#georgian aesthetic

[broncoburro]

Undisclosed Desires

(collab - @lsdoiphin)

Prince Oscar has been spending an inordinate amount of time with minor viscount Kaitos Asenath. According to the prince, they spend all these afternoons merely engaged in lengthy discussions about the rum imported by the Asenath family. They are just both so interested in business. Yes.

Heavily inspired by Louis Marin Bonnet's "The Lover Heard" and another painting by Emile Pierre Metzmacher that I can't figure out the name of.

[edwardian-girl-next-door]

via bellaswn on pinterest

[the-home]

Terretts Place

[burningvelvet]

Gentlemen’s Regency Era Portraits

[luxus-aeterna]

baroque gentle lady | IG

[ed13d1]

finding my roots

[ancientsstudies]

Batumi by my friend Ozan Efe GÜVEN.

[vox-anglosphere]

Surrounded by lush gardens, The Ivy in Chippenham is well named.

[octaviasdread]

(don’t repost photos)

Details from The Royal Pavilion, Brighton, England

[carolineofansbach]

Moodboard: Jane Austen’s heroines (somewhat relatable) (2/5)

Elizabeth Bennet.

[eva-eyre]

met my doppelgänger today 💙

[autumncottageattic]

thelistbyhouseandgarden

[edwardian-girl-next-door]

~ Thomas Gainsborough, The Artist's Daughter Mary (1777) (detail)

via arthive.com

[rendingrocks]

“You pierce my soul. I am half agony, half hope...I have loved none but you. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago."

Persuasion, Jane Austen

[burningvelvet]

From the diary of Mary Shelley: October 26, 1824.

“Time rolls on, and what does it bring? What can I do? How change my destiny? Months change their names, years their cyphers. My brow is sadly trenched, the blossom of youth faded. My mind gathers wrinkles. What will become of me?

How long it is since an emotion of joy filled my once exulting heart, or beamed from my once bright eyes. I am young still, though age creeps on apace; but I may not love any but the dead. I think that an emotion of joy would destroy me, so strange would it be to my withered heart. Shelley had said—

‘Lift not the painted veil which men call life.’

Mine is not painted; dark and enshadowed, it curtains out all happiness, all hope. Tears fill my eyes; well may I weep, solitary girl! The dead know you not; the living heed you not. You sit in your lone room, and the howling wind, gloomy prognostic of winter, gives not forth so despairing a tone as the unheard sighs your ill-fated heart breathes.

I was loved once! still let me cling to the memory; but to live for oneself alone, to read, and communicate your reflections to none; to write, and be cheered by none; to weep, and in no bosom; no more on thy bosom, my Shelley, to spend my tears—this is misery!

Such is the Alpha and Omega of my tale. I can speak to none. Writing this is useless; it does not even soothe me; on the contrary, it irritates me by showing the pitiful expedient to which I am reduced.

I have been a year in England, and, ungentle England, for what have I to thank you? For disappointment, melancholy, and tears; for unkindness, a bleeding heart, and despairing thoughts. I wish, England, to associate but one idea with thee—immeasurable distance and insurmountable barriers, so that I never, never might breathe thine air more.”

Beloved Italy! you are my country, my hope, my heaven!”

[luxus-aeterna]

une vieille âme à Nouvelles Orléans