#gazing up

[wiirocku]

Acts 1:10-11 (NKJV) - And while they looked steadfastly toward heaven as He went up, behold, two men stood by them in white apparel, who also said, “Men of Galilee, why do you stand gazing up into heaven? This same Jesus, who was taken up from you into heaven, will so come in like manner as you saw Him go into heaven.”

[from-a-spiders-web]

Portrait of a Woman Ary Scheffer

[cinnamon-coffees]

“It’s literally impossible to be a woman.

You are so beautiful, and so smart, and it kills me that you don't think you're good enough. Like, we have to always be extraordinary, but somehow, we're always doing it wrong?

You have to be thin, but not too thin, and you can never say you wanna be thin. You have to say you wanna be healthy, but also, you have to BE THIN.

You have to have money, but you can't ask for money because that's crass.

You have to be a boss, but you can't be mean.

You have to lead, but you can't squash other people's ideas.

You're supposed to love being a mother, but don't talk about your kids all the damn time.

You have to be a career woman, but also, always be looking out for other people.

You have to answer for men's bad behavior, which is INSANE, but if you point that out, you're accused of complaining!

You're supposed to stay pretty for men, but not so pretty that you tempt them too much or that you threaten other women because you're supposed to be a part of the sisterhood, but ALWAYS STAND OUT and ALWAYS BE GRATEFUL. But never forget that the system is rigged, so find a way to acknowledge that but ALSO, always be grateful!

You have to never get old. Never be rude. Never show off. Never be selfish. Never fall down. Never fail. Never show fear. Never get OUT OF LINE. It's too hard! It's too contradictory, and nobody gives you a medal or says 'thank you!' And it turns out, in fact, that not only are you doing everything wrong, but also, everything is your fault.

I'm just so tired of watching myself, and every single other woman tie herself into knots, so that people will like us.

And if all of that, is also true for a doll just representing a woman, then I don't even know." -Gloria the barbie movie

this is it. this is exactly it oh my god.

[egophiliac]

you know, I've been thinking about it, and there is actually one single scenario in which I would be okay with not getting a big ol' "Silver Vanrouge" out of Lilia.

(just kidding, I still need some "call me Silver, Mr. Vanrouge is my father" in my life, please don't let me down on this one Twst)

[anbaisai]

Blep. (Sequel to the boop)

Or alternatively titled: Snake Jamil, but even larger noodle

The species that Jamil is based on here is called the Blood Python (special thanks to @kirexa for the information!), which can reach an average of 4-6 ft in length and up to 30 lbs in weight.

Bonus panel:

[densewentz]

no im not thinking constantly about the early game hilarity of when its just the ladies of da:v lounging around the dining room watching a freshly freed Lucanis bus about the stoves making food for his new strange flock of poorly fed women.

[thank-you-my-friend]

[baeshijima]

hmmm.... thoughts about composer!reader, whose pieces are always created for and featured in mr reca's films/projects.

people aren't sure when it first started, but in the release of one of his prior films was an ost. of course, it's not unusual to have music in such projects, but that one had felt... different, somehow — in the way its composition struck the chords of many, with billions across the cosmos instantly scouring for who made that piece.

it, of course, didn't take all that long when your name was featured in the credits. however there was barely any information aside from your name and credentials. (seriously, how could there not even be a single photo?!) no one knew what you looked like for quite a long time, only ever recognising your name and your music; even despite the numerous interviews, mr reca had never disclosed anything about you other than your talents. it came to a point where everyone believed they would never see your appearance.

well, until all hell broke loose during the annual intergalactic film awards, that is.

everyone already knew the drill — if mr reca had directed a film that year, it would undoubtedly win the adapted/original screenplay, cinematography, directing, production design, sound, music (original score and song), and film of the year awards, which also led to you winning both the music awards. usually, the composers would be the ones to collect said awards. however, the masses have become used to mr reca being the one to collect them on your behalf with thank you's also on your behalf.

that's how it's been ever since you made your mark in the universe, and so it really is understandable the uproar created by those in and out of attendance when the one who went collect the two awards wasn't the esteemed director, but a completely unfamiliar person; you.

you are definitely younger than they originally thought, having believed it must have been someone of a senior status of sorts to have consistently created such masterpieces. all eyes are trained on you as you step on stage and into the limelight for the first time, the light enhancing your features and formal attire when approaching the mic with a small flashcard in hand. your mouth opens, and the audience leans in with baited breaths as they await your first words.

...only for nothing to come out.

everyone watches a little dumbfounded as you try to talk once more but, aside from gaping like a fish, your efforts remain futile. it doesn't take long for you to clamp your mouth and eyes shut, even raising the awards in front of you in an attempt to shield your face from the crowd.

you... you were just really shy. or maybe a little...socially awkward, perhaps...? if this was the reason you never showed yourself, then they're beginning to understand why...

it passes in a blur — quite literally in that of brown. one moment you are alone on the stage, the next you have the presence of the renown director standing slightly in front of you, as though acting as a shield from the many prying eyes.

"apologies," he begins, his usual smile on display, "but my dearest composer has been suffering with a sore throat these past few days. on their behalf, we thank you all kindly for your support in our work."

and then he swiftly leaves with you tucked under and shielded by his coat, murmuring unreadable words to you as you both disappear backstage and leave everyone in a state of frenzy; to both those inside the ceremonial hall, and to those watching live elsewhere.

(it was only discovered after the awards ceremony concluded what the director had said to you, with the uploader being dubbed as a holy saint for their contributions to society. while the visual aspects of the video itself were not the clearest, barely anyone had it within themselves to complain when the audio was clear as crystal:

"and here i thought you were going to be brave and face your stage fright after all that pep-talk you gave yourself on the way here."

"i'm sorry... i really thought i could do it this time..."

"now, now, i'm merely teasing. you made a big step just making an appearance here today. i know how much courage this took for you, and i'm proud of you for facing it."

"really...?"

"but of course. i'm always proud of you, [name]. there is not a moment where i haven't been.")

(it also was not long until the cosmos was taken by storm when various pictures snapped during the awards ceremony spread. the millions of candids featuring you were one of the most liked and shared, with the top spot joined by the sequence of pictures taken of mr reca's soft expression when watching you onstage, into his realisation of your predicament, into him running onstage and shielding you from the cameras when making your way backstage.)

(...the drastic influx of fan accounts dedicated to both you alone and to you and reca should really be a studied phenomenon.)

[katebeckets]

how to say "I love you" in x-files [28/?] ⤷ 4.18 — “Max”

[wuntrum]

happy crash wednesday

[ohtendril]

2.07 - 3.08

[carnivalcarriondiscarded]

another little barn for us all while we Anticipate <3

[meidui]

that look...

[speakofcompersion]

cutie moments during Ephemeral Gaze soundcheck 😌💘 [240901 WANT / SITA]

[jessmalia]

Dear Bonnie, I’m a coward. I should be saying this to your face, not writing this letter, but I know if I do you’ll talk me out of running away from all my problems. You’re gonna make me face a future without Elena and you’re gonna help make me the best man I could possibly be, the same way she did. And I’m absolutely terrified of failing you both. So, I’m leaving. Because I’d rather let you down once, than let you down for the rest of your life. And I hope it’s the happiest life. Because you, Bonnie Bennett, are an amazing woman, a mediocre crossword puzzle player and my best friend. 

With great love and respect, Damon.

[demontobee]

Good Omens is queering TV/storytelling - part 1: GAZE

I would argue that part of why Good Omens is so refreshingly queer is because it does not cater to the male gaze (which centers around the preferences - aesthetic, romantic, sexual, visual, logical, emotional, political ... - of mainly white men in positions of power):

no oversexualization of groups or types of people: Women or characters that could be read as female presenting are not overly sexualized. In fact, some of them are shown to be grimy, slimy and not sexual at all. All of them are real characters and not just cardboard-cutout on-screen versions of male misogynistic fantasies. They portray real people with real people problems. They are human, or exempt from our categories when portraying angels or demons. There are no overly sexualized bodies in general (as has so far also often been the case with young gay men, PoC, etc.), no fetishization of power imbalances, and not exclusively youthful depiction of love and desire.

sex or sexual behavior is not shown directly (yet): All imagery and symbolism of sex and sexuality is used not to entice the audience but is very intimately played out between characters, which makes it almost uncomfortable to watch (e.g., Aziraphale being tempted to eat meat, Crowley watching Aziraphale eat, the whole gun imagery).

flaunting heteronormativity: Throughout GO but especially GO2, there is very little depiction of heterosexual/romantic couples; most couples are very diverse and no one is making a fuss about it. There is no fetishization of bodies or identities. Just people (and angels and demons) being their beautiful selves (or trying to).

age: Even though Neil Gaiman explained that Crowley and Aziraphale are middle-aged because the actors are, I think it is also queering the idea of romance, love and desire existing mainly within youthful contexts. Male gaze has taught us that young people falling and being in love is what we have to want to see, and any depiction of love that involves people being not exactly young anymore is either part of a fetishized power imbalance (often with an older dude using his power to prey on younger folx) or presents us with marital problems, loss of desire, etc. – all with undertones of decay and patronizing sympathy. Here, however, we get a beautifully crafted, slow-burn, and somehow super realistic love story that centers around beings older than time and presenting as humans in their 50s figuring out how to deal with love. It makes them both innocent and experienced, in a way that is refreshing and heartbreaking and unusual and real.

does not (exclusively) center around romantic/sexual love: I don’t know if this is a gaze point exactly but I feel like male gaze and resulting expectations of what a love story should look like are heavily responsible for our preoccupation with romantic/sexual love in fiction – the “boy gets girl” type of story. And even though, technically, GO seems to focus on a romantic love story in the end, it is also possible to read this relationship but also the whole show as centering around a kind of love that goes beyond the narrow confines of our conditioned boxed-in thinking. It seems to depict a love of humanity and the world and the universe and just the ineffability of existence as a whole.

disability as beautiful and innate to existence: Disability is represented amongst angels by the extremely cool Saraqael and by diversely disabled unnamed angels in the Job minisode. Representation of disability is obviously super important in its own right, but is also queers what we perceive as aesthetically and ontologically "normal". Male gaze teaches us that youth and (physical and mental) health are the desirable standard and everything else is to be seen as a deviance, a mistake. By including disability among the angels, beings that have existed before time and space, the show clearly states that disability is a beautiful and innate part of existence.

gender is optional/obsolete: Characters like Crowley, Muriel and others really undermine the (visual and aesthetic) boundaries of gender and the black-and-white thinking about gender that informs male gaze. Characters cannot be identfied simply as (binary) men or women anymore just by looking at them or by interpreting their personalities or behaviors. Most characters in GO, and especially the more genderqueer ones, display a balance of feminine and masculine traits as well as indiosyncracies that dissolve the gender binary.

Feel free to add your own thoughts on this in the comments or tags!