#gay people in horror !!!

[plaguedocboi]

I still think about the time months ago I was advertised a book that was being marketed as a “queer horror retelling of Moby Dick” like. Girl. I don’t think you have any business “retelling” a story if you clearly don’t even know what the original story was about.

[bunnieswithknives]

Gore, Violence and Blood under the cut

What a mess

[buqbite]

part 1 (on VA and being better than humans)

part 2 (on welt and being just a human)

[antivoiid]

horrorberry . lust is mad . this is from that one roleplay

character designs too . the first two are the same characters ( his name is taradiddle , he is cattywampus brother ) , the last one is a custom trade i did with someone

[vancalox]

i genuinely love love love the iconoclast path in rogue trader SO MUCH. its one of the things that ultimately enamors me to the warhammer franchise as a whole despite empathy being so antithetical to its world and genre. its not just because iconoclast is the Nice Person route or because it subverts the foundational principle that In The Grim Dark Universe There Is Only War............ but mostly i love it because its the best way to actually engage w the morality system presented in 40k and explore it the way it deserves to be explored. its so unique parsing through the choices of the game and navigating how one might actually ACHIEVE goodness through - or more accurately without - the lens of liberal modern morality. because adhering to what we presently would call morality is arguably crueler than some of the dogmatic choices - or at least the game wants you to reflect on that and decide if that kind of morality still has value or not. and i like that they give you the opportunity to do that. youre rarely rewarded for kindness in this game and in fact your oftentimes actively punished for it (void shadows was a TRIAL for my iconoclast rt) which presents another question: are you being good because of a reward you believe you'lll be entitled to, or are you being good for the sake of goodness itself??? in saying that i do LOVE how there IS payoff in the iconoclast route eventually - when youve bleed and suffered for it enough. but theres a quality to it thats so..... so BITTERSWEET, because yippee you Empathed your way to the top - but also what IS the top?? congratulations, you are the kindest autocrat in the most bloodthirsty fascist regime in human history, sitting on your throne on a voidship run by all your slaves and serfs who die by the hundreds every time you make a warpjump for some dumbass sidequest. what the fuck. can you actually call that goodness ????? is whatever goodness-adjacent thing youve achieved worth it even if you cant change the system in the ways that matter ??? lastly - the iconoclast ending is both so wildly universe-altering to the point of feeling like a heretical ending - but also kind of. not mattering really lol. because even though its hopeful, the "good" ending still feels soooo tentative with the likelihood that its very likely not going to last. but that in itself is my favorite take away from playing this game as The Last Good Guy in the Galaxy: because the love DIDNT change anything. and it DOESNT save anyone. but ohhhhhhhhh my fucking god does it absolutely matter that it was there.

[officialbadsanses]

handy chart of the relationships for the BSP

Stars + MORE under the cut

[spyboy2000]

[fazgoo-connoiseur-1987]

Been thinking a lot recently about how William Afton definitely falls into a lot of queerphobic tropes. And how he's pretty dehumanised within the story because he does awful things. And how both of those things together feel extra icky.

I feel like Scott just gave him a bunch of things to make him feel 'creepy' and a lot of those were just him being queer or mentally ill and he's the only character who really presents that way and oh my god. He exclusivly murders CHILDREN, guys. That's TEXTBOOK gaypanic shit, guys.

[dimeadozencows]

This came to me in an early morning queer haze

Kissing my medics good morning (I am your husband heavy and I love you)

[eggtomatosoup]

messing around w/ brushes

[akolnoix]

subject: no hard feelings! :D

[nekromaxxing]

trying to decide which of my drawings to post on tumblr is such a funny experience like... do i post a piece i spent hours on or do i post jack and david getting sloppy

[vanrougenui]

i went into tbhk in 2018 thinking its a cute slice of life comedy manga oh the way tides change.... it was never a comedy slice of life manga to begin with

[philtrashnumber66]

How it feels living in a world where destiel is canon, MCR is going on tour, Dan and Phil are openly gay and Kirk and Spock have been reunited

[ghiertor-the-gigapeen]

gongoozler and mermaid annus for mermay

[liquidstar]

I know Ivan's sacrifice was more theatrical but let's not forget the OG. The lead up to Sua's death was quiet, which made it all the more gut wrenching. Sua kept Mizi in the dark about it, knowing it would be their final performance. It was their dream- or at the very least, it was Mizi's dream, to sing together on stage like that. So Sua sang her heart out, letting Mizi live this dream for only a moment. We did it! We made it! So it's okay! She makes Mizi shine, and falters only slightly to make sure she's the one to go. She smiles at Mizi one last time to tell her it's okay. But it's not okay, the happiest moment of her life will now be forever tainted with unspeakable grief. Mizi has been kept in the dark about the horrors of Alien Stage, and she was brutally awakened to it in an instant. And though this ultimately leaves her traumatized, she knows. She's more free by knowing. She's the rebel Mizi we know now because of Sua's sacrifice. Whatever revolution happens at the end of this story will be because of Sua's actions too. I think Ivan is wrong in saying that Sua's sacrifice will only leave Mizi trauma, she left a lot of good too. Sua's death is the real inciting incident, her sacrifice wasn't pointless, her life had meaning. She was Mizi's entire universe. She was God.