#galerie belvedere
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Emil Jakob Schindler - Waldfräuleins Geburt, 1868.
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the kiss by gustav klimt
"The Kiss" by Gustav Klimt is believed to have been inspired by Klimt's own tumultuous love life and the Art Nouveau movement of the late 19th century. It's thought to depict the artist himself and his companion, Emilie Flöge, who was a prominent figure in Vienna's artistic circles.
The painting captures a moment of intimate embrace, symbolizing the union of two souls in love. The couple's bodies are intertwined in a sensual manner, while their faces remain obscured, adding an air of mystery and universality to the scene. The use of gold leaf throughout the painting adds a sense of opulence and timelessness, elevating the romantic encounter to a transcendent experience.
While the exact inspiration and narrative behind "The Kiss" remain somewhat elusive, its enduring popularity and significance lie in its ability to evoke emotions of passion, love, and beauty, resonating with viewers across generations.
#art#artist#the kiss#gustav klimt#oil on canvas#oil painting#painting#art nouveau#arts and crafts movement#vienne secession#love#intimacy#sexuality#emilie flöge#galerie belvedere#19th century#gold leaf#romantic#romantic encounter#passion#beauty#abstract#yellow#gold#austria#“If you can not please everyone with your deeds and your art#please a few“#oil and gold leaf on canvas#art aesthetic#timeless
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The Gasteiner Valley in Fog, Anton Romako, 1877
#art#art history#Anton Romako#landscape#landscape painting#landscape art#fog#mountains#Austria#Austrian art#19th century art#oil on canvas#Belvedere#Österreichische Galerie Belvedere
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Napoleon at the Great St. Bernard (details), Jacques-Louis David, 1801
Belvedere Museum, Vienna
#vienna#napoleon#napoleonic era#napoleonic#napoleon bonaparte#jacques louis david#Jacques-Louis David#David#Napoleon crossing the alps#belvedere#Belvedere museum#Kunsthistorisches Museum#Kunsthistorisches#Österreichische Galerie Belvedere#1800s#1800s art#details#Great St. Bernard#first french empire#french empire#France#neoclassical#neoclassicism#neoclassical art#classical art#French art#history
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‘Ghosts’ in Art (’Halloween in Art’ Series)
'The Souls of Acheron,’ (1898),
Adolf Hirémy-Hirschl (1860–1933),
Oil on canvas, H 215 cm x W 340 cm,
Österreichische Galerie Belvedere of the Belvedere Palace, Vienna, Austria.
#art#ghosts#ghost#ghosts in art#halloween#halloween in art#adolf hirémy hirschl#oil painting#painting#österreichische galerie belvedere#belvedere palace#historical art#mythological art#mythology#symbolism#the souls of acheron#souls on the banks of the acheron#hermes necropompos#hermes#ancient mythology#greek mythology
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source: bishopsbox
Egon Schiele, Four trees (1917). Österreichische Galerie Belvedere, Vienna.
Egon Schiele, Cuatro árboles (1917). Österreichische Galerie Belvedere, Viena.
#1917#egon schiele#egon schiele four trees#osterreich gallerie#Vienna#Wien#Österreichische Galerie Belvedere#belvedere vienna
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Franz Xaver MESSERSCHMIDT (1736-1783) “MARIA THERESIA" (um 1760) Büste - Bronze, feuervergoldet Bust - bronze, fire-gilt Sammlung BELVEDERE Wien / Collection BELVEDERE Vienna
#franz xaver messerschmidt#belvedere vienna#belvedere wien#messerschmidt#maria theresia#Habsburg Empire#Habsburger Monarchie#baroque#Barock#bust#Büste#bronze#Bronze Casting#österreichische galerie#belvedere#vienna#wien
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L'emblématique hôtel Belvédère du col de la Furka, hôtel de Goldfinger
Nouvel article publié sur https://www.2tout2rien.fr/l-emblematique-hotel-belvedere-du-col-de-la-furka/
L'emblématique hôtel Belvédère du col de la Furka, hôtel de Goldfinger
#abandon#Alpes#belvedere#col#Furka#galerie#glace#glacier#GoldFinger#grotte#hotel#James Bond#pape#Rhône#Sean Connery#suisse#vidéo#architecture#cinema#imxok#voyage
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Carl Moll «Die blaue Flasche», 1930 by Art Therapy by Julianna Via Flickr: Oil on canvas; 60x60 cm. Österreichische Galerie Belvedere
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Hélène Funke (DE|AT, 1869 - 1957)
Helene Funke (3 September 1869 – 31 July 1957) was a German-Austrian painter and graphic designer of modern times. From 1905 and until 1913, she lived in France and then moved to Vienna until her death. In 1918 she became a member of the artist group “movement” or “free movement” (from 1919). In addition, she was a member of the group of Viennese women’s art. In 1928 she received the Austrian…
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#art herstory#Österreichische Galerie Belvedere#exhibition City Of Women#Female artists in Vienna from 1900 to 1938#forgotten painters#German-Austrian#graphic designer#great women artists#Helene Funke#Kunsthandel Hieke#painter#Viennese women&039;s art#Women&039;s Art
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'Alpine Flora' (1853) by Theodor Josef Petter (1822 – 1872).
Oil on canvas.
Galerie Belvedere.
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Water Serpents I, Gustav Klimt (1904). Österreichische Galerie Belvedere in the Belvedere Palace, Vienna.
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Orpheus and Eurydice, Anselm Feuerbach, 1869
#art#art history#Anselm Feuerbach#mythological painting#classical mythology#Greek mythology#Orpheus#Eurydice#Orpheus and Eurydice#Neoclassicism#Neoclassical art#German art#19th century art#oil on canvas#Belvedere#Österreichische Galerie Belvedere
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GUSTAV KLIMT - PORTRAIT OF ADELE BLOCH-BAUER I, 1904-1907
Adele is seen in the painting wearing a choker adorned with jewels. Even though the complex mosaics add some challenge in identifying, she is sitting on a chair with two tall arms adorned with golden spirals, only noticeable due to their contrast against the gold-speckled backdrop. Her fair complexion features flushed cheeks, and her dark hair is styled up. Adele's realistic physical traits stand out in stark contrast to the patterns and stylizations found throughout the rest of the artwork.
The husband of the subject, a wealthy French industrialist Ferdinand Bloch-Bauer, commissioned Klimt to create this artwork. It is one of Klimt's most renowned artworks and is also known as the 'Austrian Mona Lisa'. Ferdinand Bloch was a passionate collector of art. He and his wife were both friends and avid backers of Klimt's art, though Adele had been acquainted with him for several years before Ferdinand. There is some speculation regarding whether Adele had a closer relationship with Klimt prior to getting married.
While mostly featuring gold, Klimt incorporated pops of vibrant hues like greens, blues, and reds. A checkered pattern in black and white divides the green floor from the golden walls.
The painting stayed with the Bloch-Bauer family until 1938, when Ferdinand was forced to leave Vienna by the Nazis due to alleged tax evasion. The State seized all of his possessions, including this item, and sold them at a discount to the Nazis. The artwork was relocated to the Österreichische Galerie Belvedere in Vienna, Austria, and its name was changed to “Lady in Gold"
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ab. 1839 Franz Eybl - Lady in blue dress
(Österreichische Galerie Belvedere)
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'Ghosts' in Art ('Halloween in Art' Series)
Top:
'The Souls of Acheron,' (1898),
Adolf Hirémy-Hirschl (1860–1933),
Oil on canvas, H 215 cm x W 340 cm,
Österreichische Galerie Belvedere of the Belvedere Palace, Vienna, Austria.
Bottom:
L:
'Speak! Speak!,' (1895),
Sir John Everett Millais, Bt (1829–1896),
Oil on canvas, H 210.8 cm x W 167.6 cm,
Tate Collection.
M:
'Ossian Receiving the Ghosts of French Heroes,' (1802),
Anne-Louis Girodet de Roussy-Trioson (1767–1824),
Oil on canvas, H 192 cm x W 184 cm,
Musée National du Château de Malmaison, Rueil, France.
R:
'Spirit,' (1885),
George Roux (1853–1929),
Oil on canvas, H 108 cm x W 79 cm,
Private collection.
#art#photoset#ghosts#ghosts in art#halloween#halloween in art#the souls of acheron#adolf hirémy hirschl#österreichische galerie belvedere museum#speak! speak!#sir john everett millais#tate collection#acheron#ossian receiving the ghosts of french heroes#anne louis girodet de roussy trioson#musée national du château de malmaison#spirit#george roux#painting#oil painting#symbolism#historical art#mythological art#mythology#pre-raphaelite brotherhood#pre-raphaelite#romanticism#classicism#ossian#spiritualism
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