#funny story about that too

[jihyolesbian]

ok why is she texting paragraphs in the groupchat that "we need to start cleaning the kitchen more" like girl be real. you know i deep clean it myself every 2-3weeks but it's a big kitchen and multiple people use it i can only do so much

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[saturated-silences-art]

Sokka, the plan guy, realizing that he too is capable of some catastrophic, Zuli-level strategic moves…

Based on that scene of @lovelyelbowleech’s War Games.

[swampybogg]

[poorly-drawn-mdzs]

Never gonna live that down.

[First] Prev <–-> Next

[detectivebambam]

hey btw Wymack recruiting people no one else bothers to look at also means recruiting the two incredibly good players who are considered "too short".

fyi.

YOU CAN ONLY PUT 30 TAGS???

[karmicpunishment]

atsushi starts taking some college classes and meets some friends and one turns out to be one of kunikidas former students

[fumifooms]

[biblically-accurate-dca]

@vanweek2024 day 6 - spare

vanny goes bowling !

[cienie-isengardu]

Zuko and Azula in "The Beach"

Lately I think a lot about "The Beach" episode [x], especially about this small detail of great teamwork Zuko and Azula have during the game.

Zuko is looking ahead, directly facing their rivals (who had the control of the ball at this moment) but his body is clearly lowered to the ground, left hand most likely touching the ground, legs bent and widely spaced - a clear contrast to Mai standing near and how he stood before on two separate occasions

which is why I think Zuko willingly create an opportunity for Azula, so she could jump higher - something she definitely used to their team’s advantage. If Azula simply jumped on her brother’s back when he wasn’t expecting it or wasn’t ready, he would probably just fall face down from the impact but as the scene shows, he had no such problem nor was angry about it in the following scenes.

During the game sequences there was no dialogue shown between our protagonists, so it is hard to determine if Azula in advance called Zuko to give her a “lift” or Zuko offered on his own, or did they were that much in sync they just acted without thinking. Regardless I like this few seconds long interaction, because for me it implies how they trusted each other despite all the rivalry and bitterness from previous episodes. Like Zuko trusted Azula won’t use that moment to hurt/humiliate him by overuse of force, the same as Azula trusted in Zuko’s strength and that he won’t mess up by losing his balance. It is a small thing but no less sweet to see them working well together when fighting for the same goal - what reminds me a bit their teamwork from the previous season finale.

Interestingly, it was also the second time Zuko assisted Azula in scoring against their rivals while not scoring himself any point on screen. The first time happened almost right at the beggining of the game (second from total five sequences)

while each girl have the solo sequence of winning a point:

Azula's first attack,

later Ty Lee landing on the net

and Mai kicking the ball (and presumably scoring)

while Zuko’s two actions are shared only with his younger sister while there is no sense of competition between the siblings, something contrasting a lot with some previous and later episodes.

Azula is bossy and competitive through most of the episode and her brother lets her be that without a complaint. Azula and Zuko get along pretty well and A) do not argue (with the exception of the campfire scene and then they argue not even for the whole scene itself) and B) don't get on each nerves the way they do in the palace, with Ozai's presence looming in the back of their mind. I absolutely adore this episode, as it humanizes all our Fire Nation characters by showing them as teenagers outside the war zone but also giving us a bit of insight into what Azula and Zuko could be if Ozai didn't pit them against each other. And they could be a great team!

[bicheetopuff]

Shounen was written for young boys to help them to get stronger and find a purpose in life, thats why most shounen series end up in marriage and having kids. Japan's birth rates are dropping each year and you guys want to see Deku and Bakugou end up together instead of Deku and Ochaco getting married and having kids? The stories and media we consume has to match the standards of real life you know.

Wow… this is a lot to unpack. A normal person would just ignore this, but lucky for you, I’m a bitch when I wanna be, and I happen to have time on my hands right now.

1) “Shonen was written for young boys to help them to get stronger and find a purpose in life”

Shonen is literally just a genre that directly translates to “young men.” But I think you’re trying to define the meaning of story telling as a whole, and even still, that’s a very narrow way to view an entire genre.

Stories meant for young men, most of the time, are meant for entertainment. You have anime’s like Dragon Ball and Naruto that’s almost nothing but action scene after action scene with very little thought provoking plot, because at the time, they were written for young boys. Like, they were aired on children’s channels back in the day, young boys. And while I won’t deny that there are definitely some good lessons in both (I can’t speak much because I never finished Naruto and only got about 20 episodes into dbz) they’re not meant to make a boy “stronger.” Lessons in early shonen were meant to broaden world views and increase emotional intelligence in a way that’s easy to understand. I guess it depends on your definition of what strength is, but I feel like strength is built from personal experiences, not watching an anime.

That being said though, the shonen/young boys genre has evolved over the years in the east and the west. Jujutsu Kaisen, Chainsaw Man, and Attack on Titan, are all shonens, with aot being also classified as a seinen. Those are most definitely not meant for the same age group that Dragon Ball and Naruto and One Piece were written for, given the amount of gore and heavier themes presented. Now, that’s not me looking down upon those stories at all, that’s me pointing out the obvious difference in tone, despite them being classified as the same.

As the genre evolved, authors approaches have also evolved. Literally read any interview from any modern shonen author and you’ll see how unserious they are when it comes to their own stories. Gege didn’t even like writing his story past a certain point and was just trying to push through it, because it wasn’t the story he originally wanted to write. Horikoshi has always said he just wanted to tell a story with no real goal towards the audience. Chainsaw Man is literally about a guy wanting to touch some boobs??? What about any of that screams, “I’m writing this to raise the new generation of young boys into strong husbands and fathers who know their purpose in life!”

Shonen as a whole has grown into a genre meant for young adults, with heavier themes and becoming increasingly more political. It’s not the same genre it used to be, and trying to say that it is, isn’t fair and is lowkey insulting towards authors with a more progressive world view.

2) “Japan’s birth rates are dropping each year and you guys want to see Deku and Bakugou get together instead of Deku and Ochaco getting married and having kids?”

Yeah… you’re right. I’d rather see a well written relationship come to fruition than watch another male author completely disrespect their female lead and ripping away her development. Why the fuck would I, an infertile acespec queer person, give a fuck about using two fictional characters to inspire young people to get married and start a nuclear family…

Also the birth rates are dropping all over the world, don’t pretend it’s only a Japanese issue. In Asia specifically, the birth rate is going down because women are tired of men’s shit and refuse to bare their children, and I’m actually happy as fuck that other parts of the world are following in their footsteps.

Women have been treated like shit in every corner of the world for so fucking long, and we all just dealt with it because that’s what we all thought we were supposed to do. It’s about fucking time we actually put our foots down and protest in the ways that we can, which is practicing our rights to autonomy. Why tf should we be responsible to bear the children of men most of us barely even like? And why is having children a mans responsibility, when women are the ones who have to carry the babies? Besides, why the fuck would anyone want to bring a kid into the shit show that is the world right now?

We’re over populated, have a really fucked up consumption and capitalism problem which causes us to depend on disgustingly unethical ways to find resources to appease everyone, there’s fucking flowers blooming in the arctics, there’s several genocides happening in the world as a result of neglectful and corrupt governments, a literal ethnic cleansing happening, and a carton of eggs costs 12 fucking dollars while the minimum wage stays at only $7.25 and the cost of living isn’t affordable unless you’re making nearly triple the minimum wage. I don’t even wanna be subjected to this shit and I’ll be damned before I subject a child to it against their will. Most of us can’t even afford to take care of ourselves without our parents help right now.

Also, what does a gay pairing have to do with the birth rate at all? Is Deku gonna carry that baby? Or are you seriously just narrowing down Ochaco to nothing more than his incubator? If Ochaco decides to have kids one day, why should it have to be with Deku? Oh and I hate to break it to you, but Ochaco becoming a mother isn’t going to solve any of the issues you presented.

3) “The stories and media we consume has to match the standards of real life you know”

…you’re talking about a story where one of the background characters has a god damn spray bottle for a head…

It’s fiction. Superhero media, at that. None of it has to follow the “rules” of real life, and most of the time, this kind of media does the exact opposite of following societal norms. And you thinking otherwise probably made Stan Lee roll in his grave.

Also, what’re your standards for real life? Because everyone’s standards are different. If yours is to get married and live in a traditional household with five kids and one source of income in this economy, then I think you’re the one being unrealistic here.

We shouldn’t burden children with adult responsibilities. Having kids and being a “good husband” isn’t something a child should have to think about until they’re older and only if they want to. Believe it or not, not everyone’s goal is to get married and produce offspring. We should be encouraging children to do the things they like doing without having to worry about adult shit yet. Not indoctrinating them into believing that the only way for them to be a successful adult, is if they have kids.

Using shonen and other conformative media that is dead set on maintaining the status quo to brainwash kids into wanting to be parents before they even know how babies are made, is weird. Don’t be weird, anon. You sound like one of those “alpha males” with a red pill podcast, convincing young men that crypto scams are a perfectly ethical way to make quick cash.

Literally just say you’re a misogynist, and move on. And get tf out of my inbox.

P.S.

You know gay men exist in real life, right? You’re talking as if gay men aren’t real. Not only are they real, but they also have nothing to do with the birth rate dropping. Find something else to be mad about.

[egophiliac]

WAIT when did he get FANGS

[companion-showdown]

Who had the worst time aboard the TARDIS?

TOURNAMENT MASTERPOST

[lastofthe20thcenturygirls]

[poorly-drawn-mdzs]

Broken Roofs and Fixed Perspectives

[First] Prev <–-> Next

[specialagentartemis]

The Odyssey stands the test of time as a story because it latches into the deep storytelling desire within us to go “and then some MORE weird random shit happened”