#genre;action
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[Toon x Mobster] Only he can make him laugh like that...
Jack Desmond is the silly guy. Gavriel Huffman is the scary guy. They come from different worlds that has contrasting genres, one more cartoonishly comedic and the other much dramatically darker.
It's kind of a running gag that Sir Huffman is unable to laugh without looking absolutely wicked. Both in the cartoon world and his own world.
That doesn't stop Jack from being completely smitten with him though, his voice is the most mind-melting thing he's ever had the pleasure to hear
[AUDIO USED:] Men I Trust - show me how
#Toon x Mobster#Jack Desmond#Gavriel Huffman#listen listen listen#I can't get enough of two CLEARLY different characters being in love with each other alright#and I meant different as in they literally come from different genres of stories#like their art styles contrast against each other and MMM it's so delicious#think of it like the movie of Who Framed Roger Rabbits#or Looney Toons: Back in Action#you'll get what I mean if you go to Youtube and watch a clip or two from those movies haha#anyway I just thought this was a fun idea. maybe I'll make more of them#original characters#original character#original character art#ocs#oc#oc artwork#oc art#artists on tumblr#original charater art#my drawing museum
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In the AO3 Demographics Survey 2024 - an unofficial demographics survey of 16,131 AO3 users - the three most popular genres/tags were Hurt/Comfort, Romance, and Canon Divergence, while the three least popular were Genderswap, High School AU, and Character Death.
To see more analysis, including comparisons to real fic data and previous surveys, please view the full results on AO3.
#ao3#archive of our own#fanfiction#fanfic#fluff#angst#hurt/comfort#humor#action#drama#romance#slow burn#domestic#alternate universe#au#genre#tag#ao3 tags#survey results#ao3 demographics survey 2024
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Damian will watch shonen anime with Jon while commentating how unrealistic everything is but still being emerged in it
But Jon will fall asleep during shoujo anime while Damian is on the edge of a seat wondering if the two protagonists are going to hold hands yet
They both enjoyed Sailor Moon
#imagining Jon and Damian watching anime together is my favorite pastime#Damian's favorite genre is romance anime but he likes all anime#Jon's favorite animes genre it's action and comedy probably why he likes Dragon Ball Z#supersons#damian wayne#jonathan kent#batman#superman#dc comics#jondami#damijon
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↳ @animangacreators challenge #9 : Action Genre Challenge ⇾ third prompt : favorite power up
⋙ One Piece : Luffy heading for the "Gear 5!!!"
#one piece#luffy#monkey d luffy#gear 5#dailyanime#anisource#shounenedit#opgraphics#animangahive#animangaboys#op#opedit#amc challenge#mygif#action genre challenge#ive been waiting for the gear5 animation for so long to end off this challenge djsbdbsjdj#this edit has been ready for about two weeks now#only needed episode 1071 :')#gear5#one piece 1071#op 1071#1071
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technically the nsbu party can do another campaign by having the nsbu movie have a sequel OR if the store doesn't close down, they find another movie (possibly in another genre) that they could enter again
#not sure if id want the second one tho#im so obsessed with the action turned action comedy though so maybe if they turned another genre into comedy i'd be down for it#thriller comedy ahahdjwbdjsns#but will see after the nsbu campaign is done to actually see if i'd like a s2 or if the story wraps up perfectly in one season#nsbu#d20 nsbu#dimension 20#never stop blowing up#dropout tv
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French TV journalist having a hard time trying to get woman in the street to comment on Macron's latest speech yesterday
Protesters organised casserolades (aka banging on pots and pans) in front of city halls across the country at 8pm, when Macron was speaking, to symbolically drown out his voice. Later that evening, Macron was filmed singing a song with some 'random people' in a street in Paris, trying to show he can go out and meet people and have fun because protesters don't exist. The people he was singing with (members of a choir, some of whom are 'alt-right-leaning') were using a folk song app created by far-right activists that was criticised a few months ago for hosting a Spanish fascist anthem & Third Reich military marches.
The government's response was that the President "couldn't know the background of the people he met that night." Maybe if he wants to avoid being associated with the far-right (that's a big if, I know), Macron should keep in mind that with the kinds of strategies and positioning his government has adopted lately, people in the street who welcome him with open arms and are proud to be filmed with him have a higher than average likelihood of supporting fascism.
#genre hier darmanin qui dit qu'il faut sanctionner les gens au RSA et aujourd'hui le maire pour qui fraudeur = maghrébin...#also the far-right ppl who made that song lyric app got 40K€ of public funding from the ministry of culture#our government is 'questioning' public funding for the human rights league but not this#so yeah this is just 1 thing out of the avalanche of bullshit the government keeps unleashing these days#i could have made a post about the minister of the interior; a known rapist; saying#that french people are angry about the reform but ''they swallowed it''#that was yesterday; this week is going well so far#cool thing that happened last week is that the film director who won the césar des lycéens award#made a speech in the presence of the minister of education in which he said#''it must be hard to be minister of education for a president whose words and actions reflect the opposite#of the values school is supposed to teach the youth: contempt rather than respect; dictating rather than dialoguing'' (etc)#also last week when macron went to notre-dame and of course forbade protests in the area#so protesters hopped on a boat and protested on the seine next to notre-dame#frpol
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Serious Bitch Opinion: lan wangji...would be a terrible chief cultivator. yes, he is righteous and honorable and has a stalwart moral backbone. however, when you are given the responsibility of leading others, the impeccability of your own moral character must come second to what tangible results you can actually achieve for your people. and if you want to actually achieve any tangible results, instead of getting deadlocked forever or getting done in by your political enemies, you have to learn to compromise on some of your ideals. instead of freezing out the people you find morally despicable, you must learn to cooperate with them; otherwise, you will not achieve anything. and in order to achieve your goals, you must learn that not all of your goals are achievable--that, in order to get the more important of your desired measures passed, you must give up on some others.
now, this is almost the polar opposite of what MDZS as a text champions. arguably one of the central thematic thrusts of MDZS is the importance of not compromising on your ideals, even when it would be far more pragmatic to do so. thus, if lan wangji wanted to become a leader who could actually achieve things, he would have to directly contradict one of the most important messages of the very text that valorizes him.
the moral framework employed by MDZS to evaluate its characters and convey its themes is much more focused on ideals than on results. what matters to MDZS as a narrative is ultimately not the results of one's actions, whether one's righteousness led to joy or to ruin, but rather that one attempted to be righteous even in the face of almost inevitable failure. attempt the impossible, after all. the text of MDZS does not follow utilitarian ideas; it does not condemn wei wuxian for ultimately failing to save almost anyone. rather, wei wuxian's stalwart moral character is celebrated in spite of his failures because he, unlike everyone else, tried.
unfortunately--while someone who is only responsible for their own life can attempt the impossible, someone who is responsible for the lives of millions must instead achieve the achievable.
#mdzs#cql#lan wangji#wei wuxian#tbh as someone who leans heavily towards utilitarianism myself. i can't fully agree with a one-dimensional valorization of wwx.#sometimes the consequences of your actions matter. sometimes if it is apparent something will end in tragedy#you should not attempt it. even if it's righteous. even if it would be morally despicable of you not to try.#sometimes...the morality of an action is determined by its result. rather than anything inherent to the action itself.#sorry for the utilitarianism.#i guess this also explains why i gravitate more towards characters like jin guangyao and jiang cheng.#because they actually seem to understand that actions have consequences#and that sometimes those consequences are more important than maintaining one's own impeccable moral character.#they understand the limits of their own abilities.#are they always correct in their assessments of the situation? no. lmao.#but i find such pragmatic characters to be refreshing in a genre inundated both with single-minded “heroes”#and with writers desperate to exonerate said heroes from consequences.#yanyan speaks#bit of a haterpost sorry
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Dave Lizewski Icons
-> Kick-Ass (2010)
#kick ass#kick-ass (2010)#aaron taylor johnson#dave lizewski#dave lizewski icons#kick ass icons#kick-ass icons#**🦸♂️🎬#genre: action#aaron taylor johnson icons#atj icons#icon comics#movies#2010s movies#2010 movies#movie: icons#dir. by matthew vaughn#matthew vaughn#movie icons#hit girl
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realised. dean is the perfect viewer avatar for a horror show. he gets to be both the action hero and the quippy, self-aware wiseguy who knows he's in a horror show. he provides a safe point; a comfortable power fantasy for you to experience a story through. he's ash in the evil dead. he's a gunslinging tough guy, and you get to see those moments where heroism sits on his shoulders like an ill-fitting leather jacket. and even when he gets his turn at being captured and victimised by the narrative, it's filtered through this mythic lens first. he's the tormented hero; tortured by villains, tortured by the constraints of his role. yeah he gets bruised, beaten bloody to a pulp, torn to shreds and killed, but his perception of reality never gets thrown into serious doubt (unless it's played out as a gag). the narrative valorises his sense of right and wrong, because that's what heroic stories do. their heroes provide moral center, regardless of how we might judge them. the lines dividing hero, anti-hero, and villian are paper thin, and dean isn't truly ever allowed to be ambiguous. and the hero always wins in the end, even when he dies.
meanwhile sam is the abject object of the horror show, a character who gets trussed up, chased, tied up, ripped apart, cut into, possessed, exploited, manipulated and psychologically hounded. he's carrie covered in pig's blood. he's the marginal person people are cheering on either to die - or to live past it all. he gets his turn at playing both movie monster and victim, always occupying the liminal space between both. abject horror lives within him. he's violated with demon blood, he consumes demon blood. he hates halloween because he vomited his guts up in front of a room of normal children. he will never get to be normal, he's designated the freak on multiple levels, but most significantly, by the way his narrative frames him. he's living inside a world that is at its core, fundamentally frightening and horrifying - full control over himself and his surroundings is always slipping away, just beyond his reach. his grip on reality and the world around him gets thrown into question by the story consistently. what's right? what's wrong? what's real? what isnt? the narrative punishes him - because that's what happens to you when you're living in a horror. he can never run away from his nightmare reality, it catches up to him like a curse nipping at his heels. the only way out for him is through the punishing fire. in order to survive, he's required to be pushed to the absolute brink of instability; emotionally, physically and mentally. he emerges out the other end, barely holding it together but somehow alive - like the bloody final girl, changed irrevocably by what she's experienced.
#FINALLY releasing this. oof#finalgirlsamwinchester blog thesis statement#i do also think this is where the fundamental tension between how both brothers are treated by the narrative and the audience comes from.#it's interesting that the moment the show swaps into a grand heroic narrative (s4-5) its perspective shifts primarily to dean's#and as the show grew into becoming a primarily action adventure narrative. dean takes center stage! that's his home genre!#sam fades away bc ultimately. the kind of horror he lives in isn't appealing to the Generalist possible audience.#at the end of the day. guy designated as The Freak has less mainstream appeal :((#my meta#j.txt
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
--
Let's talk about Option A: Akemi.
As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
--
Then, of course, we have Option B: Taigen.
Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
#blue eye samurai#mizu x taigen#mizu x akemi#mizu blue eye samurai#mizu x akemi x taigen#blue eye samurai meta#also if you ask me PERSONALLY. based on my own analysis which you can read above. personally i'm placing my bets on option b (mizutaigen)#and this is simply bcs i think mizu deserves nice things and that includes getting dicked down and pampered and worshipped#whoops who said that#also mizu deserves to live a life where she can hand taigen's ass to him on a daily basis. ykwim.#BUT i am def open to a change of opinion regarding the mizuakemi rship as the story progresses#i just dont want the writers to reduce akemi into nothing but a love interest for mizu#the only way i can see a happy mizuakemi endgame scenario is if blue eye samurai becomes purely an angsty romance story#in which case then yes i fully endorse the akemi ending <3#but that would probs require a whole genre overhaul? bcs currently the show is firstly an action-epic where the romance is just a subplot#but even tho i dont reeeeally want a mizuakemi endgame i still DEF want mizu & akemi to be romantically and/or sexually involved plsss <3#like they cant have that slow-mo shot between the two of them as their first encounter and NOT DO ANYTHING W IT!!!#also i want mizu to be at LEAST a little sapphic plsplspls#shut up haydar#meta dissertations.pdf#haydar's fandom posts#i wrote this whole thing while delirious and covid positive
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The fans: Ugh Sonic was just so preachy. I mean obviously he's supposed to be the good guy, so any uncomfortableness I feel here and any way I feel like Sonic's choices are framed as being why some other people have shitty lives is just bad writing because he is obviously supposed to be right always, but this characterization makes no sense. Isn't he right for the things he did?
Ian Flynn, using Kitsunami to say the (barely even at this point) quiet part even louder: Hey it's almost like ever since the Mr. Tinker event we've been purposely running with the critique of Sonic as being more selfish than he appears. Sonic is upholding a system of Eggman v Sonic that currently benefits him and shuts down talk of how to improve the current system because he likes his own personal enjoyment and he's attached enough to Eggman that he'd rather Eggman pretend to be a good person than be stuck in prison for life. He doesn't even quite practice what he preaches. We are trying to show that the current hero v villain system and Sonic's recklessness currently affects some people poorly and that Sonic isn't a perfect hero.
#fandom wank#sonic the hedgehog#idw sonic comics#idw sonic 2024 annual#2024 sonic annual spoilers#idw somic comic spoilers#idw sonic spoilers#idw 2024 sonic annual spoilers#i just be ramblin#god one of these days I need to commit to the sonic character essay#because you HAVE to be able to see Sonic as a multifaceted character that is surprisingly selfish and a bit self centered despite his image#as a good hero who is always right to understand what the writers for Sonic Prime and Idw Sonic are trying to do#The point is not that Sonic is secretly a bad guy or anything#the point is that we're already primed to assume that anything Sonic does is a good thing because he's a hero and protagonist of what is#considered a 'children's media'#And people who can see those moments in different games or properties times where Sonic isn't being so good as him actually not being so#good of a person are primed to explain it away as flaws of the writing or the genre at that time *because* Sonic's behavior is not said to#be bad or punished in those games#And become we're already primed to assume that Sonic is already the good guy who's making the best choices no matter what‚ it's supposed to#be shocking when the narrative takes a step back and gives a critique of this status quo by showing us the effects of it#But instead of having some sort of eye opening event or being willing to meet the narrative where it's at#99% of the people who post here got uncomfortable and just doubled down‚ saying that because these things are being pointed out and some of#Sonic's actions (that aren't even alien to the games)#are being framed in a not so good light‚ then it must not be purposeful. That it must be bad writing through and through and just bad#Sonic characterization#because for people who claim they want Sonic as a series to be deeper and more thought out they sure start to pearl clutch when they feel#like a property isn't being as shallow as the very same games they think kinda suck#anyways anyways sorry about the rant I'll get back to regularly scheduled posting after this#vent post
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This post is so interesting. I swear I'm not being a bitch, I'm legitimately intrigued as to how this happens. This reads like the kind of post somebody would make if they were only familiar with "romance novel" as an abstract concept. Actual romance novels employ a similar grammar of pretty codified tropes, and arguably a lot less diverse in practice. And there is abundant fanfic that expressly functions as an epic narrative on intimacy, so much so that Elizabeth Woledge proposed the "intimatopia" as a distinct form within the genre. So like, what you are asking for here is either the Brontë sisters or Vincent Virga (gay Brontë sisters) or most likely just fanfiction of a particular literary quality. Which, yes, I understand is a tall order.
#once again most complaints about prose fiction boil down to wishing more people wrote better irrespective of the 'tropes' involved#or the genres in which they choose to toil. I can relate. the answer is unglamorous and the remedy not realistically actionable.
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ten frames.
revenge (2017) — dir. coralie fargeat
vfg31 horror film challenge: day 7 · female directed
#revenge#revenge movie#revenge 2017#movie log#october 2024 watch#10 frames#vfg31#genre: horror#genre: action#era: 2010s#country: france#film screencaps#matilda lutz#kevin janssens#vincent colombe
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when toshiro got on laios ass for being inconsiderate and never thinking about how his actions affect others like he was mean abt it but hes not wrong. Thats a pretty major character flaw and a pattern of behavior for laios — w not choosing jobs that made money for namari who is in a pretty dire financial situation where she cant even get off the island and has to go adventuring in the dungeon to get out of debt, who even explicitly brought this up, eating marcilles familiar immediately even tho she was attached to it, kidnapping shuro into his party and putting him in life threatening situations without like really checking he wanted to be there…?, wanting to see if izutsumi has more than one set of nipples when dehumanization is a HUGE huge issue for her the list goes on and on and on. Like when a friend does this to you its just kinda annoying but when ur the leader u really should be checking if everyones needs r met without them telling u. Like the autism plays a factor for sure, his cultural upbringing plays a factor for sure, but as ppl regardless I think u gotta step up to meet the needs of ppl in the moment or realize u shouldnt be calling the shots. just bc its influenced by factors out of ur control does not make it not a serious character flaw. And its written as such in the story.
#It makes him an interesting character w nuance and i like him for it#its a pretty big flaw dungeon meshi hits over ur head several times#And part of his character arc to grow as a leader who can communicate and take other ppls needs into consideration effectively so he can#be an effective king (an ending im still like kinda confused abt like i get its thematically full circle moment and a love#letter to the genre but like WHAT)#Granted ppl in glass houses shouldnt throw stones since shuros also a poor leader (worse than laios)#to the point that i think its a stretch to say it wasnt maizuru leading that party like “shuros party” i mean he sure was in their proximit#but his opinion does actually matter to laios and gets him to listen so ig it had to be said 😔#dungeon meshi spoilers#Laios touden#But like it was not the first time this was brought up to him… cmon man#Toshiro is a sheltered rich kid with no conflict resolution skills who at least was kept materially comfortable his entire life#tho on the other fronts… genuinely he wouldve been happier if he wasnt born into that family#and when hes angry his actions become vicious and targeted to a shocking degree#but his assessment of situations tend to be accurate to a degree thats surprising for a person from another culture thats only been there#For 2 yrs#toshiro nakamoto#in da tags i suppose#Shuro
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↳ @animangacreators challenge #9 : Action Genre Challenge ⇾ first prompt : favorite action animanga
⋙ Shingeki no Kyojin + The Nine Titans
#snk#shingeki no kyojin#attack on titan#dailyanime#anisource#snkedit#mygif#amc challenge#aot#shounenedit#action genre challenge#eren jaeger#Annie leonhardt#armin arlelt#reiner braun#falco grice#pieck#zeke jaeger#lara tybur#Ymir fritz#why are you not getting published
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twisters (2024) is a rom com in disaster movie drag the way that the mummy (1999) is a rom com in horror movie drag and you can't change my mind
#if there aren't at least several hundred fics about the otp and/or ot3 by the end of the year i'll be disappointed#because having seen the movie and had a delightful time: your honor‚ i ship it#twisters#the mummy#like there are action movies that are action movies#and then there are action movies that are rom coms having a really great night out‚ y'know?#like it's performing a genre in ways that feel campy and silly without needing to strictly adhere to the structure#(i suspect a lot of this has to do with the agency or lack thereof of the female lead but that's a post for another time lol)
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