#gary revel

[garyrevel]

Cycles - Gary Revel

[mactavishenjoyer]

What I think the Call of Duty Modern Warfare characters favorite resident Evil characters are and no I'm not elaborating.

Price: Barry Burton

Soap: Carlos Oliveira

Roach: Raymond Vester

Ghost: Leon Kennedy (Says it's hunk tho)

Gaz: Keith Lumley

Laswell: Jill Valentine

Alex: Ada Wong

Farah: Piers Nivans

Hadir: Dylan Blake

Alejandro: Rebecca Chambers

Rudy:Moira Burton

Valeria: Alex Wesker (the superior Wesker)

Graves:Albert Wesker

Shepherd:Morgan Lansdale

[barrowsteeth]

[darktripz]

[r0semultiverse]

Okay you know what? I’m gonna say it. Tumblr staff knew @midnight-revelation & I would be insufferable about the queen’s passing if they didn’t make one of our accounts block the other. That’s my conspiracy theory on this. He sent me an entire whole honestly believable conspiracy theory about The Queen having already passed and then guess what? She fucking died. LMAO Like the amount of jokes we would have been passing around on each other’s dashboards would have hit post limit for a few days in a row probably! Someone on tumblr staff is a Queen liker! SOMEONE ON TUMBLR STAFF LIKES THE ROYAL FAMILY!

[littletroubledgrrrl]

The Men I Had Crushes On This Year

There are some men out there I wonder if I had crushes on them or not, including some of the men in this gifset.

I would add some male porn stars to this gifset, but I can't find any videos of them on Youtube to make gifs of.

[xtruss]

A River Runs Through It, 2021, oil, acrylic, resin, aluminum, fishing line, fishing hooks, wood, nails, cigarette butts, graphite, glass flakes, lipstick, hinge, ink, canvas on shaped panel, by Chloe Chiasson © The artist. Courtesy Albertz Benda Gallery

The Worm Charmers! A Florida Family Coaxes Earthworms From The Forest Floor

— June 04, 2024 | By Michael Adno

A Hint Of Blue On The Horizon meant morning was coming. And as they have for the past fifty-four years, Audrey and Gary Revell stepped out their screen door, walked down a ramp, and climbed into their pickup truck. Passing a cup of coffee back and forth, they headed south into Tate’s Hell—one corner of a vast wilderness in Florida’s panhandle where the Apalachicola National Forest runs into the Gulf of Mexico. Soon, they turned off the road and onto a two-track that stretched into a silhouette of pine trees. Their brake lights disappeared into the forest, and after about thirty minutes, they parked the truck along the road just as daylight spilled through the trees. Gary took one last sip of coffee, grabbed a wooden stake and a heavy steel file, and walked off into the woods. Audrey slipped on a disposable glove, grabbed a bucket, and followed. Gary drove the wooden stake, known as a “stob,” into the ground and began grinding it with the steel file. A guttural noise followed as the ground hummed. Pine needles shook, and the soil shivered. Soon, the ground glowed with pink earthworms. Audrey collected them one by one to sell as live bait to fishermen. What drew the worms to the surface seemed like sorcery. For decades, nobody could say exactly why they came up, even the Revells who’d become synonymous with the tradition here. They call it worm grunting.

Audrey and Gary Revell took to each other in high school. In 1970 when Gary graduated, he asked Audrey to be his wife, and they married at his grandfather’s place down in Panacea, about thirty miles south of Tallahassee. For his entire life, he’d lived on an acre six miles west of Sopchoppy, Florida, in an area known as Sanborn. The place is set deep in the heart of the Apalachicola National Forest, a vast expanse of flatwoods and swamp that covers over half a million acres struck through with rivers. It’s where he and his siblings grew up in an old church building, where his great-grandfather had settled after finding his way up Syfrett Creek into the wilderness. It’s where Audrey and Gary settled after their wedding. “I was only sixteen, so I feel like I grew up here,” Audrey told me. Soon after, they started looking for ways to make ends meet, and Gary suggested, “We might ought to look into that worm thing.”

His family was already deep into worm grunting. Three generations preceded him, and by 1970, his uncles Nolan, Clarence, and Willie weren’t only harvesting the worms to sell as bait but were working as brokers with their own shops that distributed the critters throughout the South. It didn’t hurt that Audrey fell in love with it immediately. The work was seasonal, busiest in spring. During other parts of the year, their family trapped for a living, dug oysters, logged, raised livestock, and set the table with what they grew in their yard or caught in the water or in the forest. “That’s how we learned the woods,” Gary said. “We went in every creek, water hole, pig trail. You name it.”

By the 1970s, the cottage industry had reached its peak. Then Charles Kurault arrived in 1972 to film a segment for his eponymous CBS show, On the Road with Charles Kurault. The attention led the Internal Revenue Service and the U.S. Department of Agriculture to start regulating the harvest of worms, investigating unreported income, and implementing permit requirements. Back then, the sound produced by grunters in the first hours of daylight was as common as birdsong in this forest, and hundreds of thousands of worms were carried out in cans. Folks who once turned to grunting to make ends meet seasonally were soon in the woods year-round during that decade, competing to summon the bait to the surface and sell to brokers among the counties set between the capital city and the Apalachicola River. Millions of worms left those counties bound for fishing hooks across America. Money followed the pink fever, but as with any rush, the demand eventually dimmed as commercial worm farms caught on and soft, plastic lures became popular.

By that point, Audrey and Gary had decided to shape their own outfit. His uncles had told them, You ought to just think about keeping all that money to yourself. The couple had grown tired of depending on others for work. So, they set up their own shop full time, cultivated clients as far away as Savannah, and delivered bait all over the South, driving it themselves, or sending it north in sixteen-ounce, baby blue containers via Greyhound buses. “All the money was coming our way, what little we made,” said Gary. “We struggled with it for a long time, because when you get off the grid like that and try to do it for yourself and you’re young, it’s hard.”

I wanted to know what spending their life in the woods hunting for worms meant, but I also wanted to know where this mysterious, artful tradition came from. In the UK, there are a handful of worm-charming competitions and festivals in Devon, Cornwall, and Willaston that began in the 1980s and another in Canada that started in 2012. I’d heard of similar events in east Texas, of people using pitchforks and spades as well as burying one stick in the ground and rubbing it with another to coax worms up to the surface. Later, I even found a newspaper clipping from 1970 reporting on the first International Worm Fiddling Championship, in Florida. I searched for a deep well of literature on the practice but found nothing. Certainly, worm grunting predated the Revells. But why did rubbing a stick stuck in the ground with a metal file conjure earthworms? The only way to understand was to follow the Revells into the woods.

In February, I carved out toward the Revells’ place from St. Teresa, a strip of homes along the Gulf coast. Going first through Tate’s Hell, then turning west through the tiny town of Sopchoppy, I slipped into the forest as the distance between each home grew wider and wider. I found myself in a sea of slash and longleaf pine. Six miles later, I met Gary Revell in his driveway beneath an eastern redbud throwing its first spray of pink flowers. “Morning, Mike,” he said with a contagious warmth. In their kitchen, I met Audrey, who had already poured a cup of coffee, set out milk and creamers, and had a jar of sugar in hand. A few minutes later, we piled into their truck and drove down a narrow vein of road near Smith Creek. A horned owl drew a line through the trees, where the yellow flowers of Carolina jessamine crawled over palmettos. Black water pooled in ditches alongside the narrow road lined with bald cypress and the periodic sweet bay magnolia. By the time we reached where we were going, I had no sense of how far we’d gone or where we were.

Although the northern borders of the Apalachicola National Forest press right up against the Tallahassee airport, the place is remote. Across nearly six hundred thousand acres, you could spend lifetimes trying to map its dizzyingly vast flatwoods, hydric hammocks, and cypress stands. Two hundred and fifty million years ago when our contemporary continents formed, Florida’s peninsula broke off a fault line belonging to what’s now West Africa; they share the same basement rock today. Fifty-six million years ago, as sea levels receded, the Suwanee Current flowed from the Gulf of Mexico across what’s now Florida’s panhandle, bisecting Georgia before running into the Atlantic. And over the next twenty million years, Florida appeared first as an island separated from North America by a sequence of patch reefs before sea levels continued to fall and a bridge formed with Georgia, revealing this very forest. A few thousand years later, the bones of the southern Appalachians, ground into dust by glacial erosion, washed out of the Apalachicola River Valley and formed barrier islands that rim Apalachee Bay today. That river carried sediment down through Georgia and into the Gulf, which flanks the western edge of the forest. And as you move east, the New River, the Ochlocknee River, and the Sopchoppy River flow through the forest made up of two districts. An archipelago of sinkholes and hardwoods is lacerated by thin roads that mirror oxbows in the rivers. In 1936, when the land was declared a national forest, it became one of America’s southernmost pockets of wilderness and among the world’s most unique ecosystems. As the Revells told me, many are afraid of the place, scared to step foot out of the car. “I’ve walked all over all these woods, so I love them,” Audrey said. “A lot of times when we’ll be going to work in the mornings, we won’t meet a single car. It’s just nice being out here mostly alone. You know?”

Left: Gary Revell roops in a stand of recently burned trees in the Apalachicola National Forest just after daybreak. Right: A native earthworm, Diplocardia Mississippiensis, crawls across the ground before Audrey Revell collects it by hand. Photographs By Michael Adno

That first morning I spent with them, the Revells made their way to a part of the woods called Twin Pole. The forest service had recently burned a block of woods there, which meant the ground would be clear and easier to work. As we got closer, I could smell the sweet fragrance of smoldering slash pines and palmettos. For centuries, pine scrub and prairie throughout the South has burned naturally and been torched deliberately, first by Indigenous peoples like the Timucuan or Apalachee and then later by ranchers and land managers to replenish the soil and promote growth. Worm grunters follow the forest service’s burns like a compass, as the open ground makes it easier to spot worms and avoid venomous snakes.

“Alright, Mama,” Gary said to Audrey before changing into a pair of boots, fastening knee pads, and slipping on gloves. We walked through the burnt palmettos, coated in a film of black soot, before he pointed to a few holes in the soil. They were clues to where worms were and where they were headed. He took his stob, one his son had hewn out of black gum, and knocked it a foot into the earth with his steel file before rubbing the file against the stob’s head. He called each pass a “roop.” With every roop, he mirrored the sound himself, groaning first in a low pitch then ascending to an abrupt stop. Gary would roop, pause, tell a story, then start again. It didn’t take long before a dozen large earthworms began crawling around the earth between us as Audrey gathered them by hand.

“Gary can call up any kind of animal,” Audrey said. Screech owls, ducks, even a bull they once came across in the woods. Once, after he called to a quail, Audrey swears the bird landed on his head. I looked down as Audrey picked up worms and could see this was a corollary. As Gary rooped and talked, Audrey drew concentric circles around him, picking up the largest worms and carefully placing them in a one-gallon paint can. Audrey noted the difference between worms—“milky” that are lighter in color and frail, and dark pink worms that last longer on the shelf. Gary roops most of the time, but Audrey does sometimes, too. “They’re coming up tail first,” Gary said. He gazed down and read the ground: Here were some castings left by worms; some mounds of fresh earth; a transition in the ground that meant prime moisture. The Revells’ intuition was like that of the fishermen they were collecting bait for, a catalog of knowledge assembled from spending time out here and bound together by deep curiosity. Gary knocked his stob down against the serpentine root of a palmetto and demonstrated how to change the pitch. “When I see that,” he said, pointing to some larger holes, “I know he’s right here somewhere close.”

With a couple of paint cans filled, about 500 worms in each, Audrey and Gary headed back to their truck, collecting scraps of trash and some firewood along the way. An hour later, they dumped their catch out in a shed where they store their worms, counting them out by hand and then placing them in five-gallon buckets filled halfway up with sawdust they collect in the forest. Folks that know them come and collect worms from the shed themselves, leaving the money they owe in a box on the wall. Often, they’ll leave notes scrawled on pieces of cardboard, check registers, and even a cast-off piece of packing tape that read, “I got 200. I paid back the ten I owe.”

For two convenience stores in Wakulla County, Audrey and Gary are the source for worms. At home, they pack the bait in clear plastic cups with baby blue caps and deliver them each week. In the decades since the Revells struck out on their own, the market has winnowed with the advent of artificial baits and farmed nightcrawlers, and so have the venues to sell worms. In good years, they earned $30,000, according to a 2009 piece in the Tampa Bay Times, but they told me they didn’t want to discuss what they make today. Some years, they harvested oysters for part of the winter and then baited throughout the warmer months. The two found their way through, together, even when bad weather, drought, and competition reshaped the way they worked. They started traveling farther into Liberty County, hiking deep into the flatwoods to avoid previously worked pieces of land. In summer, when the temperature turned mean, they worked Tate’s Hell at night. “This earthworm deal is something that you got to live with and stay on top of to be able to survive it,” Gary said, “and we can say we’ve lived a very good life.” They’d raised their two sons this way, spent their lives living with the forest, watching almost every sunrise out there together. “It ain’t been no easy deal, but there’s really nothing on earth I’d trade for it,” Gary said. Today, one of the Revells’ sons, who is now forty-eight, marks the fifth generation of their family collecting the pink currency from the forest.

In the nineteenth century, Gary’s great-great-grandfather paddled up the Ochlocknee and into a branch that bent into the trees before it dissolved into a shallow stream. Audrey and Gary live in that area today, near a creek named for one side of his mother’s family, the Syfretts. As kids, Gary and his two brothers, Lucious and Donald, came up in the woods, often passing the days with three cousins opposite the creek from them. “We didn’t have a lot of people around, but we had this forest, and that kept us occupied.” Their father, Frank, was an equipment operator for the county during the week, but worked alongside his brothers on the weekends, grunting in the forest at first light. Fifty years ago, he could earn as much as a hundred dollars in two days of baiting, which dwarfed what he made in a week for the county, roughly eight hundred dollars in today’s money. Gary tagged along any chance he got. That’s how he first heard the tale of his great-grandfather’s worm discovery in the 1940s. Living along the Ochlocknee River, his great-grandfather fished often, and developed a sense of what baits worked where and when. While repairing his car one day, he’d left it running, jacked up the chassis, and removed a wheel. As the tire rolled away and his eyes followed it, he saw the ground strewn with pink worms.

As the story goes, his great-grandfather tested the theory elsewhere, leaving the car to idle and seeing worms sprout up on the spot. It was clear the vibrations stirred the worms, making it easier to collect bait and therefore sell it. This is how the mysterious practice became central to the Revells’ lives.

The Revells’ Intuition Was Like That Of The Fishermen They Were Collecting Bait For, A Catalog Of Knowledge Assembled From Spending Time Out Here And Bound Together By Deep Curiosity.

Later, the men noticed worms appearing when they chopped wood or ran saws against saplings. Gary remembered using an axe handle as a stob, rubbing the blade of another axe against it. Some folks in north Florida called it worm fiddling, worm rubbing, worm snoring, worm charming, and, of course, worm grunting. Styles and materials for coaxing worms to the surface varied. Some people preferred hickory stobs and used steel leaf springs from cars as a file. The Revells used different-shaped stobs for different sorts of soil, but they always used black gum, persimmon, or cherry wood, and preferred flat, thick steel files.

What’s strange is that despite the widespread practice of worm grunting, I couldn’t find a definitive origin story. There wasn’t a deep well of folklore to draw from online: not in the University of Florida’s special collections archive, the Florida State University archives, or those of Florida Agricultural and Mechanical University. I searched my copy of the Federal Writers’ Project’s guide to Florida, organized by Stetson Kennedy and partially written by Zora Neale Hurston, with no luck. I couldn’t find anything that went farther back than the 1970s. But after another pass through the newspapers at the University of Florida, I found a path that stretched back more than a century.

On Friday, July 16, 1946, the Bradford County (FL) Telegraph ran a front-page item, “Know Anything about ‘Worm Grunting’?” They asked readers to submit letters, offering a five-dollar prize for “the best replies to a series of questions on this fascinating subject.” Among them: how long had the practice existed, who told them about it, where they grunted, what they looked for, what they used, and what time was best to do it. Three months later, the paper published six letters. Dave Crawford from Starke wrote that he’d learned of it in 1933. Some claimed that it had existed at least since 1896, another since 1866, while one reader claimed it had been around in some form since 1786. One man wrote, “When I was a small boy, there was an old colored woman that worked for us. In the afternoon she would take me out and teach me to grunt for worms. She told me her mother taught her to grunt worms.” Those anecdotal accounts raised the question of whether this was a tradition that extended back to the period of chattel slavery in America or even farther, before Indigenous peoples were forced from the land that settlers would come to call Florida.

The Revells’ tales of grunting echoed those long-ago anecdotes. Readers referenced an axe handle method, or crosscut saws, and an iron and a stake—all before Audrey or Gary were born. The winning letter from Dave Crawford revealed a bit of poetry and intuition that grunters still practice today: “When the wen is from the west the werms come up good and when you see the birds feeding on the ground and the red heads flying from tree to tree you can grunt up better. Just get a old ax or tire iron and a good pine stob about 2 feet long and a old lard bucket and get down by the swamp where it is wet and boy go to rubing and get busy and grunt long and loud and the old boys will come out they hiding place.”

That tradition endures, largely unchanged here in the Apalachicola National Forest. Yet, it’s vanishing like so many other foodways, forms of heritage, and ways to earn a living in this part of the country. Lots of folks preferred this work to other forms of labor, such as driving an Uber in town or food delivery, but commercial fishing, crabbing, and the shrimp industry have shrunk with each passing year due to increasing regulation, depleted fisheries, climate change, and cheaper imported seafood. The same is true for oyster harvesting, once a mainstay of the region’s foodways. After years of oyster decline partly due to overharvesting and negligent water management, in 2020 the Florida Fish and Wildlife Conservation Commission mandated a five-year halt in harvesting oysters from the Apalachicola Bay. It was part of a $20 million plan to restore the habitat and population. That ban promised to leave local oyster tongers without work until 2025. As for worm grunting and its slow decline, the passage of time is responsible, too. “All the old people is gone,” Gary said. “That was the key to the whole thing. They set it up.”

In 2002, a committee was organized to preserve the tradition and put on the first annual Sopchoppy Worm Gruntin’ Festival. Every second Saturday in April since, Rose Street and Winthrap Avenue fill with vendors, bands, and demonstrations. There’s a ball and an annual queen. Media outlets flock to Wakulla County to cover the festival, often centering the Revells in their pieces. In 2009, they appeared on the Discovery Channel’s Dirty Jobs. That same year, Jeff Klinkenberg profiled the Revells for a cover story in what is now the Tampa Bay Times. Nobody could say definitively why the worms responded to vibrations, though, until a neuroscientist arrived in Sopchoppy with a theory.

As A Kid In Maryland During The 1970s, Kenneth Catania had a curiosity about the woods near his home that shaped his career path as a neuroscientist with a bent toward ecology and biology. His obsession with moles came later during a job at the National Zoo in Washington, D.C. And that obsession eventually grew into a dissertation on star-nosed moles, which revealed how their sensory cortex evolved and developed to process information. This, by proxy, revealed how all mammals’ senses evolved. In 2006, he earned a MacArthur Fellowship or “Genius Grant.” The award came with $500,000. Two years later, he headed for the Apalachicola National Forest, thinking that the moles there might help him unravel another mystery about a different group of underground creatures.

For years, he’d wanted to visit the worm festival in north Florida, but annual field work always overlapped. Finally, in 2008, he drove to meet the Revells in Sopchoppy. He arrived with a question shaped by a few sentences written a century earlier by Charles Darwin about worm behavior as it related to moles.

Darwin published his last book in 1881, The Formation of Vegetable Mould Through the Action of Worms With Observations on Their Habits. A sentence that struck Catania read, “It has often been said that if the ground is beaten or otherwise made to tremble, worms believe that they are pursued by a mole and leave their burrows.” Darwin continued, “Nevertheless, worms do not invariably leave their burrows when the ground is made to tremble, as I know from having beaten it with a spade, but perhaps it was beaten too violently.” Seventy years after Darwin’s shovel experiment failed, Dutch biologist and Nobel Laureate Nikolaas Tinbergen claimed that herring gulls tapped their feet to drum up worms, employing “exploitative mimicry.” By 1982, evolutionary biologist Richard Dawkins had built off that notion, staking claim to the idea of “rare enemy effect,” by which predators cast themselves in the role of another predator to exploit their prey’s behavior.

Then in 1986, a paper by John H. Kaufmann of the University of Florida drew a connection between wood turtles’ stomping to draw worms to the surface and the work of worm grunters. “Many humans collect earthworms for fish bait by hammering or scraping on a stake driven into the soil…. There is now evidence that wood turtles, Clemmys insculpta, use the same principle in obtaining earthworms for food,” Kaufmann wrote. He also noted an earlier paper from 1960 by Tinbergen that identified a corollary in herring gulls among other birds like flamingos and geese that drummed up prey by “paddling.” Especially fascinating is that Tinbergen hypothesized that the worms mistook the birds’ paddling for the vibrations of a mole. “That’s what drew me down there,” Catania told me. He wondered whether worm grunters were unintentionally mimicking a predator, possibly a mole like Darwin and Tinbergen suggested. “Nobody had formally studied it,” he said.

On that first morning in Florida, Catania’s alarm woke him at five. He got ready and met the Revells, who charmed Catania immediately as he took a seat in the cab of their truck. As they drove into the forest, he thought of this Darwinian theory that shaped his own hypothesis: that earthworms had developed an escape response to vibrations caused by a foraging mole. “What’s beautiful about the system there is the earthworms are native, so they evolved there, and if the moles are there, they evolved there, too,” Catania said. Most importantly, he wanted to find out if the vibrations generated by worm grunting echo that of a digging mole and, if so, how the earthworms respond.

As they rode along, Catania noticed mole tunnels crisscrossing the backroads. He saw more around the stand of trees where Audrey and Gary worked. Catania was spellbound as he watched the couple work. Weeks later, he returned with recording equipment, marking flags, and a garden trowel. He spent hour after hour, day after day in the forest, dropping geophones into tunnel routes, hoping to record the vibrations of moles digging, as well as those produced by Gary’s grunting. For every worm Audrey picked up, he placed an orange flag in the ground, mapping just how many worms appeared, in what directions, and how far from Gary’s stob. Then, he stalked moles underground, using stakes placed along their routes to reveal where they were headed, and used the garden trowel to catch them. Back at the Revells’ place, they took a handful of worms, placed them in a five-gallon bucket, and dressed them in a pile of sawdust. Catania picked up a mole and dropped it into the bucket. The worms fled to the surface. “Okay,” Catania thought, “things are pretty clear.”

He replicated this experiment in larger bins with controlled variables. The result was the same. As soon as the mole entered the soil, the worms fled to the surface. Catania later recorded the sound of an eastern American mole digging and compared it to his recordings of Gary rooping. It was a sonic match. The vibrations were almost identical.

Catania’s work with the Revells confirmed Darwin’s theory set forth more than 125 years earlier. Worm grunters had unknowingly applied “exploitative mimicry” like that employed by herring gulls or wood turtles to lure the worms to the surface. Catania published his paper that same year in PLoS ONE, a peer-reviewed journal. The New York Times even ran a small story about his findings, as did NBC News and other outlets. Before he returned to Nashville, Catania received a parting gift from Audrey and Gary—a rooping iron that had been in their family for decades. As he drove north that day, he stopped one last time in the woods, drove a stob into the soil, and rooped with a clear sense of what was happening underground.

Audrey Revell collects worms by hand in the Apalachicola National Forest as Gary Revell moves to the next spot, carrying his rooping iron and stob. Photograph by Michael Adno

On My Final Morning With Audrey And Gary, a seam of blue sky between the pines grew brighter as they drove out into the forest. Slowly, the first signs of light threw deep shades of purple against the clouds before pink, then scarlet bands passed through the trees. “That’s beautiful,” said Audrey.

They parked their truck along the road, collected their gear, and walked into the woods. As we neared a brake of trees, Gary passed me the stob and file, pointing to a patch of earth, and I clumsily drove the stob down. I tried to place my hands on the file the same as Gary, and I slowly slid the steel at an angle. A deep noise followed, and I just smiled, rooping again and again. I varied speed and angles, making some wince-worthy goose noises on bad passes, but I found a rhythm, and soon I’d drawn up a dozen worms. I moved a few times, continuing to work, removing some layers. When I finally got up, Gary asked, “So, Mike, what do you think?” My chest throbbed and sweat ran down my neck. “It’s fucking hard work,” I said.

Back at their place, Audrey made some sweet tea and showed me a couple albums of photographs she’d made of flora and fauna in the forest. She told me of terrestrial orchids “as pretty as one you would buy,” of the pitcher plants in spring, and the white “worm flowers” that signal damp ground. “You never know what you might see,” she said. Finally, she brought out some scrapbooks and clippings of articles from the New York Times, Scientific American, and the Tallahassee Democrat. In 2010, the Revells received Florida’s Folk Heritage Award, an honor recognizing Floridians who preserve living traditions. Governor Charlie Crist presented the award in a ceremony at the state Capitol. As we looked through those reminders of their life in the forest, Audrey and Gary turned serious. “I’m a steward of this forest,” he said. “I don’t do nothing to try to abuse it or change it.” I asked Audrey what the forest meant to her. “Everything,” she said.

That afternoon, as I prepared to leave, I found myself moved in a way I hadn’t been in years, fascinated by their connection to the forest, above ground and below. “As much as we’ve done it, I’ve thought, ‘Man, you’ve got to be crazy,’” Gary said of their work. “But, if you take me away from it, I ain’t worth nothing. I’m one of the last.” I drove away with a sore palm and a cup of worms beside me.

[runicarbiter02]

How would each CoD character react to you touching their cheek for the first time? (In a caressing way)

A/N: Oh my god, this is actually the cutest and I couldn't think of a better way to start off this blog, thank you for this, love! I hope you enjoy! ~ Hannah

ALEX KELLER

Oh, this man is absolutely melting the second your hand cups the side of his face.

The goofiest damn grin on his face, corners of his eyes crinkling, soft laugh rumbling in his chest.

"How ya doing, sweetheart? Hanging in there?" Man is always concerned with you and your well-being.

Absolutely is the type of person to just completely nuzzle into your touch, soft sigh of content leaving his lips.

You aren't getting your hand back any time soon. Try and pull away, and he will absolutely pull the kicked puppy look. You can't bring yourself to pull away anyway.

ALEJANDRO VARGAS

"Oh, is there something you need, mi vida?" This motherfucker and his sweet, smooth voice. Love him.

He will gently draw you in close with a hand on your waist, that signature cheeky grin on his lips. He'll gently take your hand in his and just press sweet kisses to your fingertips.

This will lead to him pulling you aside for a moment, peppering you in sweet kisses and showering you in the most endearing compliments in Spanish.

Expect to be walking away with a spring in your step and a flushed face.

GARY "ROACH" SANDERSON

At first, he will look wildly confused, his brows furrowing slightly and his head cocking to the side.

"What's up, hun? Everything okay?" He signs the term of endearment with so much passion every time, it is absolutely the sweetest and most heartwarming thing. Any term of endearment he uses is always signed with more passion than anything else.

Once you let him know you just wanted to love on him, this cheeky little shit is flirting with you like crazy.

"Oh, just wanted to love on me, huh? Well, there's more ways you could-" He cuts his signing off with his own laughter when you playfully shove his face away, and he follows after you, making obnoxious kissy noises.

He makes it up to you, though, with the most affectionate kisses. He's goofy and that reflects in how he shows you his love.

(Can you tell I love Roach? I love him very much.)

JOHNNY "SOAP" MACTAVISH

Johnny will take your other hand, place it on his other cheek, and will gently press your hands against his cheeks to squish his face.

He hums happily, reveling in your touch as his eyes shut and his lips curl into a smile.

"Always know what I need before I even do, mo chridhe." This man is so, so whipped for you. Looks at you with so much love and affection that you might as well melt before him.

Do expect this to end up with you wrapped up in his arms, snuggled close, the Scotsman whispering some of the stupidest jokes known to man to you in an effort to get you to laugh.

JOHN PRICE

I have like a very specific image in mind for this one!

He tends to work himself to the bone, getting lost and caught up in his work, and its very, very hard to get him out of it. It's one of those nights where you find him hunched over his desk, nose buried in his work.

You walk up behind him, gently resting your hand on his cheek and he pauses, tilting his head back to look up at you.

Despite the exhaustion, his expression softens, the tender smile on his face highlighting the crow's feet at the corners of his eyes.

"It's late, isn't it...? Mmm... Alright, dearest, I'll head to bed."

He gently grasps your wrist and tilts his head to press a fleeting kiss to your palm, and then to the pulse point on your wrist. It takes a bit more convincing before he's off to bed.

(I'm a bit biased, I'm a major John Price simp if you couldn't tell.)

KEEGAN RUSS

Look, I firmly believe our resident masked men are softies, but they're all different in terms of their softness.

This man is a softie with you, but good god, is he suave and flirty.

"Mmm, what's up, kid...? Just looking for an excuse to see my face, hm? All you had to do was ask." It should be illegal how much this man's voice sounds like a silky purr.

Soft kisses to your fingers, knuckles, and the back of your palm. Fleeting kisses that barely meet, brushing against your skin and leaving trails of goosebumps in their wake.

"Always so sweet for me, kid."

KÖNIG

(Apparently this man is a colonel? And from what I've seen, if he joined at 18, and if we take the average amount of time it takes to get to that rank... This man is likely in his early 40s. Dilf König? Dilf König.)

Masked man number two! Softie, but different from Keegan. This man is the shy sort of soft.

I imagine this would happen after he shows you his face for the first time. He grew up bullied for his appearance, among other things, and its made him rather insecure about his looks.

When you gently cup the side of his face after studying him for a moment, he heaves a shuddering sigh and averts his gaze shyly. But, the second you tell him how handsome he is, his face goes pink and he flushes shyly.

"Ah, meine Sonne und Sterne... You're going to make me melt." He then proceeds to kiss you softly on the forehead and tells you how much he loves you.

KYLE "GAZ" GARRICK

A pleasant flush works its way onto his cheeks and he gives you that beautiful smile full of sunshine.

"Missed you, lovely. You been taking good care of yourself?" Sweet, heartless man that he is, worrying about you even though he looks exhausted after his most recent mission.

Gently draws you into him and just hugs you tight, pressing his face into the crook of your neck and sighing happily. The second your cologne or perfume washes over him, all tension leaves him completely.

"Missed this. Missed you." Whispered words against your skin. He gently sways in place with you as you two embrace, his hand coming to rest on the back of your head. Fully cherishes the moment.

"How's about some takeout and we finally watch that show you've been talking about? The House of the Dragon, right? Hopefully its better than the last few seasons of Game of Thrones." You have a stellar date in as you binge the entirety of The House of the Dragon and make up for lost cuddling time.

(Gaz does NOT get enough love and it's criminal. Perfect boyfriend/husband material right here. I adore him. Also? Man is absolutely gorgeous? Best man.)

NIKOLAI

(Russian dilf? Yes please! Underrated man right here.)

Late nights in bed, curled up with him are always the sweetest. Soft whispered nothings as you both lay together, skin on skin, fully content in a post sex haze.

He shoots you a lazy grin as you cup his face, his hand gently rubbing up and down the expanse of your back. "What's on your mind, мое солнышко? Laying there looking so stunning..."

Soft, playful kisses are placed along your jaw, a cheeky smirk on his lips when you begin to protest, laughter in your voice.

"One more round wouldn't hurt... We can sleep in tomorrow morning, Золотце." You know damn well you're going to be exhausted in the morning as he takes the time to worship every inch of your skin.

RODOLFO "RUDY" PARRA

(Rudy, my darling, my beloved, my SWEET! This man is also criminally underrated even though he's PERFECT husband material. SHAME!)

He happily returns the favor as you rest your hand against his cheek, his hand cupping your cheek as he rests his forehead against yours.

"Long day, cariño? Mmm, I understand... I'll draw us a bath and we can relax." He takes your hand, pressing sweet kisses to your knuckles before he draws a bath for the both of you.

You both spend most of the evening in the tub, you resting against his back as he holds you close, featherlight kisses pressed to your skin as you both talk about your day.

The both of you take such good care of each other, and there's never less than 100% put into your relationship on both sides.

SIMON "GHOST" RILEY

Masked softie number 3: Tender and longing edition.

His night terrors don't often wake you; he's usually fairly good at hiding them. The first time he does wake you is during a particularly violent one that has him thrashing and crying out in his sleep.

He wakes not long after you do, sweating and panting, his voice hoarse from how much he had been crying out. Once you're sure he's fully conscious, you gently rest your hand against his cheek and guide him through a grounding routine: 5 things he sees, 4 people he knows, 3 foods he likes, 2 things he hates, and one thing he loves.

As he talks, you become his sole focus as the night terror fades into the back of his mind, the grounding method working wonders.

And when it comes to the one thing he loves, he shuts his eyes and presses further into your touch, a few tears streaking down his cheeks. One hand gently clutches your wrist while the other rests against yours, holding your hand against his cheek. He doesn't need to say it. You know.

You always, always know. And with a kiss to his forehead and your thumb stroking against his cheek, you let him know. I love you too.

[I'M SORRY IF ANY OF THE TRANSLATIONS ARE INCORRECT, I TRIED MY BEST TO GET THE PROPER ONES!]

Mi vida - My life; honey

Mo chridhe - My heart

Meine Sonne und Sterne - My sun and stars

мое солнышко - My sunshine

Золотце - Honey; darling

Cariño - Honey; dear

TAGLIST:

@floral-force

[halcyone-of-the-sea]

Hello Hal,

Congratulations on 5k followers <3 I’m so happy for you honey!!, for the request can we get a cute fluff short story with roach please ? You can do whatever you want w it !

Have fun and congrats again :)

—Raining Cats and Dogs

⇢ ˗ˏˋ 5k Drabble Masterlist ࿐ྂ

╰┈➤ ❝ [Roach has a deep love of storms.] ❞

It was raining more in the last few hours than it had in the entire month, with a constant deluge of harsh winds and the occasional lightning strike; the rumble of dark-clouded thunder above the roof. Yet here, snuggling on the couch, you and Gary reveled in it. 

The curtains were open to watch the raindrops, your cheek to the man’s chest as the warmth of the fireplace made you sleepy. There was no vacancy of comfort in this living room, Gary’s fingertips traveling up and down the length of your spine as the minutes slid into hours. The air was heavy with sappy heat, the thin blanket long pushed down past your shoulder blades. 

His breath was puffing against your forehead, your nose situated in the junction of his chin. Gary was humming, too. A tiny little melody that neither of you could name—perhaps it wasn’t even a conscious symphony, just a mess of rough pitches and whatever he felt sounded good enough for your ears. You weren’t complaining, even if he was no lyricist. 

His arm at your waist tightens, pulling you closer as he nuzzles his nose into your head with a tiny grunt. 

Gary’s eyes are half-closed, the deep well of color soft and as malleable as clay. There was no need to speak to one another, no, in moments like these, the silence spoke for the both of you. The crackle of fire, the slam of rain; soft inhalations of your lungs. You press a warm kiss into his neck, and Gary’s lips pull into a tiny smile, his fingers digging into your flesh that yields to him as his gaze glints. 

His chest reverberates with a hum, purring like a cat while a smug expression litters the lax lines of his face. With a gentle shift of his body, the man settles your back to the cushions as he shimmies to loom above you, blanket tying the both of you together in its fabric arms. 

Gary’s hand is under your shirt, the wide hold of his grip cupping your opposite hip from behind as he suddenly collapses atop you with a sigh. You grunt, before a tiny fit of wheezed giggles escapes your lungs, the weight of his body no concern as his head shoves itself into your stomach, legs out behind him with one hanging off the edge. Head against the pillow, your warm hands rub through Gary’s hair, carding through the locks as he loses all focus and sags—eyes fluttering at the scrape of your nails. 

You both release a long breath as a slash of lightning slices the dark world outside; neither of you flinches, not even the Sergeant in your grip, when the thunder rolls through. There wasn’t anything to fear in this house, and there never would be. 

So, Gary gradually succumbs to the ministrations of your touch, his humming tapering off until nothing but his gentle snores give you their song. You continue to play with his hair, thumb rubbing circles. 

The fire burns on, the storm continues its rampage, and the lovers fall to sleep in each other’s arms.

[bullet-prooflove]

Haunted: Leroy Jethro Gibbs x Reader (feat: Mike Franks)

Tagging: @kmc1989 @riley-kore @ilovemark1951 @love-affair-with-fandoms @mishkatelwarriorgoddess

Companion piece to:

The Ice Queen - Gibbs meets The Ice Queen for the first time.

Break The Ice - A act of decency helps Gibbs to break the ice.

Grave - You and Gibbs bump into each other in an unexpected place.

Safe - You and Gibbs work through your grief in different ways.

Check In - Gibbs checks in with you after the night before.

Wait It Out - You and Gibbs wait out a threat to your saftey.

All Dressed Up - You and Gibbs have a frank conversation about an office event.

Right Here - You come home to find Gibbs waiting for you on your doorstep.

Revelations - Gibbs is surprised to discover a connection between you and Mike Franks.

There are three cases that haunt Mike Franks.

The Gibbs case, the Larsen case and your sister’s case, the one that was never his to begin with. After all they don’t let special agents investigate the death of someone close to them, especially not the woman that was about to become your spouse.

It hadn’t stopped Mike from hounding the agents that were working the case, sifting through their files or surveying their interviews from the opposite side of the interrogation room window.

It had earned him a suspension, forced bereavement leave they called it.

He’d checked out for a while after that, booze, fights, the whole nine yards. You’d bailed him out more than a handful of times because you couldn’t let the man who had loved your sister throw away his life or his career.

He gets his shit together just in time for the funeral, then spirals again right after.

“She wouldn’t want this for you.” You tell him one night as the two of you sit in your living room trying to regroup. He’s clasping an ice pack to his knuckles from another fight and you’re stitching up the cut above his eye from some asshole’s class ring. “It’s time to put on your big boy pants and start doing the shit she fell in love with you for instead of this nonsense.”

“You don’t understand.” He finds himself saying, his voice raw as the thread tugs tightly, pulling the edges of the wound together. “It’s like I have all this rage, all this emotion but there’s no where for it to go, no one to blame…”

Because they haven’t found the man that brutalised Violet and that case, it just gets colder every day.

“And you Maeve, you just don’t seem to feel a damn thing.”

“That’s because I don’t.” You tell him frankly, sniping the tail off the stitches before sitting down on the coffee table so you can meet his gaze. “I’ve been empty ever since the day they’d found her dead.”

And that’s when he realises you’re depressed.

You’ve spent all this time looking out for him…

And he’s done jack shit for you.

He makes you a promise that night, while he’s sprawled out on your couch. He’ll do whatever he can to pull you out of this fog because he knows where that numbness leads.

You don’t have a gun so he guesses it’ll be slit wrists in a bathtub or a handful of pills down your throat. They’re usually ladies choice.

So he gets his shit together, goes back to work, starts making an effort. He makes sure to check in on you, get you out of the house, dinner, drinks, walks with Gary. You start to come back to the world again and so does he.

It’s when he starts to date again that things hit a speed bump. The moment you see him with another woman, it’s like a flip switches inside you because you realise Mike can just move on, find someone else to take up the position that Violet filled in his life but you can’t, you can’t replace your sister.

The fight you have that night, it’s the first time you’ve exhibited any emotion about Violet’s death. You scream, you shout, you throw crockery and Mike, he just takes it because this is what he’s been waiting for, the moment you admit to yourself that Violet’s gone, that she’s never coming back.

You get distant after that, colder. When he approaches you a few weeks later you make it clear that you don’t want anything to do with him. As far as you’re concerned any personal connection between the two of you died with your sister.

It wounds him in a way he doesn’t care to admit but he respects your wishes because he understands that this, this is how you move on.

Now he’s sitting in your office, on the opposite side of your desk because the probie, he’s been digging through your sister’s case and he thinks he’s found something, and Mike kinda thinks he has too. He just needs you to make sure.  

“They never found her engagement ring.” Mike tells you, his elbows coming to rest upon your desk as he leans forward, his hands clasped together on top of the blue folder he’s placed there. “I was too fucked up to notice at the time. Is there any chance you have it?”

It’s a distinctive piece. An aquamarine stone set amongst a couple of diamonds in a silver band. It had cost him a couple of months salary but it had been worth it at the time because that gem, it had been the exact colour of Violet’s eyes.

“No.” You say softly, your eyebrows furrowing into a frown. “I thought you’d kept it afterwards as a keepsake.”

He sees the realisation hit you, about what must have happened to that ring. He knows it’s like a gut punch because that’s exactly the way that he felt when Gibbs asked him the question. The other man had spent hours trawling through those evidence logs trying to locate it. Mike has to give him his due diligence, he’s spotted something nobody else did, even though he wasn’t supposed to be working the case.

“You think that son of a bitch took it?” You ask him. There’s a dangerous lilt in your voice, one he recognises from the last time the two of you were in the same proximity.

“I do.” He says and he watches you literally bite your tongue in order to stop yourself from cursing out the assholes who clearly dropped the fucking ball with Violet’s case. They’ve moved on now, retired, he’d had Gibbs and Lala check in because he didn’t trust himself not to tear them a new one.

“What does that mean?” You ask him, agitated. “That she was a victim of a serial? Those guys like to take trophies right?”

“Actually, we’re thinking a little more close to home.” He says as he pushes the blue folder towards you with his fingertips. “I got Strickland to put together a profile. I wanted to see if it fit anyone from back then, someone that was in her life, maybe someone I didn’t know…”

There’s a reluctance in you, he sees it. The thing is this folder, it’s a grenade. It has the power to tear your whole life apart and you’re just getting back on your feet, you’re just starting to climb out of that hole you’ve been trapped in for so fucking long.

“I still dream about her Maeve,” He tells you with a tremor in his voice. “I’m with someone else, in love with her but Violet’s ghost, it still haunts me.”

Your hands are shaking when you open the folder, you swallow hard against the ache in your chest as you study the words written in Strickland’s neat scrawl. Age, behaviours, job description. It’s like you’re seeing him clear as day, leaping up at you from between the pages.

“Maeve…” Mike says as he studies the expression on your face. “Do you know him?”

There’s an agony in you, it’s excruciating because this son of a bitch, he still visits your sister’s grave. He puts white lilies against the headstone, every birthday and Christmas because they were friends, such good fucking friends.

“Yea.” You say, your voice devoid of emotion as your gaze sweeps up to meet Mike’s. “I fucking do.”

Love Gibbs? Don’t miss any of his stories by joining the taglist here.

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Like My Work? - Why Not Buy Me A Coffee

[sevs-corner]

Gary “Roach” Sanderson if he was in the CoD: MW Series (2019-2023)

LOOK-- I really like Roach (i watched the remastered mw2 2020 recently) and I wish he comes back later on in the current MW series. So for now (and my coping-ness) let’s imagine his dynamic with the gang! (These are all HCs with some in between dialogue and plot, and I'll be using some major plot points from the campaign. A lil' heads up, its been awhile since i've watched the gameplay so the timeline might be a bit confusing lol) Masterlist here ! And a previous HC of Roach here !

Roach gets recruited around the same time Gaz does, after the mission in London when Gaz’s team was trying to stop a cargo right in the middle of the city.

Roach is one of the many officers that gets called in for back-up

And then finds himself working in tandem with Gaz, covering each other’s backs as they try and secure the hostages

Price shows up as per usual and saves the two from under the rubble

Afterwards, with the two surprisingly not broken, they handle the aftermath and comes in the scene where Price recruits Gaz after he admits they had a great deal of info on the bust but was unable to act on it

Roach agrees, seeing the movements and reports that Gaz makes to their boss in the SAS, and feels mutual of how restricted they are right now

Seeing their conviction, Price gives a call to Kate and adds an additional person to the team-- Roach.

Then they all go on all sorts of missions together, Roach actually being the more grounded but chaotic of the three

So, lets say he adapts the shenanigans we do as players when we play as his POV in game

Randomly, he is picking up all sorts of guns from the ground, constantly swapping and taking too long to loot enemy bodies (that sometimes Gaz does it for him so they could move on quicker)

Price on the other hand just lets him does his thing-- until he rushes forward like a maniac and go guns blazing in the Embassy

But, he also gets scolded by plugging up comms from humming-singing, and--

what the fuck- PUT THE BANJO DOWN--

He's the type of person to be like that one guy who plays jazz music on his comms in a gun fight (yeah i made a gundam thunderbolt reference mhmm)

You'd think he'd go deaf but no, he takes peace in the chaos

Reveling and thriving in it actually, like he’s too used to the scene (he is but he would rather work in the moment then act in worry and in constant stress)

Roach was almost tempted to go with Alex and Farah for their cause but thinks about how he’s a much better fit with the 141 guys, and how he could see himself working in the squad long term

He eventually meets Johnny and Simon on the mission to get Hassan

Yet that goes to high and hell when he was a part of the A squad, barely clear of any wounds- luckily, nothing fatal

But the situation he found himself made him more energized with serotonin, easily making quick work of the combatants in his vicinity— doing his best to cover for his comrades who were still recovering

He knows Soap and Ghost would be here immediately but he tries to convince to focus on the mission, to let him handle it as he hunkers down for a moment to reload

They both deny, checking out first the crash site before checking out Hassan, and coming up empty

Until Roach finds the metal shipping carrier, calling over Soap, then Ghost and showing the find of that disdained American rocket

Soap, is obviously confused, and doesn't quite piece it together until Kate discusses it with him

As the others got busy with their personal mission

Of course, we're having Roach join the Ghost-Soap duo in Las Almas

Because of needing more man power in capturing Hassan of course

He hops into the mission somewhere in the middle, in the mission in getting Hassan with the assist of Graves and his shadows

Roach definitely hissed at this man on instinct and had to be held back by the armpit by Ghost

Even though he had a bad feeling swirling in his stomach, he kept it in and somehow ended up on the same squad as Graves going into the Oil Rig mission

Anddddddddddddddd you can guess how it went with him-- horribly

Personally, I can see how Graves to be this straight-laced guy when it comes to missions in a way that, if someone diverts from the mission or does something that may jeopardize it even a little-- he is going to flip

So that's what Roach exploited, the comms in his ears blowing up every time he goes for a risky kill or -instead of going for a stealth kill- he's going in guns blazing with a very, very exhausted Graves behind him

But the thing about Roach, no matter how reckless he is, he gets the job done

Graves wanted to oh so leave him in the Oil Rig before he and Soap exploded it, but sadly Ghost had told him and Alejandro to get the hell outta there before he could (such a damn shame)

But at least he gets to capture him in the streets of Las Almas

He got quite unlucky actually, about to meet Soap and Ghost but one wrong move got him captured

Ghost and Soap obviously becomes worried, and they're (with Rudy) are more determined than ever

And yep, this is the moment where Roach just sees red

Wreacking absolute havoc in his way with rage filling his veins

If there was anything that was going to tick Roach off, it would be his own allies hurting

Loyalty, whether in the military or not, is special

And if you use him and his allies for your own bitter ends and means?

Oh, you are in a world full of hurt

So much so, that you wished he spoke the merciful words, "pick and God and pray" by your death bed

He doesn't, not for Graves and definitely not for the man he called the General- Shepherd

He swears that Shepherd counted his lucky stars that night when they couldn't locate him after "getting rid of Graves and his lackeys for good"

But it doesn't end there- their job never does

This time, he accompanies Price and Soap into infiltrating the building for Hassan, leaving Overwatch to Ghost and the other team climbing the tower led by Gaz

He is back to, not even exploding the glass and breaking it, but pushing himself off the side of the building and cannon-balling straight through (with, suprise surprise, little to no injuries sustained)

He's a miracle ball of sunshine really

Soap then follows through and Price just... he could care less at the moment with Hassan (who is once again near their grasps)

Roach wanted to stay and help Price (who didn't get shot fatally but was still hurt from the blow) but his captain said to go

Thus, he went--

Doing his best to cover Soap as they finally steal the detonator from him but eventually run out of guns, and eventually--

Get

Shot.

Soap has to decide now- whether to save his comrade and friend or to stop the fucking missile from destroying the white house

Roach knew the cogs that was turning behind Soap's eyes, so he grabs his cheek and head butts him

Telling Soap to get his priority straight as he forces himself back up to distract Hassan

Soap tries to decode and hack the missile as soon as possible when the coast was clear

Luckily, he had just a couple of seconds to spare

Unluckily so, he saw Roach's pliant body in Hassan's hands- being dragged right in front of him

Soap is enraged, wrestling and trying to get the upperhand on armed Hassan

Luckily, Ghost always has his back-- shot on point, direct, and done in one click

With a heavy breath, he gives his thanks to Ghost before calling an evac- checking Roach's condition

Hands are cold to the touch but his artery pulse--

Faint!

By the time MW3 rolls around, Roach is up and at 'em!

Refreshed and recovered with the proper treatment and therapy

Some grazes to the nerves on his shoulder but its still all good and working--

"Ow!"

Yeah, he can't overexert it like before

Which makes the Tf 141 relieved...for now

A/N: Cont for the MW3 part soon! I just wanna freshen up with the plot on Makarov 'cause it was a bit confusing to follow so yeah lol

[donotnomi]

SBIFF Cinema Society Q&A - Slow Horses with Gary Oldman and Douglas Urbanski recap

A recap of the juiciest tidbits from the panel featuring Gary Oldman and Douglas Urbanski:

About season 6

Season 6 is currently in pre-production, with most episodes already written.

Adam Randall, the director for Season 4, will helm the entire sixth season.

Production has allowed Randall to contribute to the writing process by joining the writers in the writing room.

Gary Oldman has already read the scripts and finds them fantastic.

About season 5

Season 5 will unveil a significant revelation about Lamb's past.

Viewers will catch a glimpse of Lamb's house.

Gary Oldman describes this season as truly impressive and with a more Le Carré-esque feel, akin to season 2.

Expect an intense exchange where Lamb blackmails Diana.

New, incredible insults directed at River are on the horizon.

Season 5 is a 'three farts season,' says Oldman, laughing his ass off.

About Mick Herron

Gary Oldman asked Mick Herron for extra information about Lamb when working on S1 but quickly realized that the character is a mystery even for his creator. Herron's response is often "I don't know".

Mick Herron asked Gary Oldman to accompany him to a signing session just before the release of the first season, not realizing that the show would eventually relieve him of his signing session obligations for good.

It was actually Mick Herron who suggested using David Cornwell, John Le Carré's real name, as the name on Lamb's passport that briefly appears in S1. And Kristen Scott Thomas's casting as Diana Taverner was inspired by her previous work with Gary Oldman on the set of The Darkest Hour.

Behind the scene

Will Smith is frequently on set, going over scripts with the actors.

Occasionally, there's room for improvisation.

With a single director overseeing the entire season, the Slow Horses team remains committed to their vision for nearly a year of continuous work on set.

Gary Oldman receives the scripts really early for every season.

Fart acting are obviously "sound effects".

There are emails going back and forth between Oldman and production about 'fart acting.' The one in the car in S3 was praised as 'robust.' There were emails about 'the frequency' of the sound because the car has leather seats, being a Rolls Royce.

The trench coat remains the same, unchanged since the very first season. No one is allowed to wash it.

Kristen Scott Thomas's casting as Diana Taverner was inspired by her previous work with Gary Oldman on the set of The Darkest Hour.

Almost all the crew come back year after year.

Gary Oldman compares working with the cast of Slow Horses to the joy of winning his Oscar.

[marsprincess889]

THE PRINCESS DIARIES - coming into your power.

Astrological analysis with nakshatras

The princess diaries, 1 and 2, are forever on the list of my favorite movies. Girls all over the world feel for Mia and I'm no exception, I almost always cry during certain scenes and I'm amazed again and again by how relatable and real she is, by how those movies speak to young girls.

I've decided to break down the main themes in the two movies by analyzing nakshatras of the people involved.

A quick recap of what the story is about: Mia is a 15 year old teenager living in San Francisco with her mother. She's clumsy, awkward and has no self esteem. One day, her estranged grandmother comes to visit her from Europe to tell her that she's the only legitimate heir to rule a small country- Genovia.

Director of the movies, Garry Marshall has Ketu in Magha. Magha is about ancestors, bloodlines and it's also associated with royalty (Magha begins the signs of Leo). Ketu in a chart represents a person's primal creative energy. This explains why he was drawn to a story about royalty. One interesting fact to note is that Gary Marshall made two very iconic movies (Pretty Woman and Runaway Bride) starring Julia Roberts who has been a kind of muse to him and who has Magha moon. This is also a pattern with directors and actors, one example I can think of is Kirsten Dunst (Ashlesha moon, Purva Ashadha Ketu) being a muse to Sofia Coppola (Purva Ashadha moon, Ashlesha Ketu).

Anyways, let's get back to The Princess Diaries and analyze the heart of the two movies- the relationship between Mia and her grandmother, queen Clarisse.

Anne Hathaway - Hasta moon, Vishakha sun, Jyeshta rising

Julie Andrews - Vishakha moon, Hasta sun, Uttara Phalguni rising

SPOILER ALERT

Part 1

Hasta- strong females

The second movie's main theme is about female empowerment and independence. When the parliament refuses to let Mia rule without a husband, she has 30 days to arrange a marriage and she's willing to do it, just because she wants to rule so much that's she's ready to make such a sacrifice. At the last second she breaks down at her wedding, unable to be betray herself and finds courage inside her to make the parliament change their minds. She succeds and becomes queen without a husband.

Hasta is all about female empowerment but unlike Bharani, it's in a non-sexual, celibate way. Hasta, as a woman, completely rejects almost all male influence and is capable of being self-reliant, only opening up to rare men who she deems worthy. Hasta is the female that does not need a man and in that way, is a safe and empowering place for women.

There's a scene in the second movie where Mia stops the parade to defend a small girl from boys who were bullying her. She tells her how to be a princess and empowers her, letting her and the other kids join the parade. During the monologue at the end, when Mia is talking to the parliament at her wedding, we see women accross the country intently listening to her on the television, shushing the men . 😆

Part 2

Vishakha - joining opposites

Like Hasta, both Anne Hathaway and Julie Andrews have Vishakha in their luminaries. Vishakha nakshatra is about joining opposites. It begins in the sign of Libra (partnerships, agreements, relationships, compromise) with its last quarter being in Scorpio (death, transformation, occult). Vishakha is ruled by the gods Indra and Agni- the lightning and fire gods. It's about energized ebthuasiasm, cultivating something over time, about using the pent up energy or anger. It's another name is Radha ("the gift", hence the next nakshatra being Anuradha- "after the gift".)

"The gift" is not just good, it can also be unwelcome, like in Mia's case, when she was angered by the revelation that she's a princess. Queen Clarisse and Mia are very different from each other, but neither had a choice but to compromise and agree to a bargain. They learn to appreciate their differences and embrace their similarities, thus, joining opposite forces.

They do have misunderstandings, but that's part of all relationships and eventually they bond deeply as they realize they have the same goal. Vishakha is also connected to anger and the little outbursts they both have definitely show that. One great example is when Mia ruins Lana's (her bully's) outfit and calls her a jerk in front of everyone after always just silently ignoring her remarks.

Joining opposites in this movie is not just about Mia and the Queen, it's also about the two cultures, also about the first movie being a high school drama as well as a fairytale for young girls.

Part 3

Jyeshta - from underdog to the ruler

"Courage is not the absence of fear, but rather the judgement that something else is more important than fear."

-Mia's father to her in a letter

To me, Jyeshta is connected to the underdog who succeeds despite all odds. Jyeshta 's power is to "rise, conquer and gain courage in battle". It's the stage of intense competition. Its deity is Indra- lightning god and the king of the gods, like Vishakha. We see other kids bully Mia in the first film but she slowly places herself above it, making her point (by taking her little revenge on Lana) and then not engaging with them anymore, as she realizes her own self- worth.

A major point in the movie is when she decides not to run away despite being scared to speak to the public, showing her true courage.

Besides Indra- the king of the gods, another deity associated with Jyeshta is Dhumavati- the hag goddess who is eternally hungry. Because of this, I think Jyeshta is associated with grandmothers and our relationship to them. I personally have exalted Ketu in Jyeshta and I was practically raised by my father's late mother (unlike my sibling, mind you. I'm the eldest) and I still have a close relationship with my mother's mother. Mia, played by Jyeshta ascendant Anne Hathaway, also has a very special relationship with her grandmother.

So, in the end, the bullied underdog became a princess and eventually- a queen.

Some bonuses:

Uttara Phalguni is associated with gaining wealth and privileges from partnerships. Uttara Phalguni ascendant Julie Andrews playing queen Clarisse, who became a royal by marriage, confirms that.

Heather Mattarazo (Lily) and Anne Hathaway were born only a few days apart, hence their charts being similar and them playing best friends.

So, this is it. If you found this interesting, please, interact with me, like, comment, reblog. Take care 🤍

[nightandflesh]

I’ve heard that Gary Oldman is difficult to work with but he is such a top level actor -so terrific in Slow Horses. Possibly his best ever ?

Like, I really buy his character. watching it I forget it’s old Gary playing Lamb - atypical for such a big actor , at least for me anyway . Anyone else reveling in all of Lamb’s grossness ?

[justanothergoldfish]

Greg Lestrade x reader

Handsome stranger - part two -

pt. 1 pt. 2 pt. 3

warnings: swearing, drinking

words: 2200

A/N: there will be a third part. I love Greg too much. Also in this part, reader is definitely written from a female POV. If i hear one complaint about my interpretation of Scottish English I'm burning down the internet.

---

It didn't take long for your boss to show up at the bar after that interaction. 

“Seriously? Ain't he a wee old for a lassie like you?” he asked, his eyebrows furrowing together. With a feign look of innocence you shrugged, “What are you talking about?”

“I heard ya, young lady. Drooling over that poor fella.”

Hearing him call you out so shamelessly made it impossible to stay serious and to not grin like an idiot. 

“Oh can't I have some fun? Hey, maybe he'll tip nicely, alright? I'm just… boosting your business. Sales, you know?”

Gary rolled his eyes and shook his head, and you could almost hear him think ‘You're a hopeless case’ as he nudged towards the kitchen. “Go help the lad in the back, aye? I'll take it from here.”

You too rolled your eyes and clicked your tongue. “Hey, just to make this clear; men are like wine, they get better with age. Guess you might've gone bad.” you groaned in annoyance, throwing the linen cloth from your apron onto the counter before heading into the kitchen.

“Oi, remember who's paying your bills, lassie!” Gary called after you, his voice a bit elevated, earning a huff from you. It was all friendly banter, but it still made you pout, not to be able to serve Greg and have some fun conversation. You had been looking forward to another chat with this gorgeous man from London, he seemed… Interesting. 

~

After what felt like a thousand peeled potatoes later, Gary returned and slumped himself into a corner in the kitchen. 

“I feared the day would come…bloody shite…” he mumbled, looking pale as a ghost. The man shook his head, staring into the steamy kitchen air. 

Without looking at him, you already guessed what happened. “What's wrong? Someone discovered that the ‘monster’ is just a hungry dog you've sat out in the forest?” 

Gary's eyes drifted over to you. “That fella you've been drooling over… He's an Inspector.”

Oh shit. 

Instant panic broke out internally at his revelation and you basically dropped everything. “A Health Inspector? Bloody christ Gary, I don't have a fucking food or beverage certification! I'm only supposed to help you out until you find someone else! What am I supposed to do?!” you hissed, crouching down in front of him. 

Gary sighed and waved it off. “Not a Health Inspector. A Detective from Scotland Yard.”

Was that better or worse? 

It took a few moments to calm down and collect your thoughts. 

“So? What now?” 

With a groan, Gary buried his face in his hands.  “We told him everything, I can never look that man in the eyes again… He's only staying for one night, aye?”

You got back up and crossed your arms. 

A Detective from Scotland Yard? This man got more interesting by the minute. 

“Looks like I'll take it from here again. I'll make sure he’ll have a pleasant time and won’t close down your business.”

~

As you came to the front, you saw Greg leaning against the counter, scrolling through his phone. He nipped on his beer and locked his phone as you approached with light steps. Even though he had scared the shit out of the owner, he seemed so… relaxed. 

Once you cleared your throat you decided to speak up to him again. 

“So… You're a Detective? Is that what brought you here? Are we in trouble?” you tried to jest as he locked his phone and gave a reassuring smile.” I'm on holiday, no need to panic. I think the owner’s already learned his lesson and if I learned one thing in life it's to never mess with a lady who pours my beer.”

The way his eyes creased when he carried that beaming smile, it was honestly heartwarming. 

“You're a smart man then.” you chuckled, grabbing a small chestnut wood bowl and filling it with a bag of mixed nuts and crackers from one of the cabinets. 

“So, a Detective from London, all the way out here in the Dartmoor in our humble village,” you grabbed a tall glass and poured him another, noticing his drink was nearly finished, “You probably brought some exciting stories along. Care to share?”

Greg huffed as he supported himself on the counter with both arms in front of his chest and adjusting his seat on the barstool. “Rather gory than glory, trust me. Sure you can handle it?”

The teasing smirk on his face made your heart flutter and cheeks redden as you tried to contain yourself and served him his beer and the complimentary snack bowl. 

“You surely know the key to a man's heart. Thank you, love.”

Greg took a few peanuts, juggling him in his hand ever so slightly. 

"You'll probably hate me for questioning you about your job on your holiday, but I have to know. Have you ever seen a dead body?”

Greg munches on his peanuts as he nods along. Knowing that the hotel owner would scold you for just standing around and chatting, you decided to clean up a bit and do some side work during the talk.

“I've seen some, yeah. Part of the job.” He finally says after swallowing. 

From one of the drawers you gathered a bunch of paper towels and a tray of cutlery. Rolling silverware seemed like a perfect task to do right now, surely the conversation would make this eternally hated task probably more bearable.

Greg observed your hands working on the roll-ups with precision and skill as he took one of the crackers into his mouth, chewing on it while watching you.

“So, did you ever… shoot someone?” you asked, spreading out the next paper towel. 

For a moment, he went back into his thoughts. He chewed on the inside of his cheek before taking a sip of his beer. With the back of his hand he wiped off the foam from his upper lip and gave a half nod, half headshake. 

“Fire a gun at someone, yes. Killed someone, no. I think that answers your question?”

You raised your eyebrows and agreed with a simple nod before moving on to the next question. “Can I see your ID?”

The man grinnes and grabbed another peanut from his bowl, “You've seen it already.”

“Aw, not your personal ID, your police ID, you know what I mean” you mused. 

He chuckled as he reached into the inner pocket in the lining of his jacket and got it out, holding it up in front of your face.

“Wow…  Detective Inspector Gregory Lestrade… Scotland Yard…“ you read off the card quietly, seemingly impressed before looking back up to him, meeting his brown eyes. 

“It's not as impressive as you think. Lots of paperwork” Greg explained as he stuffed his ID back into his inner pocket and straightened his jacket afterwards. 

“But- my turn to ask a question. I don't even know your name.”

“Then find out? You're a Detective working for Scotland Yard, I'm sure you've got your sources.” 

His expression instantly gave away that he was more than up for the challenge, despite being on holiday it seemed to be worth the effort. 

“Good, give me until tomorrow morning’” Greg grinned, looking at you all over again. Now that made your cheeks flush a bit, hopefully not enough to be noticeable in the dim light of the bar.  His smile made you completely forget about his age for a moment. Not that you truly cared. He was a fine man with an exciting job and probably made good money, what was not to like? 

You tried to get a glance at his hands as discreetly as possible. 

No ring, good. But it was visible that he'd been wearing one until recently.

Maybe that was your chance to get to know him better personally. 

“So, why does a handsome detective go on vacation all on his own?”

Greg can't help but smile bitterly to himself at your words, fidgeting with the beer glass in his hands. He felt flattered by your words, and after divorcing his wife, your words were like a balm to his sore heart. 

“Handsome, huh? Can't say I've heard that in a while” he said almost sheepishly before taking a deep breath, staring at the foam of his beverage for a moment. 

“Yes, i uh.. I'm divorced. Just happened a few months ago.”

You saw the sorrow creeping up in his face and tried to offer a shoulder to cry on as you sat away the tray of rolled silverware. 

“You know, bartenders are perfect to pour your heart out to, if you wanna get it off your chest?”

Greg hummed, his eyes scanning the liquors on the wall behind you. 

“Need something stronger for the nerves beforehand?” you asked, already reaching for a shot glass. 

He couldn't help but smile at your words, “You're a mind reader, my dear. Pour me anything.” 

After scanning through the variety of liquors the bar had to offer, you filled the shot glass with a clear, yellowish liquid and set it down in front of the Detective before returning to your tasks. 

Without any hesitation, the man downed his drink in one go and licked the excess off his lips. 

“That's a good one. Elderflower?”

You nodded and let him reach the empty shot glass over to get it cleaned in the sink. “Owner made it himself last year. Tastes awfully sweet but don't underestimate the alcohol.” 

“You've got quite the taste, eh? Well… pouring my heart out to a bartender, I'm not gonna pass on that opportunity.” He braced himself mentally and propped up an elbow on the counter, his warm eyes drifting off as he started to explain. 

“Been married for years, but due to the job, my ex-wife and I sort of drifted apart. We've been fighting constantly, thought it was getting better only to find out she…”

As hard as he tried to say it out loud, the words just got stuck in his throat. Not that he had to finish the sentence for you to understand. You shook your head, not understanding why people were that way. 

That was fucked up. And as hard as he tried to find his words, you tried to be empathetic but couldn't help to automatically think out loud “What a bitch.”

Greg blinked a few times at your blatant words before the corners of his mouth curled up into a smile. He'd always felt his heart break at the thought of his failed marriage, feeling like it was his fault. He should've had more time for her, he should've showed her how much he loved her, but for the first time, he saw it all from a different perspective as you continued, “Communication problems or struggling to sort out your work - life balance don't justify cheating. Nothing does.”

You cleaned his shot glass and set it away to dry, still shaking your head. You kept on rambling about how wrong this all was, and it made him change the entire way he'd felt about this divorce prior to this conversation. 

Once you noticed how quiet he'd gotten, you too stopped talking and mustered him for a moment. He didn't say anything for a while, he just stared at his glass with a smile, realizing the final straw, his ex-wife's infidelity, was her choice. He never wanted to fight, he never wanted to neglect her or make her feel unloved. 

For the first time since the divorce he could look back at the situation without feeling like a miserable man who had thrown away his marriage himself. Your words had made him realize that this wasn't on him. 

“Greg? Are you alright?”

Finally, his eyes met yours, the outer corners of them creasing as he gave you a warm, honest smile. 

“Pour me two more of those shots, love” he said with an undertone of relief. 

So you did. Two more shots, onto the counter.

He took one of them and gestured for you to grab the other one for yourself. 

“Oh, I can't, not while I'm on shift-”

“Noone's looking. I'm off duty, I won't arrest you.” he says with a reassuring nudge to the other shot. 

If your boss knew… 

Ah, screw it. 

So you looked left and right quickly before clinking your glass against his, hoping no one would ever find out about it. 

“Atta girl. To the pretty lady pouring my drinks and opening my eyes.” he mumbled in a low volume before both of you downed your shot, while his words almost had you choking on the drink. 

He sat down his glass with a sigh and mustered you with care. “You know darling, I think I should come around more often."