#genuinely one of my favorite things

[junodoom]

swordtember day 8: sun

[doyoueverstopandthink]

the funniest fucking part of community is when abed says that jeff’s law firm number “sounds fake” because it starts with ‘555′

‘555′ numbers are fake numbers that get used in hollywood

[yorkiegregg]

My favorite thing to do every 5 months is to go back to the human wikipedia page

[hollis-art]

they can be best friends. they can be lovers. whatever they are, i am rooting for them

[coffinwoodx]

couple of screenshots of kim’s wikipedia page that i felt so deeply in my soul

[humming-fly]

Delighted to discover that the way shadow unlocks new abilities in sxsg is a perfect parallel of the pringles iron maiden

[deadpoets]

PSYCH 03.16 | An Evening with Mr. Yang

[unfinishedslurs]

stobin vegas wedding (steddie)

“I didn’t cheat on you,” is the first thing he says when Eddie picks up the phone. 

Eddie pauses. “O…kay? That’s a weird thing to say to someone you didn’t cheat on.”

“I promise we did not sleep together.”

“Steve, you’re starting to worry me a little here. What did you do?”

He rubs the bridge of his nose. “I…may have drunk married a lesbian in Vegas.”

There’s a long silence. Steve’s palms start to sweat, sure he’s about to be broken up with. Then—

“Are you laughing?”

The lesbian’s name is Robin. 

“Can I meet her?” Eddie asks. “I want to meet her. Give her the phone. She’s the Jolene to my Dolly, I have to talk to her.”

“She didn’t take your man,” Steve protested. “There is no man-stealing going on here. She’s just…a woman I married.”

“Wow,” Robin says, watching him with raised eyebrows. “Glad to know my role in your life has been reduced to wife. And so soon after we met?”

“Shut up, Jolene,” he hisses. 

“Stephen! Don’t talk to your wife like that!” Eddie scolds. “C’mon, put her on.”

He sighs and gives Robin the phone. 

[libraryofgage]

Decided to combine 4 and 12 of the prompt list! Something about these two prompts was giving me major Addams Family vibes, so I rolled with it lol

If there are any other prompts you want to see written, lemme know!

4. “You know I’d do anything to have you stay by my side, right? Anything.”  

12. “I’m going to have so much fun with you.”

Wherein the Munsons are branches on the Addams Family tree, and Steve finds himself the object of Eddie Munson's flirtations and devotion.

---

When the Munsons move in next door, Steve sits his brother down in the living room and says, "Don't bother them, Dustin. Wait, like, three days before asking for their life stories."

Dustin looks offended, to say the least. "I wasn't gonna ask for their life stories, Steve. I was gonna ask where they got all the bats and birds that hang out on their roof."

Honestly, Steve would love the answer to that, too, but that seems to be encroaching on the "life story" territory, considering the sheer number of flying creatures the Munsons brought with them. He'd been outside getting the mail when the Munson kids, a boy his own age and a girl Dustin's age, had opened a tiny cat carrier, and a veritable storm of black wings and feathers and screeching had somehow come streaming out of it.

The girl was watching them with a smile, and the boy turned around like he'd felt Steve staring. Their gazes met, and Steve's awkward wave was returned with the boy's eyes raking over him before winking with a grin.

"Look, ju-"

Steve's words are cut off by a banging on the door, the person knocking out a beat that he can't follow. He shoots Dustin a look to stay put before he opens the door to find the Munson boy on the other side. He's got that same playful grin and a plate of pitch-black...something in his hands.

"Uh, hi?"

Somehow, the boy's grin gets wider, and he shoves the plate into Steve's hands. "Heeeellooo, big boy," he says, his voice almost lowering into a purr that makes heat flood Steve's cheeks. "Wayne wanted me to drop off some of his famous arsenic and chocolate chip cookies. You know, since we're neighbors and all."

"Wayne? Arsenic?" Steve mumbles, looking down at the cookies warily.

"Our uncle," the boy says, leaning on the doorway and crossing his arms as he looks Steve up and down again. "Don't worry, it won't kill you. Yet. That's a friend of the family privilege, at least, and you just ain't there yet."

It must be a joke, and Steve lets out a strained laugh. He balances the plate in one hand and holds his other one out. "Right, well, uh, nice to meet you. I'm Steve. You'll probably meet my brother, Dustin, later."

The boy takes his hand, but instead of shaking it, he brings it up to his lips. Then he turns Steve's hand over, brushing his lips across the meat of his palm before nipping. Steve jerks, yanking his hand back and holding it close to his chest, his heart beating erratically as the boy says, "I'm Eddie, my sister's name is El, and I'm going to have so much fun with you, Stevie."

And with that, Eddie turns on his heel and saunters back to the Munson home, which had been painted pitch-black (just like the cookies) at some point. Steve doesn't move from the open door, feeling a faint tingling in his palm, until he hears Dustin shout that he's going to let all the cold air out.

The arsenic and chocolate chip cookies had not, in fact, killed either of them. And, despite their burnt-to-coal appearance, they were soft and chewy. It had immediately put the Munsons in Dustin's good graces, which he happily proclaimed while Steve's head and heart were still reeling from Eddie's introduction.

In the following weeks, Eddie kept popping up whenever Steve left the house. He never overstepped, though. He'd appear at a distance, wait for Steve to wave or say hi, and then approach with that big grin with canine teeth that looked a little sharper than they should. Sometimes he'd offer more baked goods from Wayne (always with some schtick to them: eye of newt brownies, hag's breath toffee, cyanide and cherry pie). On one notable occasion, he'd offered a baseball bat with nails stuck through the end.

"El let out a demodog the other day, so you probably ought to be careful. I'd hate for you to get hurt by something that wasn't me," Eddie had said as Steve confusedly took the bat.

He blinked when he had processed the words and looked up. "You would hurt me?" Steve asked.

Eddie had leaned close, his ringed fingers ghosting over Steve's side and inching closer to his waist, and whispered, "It wouldn't just hurt, Stevie." His words had sent a shiver down Steve's spine, his mouth suddenly dry as Eddie pulled away.

And their interactions had escalated from there. With every meeting, Eddie strayed closer, lingered longer, spoke softer, and Steve couldn't escape the growing devotion and fascination in his eyes. At some point, Steve knew, things were bound to boil over.

So, he definitely wasn't surprised when they did at the neighborhood's annual Fourth of July cookout. Eddie had waited until El and Dustin were distracted by their other friends, checked to make sure Wayne was sufficiently busy with helping at the grill, and then kidnapped Steve to a hidden corner of the Byers's yard.

Which brings Steve to the present, the Byers's house casting a long shadow over him and Eddie so nobody notices them. The sound of other kids screeching with delight and parents discussing summer camps fades when Eddie leans in closer.

"You know I'd do anything to have you stay by my side, right? Anything?" Eddie asks, tilting Steve's chin up as he crowds him against the wall.

Steve presses back against the cool brick, silently holding Eddie's gaze. There's a stark seriousness to his words, and Steve can't help his curiosity about just what anything encompasses. "Would you kill for me?" he asks, his voice soft.

Eddie practically lights up, a feral grin pulling at his lips. "Gladly, sweetheart," he purrs.

"Would you die for me?"

"I'd tear out my heart and present it on a fucking silver platter for you. In fact, I can do it right now, if you'd like." A knife appears in his hand from seemingly nowhere, and Eddie brings it to his own chest only for Steve to stop him by grabbing his wrist.

"Then, what about living for me?" Steve asks, carefully taking the knife from Eddie and smoothly returning it to the holder tucked into his jeans.

Eddie leans in until their noses brush, his hand cupping Steve's jaw. "I wouldn't even dream of dying without your permission, Stevie," he whispers.

And Steve would fucking love to meet the person who could withstand Eddie Munson's attention and flirting and gifts and care and sheer devotion without falling head-over-heels for him. Steve would want to put that person in a jar, study them, see if their indifference is something he could mass produce. He's sure Eddie would be thrilled to help him do it, too.

"I have one request," Steve whispers back, reaching up and pushing his hand into Eddie's hair, warmth rushing through him when Eddie leans into the touch.

"Anything. Say the word, and I wouldn't hesitate to crawl through hot coals and broken glass." Steve has zero doubts Eddie would; in fact, he knows Eddie would be ecstatic to do it, if only for the chance to make Steve smile.

"I want one of the bats. And Dustin wants a demodog, but you better make sure it doesn't hurt him, or I'll make you listen to bubblegum pop and watch a Disney marathon."

Steve can feel the shudder that goes through Eddie, his eyes revealing a mix of horror, pride, and love at Steve's words. "You, Stevie, have perfected the art of making threats. Consider your two requests granted and me sufficiently...threatened," Eddie breathes, somehow managing to press even closer.

And Steve can't make either of them wait a second longer. With a grin that can easily rival Eddie's, Steve kisses him and begins to think of names for his bat.

[arley-ology]

Me when my consumption of the media feeds perfectly into the meta narrative of the story and thus makes me part of the villains of the game

[shushmal]

Stranger to Myself (I think of Home)

For @steddie-week Day 5! Rated T — Check the tags and content warnings!

Eddie is a monster.

Eddie started watching Steve because it didn’t hurt so bad. Didn’t hurt like it does with every glimpse he catches of Wayne, of Dustin. The people who had loved Eddie when he was Eddie. But Steve—Steve was safe. Steve was a boy Eddie knew in passing glances and high school gossip, a guy who was laughing with his friends in another room at every party, a man who planted his feet and fought monsters and helped save the world. Steve who told Eddie to be safe, because Steve was kind when he didn't have to be, when he wasn't expected to—so Eddie finds himself watching Steve instead.

Because Eddie is a monster, and Steve knows exactly what to do with monsters. Eddie knows this.

To Steve, it wouldn't matter that Eddie is the last little bit of the apocalypse still kicking around Hawkins. Eddie who had been chewed up and spat out of hell at the last second, just before the final dungeon slammed shut, sneaking through the shadows unseen, past the unsuspecting heroes wrapped up in their victory. Past his friends, the people who had tried to keep Eddie safe. Past Dustin, who’s face had already been changed by grief.

Past Steve, as well. Steve, who told Eddie to be safe, and Eddie hadn’t.

Eddie wonders sometimes, what Vecna really had in mind for him. 

But Eddie is just an unfinished experiment, not quite who he used to be, but not yet the thing Vecna had been trying to twist him into, before the wrinkly ballsack bastard bit it and disintegrated into dust like some b-grade horror movie villain written by some unimaginative hack that shouldn’t have even been in the writer’s room.

He’s the last piece of the Upside Down, Vecna’s last monster, but Eddie’s worst crime post-resurrection is a bit of misdemeanor stalking, simple battery, and animal cruelty. A guy’s gotta eat, afterall. It had taken a while to figure out his own exact brand of vampirism, but Eddie’s gone a few years now without killing anything or anyone. He would be proud of it, but instead he watches Steve make dinner and feels sick on the aftertaste of iron and salt still coating his tongue.

Eddie had started watching Steve because it didn’t hurt, because Steve would take care of it, if Eddie ever needed to be put down. Eddie knows this.

So, it didn’t hurt so bad to watch Steve—until it did. 

By then, Eddie was too far gone and couldn’t stop.

His Steve who came back to his lonely castle, days and days after that final battle, after the climax of the story, the end of a legend, still bloody and scorched, none the wiser to the monster peering through his windows, watching. And that was Eddie’s first clue, that was how Eddie first learned that he wasn’t really Eddie anymore—that nervous energy he used to have in life had died with him. Now he sits motionless in the tall pines behind Steve’s house for hours and days, unmoving, as he watches Steve live. 

Sometimes, Steve looks out his window, eyes scanning the treetops like he knows Eddie’s there. Everytime, Eddie sits up a little straighter, like a dog eager for attention. But everytime, Steve’s eyes drift past him, unseeing, searching.

It leaves Eddie—already out of step with life, with humanity—a little unsettled, a little too hopeful. Eddie is a thing that shouldn’t be seen ever again, a dead man without a heartbeat, without breath in his lungs, without a reason to exist and yet still here. He wishes he were still dead. He wishes even more that Steve knew he was there, that Steve was looking for him. But Eddie knows better. Eddie can’t go to Steve, because Eddie is a monster and Steve has fought enough monsters. Eddie doesn’t want to get added to the list. He doesn’t want to do that to Steve.

Eddie sits in the trees instead, unmoving and watching for days and weeks. Sometimes he leaves, to feed. Sometimes he stands in the middle of Steve’s empty house when he’s gone, breathing in the lonely silence. Sometimes, he closes his eyes and dreams.

But they’re never his own dreams.

And he never, ever visits anyone else in their sleep, in their dreams and nightmares. No one, except for Steve. His Steve, who’s dreaming of a summer day, sun high in the sky, sitting on the top of skull rock with a six pack and a cigarette. It’s such a simple, beautiful dream. All of Steve’s dreams are like that. Eddie watches the line of Steve’s neck as he tilts his head back in the sunlight, face catching the July warmth.

Steve doesn’t startle when Eddie sits beside him. Just leans in until his head rests on Eddie’s shoulder. It’s beautiful, he’s so beautiful, Eddie wants to cry.

“I miss you,” Steve whispers, like it’s a secret. He presses a smile into Eddie’s jacket. “Isn’t that silly? I barely even knew you.”

Eddie has to swallow back the emotion filling his throat. “Yeah, that’s pretty silly,” he croaks.

“I wanted to though,” Steve sighs. He leans even closer, hands grasping at Eddie’s sleeve, the back of his shirt, and Eddie wishes they could melt into each other, become one thing, become Steve with just Eddie hiding between Steve’s ribs, in his blood, sitting in the center of his chest right next to his heart. “I wanted to know you. I wanted to kiss you so bad.”

If this were real, if they were really sitting on skull rock in the sunlight right now, if Eddie was human, he would be crying. But here, in Steve’s dream, he doesn’t, can’t. Maybe Steve doesn’t want him to be sad.

“Really?” he breathes instead. “Me?”

Steve hums, his hand sliding down into Eddie’s, fingers warm, soft. “Robin calls you my Great Bisexual Awakening.”

Eddie barks a laugh, throwing his head back. He wants to be sobbing, but he laughs instead and when he stops, Steve is looking up at him, painted dream soft and sweet. They watch each other, Eddie cataloging the specks of gold and green in Steve’s eyes. He’s beautiful. 

But then Steve blinks, and the corner of his mouth turns down, smile falling away. Eddie feels his skin prickle. He feels watched.

“I miss you,” Steve says again, urgent. And then, just like that, he smiles again, and the feeling’s gone, and Steve presses his face once more into Eddie’s shoulder. “Tell me something.”

Eddie tries to shake off the feeling of disquiet, to relax back into the tenderness of Steve’s dream. “Like what?”’

“Something I don’t know.” He’s beautiful, so beautiful, and Eddie adores him, loves him so much.

“I wanted to kiss you, too.”

Eddie opens his eyes, his breath sharp in the silent forest, and watches as Steve sits up in his bed, gripping the blankets tight in his fists. Even from here, in his haven in the trees, he can see the tears on Steve’s face. He never wants Steve to cry.

When morning comes, he steals into Steve’s home, buries himself in the lingering warmth of his sheets after Steve leaves for work. The fading smell of him is intoxicating, even the salty sting of Steve’s tears, and Eddie wants so desperately. Wants him from the pain in his throat, the hitch in his breath, the way he’s been hollowed from the inside out. Everything has been taken out of Eddie, scooped from between his ribs and scraped smooth, an empty jack o’lantern waiting to rot on the front step. 

The wanting is worse than the starving, the thirst. Eddie can’t cry anymore, he isn’t human enough to, but he wishes he could.

Instead, he lays in Steve’s bed, breathes him in, and disappears into the woods behind Steve’s home when he hears the rumble of Steve’s car turn onto the street. He watches as Steve falls into the bed, long gone cold since Eddie has soaked up all the warmth from the blankets in the long hours of Steve's absence. He watches, a monster, as Steve’s eyes glance through the window, eyes on the trees. Straightens up, hoping and wanting, and slumps as that gaze slides past him. He watches Steve’s evening with longing building in his chest, and when Steve slips beneath his covers, Eddie closes his eyes.

“What are you waiting for?” he asks.

Steve is sitting on the edge of his roof in this dream, watching the forest intently. He doesn’t turn his head towards Eddie, caught on a particular spot in the woods.

“You, I think. At least, I think it’s you. I hope it’s you.”

Eddie leans in close, hoping that Steve will turn his eyes, to look at Eddie, to give him that sweet, dreamy smile. “You shouldn’t bother waiting for something like me,” he tells Steve, desperate for those pretty eyes to look at him. “You should be happy.”

“I am happy,” Steve murmurs. He doesn’t look happy. He doesn’t look at Eddie. He watches the distant trees, standing guard. “I’m happy waiting. I think I can wait forever.”

Eddie doesn’t dare touch him, doesn’t dare turn Steve’s head. Even though it hurts. It hurts so bad, so Eddie opens his eyes. In the distance, Steve turns in his bed, chest expanding with a sleepy sigh, and doesn’t leave his dreams.

Morning comes again, and the night falls again, morning and night and morning. Eddie rises from his perch, glides closer to the empty house to steal through the unlocked door. He lays in Steve’s bed, in the shadow of Steve’s warmth left on the sheets. Breathes him in, even though Eddie needs no air. He leaves when he hears the rumble of a familiar engine. Night falls. He closes his eyes.

Eddie watches the way Steve sits on the edge of his roof again, feet dangling, eyes scanning the treeline at the back of his house, quiet and sentry. Like he’s waiting for another monster to appear between the tree trunks. Eddie sits beside him, and doesn’t speak, not even when Steve whispers, only once.

“I miss you.”

Morning comes again, and then night. Sun and moon, wax and wane. The summer heat does not bother Eddie, nor does the winter snow. He imagines building a family of snowmen in Steve’s yard, company for a lonely house. No one visits Steve here. Like they’d forgotten Steve altogether, and Eddie’s the only one left to bear witness to Steve Harrington. Steve who is lonely, who sleeps and dreams and waits for the monster in the woods. Or maybe…

Maybe Steve told them not to come here. Because here is only for Steve, and only for Eddie.

Night falls, and then the morning breaks. Steve doesn’t rise from the bed.

Uneasily, Eddie shifts. Snow slides from his shoulders, landing in heavy thumps on the forest floor below him. He watches as Steve rolls onto his back, arm over his eyes, mouth twisted in pain. Even from here, he can see the tears on Steve’s face. He watches Steve lay in bed the entire day, until night falls. Eddie closes his eyes.

Steve’s dream isn’t a dream this time—a vast darkness instead, stretching long and far. Eddie takes a hesitant step. Water splashes beneath his bare foot. He turns.

And suddenly, it’s like he can hear Steve in his ear, whispering, “I’m happy waiting. I think I can wait forever.”

Eddie turns again, and Steve is there, watching, waiting. Eddie feels the instinct of it, the prickling awareness of being seen. It settles over his skin, sharp and biting like ants. Eddie is the monster, and Steve has found him. His gaze roots Eddie where he stands, water lapping against his toes. The ripples roll away from him, stretching the unreachable distance between Eddie and Steve, distant stars, until they crash against Steve’s feet, and the water settles again, falls calm.

“I miss you though,” Steve whispers, right into Eddie’s ear. “I can wait forever, but I miss you.”

“Really?” Eddie asks. It echoes through the dark. He can see the way Steve smiles, even from so far away.

“Of course,” Steve whispers. “I’m waiting for—”

Dawn breaks through the trees, and Eddie opens his eyes with a gasp. The sound is sharp through the silent forest. Morning mist rises from the pine strewn ground. Steve isn’t in his bed anymore, and Eddie feels himself almost panic, gaze searching.

Searching, until he finds Steve, not even three feet up, sitting above his window on the roof. He stares out into the trees, stares right at Eddie, finally sees the monster in the woods. That gaze raises the hair on Eddie’s arm, animal instinct tightening his muscles, his bones. Steve watches him from his perch on the roof, watches Eddie watch him back. 

He’s the most beautiful thing Eddie’s ever seen.

Because Steve’s not standing guard. He’s waiting. Waiting for the thing in the woods, for Eddie to finally come home.

Eddie shouldn’t, shouldn’t go to him, but now that he knows, how can he make Steve wait a moment longer? 

Steve gasps when he appears, but it’s not fear in his eyes when he looks at Eddie. Eddie feels it again, feels watched, feels seen. Steve looks up at him and his smile is the most beautiful thing Eddie’s ever seen.

“There you are,” he whispers. “I missed you."

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[to-illustrate-the-stars]

happy birthday to the cat lover ever of all time... my worstie matoba seiji 🐈‍⬛🐈

[chthonic-kids]

i love prey (2017)

[tiredandoptimistic]

What really sets late seasons MASH apart for me is the way all the characters settle into this sense of comfort and familiarity. The characters are far from getting along perfectly, but it's so clear that they all love each other and share a bond that really can't be quantified. Specifically, I just adore the friendship between Hawkeye, BJ, Charles, and Margaret; how they squabble and prank each other but it's all built on this solid feeling of care. It's not like the stuff Hawkeye and Trapper would pull on Frank at the beginning, it's hijinks with an emotionality behind it that makes the whole thing deeply compelling to me. In particular, Margaret and Charles are two of my favorite characters and it just warms my heart to see them getting unabashedly silly and even vulnerable with people who they once acted so superior to. They're allowed to have friends and goof off! They can show weakness!

Even when characters fight (looking at you, mustache BJ), it feels like it's coming from a very genuine place. Every side of the conflict gets its moment of understanding, even when one of them is acting out of line. A couple of my favorite scenes are when Margaret calls BJ and Hawkeye out on their bullshit, but it works because she cares about them and believes that they can do better (as people, not as soldiers). Audience and characters alike are worried whenever somebody starts acting erratically, because we know them and we get what this implies about their mental state.

A lot of this comes down to the changing writing staff and actors like Alan Alda and Loretta Switt getting more influence over their characters, and it's great! I love how the show evolved over time to stay meaningful in a way that a pure sitcom can't really do. I think the show running for eleven years really did a lot to capture the bond that's forged by war, since three years feels like a whole hell of a lot longer when you're in a situation like that. It makes sense that they'd all change so much, even though that level of development wouldn't happen in three years of broadcast television.

Anyways, this is just to say that I like it when people are friends. Give them a weirdly intense bond that cannot truly be explained, it's good enrichment.

[atomgecko]

🖤 Inktober Day 19: RIDGE 🌄

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YEAHH DO YOUR THING OLD MAN JUMP OFF THOSE CLIFFS 🦅🔥