#further thoughts in tags

[tiptapricot]

May I posit…

(ID in ALT)

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[give-grian-rights]

you'll look good when you're not an abusive piece of shit who doesnt understand consent. love him using his real name. why the fuck are all the names on the thumbnail? you trying to tell the non mcyt fans of your music "haha nooo im not wilbur soot the abuser!! im will gold the artist!!"

fuck will gold.

Considering how low his understanding of consent is, chances are you're supporting an eventual sex offender.

[wow-an-unfunny-joke]

Dazai leans over the edge, a strong gust of wind is all it would take to push him over, to send him falling to his sweet, ultimate demise.

Chuuya grabs his arm in a strong grip- but he doesn't pull Dazai away from the edge. Chuuya looks Dazai straight in his eyes. Bright blue eyes meet Dazai's and he says in a firm voice,

"If you jump, you'll kill both of us."

And it's clear, right then, how deeply Chuuya trusts Dazai.

And Dazai doesn't jump.

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[sickosdotjpg]

[ocs] between the two of them, they almost have an entire outfit

(pls don't reblog to non-kink blogs!)

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[wildwood-faun]

Thinking about how Susanna Clarke takes the idea of lost knowledge and plays with it from the very beginning of Jonathan Strange and Mr. Norrell. From Norrell's (implied) culled books, to the aged magician whose "voice was rather weak and no one had leisure just then to discover what he was saying" (ah but the Narrator remembers his passion), to later events in the book, where knowledge thought lost can be recovered in a variety of ways. Of course, the major lost knowledge is magic itself, but not all examples are explicity magical. Clarke reminds us of how easy it is for knowledge to get lost - perhaps it only ever existed in the mind of one person who is long dead, perhaps a small community held the knowledge but failed to pass it on, perhaps it was written down but later destroyed - and then she offers us a tantalising glimpse of a world where it is possible to recover at least some of it.

[itsallaboutbl]

Mos Panuwat as Sun Sunset x Vibes, ep. 1

[stardustdiver]

aroace hate in the ace tag (aro poster), very cool very awesome, love that for you bud, have a wonderful day

this exact behaviour is what drove me away from r/aaaaaaaarrrrro and then r/aaaaaaacccccccce, very nice to see it persist onto tumblr dot com

all this behaviour does is splits up the community, we should be connected and together, not infighting bc aroallos and alloaces and aroaces exist, what does aspec mean, remind me?

edit: we defeated the evil

[tgtbata]

S14/The End

[gemharvest]

Okay hear me out (and I will forget I sent an ask in again 2 seconds later) RGB as crystal gems

PREFACING THIS ART WITH AN "I'm sorry I didn't lean more into the SU side of things" I am being so fr I don't wanna mess with trying to figure out more gem-like outfits for them so they're basically the same except with limited palettes and also gems. I don't think it's actually gonna matter to anyone but ANSJKNKDGJ if I don't open with that my brain will Explode. /lh

GO CRAZY GO STUPID AHHHHHH. GEMS. I'm going to have to put my bullet points under a read more just cuz I know I am about to fucking Go Off. grins

Girlfriend is a red diamond. Boyfriend is a peridot. Pico is a green spinel.

GIRLFRIEND:

Went with a diamond cuz of the status thing. I am almost worried it feels like too easy of a pull but I doonnn't care I think it'd be fun if she was a diamond. :) Red obviously because it's her color.

Playing off the status thing; ofc her parents would also be diamonds and so you can have the reasoning of "oh this isn't a high-rank gem" for them not liking Boyf. I mean if you need any reasoning aside from them just being unreasonable LOL but that's always there.

Placement on her chest because !! love !!!! That's also why it's a heart-shaped cut instead of a. Diamond shape.

My backup assignment for her would be a jasper because I think it'd suit her well to be any quartz, and with jasper you can get close to her reds !! The status thing is really what made me decide on a diamond tho.

As I type this I realize there are some vaaaguee similarities to Pink I could pull as extra reasoning but shruuuugs my brain is NOT in an analytical mood rn so I'll just let others chew on that for me.

This isn't really relevant to RGB but I wanna mention it: I think it'd be funny if the demon henchmen were rubies.

BOYFRIEND:

The biggest factor for me going peridot with him is the fact that a common headcanon for canon Peridot is that she's autistic and while I mostly work with ADHD Boyf myself (since that's the experience I can pull from personally)... I am a sucker for a good autistic/AuDHD read with him.

This man is short and Era 2 peridots are short. If I drew him SU style this guy would need limb enhancers. lol

Instead of a prohibition symbol his shirt has the outline of a star. I just find that neat. :)

He would sooooooo suck at a peridot's role but also iirc in canon he's a college drop out anyways so it cancels out. He's got that Greg Universe in him.

Honestly, I put his gem placement on the back of his hand bc I had no clue where else to put it. My secondary placement for it would be on his forehead bc it'd make me giggle with him being Dumb but canon Peridot already has the forehead placement so I didn't go ahead with that.

HE STOLE PICO'S GREEN SPOT. spritzing him with water like a naughty dog BAD BOYFRIEND.

PICO:

This is my little indulgent one I really. I really love canon Spinel. This is tangential but like I literally have 4 spinel OCs and then another 4 furry OCs with designs based on canon Spinel. The urge to make One Of Them a spinel was going to be there.

The juxtaposition of him being a gem with an entertainer role and also a hard-ass hitman makes me giggle. Idk I feel like if you already know canon Spinel then you can probably connect the dots as to why I'd imagine him as a spinel as well.

Heart cut because I find it cute and it matches GF. I think a spade shape could be fun too but idk I prefer just going with a heart. Placement on his upper back because. :) Because he can't easily shield it from damage that way. He has to be constantly aware of his surroundings, unless he wants to give someone the chance for an easy hit on him if they sneak up from behind. Little paranoia thing to fuck with him. I'm so nice to Pico !! :D

Bringing back the status thing with GF's parents; I can't help but giggle thinking abt them hiring him. Imagine you get recommended this really good hitman and you meet up and it's a fucking court jester. Fucking ego hit but DD needs the job done so he hires him anyways. AND THEN PICO DOESN'T EVEN CARRY OUT THE FUCKING HIT. Never hiring a clown off of Craigslist again. /JOKING

hits play on this and sits down with my head in my hands

OKAY BEFORE I'M DONE I WANNA MENTION: I made myself give them all gem assignments BUT I do think it would be fun if one of them was not a gem a la Greg and Rose. So I give you: regular canon demon GF and her two gem boyfriends. Takes a bow. (<- honestly might do something further with that for my own fun. teehee)

[spindlewoed]

someone else definitely already talked about this at length but do you think there might be some connection between the Pale and Plasm. The Pale apparently came with humanity and is speculated (at least by dialectical materialists) that it might be a consequence of human thought, while Plasm is the infra-materialist belief that communist sentiment, if felt strongly enough, can manifest itself as this sort of invisible energy that can hold things together....what does it mean what does it all mean

[lesbianralzarek]

trying to not complain about the discrepancy between how much content fictional women and poc have vs the white dudes in every fucking fandom im in, because no one owes me fanart/fic and i can make shit myself, but holy fuck can any of you name a woman?