#blue sky studios

[nastiagarachtchenko]

yeah.. im never going to stop thinking about this easter egg in Nimona

[red-pencil]

Thanks for all the love on my Nimona dragon test. At BlueSky studios we would make expression sheets based off of the tests as reference for the production teams.

[dymitre]

My fav villians 💙

[techno-danger]

Guys...

"The people live in the embrace of Blue Skies, filling the good carts, harvesting the bounties of their animated labors...." ITS A FUCKIN BLUE SKY STUDIOS REFERENCE IN THE START OF NIMONA THATS SO CLEVER.

[ifwebefriends]

I think I know where one of the animators got inspiration

[cartoonico]

[sallysurisue]

Ice age belongs to Disney now, so I did a crossover with Brother Bear.

[vhshistory]

September 27, 2005: Robots (2005) is released on DVD and VHS.

This is the last Blue Sky Studios film released on VHS and it is one of the only two films from the studio to be released on the format, the other being Ice Age.

Among the bonus features on the DVD include an exclusive short film, audio commentary, deleted scenes, an Xbox playable demo of the Robots video game, and more.

[haveyouseenthismovie-poll]

[nephilimbrute]

rushed humanizations of characters cuz i was tired of seeing anime guys and girls. I did shifu but i didn't like it as much so he's not here

[superectojazzmage]

Watched the Nimona movie last night. Review I guess. It was pretty damn good. Definitely would’ve probably been regarded as Blue Sky’s magnum opus if they’d gotten to release it instead of being fucked over by Disney. Very cute, very funny, very powerful in the right moments. A thing that stuck out to me is that it’s really only an adaptation in the loosest sense of the word. It takes the core premise and beats of the comic but is functionally an entirely different kind of story that does its own thing. And given that ND Stevenson was heavily involved in production, I suspect that was intentional.

The comic was much darker and more downbeat in a lot of ways, plus it was significantly longer and thus could afford to be slower paced. But more than that, it was a lot more meaty in terms of themes and scope. The whole “LGBT allegory” element was there, but it wasn’t the sole focus, the comic was a story about a lot of different things; not just an LGBT experience, but also discussion of fantasy genre tropes and clichés, criticism of other fantasy deconstructions, character study, exploring what it means to be a hero or villain, critique of the glorification of crime and cruelty in underprivileged communities, corruption in governments, peer pressure, the senseless and self-perpetuating nature of violence, the worthlessness of revenge, etc.. And above all that, it was a story about trauma and people’s responses to it, with Ballister representing people who actually deal with their problems and move on while Nimona represented people who let their mistakes and suffering and grief consume their identity, or worse, use it as an excuse to indulge their worst qualities and take out their feelings on everyone around them.

The movie, by contrast, has a much more narrow focus. The LGBT allegory is front and center and basically the entire focal point of the movie, aside from a spattering of themes about the danger of zealotry and rigid fundamentalist thinking. This gives the movie a much tighter narrative and pacing that suits its inherently shorter runtime, but also leads to a ton of changes to the story either to convey a different kind of message or just work better in a different medium. Most obviously in how Nimona is vastly more sympathetic in the movie and essentially really is the silly gremlin the comic fakes you out into thinking she is, scrapping the comic’s twist that she was a genuinely bad person who was completely serious about wanting to be a villain, caring nothing for the lives she destroyed with her behavior and idolizing Ballister because she thought he was the same as her and would thus tell her what she wanted to hear (i.e., that she was justified in killing and destroying everything around her in the name of getting even). And in the changes to the Institution’s history and nature. And all sorts of other things.

All in all, I feel if you go in comparing and contrasting the movie and the comic, arguing which changes are for the better or worse, you’ll be setting yourself up for disappointment in either direction because they’re two different beasts and it’s like comparing apples and oranges. So keep that in mind if you’re a fan of the comic watching the movie or a fan of the movie wanting to look into the comic. I think ultimately I still like the comic better, but that’s purely my personal opinion and there’s plenty that I think the movie did better.

Some other observations:

Riz Ahmed my beloved, thank you Mr. Stevenson for this perfect casting. Literally perfect for Ballister.

Acting in general was very good. You can tell this was a passion project for a lot of people, not just Stevenson.

Only two changes that are objectively bad are Ambrosius losing his awesome Van Halen hairdo and changing Ballister’s last name — Blackheart is a way cooler name than Boldheart and it’s a pointless change, one that I’d argue even hurts the narrative since it makes it too obvious that Ballister isn’t actually a bad guy.

The animation is really great with fantastic expressions, stylish movement, and wonderful aesthetics that perfectly suit the story, but there’s times where it feels a little off. But there are parts where it looks less “movie” and more “cheap mid-2000s CGI-and-Flash cartoon show from France”.

The humor can be a hit and miss, in a ���going through the motions of a Hollywood animated comedy for kids” way. The movie excels when it’s either imitating the comic’s Old Internet sense of humor or going hard on the drama, but there’s bits where it seemingly slams on the brakes to do Illumination-esque Twitter humor and those bits definitely throw off the vibe.

Having an actual straight up attempted suicide in the climax was shockingly ballsy. I genuinely can’t believe they went there, but I’m glad they did because the film wouldn’t have felt nearly as raw without it.

I don’t know how they managed to make the Director even more of an asshole than in the comics, but they did.

[red-pencil]

Of COURSE I gotta' share my Nimona test this #AniMonday ! While I was with BlueSky studios I got to play around with the dragon form she took. It's rough, but a lot of fun. So happy the movie is doing so well. You GOTTA' see it if you haven't yet.

[dymitre]

🤖🌈

[i-am-trans-gwender]

I will never get over how Blue Sky Studios made 13 movies (14 if you count Nimona) before getting shut down by Disney and 5 of them were fucking Ice Age. Also 20th Century Studios is making an Ice Age 6 because the first 5 apparently made a lot of money even though nobody ever really talks about them. (Kinda like the Jame's Cameron Avatar movies.)

[kookies2000]

After learning the history behind Nimona, can we agree that Nimona is the biggest middle finger to Disney in film history. Like, everyone says Shrek is or that Sony is. But Nimona gives Blue Sky Studios that title. Think about it. Blue Sky Studios was the black sheep in the companies that Disney owns.

LGBT+ & Diversity 🏳️‍🌈

Blue Sky Studios had zero issues with making an LGBT+ friendly film. With a racially diverse cast/charaters. Makes perfect sense for the studio to be comfortable with LGBT+. Their first franchise (Ice Age 1-5) is about a bunch of outsiders who don't fit into "normal" families, so they get kicked out of their family. They find each other and form a loving family together. And don't care if they don't fit into the standard normal family.

Disney kept pushing back Nimona because of that diversity. And yet Disney loves to promote themselves with "There's room for everyone under the rainbow." And keep bragging about their first LGBT+ characters. Yet they didn't let Nimona get released. They kept pushing Nimona back until they shut down the studio, and like that, Nimona was expected to die and be forgotten.

THEMES

Blue Sky's films were average but always political. And when they weren't, they were about love and acceptance. Robots and Hortan hears a Who were about classism. The two films had higher-ups controlling the lower class. In both films, the lower class characters would have to face death from the upper class ones. I'm mentioning this because it's pretty..... poetic? Blue Sky's did get shut down by Disney. A higher company than Blue Sky's. Proving Robots and Hortan Hears a Who's message, right

Nimona

Nimona being released is pretty poetic.

Disney baiscally expected Nimona to die with Blue Sky's and never come back. Plot twist, someone found Nimona and saved it from the fate Disney gave them. And Nimona simply existing is a "FUCK YOU!" to Disney. For these reasonings.

It has the LGBT+ representation that Disney claims to have. Yet Disney tried to hide Nimona for LGBT+.

Nimona is about anarchy, not being under control of those higher than you (freedom) and going against the higher power. Nimonas roots come from Blue Sky's, the lower studio that got destroyed by Disney, higher power. Yet, it's the only Blue Sky film that isn't under Disney's control. It's free.

Nimona holds the morals that past Blue Sky films held. Love, peace, and justice.

The film baiscally avenged Blue Sky's for what happened to them. And let Blue Sky's rest in peace at last.

The only way this film can be a bigger middle finger to the company is if it somehow brought Blue Sky's back or at least brings in ex Blue Sky employees over to Neflix. Unlikely, but this film is still amazing for it's story telling, art, voice talent, and especially for its history.

This shot of the film is a major bonus. It's so beautiful that the film recognizes its roots and show it the respect Disney never gave them.

Ps, I wanted to note that the Rio franchise is about finding your roots and learning about where you're from. Which is baiscally what the creator's did with this film. Remembering their roots. Yes, I am reaching. Let me cope with my the loss of my childhood studio.

[cartoonico]

Ballister's design in the graphic novel vs. Ballister's design in the movie