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riverdale-retread · 2 years ago

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Riverdale s6 Ep 19 (#114: Witches of Riverdale).

Friends! Romans! This episode was unbelievable.

I watched this on the treadmill because I’m an #overseas Riverdale fan and I get these episodes a whole month and change after the stateside folks but I had to get off the moving walkway because I was laughing too much. I haven’t experienced this much untrammeled joy from a TV show in my recent (very faulty) memory.

Some disclaimers:

I don’t know anything about Sabrina Pun-Name (I mean really, they gave a witch the last name SPELL + MAN) so if you’re someone who knows the deep lore of that show, please let me know if I’m missing the point entirely. By the way, what I got out of this episode is that Sabrina is an unethical asshole but I don’t know if having context for her life would make me feel differently.

This recap is going to have a lot of fandom asides and performance commentary which I usually try to keep to a minimum.

First thing! Jughead is narrating even though he’s dead. He acknowledges that he’s dead. This is headspinningly funny because he calls himself the narrator, and he’s dead, and he’s also somehow fully aware of what’s going on while he’s technically mostly dead (in the Princess Bride way!) and telling us about it. He’s a dead, literally unreliable narrator who is also self aware that he is both in a story and also talking to me, a Netflix subscriber. Riverdale is genius.

The survivors of the Girls Count When It’s a Shitty Thing version of the Death of the First Born (sons) are in the lovely cemetery paying their respects to Nana Blossom. They are Heather, Betty, Veronica, Tabitha and Cheryl. Nana Rose gets a very beautiful pink flecked marble gravestone that looks like wounded flesh actually, so given that she died of asphyxiation following immolation, this choice is very Cheryl.

I’m assuming that everyone else got a headstone too just gauging from where people are looking and gesturing, but the production doesn’t actually show us, I assume for budget issues.

Poor Cheryl. How come fandom never talks about Cheryl’s trauma? She’s always been so tribal and family obsessed, but one by one all her family has died before she even reached 30.

Percival has the gall to show up to this gathering with Uncle Fucking Frank in tow.

Cheryl, in the throes of her grief, yells at him about killing “my Nana and my Tee-Tee.” Cheryl grieves literally nobody else.

Veronica yells at Percival about killing Anthony because Baby Anthony was a Baby. Percival takes his leave, which makes Jughead sound suddenly energized. He tells us with palpable gusto - “I’ll let you in on a secret.” To which I must wonder - Who does he think he’s talking to?

The funeral was a misdirect, he says, because it wasn’t a genuine funeral since no actual bodies were in the grave. They’re dead, for sure, and in the morgue freezers. Jughead says this like somehow this is exceptional, even though it isn’t.

We cut to Dr. Curdle (no longer referred to as Junior) eating a sandwich dead-eyed and alone in his work room (complete with apple!). I object to this. Dr. Curdle is a fun funky little weirdo - he’s a big fan of Josie and he’s music night date (boy?)friends with Principal Weatherbee. Why is he relegated to having a sad solo sandwich lunch in his depressing workroom? His meal is so wholesome too - milk, apple, sandwich. He is pivotal to all the Scooby plans and yet nobody thinks to invite him to lunch - he is no more or less off putting than Kevin or Jughead at their worst, so what gives?

Then we are given a glimpse of a moment that made the top of my head twist right off:

Kevin tends to a fussy Baby Anthony in his crib. Kevin touches Baby Anthony and tucks him in. Which is more than the now-dead Fangs ever did before his demise.

Kevin, Cheryl, Veronica, Heather Tabitha and Betty take in Alice’s newscast, which claims that it was gang warfare that resulted in so many deaths at the Toni/Fangs wedding celebration at the Whte Wyrm. Betty switches it off, annoyed. Tabitha speculates the reason for Percival not killing every First Born in town - that it would be harder to cover up. Otherwise there might be thousands of deaths. How big is Riverdale again??

We come to the Sabrina (What was Her Name Again) Spellman introduction. She’s Buffy, right? “Cheerleader by Day, Queen of Hell by Night” sounds like Buffy Summers, who had an intentionally silly name and not as on the nose as Spell-man. Heather is doing the exposition dump on Sabrina.

The resurrection attempted by the necromancing witches have to be performed within 3 days. You know. Like that other guy. The guy who came back on the 3rd day. They only have 12 hours left, is what Veronica says, but Sabrina is nowhere to be seen.

Cheryl has decided to display, among all her other art (like the one dedicated to long-forgotten Minerva Marble), her self portrait as a Vixen/ Furry / Fox Head thing to all her friends, who presumably are too wigged out to notice or ask about it.

Kevin wants to know how and why Baby Anthony didn’t die, even though he was a First Born. So how exactly does the First Born business work though?? First born to either parent qualifies? (Jughead wasn’t FP’s first born but I suppose he was Glady’s). Betty points out that Kevin is also a first born. But then again, not every single first born in Riverdale died, so what gives?

Apart and hidden from the others, Kevin tells Betty that he thinks the reason he was permitted to survive this very shoddily constructed plague was to be punished with survival. This is bullshit. He has no answer to what would be worse than murdered or how survival counts as punishment. No answer, none. He just says this so he can join Moose, who has already absconded to NYC. He makes shit up about doing this to ‘protect’ others. Betty arbitrarily says that ‘everyone else will understand’ but actually I think Kevin is RUNNING AWAY FROM single fatherhood with Baby Anthony. Betty understands the urge to run away from being a parent, apparently, but the facts are these:

Baby Anthony is an orphan now, and the person who would’ve been his third parent, the person who in fact began court proceedings to gain sole custody over him is completely abandoning him now that he’s alone in the world (notwithstanding the complete faith that everyone decides to have put in Sabrina). Kevin is a POS.

Meanwhile, Reggie, who I think is also a first born, has just made a delivery to Percival of the Daggers of Megiddo (which google says is a thing invented in the Omens movie series, and are weapons intended to defeat the antichrist) all the way from Rome.

He did what now? Reggie went to Rome and obtained “arcane objects of immense power” on his own and we don’t get to see any of it?

Reggie is a very precise speaker. He says he did enjoy the trip to Rome, but is irked by the death of his ‘high school friends.’ Not “friends from High School days,” not “old friends,” and definitely not “friends” in the present sense.

While Veronica was absent from the Babylonium for all of exactly 60 hours, Percival has managed to call a board meeting, mind control everyone into both showing up and doing his bidding (I presume mind control was involved, though Veronica was not actually beloved by her own board) and got Reggie installed as CEO.

Either Veronica doesn’t know or she doesn’t care, because she’s ensconced at Thornhill with all the surviving girls of Riverdale. Betty bursts in on the sad group, who are just staring off into the middle distance, to say that Mary Andrews asks her what’s going on with Archie, about whom she had a ‘bad feeling.’ Betty sounds rather frantic as she asks what they will tell Mary Andrews if the resurrection plan doesn’t work.

I’m going to do two things here : 1) snort at the idea that Mary Andrews gives enough of a shit about Archie to have any sort of long distance intuition about him whatsoever and 2) be sad at the thought that absolutely nobody, not JB, not Gladys, nobody, has any sort of need to keep in regular contact with Jughead to make the same kind of inquiry.

Remembering she is Catholic only in moments of need (like most of us), Veronica cautiously asks where ‘the souls’ of the deceased are, so that we can get the theology download. They’re all in the Sweet Hereafter!

We get shown what that is!!

They’re playing Fred Astaire’s Cheek to Cheek throughout for this portion. I love this song and in this rendition. “Heaven/ I’m in Heaven/ and My Heart beats so/ that I can hardly speak” is the way the lyrics go. In case we the audience might be confused about what this place is. (The lyrics will do the heavy lifting the scriptwriters refuse to engage with!)

Archie’s Sweethereafter are a wife and two kids in front of a heavily laden dinner table in his house that he never wants to leave. The wife is Betty. They named their kids Polly and Fred.

I don’t understand this culture of naming people after other people, especially not those who lived unhappy lives or died violent deaths. My culture doesn’t do this. Plus there’s something frightening about Betty naming her kid Polly - it’s not as awful as naming her ALICE perhaps, but Betty had a lot of intensely negative, conflicted feelings about Polly. Same with Archie naming his son after his father. Grandpa Fred is such a sainted presence in Dad Archie’s mind, that I am immediately worried about Little Fred.

Little Fred is great at music and sports, but performs academically poorly. How interesting! In Archie’s perfect world, he wants a son who struggles academically and is only good at the things that he himself tried to be good at. I say tried to be, because it’s not clear whether Archie ever got actual A’s in music or if his one child molestor teacher gave him those grades for obvious reasons. This is the opposite of, say, the desires of Forrest Gump, who also struggled but wanted his son to be really good at school. Archie’s heaven is appallingly self serving - he wants his kid to be bad at school so he can comfort his kid about bad grades. He will concede a daughter to Betty that achieves as much as she did.

Oh and his same dog from his childhood is an immortal freak animal that never died. OR he did the Michael Jackson thing and insisted on owning a series of dogs that he called Vegas over and over.

Jughead’s heaven is markedly different. He is served coffee by Pop at the thriving Diner, with an array of Mad House Glads, his comic book, laid out in front of him. I know this is exposition but the egotism of this is so funny. Jughead in heaven is only inspired by the evidence of his own prolific creativity. Oh, and further, Jughead has great draftsmanship in Heaven, instead of his sad stick figure art that he had to make do with in reality.

Toni and Fang’s joint heaven is a very weird mishmash. I suspect (because I don't like Fangs) that this is Toni’s heaven and Fangs is just along for the ride (much like Heaven Betty is in Archie’s fantasy).

Serpents and the Ghoulies sign a peace treaty on what looks like parchment paper. They have expensive pens in a little marble and brass stand like they’re at a summit of actual political leaders. I am surprised they don’t have tiny flags arrayed to mark the occasion. Toni’s vanity is on a scale I had not expected from her to date. She wants to act like head of state, and for GANGS to function like sovereign nations. Toni takes the title Serpent Queen really very literally. (I also think she doesn’t know a whole lot about the way treaties between warring nations frequently DON’T function, but she studied social work and not history or polisci so I will have to let this go.)

Fangs says that Riverdale will be ‘more unified’ but I’m not sure what this means. The two gangs are no longer at war, so are they diving up territory? Did they merge??

Anthony is all grown up and looks older than both of his parents. And Twyla is there with her son Timmy. The two boys look at each other meaningfully. I’m very surprised by how much Anthony is styled like Malachai, formerly of the less Disneyfied Ghoulies - cut off sleeves, curls, muscular. And Timmy the Ghoulie Prince is Jughead coded.

Back in the real world, Kevin is hurriedly packing up. I hate him because he takes care to pack a big framed photo of Baby Anthony in the act of abandoning Baby Anthony wholesale. There was no discussion at all whatsoever for who should be responsible for keeping this infant alive in Kevin’s absence, you know, but gosh, Kevin will take A PHOTO with him. He is met at the door by his father and Uncle Fucking Frank, who say Percival wants a word.

Meanwhile, Reggie invites his father to come over and enjoy himself at the Babylonium, dancing and swaggering alone in the CEO suite in front of his own Lodge-esque portrait. Reggie’s main connection to anything in this world, love or hate, is about his father, but his main influence is Hiram.

And finally! We are introduced to Sabrina Spellman, who took her own sweet time coming over to Riverdale because there were other things happening in other “realms.”

Then follows what must be a crossover or something because I just lost my mind.

But I have to also ask: Am I supposed to hate Sabrina Spellman after seeing her in action? Is this what she was like on her own show? A self serving, obnoxious liar?

The next bit is loosely organized into a list of Sabrina Spellman’s Sins Against Riverdale:

Sabrina Sin 1: Forced conversion under a situation of duress

They are down to a precious few hours to resurrect the dead, and the first thing Sabrina makes everyone do is convert to a new religion. They have to do a bunch of things - sign a document, chant a chant, do a dance. All while the confirmed actual witches wink and smile at each other like creeps. By the way, the conversion ritual is done in common speech, but I will note that Sabrina also uses Latin for her spells! The ones that count!

However, the ceremony looked like a lot of fun and the Catholic Church could take some notes.

Sabrina Sin 2: Give incomplete information

Sabrina forced desperate people to convert to her religion, then tells them only in implication that there are OTHER ways beyond the thing she wants to do first, for her own personal reasons.

She also only explains that the dead have to WANT TO return only after they have Jughead out of the freezer and on their ceremonial table. Except, of course, this also turns out to be a bald-faced lie.

Sabrina Sin 3: Sabrina doesn’t have to pick the body of a person she finds fuckable as the test subject to bring back from the dead as the No 1. candidate. But she picks Jughead on the basis of finding him more fuckable than Archie. (Given that they’ve left a baby behind, shouldn’t Fangs or Toni be the first one she picks, you know, for humanitarian reasons??)

Sabrina Sin 4: Sabrina does not need to be the one to go, at all, to persuade the almost-completely-dead to return. She has no connection to Jughead (or anyone) but she insists on going so she can fuck her boyfriend using Jughead’s reanimated corpse.

The truncated bits of information she delivers is passive-aggresively designed to dissuade Jughead from coming back to life, more than anything else. This is a complete nonstarter, to say to someone who is in some version of heaven, Come Back and Fight a Terrible Battle.

Jughead turns out to be aware he is dead and in heaven and to have a memory of his own death which he recalls with pain. To be fair, Jughead’s death was the most terrifying - he was absolutely alone, underground and afraid and in pain. Jughead also has retained all of his memories, including the fact that Tabitha told him they are overwhelmingly likely to lose.

Jughead also mentions as a passing point, almost, that he can hear in heaven. Which means being unable to hear had persistently been upsetting him while alive, even though he did not ever, ever complain about it, to anyone, Tabitha included. After a childhood in which those he loved most barely ever noticed his very serious troubles and pains, he just carries this behavior of being completely silent about his misery into his adult life. He’s a very heartbreaking character, if you ever take a breath to think about it.

Sabrina really does not try, at all, whatsoever. In some ways, she CAN’T because doesn’t KNOW any of these people, and in fact never bothered to ask key questions before she made the leap into the supernatural. She did not bother to ask Tabitha or Betty or Veronica or Cheryl (Jughead’s current VIP, former VIP, and people who’ve known him the longest) what would be motivating factors to bring up to Jughead to get him to leave heaven.

I can only conclude that Sabrina never intended to succeed in bringing Jughead back, and she only pretended to come up with this idea of fucking Jughead’s body at the last minute, even to Jughead.

By the way, getting Riverdale information initially through fandom Tumblrs can be a very confusing experience. I saw the gifs about this episode weeks ago, and you know, anti-Jabithas did some bad faith editing there. Jughead does say about Tabitha, “I do hope to see her soon,” but that’s where the gifset ended. They left out the smirkily joking context of the rest of the scene, because Jughead immediately adds: “NOT TO SOON THOUGH.”

While all that is going on, Kevin is being mind-invaded by Percival. Kevin’s touchstones to sanity are - his childhood friendship with Betty and Veronica in S1 before it fell apart (this is very honest of the show), the brief moment of domestic cohesion with Toni and Fangs in S5 before that fell apart, and the one time he dressed up in a beehive wig with a full face of make-up during the Hedwig episode. He asks to be killed instead.

Anyhoo.

We are back at Thornhill where Sabrina walks out of the portal with the reanimated Jughead corpse. Tabitha is elated to see Jughead, runs into his arms, says how much she missed him.

The fact that Betty has absolutely nothing to say is a little shocking to me, but we’ll let that go. ( No we won’t, actually. I mean! It seems so out of character! Does Betty now hate Jughead? But how is that possible?? It’s only when Nick says “What’s up ladies?” that Betty snarkily comments that it can’t be Jughead - why? Because he talks to women? But Jughead has never been shy or incompetent at wooing women, ever. It’s MEN’s romantic attentions he has a hard time with. What the heck?)

Sabrina Sin 5: Sabrina the asshole smiles with inappropriate glee as she tells Jughead’s girlfriend and buddies that she’s inserted her own boyfriend’s soul into Jughead’s body. Tabitha is both tearful and furious. She says all the right things - You stole his body?? - and the suddenly super articulate Sabrina has all the answers lined up. It’s understandable that Jughead didn’t want to leave heaven! She “borrowed” his body “with Jughead’s consent” because we are not in a Wonder Woman movie!

Sabrina Sin 6: Sabrina does not say she needs Nick there to do what she should have done to begin with - send in people who have an actual emotional connection with the dead to try to get them to come back. This only proves that the entire shenanigans about shoving Nick Scratch into Jughead’s body after deciding Jughead’s corpse is cuter than Archie’s was just a way to get a warm sex toy.

Because Sabrina has this unfair advantage of power and knowledge, none of the new witches dares to question her for wasting ALL THIS TIME in doing this bullshit with the Jughead corpse.

I suppooooose you could say that Sabrina had to do this magic trick bit with reanimating Jughead’s corpse with her boyfriend’s soul so that she could get the buy in from the rest to temporarily die in order to visit the Sweet Hereafter to get their people back, but I still say that’s a post-facto justification and not persuasive. These women were willing to call in a necromancer, and dance to the goddess Hecate and do all this other stuff, so she could’ve probably persuaded them without getting herself this nice bonus. And wasting time (I cannot emphasize this enough).

At this point though, I started to find this entire thing kind of funny. Jughead has officially the most desirable body in Riverdale. Like, literally the most attractive and the most fuckable, even 60 hours after death, chilling in a freezer. Not Archie of the Abs and the Square Jaw. Not Fangs, also of the Abs and Long Lashes. It’s Jughead.

Then the two best people in Riverdale - who are a) Cheryl and b) Veronica - agree to die temporarily so that they can, respectively, retrieve an ex girlfriend who married a man and that man, and an ex boyfriend who cheated on her with her best friend from high school after the two of them flaunted their relationship in her face so much that she had a minor nervous breakdown at someone else’s rehearsal dinner. Oh and Cheryl will go in for Dagwood and her Nana as well. Betty can’t go because she is confirmed by Nick Scratch on sight to be the Whore of Babylon.

Maybe you needed to be a CAOS viewer, but the degree to which Sabrina completely accepts her boyfriend’s conclusion without question struck me as very odd.

So Sabrina is going to summon Charon to do the crossing over. Betty is the one that nudges Veronica into dying for Archie. It’s a form of full circle, I suppose - Veronica once gulped down a goblet of poison for Betty, so she might as well be a full service third wheel.(I hate this place. Please let me out.)

Percival demands that Reggie execute Kevin, in exchange for giving Kevin’s heart to Reggie’s ailing father. Reggie’s reaction - adorably appalled - and his reason (he and Kevin go all the way back to “rugrat” days) were a balm given how much pain I was in about Veronica at this moment.

Then we get to a truly wonderful part of this episode (sincere!). The three best girls of Riverdale (Tabitha, Cheryl and Veronica) are lying on the floor, ready to die. Veronica is worried about it hurting, but Cheryl, truly faithful, is “excited” to be able to say she died and came back. Veronica lets the air out of her sails by saying, not incorrectly, that a lot of people can say that in Riverdale.

Nick Scratch has to use an English language incantation, but so far, out of everyone who has done one of these, he gives it the due weight and seriousness of an actual magic spell. Or maybe this is an innate Jughead ability that Nick Scratch is making the most of. Jughead had such a good time using the formalist portentous language of the G&G game back in the day after all.

Then Sabrina summons Charon with another English language doggerel poem.

AND CHARON APPEARS and we are in an episode of Buffy the Vampire Slayer from the 1990s. Like TOTALLY this is a Buffy episode! I’m so into it now! The red glowing eyes of Charon (no face to minimize special effects costs), the dorkily choreographed way he moves, the magic trick of collecting the coins on the girls’ eyes without touching them, the twinkly music, the very basic fog effect, and the fact that the ‘dead souls’ are expressed as glowing technicolor versions of the girls - just SO BUFFY. It’s so FUN!! Betty and Heather are appropriately creeped out by Charon. I LOVE that little performance detail Betty has where she just does not want to make eye contact with Charon.

When the souls of the three brave girls leave for the beyond, Betty as The Responsible One asks what should happen next, and Sabrina puts her and Heather on guard duty. Then Sabrina and Jughead as occupied by Nick Scratch smirk at each other about ‘going on a date’ and get a TERRIFIC nasty look from Betty. (I love Lili Reinhart so much- she makes really fun decisions about how Betty reacts to any outlandish scenario.)

Veronica, in Archie’s heaven, lives right down the street and comes over only rarely. Archie is living in a version of heaven where he won the war and then died. This seems slightly different from the heaven Jughead was occupying during Sabrina’s visit. Veronica says to a very stubborn Archie, who doesn’t want to leave his heaven, that he’ll “do the right thing,” not least because the Real Betty is still on the mortal plane, needing his help. Dream Betty comes home. Dream Betty cooks and is able to offer to set out an extra plate at her table on a whim. Dream Betty and Archie’s ideal Veronica are most definitely not best friends, definitely not B&V. Dream Betty will look at a clearly rather upset Veronica, smile at her like a robot and blandly say “It’s nice to see you” before breezing off.

I kind of hate Archie.

In Toni and Fang’s dream world, they’ve stayed married for however old this tall muscular curly-haired Baby Anthony is supposed to be. Very straight looking. But! Their son grew up gay (or bi, unclear). The level of unnecessary ambiguity they’ve built into his coming out about who he wants to marry is annoying. He wants to marry Twyla Twyst’s son Timmy. When his parents act overjoyed at this announcement, No-Longer Baby Anthony says, joyfully relieved, that he wasn’t sure how they were going to take the news.

Why? Because they are going to become in-laws with the Ghoulie leader who once cooperated with Percival to kidnap Anthony? Or because he thinks his parents are straight married people who are uncomfortable with gayness? (But how can that be? Toni and Fang’s generation of Serpents could barely scrape together a single straight person.)

Cheryl comes bursting into their domestic bliss with a very loud record scratch sound. She should’ve gotten her slowmo entrance with a hair whip, but I suppose Sabrina wasted too much time up front for that.

Cheryl is a trooper. Or maybe she doesn’t pick up on this but in Toni and Fang’s joint heaven, Cheryl is a vile evil person, permanently left out in the cold as all the straights and bis get straight married and leave her resentful gay ass behind. Fangs says that in his version of heaven, Cheryl was a person who tried to sabotage her brother’s marriage to Polly, and also tried to sabotage Toni’s marriage to Fangs. Cheryl advises Toni to search her “mother’s heart” for the truth, then leaves forthwith.

When Tabitha bursts in on Jughead’s heaven, the sound track plays the song Guardian Angel. Yes OK, we get it.

Jughead’s heaven has grown to include more people than when Sabrina visited earlier in the day. He now has fawning fans, and I must say, rather adorably Jughead fawns right back at them. In particular he is given the proper fan freak out moment by a lanky kid who is obsessed with his works, sounds lonely, and says that not only did Jughead’s work get him through tough times, Jughead’s imaginary characters are really friends to him. To this last part, Jughead says, Yeah, Me Too.

(Is this a wink wink nudge nudge commentary about the fact that Jughead is The Narrator?)

Jughead’s heaven does not have any meaningful intimate relationships, which is very interesting. Is Jughead’s heaven one where he’s asexual? Or is it that he’s less controlling and prone to delusion as Archie - Jughead isn’t going to do anyone the injustice of inventing a false version of themselves to be his personal Barbie. He wants to eventually spend eternity with Tabitha, but will wait for the real Tabitha instead of inventing one (unlike Archie and his Dream Betty).

Tabitha also finds Jughead’s joy in having someone give him positive feedback too adorable to interfere with, so she decides to let him enjoy himself. Immediately after seating herself at the counter, she is greeted by the Angel Raphael from RiverVale, who wants to tell her some things. We don’t get to hear what they are.

Meanwhile, Cheryl walks into someone’s heaven. It has Polly married to Jason, Nana Rose is still alive, and Dagwood is buddies with his father whom he’s never met in real life.

Did Polly Cooper want to be married to Jason and be mistress of Thornhill (with the Parentdale generation of Blossoms long dead and forgotten?)?

Is this Jason’s heaven? It can’t be, because Jason has nothing to say in this heaven either.

Does Dagwood, as a minor, get to choose his heaven? If so, is Dagwood’s heaven one in which he is not a twin and is an only child to boot?

And Nana Blossom - I’m not sure what Nana Blossom’s heaven would be (being courted by smarmy young men armed with red roses a la Reggie, perhaps) - but being the great grandma in this sort of setting hardly fits the Nana Rose we’ve seen to date.

IF this is Jason’s heaven as well then he shares a weird code with Dagwood - because in this world, Cheryl does not live at Thornhill and is also an infrequent visitor, given the way Polly greets Cheryl (“Cheryl! [big pause, then, hesitantly] We weren’t expecting you!”). Why are all these het people so gross and refuse to appreciate Cheryl?

By the way, to the right of this cute /creepy family tableau, there is a decapitated baby doll’s head on a side table next to the blank easel in the living room. Just FYI.

What Polly tells Cheryl makes me wonder if this isn’t somehow Cheryl’s heaven. The maple business is booming, trees are swollen with sap, and Polly is going to have a triplet of Blossoms, so now there will be 5 little Jason progeny running around. Because Cheryl’s heaven is - now that I think of it - to get out of Thornhill but have it prosper and be allowed to visit whenever she wants.

But since Polly is the one doing all of the talking, the most reasonable conclusion is that this is Polly’s heaven. (Jason too, likely wanted to escape Thornhill, not be master of it.). This makes me think very different thoughts about Polly than before.

Polly the Dead invites Cheryl the Living into staying in Polly’s Heaven forever, but even though Cheryl is so pleased by this vision and what it gives her, she doesn’t fall for it.

Then we cut to Jughead the Possessed on a date with Sabrina the Asshole. I am going to assume that this is a post coitus meal.

Sabrina confesses that her taking Jughead’s corpse specifically so she could fuck her dead boyfriend with it was absolutely a deliberate choice made out of pure opportunism, without a single care that this was wasting the time of people who counted on her to help them prevent The Apocalypse. She even suggests that they abscond with Jughead’s corpse to live in a cabin somewhere.

Was the intention of introducing this character supposed to result in my despising her? Is she meant to be a villain? But she’s not being treated like one in the text.

Nick is an asshole just like his girlfriend so they only talk about their own interests. She weeps about whatever situation they are in, and I have no idea what she’s talking about and I frankly don’t care because she’s a dick. I’m glad she doesn’t get what she wants. Who the fuck are you and why are you in my show?

Then Sabrina Spellman kisses Jughead Jones’ corpse on the mouth and I got my first taste of what it might be like to be a diehard Barchie or Bughead watching the other ship’s scenes. I HATE THIS! PUT IT AWAY.

Back at the casino, the Mantle men are having dinner. Reggie gets his father’s absolute approval for the first time ever. Then the worm turns and his father tells Reggie that he knows he’s dying. Reggie, at this point, is completely willing to kill Kevin for his father.

Reggie’s father says that even though he failed at business, marriage and fatherhood, he wants to die with honor.

OK. Three things.

One - I don’t know about the word choice of HONOR here because I just get the heebie jeebies when English language programming give Asian people any line that mentions the word HONOR. (Nobody in contemporary Asia talks like this and in the East Asian self imagination of the past they also do not have people prattle on about HONOR. This is a white stereotype of Asian people all smooshed together and it’s always completely shit. Yes, I am the authority on this. Accept it.)

Two - That said, Jughead sneering at him during his early Serpent membership days that Reggie doesn’t know what “honor” is provoked Reggie into trying to punch Jughead in the face, so nice callback, I guess?

Third, Marty Mantle is selfish to the very last. His personal desire to ‘die with honor’ is so unhelpful to Reggie, and doesn’t ameliorate any of the failures of his life or what he did to Reggie as a child. He just wants this last vanity for himself. I reject this redemption arc attempt for Marty Mantle. Plus this is very gendered of me probably, but I much prefer that men stay alive and live long to do the dishes and change the diapers and wash the windows than ‘die with honor’ in some stupid glorious annihilation. Please stay alive and scrub the toilet bowl.

At the morgue, Sabrina and Nick say solemn farewells to each other while little birds come to watch. Sabrina sexually molests Jughead Jones’s corpse a second time before Nick Scratch eases back into the land of the dead. They play very obtrusive sad piano music over this but I’m repelled and confused. Would it have been impossible to give us a very small short exposition dump about who the hell these people are and what is going on via Heather?

The sourness of this scene is immediately washed away though by the very next scene.

Reggie, in his lonely big luxury bedroom that he stole from Veronica using the help of the devil (I love Riverdale) cries out, ‘What the hell am I supposed to do?’ about his father’s unknowing rejection of the plan to harvest Kevin’s heart for a transplant. He’s immediately answered by his own voice emanating from the Reggie Puppet. Reggie’s conscience is much more intelligent than his normal self but the thing is, I am inclined to think that Reggie’s conscience refuses to cohabit with Reggie in his body. Reggie’s conscience works via Puppet Zoom.

Reggie’s distant relationship with his conscience is shown by his calling it “Bro.” Riverdale is brilliant.

Reggie says that this is Percival testing him, and is advised by his own conscience that the best course of action is to skip town with the whole test - Kevin, his Dad, himself.

Sabrina comes back to Thornhill, where again, nobody is asking about the Cheryl-with-A Fox’s-Head self portrait given absolute pride of place. She asks, not very interested, on how they all made out with the highly dangerous mission to the Sweet Hereafter. (The show also skimps out on telling us how they got back. I wanted to see Charon bring them back.)

Betty, the one who wasn’t Good (™) enough to even get to visit, is the one who loudly blares out that everyone failed. This is very in character for Betty. She’s annoyed at everyone else’s failure. Cheryl adds that ‘some’ of them were hostile (meaning Fangs, mostly).

I want to punch Sabrina in her perfect pretty face for the way she smirks at Tabitha as she asks if Tabitha managed to “pull at Jughead’s heartstrings.” Oh. My God. You bitch. I don’t know what happened to you on your show, but I’m glad your boyfriend is dead and you have Aunties who did whatever it was that made you cry.

Tabitha says she just could not bring herself to ask Jughead to come back, to pull at those heartstrings. Jabitha are fascinating - it’s sort of what happens when two too-good people, used to sacrifice and duty, get together. Tabitha cannot bring herself to insist that her happy boyfriend come back to life, especially because she told him the truth about the overwhelming number of realities in which their mission fails and he dies.

Betty decides that everyone who doesn’t want to do what she needs them to do is crazy, and she’s backed up by Veronica who decides that the best thing to do in the face of resistance against what she thinks is right is to use brute force.

So, Sabrina, playing hide the ball TO THE LAST, finally reveals that Cheryl has the power of the phoenix and can summarily yank people back from the dead.

Cheryl, going from reclining to gesticulating, is delightful. She asks what the hell the Power of the Phoenix is. Even though Heather wasn’t allowed to give us the Sabrina-and-Nick exposition dump, she unhelpfully gives the useless definition of what a phoenix is. (Did Cheryl really not know?).

This is coo-coo bananas. But I’m also kind of feeling it.

You said it Cheryl.

Heather finally lays out what the risks are: Souls might return incomplete! Infected with malignancy! And will (she says MIGHT but actually it’s WILL) resent you for the rest of their (un)natural lives! (Just like Buffy did, when she revealed she’d been in heaven to her necromancer witch friend in the musical episode!)

Betty seems to do a quick calculation of who has died, and she’s very indifferent to most of their potential resentment and further seems to trust that Archie probably won’t resent her. (Whatever Toni, Fangs, Dagwood and Jughead might feel about anything is of no interest to her whatsoever.) Tabitha, the only one armed with real information about the potential futures, says that they really don’t have a lot of choice, because the worst is “yet to come.”

Cheryl is the best person in Riverdale. She really is. She’s told by Sabrina the Asshole that she has to burn all the corpses so that they may HOPEFULLY rise from the ashes. This thesis is untested then. AND she has to do it all alone, and given the hostile presence of people like Betty, take on all the blame if it fails. But she steps up and says she’ll do it in the mines without hesitation.

Reggie’s escape plan does not quite work. Reggie, Kevin and Marty are caught before they even gets to leave the building. Percival is not surprised, but is disappointed by Reginald.

Cheryl is not as good as Jughead’s corpse in reciting an incantation, but the spell works anyway.

To let the audience know that at minimum, Archie will not resent Betty and Toni will not resent Cheryl, we are briefly shown that Archie was willing to come back to “Fight the War” and Toni came to the realization that her reality in heaven was a fabrication. Whoever constructed the Toni-Fangs heaven did a shitty job. They didn’t bother making up any further photos for the photo album!

As their corpses magically burn, the heaven-selves start to heat up. Jughead is not given any chance to have a change of heart about coming back alive. He’s going to be the only one yanked out of a perfect-for-him heaven in which he was perfectly happy to be resurrected in a reality in which he knows he is overwhelmingly likely to suffer a SECOND miserable death in his twenties.

We get a Harry Potter fiery phoenix CGI effect to prove that the spell worked, after which we are shown Jughead, Dagwood, Nana Rose, Toni, Fangs and Archie walking out whole and hale from the blue flames.

Sabrina is walked out of Thornhill by Cheryl looking gorgeous in a red dress. What Sabrina does next puts the final nail in my I Hate Sabrina Spellman casket. Sabrina tells Cheryl to “just be careful” which is a slap-buying offense for being fucking vaguefor something as serious as upsetting Death. Sabrina didn’t give the warning for the potential risks for the spell caster before the spell was cast, and doesn’t give a proper explanation for what the risks are now that she’s taken the risk.

Jughead is silent in his misery as he always is, and this time his pain is about being brought back to corporeal life on the mortal plane. In very gentle, kind tones, Tabitha tearfully explains that he had to come back to the cold miserable reality of actual life in order to fight off the apocalypse. Then, because she’s Jughead-coded Tabitha says secondly that she wanted her boyfriend to not be dead because she loves him.

It turns out Jughead can hear AND read thoughts. He says that this ‘cushions the blow.’ Which means it had REALLY been bothering him but he never spoke of the misery his hearing loss gave him.

I’m worried that Jabitha are going to self-abnegate into oblivion. And maybe this has to do with fitting into camera angles, but Tabitha is developing the same terrible hunched posture as Jughead.

At Thornhill, Heather asks Cheryl how things really were in the Sweet Hereafter. This suddenly made me a huge fan of Heather. Heather understands that there is a public and private Cheryl, and also that access to the private Cheryl requires a soft touch, to be made in utmost confidence and discretion.

Cheryl admits that she was pained to see her family happy without her, but that she took matters into her own hands. Cheryl resurrected Polly, Jason and Dagwood! As Heather looks very freaked out, Polly and Cheryl smile creepily at each other. Polly came back wrong, right? Right?

Betty and Archie are cuddling, because Archie is given lead boy cushioning and went from being with Dream Betty to Actual Betty. Betty is a smartie and laughs at the very dumb choices that Archie made in heaven to name their kids Polly and Fred. The show is not as vicious to Archie as it is to Jughead, but it is unkind. Archie is not very talented at music from the point of view of a teacher who doesn’t want to molest him and he didn’t have very good boxing skills from the point of view of a coach who knows the sport, and in his heaven he picked names for his dream children that his living actual girlfriend thinks are uncreative, because he’s just not smart.

Tabitha checks in on Veronica. Veronica is given not great news that she could be Endgame with Archie in the same percentage as Barchie being endgame. Um. Tabitha says as a conclusion that Veronica’s future is ‘up for grabs.’ Which could mean I dunno JERONICA endgame or VEGGIE endgame just as well but oh man.

Why is Veronica not more upset about what has happened with the casino?

In the vault of the casino Kevin Keller’s father has abandoned Kevin to be executed by Percival in the morning. I mean, the Mantles are in there too but wow that is COLD. Reggie turns out to have a magic knife in his possession. He’s determined to kill Percival.

Tabitha is doing the rounds. She checks in on Toni and Fangs. My general impression of that apartment is it being dank and dark, but with Tabitha there it’s revealed to be a bright yellow interior, with flowering hanging plants. Is this the magic of Tabitha?

Fangs, by the way, still has not touched Baby Anthony. He and Toni are seated next to the crib staring at the baby, but he doesn’t touch him. At all. What gives??

Tabitha tells them that Baby Anthony is immortal. Then she announces that she is Riverdale’s guardian angel. She is lit like the Virgin Mary in Renaissance paintings as she says this.

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aradiamaxxing · 3 years ago

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“Analog Horror” Reviews

I’ve been wanting to give more thorough reviews to each series I mentioned in this post, along with a couple that I’ve seen since then. Shoutouts to @that-one-gay-bird for prompting me to make this.

First, an updated ranking, because it has changed, and then I’ll give the proper reviews in no particular order.

GOOD: This House Has People In It, The Monument Mythos/Cornerfolk, Eventide Media Center, FNAF VHS

OK: Backrooms, Petscop, Local 58

TBD: Gemini Home Entertainment, Andy’s Apple Farm

BAD: The Walten Files, CRT Anomalies, The Mandela Catalogue, The Macabre Experiment

alright let’s get going

This House Has People In It: This one is mostly nostalgia. I got into this back before the genre of Analog Horror was even a thing. THHPII is a wild multimedia ride that only gets more confusing the more you look into it. As someone who likes really weird shit, this obviously appeals to me. It’s also the only one of these videos to genuinely unnerve, I might even say scare, me just due to how much crazy stuff happens all at once.

Local 58: Okay, Contingency is a good video. A really good video. Maybe not that good, but still a good video. I also think it’s Local 58′s only good video, with everything else just being bland and forgettable. Cadavre a cute, however.

FNAF VHS: Man, this one is just good all around. Even if you’re not a fan of FNAF, I would recommend this. It gives the events of the first four games a lot more weight and there are some neat references to the franchise for those who are already fans. The videos have the most variety I’ve seen out of any series and Memories just might be the best piece of FNAF-related media ever produced.

Gemini Home Entertainment: This was at the very bottom of my original ranking, with me regarding it as a series that spun its wheels for two years and went nowhere. However, I still keep up with a few analog horror channels I don’t like just to see where they go, and I’m glad I did because every video from HOME INVADER HELP onwards has pleasantly surprised me. They’re creepy, they’re engaging, they’re everything I wanted out of the premise from the start. However, the old videos still exist, and they are still not that good, and I can’t in good faith recommend a series where you can skip half the videos and get roughly the same effect. Because yes, as a series that took almost two years to really get going, it has a lot of filler. But things are looking up. I’m keeping my eye on this one, and you should too.

Petscop: Does this count? I’m gonna count it, because I have things to say about it. Petscop gained notoriety mainly because of its production value, and it’s not hard to see why. I wouldn’t call it bad, not until episode 17 where everything about the story gets put on hold to look at backend development material and never gets back on track. It’s just too vague for its own good. It’s easy to draw your own interpretation of events because the game doesn’t really have a story, it just sort of vomits imagery at the viewer and asks them to make something of it. At least the music’s good.

One last thing: if your first or, god forbid, only exposure to this was Night Mind’s video, then I pity you.

CRT Anomalies: Not worth the time.

The Walten Files: TWF has a lot going for it. It’s drawn from scratch. It’s based on FNAF, but still has an original story. And it’s got a lot of the same variety that FNAF VHS does. Mr. Walls does some pretty good gore. And the first two videos are good. And the spinoffs aren’t too shabby either. But it cannot be overstated just how awful the voice acting in this series is. And I’m well aware that I’m being a dick by saying this, but when you spend an hour with Sophie, you really feel it. It also doesn’t help that Bunnyfarm has the worst writing out of the three videos.

I am going to give due credit though. The guy who did Brian Stells is good, the person behind Sha/Rosemary knocked it out of the park, and the text-to-speech is always a nice, reliable pick.

Come to think of it, why is this so low? It might be better in the limbo category with GHE and AAF. Eh, I’ll just say it’s because of findjackwalten.com. ARGs are fuckin’ gay.

Andy’s Apple Farm: Andy’s Apple Farm is a good condensed representation of the past few years of horror, which is good if you’re new to the scene or are just out of the loop in general. I am neither. Next!

The Macabre Experiment(copied from a post I made on 4chan): a series based on old creepypastas is a good idea because many of them are great conceptually but are written horribly, but I don't feel these videos do those stories justice. they strip away a lot of the more interesting parts of those old ideas, and it also seems to be laying its own story on top of them, but it's been 3 videos with no development in that regard. the Ben Drowned video is especially insulting because most of it is footage ripped directly from Jadusable's original videos with a filter over it. (why the fuck is there even a VHS filter there anyway? the dude is playing a nintendo 64 on what I assume is an LCD television and using a program to directly record the screen.)

just go read the original stories

Eventide Media Center: There’s a running sentiment about analog horror that a significant chunk of it is just copying Local 58. EMC is the most obvious example of this, but I’d say it does a better job at what Local 58 is trying to do. Its ideas are just more interesting, and it takes the time to fully realize them. If you actively dislike Local 58, you should skip this one. But if you did like it (or found it boring like I did) give this a shot.

Backrooms: I’m of the opinion that the premise of the backrooms is not strong enough to support any extended project, but the Backrooms does a better job than most at doing the backrooms justice. it’s caught in an unfortunate bind between adding too much and ruining the horror of isolation or not having enough content for new videos. eventually, the scale is going to tip one way or the other.

Monument Mythos/Cornerfolk: The Monument Mythos is unique in every sense. It’s got a solid premise. It has its own style that’s more like something you’d see in a museum than on a VHS tape. It has phenomenal sound design. I also like the way it plays with its framing. Everything feels like it was made by someone in-universe and intended for someone else to view. It pushes the bounds of both the “Analog” and “Horror” components of Analog Horror, which honestly is just a general term for creepy videos at this point. A lot of the earlier videos shit the bed when it comes to revealing the horror, and I’m iffy on the most recent additions, but when it gets good it gets really fucking good. It’s a web of intrigue and atrocity that gets tighter with each new installment. Really, the best I can say is that it’s unique.

oh, and I guess I gotta mention the cornerfolk as well now. that, uh, doesn’t really have enough content specific to it for me to form a judgement.

The Mandela Catalogue: it’s shit

#analog horror #monument mythos #the monument mythos #the backrooms #the walten files #crt anomalies #mandela catalogue #eventide media center #andy's apple farm #gemini home entertainment #petscop #this house has people in it #local 58 #fnaf vhs #cornerfolk

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britishassistant · 4 years ago

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The Villainous Paranoiac Goes To Jail and Ninja Afterlife

Two innocent children get sent to Night Raven College

A set of scenarios about three of my ocs unwittingly trading places for two days, non-canon to any of my AUs

Swap 1:

Yuu—> Konohagakure

Yuu wakes up with a tantō to the throat.

Chie: Tell me where my daughter is and I’ll make your death quick

Yuu promptly freaks the fuck out

Through a combination of panicked yelling and tears the Prefect manages to convey to the Ketsugi that if there was a kidnapping, Yuu is both uninvolved and as much as of a victim as their precious daughter

Gai confirms that the strange teenager not only has no chakra, but clearly has little to no combat training despite his(?) athleticism, meaning Mayu-chan could easily overpower an assailant of this size, especially one this undernourished!

Yuu tries not to be offended and to avoid staring at Gai and Lee’s eyebrows they’re so big

Promptly shrieks when Kami!Sanji materializes to confirm that the Paranoiac had nothing to do with Mayu’s disappearance as far as the other gods can tell

Yuu becomes convinced that this place is the afterlife

The sad part is that Chie and Jirou can’t actually say much to the contrary, because??? Their daughter remembers dying before she came here?? Also there are active deities just floating around so.

Actually tears up at the homemade meals the Ketsugi provide

Before being sick as a dog later because food infused with chakra? Does not agree with a person without a chakra regulatory system

Surprisingly patient with Lee and any questions he has the purity of Jack and Deuce is strong in this one

Bit more long-suffering towards Naruto and his rendition of Wonderwall. Sunshine child too bright, introvert Yuu can’t handle it

Keeps writing down everything everyone says

This makes ANBU and ROOT very twitchy

The Paranoiac is quietly slated for “interview” at T&I the next day

Yuu crashes on the Ketsugi couch none the wiser

Mayu—> Nanba

Mayu wakes up to confused screaming and profanity.

It’s Hani.

It’s very rare for screaming not to be because of Hani

All he knows is one child was in this bed last night, and now’s there’s a different one dressed like it came straight out of Ninja Kamikaze???

Mayu for her part is both very alarmed to be waking up in a prison cell with two strange men and very glad she has her bokken with her

Kiji comes in to find his beautiful inmates being menaced by a twelve year old with a wooden sword

The twelve year old is winning

Once Mayu has ascertained that they aren’t enemy ninja and she’s somehow in her old world (?) she becomes much more cooperative with the guards

She’s very worried about how she’s going to get back to her family in Konoha

Also wondering if she should try to contact her former little brother Harp (who knows if she’ll ever get the chance again?)

These worries are not assuaged when the Warden informs her that there’s no records proving “Tamara Kaur” ever existed

For lack of any relations who they can contact to take the child off their hands, and because they have no idea how she successfully infiltrated the most secure prison in the world and replaced one of the inmates, the Warden decides to keep Mayu in Nanba’s holding cells until further notice

Guess who finds the samurai child while breaking out?

Nico, Uno, and Rock are amazed at the existence of a real live Japanese Samurai! With a katana and everything!!

Jyugo just asks straight out if Mayu’s an actor too

Mayu is very bemused by everything, but they seem friendly! The one with the mohawk likes food too!

Plus the blonde one is British! Just like she used to be!

Uno is very confused about how a twelve year old somehow lost her citizenship

Break Mayu out to get food together

They get caught the moment they set foot in the cafeteria and scolded very harshly

Mayu has trouble sleeping in a cell cot that night

Nana—> Night Raven College

Nana’s first instinct on waking up in a strange bed next to a monster is to assume he’s been kidnapped and attempt to subdue his captors

Which means Grim wakes up to an attempted smothering

The ghosts hear muffled screaming and rush in only to get salt and iron filings to the face. Nana actually has them all on the run when Crowley bursts in

Instantly becomes a confused and lost child in front of the headmaster and dorm heads

Only Grim and the ghosts know the truth, and their complaints are overlooked due to them “scaring the poor boy”

No one has any idea what to do with a thirteen year old magicless kid. It was hard enough with Yuu, and the Prefect was at least sixteen and could attend classes!

Nana adapts quickly to the idea of being in this new world— he’s just sad he couldn’t say goodbye to Kiji, Hani-senpai and Trois-senpai before leaving Nanba

Immediately resolves to leave NRC at the earliest possible convenience when he gets a good look at the Theory Wall— he can’t even read Japanese but that amount of crazy that it signifies always spells trouble

Is confused by all the pictures of Disney villains on the Theory Wall, but decides it’s not worth the trouble to ask about

Actually uses the beauty products Vil left for Yuu correctly

Gets semi-adopted into Pomefiore after asking Vil where the high quality products came from

Grim and the ghosts aren’t sorry to see the little brat go

Vil carts him around to test his potential in the performance arts

Epel tries to be a good senpai for the kid, and tells him he doesn’t have to just go along with Vil

Nana appreciates the effort, but does find this kind of thing more fun than being on his own he’s homesick for his cell

Rook enjoys seeing the child freeze up minutely whenever he asks about the prison attire and the large “7” tattoo on the back of the boy’s head

Nana likes Rook less and less with every pointed question the vice dorm leader makes

Can’t sleep in the big cushy Pomefiore bed and so curls up on the floor with a pillow instead

Swap 2:

Yuu—> Nanba

What why is Yuu in jail now

The prefect was supposed to be back home/in Ramshackle Dorm, why is Yuu in jail now—

Yuu is stressed and overdue for Grim snuggles

Paranoiac is also not thrilled about being stuck in Building Three— it’s like Pomefiore on steroids

At least Epel and Vil don’t steal and obsess over the underwear of their “fans”

Rook...the jury’s still out. But probably not. Probably

Maybe

Hopefully

Much less cooperative than Mayu.

Questions about the Prefect’s family name are met with a stony glare. “It’s Yuu. Just Yuu. How many times do I have to repeat myself?”

Can’t answer any questions about Mayu or her current whereabouts despite admitting to knowing of the girl, but does posit a theory about the three of them transmigrating and swapping places based on the information gained in Konoha

Gets offended and even less cooperative when the interrogating guard calls the hypothesis “crazy”

Not intimidated by Hajime or the other guards in the slightest. Yuu’s classmates are far more likely to inflict lasting bodily harm and it’s hard for even the worst human glare to measure up to Floyd or Leona on a bad day

The Warden scares the Prefect though

Doesn’t stop Yuu from requesting a lawyer or other legal counsel before submitting to further questioning

The Paranoiac is a Japanese citizen and has made a point to know what the applicable legal rights for this situation are

Yuu ends up in the holding cells

Guess who hasn’t learned their lesson while breaking out?

Uno takes one look at Yuu

“Ah Jyugo, this one has your energy”

Nico loudly asks if the Prefect is from an isekai and died and reincarnated in Nanba??! Do they die over and over again and revive to beat bad guys?? Do they have an amazing cheat skill?? Are they a spider?? Can they shoot a beam??

Yuu just thinks. Ah. So this is what would happen if Kalim and Idia somehow had a kid

Don’t break the Prefect out, but Jyugo comes back later and deposits something through the bars

“This is Kuu. He’s a guard, but he’s also really good when you’re lonely. You look like you could use the company”

Yuu blinks and holds out a hand for the black cat with a guard cap to sniff

Crashing in a cell cot is uncomfortable, but hey, at least there’s a cat to pet

Mayu—> Night Raven College

Why is there a tanuki in her bed?

Grim isn’t waking up by being murdered but being poked with a stick by another smol child isn’t much better

Mayu is Concerned by the Theory Wall

“Is— is the person who lives here okay?”

Grim: Hell if I know

Mayu’s even more Concerned when she opens the fridge and sees it’s bare

>:|

Sanji wouldn’t let these people go hungry, so she’s not going to either!

Searches until she finds the Prefect’s grocery money and marches with Grim to Mr. S’s Mystery Shop

Everyone is confused by the presence of a new preteen on campus after the last one vanished from Pomefiore during the night

Mayu’s used to haggling with market people who would rather see her starve than even sell her the worst of their produce, so she’s easily able to barter Sam down to a third of the price for the groceries she wants to buy

Sam’s more amused by the guts of this tiny samurai devil than anything

Mayu and Grim drag all the food back by themselves with a few students following from a distance out of curiosity

They all soon enter Ramshackle once the smells of cooking begin to emerge from the dorm

Silver first followed because the child has a sword and is now helping to knead dough

Epel arrived because he had questions about where Nana had gone, but Mayu is genuinely clueless so now he’s peeling apples for lack of anything better to do

Mayu soon has several “helpers” for making bread and other easy-to-preserve and mix-and-match bulk meals to fill the Ramshackle fridge, though she soon has to send Grim out for more ingredients when her helpers begin getting hungry

The night ends with a feast that can rival the quality of food served at Kalim’s parties

Mayu finds one of Yuu’s blank notebooks and writes down some easy recipes the Prefect can use for all the food now in the fridge and pantry, with emphasis on fish based dishes

The ghosts and Grim enjoy having Mayu much more than Nana

Mayu still has trouble sleeping in the big Ramshackle bed that night

Nana—> Konohagakure

Well this isn’t Nanba or Night Raven College

Welp. Time to go then.

Nana is halfway out of Konoha before anyone notices

Gai does notice because a strange kid in a prison jumpsuit swiftly scurrying to the exit sticks out like a sore thumb in the early morning

ANBU’s search for the vanished Yuu is the only reason Nana isn’t stopped by them

Nana tries to run

Nothing can outrun the Beautiful Green Beast of Konoha

Nana is now more than slightly traumatized

Gets carted off to early morning training with Naruto and Lee

Is initially more interested in plotting yet another escape attempt until Lee mentions Yuu and NRC—then he’s curious about what information he can glean about the two other members of this triad

Especially interested in the concept of reincarnating into another world or being brought there by an outside force rather than moving between worlds freely

Eats an almost alarming amount for his size at breakfast that morning and leaves nothing on his plate

Unfailingly well-mannered to his hosts

Offers more information about Mayu’s past world in payment for eating the Ketsugi’s food and waking up in their home after they refuse to let him pay them back using manual labor

Asks them to tell him what they already know so he can work out what knowledge gaps to fill in

Nana: ...Why are you singing Wonderwall?

Takes it upon himself to teach Lee and Naruto more English so they can at least form basic sentences

It’s an uphill battle because predicates and participles are hard

A supportive and encouraging if slightly inept teacher

Soon realizes Chie somehow knows all the swearwords and glares at him for trying to teach them to the boys

Also falls ill from eating chakra-infested food

Gets twitchier as the day goes on and asks to leave the village several times, insisting he can’t impose on their hospitality any longer

Only agrees to sleep on the couch once Jirou subtly implies that at least people will notice and go looking if he goes missing from their house compared to if he disappeared from a tree miles away from Konoha

Can’t sleep on the couch due to jumping at noises during the night, ends up curling up on the floor next to it

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vcg73 · 4 years ago

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Glee Memories

Someone reblogged an old post to which I had contributed this run-down of my entire Glee fan experience. It made me laugh to read it, because I cannot deny ANY of the reactions even now. This is truly what it was like to watch the show in original air date Fox TV real time - endless mid-season hiatuses and all. Reposting just my own section:

Season 1 - SO good and fun! I want to see more of this! Kurt, I love you. You’re so funny and I especially loved the second half of the season when you started singing solos and being a Cheerio! Even the characters I didn’t really embrace I still want to learn more about. And the songs, and the hope for next year’s competitions… Damn you, summer hiatus!

Season 2 - OMG, not as fresh as last year but still some amazing stuff! Burt and Carole are cute together, though a little oblivious. Why didn’t we ever get any blended Hudmel family scenes? Especially at Christmas. *pout* Didn’t care for Kurt being basically sidelined at Dalton Academy for half the season, and his crush is kind of an oblivious jerk, but I have hope. Things much better by the end with Kurt back at McK and no joy to the bullies. Can’t quite make up my mind if I want to forgive Karofsky. He was awful, but also terrified. I’ll make up my mind next year. Aw, Jean Sylvester has died, I liked her. Finn, a funeral should not inspire you to dump one girl and chase another. You big drip. Too bad about Nationals, but it’s okay that they didn’t go straight to the top. More reason to put out all the stops next year! I liked this season a lot overall. Damn you, summer hiatus!

Season 3 - What the fuck has happened to this show? Blaine transfers in, acts like a dick, steals opportunities and insults people, but by the end every single character is completely up his ass. Wha-? Wait, are Finchel a couple again for the 4,869th time, or are they broken up again? I can’t keep up. Am I really supposed to care about the suddenly evil Warblers and their smirking meerkat boss? Cause I don’t. Warbler Council I miss you. Shue, you’re horrible, get off my screen. Sue, go with him, you’re not funny anymore. Kurt ends up stuck in Lima with no prospects, while Rachel of the world’s worst audition gets his spot at the fancy performing arts school? What the hell! And what do you mean, he only applied to ONE school, that makes no sense given his historic ambition to escape Lima, and determination to help Finn get out too. Someone at NYADA is a lazy bastard who couldn’t be bothered to send out the acceptance letters until JUNE, so most of their prospectives have probably accepted other offers by now. This entire season made no sense and left a bad taste in my mouth. Thank God for summer hiatus!

Season 4 - Better in some respects. Really stupid in others. Kurt does an amazing audition and gets a second chance (that he should have had the first time) to get into his school. I’ll take it. Blaine, you’re a lying, cheating, selfish sack of shit and I’ve given up hoping you’ll ever improve. Just go away and stop horning in where you don’t belong. Adam Crawford, you’re a cinnamon roll too good for this world, but no way too good for Kurt. :) I’m not usually a shipper, but you’re forcing me to ship hard. New Glee Club, your boring clone selves need to step it up and show some originality if you want anyone to like you. Uh, wow, did that nasty Cheerio girl really try to kill the other girl by making her anorexic and totally get away with that with no consequences? Epic fail. Shue, you’re revolting. Oh, Unique. I like you, but why did you leave a star position at Carmel only to be meek about being shoved into the background at McKinley? Really thought Blaine might get offed in that stink-bomb of a school shooting episode. It would have had emotional resonance for others and retired that character with a shred of dignity. Wasn’t that the point of having people declare Blaine teen angel/Jesus-standin for half the season? But no. Nothing happens and they chuck Becky-used to be cool but now is just super annoying-Jackson under the bus instead. (Also, why did nobody on the New York side even seem to know this headline-making event even happened?) Rachel, taking insensitivity and selfishness to new heights in New York. Why is Kurt suddenly your care-taker and general servant? Blech. Sarah Jessica Parker, completely wasted from great starting potential. Did Sam’s brain fall out in the deep end of the swimming pool and float away? Cause, whoa. Finn? Finn! Pay attention, dude. Cut your losses and go to your classes at Ohio state (or wherever). Burt, thank you for squashing that stupid proposal idea. But where is Adam? Come back, adorable little cupcake! Summer hiatus, thank you, I need a break but kinda like where everyone finally ended at the last of this year. This has definite potential.

Season 5 - Dead Finn = sadness. I kind of wish they had just retired him to off screen college somewhere. Wait, what? God Damn It Writers! You can’t just transplant Finchel’s planned storyline to a totally different couple and expect it to make perfect sense, especially with no work or real character improvement to the horrible hair-gelled menace! Copy glee club remains boring, and I don’t give a rat’s ass about their wash-rinse-repeat romances or lifeless competition performances. What the heck has happened to the timeline of this show? Where did Adam go? Oh hey, it’s Demi Lovato and Adam Lambert! Aww, I really like Elliott. It’s about time Kurt got a genuine friend. Rachel, just go away. I can’t deal with you anymore. Burt has been replaced by a pod-person. Creepy puppets more lifelike than most of their human counterparts by now. One Three Hill, I love you! But I can already see that this is another great start with soon to be wasted potential when the contracts run out. Damn it, writers! Don’t put Blaine in NYADA, that makes no sense at all. If this school was as particular as you claimed, he wouldn’t have even made it to the audition round. Combat Jocks are all hot for Kurt, YESSSS! Santana, I’ve never liked you because you’re horrid to everyone but you’re finally starting to grow on me a little. Aw, Chris Colfer’s episode plays like old time Glee! Fun. More, please. Shirley MacLaine gives me the creeps as the old cougar lady. And we’re taking an early hiatus after shedding viewers like snake-skin all season. Can’t say I’m not relieved. I’m determined to see this show through, but my god…

Season 6 - Only a dozen episodes this year? I can make it. Ooo, Kurt dumped the albatross and sent him packing. That’s promising. Rachel’s ego blew up in her face and she’s back in Ohio. Even more promising. New New Directions, I surprisingly actually like you guys a little, though I liked One Three Hill much better. (And the Apples, whatever happened to those folks?) This could actually end with a bang instead of a whimper! Aaand, I spoke too soon. Kurt get your cute butt out of Ohio, you can do so much better in New York, preferably single and dating new appreciative men! Whoa, Sue is full on demented and dangerous this year. Why is she still in a teaching position again? Shue, you’re useless. Get off my screen. Santana previous potential goes right to hell in one fell swoop. Nice briefly knowing you, emotional development. Kurt, I’m serious, go back to NYADA and find whatever locker you left your spine in please. DO NOT take that asshat back for the 8,937th time, please! He’s not worth it. You … what …? Oh my God, he did it, and fucking Dave Karofsky actually helped them along. *beats head on wall* No, please tell me everyone isn’t about to bend over backwards to put Rachel back on top of the heap again! *sigh* That’s it. I’m done. 7 episodes left of this series and I just can’t take it anymore. The writers-room monkeys have mixed pieces from 10 different puzzles, mashed them into a frame with a mallet, eaten the finished product, shit it into their hands, and tossed it at the few remaining fans still watching through the bars.

And that’s what you (lucky souls) missed on Glee!

#lol glee #but no I still haven't seen those last 7 episodes tho I've seen a few random clips #the hindenburg of television programs #glee scarred me #pissing away that much potential that badly just had to be deliberate but I still don't understand why

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lovemesomesurveys · 4 years ago

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Whoa, me doing a bolding survey?

*lol bolding surveys are tough for me because I want to elaborate on my choices, which I did a lot of in this.*

NFP | mediator/idealist You get carried away by fantasies and ideas Always want to be hugged You’re energized by quiet time alone Constantly looking for the best in people People say you’re shy/calm/reserved So open-minded Can’t stop thinking about the future Probably a writer or artist in some way Compassionate and empathetic Insanely good listener Prefer a small group of friends Absolutely hate injustice Easily get lost in deep thought 9/13

ENFJ | protagonist/mentor Expert at communicating with others You’re sensitive and easily offended A natural born leader You strive for win-win situations Everyone wants to be your friend You’re basically everyone’s cheerleader Hate seeing people excluded from things You stand firm for what you believe in You just want everyone to be happy Live for supporting people around you You’d be a great teacher You love to keep your life organized You’re probably an empath 6.5/13

ESTJ | executive/supervisor Incredibly practical about life You naturally step into leadership roles You can be very detail-oriented You’re very matter-of-fact You’re known to be very direct The first to take charge in a situation People say you’re very focused and driven Sometimes you can be too impersonal Strive in managerial positions Driven by results You love meeting and talking to new people You strongly believe in working hard You hate people who don’t follow rules. <<< I consider myself to be pretty rule abiding for the most part and I don’t condone crimes, but I can’t say I’ve never done anything wrong. Maybe nothing too serious, but still. I wouldn’t say I hate people who don’t follow rules, but I have an issue with people who don’t follow certain rules. It’s complicated hence the italicized answer and the need to explain a little further. .5/13

ESFP | entertainer/performer You love to live in the moment You’re energized when around people Avoid conflict like the corona virus You never forget anything Can be materialistic <<< I mean, I like my Apple products and Beats headphones, which are nice and expensive things, yes, but I don’t know if the term materialistic applies to me because of it. I think it goes bigger and beyond that. I’m not consumed with buying expensive things to fill a void or think it can buy happiness. I don’t have to be bigger and better. I don’t want to be flashy. I enjoy the items I listed above, but there’s more important things in life than worldly possessions. You’re constantly changing your mind Way too friendly You could easily be an actor Often the life of the party Not a huge fan of deadlines or structure Independent af Constantly finding the light of a situation Sensitive to the needs of others 3/13

ISFP | adventurer/artisan Tend to hold back your feelings You live an easy-going life You stick to a close group of friends <<< no friends anymore, but I stick to my family, who I’m close to and spend a lot of my time with. That’s how it was when I did have friends, though. I never had a big group of friends and that was perfectly fine with me. Hate long-term planning <<< I have to take things day by day or do short-term goals. Mistaken as “lazy” or “slow-moving” <<< Italicized because they’re not mistaken. You take things at your own pace So considerate to those around you <<< Italicized because I think I am? I sure try to be. Absolutely hate criticism and conflict Sometimes too hard on yourself <<< All the time. You could be an artist or musician You have a special bond with animals Have been called “unconventional” before Learn best with hands-on training 9/13

INTJ | architect/mastermind Everyone go away Very low tolerance for stupidity Small talk = your worst nightmare Have very dry humor Sarcasm is your first language You love researching everything Planning is your favorite hobby Can’t stand salespeople Known to be very blunt Probably could be a doctor or engineer A grammar nazi You like to silently judge people You love to create theories about life 3/13

ESFJ | consul/caregiver You care so much about others Take your responsibilities very seriously <<< Not these past few years like I should, but normally. You have a contagious laughter Tasks are your best friend You’re very family-oriented The most loyal person ever You absolutely hate feeling useless No one would ever call you selfish Probably strive as a nurse or social worker Overflowing with compassion and love Always seeing the best in others You value security and stability for everyone So down to earth <<< In some ways. I’m not a relaxed and stress-free person at all, but I’m also not arrogant or proud. I get along with and can work well with others. I don’t see myself as better or superior to others at all. 6/13

ISTP | virtuoso/crafter Very comfortable with change Easily find the solution in any problem Always want to know how things work Love to be constantly doing something Handle crisis-situations really well Efficient af in everything you do Stubborn when you know you’re right Hard for others to tell how you’re feeling <<< For the most part. My mom is good at it, though. 100% a hands-on learner Could easily be a mechanic or it the military You’re never afraid to make a mistake You dress for comfort more than style Easily bored and unfocused with tasks 3/13

ENFP | campaigner/champion Spotted constantly laughing So much enthusiasm for life Love to start new projects Constantly have a new hobby to do Hate repetitive tasks so much Expert at brainstorming new ideas Not a fan of micromanagers Very quick to understand people’s concerns So much energy Probably a comedian or counselor You’re never afraid to make a mistake Easily motivate people to join a cause Always looking at the big picture of life 2/13

ISFJ | defender/protector Very sensitive to others’ feelings Love to have a routine to follow every day Drawn to facts more than theories Hate the “unknown” in any situation <<< The unknown is generally scary to me, but some things I don’t want or need to know. Always want to keep others safe and sound Safety first You’re always obeying the laws/rules Known to procrastinate on certain things Easily taken advantage of, unfortunately Strives as a nurse or interior designer So detail-oriented and organized You love following traditions Probably quiet as a child 6.5/13

ESTP | entrepreneur/persuader Always seeking to have a good time Bubbly and happy almost all the time Love being the center of attention Like to live in the “now” Sometimes you can be too impulsive Life always seems to work out for you Expert at adapting the life changes Rules suck Very observant of the people around you Could be an entrepreneur or bartender So detail-oriented and organized People are drawn to your enthusiasm You’re a “get things done” person 0/13

INTP | logical/thinker You’re known to be quiet/thoughtful Can be distracted for hours by one thing Always hated group projects <<< Not because I have a problem with working with others, it’s just that group projects always gave me added stress. I didn’t like my grade dependent on other people and vice versa. I always stressed about everyone getting their part done. You find it hard to trust others Serious introvert Have a child-like sense of wonder Hate structure You never run out of things to talk about Can handle criticism pretty well Would strive as a lawyer or professor Will share educational articles with others Could easily win a debate with anyone Just generally pretty smart 5.5/13

ENTJ | commander/ceo Find the most efficient way to do anything Very goal-focused Can come across very assertive Born to be a leader Work hard and play hard Can motivate anyone to do anything Hate repeated mistakes Feel the need to fix everything Allergic to stupidity Never satisfied with your own work It’s so easy to get what you want Probably excel as a lawyer or ceo The word “impossible” doesn’t exist for you 1/13

INFJ | advocate/counselor Fear doing the wrong thing Genuinely want to please and help others Believe in the complexities of relationship <<< Not sure I understand this correctly, but I think so? Love encouraging others to be better Very likely an empath Could be a photographer or teacher Always avoiding conflict and criticism Feel the need to fix everything Really good at communicating with others Take relationships very seriously Sociable and fun but needs time alone too Loves physical contact with people Always the one to give advice to others <<< I used to be. 6.5/13

ENTP | debater/inventor Constantly coming up with abstract ideas Champion at debates Arrogant but also aware of your own faults The most introverted extrovert Getting really excited about sharing ideas Constantly changing your opinions Low tolerance for people but also social You overanalyze everything Known to take a lot of risks in life Picking accidental fights all the time Have probably argued with authorities So freaking clever Could be a detective or inventor as a career 1/13

ISTJ | logistical/inspector Take constructive criticism like a boss You thrive on organization Incredibly responsible You don’t rest until the job is done Actually really good with money Believe things should be done by the book Strive for structure in your every day life Absolutely hate getting in trouble Probably an officer or accountant Literally the most dependable person Sometimes too logical for people Take time to warm up to new ideas Some call you a perfectionist 3.5/13

#personal #text #survey #surveys #bolding #personality types

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arelya-andaria · 5 years ago

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Travel tips from JRox

Another old interview of Jrox. It was dated 8 September 2015. Might have saved me a few questions I could have used when I tried to question him... I’m not done with him though... Here’s the link.

First holiday memory?

Bobbing up from the back seat of my grandparents’ car to ask, “are we there yet?” on my first beach holiday trip to Durban and stopping mid-sentence when the sea broke the horizon. I don’t know which was more profound. The sight for me or the silence for my grandparents.

Favourite place in South Africa?

I have fallen madly in love with Cape Town. Luckily my job requires me to go there with productions so I live there six months of the year anyway.

Best holiday?

New York in January this year. It was a break after a long 2014 and my second visit to the Big Apple, so I sort of knew the layout of the land and could do all the things I didn’t get to before.

What have you learnt from your travels?

Our quality of life in South Africa is really good. For instance, what a dollar buys in the US, for instance, we get much more here for the equivalent.

Ideal travelling companion?

Anyone who will tolerate my grumpiness with airports.

Beach bum, culture vulture or adrenalin junkie?

Culture vulture – but not just theatre. I always try to see as many of the galleries or museums on offer. The best experience was an exhibition of Gilbert and Sullivan I saw while in London. Everything from the original fans from The Mikado to Sullivan’s explicitly detailed diaries. The Pirates of Penzance will never be the same for me.

Greatest travel luxury?

Plug points on the plane. My Mac addiction chews power.

Holiday reading?

I don’t really read while on holiday but do enjoy biographies.

Where has seduced you?

Tuscany. I may have a crush. I’m trying the Banting diet out, but would happily break it for a few weeks in Tuscany.

Worst travel experience?

Getting lost at Dubai International Airport is the winner. I was running with a bag cart from the one end to the other to make a connecting flight. I tried to turn a corner sharply and the wheels jammed, resulting in me flying over the handles and hitting the tiles. When I looked up, I saw three gents in the coffee bar near my ground zero, snorting on their espressos.

Best hotel?

The Diamond Hotel in Manila was a new standard in luxury for me. Genuinely helpful staff, great food and the biggest, softest bed I have slept on.

Favourite walk, swim, ride or drive?

There is a small bay just outside Hong Kong harbour with water so clear that you can see the fish below you. When I was on tour with Grease we were taken out for a boat party and all jumped into the Pacific and chilled on lilos with Tsingtao beers.

Best meal abroad?

I had the best Peking duck in London with the full presentation at the table. Leftovers for days.

Favourite city?

New York. I have been twice – once to perform A Handful of Keys with Ian von Memerty and the other for a holiday. The first time I landed, I felt instantly at home. I don’t think I’ve ever had a thrill quite like the first time I saw Times Square at night.

For a minute, I thought it was still day time because the light was so strong. Theatre marquees will do that.

Where next?

Greece is calling…

#Roxmouth Support Group #Jonathan Roxmouth #interview

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xtremedespair3d · 6 years ago

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Happy New Year 2019 - 2018 Review: My Worst Year Yet

The end is near...

The end of the year and almost the end of the decade, we’re going to be at least one year away to enter 2020.

This was a good year, but as the title implies, there were some severe downs, but before I talk about my really long story about my experience with 2018, let’s start this post with the good old top 10s, but this time, I’m finally going to start from 10 to 1 because I’ve been doing the other way around for years and that’s not how it works. Not everything will have comments because I almost have no idea on what to write in some entries and don’t want to make more repetitive and simplistic than some of the entries of each list are.

This is indeed my longest Tumblr post yet, so I hope you enjoy:

Top 10 Best Anime: This list was honestly really difficult to make compared to the others, mainly because I watch a lot of anime and can’t choose which ones I really liked the most except for the final top 3. I would have liked to extend the list to Top 20, but I want to be consistent with the other lists (Sure there are shorter lists but I don’t want to go over 10).

10.- Toji No Miko: I’m highly indifferent with this series overall, the characters, the universe, the world building, etc., at least this was successful enough to spawn a game and now a spin-off series for Winter 2019 (Looks like they could be shorts but who knows), not the biggest franchise in existence but it’s got potential.

Despite my mild interest, my jokes that this looked like Kancolle (Because it features one of the character designers) and Touken Ranbu (just sword wielding) had a baby will live on.

9.- Fate/Extra: Last Encore: Another controversial Fate “adaptation” in recent memory. Yes, I was surprised and yelled like crazy in confusion with the changes from the game on the first episode alone, but despite this series turning tables from the game but still following how things went linearly, it’s not worth the hate or anything.

Some people have called it confusing, which... parts of it were but Last Encore is not worth the hate. It’s not by any means bad, you have to understand that it’s its own thing and what not.

Fate/Extra is probably my only Fate/Type-Moon media I got into before even getting into their anime adaptations, which I’m happy for it.

8.- Darling in the Franxx: Alright, call me out on this one, but it did nothing wrong!

When it first started, there were mixed feelings for its fan servicey start with naked Zero Two, in the middle of the series, everything seems like it was going fine and I liked where the story was going, but then there was the Bitchigo controversy, it’s probably not the series’ breaking point, but at that point it looks like the hate was carried until the end.

Why do people hate Franxx? As if people were expecting too much on how should the story be or anything.

Trigger and A-1 may or may not sound like an interesting combo, but it looked like it was more A-1 than Trigger. As a Trigger fan (I’m more into their originals, adaptations don’t work for me), I really hope people don’t hate Trigger forever for Franxx, but who’s actually to blame here?

7.- Steins;Gate 0: This one is a little controversial to add considering there was a lot of hate on it, I don’t get why, if the first season is considered a masterpiece, how could Steins;Gate 0 fail to follow the formula? (I’m an animeonly fag, what do you expect?)

6.- Zombieland Saga: This one gets a big seal of approval as a birthday gift of mine (it came out on October 4th), and one of the best originals too.

Really hoping for a second season. (Don’t care if it’ll be as shit as Rage of Bahamut: Virgin Soul)

5.- Cells at Work! / Hataraku Saibou: This one wasn’t on my Summer 2018 radar until I saw the first two episodes and I immediately loved it.

Seems like those Osmosis Jones/Ozzy & Drix jokes got to convince me to watch it. (I actually only grew up with the Osmosis Jones movie, I never saw Ozzy & Drix in my entire life ;_;)

4.- My Hero Academia season 3.

3.- Devilman Crybaby.

2.- Pop Team Epic.

1.- Today’s Menu for Emiya Family / Emiya-san Chi no Kyou no Gohan: Another one of Ufotable’s visually departive series (Meaning that they’re different from their usual productions (God Eater also comes into this territory but not as visually different than Himuro no Tenchi and Emiya-san. Sure, Ufotable had different and the common solid color visuals back in the 2000s but nowadays seeing Ufotable taking this direction is amazing).

Since it’s a cooking show, I would definitely love to copy the recipes as told in the show (wonder if they’re good enough to make the food actually taste good), and I also had this tradition with a mutual of mine of watching every episode when they came out monthly (it’s a monthly series).

Honorable mentions:

Yuru Camp

B: The Beginning

A.I.C.O Incarnation

Golden Kamuy

Aggretsuko

Castlevania season 2

Touken Ranbu Hanamaru season 2: Since Winter 2018 feels like a long time, I genuinely forget this existed. 😂

Violet Evergarden

Dagashi Kashi 2

Overlord II, III

The Ryuuou’s Work is Never Done! / Ryuuou no Oshigoto!: I haven’t seen this Day 1, but I binged it a few months later.

Citrus

Lupin the 3rd Part 5

Cardcaptor Sakura Clear Card

FLCL Progressive, FLCL Alternative

Yuuna and the Haunted Hot Springs

Senran Kagura: Shinovi Master Tokyo Youma Hen

SSSS.GRIDMAN

Ace Attorney season 2

Skull-face Bookseller Honda-san / Gaikotsu Shotenin Honda-san

Goblin Slayer

Gakuen Basara

High Score Girl

Top 5 Worst Anime:

Caligula: I always didn’t like the game, haven’t played it myself, but looking at it, the art is unappealing, the characters, the universe, pretty much everything, not even Persona 1 writer Tadashi Satomi would make the game any favors. (That’s mostly on the game, anime may differ but I just don’t care at all.).

Grancrest Senki / Record of Grancrest War: As someone who’s not really into the fantasy genre, but let’s be real, this one’s probably the most boring fantasy anime I’ve ever watched in my life.

Parts of it, like the political drama, was great, but everything else? I felt like I didn’t care at all, well, not always super ignorant, I dunno, it’s just that I wasn’t the biggest fan of this show.

Persona 5: The Animation: This one may be the worst Persona adaptation yet, the pacing was all over the place, animations on the fight scenes are weak, a gratuitous ending to the base series leading up to the special for New Year’s.

What about the surprise the director teased a while before the series began?

P5A was bad, but it wasn’t offensively bad, I’m not mad at it for being bad.

The time when the OVA, Dark Sun has come out, apparently they decided to announce ANOTHER OVA for March 2019 to conclude the story... Seems like there’s no end.

I’ve also been waiting for the surprise the director teased for so long and I don’t think as of the writing of this will ever get paid off.

Junji Ito Collection: At first I was intrigued on how they would capture the Junji Ito horror, but weeks later, as I kept watching it, it was feeling a bit boring, like it feels slow. Then I heard that it’s one of the worst anime of 2018 so far, that’s... actually quite exaggerating, well, it’s bad but it’s not THAT bad.

Tokyo Ghoul:re: Pierrot once again ruined Tokyo Ghoul, no surprise, but maybe even worse. From the obvious rushed story to the lackluster fight scenes, even the first Tokyo Ghoul season had better animated fight scenes.

Top 10 Best Movies:

10.- The Shape of Water: Technically it was 2017 film but it came out in Mexico like in January 12th iirc, I thought it was a good film, I’d need to watch more Guillermo Del Toro films, particularly the Hellboy films now that the reboot is coming out next year. 7.5/10.

9.- The Cloverfield Paradox: Quite optimistic that there’s a new Cloverfield movie since the original (over 10 years) and 10 Cloverfield Lane (2 years ago), but it turns out that it’s quite a flawed movie, It did nothing wrong! 7.5/10.

8.- Aquaman: Definitely my favorite DC film yet (GTFO Wonder Woman with feminism and everyone complaining on the final fight scene with overuse of CG (if it hurt the film that badly, then the film is not worth a 93% on Rotten Tomatoes), I definitely loved the VFX on Atlantis and the final fight with Ocean Master. Speaking of Ocean Master, I love that they animated his helmet eyes a la Deadpool. 8/10 - Rank: A.

7.- Overlord: Whether this would have worked as a Cloverfield movie or not, I love me some World War II zombie film by JJ Abrams. (Speaking of non-Cloverfield film, I would have liked to watch A Quiet Place.) 8.5/10 - Rank: A.

6.- Mission Impossible: Fallout: My first interaction with the Mission Impossible franchise was with the first film when I was at the English school I used to study, I would have liked to watch Rogue Nation when it came out in 2015 but I haven’t developed my habit of absolute moviegoer until 2017, now that they announced Fallout and will have Henry Cavill (with his mustache, the main reason for the Justice League mustachegate), I would not hesitate to see it.

Even if I have only seen the first film, this is already the best Mission Impossible film yet, definitely felt the thrills for the action and it make me like Henry Cavill more, especially the fucking arm reload.

Too bad August Walker died, but I couldn’t help to say “Superman died again but permanently.” Now I’m definitely looking forward for more Mission Impossible films. 9.5/10 - Rank: S+.

5.- My Hero Academia: Two Heroes: Since MHA is so popular, even in Mexico, there was always bound to be quite the mouthful fanboys in my theater, may be the most annoying experience yet but I wasn’t really annoyed as much as the next entries.

Just a heads up, the loud crowd in my cinema don’t really ruin my experience on seeing the movie. 9/10 - Rank: S.

4.- Bungou Stray Dogs: Dead Apple: Our second anime movie experience and the one time we get to see an anime film on the afternoon because with My Hero Academia and Fate/Stay Night: Heaven’s Feel have been on the night.

The best thing about Bungou Stray Dogs: Dead Apple is that it came out exactly on my sister’s birthday, August 25th.

My sister hasn’t seen Bungou Stray Dogs but she didn’t mind and accepted my request to go see it together, and I couldn’t be happier to see it on her birthday.

Not much to add on the loud crowd but the loudest ones were a bunch of fujos fangirling out at this Dazai x Chuuya scene and this part where the Shibusawa fight from the end of the film ended, someone sneezed, another guy replied “bless you” loudly and everyone else laughed. Didn’t ruin my experience, but come on... 9/10 - Rank: S.

3.- Fate/Stay Night: Heaven’s Feel I. Presage Flower: Like The Shape of Water, Heaven’s Feel I was a 2017 film and came out in Mexico in January 2018, but that aside, it was the first film I’ve ever seen in a cinema and seeing anime visuals and animation (especially Ufotable’s) was pure eye candy and it was a dream come true.

This kickstarted our (my older sister and I) hobby of seeing anime movies to the cinema with the previous entriesI (sorry but we won’t allow our mom to watch anime with us, we’d rather have the annoying people in the cinema than hearing her whine about every bloody scene she sees). 9.5/10 - Rank: S+.

The second film, Lost Butterfly, was supposed to come out, but it got delayed until January 12th, damn, so close, so I think I had a perfect chance to watch the first film this year because at the time I didn’t trust much the disributor, Konnichiwa Festival, for bringing anime films I’d like to see the most, or anything from series like My Hero Academia and Bungou Stray Dogs (They also brought A Silent Voice and Your Name).

(For some reason I’ve always been typing “Passage Flower” instead of “Presage Flower”, in what universe have I made that up?)

The fact that the second film comes out on January 12th is almost exactly like about the same time the first film came out on Mexican cinema on the 19th, that’s quite an amazing (or disturbing) coincidence.

2.- Ready Player One: I’ve been optimistic about this movie and heard a couple of good things about the book and its concept, but it was full of controversial hate, but... why?! IT DID NOTHING WRONG! The film did well, whether you’re a bookfag or not, but even some bookfags didn’t like how the film turned out, but who cares? It was still fun. 9.5/10 - Rank: S+.

1.- The Incredibles 2: I’m happy The Incredibles 2 is finally here, continuing the cliffhanger from the first film and everything, my life is complete. 10/10 - Rank: S++.

Top 6 Best Marvel Movies: I always tend to make my normal movie lists a bit Marvel heavy, because they’re all so good, so I decided to make a separate list of their own.

5.- Black Panther: It’s probably a bit more popular than Avengers: Infinity War for its cultural impact and everything, but it was still a good movie, to say the least (I’m probably the more big team-up type than standalone). 8.5/10 - Rank: A.

4.- Ant-Man and the Wasp: It’s still worth watching, but I feel like it’s the least relevant MCU movie of the year, except the quantum realm stuff and... the post-credits scene. My sister and I lowkey laughed our asses off that Hank, Janet and Hope vanished from the snap. 8.5/10 - Rank: A.

3.- Deadpool 2: Worthy sequel, and pretty weird for Fox to release a PG-13 version, Once Upon a Deadpool, just when people were skeptical that Disney with the Fox purchase would PG-13′d Deadpool when Fox themselves are the ones doing it first, but for a good reason...

(I made this image myself)

Well, that too but most importantly... THE X-MEN AND THE FANTASTIC FOUR IN THE MCU!

Speaking of Once Upon a Deadpool, it will come out on Mexico on January 1st but I’ll go see it on the weekend. Anyways, the score for DP2 is: 8.5/10 - Rank: A.

2.- Venom: The best movie birthday gift I’ve gotten, AND IT’S NOT TRASH, OKAY?! I’ve seen plenty of fan arts and they make up for the fact the film is trash, and it also represents people just simply like shipping Eddie Brock and Venom. 9.5/10 - Rank: S+. (Want to fight me about the score?)

1-B.- Avengers: Infinity War: YES! Infinity War is everything I wanted! I love the film to death, and I’d really love to own the Blu-Ray like I do with Civil War. Too bad THERE HAS TO BE SOME PEOPLE WHO DISLIKED THE FILM!

Some people complained about the plot structure for being hard to follow, some for the CG, and some simply because they were like “ehhh, I didn’t like it.”, BUT..... RRRRRRRGGGGGGGNNNNNNNHHHHHHHHHH!!! 👀💢

IT’S A BIG MOVIE, THE ENDING MAY HAVE BEEN SHOCKING BUT IT WAS MEME-TASTIC AND EVERYTHING, IT’S SILLY FOR HATE TO EXIST ESPECIALLY WHETHER FROM CASUAL MARVEL VIEWERS AND SUCH.

THE PEOPLE WHO DIDN’T LIKE THE FILM, THEY DESERVE TO BE SNAPPED BY THANOS. QUE SE VAYAN A LA CHIN--

Alright, enough rambling, I loved the movie, I was definitely shocked by the ending (It’s not a bad ending that would ruin the film, don’t even dare to say that, please), but it’s a good set up for Avengers: Endgame. 9.5/10 - Rank: S+.

But... I gotta admit that it was my #1-A movie of the year, but there’s one movie that absolutely dethroned Infinity War...

1-A.- Spider-Man: Into the Spider-Verse: This film... THIS FILM, THOUGH, this is legit the best Spider-Man movie ever, with really awesome animation style, reminiscent of a comic book, the best easter eggs and everything.

Also, at the Stan Lee parts, from his cameo to his quote and a thanks to him and Steve Ditko, I legit cried at thiose parts for a small bit. I don’t even want to think about it. 😭

Some random notes before even seeing the film include buying a lot of the promotional items from my cinema (pictured)...

Out of all these items, I got...

...This cup when my older sister and I went to see My Hero Academia: Two Heroes on November 30th.

I did not hesitate to buy a keychain, let alone TWO (one for me and another one for my sister), there was a different keychain, the one with just Miles but I prefer the Spider symbol because I love symbols.

This popcorn bucket. I had a Spider-Man 3 plastic bucket, but it seems like I can’t find it somewhere in my house, sadly. But at least we needed a new bucket.

Along with the bucket, I also bought this cup (which I forgot about to take a photo of it and took it at home as you can see here).

So I got two of the three cups pictured way above, I also wanted to buy one of the wristbands but my family wouldn’t let me and it was too much to buy, they even told me I wouldn’t even wear them all the time. Oh well, at least I’m satisfied with the keychains, the cups and the bucket.

Happy to hear that there’s a female spin-off in the works, so my body is definitely ready to see more of the Spider-Verse with animation this beautiful. 100/10 - Rank: S++. Sorry Avengers: Infinity War but GTFO, Spider-Man: Into the Spider-Verse has easily won my heart and it’s my #1 movie, not just for this list, it’s my definitive #1 movie of 2018! 👑 (Yes, I know I put The Incredibles 2 on the other list, consider it as #1-C)

Since it came out on Mexico on December 25th, it’s the best Christmas gift I’ve ever had in my entire life. (next to my new Huawei Mate 10 Lite, I needed a new phone really bad)

There’s an all-female spin-off in the works, so my body is definitely ready to watch more Spider-Verse related films with this beautiful animation (if there could be a different visual style than Spider-Verse, I’m probably fine with it, but it seems unlikely to happen (please don’t, the visual style from Spider-Verse looks damn fresh to change))

I’m still in awe from what I just saw...

I really need the Blu-Ray to come out faster like Venom did two months after it came out theatrically so I can own it and watch it a billion times! PRONTO!!!

(Also, to any critics or haters, get the fuck out of my sight, please)

Top 10 Best Movies (Definitive): I may have mixed things up by making two separate lists, one for Marvel and another one for movie, so I had to make a PROPER list of my movies of the year to avoid inconsistency.

10.- The Shape of Water

9.- The Cloverfield Paradox

8.- Overlord

7.- Mission Impossible: Fallout

6.- Aquaman

5.- Fate/Stay Night: Heaven’s Feel I. Presage Flower

4.- Ready Player One

3.- The Incredibles 2

2.- Avengers: Infinity War

1.- Spider-Man: Into the Spider-Verse

Top 10 Best Games:

NOTE: I honestly don’t like making the best/worst games lists because it’s all based on “experience” and there are so many games released every year and I don’t have the money to buy every single one, and most important of all, I have neither a PS4 and a Switch, nor a powerful PC. I still make this list anyways because I like acknowledging some of the games I’m the most interested for their existence, I still wish I can play them, but they’re there. Enjoy the following entries:

11.- Fate/Extella Link.

10.- Valkyria Chronicles 4.

9.- BlazBlue Cross Tag Battle.

8.- Soul Calibur VI: I’m not really much into Soul Calibur but VI has picked my interest mainly because of the character customization and every tweet I’ve seen of it, and 2B.

7.- Persona 3: Dancing in Moonlight / Persona 5: Dancing in Starlight: At first I wasn’t really fond on the idea of Persona dancing games since Persona 4: Dancing All Night, but when both P3D and P5D were announced, I redeemed myself on the concept.

6.- Super Smash Bros. Ultimate.

5.- Girls’ Frontline (English and Japanese versions): My only disadvantage with the EN version is the censorship and that really bothers me so bad. I hate the topic of censorship in general. Too bad I haven’t been playing a lot of it lately, and I feel bad for it, haven’t even picked it up back with my new phone... But I can still appreciate the cosplays and fan arts.

4.- Dragalia Lost: I played it for like a week but I stopped because I ran out of space in my phone. This is my biggest problem with Nintendo mobile games, they’re always constantly asking for mobile data and they’re space consuming. It has potential to become Cygames’ next big franchise, though.

3.- Deltarune: Haven’t played Undertale myself and this was an excuse to get myself into it, even if it’s some sort of an alternate universe or whatever the many people who played it just experienced. And the game is free to play, so there’s nothing about money to worry about.

2.- Persona Q2: New Cinema Labyrinth.

1.- Spider-Man PS4.

Yes, I included two gacha games. What? You don’t think gacha games are “games” and instead they’re just money making machines? I can tell you’re making fun of my decision, and it’s true, but they have rights to be games whether you decide to spend your money or not. I don’t have much time to rant about gacha games and stuff, so let’s move on.

Honorable mention:

Detroit: Become Human: Call me out on this one because I gotta talk about this game.

Sure, David Cage may be a divisive developer among the gaming community but there’s something about Detroit that I’m hearing praise from the media and other YouTubers and then there are my “friends” who definitely hate him and his games.

This is one of those cases where I really can’t even bother to choose a side. (but I’d definitely be one of those who do like Detroit, I mean, the fan arts of Connor and his actor himself can make up for it, besides, I still got my copy of Heavy Rain)

Worst Games of the Year:

I mentioned that I don’t have the consoles to play most games, there are games that are so bad even to look at that are exceptions for me to play:

4.- Radical Heights

3.- Fallout 76

2.- The Quiet Man

1.- Metal Gear Survive

Everything mentioned this list are 0/10 - Rank: E-.

Artists Of The Year:

Ogata Tei: Finding this artist was like fate. I first found Ogata on Pixiv with this illustration on December 2017, and at first it was like any other artist I follow, I have to check their gallery and if it’s good enough, they deserve a follow, but when they started doing the Childhood Friend series (pictured below), I feel like my life has changed.

For safety reasons, I tend use Chapter 0 as a better way to show everyone the start of the Childhood Friend series without using the very first tweet, because... I don’t know what to make out of it, it’s not too graphic, but take a look for yourself. It is chapter 0 after all.)

The moment the reservations of the doujinshi went live in June, I did not hesitate to ask my older sister to buy it for me and finally received it on December 6th (technically it should have been on the 5th because the mailman came home but my mom wasn’t there to sign the package, but we do not talk about that part of that day ever again. The reason why is that the mailman thought I looked too young to get and sign a package (I hate my genes)... That is until Ogata decided to open reservations for the sequel the moment I got the doujin ), it was a long wait but it was worth it... That is until Ogata decided to open reservations for the sequel for C95 the moment I got the doujin, worst timing ever.

To be honest, this series is the only thing that makes me happy, ever, everything else I love is always being ruined by assholes and their heartbreaking traumatizing opposing opinions. Thankfully there’s no hate in this.

This series is very dear to me, I really hope it keeps going because I occasionally get scared for the series to end and I’d be forever sad if it does (I’ll eventually move on but my heart won’t change).

Maybe the saddest thing about the series is that I’m the only one who makes fan arts and a Custom Cast/Custom Order Maid 3D2 recreation of the Childhood Friend character. It’s a good thing that I show my pride for the character and all, but it’s only me and I can’t be the only one with that pride, I’d love to see other people do shit, even some of the artists I follow that are friends with Ogata.

Souryu: Not the first thing (have seen a bit of his pictures on Pixiv before), but I was brought to this artist more with this web series I also love to death. (NSFW)

I’m also happy to see his manga, Machimaho, has an English release now.

Sakiyamama: The list was originally going to be just Ogata but I wanted to include Sakiyamama because not only his recent bunny pictures (as of the writing of this post) are really really good, he’s actually a really fun person to talk with and he’s gained my respect more than I already have. MAX!

(Would Sakiyamama be a good candidate to make a cover for my novel? Maybe, maybe not...)

Song Of The Year:

Casey Edwards - Devil Trigger: Even for a 2019 game like Devil May Cry 5, Devil Trigger just rocks. Now, when DMC5 comes out, we all can’t wait to pull our devil trigger.

The following part is my really long review of 2018, if you don’t care about what happened to my life in the year and my personal problems, you can skip to the very end until you find the following sentence: “You’ve reached the end of my long review of my 2018 experience.“

Now, let’s talk about why did I consider 2018 the worst year yet. Everything continues with the same problems as last year and some new ones that are even worse. This year was full of disappointments and few ups which either matter or get ruined.

Starting with what’s essentially the most horrifying experience I’ve ever been in my life and it’s all got to do with my older sister. First off, on February, we were hanging out with my aunt on a shopping mall, we were eating ice cream and for some reason, my sister and my mom were arguing and something made my older sister rage quit the plaza we were. We slowly followed her where she was going, later we returned to our house, my sister later came back home and everything went normal.

Then, comes the worst of her moments yet, two months later, everything was going fine on home, until I heard my mom calling me and I started hearing my sister’s very creepy yelling, my mom was holding her on the floor and she ordered me to call my aunt and ran to go buy medicines, my aunt came home to hold my sister down with my mom to give her the pills I had to bought, etc. A lot has happened in that afternoon. Even my mom has called the cops.

A few hours have passed, the cops came home just for a talk about the situation, and I guess that’s about all I witnessed because I didn’t do nor payed attention much on there other than shaking a cop’s hand.

I really wish I shouldn’t discuss about this on a wide public like the internet considering that my mom told me I shouldn’t tell this to anyone... “ANYONE”. Not even my BFF classmate on WhatsApp (at the time when I was at school), not even on Twitter nor Discord, which I talked about what was happening at the very moment and that made me feel like a genuine social media addict, tweeting and telling my (not-so) friends on Discord as if social media has become my life journal or something.

As for what I told on my classmate, I told him afterwards that I shouldn’t have told him about what happened with my older sister when my mom told me not to tell about this to anyone, at least he kept the secret.

Speaking of school, the situation that we went through, my mom decided I wouldn’t go to school for a week.

I think at the moment the cops came to our home, I heard that my sister has depression, and with that, my sister eventually started going to the psychologist.

Then on October 15th, it happened again, except that my mom straight up sent me to my aunt’s house to sleep there for tonight because my sister was going crazy again, hopefully I didn’t get to witness her meltdown... Except the next day, early in the morning, when I arrived home on taxi, I saw my sister’s right arm with blood and a few hours later, her arm is full of scars, ouch. (Her arm is probably healed by now because I don’t see the scars lately).

Aside with all of my sister’s creepy anthics, I’ve had a few share of problems, mainly at school.

The problem is that I harmed two girl classmates in different occassions, I know I wouldn’t hurt women and I normally wouldn’t be the type to hurt women, but Mexican schoolgirls are just the worst. One instance was that I was being yelled at because I wasn’t into the teamwork enough and hadn’t done anything and I just went all out, I was gonna choke and even bite her neck off. The other one was where I was gonna slap a chubby one but I slapped another girl next to her unintentionally and we were arguing about it.

After a while I forgot about it but now I dare to bring these school memories again...

Anyways, I think that’s the end of the stories of my older sister’s madness, even I get flashbacks of those moments and I everytime I typed everything down, my head always twitched, and done with my brief stories about my problems at school.

You may have already gotten sympathy for what I’ve been through, but it seems like I’m about to ruin the moment.

Now, let’s move on with my problem with personal opinions, again. Yes, I know you may be sick of me talking about this topic over and over, but trust me, I’ve been given enough tips and some of the same ones, so let me give one last rant so I can get my last laugh on my friends, this may be like a rewritten version of this post I made last year (make sure to read it before reading this, if you like), but this one features recent events and a better conclusion. Time to end this by going all out. Enjoy.

My 2018 in a nutshell.

Where do I begin? This entire year was still through my usual problems with my obsession with personal opinions, but I can’t tell if it’s equally bad or worse than what I went through with 2017. I think it’s the latter because it all comes with the “Franxxgate” (That’s how I dub the hate around Darling in the Franxx as a whole) and it’s probably one of my few breaking points this year.

Pretty much every anime “gate”, from the Apocryphagate from 2017, to 2018′s Franxxgate and even FLCLgate from a group of friends lead by a certain person with a P on their name I interact with (while there’s the opposing side of the fandom where Toonami-fags still love watching FLCL), completely breaks me. (Everything needs a “-gate”, okay?)

With that being said, in late September, I jumped to the conclusion that anime in general has become my most sensitive topic yet, and I wish I wouldn’t talk about anime with anyone, and I also declared to fuck anime as a whole. I mean, let’s be real, what’s even the real point for anime adaptations to exist? For the money? (I’m using this excuse to every industry or even art itself), Most adaptations don’t even work, and they don’t get fans or something.

If you’re really THAT badly disappointed by these shows or anything else in general, the first thing that comes to your mind is deleting them, right? but before you do that, you should at least consider what would you do to rewrite those shows, like, how would you make them good? If you’re a heartless cunt without any soft spot for the creators and intentions (unless they really make some outrageous shit), then delete is indeed your only option.

I’ve always seen these sorts of situations as “Aw, the performances and the music (and occasionally the well written characters) are so good but the overall story SUCKS.”

Also, if I answer what do you like and you come up with “good”, don’t come up with such bullshit at my face, it’s impossible for anything to be “good”, define “good”. I don’t want subjective answers, try to give something more detailed.

Anime aside, let me talk about how people criticize in general, based on experience.

I just never understood how there are people who are fans of something but dare to say some flaws despite saying that they like it, that it’s great, etc. That’s fucking ironic and downright stupid!

For example, there’s a guy who likes, uh... Game X, but they find like a couple of problems, but they still think they like it and what not, fucking ironic.

(I probably would like to use Persona 5 as a proper example instead of “Game X”, but it’s too much of an offensive example for me to use, to be honest...)

I saw this tweet that says “It’s okay to criticize things you love.”, and while it’s true, and there are times I criticize things I love, for example, the MCU for lack of crossovers between the TV shows and the movies (probably my biggest problem would be the Marvel Netflix shows, they still reference the Avengers, I see no relevance for their existence), but most of the time, I never give a fuck about the flaws from everything I love.

One of my friends replied me that it is and proceeds to talk about his “tough love” for Dragon’s Dogma. Keyword: Tough love, this is one of those words I’ve honestly haven’t heard in a long time, but applying it here is not something I asked for, I just don’t have tough love for everything, I’ve mostly never been the type to spot flaws and criticize them, I’m the type of person who blindly praises or hates anything, without having to explain in detail what I like or hate (occasionally), I’m never going to be a critic like you, I’ve always been a blind fanboy and will continue to be, whether you like it or not.

Speaking of critics, I never liked people who are still being critics, they could bring fair points but at the same time what they say it’s always clichéd, they throw words like “predictable”, “clichéd” and stuff like that.First of all, I can’t even tell what’s predictable, well, there are times that I know what’s going to happen next, but I actually have fun guessing rather than criticizing, it’s actually good for me, same goes for clichéd, I have no idea what are people even talking about when they say “clichéd”. Sure, people may use tired tropes, whether for seriousness or satirical purposes, it all depends on the execution, for the better or for worse. If you’re looking for some form of art that’s not predicatble, that’s not clichéd and everything, it’s impossible to find one because every single creator makes the same mistake of making their series with, you guessed it, tired tropes. Hell, I may even do the same mistake too, because why the fuck not? Whether for seriousness or for satirical purposes.

(I always have the guilty pleassure for everyone to hate me mainly because I’m a blind fanboy and accuse everyone and calling them supremacists or something. I saw this Comicbookcast2 video a long time ago titled “FUCK BLIND FANBOYS” or something. The video has been deleted, and when I saw it, it was offensive for me, but I actually want to watch it again. Sorry for being political at the supremacy part, but that’s how I always feel. Speaking of supremacy, despite my anger at everyone’s opinions, I’m never right and don’t have the power to change their minds, fucking weak-ass knucklehead me.)

The point is, there’s a game/show/movie that you’ve been excited for it for so long, and in general it turned out to be a really great product, you try it yourself, you think that it’s really good but then you come out and explain that there are some severe flaws and everything else to criticize either some aspects or the entire product, do the flaws really ruin your hype? Does it ruin how you wanted it to be? Pathetic.

Okay okay, I know I know, I get that nothing is “perfect”, I get that a lot, but if you want to be like a true fan about a particular product or even a franchise, without all of the ranking from best to worst and vice versa type, don’t give a shit about their flaws, just ignore them, just enjoy everything that’s going on, that’s my definition of a true fan. That’s my motto I’ve been following for a long time. But alas, this definition of “fan” is dead, and the meaning has never been this way.

Well, there are times that I even say the same things, I can detect some flaws too, but most of the time, there are things that I care about in my life that I tend to ignore their flaws all the time. I can’t criticize, I can’t hate some aspects, I almost just don’t know how to do these things.

There are times that people tell their opinions as if they’re facts. There’s that same dude who told me about tough love, he started that sentence with “It is.”, he also told me those same words a few times. But still, I don’t fucking care if something is trash, I don’t care if even if it’s your opinion or if it’s an actual fact, don’t try to brainwash me or even anyone with your bullshit!

It’s like people don’t know how to enjoy things anymore, well, it’s always been this way but I’ve never been this deep with this level of hypocrisy, cynicism and intransigence. With people not appreciating art sometimes, I can even go far to think that Art is Dead. (I’d write a blog post about it but I mainly would love to write a book about it and point out every single types of criticisms I can gather from experience and memory)

This isn’t about toxicity, SJWs or anything, some of them must be intellectual people who think they’re “right” on what’s bad, it’s bad.

My biggest problem is that I ALWAYS happen to start a topic and let everyone bring their worst opinions possible, I always takes opinions by heart and I always go compusively defensive about everything and try to justify what happened while having a “Oh, I get how the creators feel about this, I feel connected” kind of mindset or something.

I just happened to be sensitive about everything, even the slightest negative word, once I hear words like “okay”, “bland”, and everything else, I lose brain cells, always.

Even WORSE is that I′m friends with some people with the worst opinions possible. (Probably would like to call them out here, publicly on Tumblr, but nah, whoever reads, I’ll tell them.). Talking with these people has been my largest waste of time I’ve ever had. I’m sick of talking to you, you disappoint me.

Everything I’m saying is pretty much beyond autism, bipolar or multiple personality disorder material, I’m genuinely like some criticism censorship madman, please, accept it.

Everyone always told me “it’s just their opinion” and everything but it’s the same thing when I got bullied, everyone always told me “Just ignore them.” and ignorance was never in my motto, I just want everyone to stop. I also get told a lot that I need to tolerate and respect them, I kind of do that but at the same time I always get headaches, like my brain is always going to explode, I’m always trying to resist the pain like this. (This video also depicts my procrastination on writing my novel). Even if I were to ignore their opinions, their words are stuck in my head and can’t stop thinking about them, it’s like I’m a magnet, like I’m traumatized by your words.

This is also going to affect my life as an author, sometimes I’d definitely consider taking feedback on plot points, characters and writing mistakes, but when I get comments like either my works or what I’m doing in the future flat out suck, things could get complicated.

I could rant about how “creative freedom” is dead, from trying really hard at complex narrative and “original” ideas to even sexual content, by always being ruined by negativity and I almost don’t believe criticism can’t help but it’ll be for another post, if I actually can depending on my mood.

Suddenly, on September 18th, I found a video talking about the personal opinions by SrPelo, not only it was really hilarious, it actually depicts pretty much everything that’s wrong with me.

(There are English and Spanish versions of this video, but I recommend the Spanish version, it’s funnier. There are English captions, though.)

But has the video taught me anything? Kind of, I got some of the points but eventually I’m still defensive.

Going back to the topic of fanboy-ism (Not fandom, it’s a specific thing), what happened to the passionate people and their rage when I say something like “I’m not into Franchise X.”, “I don’t care about it.” or anything? Why won’t YOU be mad at me when I say such things or some worse shit? Actually, that doesn’t matter, because that’s into toxic territory, you do have a sense of “I don’t have a problem with people enjoying what they like.” instead of “Why do you have to enjoy it? Don’t.”, at least you do have some mental stability unlike me.

Okay, this has been really convoluted, I ran out of ideas and it feels like it’s getting nowhere that I lost you, so let me jump to the conclusions:

PLOT TWIST! PLOT TWIST!

It’s time to confess that nothing in life convinces me anymore, there’s a lot of things I see and when I finish, I always say “I liked it”/”it was good”, but in reality, I feel nothing, NOTHING. I can’t simply say “It was okay” nor even “I didn’t like it.”, I just feel neutral about everything, I’m indifferent and shit.

When I see new things I might get into, I experience it, some say that it’s bad and stuff like that, I’m always neutral in the end yet unnecessarily defensive, well, I am defensive for their existence in “art”. I’m just someone who always defends art by thinking that every creator put their efforts into. (Of course, it doesn’t mean “every single” creator in existence, there are some who are absolute assholes.)

There are things that seem new to me, sometimes I got high hopes to like them when I experience them but at the same time I’m kind of neutral about it, I probably don’t have that much high hopes to become part of my life compared to my existing interests, if there’s something really interesting from something I really care about my life but some may be getting hate from it, I get really triggered. I don’t get disappointed in most things, sometimes I can’t really tell if I actually like them or hate them.

There are also things that normally aren’t part of my life, or stuff I don’t care but may intrigue me someday or in a different Earth, yet I’m gratuitously defensive on their place in art.

What have I been gaining from all of this? Power for being right myself and be capable of shut your mouths off. But, like I stated, it’s not like I could brainwash everyone with my own words based on experience of offending people sometimes.

I’ve had this sort of existential crisis for 2 years and I don’t think I’m ever gonna stop, no matter how many times people tell me to stop.

Before I go detailed with my resolution, let me say this: Either people should say something that don’t (indirectly) piss me off or should I not take their words by heart ever again.

(Crowd yelling at me for what I just said)

Okay, it’s a little weird but it’s true.

I’ll make a list of my worst features that you still may or may not interact with me ever again at a later time too, if I feel like it, but in conclusion, let me say this:

I’m a self-centered person who refuses to listen to anyone’s opinions on certain things (or pretty much everything) and refuses to accept the reality, the facts, and has a distrust agenda (or I claim to say that because I still trust some people), doesn’t have identity of his own and relies on others, doesn’t feel bias and can’t share the same logic, thought-process or even common sense (?) than you have. I just want to have my own opinions, my beliefs and everything but I’m feeling like I’m surrounded by opposites.

But even if I hear a different group with one unanimous opinions and another one with an opposing unanimous opinions, I can’t choose sides nor I would like to do so. And I’ve never been on your side nor would like to be in it. (This goes back to my brief discussion on Detroit: Become Human).

Let me tell you something: When you have a conversation with a friend you respect the most but comes up with opposing opinions, that they don’t like aspects of them, etc., your first instinct would be respectfully disagree and talk it out, but that aside... do you know how it feels like?! I’ve been through that pain a lot! And not a single time I could learn to get a grip on such conversations!... At least the one thing I can do is boycotting conversations where opinions and criticims get out of hand for my views.

Let me give you a life lesson: You should have a digree of distrust, everytime you ask one person that they should try X and they give their own opinion, you don’t need to buy it 100%. You have to learn to investigate things yourself, and when you see the general reception for the X you’re seeing, you should be unsure and should check X out yourself. When you hear different sources saying different things, you shouldn’t trust any of them and investigate yourself, that’s the basics of my life experience.

I may sound like I’m manipulative, like I want people to be exactly like me or that I want to meet new people like me, basically forming a legion with similar mindset or something, I can confirm and deny on wanting to achieve such goal. It’s really strange that I can say yes and no to something I don’t really think about.

The thing is, I’m just loyal to art, attached to everything, well, not 100%, there are things that do look like trash trash, when there are things look good but people say they’re trash, I’ll never forgive them, depending on their attitude based on experience, I’m never gonna forgive anyone.

Also, (this next part may go into artist (as in illustrator) territory, but still), let me tell you this: I HATE criticizing artists! I’m not the type of person to mock or downright criticize anything they do! Well, I do have rights to express mixed feelings about some things they post online which I don’t feel convinced from a previous picture I was heavily invested or something, but I can’t say those mixed feelings in front of their faces and I should reconsider! I have absolute pride for artists no matter what they do. And if you dare to make fun of them, comically or not, you can shove it.

I’m not always supportive of “every” single creator out there, there are some who are scumbags or corporate bullshit.

I’m also optimistic, unlike you. Not at everything, but there are things that sound intersting, but too bad there has to be some haters. I know I’d have to adjust my eyes to take a proper look but there has to be some sort of potential somewhere.

You think you’re critics? On a Gordon Ramsay/Master Chef kind of scale? I’ll tell you what, try to put on a creator’s shoes, or try to imagine a different Earth where you’re an artist (illustrator, writer, etc.), even if you tend to criticize others, and when you create something, I won’t hesitate to Gordon Ramsay you’re ass off.

Whenever you bring negative comments from something good, I always, ALWAYS, want to counter your opinions very offensively like this, but sadly I can’t, but I think it’s fine because I am scared of getting blocked or banned from a Discord sever. (Discord has ruined my life lol)

But alas, with all of the bias people show, mainly negative from something I find interesting, seeing this happening everyday and telling right at my face, I happened to become a broken person now, no thanks to you, yes, as ridiculous as it sounds, even indirectly.

I’ve had this thing with personal opinions and trying to bear them up my ass. I’m just tired, I’m sick of everything. Either everyone needs to stop or better, I should stop because I’m always the one to start causing trouble by a disagreement.

One way I would like to stop what’s happening to me is to break up with the people I talk with (mainly Discord severs because they’re the worst), or even better, retire from the internet for good, but I don’t think I’d have the ability to do that. Perhaps the only way is just to have some more mental stability myself, to learn to actually calm myself.

People have even told me to take a break from the internet but I just can’t, there’s lots of good things I don’t want to miss.

Here’s my final strike to end this long rant to relieve my 2 year long stress once and for all (hopefully):

You all must be good at parties.

At last, that’s the end of my life experiences, sorry to make you read through that pain that was my emotional ride you wouldn’t even care because, while it starts creepy at first, later it just fell apart with my obsession with opinions, let’s move on to some other negatives from 2018 in general and let’s go with the ups.

There’s no shortage of celebrity deaths and yet it managed to be worse than 2016, the one death that got me hard was Stan Lee. That instantly made 2018 much worse than it already is.

Without Stan Lee, there’s not gonna be any more Marvel movie cameos and I wished I could meet him in person one day, now my dream is dead.

Stefan Karl, Stephen Hillenburg, even the youngest musicians, many more.

With Stan Lee and Stephen Hillenburg both passed away in November, it reminded me of Roberto Gómez Bolaños, better known as Chespirito, which he passed away in November 28th 2014, that made me think that November is a cursed month.

This shit is really sad.

Now that we’re done talking with the negative, let’s talk about the positives, sorry it took so long with the negative, but here we are to change the mood.

The best thing that has happened in my life that I can think of is that I get to travel for the first time, I traveled to Irapuato, Guanajuato to meet my uncles (relatives to my dad), and the place itself was great. We stayed with my uncles’ for a week, the week of E3.

When we first arrived, the weather was cold, even at summer, there was a really nice shopping mall and it had a restaurant with genuine ramen we ate, everything was great.

The worst part of the trip, and by sleeping at my uncles’ house was that my body was always itchy and I couldn’t stop scratching and always put mosquito repellent.

Another best moment of my life, well, it may sound dickish that I did it, but I didn’t get to go to study to a new school after I ended preparatory school. Mainly because I wasn’t entirely sure what to study, I needed a break from my underwhelming experience at the prepa and because my mom wouldn’t pay us, my older sister and I, both schools for like hundreds of thousands of pesos.

Next year I’m gonna start studying plastic arts, maybe I’d like to learn more about drawing than my current skills, I just want to improve but at the same time, to be honest, I don’t really feel motivated to study art at all, mainly because I want to focus on outlining and writing my novel for real.

There are minor complaints I had this year and it’s got something to do with the TV side. Right at the end of watching every show from Agents of SHIELD to Westworld, I’ve been a little burnt out on watching TV shows, so after Legion and Westworld ended, I wasn’t feeling like watching TV anymore, not even the Marvel Netflix shows (let’s be real, they’re all super boring anyways, they even put me to sleep; but I feel bad for some of them being cancelled, though.).

Despite my lost interest on watching TV now, I’m still going to watch Agents of SHIELD and The Blacklist when their seasons 6 come out.

You’ve reached the end of my long review of my 2018 experience.

FINALLY!

Let’s finally talk about my resolutions and we can end this year once and for all!

Some of the resolutions are like last year’s and some may be new but I hope, I REALLY HOPE, to achieve them, and after that, we can finally talk about what I’m looking forward the most in 2019!

Resolutions: I may have fulfilled like at least one of the resolutions I made last year, well... half of it, and it’s going to the gym, because, I really need to get in shape before I turn 20. I’m not fat, it’s just I got the belly. I gave up on the swimming part because I wasn’t interested and motivated, especially at this weather right now.

Anyways, that gym talk aside, I really haven’t fulfilled my resolutions at all, the worst offender being my resolution of writing my novel because I had a year long writer’s block (yep, that long). As for the “try not to be a jerk”, from what you read from my long rant, I hope that should be the last time.

Let me rephrase my resolutions and then add some new ones, I really hope I could have the mental energy and the will to fulfill them all.

If I can’t fulfill at least one, most or even all of the resolutions, I’m pretty much fucked.

Write my novel for real: I’ve been wanting to write my novel this entire year but I’ve made little to no progress at all, I was struggling on finding a way on what kind of story I would make, but my bigger problems were that I was focusing on wanting to make a pen name for myself use that to start my social media accounts and everything, I did it but I felt like I wasted it. I may give up on the pen name idea and use my real name, unless my family or anyone else would find a perfect pen name for me and hold off until I get my novel written halfway.

I also need money ready, have a PayPal and a Patreon, the money to pay for stuff like cover artist, domains for my website, ec. I’m still waiting to get my hands on a credit card so I could make money because I haven’t gotten any.

I didn’t enter to a new school right now so I could have had the time to write my novel, but I just wasted that opportunity.

I also got this fear that I may run into identity problems or something, when it comes to my edgy shitposter self and my author self, I don’t want to run in the same problem James Gunn did, I want to become separate entities (that sounds like some sort of multiple personality disorder like I lowkey have (not really)).

Even worse is that I had at least one person who I’ve been talking and talking about my dream project, the characters, headcanon-ing(?) random events and everything for YEARS. I also had different people who I talked about the project, but not as much as that one person who I’ve been doing it for a long time. I would ask the people I explained about my project and everything for a while to forget about it, but it seems like it’s such a harsh request, maybe keep everything I said a secret would be better. Speaking of which, that’s why I tend to be secretive about what I want to do and everything lately, this goes full circle to the previous paragraph about identity. The one person also went far commissioning art of my characters, while I was honored for that, I feel like it’s a little too soon... Well, if it’s like a normal artist commissioning OCs and stuff like that, it’s fine, but the problem is that I’m making OCs with the sole purpose of them existing into a real novel and everything, and it could be dangerous.

I got lots of ambitious goals and ideas and I can’t really explain everything, I’d love to handle everything by myself, I can find my own innovative ways to market my novel and everything.

One thing I can say about what I want with my novel is pretty simple:

I need my stories to exist: Commissioned fan arts of my characters aside, I want my stories to exist for real, I just can’t leave my dream universe to collect cellular dust and simply use my imagination, occasionally draw those ideas, etc.

Money: No surprise, that’s quite an obvious thing to do, but depends on how much royalties do I get with Amazon or I simply make my money with PayPal and/or Patreon.

...Did I say Amazon? That’s right, I’m planning to self-publish my novel with Amazon Kindle Direct Publishing.

Wanting my novels to becomea franchise: Okay, this is a little too much, and there’s a weird pattern I noticed that if you say “This is going to be the next X franchise” or “I want this to be huge!” or something like that, you’re bound to fail, and if you say “I don’t think I might make it” or similar statements that you wouldn’t be successful or anything, you’re bound to succeed. I know I’m escalating things up but it’s what I want the most, but I don’t want it to be adapted into Hollywood and that kind of shit, I want it to be adapted into a video game series, which I originally planned to make this into a game series, but since I would never figure out how would I study game design or anything, I gave up on the idea and chose something easier, writing a novel.

I wasn’t kidding that I have ambitious goals and ideas...

I don’t have a lot of motivation to write my novel, the only thing I’m motivated to write are Tumblr posts...

I’m always like “Gotta write” and I just can’t. There’s something about trying to structure sentences something that always throws me off, it’s just hard.

I haven’t been in the mood to continue trying to outlining the plot and the characters, I’m waiting for the right time to continue, and that time would be starting 2019.

I don’t want any more excuses and I need to find a way to motivate myself to write, I need to write for real, I don’t need to worry about writing garbage words or anything, I just need to write. X_X

Anyways, moving on to the next resolution.

Change my behavior (for the better or for the worse): After I made you read through my psychosis (If you read all the way through the end, good job. If you skipped it, why would you do that? It’s important), it probably should be time for me to change because even I get tired of the way I’m acting right now.

What do I mean to change for the better or for the worse? In one hand, I do want to act like a good person, I need to be more understood in a few cases and try to be more honest, but that honesty sometimes could be rude. As you can see, sometimes I could rude, I tend to make insulting comments and sometimes I delete them because I’m scared that I might end up being blocked and/or banned, even if I intended to make jokes. Basically I’m not gonna delete my comments, as rude as they may be, I really hope anyone won’t take them very seriously.

If I can’t manage to be more respectful towards others’ opinions and be a good person through the entirety of 2019, you pretty much know that I’m quite an angry, trigger-happy person like I’ve already been this year. Or maybe I can be kind of a tsundere, right! I sometimes even I was a bit of a tsundere this year! :3

Despite my good behavior and actions, I’m still going to have my trust no one motto. Sure, I can still understand some people’s opinions, but sometimes I can’t 100% take them. Sometimes you just gotta find things out by yourself when you hear different sources with different opinions, that’s the basics.

(God, talking about basics make me sound like I’m Genjou Kakouton from Ikki Tousen)

I dunno why but I’m already imagining that my behavior change would feel more like personality disorder (why am I so obsessed with personality disorders?), anyways, I really hope I could definitely change the way I am and everything, hopefully.

(Be nice with me or else we’re done, okay?)

Draw very often: I’ve pretty much given up on drawing at this point, and I’m even going to enter art school soon and, to be honest, I don’t feel like I’m really interested in art school at all.

On one hand, I do want to learn to draw better, but on the other hand, I really don’t feel like going to school right now... even I don’t know why my head feels like it doesn’t want to do shit.

I just lost patience in drawing, I really struggle on how should I do the roughs and my inking always go wrong. Don’t even get me started on digital art, that one’s my absolute worst nightmare. Layers, brushes, brush sizes, everything about digital art drives me crazy now.

Drawing has always been my favorite hobby, it’s not like I got a slump, I can randomly do sketches of my OCs or even my favorite characters, the problem is the willing to draw.

I’m 19 years old and I expect to draw better right away...

I was originally going to make an Infinity Stone variant New Year drawings, with each stone representing a character from their colors, I realized that I wasn’t going to have the patience to do everything right.

Besides writing my novel, I would like to draw very often so I could improve. I’m more on the traditional side, so learning about digital might be a pain in the ass but it should be worth it. Well, maybe I don’t need to draw literally every single day because I could get carpal tunnel, but that’s the point of learning to improve your drawing, by doing so everyday.

Anticipations: My favorite part of every New Year is talking about what I look forward the most. For the most part, I’ve seen plenty that will come out next year, but maybe not everything will come in 2019, so delays would eventually happen, but in the mean time, we can acknowledge some upcoming things.

Anticipated anime: When new anime seasons come closer, my anticipated anime will always differ, depending on what announcements I see, they’ve always gotta be in the same year or next year (2019), but alas, here are some of the biggest titles I have in mind:

(Note that some of the titles mentioned here are from Winter 2019, so close and I already addressed some of them on my previous post, but I feel like rewriting what I said here in case if you don’t want to read it all)

One Punch Man season 2: This one I’m genuinely cautiously optimistic, or perhaps I’m 50/50, I don’t have the highest hopes to be good (at least visually), but I’m strangely happy to know if it’s going to look like crap because I want to see it burn and everything (I’m a little insane), I’m never going to forgive the studio change shit move.

On December 21st, the first trailer has finally dropped, and even with the little animation shown, but the main thing that matters to me is how it looks, and it looks... not really what I expected but it could be a mixed bag.

On one hand, it still looks a bit like the first season, which I’m happy, on the other hand, they added filters and the character designs (especially King’s) look a little off, even if it’s supposed to have the same character designer from the first season, but I thought the designs may differ from animation or something.

I saw a comment that OPM S2 appears to be made by the Prison School staff, while I’m not entirely sure if it’s true but I figured since Prison School is made by JC Staff, no wonder why OPM has similar visual filters or something.

(Can’t properly upload GIFs to Tumblr and the GIF button sucks)

Madhouse’s animation style will always hold a special place in my heart, and as I previously stated, it still looks okay, may change when it comes out. Can’t give a seal of approval yet, but there’s potential.

Mob Psycho 100 II: Unlike One Punch Man, I’m glad Mob Psycho 100 is handled at better hands and I’m happy season 2 is happening. I still wish OPM S2 could have been aired on Winter 2019 with Mob Psycho 100 S2 to have a ONE combo but OPM S2 being on Spring when MP100 ends is the closest I could get (I’m never going to stop repeating this, because it’s true)

Enough OPM talk, looking forward to MP100, I’m still wondering if it’ll go two-cour a la My Hero Academia to adapt every chapter until the very end or it’s still one-cour and wait until a third season gets greenlit and then it’ll adapt the final chapters.

Kemono Friends 2: Like One Punch Man season 2, I extremely don’t have the highest hopes for Kemono Friends 2 at all, especially after you know what happened.

Whenever people see something Kemono Friends related, they can’t help but always, and I mean, always spam “No Tatsuki No Tanoshii” or a difference sentence but with the theme of “bring Tatsuki back” or something, from the two trailers and even some things that are not intended to spread the hate. (Seriously, why would you do that? It’s just the artist, Mine Yoshizaki, drawing, why even go with the “No Tatsuki No Tanoshii” mood into something innocent as this?)

Speaking of the trailers, the second one is the worst that has come out, besides from the thousands of dislikes, to no one’s surprise, the worst offender has got to be the new human character, Kyururu, immediately leading me to believe that Kaban-chan got retconned... That is until I got an anonymous message that she wasn’t retconned, she was referenced at some points or something, based on screenings of what I assume to be the first episode, don’t know any more of the screening stuff, but let’s wait until the first or later episodes to see if it’s true.

Perhaps Kemono Friends 2 could be a prequel? One of my friends told me it could be a soft reboot after I showed them the message, but it doesn’t seem likely. And the fact that it’s another prequel would cause any sort of problems. For one, there’s already a prequel, which is the Welcome to Japari Park anime series (not to be confused with the manga of the same name because it’s completely different...?), it may not show much but there’s Mirai and Caracal, unless it could be a sequel to Japari Park after what happened to Mirai or something, who knows.

Despite all the negative press that it’s getting, I’ve been seeing a lot of comments that express excitement, which I don’t mind, actually. I’ve also seen comments that the animation looks better than the first season’s, while it may be true, but it’s a bit disrespectful for Tatsuki.

Once it comes out, let’s see how it’ll go.

(Wow, there’s S2 after S2...)

Kemurikusa: After Tatsuki got fired from the Kemono Friends franchise, I wonder what would his future be, and it appears that he started making shorts and posting them by multiple parts on his Twitter, which is fine, but what about any full fledged anime series? Well, that actually happened, and it happens to be a remake of one of his old web series.

I don’t remember when have I scrolled through Tatsuki’s old CG movie portofolio, but I’m sure it was definitely when the initial teasers for Kemurikusa (or simply known as “Tatsuki’s next anime” series at the time) on Comiket were revealed.

I’m still wondering if this is an all-new reboot, a prequel or a sequel of the original web series, but the answer lies until I see it.

Kimetsu no Yaiba: I’m so looking forward to this one, Ufotable’s next big TV anime project, and it happens to be a Shonen Jump series, which makes things much more surreal than Katsugeki: Touken Ranbu.

Yeah, I’m pretty much a big Ufotable fan right now. (though the only disadvantage being Girls’ Work nowhere in sight)

My Hero Academia season 4: I’m surprised to hear that it’s going to come out on the Fall season compared to the usual Spring release. And I was immediately begging for it to come on my birthday but I realized that My Hero Academia is a Saturday show and the first Saturday of October is the 5th, which is sad for me.

Azur Lane anime: As much as I love the game, I’m definitely excited for the anime, I even went so far to make a predictions post, but at the same time, since I rambled that adaptations are worthless of existence if you’d prefer the source material way better, I’m scared that it may turn out mediocre (maybe as or not as much as the Kancolle anime (which I dunno why I started developing mixed feelings since I liked it when I saw it back in 2015 ;_;))

It may or may not be a 2019 release, depending as time goes on and see if there are any new trailers or any announcements over the course of the year.

When the anime comes out and it becomes subject of a disappointment, I feel like it could be kind of an understatement, either from people who don’t play the game or the ones who do, I dunno, I’m relying on my beliefs on how it’s going to do for the moment, it’s a strange situation where I would like it at first but I get mixed feelings eventually.

Fate/Grand Order Babylonia TV series / Fate/Grand Order Camelot movie: Sometimes I forget which of the two FGO anime projects are a TV series and a movie. Anyways, I’m looking forward to these, but I feel like no one is accepting these Fate adaptations lately and it’s making me angry and sad.

As to why are Babylonia and Camelot the most popular chapters in FGO, I asked on a Discord server I frequently interact with, and they said that the previous chapters are bad and forgettable, I was like really speechless and turns me off, I mean, real talk: Why does FGO got a bunch of chapters and you either like none of them or the entire fan base agrees that every chapter before Babylonia and Camelot are... bad?! You can’t do that, they’re... there! If so, what’s even the point of these chapters to exist?!

Alright, that’s enough rant and I ran out of ideas.

Anyways, I’m more curious on the Camelot movies because if they’re released theatrically, I really wonder if they would come out internationally too, especially in Mexico. I really wonder if there are plenty of people who play FGO like my sister and I, either the Japanese version, the North American version (which seems unlikely because it’s region locked). I’m also curious about the releases since it’s a two parter, if it’ll be yearly release, it’s fine, but if it’s like the K Seven Stories films which come out months and months, I’ll definitely run out of money (not much than the game (if I had any money for the game)), but if it’ll be TV films, that’s much better.

To be honest, I can’t really see the appeal as to why are Babylonia and Camelot good in terms of writing because I haven’t looked up on translations and I don’t play the NA version at all... I hate Camelot so much because it was so god damn hard, Babylonia not so much iirc. And I’m lazy to look up said translations or even watch videos of the NA version.

NOW, WHEN THEY COME OUT, DON’T YOU DARE TRASH TALK ABOUT IT, PLEASE DON’T BE FATE/APOCRYPHA 2.0 TO BRING IN THE HATE OR ELSE...

(Source)

Anticipated games: Even if I still haven’t owned a PS4 and a Switch, I’m stll looking forward to the games, nonetheless, though I’m sad that there’s plenty of games that came out for years and I’ll never get to play them all, especially since we’re getting into next-gen console territory. Anyways, here are the biggest games I’m looking forward:

Devil May Cry 5: I’m happy to see there’s finally a new Devil May Cry game after 10 years since DMC4 came out. I only played DMC1 and DMC3. With the reveal at E3, the song Devil Trigger is the second best thing to come out of it (the first being the reveal itself) because I couldn’t stop listening to it for like a week and occasionally a couple of days, etc.

Every gameplay footage I’ve seen of the game and it’s looking damn fresh. I’m also happy to hear that DMC5 is taken place after DMC2 in the timeline, that’s one of the things from the DMC lore I always wanted because I didn’t want prequel after prequel.

Seems like my sister is really thirsty to get a PS4 to play DMC5 (because she was the first one to get into DMC after all, and when she asked me to play DMC1 for a little bit, I played the rest of it (and she never got to play DMC1 again and DMC3, unless she gets to play the HD Collection)).

Travis Strikes Again: No More Heroes: I genuinely have mixed feelings for Travis Strikes Again. In one hand, I’m happy there’s finally a new No More Heroes game after a long time, but in the other hand, it’s not No More Heroes 3, like I always wanted, which that’s part of my disappointments with this game.

The more I look at it, the more I started to feel like I’m not really fond of the direction Travis Strikes Again is taking, particularly the one element I like the least is all of the indie game stuff. The game doesn’t even look good too, for a game made in Unreal Engine 4, looks like crap.

The biggest thing that completely hurt me is that Robin Atkin Downes is NOT reprising his role as Travis. He tweeted about it on September 2nd, 2017, a while after the game was revealed. Although, based on newer footage, it seems like Travis does sound like Robin Atkin Downes, if my ears can’t deceive me, but I can’t jump into conclusions 100%.

Suda has also stated that there will be No More Heroes 3 if Travis Strikes Again is successful, but given the timing of the release, January 18th, that’s a week before big titles like Kingdom Hearts 3 comes out, even if it’s a week, Travis Strikes Again probably won’t succeed in sales, if it indeed happens, there will be no No More Heroes 3, seems like my hopes and dreams are shattered. Travis Strikes Again will have similar problems to The World Ends With You: Final Remix, which sold poorly and a sequel is now unlikely.

I think I started to hate how developers always bring these “We’ll make a sequel if our product does well.” excuses, they don’t know if their product may turn bad critically and financially.

Despite my skepticisms with how the game looks and everything behind it overall, I’m ironically still rooting for Travis Strikes Again, I still want the game to succeed somehow and to live up my No More Hero spirit. I want it to either make or break a good comeback for a series I love the most.

But gameplay aside, my main priority is the story, it may or may not answer a few things about what happened to Travis and Santa Destroy in 8 (or 9 as it’s released in January 2019) years since No More Heroes 2, I JUST WANT TO KNOW EVERYTHING. I may have high expectations from said things, that aside, even if the story is crap (or rather the whole game) is crap, it seems like Travis Strikes Again could be my biggest dealbreaker ever, if I’ll be 100% sure about that. (Like how Danganronpa V3 brought one of the worst plot twists yet, I’m not 100% sure if I should be disappointed or just deal with it despite having mixed feelings).

I can’t hate Travis Strikes Again, I can’t feel disappointed on it, I want to like it and everything on it, etc. (Since I’m an indecisive person, I can’t even decide which feelings should I choose?)

While I don’t own a Switch (yet), I may watch some playthroughs if I can, but this is something I’d really love to play the game myself, I wouldn’t mind reading spoilers, but at the same time, I’m conflicted on what to do.

Anyways, it’d better be successful or fail, if it fails, say no more to No More Heroes 3, my hopes and dreams for a real NMH3 will be forever shattered and lose faith in Suda51 for good, and I poured tears of joy (I legit cried) from the Travis Strikes Again announcement from the Switch reveal in January 2017 in vain.

...That is until December 20th, I was watching the Famitsu presentation but my mom turned off the internet 30 minutes later, but when I woke up that morning, literally the first thing I saw on Twitter was a tweet by Grasshopper where they tweeted that... ROBIN ATKIN DOWNES IS RETURNING AS TRAVIS AFTER ALL! Then I saw the Gematsu post about the season pass and HOLY SHIT, SHINOBU AND BAD GIRL!

I’m happy that they both got revealed (and their returning voices, double yay), but I’m more surprised on Bad Girl because ISN’T SHE DEAD, THOUGH?! Ahem, yeah, isn’t she supposed to be dead or there may be some sort of simulation from the Death Drive, I dunno, but hey, at least Badman (which he’s voiced by Steve Blum, which is nice) can get to have a reunion with his daughter... kind of.

There’s also this new character as one of the stage bosses, Brian Buster Jr., I don’t think I would find anything to add to the character (haven’t seen him much at all), and I’m not much familiar with the actor, Greg Ellis, but I checked his portofolio and I am somewhat familiar with his works now.

With all that said, my faith in Travis Strikes Again has restored, but I need to see how would Henry and Sylvia look like after all this years and my life will be completed.

Oh, but when his translator announced that Travis won’t be in Super Smash Bros. Ultimate LIVE, THAT I won’t ever forgive! ¡Pero qué vergüenza que se sirvan de este tipo de trampas!

(This is worse than the FFXV anniversary stream which it was basically a funeral for the DLCs)

Code Vein: I was so looking forward to this one this year, but months before the game came out in the September release date, it got delayed until nexr year, I don’t know why but if they got some stuff to improve, let them take their time. Besides, I already got God Eater 3, anyways.

Azur Lane: Crosswave: If the anime wasn’t enough, there’s also a PS4 game of Azur Lane already. Seems like AL really has escalated quickly.

It’s developed by Felistella and Compile Heart, which the latter is known as the makers of the Neptunia franchise. It’s a love it or hate it kind of situation with their games, though I’ve seen more hate on the Neptunia series from one person (sorry for calling you out if you’re reading this) than... Erin Fitzgerald’s Noire, but that won’t stop me from trying to play Azur Lane: Crosswave.

However, some of the games from their portofolio may be mediocre at best, I may expect AL: Crosswave to also be somewhat mediocre or maybe even New Gundam Breaker level garbage (okay, my expectations are outlandish), but I still hope it’ll turn out to be a good game.

I definitely like what I’m seeing so far, especially the character models because it feels nice to see the shipfus brought to 3D.

They also teased that there are two original characters, they haven’t revealed them yet, and when they do, I’m sure they’ll look great, they may be exclusive to the game, but that won’t stop me for wanting them to appear in the base game. (It’s a similar situation on how I want Charlamagne from Fate/Extella Link to appear in FGO eventually)

Unlike the anime, this one is indeed planned to release sometime in 2019, though a delay may eventually happen, but we can still count it as a 2019 release for now.

By the way, both Granblue Fantasy and Azur Lane are getting console games when Fate/Grand Order hasn’t gotten one yet. ;_;

Anticipated movies: When it comes to anticipated movies, my top picks are always Marvel movies, because why the fuck not? As in for anime movies, my top pick would be Fate/Stay Night: Heaven’s Feel (the FGO Camelot movie too but if it would be a theatrical release, which matters for me the most), but there may be other non-Marvel, non-DC movies

Avengers: Endgame: At last I’ve been waiting for trailer AND the title for the long called Avengers 4. Really hoping for Endgame to top Infinity War.

Spider-Man: Far From Home: Still waiting to see the trailer right now, but it seems like it would create problems of spoiling Avengers: Endgame or something, for the moment, the synopsis and the trailer description from CCXP are enough for me to get hyped for the film...

...Give me the god damn trailer, Sony, Marvel, whoever (certainly not Disney).

Between Avengers: Endgame and Spider-Man: Far From Home, I’m debating on which one of these films are gonna be my #1 film, it’s the same problem I faced on the last minute before seeing Spider-Man: Into the Spider-Verse, I was like “which one should be my #1? Infinity War or Spider-Verse?” and it turned out to be Spider-Verse, no surprise.

Captain Marvel: This one I feel like I’m the least hyped for Captain Marvel compared to Avengers: Endgame and Spider-Man: Far From Home, but I’m still gonna see it, anyways, I just want to see what happens to Carol Danvers to not be around in the first Iron Man movie and The Avengers.

Dark Phoenix: I wonder if this could be the last X-Men movie made by Fox because of the Disney-Fox deal, depending on the success.

I’m also surprised that they dropped the “X-Men” on the title, but it’s still being used internationally (including Latin America).

Not that I think X-Men: Apocalypse was bad, but I do acknowledge that it was bad, I hope Dark Phoenix could be better than Apocalypse.

New Mutants: It still baffles me how would Fox drop the first trailer of New Mutants ages ago and then delay the film for a full year.

I heard they would capitalize on IT’s success and I feel like it would be copying someone’s success and it could fail very badly. I still want New Mutants to be succesful, somehow.

Speaking of IT...

IT Chapter 2: Just want to say definitely looking forward to Chapter 2.

Joker origin movie: It’s a movie coming out on my birthday! This time, coming out EXACTLY on the 4th, instead of the 5th like Venom. I’m really interested to see how will Joaquin Phoenix’s Joker would be like, he certainly looks way better than the Jared Leto Joker.

Also, I thought the one DC movie coming out in 2019 was Wonder Woman 1984 but then I realized it’s coming in 2020, so in 2019, I got the Joker movie and I also forgot this one was coming out too...

Shazam!: There isn’t much I would talk about Shazam, though, just that gonna see it, I don’t have much thoughts on the film itself. ¯\_(ツ)_/¯

Star Wars Episode 9: After The Last Jedi and Solo, I really hope Star Wars could win fans back, sure, they did part of it with the revival of the Clone Wars series, but the hate still lies around the movies.

The Last Jedi sure caused a lot of backlash, maybe everyone has been relying on fan theories way too much to be disappointed on how the film turned out, even if it’s not that, then who knows how the backlash came from. Solo, sure, kicking Phil Lord & Chris Miller was a dick move from Disney (but firing James Gunn was the ultimate dick move), but the final film turned out decent enough, sadly it’s a financial failure, though (like I care about financial successes or anything).

This is one of those cases why I hate fandoms so much, contrary to what critics believe that TLJ is a great film, with high scores and everything, and then everyone else just call it an ultimate disaster.

I’m not that passionate with Star Wars to believe if I like TLJ or I hate it (I’m sure there’s an Earth where I do hate TLJ when I’ve been a life long Star Wars fan), despite having a bit of history with Star Wars (with the cartoons and even got a Lego; I’ve never seen the films ;_;), I’m indifferent with the franchise, but I’m on a mission that I’m going to watch the new films starting with The Force Awakens, I’m just liking the newer films without having to pay attention to the entire lore and everything (don’t worry, I do watch videos about easter eggs and references). I’m not the type of person to hate TLJ.

There hasn’t been much Episode 9 news lately, but by the time being in 2019, there will be trailers and everything.

Glass: Split was probably like my very first M. Night Shyamalan film, or maybe I’ve seen parts of The Last Airbender but in the form of promos or something, I can’t remember but Split was definitely my first Shyamalan film.

I really loved Split, and I heard that it was a sequel to Unbreakable, which I got to see it recently, which now I’m ready to watch this interesting trilogy.

Despite having a rough year, having a lot of issues, being an asshole, and everything else, I still had a lot of fun. I also made a lot of new friends from Discord, sometimes they can be tolerable, other times can not, not just my friends, anyone else too, but that’s just me.

I really hope to achieve new things, obtain new interests and habits, I’m going to do everything leading up to become 20 years old. Though, I’m still expecting a genetical change like I’ve always been and nothing happened, but I’m sure I’ll kickstart a new life starting at 20.

Let the new year begin, 2019, also known as the year set in Akira, Blade Runner, The Running Man and other few movies taken place in 2019, but the previously mentioned are the biggest ones. We still don’t have the technology that’s straight out of the future, but it’s getting close.

Thank you for the support, I love you all and let’s have a great 2019 together.

Twitter: @HKomaeda.

Discord: XtremeDespair3D#8157.

#happy new year #new year #2019

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scottsumrners · 3 years ago

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in between some random person with no proof accusing mitski of being a sex-slave having pedo with people blindly believing that accuser for a bit and recently mitski asking to not feel like a product to be consumed and people freaking the fuck or on her for that, i'm thinking people don't love their "sad girl mommy" as much as they say they do. i genuinely won't blame her if she just with no word falls out of public consciousness and we never get music from her again. it sucks because she's clearly passionate about her music and what she does, but unfortunately she's being gawked at by the worst group of people in the world claiming to love her and be her fans who have no appreciation for her art or craft and yell weird unhinged shit at her during her live shows. it's actually heartbreaking watching her get treated like this when she truly deserves so much better.

she does. she does. it drives me insane that people have no respect for her or her work or the effort she puts into her craft. and like. nobody would do this kind of shit to other (white) singers! not even the others who adhere to the sad girl vibe! nobody calls florence welch 'mommy', even though she is older! or fucking. lorde or whoever. it's such a dehumanizing thing to do, and they feel no shame that they do it.

also i'll NEVER get over how quickly they jumped on her during the whole sex slave bullshit. i'm all for believe victims, but that story smelled like bad fanfic bullshit the moment it came to light, and the fact that SO many people believed it? the fact that it became SO widespread that mitski herself had to come and make a statement (and it was probably what drove her to back away from social media etc. like she did, because people are fucking freaks)? fucking insane. nobody would do this shit to taylor swift.

and her request wasn't even for people to not use phones during her concerts. she was talking about people VIEWING the concert THROUGH their phones. i don't even think she would be opposed to, like, people holding their phones up for a recording. and even if she was!!! so what!!! what's the problem!!! can't you let go of your shitty apple wiretap for AN HOUR????

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riverdalerunner · 8 years ago

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Riverdale Runner's notes on Season 1 Episode 1 - "Chapter One: The River's Edge"

We open our investigation with an overview of Riverdale, the town herself. [ Wiki says they are filming in Vancouver. Knowing production of Supergirl was moved to Canada for S2, curious if that’s an overall move on The CW’s part to bring down costs of their shows. 4 DC Universe shows and the cost to keep Riverdale in shape must take its toll on the bottom line. ]

“RIVERDALE: A town with PEP!” [ And protein powder, we soon find out. ]

Catching our first glimpses of the Blossom twins, driving out to the river. [ The cinematography for this whole opening is stunning. The contrast of the forest and river with the Blossoms with breathtaking. My first reaction was to fall in love with a Cheryl and her whole look. The GLOVES! ]

Hello, Jughead! Fellow snooper into the town’s tragic death. He also seems to know that this story has only just begun and will be keeping record of what happens in the Blossom Death mystery. [ Also a big welcome back to TV to Cole Sprouse. Been following him and his brother on Twitter and social media the last couple years. Seem like funny guys. Always thought there had to be more depth to their acting. Glad to see one of them explore that talent further. Curious to know if his twin will ever give us “Jughead 2” moment. Perhaps “Evil Twin Jughead”? Nah. But it IS The CW so you never know…. ]

Introducing Veronica Lodge. [ Jughead calls her a “mystery”. Or so it seems since his monologue is taking place during her introduction. I’m excited to know in what ways Veronica’s story unfolds. But for now, it’s just nice to see one of our main girls for the first time. ]

Betty and Kevin hanging out in her room. [ I would scream “SCANDAL!” due to Betty’s shirtless intro but, you know, Kevin…. ]

“Game changer. Archie got hot!” [ Yup. Very tongue in cheek. Still unclear why Betty didn’t see Archie all summer. You live next door to him, you can see his bedroom from yours, and his dad’s company is IN Riverdale. 🤔 ]

Oh. Internship. [ You do those in high school? ]

Entering into Pop’s, Little Black Riding Hood.

POP CULTURE REFERENCE: Truman Capote. [ Appropriate for a Veronica moment. ]

Mrs. Cooper laying it on heavy. [ So clearly we aren’t meant to like her. And they succeed at making that very easy to do. I hate her. For someone so overbearing and protective, surprised Betty topless in a room with a boy, even Kevin, seems implausible now. Even if he is gay. All boys are the same right? *insert eye roll here* ]

Reggie is giving us full on jock. “Diesel” is a meat head’s version of “fleek”.

Kevin is available for all your social needs. [ Word to the wise, asking someone about their father’s alleged crimes is PROBABLY not a good ice breaker. ]

POP CULTURE REFERENCE : Blue Jasmine

JOSIE AND THE MUTHA FUCKING PUSSYCATS!!! [ Bring me the vocals, bring me the sass, bring me the looks! Queen Josie and her pussycats are going to give me LIFE! ]

Bye, Archie. You can’t play with the girls.

Veronica Lodge will try anything once. And how will she know what she likes until she’s had them all?

The “Jason Died” assembly. [ Cheryl’s veil was cute. Jughead ain’t buying what Cheryl is selling though. Can’t blame him. ]

Archie/Ms. Grundy [ GROOOOOOSS! I don’t like any of it. I don’t even really want to discuss it. It’s messy and yucky and I’m not enjoying it. ]

Mrs. Lodge can’t seem to catch a break. [ If I have to pick any of the parents as my favorite at this point, it’s her. ]

Incredible? I don’t know, Ronnie. [ To answer your question, Archie can’t make smart love decisions. That’s what he can’t do. ]

That was one awkward hair flip, Cheryl.

POP CULTURE REFERENCE: Twitter handles.

POP CULTURE REFERENCE: Season 5 Betty Draper. [ Stop. It. Favorite pop mention of the episode by far. ]

I aspire to be Queen Bae of Drab High.

Archie was sexually abused by his teacher. Archie needs someone to talk to FO REALS. [ I’m vomiting in my mouth. ]

THE BETTY/VERONICA KISS. [ Thank you to Cheryl for being us, the audience, in that moment and making it clear girl on girl kisses are not a bomb dropping moment anymore. I did like that its over and done with though. Also, keep an eye on that Betty. She has something deep inside waiting to come out. ]

Veronica standing up for her girl. Perfection. Veronica is killing it one episode in. I’m here for it.

Betty/Veronica heart to heart. [ Truth hurts. But it sets you free. Veronica is kinda lucky that’s happening to her now but she’s only in high school. She has a lot more life to go. Betty definitely needed someone to talk to about Polly. Recognizing her mother isn’t okay in the head is pretty important. It’s hard to see your parent’s flaws. ]

“Archiekins”. Love.

Betty’s mom is the worst. [ The actress herself is doing an excellent job. The character is pissing me oooooooff. ]

Mr. Lodge making sure his girls stay in style. [ I’m so excited to see this storyline be fleshed out down the line. Hope Mrs. Lodge has a good way of keeping that money off the record. I need my Lodge girls fashion forward. ]

Mr. Andrews lecture. [ Seriously, that was just great life advice in general. Archie should pay attention to his dad. And Mr. Andrews should PAY MORE ATTENTION TO HIS SON. HE’S BEING TOYED WITH BY HIS GROWN ASS TEACHER!!! ]

The threesome dance date. [ Keeping the spirit of the Triangle alive on screen. While I don’t want it to be a real thing we struggle through as an audience it wouldn’t be our Riverdale if these three didn’t have a little bit of the comic love triangle flair. The CW is pretty great at failing the Bechdel test frequently. I really hope this show does a better job at showcasing girls in a way that doesn’t revolve their every storyline around romance. ]

Moose is gay/bi/curious!!! THIS IS NOT A DRILL.

ARCHIE STAY AWAY!!!

Josie and the Pussycats can perform a song a week. I’m okay with it. [ And I will download the album on Apple Music at the end of the season happily. ]

Cheryl this is NOT a healthy way of grieving. Making others miserable will only make you feel better until the next day when you wake up and you are still a bitch and your brother is still dead.

Veronica is asking the real questions. [ As much as I hate the Veronica/Archie scene it was very necessary for the real Archie fans tuning in. ]

The fact that Veronica seems to genuinely regret her actions to cause Betty some hurt redeemed her to me. Archie is just a stupid boy and problematic.

Ronnie really wishes she was at the Met Ball. [ Once, smart. Twice, easy. ]

Jughead is me. I am Jughead. [ Conspiracies running amuck in Riverdale. ]

So Archie and Jughead have had some issues. The sooner that gets fixed the better. Those two belong together as much as Betty and Veronica do.

Archie breaking Betty’s heart. [ Necessary but sad. We’ll see where that goes as the story progresses. Archie telling Betty he isn’t good enough for her isn’t a good enough answer. ]

Kevin and Moose are finally alone and doing “not-gay” things. [ Also glad Kevin seems eager to go at Moose’s pace. IMPORTANT: Always make sure your sexual partner is comfortable with what you are going to be doing. ]

AAAAAAND JASON WAS SHOT. So much for Cheryl’s drowning story.

Well. Jughead wasn’t wrong. Riverdale isn’t the Riverdale we all knew ‘til now. But it’s not bad.

[ I WILL be doing these for current and future episodes. Will try to get to episode 2 and 3 before Thursday. Then you will be able to expect them by Sunday following their releases unless otherwise noted. Please follow me! I would love to follow you, go over notes, bounce theories around, you name it! Until next time, Riverdale Runner editor out. ]

#riverdale #archie #archie andrews #betty cooper #veronica lodge #kevin keller #cheryl blossom #jughead jones #betty and veronica #show notes #episode notes #blogger #the cw #cw riverdale #archie comics

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swelldomains · 8 years ago

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Digital Immigrants Helping to Build a Digital Nation

A instead silly fixation has actually created in our 'digital' globe today: that there is some type of divide between those who are 'digital natives,' and also those that are not.

Worse, some feel that there is no higher compliment to pay someone than to describe them as a digital local ... which it's perfectly acceptable to disregard 'non-natives' as in some way outré.

With the possible exception of Nicolas Sarkozy, that language is no much longer acceptable in the real world of constructing genuine nations. And a good idea, too.

Immigrant Nation

Little Italy...

Rocco Rossi, a previous Toronto mayoral candidate and previous Head of state of the Liberal Celebration of Canada, recently told a touching tale concerning his uncle's challenging beginnings as an 18-year-old Italian immigrant to Canada in 1951, landing at Pier 21 in Halifax, Nova Scotia. Later, after the uncle had damaged this fresh ground, others from his household and also the inadequate farming area he had emigrated from made the journey throughout. Today, 350 people from that neighborhood now call Greater Toronto home.

What struck me regarding the tale had not been concerning how various most of us are, but rather, the similarities. Outside of First Nations and also (now) a fairly little portion of those descended from those that showed up early, in the 16th as well as 17th centuries, the majority of Canadians are first, 2nd, and also 3rd generation immigrants. And many have moms and dads or grandparents that can associate tales of what life was like trying to obtain developed 'off the watercraft.'

Yet we frequently deny these similarities. Established immigrant teams typically aren't as inviting as they could be of the newer ones. The most recent ones cannot recognize the dull society of the well-known team. As well as the reputable, however still relatively new, groups like the Italians as immortalized by novelist Nino Ricci, desire to convey a Goldilocksian top quality of being not as well fresh, and also not as well stagnant, not delighting in the complete advantages of the establishment but not destitute anymore.

Everyone jockeying for placement - and also lobbing subtle putdowns at groups that showed up on a different watercraft. When in truth, we're all in the exact same boat.

The Digital Nation

That got me thinking about the "Digital Nation."

In Digital Nation, the chronology is in reverse: the newer generations are the 'citizens,' the older generations supposedly the uncomfortable, unpredictable 'immigrants.'

The Digital Nation...

In this version of truth, there is a shocking quantity of displaying around that qualifies to function as well as prosper in the sector. If you didn't just get here, possibly you're as well set in your means to really 'obtain it.' (As Dilbert when aptly shared, the older tech employee could be changed by the younger tech employee, that could subsequently be changed by a 'unborn child.')

Or on the various other hand, if you arrive far too late, maybe all the great get-rich-fast possibilities (Microsoft millionaires, Google worker # 76, obtained an excellent gig at Facebook 3 years ago) will certainly be gone!]

All of it is nonsense…

The Digital Generation Gap

At most ideal, this department offers to remind us of how younger individuals think, or ways to drop old baggage from our business techniques in order to gauge range, networks, and also the rate and also power of the info revolution.

Crossing the divide...

At its worst, it assigns excessive credit rating to any individual who merely shows comfort with using their new tablet, and also that could string a few buzzwords together from Silicon Valley startup culture.

And this underestimates simply exactly how strong the digital divide still is even among young, educated people under 25. There are those that make use of Facebook as well as jargons, and after that, those who can grasp sophisticated shows languages (as well as comply with official scholastic research study, at the very least for a while) to address hard troubles. The substantial majority of 'electronic citizens' are passive fans of the productions as well as improvements headed by a driven, accomplished few.

It's unsurprising to this Gen-X' er that it's often baby boomers who appear obsessed with electronic natives, and even desire to be viewed as digital locals. These are the ones who write books on ways to recognize those that are born electronic, or tweet constantly concerning this application or that.

How do they ever before get anything done? Some of it's downright weird, when you look closely.

Faking It Till You Make It

Most achieved individuals can take advantage of digital innovation as well as digital society - regardless of whether they are in the ideal age brace or straight able to code in the current languages. And also they do so in interesting ways.

Most notably, if they fake-it-till-they-make it hard sufficient, they're left with legions of followers that casually throw around discusses of usages of their systems as methods of faking-it-even-harder. Perhaps a few examples will certainly allow clarify.

Take Matt Drudge, publisher of a page of web links I do not know exactly what making of called the Drudge Report:

Drudge has commonly been lauded as a leader of the fast-moving electronic national politics press. Evaluating only by his age, he could have had a Commodore Pet dog in college, and also he can also do a mean pantomime of a rotating dial phone. Drudge's dad is an electronic leader, having started an on the internet study shop called refdesk. Drudge is an unlikely hero, offered that the style of his site was in fact ripped off from his Dad's.

But then once more, Techmeme's aggregation style was torn off from Drudge. It seems our heroes obtain unlikelier and also unlikelier with each passing generation.

And what about Arianna Huffington The queen of the vaguely dynamic soft-scraper empire referred to as the Huffington Blog post, is an effectively off Child Boomer. I make sure she goes to fantastic initiative to look laid-back when she utilizes her smart device (without reading glasses).

Then there's Nick Denton founder of Gawker Media. He's a splendidly creative business owner and also always exact commentator on the state of our industry. Denton is an authority of breathless, shameless, bawdy blogging.

Today's chatter is tomorrow's news

But did you recognize that Denton left his task as a financial reporter to launch just what was basically a kind of venture internet search engine modern technology? A news collector called Additionally, among a pack of very early solutions planned to transform the archaic technique of 'news clipping solutions' on its head. Denton acts all casual, but it takes a whole lot of deep understanding of the info transformation to develop a successful start-up that changes just how business works.

New York Mayor Michael Bloomberg started up something not so dissimilar to Denton's business, unlike the mildly wealthy Denton, Bloomberg got very abundant off it. Bloomberg is still a global information realm, majority-owned by Michael Bloomberg, regardless of being pre-Web in its genesis. It was started in 1981, around the same time Microsoft created MS-DOS.

A fellow named Alan Meckler belonged to a team who began up conferences with names like Internet Globe back in the early 1990's. He later went on to own companies with names like Internet.com. Before all that, he was associated with 'information changes' on media like CD-Roms. He is around 70 years old.

Google is stocked with young, wise coders. They're likewise filled with skilled Ph.D's, directed by many Silicon Valley elders, as well as have actually typically had their butts kicked by a seasoned company advisor called Costs Campbell, who not just holds a Master's level, yet was train of the Columbia University football team in the 1970's, VP of Advertising with Apple, as well as much more just recently, CEO as well as Chairman of Intuit. For every one of these factors, Googlers dubbed him 'Train.'

Sheryl Sandberg, also a vital number in the early days of Google's procedures as well as the ethical conscience of its advertising program, is currently COO of Facebook. She pertained to Google with a background in seeking advice from at McKinsey, and as an upper-level official in the Treasury Department under the Clinton Administration. Her role at Facebook has actually been so critical to the business's survival and profitability that her total (mainly stock-based) payment (until now) is valued at better compared to $1B.

Turning to non-media companies.

Amazon.com, led by the irrepressible Jeff Bezos, is today an $83 billion firm. Bezos began Amazon in 1994. He is a true digital pioneer as well as enthusiast. Yet he is not a 'digital indigenous' by today's meaning, neither was he viewed as an especially accomplished techie.

Like Steve Jobs, Bezos found out a great deal on the task, though he knew sufficient in 1994 to write job descriptions for established coders. He came down from Wall Street with a vision as well as implemented it with an outlandish degree of obsession to information. Amazon.com is so influential that its simplicity of usage ended up being a darkness under which all ecommerce suppliers lived for years.

Groupon is a 'laughable' development by a cabal of tech-agnostic financiers that take place to have actually made fairly a dent in the market. It's a digital company, kind of. Movie critics of the business appear to really feel that by slamming the company for 'not being actually electronic,' they could in some way talk down its evaluation. Best of luck with that said! Current appraisal: $11.4 billion. I'm not a follower of Groupon myself, yet it's extremely real.

How numerous various other examples would certainly you like?

In cloud computer and also SaaS, middle-aged to older conglomerates like IBM, Xerox, Oracle, and so on compose a substantial part of the value of the US stock exchanges. Also Salesforce.com, the 'startup,' is also mature to be amazing to the amazing youngsters. However it deserves $20.7 billion. Its 47-year-old founder, Marc Benioff, cut his teeth at business at Apple as well as Oracle after developing a software application firm in high school, selling games for machines like the Atari.

Digital Elders

' It's the wood that must fear your hand, not vice versa.' -Pai Mei

What's my verdict? Well, I don't suggest to reject the noticeable: that it could be a great benefit to be born right into the digital change. Several new and also important solutions will certainly be begun up by those that involve the table with a lot of the appropriate prerequisites in terms of understanding as well as disposition.

But 'digital immigrants' like Jeff Bezos, Michael Bloomberg, Marc Benioff, as well as Arianna Huffington bring something special to the table as well:

They create ventures and address problems self-consciously instead of intuitively. Perhaps it's 'you state tomato, and also I state tomahto,' but those who can bring aware, organized effort right into an area typically get to elevations that the plain virtuoso cannot.

More exceptionally, they understand just what's absolutely effective and game-changing about a fad or technology, and could evangelize that adjustment to those who aren't sure.

They could be ready to work harder, be more stressed, remain the course seemingly forever on a lengthy march to monotonous greatness.

And one more thing. Due to the fact that they're not captured up in the 'social scene' of 'being digital,' the 'digital immigrants' are suitable to inform the truth.

Alan Meckler, that somehow does not have a Wikipedia access (though his business does), uploaded merely and also directly: 'Wikipedia is a Farce' as well as Wikipedia is Dishonest:. And also just what did he need to lose? Lunch with Jimmy Wales?

Digital Nation Building

There is going to be much worth and an extraordinary amount of fresh cultural outcome rising from Digital Nation in the coming years. However Digital Country needs - desperately requires - the equilibrium, official academic histories, framework, greed, worries, planning experience, bridging abilities, and also irreverence of its 'electronic immigrants.' (' Immigrants' who represent, paradoxically, the older generations of technologies and also economic go-getters from worlds far, much away - specifically, previous years like the 1990's, 1980's, and also when it comes to IBM, long before that.)

Were you aware that good ol' Microsoft (MSFT, at $273B) is still valued more than Google to this day? Crazy, right? Resting pleasantly in the list of top 10 business by market capitalization in the Criterion as well as Poor's 500: IBM, at $238B. Google's holding its own at $203B. Facebook, after it goes public, is expected to be valued at $100B. We'll see if they have exactly what it requires to maintain. It's actually prematurely to say.

Or to sum it up most briefly: Zuckerberg, Schmuckerberg.

#business #business owner #marketing #marketing agency #search engine marketing #social media #social media management #social media news #social media strategy

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itsfinancethings · 5 years ago

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It’s only April, but Fiona Apple may have already given us the lyric of the year: “Fetch the bolt cutters, I’ve been in here too long.” Fetch the Bolt Cutters is, in fact, the title of both the song where she murmurs the line as a refrain and her first album since 2012. Apple couldn’t have known when she quoted the line, first uttered by Gillian Anderson in the BBC crime drama The Fall, that she’d be releasing the record into a world on house arrest. But Apple has always been spookily prescient about the mood of the culture, magnifying her own internal landscape until it starts to look like a near-future map of the universe.

As a young artist in the late ’90s she wrote piercing songs about, among other things, her experiences with sexual assault and mental illness—topics mainstream pop culture mostly avoided until well into the 21st century. Critics praised her music but mocked her preternatural candor; in retrospect, you get the sense that the presence of such a talented, articulate, tortured brain in the head of a beautiful teenage girl threw them for a loop. Two decades later, Apple has outlasted her haters and now lives a tabloid-proof life in Venice Beach. For company, she has her dog, a roommate and the roommate’s dog. When a reporter asked her, last year, whether she’d seen the movie Hustlers—which includes a scene where Jennifer Lopez strips to Apple’s 1996 hit “Criminal”—she replied, “If I were a person who actually left my house, I’d go.”

It figures, doesn’t it, that Apple was voluntarily self-quarantining years before the rest of us were forced to? She even did much of the work on Bolt Cutters at home, where she cobbled together a studio and recorded with the help of GarageBand and a three-piece band of veteran musicians (bassist Sebastian Steinberg, drummer Amy Aileen Wood and singer-songwriter David Garza on guitar), with whom she shares production credits. According to a recent New Yorker profile, Apple laid the rhythmic foundation for the album by leading the ensemble around the house, where they chanted and banged on homemade percussion instruments. Comfortable though its author might be in semi-seclusion, the album arrives as a message in a bottle from one castaway to a sea full of them. You bet Fiona Apple knows what it’s like to be bouncing off the walls of your bedroom—and your skull—with too much time to second-guess every choice you’ve ever made. How lucky for listeners that her unsparing introspection possesses the alchemical power to make us feel less alone in ours.

Mountaintop sage is a role that suits her better than enfant terrible ever did. Now that the culture is catching up with her, Apple has evolved in the public imagination into a sort of folk hero—trolling powerful sexists, reaching out to other artists who struggle with mental health, donating two years’ worth of proceeds from “Criminal” to refugees. In a 2018 video, she responded to a fan’s question about whether she still believed the words she’d notoriously muttered during a photo shoot in the ’90s: “There’s no hope for women.” Apple patiently explained that she was a scared kid back then and that the music industry in particular had changed for the better in recent years. “We’re gonna be fine!” she exclaimed, shifting into encouraging-big-sister mode. “There’s always hope for women. We are hope.”

Courtesy of Epic Records

That’s not to say she’s gone full girl-power cheerleader. Bolt Cutters can be quite dark. In “For Her,” Apple executes a devastating variation on the standard “Good Morning” with nothing but sparse, hollow percussion as a net: “Well, good mornin’, good mornin’, you raped me in the same bed your daughter was born in.” Like most the album, it’s a song that calls attention to its own construction, transitioning from one sound to the next with minimal artifice. What begins as a clapping, stomping jump-rope rhyme becomes a rhythmic chant whose intonations fall at the intersection of rap and R&B, then stretches into something bluesier. Finally, the shocking “Good Morning” line gives way to a layered, angelic chorus that feels like a sonic representation of healing. The song reportedly originated from Apple’s anger over the Brett Kavanaugh hearings.

Her (mercifully non-literal) form of Trump-era rage coexists on the album with blunt dissections of her past, personality and public image. The incantatory refrain of “Relay”—“Evil is a relay sport, when the one who’s burned, turns to pass the torch”—makes for a timely indictment of our hate-poisoned political discourse but actually comes from one of Apple’s teenage notebooks. She vents her resentment at fakes, jerks, people who present their “life like a f—ing propaganda brochure.” (Never one to perform happiness she doesn’t truly feel, Apple is a conscientious objector to influencer culture.) Yet the song resolves with her finding the wisdom to break the relay’s chain: “I know if I hate you for hating me, I will have entered the endless race.”

Bolt Cutters takes a special interest in her relationships with women. Though she’s proven her feminist mettle over and over again, she has also taken more than her share of abuse from women—especially early in her career, when she was accused of giving girls eating disorders and allowing her 19-year-old self to be objectified in music videos. On “Ladies,” she repeats the title until its two syllables become meaningless, then slides into a lilting torch song for “good women, like you/Yet another woman to whom I won’t get through.” Still, Apple admits that she can be weird with, say, her exes’ new girlfriends. Amid a gentle metallic clatter, the title track opens with a plaintive, charmingly clumsy admission: “I’ve been thinking about when I was trying to be your friend—I thought it was, then, but it wasn’t—it wasn’t genuine.” Perhaps because having compassion for women also means having compassion for herself, she affords herself the same respect: “Kick me under the table all you want/I won’t shut up,” goes the sing-along chorus to “Under the Table.”

The record’s conversational tone, manifested in Apple’s talky delivery as well as in lyrics that scan as prose more often than poetry, creates a rare intimacy. And it’s echoed in compositions defined by their rough edges: hand claps; a cappella passages; sudden shifts in tempo; vocals that alternate ragged whispers, attenuated moans and bracing falsetto with her unmistakable throaty croon. Ambient sounds—the dogs barking, people talking—as well as seconds of near silence, made their way into the mix. As beautiful as the melodies and the epiphanies they carry often are, the songs are not what you would call “pretty.”

This makes the album a significant departure for an artist whose early style was defined in large part by sophisticated, bespoke arrangements created with collaborators like acclaimed producer and composer Jon Brion. Yet Bolt Cutters wouldn’t be the extraordinary experiment in aural and lyrical honesty that it is if it sounded too polished. The record is a missive from the mini-studio in Apple’s house to whatever confined space we’re stuck in these days, compelled as we are to spend a lot more time than usual in our own heads. It offers us a roadmap to understand who we are and make peace with who we have been; to take responsibility for our worst selves and protect our best ones; to come out of our ordeal stronger, wiser, but still self-critical. From Fiona’s lips to God’s ears: We’re gonna be fine.

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ciathyzareposts · 5 years ago

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Myst (or, The Drawbacks to Success)

Robyn Miller, one half of the pair of brothers who created the adventure game known as Myst with their small studio Cyan, tells a story about its development that’s irresistible to a writer like me. When the game was nearly finished, he says, its publisher Brøderbund insisted that it be put through “focus-group testing” at their offices. Robyn and his brother Rand reluctantly agreed, and soon the first group of guinea pigs shuffled into Brøderbund’s conference room. Much to its creators’ dismay, they hated the game. But then, just as the Miller brothers were wondering whether they had wasted the past two years of their lives making it, the second group came in. Their reaction was the exact opposite: they loved the game.

So would it be forevermore. Myst would prove to be one of the most polarizing games in history, loved and hated in equal measure. Even today, everyone seems to have a strong opinion about it, whether they’ve actually played it or not.

Myst‘s admirers are numerous enough to have made it the best-selling single adventure game in history, as well as the best-selling 1990s computer game of any type in terms of physical units shifted at retail: over 6 million boxed copies sold between its release in 1993 and the dawn of the new millennium. In the years immediately after its release, it was trumpeted at every level of the mainstream press as the herald of a new, dawning age of maturity and aesthetic sophistication in games. Then, by the end of the decade, it was lamented as a symbol of what games might have become, if only the the culture of gaming had chosen it rather than the near-simultaneously-released Doom as its model for the future. Whatever the merits of that argument, the hardcore Myst lovers remained numerous enough in later years to support five sequels, a series of novels, a tabletop role-playing game, and multiple remakes and remasters of the work which began it all. Their passion was such that, when Cyan gave up on an attempt to turn Myst into a massively-multiplayer game, the fans stepped in to set up their own servers and keep it alive themselves.

And yet, for all the love it’s inspired, the game’s detractors are if anything even more committed than its proponents. For a huge swath of gamers, Myst has become the poster child for a certain species of boring, minimally interactive snooze-fest created by people who have no business making games — and, runs the spoken or unspoken corollary, played by people who have no business playing them. Much of this vitriol comes from the crowd who hate any game that isn’t violent and visceral on principle; the overlap between players of games like Doom and those like Myst is inevitably limited. (The surprising thing is that an overlap exists at all…)

But the more interesting and perhaps telling brand of hatred comes from self-acknowledged fans of the adventure-game genre. These folks were usually raised on the Sierra and LucasArts traditions of third-person adventures — games that were filled with other characters to interact with, objects to pick up and carry around and use to solve puzzles, and complicated plot arcs unfolding chapter by chapter. They have a decided aversion to the first-person, minimalist, deserted, austere Myst, sometimes going so far as to say that it isn’t really an adventure game at all. But, however they categorize it, they’re happy to credit it with all but killing the adventure genre dead by the end of the 1990s. Myst, so this narrative goes, prompted dozens of studios to abandon storytelling and characters in favor of yet more sterile, hermetically sealed worlds just like its. And when the people understandably rejected this airless vision, that was that for the adventure game writ large. Some of the hatred directed toward Myst by stalwart adventure fans — not only fans of third-person graphic adventures, but, going even further back, fans of text adventures — reaches an almost poetic fever pitch. A personal favorite of mine is the description deployed by Michael Bywater, who in previous lives was himself an author of textual interactive fiction. Myst, he says, is just “a post-hippie HyperCard stack with a rather good music loop.”

After listening to the cultural dialog — or shouting match! — which has so long surrounded Myst, one’s first encounter with the actual artifact that spurred it all can be more than a little anticlimactic. Seen strictly as a computer game, Myst is… okay. Maybe even pretty good. It strikes this critic at least as far from the best or worst game of its year, much less of its decade, still less of all gaming history. Its imagery is well-composited and occasionally striking, its sound and music design equally apt. The sense of desolate, immersive beauty it all conveys can be strangely affecting, and it’s married to puzzle-design instincts that are reasonable and fair. Myst‘s reputation in some quarters as impossible, illogical, or essentially unplayable is unearned; apart from some pixel hunts and perhaps the one extended maze, there’s little to really complain about on that front. On the contrary: there’s a definite logic to its mechanical puzzles, and figuring out how its machinery works through trial and error and careful note-taking, then putting your deductions into practice, is genuinely rewarding, assuming you enjoy that sort of thing.

At same time, though, there’s just not a whole lot of there there. Certainly there’s no deeper meaning to be found; Myst never tries to be about more than exploring a striking environment and solving intricate puzzles. “When we started, we wanted to make a [thematic] statement, but the project was so big and took so much effort that we didn’t have the energy or time to put much into that part of it,” admits Robyn Miller. “So, we decided to just make a neat world, a neat adventure, and say important things another time.” And indeed, a “neat world” and “neat adventure” are fine ways of describing Myst.

Depending on your preconceptions going in, actually playing Myst for the first time is like going to meet your savior or the antichrist, only to find a pleasant middle-aged fellow who offers to pour you a cup of tea. It’s at this point that the questions begin. Why does such an inoffensive game offend so many people? Why did such a quietly non-controversial game become such a magnet for controversy? And the biggest question of all: why did such a simple little game, made by four people using only off-the-shelf consumer software, become one of the most (in)famous money spinners in the history of the computer-games industry?

We may not be able to answers all of these whys to our complete satisfaction; much of the story of Myst surely comes down to sheer happenstance, to the proverbial butterfly flapping its wings somewhere on the other side of the world. But we can at least do a reasonably good job with the whats and hows of Myst. So, let’s consider now what brought Myst about and how it became the unlikely success it did. After that, we can return once again to its proponents and its detractors, and try to split the difference between Myst as gaming’s savior and Myst as gaming’s antichrist.

Rand Miller

Robyn Miller

If nothing else, the origin story of Myst is enough to make one believe in karma. As I wrote in an earlier article, the Miller brothers and their company Cyan came out of the creative explosion which followed Apple’s 1987 release of HyperCard, a unique Macintosh authoring system which let countless people just like them experiment for the first time with interactive multimedia and hypertext. Cyan’s first finished project was The Manhole. Published in November of 1988 by Mediagenic, it was a goal-less software toy aimed at children, a virtual fairy-tale world to explore. Six months later, Mediagenic added music and sound effects and released it on CD-ROM, marking the first entertainment product ever to appear on that medium. The next couple of years brought two more interactive explorations for children from Cyan, published on floppy disk and CD-ROM.

Even as these were being published, however, the wheels were gradually coming off of Mediagenic, thanks to a massive patent-infringement lawsuit they lost to the Dutch electronics giant Philips and a whole string of other poor decisions and unfortunate events. In February of 1991, a young bright spark named Bobby Kotick seized Mediagenic in a hostile takeover, reverting the company to its older name of Activision. By this point, the Miller brothers were getting tired of making whimsical children’s toys; they were itching to make a real game, with a goal and puzzles. But when they asked Activision’s new management for permission to do so, they were ordered to “keep doing what you’ve been doing.” Shortly thereafter, Kotick announced that he was taking Activision into Chapter 11 bankruptcy. After he did so, Activision simply stopped paying Cyan the royalties on which they depended. The Miller brothers were lost at sea, with no income stream and no relationships with any other publishers.

But at the last minute, they were thrown an unexpected lifeline. Lo and behold, the Japanese publisher SunSoft came along offering to pay Cyan $265,000 to make a CD-ROM-based adult adventure game in the same general style as their children’s creations — i.e., exactly what the Miller brother had recently asked Activision for permission to do. SunSoft was convinced that there would be major potential for such a game on the upcoming generation of CD-ROM-based videogame consoles and multimedia set-top boxes for the living room — so convinced, in fact, that they were willing to fund the development of the game on the Macintosh and take on the job of porting it to these non-computer platforms themselves, all whilst signing over the rights to the computer version(s) to Cyan for free. The Miller brothers, reduced by this point to a diet of “rice and beans and government cheese,” as Robyn puts it, knew deliverance when they saw it. They couldn’t sign the contract fast enough. Meanwhile Activision had just lost out on the chance to release what would turn out to be one of the games of the decade.

But of course the folks at Cyan were as blissfully unaware of that future as those at Activision. They simply breathed sighs of relief and started making their game. In time, Cyan signed a contract with Brøderbund to release the computer versions of their game, starting with the Macintosh original.

Myst certainly didn’t begin as any conscious attempt to re-imagine the adventure-game form. Those who later insisted on seeing it in almost ideological terms, as a sort of artistic manifesto, were often shocked when they first met the Miller brothers in person. This pair of plain-spoken, baseball-cap-wearing country boys were anything but ideologues, much less stereotypical artistes. Instead they seemed a perfect match for the environs in which they worked: an unassuming two-story garage in Spokane, Washington, far from any centers of culture or technology. Their game’s unique personality actually stemmed from two random happenstances rather than any messianic fervor.

One of these was — to put it bluntly — their sheer ignorance. Working on the minority platform that was the Macintosh, specializing up to this point in idiosyncratic children’s software, the Miller brothers were oddly disengaged from the computer-games industry whose story I’ve been telling in so many other articles here. By their own account, they had literally never even seen any of the contemporary adventure games from companies like LucasArts and Sierra before making Myst. In fact, Robyn Miller says today that he had only played one computer game in his life to that point: Infocom’s ten-year-old Zork II. Rand Miller, being the older brother, the first mover behind their endeavors, and the more technically adept of the pair, was perhaps a bit more plugged-in, but only a bit.

The other circumstance which shaped Myst was the technology employed to create it. This statement is true of any game, but it becomes even more salient here because the technology in question was so different from that employed by other adventure creators. Myst is indeed simply a HyperCard stack — the “hippie-dippy” is in the eye of the beholder — gluing together pictures generated by the 3D modeler StrataVision. During the second half of its development, a third everyday Macintosh software package made its mark: Apple’s QuickTime video system, which allowed Myst‘s creators to insert snippets of themselves playing the roles of the people who previously visited the semi-ruined worlds you spend the game exploring. All of these tools are presentation-level tools, not conventional game-building ones. Seen in this light, it’s little surprise that so much of Myst is surface. At bottom, it’s a giant hypertext done in pictures, with very little in the way of systems of any sort behind it, much less any pretense of world simulation. You wander through its nodes, in some of which you can click on something, which causes some arbitrary event to happen. The one place where the production does interest itself in a state which exists behind its visuals is in the handful of mechanical devices found scattered over each of its landscapes, whose repair and/or manipulation form the basis of the puzzles that turn Myst into a game rather than an unusually immersive slideshow.

In making Myst, each brother fell into the role he was used to from Cyan’s children’s projects. The brothers together came up with the story and world design, then Robyn went off to do the art while Rand did the technical plumbing in HyperCard, and also composed and tracked the music. One Chuck Carter helped Robyn on the art side, while Chris Brandkamp produced the intriguing, evocative environmental soundscape by all sorts of improvised means: banging a wrench against the wall or blowing bubbles in a toilet bowl, then manipulating the samples to yield something appropriately other-worldly. And that was the entire team. It was a shoestring operation, amateurish in the best sense. The only thing that distinguished the boys at Cyan from a hundred thousand other hobbyists playing with the latest creative tools on their own Macs was the fact that Cyan had a contract to do so — and a commensurate quantity of real, raw talent, of course.

Ironically given that Myst was treated as such a cutting-edge product at the time of its release, in terms of design it’s something of a throwback — a fact that does become less surprising when one considers that its creators’ experience with adventure games stopped in the early 1980s. A raging debate had once taken place in adventure circles over whether the ideal protagonist should be a blank slate, imprintable by the player herself, or a fully-fleshed-out role for the player to inhabit. The verdict had largely come down on the side of the latter as games’ plots had grown more ambitious, but the whole discussion had passed the Miller brothers by.

So, with Myst we were back to the old “nameless, faceless adventurer” paragon which Sierra and LucasArts had long since abandoned. Myst actively encourages you to think of it as yourself there in its world. The story begins when you open a mysterious book here on our world, whereupon you get sucked into an alternate dimension and find yourself standing on the dock of a deserted island. You soon learn that you’re following a trail first blazed by a father and his two sons, all of whom had the ability to hop about between dimensions — or “worlds,” as the game calls them — and alter them to their will. Unfortunately, the father is now said to be dead, while the two brothers have each been trapped in a separate interdimensional limbo, each blaming the other for their father’s death. (These themes of sibling rivalry have caused much comment over the years, especially in light of the fact that each brother in the game is played by one of the real Miller brothers. But said real brothers have always insisted that there are no deeper meanings to be gleaned here…)

You can access four more worlds from the central island just as soon as you solve the requisite puzzles. In each of them, you must find a page of a magical book. Putting the pages together, along with a fifth page found on the central island, allows you to free the brother of your choice. This last-minute branch to an otherwise unmalleable story is a technique we see in a fair number of other adventure games wishing to make a claim to the status of genuinely interactive fictions. (In practice, of course, players of those games and Myst alike simply save before the final choice and check out both endings.)

For all its emphasis on visuals, Myst is designed much like a vintage text adventure in many ways. Even setting aside its explicit maze, its network of discrete, mostly empty locations resembles the map from an old-school text adventure, where navigation is half the challenge. Similarly, its complex environmental puzzles, where something done in one location may have an effect on the other side of the map, smacks of one of Infocom’s more cerebral, austere games, such as Zork III or Spellbreaker.

This is not to say that Myst is a conscious throwback; the nature of the puzzles, like so much else about the game, is as much determined by the Miller brothers’ ignorance of contemporary trends in adventure design as by the technical constraints under which they labored. Among the latter was the impossibility of even letting the player pick things up and carry them around to use elsewhere. Utterly unfazed, Rand Miller coined an aphorism: “Turn your problems into features.” Thus Myst‘s many vaguely steam-punky mechanical puzzles, all switches to throw and ponderous wheels to set in motion, are dictated as much by its designers’ inability to implement a player inventory as by their acknowledged love for Jules Verne.

And yet, whatever the technological determinism that spawned it, this style of puzzle design truly was a breath of fresh air for gamers who had grown tired of the “use this object on that hotspot” puzzles of Sierra and LucasArts. To their eternal credit, the Miller brothers took this aspect of the design very seriously, giving their puzzles far more thought than Sierra at least tended to do. They went into Myst with no experience designing puzzles, and their insecurity about this aspect of their craft was perhaps their ironic saving grace. Before they even had a computer game to show people, they spent hours walking outsiders through their scenario Dungeons & Dragons-style, telling them what they saw and listening to how they tried to progress. And once they did have a working world on the computer, they spent more hours sitting behind players, watching what they did. Robyn Miller, asked in an interview shortly after the game’s release whether there was anything he “hated,” summed up thusly their commitment to consistent, logical puzzle design and world-building (in Myst, the two are largely one and the same):

Seriously, we hate stuff without integrity. Supposed “art” that lacks attention to detail. That bothers me a lot. Done by people who are forced into doing it or who are doing it for formula reasons and monetary reasons. It’s great to see something that has integrity. It makes you feel good. The opposite of that is something I dislike.

We tried to create something — a fantastic world — in a very realistic way. Creating a fantasy world in an unrealistic way is the worst type of fantasy. In Jurassic Park, the idea of dinosaurs coming to life in the twentieth century is great. But it works in that movie because they also made it believable. That’s how the idea and the execution of that idea mix to create a truly great experience.

Taken as a whole, Myst is a master class in designing around constraints. Plenty of games have been ruined by designers whose reach exceeded their core technology’s grasp. We can see this phenomenon as far back as the time of Scott Adams: his earliest text adventures were compact marvels, but quickly spiraled into insoluble incoherence when he started pushing beyond what his simplistic parsers and world models could realistically present. Myst, then, is an artwork of the possible. Managing inventory, with the need for a separate inventory screen and all the complexities of coding this portable object interacting on that other thing in the world, would have stretched HyperCard past the breaking point. So, it’s gone. Interactive conversations would have been similarly prohibitive with the technology at the Millers’ fingertips. So, they devised a clever dodge, showing the few characters that exist only as recordings, or through one-way screens where you can see them, but they can’t see (or hear) you; that way, a single QuickTime video clip is enough to do the trick. In paring things back so dramatically, the Millers wound up with an adventure game unlike any that had been seen before. Their problems really did become their game’s features.

For the most part, anyway. The one place where the brothers’ inexperience shows to most negative effect is in Myst‘s approach to narrative. It is, one might even say, a textbook example of how not to do an interactive story: you get the entire backstory as one massive infodump, in the form of a whole shelf full of journals to be read in a literal in-game library, almost as soon as you start the game, then essentially nothing more until the big climax. This approach can make the puzzles — which, as I’ve already noted, are quite good in the abstract — feel peculiarly unrewarding despite themselves, in a “why on earth am I even doing this?” sort of way. Far better to dole the backstory out bit by bit, as a reward for each puzzle you solve.

Additionally, the networks of nodes and pre-rendered static views that constitute the worlds of Myst can be needlessly frustrating to navigate, thanks to the way that the views prioritize aesthetics over consistency; rotating your view in place sometimes turns you 90 degrees, sometimes 180 degrees, sometimes somewhere in between, according to what the designers believed would provide the most striking image. Orienting yourself and moving about the landscape can thus be a confusing process. One might complain as well that it’s a slow one, what with all the empty nodes which you must move through to get pretty much anywhere — often just to see if something you’ve done on one side of the map has had any effect on something on its other side. Again, a comparison with the twisty little passages of an old-school text adventure, filled with mostly empty rooms, does strike me as thoroughly apt.

On the other hand, a certain glaciality of pacing seems part and parcel of what Myst fundamentally is. This is not a game for the impatient. It’s rather targeted at two broad types of player: the aesthete, who will be content just to wander the landscape taking in the views, perhaps turning to a walkthrough to be able to see all of the worlds; and the dedicated puzzle solver, willing to pull out paper and pencil and really dig into the task of understanding how all this strange machinery hangs together. Both groups have expressed their love for Myst over the years, albeit in terms which could almost convince you they’re talking about two entirely separate games.

So much for Myst the artifact. What of Myst the cultural phenomenon?

The origins of the latter can be traced to the Miller brothers’ wise decision to take their game to Brøderbund. Brøderbund tended to publish fewer products per year than their peers at Electronic Arts, Sierra, or the lost and unlamented Mediagenic, but they were masterful curators, with a talent for spotting software which ordinary Americans might want to buy and then packaging and marketing it perfectly to reach them. (Their insistence on focus testing, so confusing to the Millers, is proof of their competence; it’s hard to imagine any other publisher of the time even thinking of such a thing.) Brøderbund published a string of products over the course of a decade or more which became more than just hits; they became cultural icons of their time, getting significant attention in the mainstream press in addition to the computer magazines: The Print Shop, Carmen Sandiego, Lode Runner, Prince of Persia, SimCity. And now Myst was about to become the capstone to a rather extraordinary decade, their most successful and iconic release of all.

Brøderbund first published the game on the Macintosh in September of 1993, where it was greeted with rave reviews. Not a lot of games originated on the Mac at all, so a new and compelling one was always a big event. Mac users tended to conceive of themselves as the sophisticates of the computer world, wearing their minority status as a badge of pride. Myst hit the mark beautifully here; it was the Mac-iest of Mac games. MacWorld magazine’s review is a rather hilarious example of a homer call. “It’s been polished until it shines,” wrote the magazine. Then, in the next paragraph: “We did encounter a couple of glitches and frozen screens.” Oh, well.

Helped along by press like this, Myst came out of the gates strong. By one report, it sold 200,000 copies on the Macintosh alone in its first six months. If correct or even close to correct, those numbers are extraordinary; they’re the numbers of a hit even on the gaming Mecca that was the Wintel world, much less on the Mac, with its vastly smaller user base.

Still, Brøderbund knew that Myst‘s real opportunity lay with those selfsame plebeian Wintel machines which most Mac users, the Miller brothers included, disdained. Just as soon as Cyan delivered the Mac version, Brøderbund set up an internal team — larger than the Cyan team which had made the game in the first place — to do the port as quickly as possible. Importantly, Myst was ported not to bare MS-DOS, where almost all “hardcore” games still resided, but to Windows, where the new demographics which Brøderbund hoped to attract spent all of their time. Luckily, the game’s slideshow visuals were possible even under Windows’s sluggish graphics libraries, and Apple had recently ported their QuickTime video system to Microsoft’s platform. The Windows version of Myst shipped in March of 1994.

And now Brøderbund’s marketing got going in earnest, pushing the game as the one showcase product which every purchaser of a new multimedia PC simply had to have. At the time, most CD-ROM based games also shipped in a less impressive floppy-disk-based version, with the latter often still outselling the former. But Brøderbund and Cyan made the brave choice not to attempt a floppy-disk version at all. The gamble paid off beautifully, furthering the carefully cultivated aspirational quality which already clung to Myst, now billed as the game which simply couldn’t be done on floppy disk. Brøderbund’s lush advertisements had a refined, adult air about them which made them stand out from the dragons, spaceships, and scantily-clad babes that constituted the usual motifs of game advertising. As the crowning touch, Brøderbund devised a slick tagline: Myst was “the surrealistic adventure that will become your world.” The Miller brothers scoffed at this piece of marketing-speak — until they saw how Myst was flying off the shelves in the wake of it.

So, through a combination of lucky timing and precision marketing, Myst blew up huge. I say this not to diminish its merits as a puzzle-solving adventure game, which are substantial, but simply because I don’t believe those merits were terribly relevant to the vast majority of people who purchased it. A parallel can be drawn with Infocom’s game of Zork, which similarly surfed a techno-cultural wave a decade before Myst. It was on the scene just as home computers were first being promoted in the American media as the logical, more permanent successors to the videogame-console fad. For a time, Zork, with its ability to parse pseudo-natural-English sentences, was seen by computer salespeople as the best overall demonstration of what a computer could do; they therefore showed it to their customers as a matter of course. And so, when countless new computer systems went home with their new owners, there was also a copy of Zork in the bag. The result was Infocom’s best-selling game of all time, to the tune of almost 400,000 copies sold.

Myst now played the same role in a new home-computer boom. The difference was that, while the first boom had fizzled rather quickly when people realized of what limited practical utility those early machines actually were, this second boom would be a far more sustained affair. In fact, it would become the most sustained boom in the history of the consumer PC, stretching from approximately 1993 right through the balance of the decade, with every year breaking the sales records set by the previous one. The implications for Myst, which arrived just as the boom was beginning, were titanic. Even long after it ceased to be particularly cutting-edge, it continued to be regarded as an essential accessory for every PC, to be tossed into the bags carried home from computer stores by people who would never buy another game.

Myst had already established its status by the time the hype over the World Wide Web and Windows 95 really lit a fire under computer sales in 1995. It passed the 1 million copy mark in the spring of that year. By the same point, a quickie “strategy guide” published by Prima, ideal for the many players who just wanted to take in its sights without worrying about its puzzles, had passed an extraordinary 300,000 copies sold — thus making its co-authors, who’d spent all of three weeks working on it, the two luckiest walkthrough authors in history. Defying all of the games industry’s usual logic, which dictated that titles sold in big numbers for only a few months before fizzling out, Myst‘s sales just kept accelerating from there. It sold 850,000 copies in 1996 in the United States alone, then another 870,000 copies in 1997. Only in 1998 did it finally begin to flag, posting domestic sales of just 540,000 copies. Fortunately, the European market for multimedia PCs, which lagged a few years behind the American one, was now also burning bright, opening up whole new frontiers for Myst. Its total retail sales topped 6 million by 2000, at least 2 million of them outside of North America. Still more copies — it’s impossible to say how many — had shipped as pack-in bonuses with multimedia upgrade kits and the like. Meanwhile, under the terms of SunSoft’s original agreement with Cyan, it was also ported by the former to the Sega Saturn, Atari Jaguar, 3DO, and CD-I living-room consoles. Myst was so successful that another publisher came out with an elaborate parody of it as a full-fledged computer game in its own right, under the indelible title of Pyst. Considering that it featured the popular sitcom star John Goodman, Pyst must have cost far more to make than the shoestring production it mocked.

As we look at the staggering scale of Myst‘s success, we can’t avoid returning to that vexing question of why it all should have come to be. Yes, Brøderbund’s marketing campaign was brilliant, but there must be more to it than that. Certainly we’re far from the first to wonder about it all. As early as December of 1994, Newsweek magazine noted that “in the gimmick-dominated world of computer games, Myst should be the equivalent of an art film, destined to gather critical acclaim and then dust on the shelves.” So why was it selling better than guaranteed crowd-pleasers with names like Star Wars on their boxes?

It’s not that it’s that difficult to pinpoint some of the other reasons why Myst should have been reasonably successful. It was a good-looking game that took full advantage of CD-ROM, at a time when many computer users — non-gamers almost as much as gamers — were eager for such things to demonstrate the power of their new multimedia wundermachines. And its distribution medium undoubtedly helped its sales in another way: in this time before CD burners became commonplace, it was immune to the piracy that many publishers claimed was costing them at least half their sales of floppy-disk-based games.

Likewise, a possible explanation for Myst‘s longevity after it was no longer so cutting-edge might be the specific technological and aesthetic choices made by the Miller brothers. Many other products of the first gush of the CD-ROM revolution came to look painfully, irredeemably tacky just a couple of years after they had dazzled, thanks to their reliance on grainy video clips of terrible actors chewing up green-screened scenery. While Myst did make some use of this type of “full-motion video,” it was much more restrained in this respect than many of its competitors. As a result, it aged much better. By the end of the 1990s, its graphics resolution and color count might have been a bit lower than those of the latest games, and it might not have been quite as stunning at first glance as it once had been, but it remained an elegant, visually-appealing experience on the whole.

Yet even these proximate causes don’t come close to providing a full explanation of why this art film in game form sold like a blockbuster. There are plenty of other games of equal or even greater overall merit to which they apply equally well, but none of them sold in excess of 6 million copies. Perhaps all we can do in the end is chalk it up to the inexplicable vagaries of chance. Computer sellers and buyers, it seems, needed a go-to game to show what was possible when CD-ROM was combined with decent graphics and sound cards. Myst was lucky enough to become that game. Although its puzzles were complex, simply taking in its scenery was disarmingly simple, making it perfect for the role. The perfect product at the perfect time, perfectly marketed.

In a sense, Myst the phenomenon didn’t do that other Myst — Myst the actual artifact, the game we can still play today — any favors at all. The latter seems destined always to be judged in relation to the former, and destined always to be found lacking. Demanding that what is in reality a well-designed, aesthetically pleasing game live up to the earth-shaking standards implied by Myst‘s sales numbers is unfair on the face of it; it wasn’t the fault of the Miller brothers, humble craftsman with the right attitude toward their work, that said work wound up selling 6 million copies. Nevertheless, we feel compelled to judge it, at least to some extent, with the knowledge of its commercial and cultural significance firmly in mind. And in this context especially, some of its detractors’ claims do have a ring of truth.

Arguably the truthiest of all of them is the oft-repeated old saw that no other game was bought by so many people and yet really, seriously played by so few of its purchasers. While such a hyperbolic claim is impossible to truly verify, there is a considerable amount of circumstantial evidence pointing in exactly that direction. The exceptional sales of the strategy guide are perhaps a wash; they can be as easily ascribed to serious players wanting to really dig into the game as they can to casual purchasers just wanting to see all the pretty pictures on the CD-ROM. Other factors, however, are harder to dismiss. The fact is, Myst is hard by casual-game standards — so hard that Brøderbund included a blank pad of paper in the box for the purpose of keeping notes. If we believe that all or most of its buyers made serious use of that notepad, we have to ask where these millions of people interested in such a cerebral, austere, logical experience were before it materialized, and where they went thereafter. Even the Miller brothers themselves — hardly an unbiased jury — admit that by their best estimates no more than 50 percent of the people who bought Myst ever got beyond the starting island. Personally, I tend to suspect that the number is much lower than that.

Perhaps the most telling evidence for Myst as the game which everyone had but hardly anyone played is found in a comparison with one of its contemporaries: id Software’s Doom, the other decade-dominating blockbuster of 1993 (a game about which I’ll be writing much more in a future article). Doom indisputably was played, and played extensively. While it wasn’t quite the first running-around-and-shooting-things-from-a-first-person-perspective game, it did became so popular that games of its type were codified as a new genre unto themselves. The first-person shooters which followed Doom in the 1990s were among the most popular games of their era. Many of their titles are known to gamers today who weren’t yet born when they debuted: titles like Duke Nukem 3D, Quake, Half-Life, Unreal. Myst prompted just as many copycats, but these were markedly less popular and are markedly less remembered today: Journeyman Project, Zork Nemesis, Rama, Obsidian. Only Cyan’s own eventual sequel to Myst can be found among the decade’s bestsellers, and even it’s a definite case of diminishing commercial returns, despite being a rather brilliant game in its own right. In short, any game which sold as well as Myst, and which was seriously played by a proportionate number of people, ought to have left a bigger imprint on ludic culture than this one did.

But none of this should affect your decision about whether to play Myst today, assuming you haven’t yet gotten around to it. Stripped of all its weighty historical context, it’s a fine little adventure game if not an earth-shattering one, intriguing for anyone with the puzzle-solving gene, infuriating for anyone without it. You know what I mean… sort of a niche experience. One that just happened to sell 6 million copies.

(Sources: the books Myst: Prima’s Official Strategy Guide by Rick Barba and Rusel DeMaria, Myst & Riven: The World of the D’ni by Mark J.P. Wolf, and The Secret History of Mac Gaming by Richard Moss; Computer Gaming World of December 1993; MacWorld of March 1994; CD-ROM Today of Winter 1993. Online sources include “Two Histories of Myst” by John-Gabriel Adkins, Ars Technica‘s interview with Rand Miller, Ryan Miller’s postmortem of Myst at the 2013 Game Developers Conference, GameSpot‘s old piece on Myst as one of the “15 Most Influential Games of All Time,” and Greg Lindsay’s Salon column on Myst as a “dead end.” Michael Bywater’s colorful comments about Myst come from Peter Verdi’s now-defunct Magnetic Scrolls fan site, a dump of which Stefan Meier dug up for me from his hard drive several years ago. Thanks again, Stefan!

The “Masterpiece Edition” of Myst is available for purchase from GOG.com.)

source http://reposts.ciathyza.com/myst-or-the-drawbacks-to-success/

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