#general public

[sowhatifiliveinfukuoka]

Ranking Roger (1963-2019)

[musickickztoo]

Dave Wakeling *February 19, 1956

Ranking Roger

February 22, 1963 – March 26, 2019

[zoezoegr]

Art I've made this year: January-March

Inspired by all this jazz:

[alarrytale]

Excuse me, what does gp mean? I’m sorry i’m new.

Hi, anon!

GP is short for the general public. Your uncle, your neighbour and your dentist, basically anyone who doesn’t belong to fandom or are a part of the fanbase who are only exposed to headlines in newspapers and don't know anything about the celebrity in question beyond that.

[ominous-synths-records]

Never You Done That (Dub Mix) - General Public

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[churchofsatannews]

The Metro #742

This week on The Metro, Rev. Jeff Ivins brings you another week of 80s tunes to take you back featuring: Crowded House, Sting, Culture Club, General Public, Jona Lewie, Iggy Pop & Kate Pierson, Devo, Dragon, A-Ha, Rod Stewart, Duran Duran, Laura Branigan, and finishing off with Gazebo. Stream The Metro #742. Download The Metro #742.

[fieriframes]

[These are your pork sisig nachos. WOMAN: Filipino food is something but sartre had to return to teaching, initially in Le Havre again to. Not many people know about it, and Señor Sisig is doing a great job introducing it to the general public.]

[sowhatifiliveinfukuoka]

Ranking Roger (1963-2019)

[musickickztoo]

Ranking Roger

February 22, 1963 – March 26, 2019

[radiophd]

general public -- tenderness

[polaroidtransfers]

General Public

Tenderness

[julio-viernes]

Calores para Dolores. Nunca presté demasiada atención a Big Audio Dynamite, ahora escucho su primer LP por recomendación de Tormento Caribeño y se lo estoy agradeciendo. Con la espantosa canícula me he puesto con el grupo que hizo Mick Jones tras ser expulsado de los Clash. En realidad, lo primero que hizo fue crear General Public con Ranking Roger y Dave Wakeling de The Beat, pero ese no era su grupo, y en mitad de la grabación se fue con Don Letts y compañía. "This Is Big Audio Dynamite" no es ninguna maravilla, pero es un entretenido elepé que tiene el inconveniente de un abuso de sampleo a veces de un modo tontaina y patocho (no al nivel de la ultra patochada de S. S. Sputnik) que estropea en parte el disco. En cualquier caso lo que hizo Jones me parece fresco y atrevido, y aunque suene en 24 un tanto trasnochado, Jones le ganó con claridad la partida a Joe Strummer con aquella cosa en LP que sacó a nombre de Clash en 1985. Esto es mejor, más lanzado, más vacilón, más divertido y bailón. En cierto modo creo que me gusta por la misma razón que me encanta "More Specials". "The Bottom Line", por supuesto, le debe todo al "White Lines" de Grandmaster Flash.

[threezoz]

URL Tag

Spell your url with song titles and tag as many people as there are letters

thanks @negrowhat!

T- tenderness - general public

H- hala hala - ateez

R- ruin - usher, pheelz

E- everywhere - fleetwood mac

E- empty walls - serj tankian

Z- zimbabwe - bob marley

O- opium of the people - slipknot

Z- zimzalabim - red velvet

tagging: @ciaraloves @stillfrozenpoptart @hungryriverbeast @storkmuffin

@theshitpostcalligrapher @demented-tours @dharmagun @magicpotatoobsession (you don't have to, some of y'alls urls long as hell 💜)

[ominous-synths-records]

Tenderness (Special Dance Mix) - General Public

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[youare-so-goldrush]

GUYS I THINK I FIGURED SOMETHING OUT

So y'all know the last great american dynasty, right? A song about Rebekah Harkness written by Taylor Swift because she brought her house. With one of her best bridges i might say.

But today i'm here to talk about the inexactitudes of the songs, saying things about Rebekah's life that are not actually true. Well, I won't discuss what these mistakes are but, instead, why are there. Because i don't think they're accidental. I'm sure that, during loockdown, Taylor had plenty of time to do some research on the former house owner of her house, specially if she was planning to write a song about her.

As I said before, the question here is why would she keep the mistakes. Some could say that they're just artistic licences to make more exciting Rebekah's story, but what if it's really a reflection of Taylor's own story? Or narrative, to be more precise.

Maybe the general public is ok with believing all the rumors that appear on tabloids. Regular swifties probably won't believe them all because they know Taylor's history with this, but if She pushes a narrative through media and her songs make a bit of sense with it, they'll believe it too.

I say this because, maybe, this is what Taylor intended writing a song based on what we could call false rumors and make her regular audience believe Rebekah Harkness' life was like she says in tgad... the same way the general public belive she writes songs about her exes and the things said on magazines.

As a Gaylor and a Larry I always try to investigate everything related to Taylor to make sure i can get the closest image to Taylor's actual life, but maybe this song was kind of a hint (or easter egg) or advertising about not to believe everything we hear/read?

Either way, i don't know if this makes sense at all. I'm writing it at midnight after an exhausting week and English is not even my first language...

@taylorswift please confirm 🙏🙏❤️