#galerie lelong & co.

[garadinervi]

Ana Mendieta, Untitled (Blood Sign #2/Body Tracks), (Super-8 film (colour, silent) transferred to video, 1'20"), 1974 [Museum of Contemporary Art Chicago (MCA), Chicago, IL. © The Estate of Ana Mendieta Collection, Courtesy Galerie Lelong & Co.]

[jgthirlwell]

10.15.24 Impressive monumental show by Leonardo Drew at Galerie Lelong & co in Chelsea

[chainsawpunk]

Ana Mendieta, Guanaroca and Lyaré, 1981. Solomon R. Guggenheim Museum, New York. © The Estate of Ana Mendieta Collection, LLC, courtesy Galerie Lelong & Co., New York / Licensed by Artists Rights Society (ARS), New York. Image: The Solomon R. Guggenheim Foundation / Art Resource, NY.

[abwwia]

Video still from Ana Mendieta, Alma, Silueta en Fuego, 1975. © The Estate of Ana Mendieta Collection, LLC Courtesy of Galerie Lelong & Co. Licensed by Artists Rights Society (ARS), New York

[cosmicanger]

Lin Tianmiao, Protruding Patterns, 2014, wool thread, yarn, acrylic, variable dimensions, Courtesy Galerie Lelong & Co., © Lin Tianmiao

[jordi-gali]

ANTONI TÀPIES Nas i boca sobre xifres, 1992 Painting on pencil paper 120 x 80 cm © Antoni Tàpies. Courtesy Galerie Lelong & Co. https://www.pinterest.es/pin/321303754680134330/

[mosertone]

Marion Verboom: Da Coda at Galerie Lelong & Co, Paris

[eco-diary-by-poli]

Ana Mendieta, “Creek”, 1974

Photography Ana Mendieta, Courtesy Galerie Lelong & Co. © Estate of Ana Mendieta Collection, LLC | @abwwia

[polishwomenartists-sztukakobiet]

Ursula von Rydingsvard, Tak, 2015; Cedar, 5 ft. 2 in. x 4 ft. 2 in. x 2 ft. 2 in.; National Museum of Women in the Arts, Gift of Wilhelmina Cole Holladay; © Ursula von Rydingsvard, Courtesy of Galerie Lelong & Co.; Photo by Michael Bodycomb

@abwwia

[la-semillera]

ANA MENDIETA & CARSON MCCULLERS

Mire, es como si yo fuera dos personas al mismo tiempo. Una de ellas es un hombre instruido. Leo. Leo continuamente. Leo libros que hablan de la más pura verdad. Los leo una y otra vez, y cuanto más los estudio, más furioso me pongo. Conozco todas y cada una de las palabras impresas en sus páginas. Pero lo que quiero decir es esto: cuando una persona sabe , y no puede conseguir que los demás comprendan, ¿qué puede hacer?.

   - El corazón es un cazador solitario, Carson McCullers. Traducción de Rosa María Bassols Camarasa. Seix Barral.

-  Ochún, 1981 ( © The Estate of Ana Mendieta Collection, LLC Cortesía de Galerie Lelong & Co.

[detournementsmineurs]

Exposition "Jaume Plensa. Miroirs (collages)" à la Galerie Lelong & Co pendant la visite-guidée “Parcours de Galeries d'Art : Paris 8ème” par Alexandre Bakker pour Des Mots & Des Arts, mars 2024.

[garadinervi]

Kate Shepherd, Period, (oil and enamel on panel), 2019 [© Kate Shepherd]

[minimewtreasures]

Textile Artist: Angelo Filomeno

Art Piece: My Love Sings When the Flower is Near (The Philosopher and the Woman), 2007

Medium: embroidered on silk with crystals add for detail

Write-up about the piece: on Annenberg Learner

Artist's Portfolio: on Galerie Lelong & Co.

[fiercerthanyou]

Carolee Schneemann, "Eye Body: 36 Transformative Actions for Camera" (1963), 

Gelatin silver print, printed 2005,

Photograph by Erró, courtesy the Carolee Schneemann Foundation and Galerie Lelong & Co., Hales Gallery, and P.P.O.W., New York and © Carolee Schneemann Foundation / ARS, New York and DACS, London 2022; photograph Erró © ADAGP, Paris and DACS, London 2022)

[abwwia]

Ana Mendieta, Sweating Blood, 1973, single channel, super-8mm film transferred to high-definition digital media, color, silent; 03:18 minutes, Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, Administered through the Smithsonian American Women’s History Initiative, 2021.38, © The Estate of Ana Mendieta Collection LLC. Courtesy Galerie Lelong & Co. Licensed by Artists Rights Society (ARS), NY

[tynatunis]

#Repost @galerielelongparis Opening in March: The upcoming exhibition of Pierre Alechinsky "Dernières nouvelles" will be on view at the gallery, 13 rue de Téhéran, Paris, from March 9 to April 29, 2023.⁠ ⁠ For Pierre Alechinsky, being 95 years old is no reason to hang up his brushes and retire. Over the past two years alone, he has painted "Fil conducteur", "Réflexion", "Entre chien et loup", "Effarement", or "C'est très vite trop tard" – to name only a few of his recent works. He has also enriched the margins of four large etchings of his inspired by Balzac's "Treatise on Modern Stimulants", mounted on canvas, with a colour border. The artist has also ventured into a re-reading of an acrylic painting that has been modified six times in the space of some forty years: "Dotremont dans sa nuit lapone" - only the predella, alluding to the inventor of CoBrA, has remained unchanged since 1981.⁠ ⁠ Pierre Alechinsky was born in 1927 in Brussels. After studying at La Cambre, he met Christian Dotremont and joined the invigorating CoBrA group in 1949. He then developed an abundant work as a painter and engraver which led him to exhibit internationally. His works are present in museums all over the world, from the United States to Japan, in many European countries. In 2018, he received the prestigious Praemium Imperiale in Japan, a sort of Nobel Prize for the arts. He is also a recognized writer; his most recent work, "Ambidextre", was published by Gallimard in 2019. He has exhibited at 13 rue de Téhéran since 1977.⁠ ⁠ An exhibition "Alechinsky à l’imprimerie" will be presented from 1rst April until 29 October in the castle of Chaumont-sur-Loire.⁠ ⁠ Learn more about the show by visiting the link in our bio⁠ ⁠ Image : Pierre Alechinsky, Réflexion, 2020, acrylic on paper mounted on canvas, 107 x 89 cm.⁠ ⁠ © Pierre Alechinsky / Courtesy Galerie Lelong & Co.⁠ ⁠ #alechinsky #pierrealechinsky #galerielelongparis #galerielelong https://www.instagram.com/p/Co76xAPLwAW/?igshid=NGJjMDIxMWI=