting quirk based cults back to back in the same arc that delves into his own upbringing under AFO, I feel! There's also significance to his indoctrination into villainy under AFO mirroring ReDestro's indoctrination by the Meta Liberation Army. Both Tomura and ReDestro are framed as believing that they made a personal "choice" to walk this path, when in reality they were both groomed into their respective roles by predatory adults.

Underrated and potentially devastating detail that I (a known sicko) enjoy : Tomura and ReDestro aren't even allowed to choose their own villain names after being baptized into villainy.

This part is especially glaring when you contrast it with the earlier chapters, where Class 1A is actively encouraged to *choose* their own names and really think about what sort of hero name best represents them. Even when the kids ultimately choose names that others gave them (Izuku), and even when they resolve to take up the mantle of their family names (Iida)-- the distinction is that they are still very much naming *themselves* and not being named by other people. They are all allowed to assign their own meaning to their chosen hero names. There is a choice.

In contrast, Tomura and ReDestro's villain names are not an expression of their identity, but a suppression of it.

The idea of inheriting a "will" or "name" that completely consumes your own is already in play, and it only gets worse from here!

Masks are also a big theme! MVA literally opens with the LOV wrecking a group of fantasy bigots who hide behind masks.

Spinner doesn't hide his own identity behind a mask, rather, he hides his lack of identity through cosplaying as someone else.

Jin and Himiko have their "masks" forcibly removed during their respective battles-- Jin is able to verify and assert his own identity, which allows him to discard his mask for the remainder of the battle. Himiko instead scrambles to put her "mask" back on in response to Curious claiming that she's secretly miserable.

Compress gets half of his mask shattered at the same time that his aloof "we're villains not a friendship club!!" façade begins crumble, and he becomes more and more vocally concerned for Tomura's safety. This bit of symbolism is repeated again during the PLW, where the whole mask comes off once he finally admits he loves the LOV and very nearly kills himself in an attempt to save them.

AFO's face is constantly obscured by shadows, but it otherwise remains completely uncovered-- indicating that the "kindly face" he shows to Tomura is, in fact, a mask in itself.

And here's where Hori's brilliant art direction comes into play! Tomura decays Kotaro's hand-- the very symbol of his own rejection and suppression that he has worn as a mask since his debut-- but he does not embrace his identity as Tenko. The blood from Tomura’s head injury now creates the visual of a mask as he instead embraces his identity as "Shigaraki Tomura", the symbol of fear who exists to beckon acts of mourning into the world. (and the blood mask also resembles the dark shading that constantly obscures AFO’s true face in the flashback chapters! ...as does the creepy permasmile Tomura has for the rest of the arc! :D )

Visually, it also resembles the way ReDestro's (stress-powered!) quirk starts spreading across his face like a mask whenever he starts vomiting up MLA propaganda and ranting about the """glorious""" burden he inherited from the original Destro. (😬)

The mask imagery is even more explicit in the anime, where the red really makes the whole thing pop:

lowkey it's hilarious that a good chunk of Tomura's story is told through a mix of visual story telling and symbolism, but he also happens to spend half his screen time shirtless and distracting ppl from said symbolism with his eight-pack.

Seriously tho', it's little stuff like this that really cements MHA as a story that's even more enjoyable when you reread it. Moving on!

Curious 🤝 AFO, Being creepily affectionate with the victim whose story you plan to rewrite and exploit for your own gain

Toga’s failed/rejected martyrdom at the hands of Miss Curious foreshadowing Tomura’s successful martyrdom at the hands of the PLF and AFO-- the inherent dehumanization that comes with martyrdom and turning others into a "symbol", the lack of actual care for the martyr/symbol as an individual, and the idea that Tomura has always been a sacrificial lamb that's lurking just below the surface of every aspect in this narrative. Curious wants Toga to die to fit the MLA’s narrative, AFO wants Tenko to die to fit his own personal narrative— neither Curious or AFO care about Toga or Tomura as individuals, nor do they care about saving them from their circumstances. Because to Curious and AFO, their only value lies in fulfilling a certain narrative-- and that narrative is only fulfilled through their deaths. Both AFO and Curious WANT these stories to be tragedies, and you only beat someone like that by refusing to follow their script.

"Let's turn your death into a tragedy! You'll become a martyr whose tale serves as a parable for the ages!" "I'll shape him! Mold him! He will be a symbol of fear who lusts for destruction!" Toga and Tomura are both depicted as lacking agency in how their respective stories are told-- Toga manages to lash back against Curious' attempts to commandeer her narrative, but Tomura ultimately finds himself written into a corner by AFO.

The manipulation of media and the '"truth" being a reoccurring theme in MVA through both Curious/Skeptic, and this being foiled with the way Tomura’s own memories/perceptions of his past are called into question multiple times throughout the arc. In the same chapter where Skeptic discusses his plan to edit the footage captured in Deika to make the LOV look like they're the aggressors and the MLA look like brave heroes, we have Tomura lamenting how his memories are like a busted movie recording. He compares his memories to film snippets at the start of the arc, too.

Tomura's perception of his past being directly influenced by his traumatic upbringing under AFO is something that goes without saying at this point, so I won't beat that dead horse any further-- but it's legit fascinating how Hori lays out the groundwork for the readers so that we naturally reach the conclusion that Tomura's recollection is something that we are meant to doubt.

Yet another notch on the long list of Tomura wearing clothes that other people chose for him, reciting words written by others as if they were his own (.....l-literally reading from a cue card lmfaoooo it could not be any more on the nose if it tried 😭😭😭)

but seriously i could write a a ton on how Tomura's lack of agency with his own clothes is Very Much a Thing in The Story, and how him no longer bothering to self-style after MVA and just letting others dress him up however they want (or y'know... just not bothering with clothes at all!) is one of the best stealth indicators of where his mental state is actually at.

(tl;dr tomura asserting that he's "definitely his own person" and that he "controls himself" when he doesn't even have the agency or energy to dress himself the way he wants and is constantly getting treated like a life-sized dress-up doll by other villains is another one of those understated parts of the series/tomura's character design that makes me Big Depressy)

But!! When Tomura DOES actually add his own flair & individuality to his fashion, he generally accessorizes with things that tie him to the hero side and his identity as Tenko (red shoes as a connecting thread to Izuku, long flowing capes that connect him to heroism)

What "liberation" does to a mfer

As an aside: ReDestro feeling liberated from his stress as Tomura starts laying waste to the MLA/Deika (but still failing to break free from his grooming despite this!) serves as a dark parallel to Tomura “breaking free” from vestige!AFO during the final war, but still insisting that destruction is all he wants. Both Tomura and ReDestro have been prisoners their whole lives, and thus, have no frame of reference for what true freedom is. They both come so close to having a Realization About What They Truly Want™ only to immediately fall back into what they’re familiar with (ReDestro has always been a follower of cult forced to masquerade as its leader, Tomura still thinks that he wanted his family to die and takes the catharsis he felt from destroying his abusive home as evidence that he was always secretly bad). Hori is horrifyingly realistic in his depictions of the hold that grooming has on people.

Like. It's also the way that Tomura and ReDestro’s quirks are both powered by their misery, but they're surrounded by people who fail to see this as a bad thing and instead choose to romanticize their strength as something they can use to make their "dreams" into reality (and the unspoken question: is it really a "dream" if chasing after it makes you completely miserable? We have a different word for dreams that hurt you, boys!).

I'll stop here bc this is already too long, but man, every time I revisit this arc I notice something new (and horrifying) about Tomura's character. It's literally the gift that keeps on giving.