#gale tattersall

[cappedinamber]

Pushing Tin (1999)

Directed by Mike Newell

Cinematography by Gale Tattersall

[realbeefman]

i need to suck gale tattersall off for filming house md Like That. my hero. my king. that show is fucking ARTFUL.

[courseforjob]

Gale Tattersall – HDDSLR Filmmaking

Gale Tattersall – HDDSLR Filmmaking For the first time in history, a camera that costs roughly $2,500 can shoot material good enough to hold its own weight on the highest professional levels. Gale Tattersall, renowned Director of Photography, has been at the forefront of pushing HDDSLR’s in Hollywood. He shot the season finale of House entirely on a Canon 5DMII last year. In this HDDLSR…

[absencesrepetees]

virtuosity (brett leonard, 1995)

[subjective-reviews]

Views of the beach from Grace and Frankie

Cinematography: Gale Tattersall

[movierx]

Dexter Fletcher in Wings of Death (1985) dir. Nichola Bruce & Michael Coulson

Cinematography by Gale Tattersall

[memoriastoica]

Blue | Virtuosity (1995)

[genevieveetguy]

Caprice, Joanna Hogg (1986)

[facesofcinema]

Thir13en Ghosts (2001)

[brokehorrorfan]

Blu-ray Review: Ghost Ship

After finding success with a pair of remakes of William Castle films - 1999's House on Haunted Hill and 2001's Thirteen Ghosts - the producers at Dark Castle Entertainment decided to branch out from their namesake. For their first foray into original material, they re-teamed with Thirteen Ghosts director Steve Beck on 2002's Ghost Ship (unrelated to the 1952 film of the same name). Mark Hanlon (Buddy Boy) penned the original script, then titled Chimera, which was heavily rewritten by John Pogue (U.S. Marshals) following September 11th.

Ghost Ship opens with a delightfully gruesome prologue in which the passengers of a luxury ocean liner circa 1962 are bisected in a fantastic, Final Destination-esque fashion. The lone survivor is the young Katie Harwood (Emily Browning, Sucker Punch), who was spared by virtue of her diminutive stature. Opening on such a high note is a great way to invest the audience, but the unfortunate downside is that there's nowhere to go but down.

40 years later, pilot Jack Ferriman (Desmond Harrington, Dexter) enlists a salvage crew - played by Gabriel Byrne (Hereditary), Julianna Margulies (ER), Isaiah Washington (Grey's Anatomy), Ron Eldard (Deep Impact), Alex Dimitriades (Deuce Bigalow: European Gigolo), and Karl Urban (The Lord of the Rings) - to claim an abandoned ship in international waters and split the profits. It's not long after boarding the vessel that things go awry with ghost sightings and untoward discoveries. Washington's character puts it most succinctly: "This ship is fucked up."

Ghost Ship is a little dated - an extended flashback montage with MTV-style editing, early digital effects, a homophobic joke, and a prominently featured nu metal song by Mudvayne that reprises over the end credits - but it serves as a snapshot of early 2000s horror. The film is entertaining enough, but it fails to capitalize on the “haunted house at sea” premise. Lacking the deft balance of spooky and playful stuck by its Dark Castle predecessor, it takes itself a bit too seriously after the opening scene.

With back-to-back successful stints in the director's chair, it's surprising that Beck never made another movie (although not for lack of trying, as he explains in his audio commentary). Ghost Ship saw him re-team with several Thirteen Ghosts crew members, including cinematographer Gale Tattersall (Tank Girl) and composer John Frizzell (Alien: Resurrection). Grace Walker's (Mad Max Beyond Thunderdome, Pitch Black) production design adds to the scope.

Ghost Ship sails onto Collector's Edition Blu-ray from Scream Factory. Joel Robinson designed the new cover; the original poster is on the reverse side. It sports the same high-definition transfer found on Warner Bros.' earlier Blu-ray, which has no discernible faults. Beck provides a new audio commentary in which he explains how September 11th reshaped the picture from its original concept ("10 Little Indians at sea," which sounds better than the final product) and details the decade he spent developing unproduced films after Ghost Ship. He also reveals that producer Joel Silver championed Sam Neill for the Gabriel Byrne role.

The disc features new interviews with Washington, makeup effects supervisor Jason Baird (The Matrix Reloaded, Kong: Skull Island), and producer Gil Adler; the former two are conducted via video chat. Washington's highlight is his blunt wording for how the script originally called for him to be "doggy-styling a ghost." Baird recalls working closely with the great KNB EFX to create all the corpses necessary for the opening, and he shows off Gabriel Byrne's fake head from the film. Adler states that his stipulations to make the movie were to avoid shooting on a real boat or on the water due to budgetary and logistical reasons.

The original extras are ported over: a 15-minute making-of piece featuring behind-the-scenes footage and interviews with cast and crew; a visual effects featurette with visual effects supervisor Dale Duguid; a practical effects featurette with Baird and KNB's Howard Berger, a production design featurette with Walker; Secrets of the Antonia Graza, which was a series of interactive puzzles to unlock character backstories on the DVD, but here the four vignettes are presented sans puzzles; Mudvayne's "Not Falling" music video comprised of clips from the film; and the theatrical trailer.

Ghost Ship will be released on Collector's Edition Blu-ray on September 29 via Scream Factory.

[deepredradio]

Tank Girl

Story: Die Welt ist im Jahr 2035 nach einem großen Meteoriteneinschlag eine große Wüste. Die Wasservorräte werden von dem Konzern Water and Power unter der Leitung von Kesslee kontrolliert. Kesslees Soldaten überfallen die Siedlung, in der Rebecca lebt. Nur sie und das kleine Mädchen Sam überleben. Sie werden gefangen genommen und zu Kesslee gebracht, der von Rebecca fordert, dass sie für ihn…

[mhsn033]

Bob Willis Trophy: Jonny Bairstow makes 75 as Yorkshire lead Nottinghamshire

Jonny Bairstow returned to the Yorkshire facet after taking half in for England in one-dayers in opposition to Eire

Bob Willis Trophy, Trent Bridge (day three): Yorkshire 264 & 259-7: Bairstow 75, Lyth 50; Chappell 3-49 Nottinghamshire 355: Moores 106, Mullaney 50 Yorkshire (5 pts) lead Nottinghamshire (7 pts) by 168 runs with 3 wickets left Scorecard

Jonny Bairstow’s 75 helped push Yorkshire staunch into a space of power on the third day of their Bob Willis Trophy match in opposition to Nottinghamshire at Trent Bridge.

England World Cup winner Bairstow, taking half in his first crimson-ball match for his county in two years, conducted the predominant hand because the White Rose reached the close on 259-7, a lead of 168.

Adam Lyth made precisely 50, scoring his runs from 124 balls with six fours, and Jonny Tattersall will toddle into the closing day unbeaten on 41 having confronted 155 deliveries.

Bairstow batted for fair about three hours and hit 14 fours in his 140-ball pause and his most productive moment of perfect fortune came early on in his innings when he nicked Matt Carter’s off race between wicketkeeper Tom Moores and Steven Mullaney originally high-tail.

Relive Monday’s motion within the Bob Willis Trophy

From that level he exuded self perception and carve Zak Chappell for a succession of boundaries but his eventual dismissal came at some stage in an sudden spell in mid-afternoon when three wickets rapid fell.

The step forward came from Samit Patel, having Lyth caught at high-tail by Mullaney, almost right now after bringing up his half of century from 117 balls.

Matt Carter then accounted for every Bairstow and Dawid Malan in identical vogue, with every caught at rapid leg by Haseeb Hameed.

The first – an athletic factual-handed snatch – turned into out of the very top drawer, the 2nd a delicate lob up from Malan’s bat and pad as he departed for perfect a single.

With the scoreboard showing Notts to have an over rate of plus 18, they came upon themselves ready to build up the 2nd unique ball by 5.20pm, with the allocation of 90 overs already surpassed.

Lacking Jake Ball, who had left the motion with a facet strain after bowling three overs on the initiate of the day, the hosts turned into motivate to Chappell to strive to cease the day as he had started it and he duly delivered.

Having eliminated opener Tom Kohler-Cadmore for a golden duck on the initiate of the play, Chappell closed it by selecting up the wickets of Jordan Thompson for 33, then captain Steven Patterson.

Tattersall stood firm, with Duanne Olivier his partner at stumps on eight and all outcomes dwell that you just may maybe maybe also imagine heading into the closing day, with Yorkshire bidding for motivate-to-motivate wins.

Nottinghamshire, though, dwell hopeful of breaking a chain of 24 first class matches without victory stretching motivate to June 2018.

Nottinghamshire tempo bowler Zak Chappell:

“It turned into an very perfect day of four-day cricket, a sport of attrition in actual fact.

“Peter Moores continually says you may maybe maybe also scuttle any person. For in some unspecified time in the future they may be able to stand it but after four they win niggly and crack.

“This morning to win Tom Kohler-Cadmore first up turned into a dreamy initiate and I’d have loved to have bought Jonny again but he battled thru it. Credit score to them for that partnership.

“I’m peaceable discovering my procedure in county cricket but I enjoyed it for my section currently and verbalize all of us save an very perfect shift in.”

Yorkshire head coach Andrew Gale:

“On the initiate of the day I requested for fight, character, resilience and persistence and I possess we’ve considered that currently.

“We dug in, it wasn’t easy. Or now not it’s a long way a day seven pitch, so that you just could be peaceable batting on the cease of it’s very pleasing.

“We’ll compare to position a few more on within the morning after which if we are able to win them 20 for 2, who’s aware of?”

Match chronicle by PA Media.

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[jennyroh]

Ghost Ship (2002)

Director: Steve Beck Writer(s): Mark Hanlon (screenplay), John Pogue (story & screenplay) Cinematographer: Gale Tattersall Editor: Roger Barton Production Designer: Graham ‘Grace’ Walker Costume Designer: Margot Wilson Music: John Frizzell Cast: Gabriel Byrne, Julianna Margulies, Ron Eldard, Desmond Harrington, Isaiah Washington, Karl Urban, Emily Browning

Camera: Moviecam Compact, Cooke S3 Lenses

Filming Locations: Philadelphia, Pennsylvania / Montréal, Québec, Canada / Lutherville, Maryland / Baltimore, Maryland

A salvage crew discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea, and soon notices that its long-dead inhabitants may still be on board.

I remember loving the concept of this film. Ghosts on a giant ship? Sold. I enjoyed the way they recreated and intertwined the past and the present. I think we can also appreciate the amount of practical effects used, something you don’t see nowadays which is VERY unfortunate because it takes away the magic when you computerize anything. I wouldn’t mind revisiting this one again. 

(watched November 29, 2011)

[Courtesy of IMDb, Google, YouTube]

[subjective-reviews]

Grace and Frankie

Artist/painter : Nancy Rosen

Cinematography : Gale Tattersall

[movierx]

Dexter Fletcher in Wings of Death (1985) dir. Nichola Bruce & Michael Coulson

Cinematography by Gale Tattersall